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<strong>Cambridge</strong><br />

FILM FESTIVAL <strong>2021</strong><br />

18<br />

25<br />

NOVEMber<br />

NOVEMber<br />

www.camfilmfest.com<br />

40TH<br />

FESTIVAL


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ttp.com/film


WELCOMe<br />

TO THE 40th CAMBRIDGE FILM FESTIVAL<br />

In 2004, when I first<br />

became involved with the<br />

<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong><br />

(CFF), gloomy predictions<br />

of the ‘end of cinema’ were<br />

everywhere. Not of film as<br />

an artform, necessarily, but<br />

of cinema as a theatrical<br />

viewing experience: big<br />

screen, dark room, fellow<br />

travellers laughing or crying<br />

(or annoyingly munching)<br />

beside you. As passionate<br />

devotees of that experience,<br />

Tony Jones (former <strong>Festival</strong> Director) and I worked<br />

together to set up the <strong>Cambridge</strong> <strong>Film</strong> Trust, an<br />

arts charity promoting film culture and education –<br />

notably through our big, in-cinema <strong>Festival</strong>.<br />

Over the years, cinema-going hung in there, despite the rise of<br />

portable devices and streaming platforms, and we were proud to<br />

play our part. CFF screened silent films with live accompaniment,<br />

projected films in all kinds of unusual and outdoor venues<br />

(remember the riverside screenings?) and brought cinephiles<br />

and filmmakers together for Q&As and conversations in the bar.<br />

Then came Covid-19. Suddenly, cinemas were closed and our<br />

40th <strong>Festival</strong> could not take place: it felt like this really might<br />

be the end.<br />

We collaborated on a fantastic<br />

online event, AMPLIFY! and<br />

launched CFF@Home – and<br />

discovered a <strong>Festival</strong>-feeling was<br />

possible online, with Zoom keeping<br />

the conversations alive. But while<br />

we’re keeping online screenings,<br />

to help brilliant cinema reach as<br />

wide an audience as possible, that<br />

communal big screen experience<br />

will always be at the heart of<br />

what we do.<br />

A debt of gratitude is owed to<br />

Matthew Webb, Owen Baker,<br />

Cristina Roures, Esperanza Moreno<br />

Guerra, Becky Mann, Mike O’Brien,<br />

Hannah Hitchin, Rhea Finnie,<br />

George Agnew and the entire <strong>Festival</strong> team; for delivering<br />

this 40th <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> that brings us all to the<br />

cinema again.<br />

This splendid celebration of world cinema would not be possible<br />

without them. Nor would it be as expansive without the generous<br />

and ongoing support of Studio 24, The Technology Partnership<br />

(TTP), the Eligator Sansom Family Fund, and the BFI.<br />

Thank you to everyone who has supported us in presenting this<br />

40th <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>.<br />

I’m thrilled to welcome you back to the <strong>Festival</strong>.<br />

Isabelle McNeill<br />

Chair, <strong>Cambridge</strong> <strong>Film</strong> Trust<br />

It’s hard to convey how much our lives have changed since the<br />

39th <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> (CFF). The pandemic has tested<br />

us all in unimaginable ways, yet the spirit, ethos and goals of<br />

the <strong>Cambridge</strong> <strong>Film</strong> Trust and <strong>Festival</strong> remain the same. We<br />

continue to bring established and new voices to <strong>Cambridge</strong>,<br />

