March 2022
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66<br />
Wanstead Village Directory<br />
ILLUSTRATING A POINT<br />
Karina Laymen believes illustration is a servant of the creators of art. In<br />
the second of a series of articles, the Wanstead House tutor presents a<br />
piece of work inspired by a dream about the rapture<br />
For centuries, illustration has been<br />
considered a type of pseudo-art in<br />
the sense of a non-self-generating<br />
conceptual art. Illustration forms<br />
part of that triangular relationship<br />
of communication, where the author<br />
generates the concept, story or event,<br />
the public is the direct receptor or<br />
passive interlocutor of the author and<br />
the illustrator is that third ‘auxiliary’ part<br />
who facilitates the understanding or<br />
visualisation of the concept.<br />
This humble position, outside a two-side flux<br />
of communication, gives the illustrator an<br />
honourable commission of servitude to the<br />
public and the author, the substantial creator.<br />
Society throughout the years, especially<br />
from the 18th century onwards, has become<br />
increasingly self-centred: in these last two<br />
centuries, society has lifted a monument to<br />
the ‘I’ and ‘yourself’ to the point of making an<br />
individual’s existence a piece of art, placing<br />
aside, ofttimes, the substance of the creator.<br />
Art as a pure discipline features a more<br />
introvert or narcissistic expression of the<br />
individual, which is the creator, the author,<br />
that shows us what dwells inside him or her:<br />
feelings, experiences, psychological processes,<br />
desires, memories, impressions and so on.<br />
Therefore, in this bipartite relationship of artist<br />
and viewer, the latter becomes an admirer of a<br />
private experience of another individual.<br />
The generous nature of illustration as a<br />
position of servitude aims to exalt the<br />
substance to be appreciated.<br />
After 30 years of receiving persistent<br />
‘commissions’ from an author, in 2019 I finally<br />
decided to embrace the project and pass on<br />
the message this especial creator has for the<br />
public: my dreams of the end times.<br />
“And it shall come to pass afterward, that I<br />
will pour out my spirit upon all flesh; and your<br />
sons and your daughters shall prophesy, your<br />
old men shall dream dreams, your young men<br />
shall see visions… And also upon the servants<br />
and upon the handmaids in those days will I<br />
pour out my spirit… And I will shew wonders<br />
in the heavens and in the earth, blood, and<br />
fire, and pillars of smoke,” (Joe 2:28– 2:30, King<br />
James Bible).<br />
I had this dream around 2003. Musicians in<br />
red outfits were playing their instruments on<br />
the clouds, meteors were hitting the ground,<br />
thousands of people were wearing dark and<br />
dirty clothes, as if they’d just come out of a<br />
war, and the moon was growing and growing;<br />
it was getting larger and occupied a big part<br />
of the reddish sky.<br />
Lying ill on my bed, I was dying, my mum<br />
crying next to me, but at the same time, I<br />
was standing by the broken wall watching<br />
everything, my sister at the window very<br />
excited because of the huge moon.<br />
Let’s pay attention to our dreams. We might<br />
not be the author, so let’s be “a faithful<br />
servant”.<br />
To view more of Karina’s work, visit<br />
wnstd.com/karina<br />
Karina teaches art classes every Friday at<br />
Wanstead House from 10am to 12pm. She<br />
also runs bespoke illustration courses for<br />
small groups. For more information, visit<br />
wnstd.com/riae or call 020 8550 2398<br />
To advertise, call 020 8819 6645 or visit wnstd.com