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JAPANESE AND KOREAN ART 23 march 2022

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KATSUSHIKA HOKUSAI (1760-1849)

Mount Fuji in a Thunderstorm

Edo period (1615-1868), circa 1831

An oban yoko-e print entitled Sanka haku-u (White Rain Below the

Mountain), from the series Fugaku sanjurokkei (36 Views of Mount Fuji),

depicting the mountain, its peak and steep upper slopes capped with

snow, rising majestically above billowing thunderclouds, with stylized

forks of lightning at lower right, signed Hokusai aratame Iitsu hitsu

10 x 14 1/2in (25.4 x 36.8cm)

$200,000 - 300,000

Published by Nishimuraya Yohachi (Eijudo) and titled in Japanese

Sanka haku-u or White Rain Below the Mountain, this world-famous

depiction of Japan’s tallest mountain has acquired a wide range of

non-Japanese titles since it first came to global notice around 150

years ago: Douche en dessous du sommet, Sudden Shower beneath

the Summit, Rainstorm beneath the Summit, Mount Fuji above the

Lightning or even the Black Fuji, testament indeed to its enduring

popularity among European and American lovers of Japanese art.

Along with two other prints from the same series of views of Mount

Fuji, known outside Japan as the Great Wave and the Red Fuji, it is not

just one of Hokusai’s best-known prints but one of the most familiar

images in the whole of East Asian art or even world art.

Occupying a larger proportion of the pictorial space than it does

in any other Hokusai view of Fuji, the mountain is seen from the

west, late on a summer afternoon, when “white rain,” a sudden

thunderstorm bursting from a previously clear sky, drenches its lower

slopes, dark thunderclouds at right contrasting with sunlit clouds at

left and a red bolt of lightning below.

The present lot exhibits several features associated with earlier

impressions of Sanka haku-u, among them the darker clouds at

right and the bokashi (partially wiped) graduated bands of the sky

above Fuji. Outstanding examples are preserved in several of the

world’s finest collections of Japanese art, including the Museum of

Fine Arts, Boston (four impressions: 06.1139, 11.25222, 21.6757,

21.6758); the British Museum (two impressions: 1906,1220,0.526,

1937,0710,0.120); the Metropolitan Museum of Art, New York

(JP11); Harvard University Art Museums (1933.4.2700); the Honolulu

Academy of Arts; and the Art Institute of Chicago; for the last two

see Tokyo National Museum, Hokusai, exhibition catalogue, October

25-December 4, 2005, cat. nos. 288 and 289.

12 | BONHAMS

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