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U.S. CENTERPIECE<br />
MAMA BEARS<br />
DIR. DARESHA KYI | USA | 90 MIN.<br />
FRIDAY | JULY 22 | 7:15PM | DGA 1<br />
In Texas, Kimberly overhears her four-year-old Kai praying for<br />
God to take her home to Jesus rather than having to live as a boy.<br />
In Oklahoma, Sara is bedridden and cries for days after her son<br />
Parker comes out. In California, as her daughter Tammi decides<br />
to allow herself to find love with another woman after wrestling<br />
with 33 years of religious guilt, Tenita is taking the first steps to<br />
understanding. Across the country, there are over 30,000 “Mama<br />
Bears” who work to make the world kinder and safer for LGBTQ<br />
children of all ages. While they may come from strict religious<br />
upbringings and consider themselves devout Christians, the fierce<br />
love they have for their queer and trans children is unwavering,<br />
pushing them to choose not to be hateful reflections of a loving God.<br />
Daresha Kyi is unflinching as she points her lens towards<br />
families whose faith has been challenged, documenting their<br />
journeys with care and empathy. Both intimate and thoughtprovoking,<br />
follow these mamas as they take their own brand<br />
of grassroots advocacy across the country, one hug at a time.<br />
As part of the film’s special centerpiece screening during<br />
<strong>Outfest</strong> <strong>Los</strong> <strong>Angeles</strong>, director Daresha Kyi, the film team, and the<br />
leadership of the Mama Bears organization will be on the red<br />
carpet. They will be joined by special guests who will help them<br />
rally parents of color to protect their LGBTQIA+ children, and<br />
jumpstart vitally important conversations within communities of<br />
color about the importance of love, acceptance, and inclusion.<br />
UNIDENTIFIED OBJECTS<br />
DIR. JUAN FELIPE ZULETA | USA | 100 MIN.<br />
WEDNESDAY | JULY 20 | 7:00PM | DGA 1<br />
Peter, a self-described “college-educated, homosexual<br />
dwarf,” keeps to himself in his apartment as he reels from<br />
the recent loss of his closest friend. His solitary existence<br />
is up-ended when his quirky neighbor Winona shows up<br />
at his door with a favor to ask: she’d like to borrow his<br />
car so she can drive to the remote Canadian field where<br />
aliens are due to beam her aboard their spaceship.<br />
Led by a sensational pair of performances from Matthew<br />
Jeffers (TV’s New Amsterdam) and Sarah Hay, this<br />
disarming and wholly original take on the roadtrip comedy<br />
finds its charm and its power in spotlighting characters<br />
who rarely get the lead roles. Directed with a fabulous<br />
visual flair by first-time feature helmer Juan Felipe Zuleta,<br />
this film demonstrates the thrilling rewards of watching<br />
previously sidelined characters take center stage.<br />
DOCUMENTARY CENTERPIECE<br />
FAR FROM HEAVEN (20TH ANNIVERSARY)<br />
DIR. TODD HAYNES| USA, FRANCE | 107 MIN.<br />
SUNDAY | JULY 17 | 6:30PM | DGA 1<br />
20TH ANNIVERSARY SCREENING IN 35MM<br />
with Todd Haynes, Christine Vachon, and Julianne Moore in person!<br />
In the 1950s, director Douglas Sirk achieved his greatest commercial<br />
and artistic triumphs with a series of brilliant, socially conscious<br />
melodramas. Films like All That Heaven Allows, Written on the Wind,<br />
and Imitation of Life — sumptuously filmed, larger-than-life productions<br />
populated by Hollywood legends. They incisively explored issues of<br />
class, race, and inequality while delivering all the swooning romance<br />
and heightened drama audiences craved. Sirk’s distinct style has been<br />
cited by queer filmmaking legends as an influence, and in 2002, it<br />
provided inspiration for Todd Haynes’ masterpiece, Far From Heaven.<br />
From the first frame, Haynes’ meticulous recreation of a Sirkian world<br />
envelops the senses, but this is not simply an homage to a great filmmaker,<br />
it’s a radical reimagining of what was possible in ‘50s era Hollywood<br />
filmmaking. Through the story of picture perfect housewife Cathy Whitaker<br />
finds herself falling for her handsome Black gardener in the wake of<br />
discovering her husband’s hidden queerness, Haynes frankly addresses<br />
issues that in actual 1950s films remained coded, while nimbly maintaining<br />
the attitudes and language of the era. This stunning film, which earned four<br />
Academy Award nominations, also represents perhaps the finest work in<br />
the ongoing filmmaking trio of Haynes, producer Christine Vachon (who<br />
has worked with Haynes since their breakout 1991 feature Poison), and<br />
star Julianne Moore (who joined the two for 1995’s Safe, and several<br />
more films after). <strong>Outfest</strong> is honored to welcome all three to this special<br />
20th anniversary screening to discuss their undeniably iconic partnership.<br />
PLATINUM CENTERPIECE<br />
HeBGB TV<br />
DIRS. JAKE MCCLELLAN, ERIC GRIFFIN,<br />
ADAM LENHART | USA | 78 MIN.<br />
SATURDAY | JULY 16 | 7:00PM | REDCAT<br />
WORLD PREMIERE<br />
A retro-horror TV cable box infiltrates a neighborhood<br />
when a brother and sister stay up past their bedtime to<br />
sneak in some late-night viewing. Suddenly, Knuckle Head<br />
appears in their living room and begins to curate nostalgic<br />
queer killer content that might just make them never sleep<br />
again! This queer tribute to goofy horror hijinks and cable<br />
access shenanigans is destined to be a cult classic. Jam<br />
packed with strange skits, scary songs, bawdy humor, and<br />
creepy characters all aiming for a cheap laugh. How does<br />
a vampire deal with puberty? Will a loving lesbian movie<br />
night go to hell? Created by a DIY filmmaking trio from<br />
small town Pennsylvania, this year’s platinum centerpiece<br />
will include an opening live action, spooky immersive<br />
experience, to guide viewers into the most ridiculously<br />
terrifying Halloween TV special ever seen on the big screen.<br />
LEGACY CENTERPIECE