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ISSUE IV

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6 SIENNA SOLSTICE<br />

An Interview with Melodysheep<br />

John D. Boswell, known by his artist name as Melodysheep, is a composer,<br />

filmmaker, editor, and VFX artist whose work has spanned the depths of the<br />

internet and the entertainment industry. Known particularly for his viral compositions<br />

centered around space and the natural world, Melodysheep’s work<br />

evokes questions regarding the interactions of music and scientific wonder.<br />

Pursuing such an ambitious passion like musical science is rare and not everyone really understands<br />

it. What challenges did you encounter on this journey? How did you overcome this<br />

and what advice would you give people who want to pursue something similar?<br />

MELODYSHEEP: The biggest challenge in what I do is in trying to relate the information<br />

clearly, but also impactfully & creatively. The scientific worldview is beautiful, but can<br />

be hard for the average person to wrap their head around, just because of how detailed<br />

and deep the picture is. Cut-and-dry explanations are simple, but creative approaches to<br />

relaying information can be much more stirring and impactful. So it takes quite a bit of<br />

care to figure out the best way to relay the information in a compelling way anyone can<br />

understand, but also with fresh new approach. It helps to share works-in-progress with<br />

people who are unfamiliar with the subject, and get their take. Is the information clear?<br />

And is the emotional impact there? Very important to strike the right balance. And the<br />

music should always support the storytelling, not get in the way of it.<br />

Take us through a step-by-step of where your mind is when you are creating music for science.<br />

How does science translate to a score in your mind?<br />

MELODYSHEEP: My step-by-step process begins with asking: how do I use music to<br />

help convey these ideas? What genres best serve the subject, and what moods can<br />

reflect the knowledge I’m sharing? Once I have a script, I map out crescendos that add<br />

suspension while taking in preliminary information, and climaxes for when you receive<br />

that pinnacle piece of information. The rest is shaping the music into the right mood and<br />

vibe.<br />

On your website you write you “strive to evoke a sense of awe” in your music. How do you<br />

come across evoking those grandiose feelings of awe with such grandiose subjects such as<br />

space and nature?<br />

MELODYSHEEP: I like to let the music take center stage often; too many words or descriptions<br />

can be distracting, and the audience needs breaks to process what they’ve<br />

heard. Music can help steer your mind in a direction while stewing on those thoughts;<br />

exultant music will make you feel inspired, while creepy music will lead your mind to<br />

more questions and imagining stranger possibilities.

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