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DOCUMENTARY FEATURES<br />

ALL MAN: THE INTERNATIONAL MALE STORY<br />

DIRS. BRYAN DARLING, JESSE FINLAY REED | USA | 83 MIN.<br />

SATURDAY | JULY 16 | 7:15PM | DGA 1<br />

Who could have guessed that an American revolution of fabulously redefined<br />

masculinity would begin with the jock sock? None other than International<br />

Male magazine founder Gene Burkard, whose groundbreaking mail-order<br />

catalog — filled with flashy pages of gorgeous models in chic menswear<br />

— became a shared language and aspirational sanctuary between gay<br />

men in and out of the closet since 1979. Narrated by Matt Bomer and<br />

featuring interviews with Burkard himself, Carson Kressley, Drew Droege,<br />

and former International Male staffers, this intoxicating and eye-catching<br />

doc charts the rise and dominance of the magazine alongside the<br />

cultural shifts and health crises that forged the modern gay movement.<br />

FRAMING AGNES<br />

DIR. CHASE JOYNT | USA | 75 MIN.<br />

SUNDAY | JULY 17 | 4:00PM | DGA 1<br />

In 1958, a young trans woman named Agnes entered a study<br />

about sex disorders at UCLA to get the gender-affirming care she<br />

needed, by any means necessary. Her story was long considered<br />

to be exceptional until never-before-seen case files of other patients<br />

were found in 2017. Directed by Chase Joynt (No Ordinary Man)<br />

and featuring an all-star cast of transgender artists and performers,<br />

Framing Agnes uses re-enactment and genre-blurring storytelling<br />

techniques to breathe new life into previously unknown people who<br />

redefined gender in the midcentury. Featuring Angelica Ross, Jen<br />

Richards, Zackary Drucker, Silas Howard, Max Wolf Valerio, and<br />

Stephen Ira.<br />

IT RUNS IN THE FAMILY<br />

DIR. VICTORIA LINARES VILLEGAS<br />

DOMINICAN REPUBLIC, USA | 84 MIN.<br />

MONDAY | JULY 18 | 9:30PM | PLAZA DE LA RAZA<br />

In this documentary, filmmaker Victoria Linares traces the life of her<br />

cousin Oscar Torres — a pioneer of Caribbean cinema, participant<br />

in leftist movements during the 1940s, and most crucially a fellow<br />

queer person in the family. Torres’ story was largely erased and lost to<br />

time, which sets Victoria on a journey of self-discovery and historical<br />

excavation by unearthing memories and staging re-enactments of her<br />

cousin’s unproduced screenplays. Linares weaves together expressive<br />

sequences with immense skill, piecing together a powerful portrait of<br />

Torres’ creative and political legacy through the power of cinema.<br />

Preceded by ASÍ EN LA TIERRA COMO EN EL CIELO Dir. Mireya Martinez, 2022, 11 min.<br />

A RUN FOR MORE<br />

DIR. RAY WHITEHOUSE | USA | 82 MIN.<br />

SUNDAY | JULY 17 | 11:00AM | HARMONY GOLD<br />

Frankie Gonzales-Wolfe is running for City Council in San Antonio. With<br />

23 years of political activism under her belt, a husband who served in<br />

Afghanistan, and a successful corporate track record, it’s hard to see<br />

why she might not be a popular choice. But Frankie is a proud, Latinx,<br />

trans woman, and in Texas, it makes an uphill political battle something<br />

vastly more personal. Shot over the course of four years, director<br />

Ray Whitehouse immerses us into the joyous triumphs and intimate<br />

struggles of her unique campaign, and its impact on the city, the LGBTQ<br />

community, and on Frankie herself. At a time where legislatures across<br />

the country are passing bills that attack the lives of trans people, Frankie’s<br />

journey and tenacious spirit are an inspiration as she attempts to make<br />

history as the first elected openly transgender official in her state.<br />

Content advisory: contains descriptions of anti-LGBTQIA+ violence<br />

Preceded by UNIDAD: GAY & LESBIAN LATINOS UNIDOS Dir. Gregorio Davila, 2022, 40 min.<br />

ART AND PEP<br />

DIR. MERCEDES KANE | USA | 88 MIN.<br />

SUNDAY | JULY 17 | 11:00AM | DGA 1<br />

WORLD PREMIERE<br />

On Halsted Street in Chicago sits Sidetrack, a behemoth gay club that<br />

draws a large crowd, serving up slushy drinks and showtime singalongs<br />

on Sundays. Art Johnstone and Pepe Peña, partners in life and in love,<br />

opened it as a single storefront with no sign and beer cases as seating in<br />

1982, projecting music videos on a screen. The story of Sidetrack is not just<br />

the history of one of the city’s most important cultural landmarks (now 1500<br />

square feet after seven expansions), but also a look at the long struggle<br />

for equality and the right to love freely. From being on the frontlines of the<br />

AIDS crisis to co-founding Equality Illinois, Art and Pep have been leading<br />

the fight to make Illinois one of the most progressive protectors of LGBTQ+<br />

rights in the country.<br />

JEANNETTE<br />

DIR. MARIS CURRAN | USA | 78 MIN.<br />

WEDNESDAY | JULY 20 | 7:15PM | DGA 2<br />

Queer single mother and bodybuilder Jeannette Feliciano believes<br />

that strength is to show love. Director Maris Curran (Five Nights<br />

in Maine, 2015) opens a door into a woman’s life after she was<br />

dramatically affected by the Orlando Massacre at Pulse. This<br />

exacting, candid yet penetrating documentary offers a unique<br />

perspective about a woman’s resilience. The film is an eyeopening<br />

look at what it means to survive and overcome trauma<br />

with pain and beauty. Jeannette is a moving documentary<br />

that goes from trauma toward healing, finds support through<br />

community, and still reminds us about the crisis era we are living in.<br />

LOVING HIGHSMITH<br />

DIR. EVA VITIJA | SWITZERLAND, GERMANY | 83 MIN.<br />

SUNDAY | JULY 17 | 4:30PM | HARMONY GOLD<br />

With her second feature documentary, director Eva Vitija weaves an<br />

intimate portrait of enigmatic novelist Patricia Highsmith. Exploring her<br />

upbringing in Texas and her tumultuous life with her emotionally distant<br />

mother, and the many lesbian relationships that personified Highsmith’s<br />

private life. A troubled alcoholic, Highsmith lived life boldly, traveling<br />

often and engaging in many short-lived love affairs. Most notably,<br />

the film gives us insight into the writing and reception to Highsmith’s<br />

landmark lesbian novel The Price of Salt – famously adapted to film as<br />

Carol – while also alluding to the queer themes in her more popular<br />

Ripley novels. Using her diary entries with commentary from her family<br />

and former lovers, Highsmith and her writing comes into sharper focus,<br />

giving us an honest look into the mind of a troubled, brilliant artist.

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