You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
NARRATIVE FEATURES<br />
MY EMPTINESS AND I (MI VACIO Y YO)<br />
DIR. ADRIÁN SILVESTRE | SPAIN | 98 MIN.<br />
SATURDAY | JULY 16 | 1:00PM | HARMONY GOLD<br />
MONEYBOYS<br />
DIR. C.B. YI| FRANCE | 120 MIN.<br />
WEDNESDAY | JULY 20 | 9:45PM | DGA 1<br />
LONESOME<br />
DIR. CRAIG BOREHAM | AUSTRALIA | 95 MIN.<br />
SATURDAY | JULY 23 | 9:30PM | DGA 1<br />
Down and out and on the run, handsome drifter Casey rolls into big<br />
city Sydney with a longing for connection and an untold past in the<br />
countryside. Adrift within the all-consuming hook-up scene of this<br />
unknown urban labyrinth, he strikes up a friendship with charismatic<br />
fellow hustler Tib after crossing paths in bed. Their connection quickly<br />
settles into a physical and emotional partnership that offers the promise<br />
of a new beginning for them both but only if they can survive the secrets<br />
and sinister forces that surround them. With an eye towards finding the<br />
sublime where others might look away, director Craig Boreham crafts<br />
an erotic, sensitively tuned vision of striking vulnerability that dares<br />
to kindle hope and redemption against the most impossible odds.<br />
MARS ONE ( MARTE UM)<br />
DIR. GABRIEL MARTINS | BRAZIL | 115 MIN.<br />
THURSDAY | JULY 21 | 7:00PM | DGA 2<br />
In this Sundance darling about a young woman discovering her queerness<br />
and taking a brave leap into new love, Brazilian director Gabriel Martins<br />
weaves a tender family drama with a sensual love story. Set in the postelection<br />
tumult of Bolsanaro’s regime, we meet a working class family of<br />
four, each with their own wishes for their future. Eldest sister Eunice has<br />
just met her great love in Joana, but hesitates to reveal her true self to her<br />
family members each dealing with their own challenges. Avoiding the<br />
dramatic trappings of the coming out narrative, Martins instead shows<br />
us a casual, easy love progressing naturally. Bathed in all the colors<br />
and music Brazil has to offer, Mars One is a celebration of life in the<br />
face of tragedy, and the enduring familial love that carries through it all.<br />
<strong>Outfest</strong> alum Adrián Silvestre partners with co-writer and lead<br />
actress Raphaëlle Perez to create a colorful, layered portrait of a<br />
life in flux. Perez plays Raphi, a low-level office worker with dreams<br />
of being an artist. When Raphi is diagnosed with gender dysphoria,<br />
her story becomes a deeply humane exploration of the choices<br />
one trans woman makes as she learns to re-enter the dating world,<br />
demand more from her sex life, and come into her own as a gifted<br />
writer and performer. Bursting with vitality and exuberance, the<br />
community that forms around Raphi is inspirational, led by a support<br />
group of multigenerational trans women played by the subjects of<br />
Silvestre’s <strong>Outfest</strong> Award-winning documentary, Sediments. This is an<br />
invigorating cinematic experience, destined to become a queer classic.<br />
Director C.B. Yi’s gritty and tender debut feature explores the<br />
emotional entanglements and secret world of street hustlers — or<br />
“Moneyboys” — working their clients and making a living in big city<br />
Beijing, where gay life is taboo but a surplus of demand survives in<br />
the shadows. Far from his home in rural China, twenty-something Fei<br />
rises in their ranks as a wet-behind-the-ears newcomer while sending<br />
along his earnings to the conservative family he left behind in the<br />
countryside. But when their disapproval irrevocably complicates his<br />
position, his life in the profession shifts as he seeks a new chapter in<br />
love without price tags attached. Yi’s tactile sensitivity and assured<br />
sense of direction with actors and their environment evokes a longing<br />
to belong against the shimmering mystery of starting your life anew.<br />
Content advisory: Depictions of violence<br />
Content advisory: This film contains intense scenes of a graphic sexual nature.<br />
MAYBE SOMEDAY<br />
DIR. MICHELLE EHLEN | USA | 91 MIN.<br />
SATURDAY | JULY 23 | 7:00PM | DGA 1<br />
When her wife devastatingly asks for a separation in order to explore other<br />
options, Jay decides to pick up her life and move across the country to<br />
start anew. Halfway through the trip, she makes a pit stop to visit her high<br />
school best friend, a single mother raising a young daughter. Haunted by<br />
the memories of her crumbling marriage and holding out for a second<br />
chance, Jay postpones the rest of her trip. She’s paralyzed in her grief<br />
until she befriends a charismatic gay man whose outlook on love forces<br />
her to come to terms with her new reality. Michelle Ehlen (Heterosexual<br />
Jill, S&M Sally) returns to <strong>Outfest</strong> LA with an honest and heartfelt journey:<br />
a love letter to the people who help pick us up when our hearts are<br />
broken, and the beauty of discovering the strength to create a fresh start.<br />
PETER VON KANT<br />
DIR. FRANÇOIS OZON | FRANCE | 85 MIN.<br />
SUNDAY | JULY 17 | 9:30PM | DGA 1<br />
One of contemporary cinema’s most prolific and stylish artists, François<br />
Ozon’s (8 Women, Summer of ‘85) latest breathes dazzling new life into<br />
a landmark of the queer canon. This tale of romantic obsession uses the<br />
framework of Rainer Werner Fassbinder’s 1972 masterpiece The Bitter<br />
Tears of Petra von Kant, and remolds it to focus on prickly film director<br />
Peter (Denis Ménochet), whose friend and frequent star Sidonie (a superb<br />
Isabelle Adjani) introduces him to young aspiring actor Amir. Peter is<br />
instantly infatuated, but with the beautiful Amir’s star rising and attention<br />
wandering, the potential rejection sends Peter’s temper into overload.<br />
No one is safe, including Peter’s long-suffering, silent assistant and his<br />
understanding mother (Fassbinder regular Hanna Schygulla), and the<br />
result is an explosive actors’ showcase that needs to be seen to be believed.<br />
PHEA<br />
DIR. ROCKY PALLADINO | UNITED KINGDOM | 93 MIN.<br />
SATURDAY | JULY 16 | 1:15PM | DGA 2<br />
Phea is an aspiring singer/songwriter who feels stuck. Her music<br />
career has stalled, and her relationship to her girlfriend Justine is on<br />
the precipice. So when Justine stops answering her calls, Phea tries to<br />
find her to get some explanation — but she is soon drawn into the orbit<br />
of a dangerous human trafficker that puts her own life, and Justine’s,<br />
on the line. She swiftly discovers that she would do whatever it takes<br />
to save her lover. Come for the emotionally and politically resonant<br />
lesbian spin on the myth of Orpheus, and stay for the extraordinary<br />
debut and music of Sherika Sherard — the singer/songwriter cast<br />
as Phea after the director saw her busking in a London tube station.<br />
Preceded by EDIBLE Dir. Kandis Golden, 2021, 18 min.