Volume 23, June 2011 - New England Conservatorium of Music
Volume 23, June 2011 - New England Conservatorium of Music
Volume 23, June 2011 - New England Conservatorium of Music
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
MASTERCLASS<br />
Masterclass with Alice Rickards<br />
On Monday afternoon, the 2nd May, Eliza Scott,<br />
Jess Wright, Emma Scott and myself attended a<br />
violin masterclass with Alice Rickards. Alice currently<br />
works in Edinburgh, Scotland playing the violin<br />
with the BBC Scottish Orchestra. We were joined by<br />
Wendy Huddleston, providing piano collaboration.<br />
Alice asked that everyone play a piece that they had<br />
been working on. She then <strong>of</strong>fered her ideas for<br />
improvement and technique development. Alice<br />
paid special attention to showing Emma and I some<br />
techniques for tall people, making it easier and more<br />
comfortable to play – this type <strong>of</strong> advice is always<br />
helpful. It was a very rewarding experience from<br />
which everyone gained greater understanding <strong>of</strong><br />
their piece and general playing.<br />
We thank Alice very much for coming and sharing<br />
her exceptional musical understanding and helping<br />
young students rise to the best <strong>of</strong> their potential.<br />
Special thanks also go to Wendy, who joined us despite<br />
her very busy schedule <strong>of</strong> Eisteddfod preparation<br />
and practice for another major performance.<br />
Lucy Isaac Alice working with Lucy<br />
A weekend with Peter Rejto May <strong>2011</strong><br />
Peter assisting Ali van Duijhoven with her fingering, accompanied by Sue Metcalfe<br />
8 NECOM NEWS JUNE <strong>2011</strong><br />
few weeks prior to the ei-<br />
A steddfod we were treated<br />
to a fantastic weekend <strong>of</strong><br />
cello lessons and a masterclass<br />
from Sydney cellist Peter<br />
Rejto.<br />
Peter, with his vast teaching<br />
experience, has a very effective<br />
way <strong>of</strong> communicating<br />
how to get around the cello.<br />
His performing career has<br />
also been extensive, so with<br />
his own well thought-out<br />
and consolidated technique,<br />
he was able to talk through<br />
and demonstrate what was<br />
required.<br />
He worked with a number <strong>of</strong><br />
different students <strong>of</strong> all ages,<br />
and it was wonderful to see<br />
him tenaciously bringing out<br />
the best in the music, and in<br />
the students.