Volume 27 Issue 3 - December 2021 / January 2022
Many Happy Returns: the rebirth of Massey Hall -- from venue to hub; music theatre's re-emergence from postponement limbo; pianist Vikingur Ólafsson's return visit to to "Glenn Gould's hometown"; guest writer music librarian Gary Corrin is back from his post behind the scenes in the TSO library; Music for Change returns to 21C; and here we all are again! Welcome back. Fingers crossed, here we go.
Many Happy Returns: the rebirth of Massey Hall -- from venue to hub; music theatre's re-emergence from postponement limbo; pianist Vikingur Ólafsson's return visit to to "Glenn Gould's hometown"; guest writer music librarian Gary Corrin is back from his post behind the scenes in the TSO library; Music for Change returns to 21C; and here we all are again! Welcome back. Fingers crossed, here we go.
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work with professional creative teams on early drafts of new shows,<br />
showcasing the results for audiences at the end of the school year.<br />
CLASSICAL AND BEYOND<br />
Lots to enjoy to celebrate the upcoming holidays, and even more to<br />
look forward to..<br />
QUICK PICKS<br />
It’s A Wonderful Life<br />
Ólafsson on<br />
Mozart, as<br />
momentum builds<br />
toward <strong>2022</strong><br />
NOV 9 to DEC 23: A Christmas Carol. Royal George Theatre,<br />
Shaw Festival, Niagara-on-the-Lake. shawfest.com LIVE<br />
NOV 14 to DEC 23: Holiday Inn. Festival Theatre, Shaw<br />
Festival, Niagara-on-the-Lake. shawfest.com LIVE<br />
FROM NOV 20: Immersive Nutcracker: A Winter Miracle.<br />
Lighthouse Immersive, One Yonge Street. immersivenutcracker.com<br />
DEC 10,11,17,18: It’s A Wonderful Life: A Live Radio Play.<br />
GD Productions, the Villa Lucia Supper Club, Ottawa. A live<br />
radio play performance of the classic film script adapted by Joe<br />
Landry, with pianist Nicolas Code underscoring scenes and<br />
playing transition music, along with live foley and sound effects<br />
throughout. iawl.eventbrite.ca LIVE<br />
NOW to JAN 2: Touch. Created by<br />
Guillaume Côté and Thomas Payette.<br />
Lighthouse Immersive, One Yonge<br />
Street. Due to technical difficulties on<br />
the night I was there, I only had the<br />
chance to see ten minutes, one pas de<br />
deux, of this fully immersive dance<br />
show, but it was so good, such an<br />
exciting mix of live dance and projected<br />
background that I can’t<br />
wait to see the rest.<br />
lighthouseimmersive.com/touch LIVE<br />
DEC 10 to 31: The Nutcracker. National Ballet of Canada,<br />
Four Seasons Centre for the Performing Arts,<br />
www.national.ballet.ca LIVE<br />
DEC 10 to 12: Wintersong. Canadian Contemporary Dance<br />
Theatre, Fleck Theatre (Harbourfront). Celebrating 33 years of<br />
illuminating the solstice through dance with a world premiere<br />
by Rodney Diverlus and the stage premiere of Alyssa Martin’s<br />
Star Seed. ccdt.org LIVE<br />
Touch<br />
DEC 18 & 19: <strong>2021</strong> Nutcracker. Pia Bouman School of Ballet and<br />
Creative Movement. piaboumanschool.org LIVE & Livestreamed.<br />
JAN 8 to 30: Boy Falls From The Sky. Mirvish Productions. CAA<br />
(formerly the Panasonic) Theatre. mirvish.com LIVE<br />
JAN 12 to 16: Gould’s Wall. Tapestry Opera, part of the Royal<br />
Conservatory’s 21C New Music Festival, performed in the RCM<br />
atrium. rcmusic.com/events LIVE<br />
JAN 11 to 28: Room. Grand Theatre, London grandtheatre.com/<br />
event/room. North American premiere. LIVE<br />
FEB 6 to APR 10: Room. CAA Theatre, Toronto. mirvish.com LIVE<br />
Jennifer Parr is a Toronto-based director, dramaturge, fight<br />
director and acting coach, brought up from a young age on a<br />
rich mix of musicals, Shakespeare and new Canadian plays.<br />
KAROLINA-KURAS<br />
PAUL ENNIS<br />
Vikingur Ólafsson’s Toronto debut was in 2014 –<br />
when I heard him play the Goldberg Variations at<br />
the Richard Bradshaw Amphitheatre and speak<br />
about how thrilled he was to be performing in Glenn<br />
Gould’s hometown. Since then, the 37-year-old Icelandic<br />
pianist has released critically acclaimed recordings for<br />
Deutsche Grammophon (works by Glass, J.S. Bach and<br />
Rameau/Debussy) and has been named Gramophone<br />
magazine’s 2019 Artist of the Year. His Toronto return –<br />
to Koerner Hall on <strong>January</strong> 13 – finds him performing his<br />
just-released CD, Mozart & His Contemporaries.<br />
What follows is largely gleaned from Martin Cullingford’s April 20,<br />
2020 story in Gramophone, Katherine Cooper’s interview in Presto<br />
Music, April 9, <strong>2021</strong> and an EPK interview for Deutsche Grammophon<br />
coincident with the release of his newest recording.<br />
“When I play Mozart I often feel like the ink has just dried on the<br />
page,” Ólafsson said on the DG website. “Despite the fact that the<br />
music was written 230 to 240 years ago, Mozart seems to reflect your<br />
innermost core.” On the DG site, he describes playing Mozart since<br />
he was five or six years old; one of his most vivid memories from<br />
his musical childhood is of playing the C Major sonata which is on<br />
his new DG recording (and in his upcoming Toronto recital). “It’s so<br />
serene, it’s almost impossible to play it,” he said. “It’s so perfect by<br />
itself that you almost dare not touch it – it’s like holding a newborn<br />
child – it’s so fragile, the beauty of it, that you just marvel at it. Mozart<br />
was so above us – what he did was so perfect.”<br />
In the Gramophone interview, Ólafsson told Cullingford that Evgeny<br />
Kissin and Glenn Gould were early obsessions, followed by musicians<br />
of an older generation – Edwin Fischer, Benno Moiseiwitsch,<br />
Josef Hofmann, Clara Haskil, Dinu Lipatti, Emil Gilels and the young<br />
Vladimir Horowitz. “I think all the ones that I love are masters of<br />
sound. They’re hugely different individuals, but they have something<br />
in common which is that they layer things, they create this dimension<br />
in the piano sound which is, really, the only way that a piano can<br />
sound beautiful in my opinion.”<br />
14 | <strong>December</strong> <strong>2021</strong> and <strong>January</strong> <strong>2022</strong> thewholenote.com