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Volume 27 Issue 8 | July 1 - September 20, 2022

Final print issue of Volume 27 (259th, count 'em!). You'll see us in print again mid-September. Inside: A seat at one table at April's "Mayors Lunch" TAF Awards; RCM's 6th edition "Celebration Series" of piano music -- more than ODWGs; Classical and beyond at two festivals; two lakeshore venues reborn; our summer "Green Pages" festival directory; record reviews, listening room and more. On stands Tuesday July 5 2022.

Final print issue of Volume 27 (259th, count 'em!). You'll see us in print again mid-September. Inside: A seat at one table at April's "Mayors Lunch" TAF Awards; RCM's 6th edition "Celebration Series" of piano music -- more than ODWGs; Classical and beyond at two festivals; two lakeshore venues reborn; our summer "Green Pages" festival directory; record reviews, listening room and more. On stands Tuesday July 5 2022.

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FEATURE<br />

LEAH-TAKATA<br />

<strong>July</strong> 13 at Brantford Summer<br />

Music Tomson Highway - Songs<br />

in the Key of Cree, Cree-Canadian<br />

playwright, storyteller, composer<br />

and performer Tomson Highway,<br />

with singer Patricia Cano;<br />

August 1, Music Mondays, Where<br />

the Creator Rests, a collaboration<br />

with Métis composer, Karen<br />

Sunabacka and the Andromeda Trio;<br />

Sept 1-5, Intersection Music and<br />

Arts Festival in Yonge Dundas Square<br />

- an annual multi-day festival that<br />

celebrates musical experimentation.<br />

Tomson Highway’s cabaret: Songs in the Key of Cree<br />

Karen Sunabacka<br />

Wendalyn Bartley is a Toronto-based composer and electro-vocal<br />

sound artist. sounddreaming@gmail.com.<br />

Music Garden and<br />

Palais Royale<br />

Awakenings along<br />

the Lakeshore<br />

CATHY RICHES<br />

Although spring is usually what we think of as the<br />

season for rebirth, in post-lockdown <strong>20</strong>22, summer<br />

is the new spring, with an explosion of festivals<br />

and programs back from dormancy. Along Toronto’s<br />

lakeshore, two treasured venues are rising from the ashes<br />

of the pandemic and bringing back lakeside live music.<br />

Music Garden<br />

Beloved by many hidden-gem miners, the<br />

Music Garden, in the Toronto harbourfront, was<br />

a tiny perfect setting for beautiful and eclectic<br />

acoustic concerts for decades until you-knowwhat<br />

hit and things went quiet. Now, a shiny<br />

new curator has been brought on board to steer<br />

the musical ship. Gregory Oh is a respected<br />

pianist, conductor and curator.<br />

Gregory Oh Although he’s bringing new life and fresh<br />

names to the programming that Tamara<br />

Bernstein – the founding artistic director of the Summer Music in the<br />

Garden series – handled so lovingly for many years, he’s staying true<br />

to the established format of top-notch small ensembles from a range of<br />

cultures and genres. Oh has said his main hope with this season is that<br />

people will discover something they’ve never seen or heard before.<br />

With 18 free concerts, the series includes Oneida Nation group,<br />

The Ukwehuwe Connection; jazz saxophonist, Alison Au; and<br />

Autorickshaw (Suba Sankaran and Dylan Bell plus special guest, and<br />

Suba’s dad, master drummer Trichy Sankaran).<br />

In August, 24-year-old cellist, Bryan Cheng, presents a solo program<br />

on a prized Stradivarius cello from 1696. The program fittingly<br />

culminates in Bach’s Cello Suite No. 1 in G Major, the piece that<br />

inspired Yo-Yo Ma to work to create the Toronto Music Garden in 1999.<br />

Palais Royale<br />

Although the majority of people who enjoyed the Palais Royale in<br />

its glory days are no longer with us, the legend lingers. Bands led by<br />

Count Basie, Duke Ellington and all the greats of the big-band era,<br />

passed through there after the hall transformed into a nightclub in the<br />

1930s with shows six nights a week. But when the era of dance bands<br />

ended, so did the Palais Royale’s heyday. It was used sporadically for<br />

concerts for many years until it was refurbished in <strong>20</strong>05 and reopened<br />

as an event space.<br />

24 | <strong>July</strong> 1 - <strong>September</strong> <strong>20</strong>, <strong>20</strong>22 thewholenote.com

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