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DOCUMENTARY FEATURES<br />
ALL MAN: THE INTERNATIONAL MALE STORY<br />
DIRS. BRYAN DARLING, JESSE FINLAY REED | USA | 83 MIN.<br />
SATURDAY | JULY 16 | 7:15PM | DGA 1<br />
Who could have guessed that an American revolution of fabulously redefined<br />
masculinity would begin with the jock sock? None other than International<br />
Male magazine founder Gene Burkard, whose groundbreaking mail-order<br />
catalog — filled with flashy pages of gorgeous models in chic menswear<br />
— became a shared language and aspirational sanctuary between gay<br />
men in and out of the closet since 1979. Narrated by Matt Bomer and<br />
featuring interviews with Burkard himself, Carson Kressley, Drew Droege,<br />
and former International Male staffers, this intoxicating and eye-catching<br />
doc charts the rise and dominance of the magazine alongside the<br />
cultural shifts and health crises that forged the modern gay movement.<br />
FRAMING AGNES<br />
DIR. CHASE JOYNT | USA | 75 MIN.<br />
SUNDAY | JULY 17 | 4:00PM | DGA 1<br />
In 1958, a young trans woman named Agnes entered a study<br />
about sex disorders at UCLA to get the gender-affirming care she<br />
needed, by any means necessary. Her story was long considered<br />
to be exceptional until never-before-seen case files of other patients<br />
were found in 2017. Directed by Chase Joynt (No Ordinary Man)<br />
and featuring an all-star cast of transgender artists and performers,<br />
Framing Agnes uses re-enactment and genre-blurring storytelling<br />
techniques to breathe new life into previously unknown people who<br />
redefined gender in the midcentury. Featuring Angelica Ross, Jen<br />
Richards, Zackary Drucker, Silas Howard, Max Wolf Valerio, and<br />
Stephen Ira.<br />
IT RUNS IN THE FAMILY<br />
DIR. VICTORIA LINARES VILLEGAS<br />
DOMINICAN REPUBLIC, USA | 84 MIN.<br />
MONDAY | JULY 18 | 9:30PM | PLAZA DE LA RAZA<br />
In this documentary, filmmaker Victoria Linares traces the life of her<br />
cousin Oscar Torres — a pioneer of Caribbean cinema, participant<br />
in leftist movements during the 1940s, and most crucially a fellow<br />
queer person in the family. Torres’ story was largely erased and lost to<br />
time, which sets Victoria on a journey of self-discovery and historical<br />
excavation by unearthing memories and staging re-enactments of her<br />
cousin’s unproduced screenplays. Linares weaves together expressive<br />
sequences with immense skill, piecing together a powerful portrait of<br />
Torres’ creative and political legacy through the power of cinema.<br />
Preceded by ASÍ EN LA TIERRA COMO EN EL CIELO Dir. Mireya Martinez, 2022, 11 min.<br />
A RUN FOR MORE<br />
DIR. RAY WHITEHOUSE | USA | 82 MIN.<br />
SUNDAY | JULY 17 | 11:00AM | HARMONY GOLD<br />
Frankie Gonzales-Wolfe is running for City Council in San Antonio. With<br />
23 years of political activism under her belt, a husband who served in<br />
Afghanistan, and a successful corporate track record, it’s hard to see<br />
why she might not be a popular choice. But Frankie is a proud, Latinx,<br />
trans woman, and in Texas, it makes an uphill political battle something<br />
vastly more personal. Shot over the course of four years, director<br />
Ray Whitehouse immerses us into the joyous triumphs and intimate<br />
struggles of her unique campaign, and its impact on the city, the LGBTQ<br />
community, and on Frankie herself. At a time where legislatures across<br />
the country are passing bills that attack the lives of trans people, Frankie’s<br />
journey and tenacious spirit are an inspiration as she attempts to make<br />
history as the first elected openly transgender official in her state.<br />
Content advisory: contains descriptions of anti-LGBTQIA+ violence<br />
Preceded by UNIDAD: GAY & LESBIAN LATINOS UNIDOS Dir. Gregorio Davila, 2022, 40 min.<br />
ART AND PEP<br />
DIR. MERCEDES KANE | USA | 88 MIN.<br />
SUNDAY | JULY 17 | 11:00AM | DGA 1<br />
WORLD PREMIERE<br />
On Halsted Street in Chicago sits Sidetrack, a behemoth gay club that<br />
draws a large crowd, serving up slushy drinks and showtime singalongs<br />
on Sundays. Art Johnstone and Pepe Peña, partners in life and in love,<br />
opened it as a single storefront with no sign and beer cases as seating in<br />
1982, projecting music videos on a screen. The story of Sidetrack is not just<br />
the history of one of the city’s most important cultural landmarks (now 1500<br />
square feet after seven expansions), but also a look at the long struggle<br />
for equality and the right to love freely. From being on the frontlines of the<br />
AIDS crisis to co-founding Equality Illinois, Art and Pep have been leading<br />
the fight to make Illinois one of the most progressive protectors of LGBTQ+<br />
rights in the country.<br />
JEANNETTE<br />
DIR. MARIS CURRAN | USA | 78 MIN.<br />
WEDNESDAY | JULY 20 | 7:15PM | DGA 2<br />
Queer single mother and bodybuilder Jeannette Feliciano believes<br />
that strength is to show love. Director Maris Curran (Five Nights<br />
in Maine, 2015) opens a door into a woman’s life after she was<br />
dramatically affected by the Orlando Massacre at Pulse. This<br />
exacting, candid yet penetrating documentary offers a unique<br />
perspective about a woman’s resilience. The film is an eyeopening<br />
look at what it means to survive and overcome trauma<br />
with pain and beauty. Jeannette is a moving documentary<br />
that goes from trauma toward healing, finds support through<br />
community, and still reminds us about the crisis era we are living in.<br />
LOVING HIGHSMITH<br />
DIR. EVA VITIJA | SWITZERLAND, GERMANY | 83 MIN.<br />
SUNDAY | JULY 17 | 4:30PM | HARMONY GOLD<br />
With her second feature documentary, director Eva Vitija weaves an<br />
intimate portrait of enigmatic novelist Patricia Highsmith. Exploring her<br />
upbringing in Texas and her tumultuous life with her emotionally distant<br />
mother, and the many lesbian relationships that personified Highsmith’s<br />
private life. A troubled alcoholic, Highsmith lived life boldly, traveling<br />
often and engaging in many short-lived love affairs. Most notably,<br />
the film gives us insight into the writing and reception to Highsmith’s<br />
landmark lesbian novel The Price of Salt – famously adapted to film as<br />
Carol – while also alluding to the queer themes in her more popular<br />
Ripley novels. Using her diary entries with commentary from her family<br />
and former lovers, Highsmith and her writing comes into sharper focus,<br />
giving us an honest look into the mind of a troubled, brilliant artist.