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JAPANESE AND KOREAN ART 23 march 2022

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586

RYURYUKYO SHINSAI (1764?-1820)

Edo period (1615-1868), late 18th/early 19th century

A surimono shikishiban print of a metal pot for serving hot sake,

various cups, and a covered dish with poems by Kakuseiro

Takamaru and Shotei Senju, signed Shinsai

8 1/4 x 7 3/8in (30 x 18.7cm)

$2,000 - 3,000

587

RYURYUKYO SHINSAI (1764?-1820)

Edo period (1615-1868), late 18th/early 19th century

A surimono shikishiban print of a woman in a multi-layered kimono

strolling and gazing at small pine trees while under an umbrella held

by a male servant, with poems, signed Shinsai

8 1/8 x 7 1/8in (20.6 x 18.1cm)

$2,000 - 3,000

586

588

RYURYUKYO SHINSAI (1764?-1820)

Edo period (1615-1868), late 18th/early 19th century

A surimono shikishiban print of a kimono draped over a hanging

rod, a mirror stand, and various makeup utensils, with poems by

Shiseido Sutana, Dondontei, and one other, signed Shinsai

8 1/8 x 7in (20.6 x 17.8cm)

$2,000 - 3,000

587

589

YASHIMA GAKUTEI (1786?-1868) AND ATTRIBUTED TO

RYURYUKYO SHINSAI (1764?-1820)

Two surimono shikishiban prints and a surimono aiban yoko-e print

Edo period (1615-1868), 19th century

The first, Nintoku Tenno, Nihongi (Emperor Nintoku, Chronicle of

Japan), from the series Honchoren honcho nijushiko (24 Japanese

Paragons of Filial Piety for the Honcho Circle), with a poem by

Isonoya Naonari, signed Gakutei; the second, a patterned case and

a mirror, with text Horinouchi ren (Horinouchi Club) and a poem by

Hitsukatsutei Kusanari, signed Gakutei and sealed Yashima; the

third, two beauties in kimono, one standing and one sitting on an

engawa veranda with budding willow and prunus trees, with poems

by multiple poets, attributed to Ryuryukyo Shinsai (3)

The first, 8 x 7 1/8in (20.3 x 18.1cm); the second, 8 3/8 x 7 3/8in

(21.2 x 18.7cm); the third, 8 1/8 x 11in (20.6 x 27.9cm)

$2,500 - 3,500

For another impression of the first, with additional Sadaoka seal, see

Harvard Art Museums, accession number 1933.4.1663.

For another impression of the second, see Minneapolis Institute of

Art, accession number P.78.63.9.

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40 | BONHAMS

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