opening windows for all onto vistas, stories and languages<br />

beyond.<br />

Key anchors in the programme whether Flee or Great Freedom,<br />

Ali & Ava or Luzzu, Fear or Playground, When I’m Done Dying, or<br />

I Am Here all explore transnational stories in an engaging and<br />

entertaining way, sharing an open, rich, expansive and multifaceted<br />

view of the world. There is humour, joy, sadness and<br />

terror that will warm, entertain, shake, awaken.<br />

<strong>Film</strong>makers have naturally responded to the pandemic. A<br />

special event with Ai Weiwei & Wang Fen (p.22) highlights their<br />

prolific filmmaking efforts which Weiwei describes as the most<br />

productive time in his filmmaking career. Elisabeth Vogler’s<br />

vibrant, miraculous single take along the Seine gives a joyous<br />

wander through Paris as people emerge from seclusion, in<br />

Roaring 20’s.<br />

A BFI Japan Season (p.14) features the masterful Ryûsuke<br />

Hamaguchi who blends Murakami and Chekhov, alongside<br />

new name Keita Fujimoto. Families will not want to miss<br />

Poupelle of Chimney Town evocative of Spirited Away or Howl’s<br />

Moving Castle. Camera Catalonia (p.12) returns with favourites<br />

Agustí Villaronga and Cesc Gay, the unmissable Balandrau,<br />

Frozen Hell and hard-hitting 15 Hours by Judith Colell. The<br />

Liberty strand (p.21) lays bare the events that led to a global<br />

movement in Ferguson Rises and explores the UK’s complicated<br />

relationship with immigration in Hostile. ShortFusion (p.23)<br />

offers a poignant reflection on world filmmaking.<br />

Gala screenings (p.6) provide a grand stage for Julia<br />

Ducournau’s Palme d’Or-winning Titane, Michael Showalter’s<br />

The Eyes of Tammy Faye, Joanna Hogg’s The Souvenir: Part II<br />

and The Electrical Life of Louis Wain. Creativity on <strong>Film</strong> (p.18)<br />

presents a stunning animated adaptation of Coppelia featuring<br />

Darcey Bussell, who will also join us in <strong>Cambridge</strong>. Nature &<br />

Community (p.20) introduces Alexis Gambis’s Son of Monarchs,<br />

a rare feature that blends science with a deeply personal story.<br />

Screenings in-venue will be supported by an online programme<br />

which will allow attendees to see some of the <strong>Festival</strong> films<br />

from the comfort of their own home. We continue meanwhile,<br />

on our inclusive journey. 50% of the programme is female<br />

directed. We’ve also introduced simpler pricing to make the<br />

<strong>Festival</strong> as accessible as possible.<br />

Thank you to the programmers Yeşim Güzelpınar, Elle<br />

Haywood, Ramon Lamarca, Prerona Prasad who have<br />

joined me in long, expansive discussions on film. Hitomi<br />

Shinozaki’s advice on contemporary Japanese cinema has<br />

been paramount in selecting films and placing them in context.<br />

We continue to benefit enormously from the experience of<br />

Tony Jones who has advised throughout. Thank you also to<br />

the 40+ strong team of reviewers who have carefully watched,<br />

reviewed and championed submissions to the <strong>Festival</strong>.<br />

Laying the groundwork for the <strong>Festival</strong> has required<br />

an extraordinary volley of activity, and near constant<br />

communication with a far-reaching, international network<br />

of producers, sales agents, distributors and filmmakers in<br />

Tallinn, Sundance, Cannes, Gothenburg, Rotterdam, and<br />

Berlin film festivals and markets, and beyond. As we all adjust<br />

to a new world and ever-changing release plans, platforms<br />

and calendar, I’m especially grateful to Altitude <strong>Film</strong>s, Beta<br />

Cinema, Curzon Artificial Eye, Metro International, Matchbox<br />

<strong>Film</strong>s, The Match Factory, Modern <strong>Film</strong>s, MUBI, New Wave<br />

<strong>Film</strong>s, Peccadillo Pictures, Searchlight Pictures, Sovereign<br />

<strong>Film</strong> Distribution, Studiocanal, UDI, and Universal Pictures for<br />

placing their films and trust with us, as well, of course, to our<br />

hosts the Arts Picturehouse.<br />

We have considered more than 3000 filmmakers and their<br />

films. Whilst championing seasoned directors such as Céline<br />

Sciamma and Andrea Arnold, new voices Laura Wandel,<br />

Juan Pablo Félix, and Laura Samani, have all produced<br />

striking debuts. We have 95 titles from 44 countries, with 21<br />

UK premieres, and 5 European premieres in the programme.<br />

Seeing the <strong>Festival</strong> come together has been a rewarding<br />

experience and I look forward to sharing this with you all.<br />

Matthew Webb<br />

Lead Programmer & Executive Director, <strong>Cambridge</strong> <strong>Film</strong> Trust<br />

<strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong><br />

3


CONTENTS<br />

5 Opening<br />

& Closing films<br />

6 GALA<br />

SCREENINGS<br />

8 INTERNATIONAL<br />

FESTIVAL HIghights<br />

10 Connection &<br />

Disconnection<br />

12 CAMERA<br />

CATALONIA<br />

14 JAPAN<br />

16<br />

<strong>2021</strong><br />

SCHEDULE, TICKETS<br />

& VENUES<br />

18 Creativity<br />

on <strong>Film</strong><br />

20 Nature &<br />

Community<br />

21 Liberty<br />

22<br />

23 SHort<br />

Fusion<br />

27<br />

Producing during<br />

the Pandemic<br />

<strong>Film</strong> Hub South East,<br />

YOUTH LAB<br />

28 CFF@Home<br />

30 Honour<br />

Board<br />

31 Index<br />

of films<br />

Developing your voice<br />

JESUS COLLEGE, MONday 22nd November, 15:00 - 21:00<br />

Jesus College, University of <strong>Cambridge</strong>, presents an<br />

afternoon celebrating the student short films created<br />

for the rolling <strong>Film</strong> at Jesus competitions. Master of<br />

Jesus, Sonita Alleyne OBE, who launched the initiative<br />

in October 2020, will introduce the showcase of films.<br />

Co-founder of <strong>Film</strong> at Jesus, Anja Diel, will invite<br />

participation in the next round of competition.<br />

Programme<br />

15.00<br />

17.00<br />

19.00<br />

Showcase of student films, introduced by Sonita Alleyne OBE,<br />

Master of Jesus College.<br />

Screenwriter James McCarthy will host an industry panel of<br />

screenwriters, film directors and producers, in a bid to help<br />

new filmmakers work towards making their first feature.<br />

Hitomi Shinozaki, Programme Advisor for the CFF40 Japan<br />

Season, will introduce a screening of Keita Fujimoto’s<br />

engaging drama, Just the Two of Us.<br />

FREE EVENT (booking required via camfilmfest.com)<br />

2019 Surprise fiilm: The Personal History of David Copperfield<br />

SURPRISE FILM<br />

Sun 21st Nov, 21.45<br />

CFF<br />

15<br />

Often met with laughs, whoops or groans,<br />

the Surprise <strong>Film</strong> has been a staple of the<br />

<strong>Festival</strong> since 2001. Each year, rumour and<br />

speculation grow to fever pitch, and no<br />

one – not even the projectionist – knows<br />

the film’s title until the first few frames on<br />

screen slowly reveal its true identity. So,<br />

for those amongst you who relish the taste<br />

of adventure, snap up your ticket early on<br />

and enjoy this unique experience.<br />

There will be no reviews or clues from<br />

us, but feel free to join the discussion on<br />

Twitter. Follow us at @camfilmfest and<br />

tag your suggestions with #CFFSurprise.<br />

4 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com


40TH<br />

OPENING FILM<br />

FESTIVAL<br />

CAMBRIDGE FILM FESTIVAL STAFF<br />

Operations Managers<br />

Cristina Roures & Esperanza Moreno Guerra<br />

Marketing Manager<br />

Owen Baker<br />

Events & Venues Manager<br />

Hannah Hitchin<br />

<strong>Festival</strong> Logistics<br />

Hitomi Shinozaki<br />

Corporate Partnerships & PR Manager<br />

Becky Mann<br />

Youth Lab & Young People’s Jury Lead<br />

Abigail Pollock<br />

Lead ProgrammER<br />

Matthew Webb<br />

Programming Panel<br />

Yeşim Güzelpınar (Turkish <strong>Film</strong> Programmer),<br />

Elle Haywood, Ramon Lamarca & Prerona<br />

Prasad (Artist Moving Image Programmer)<br />

Camera Catalonia Programmer<br />

Ramon Lamarca<br />

Programme Advisor for the Japan Season<br />

Hitomi Shinozaki<br />

Short <strong>Film</strong>s Programmer<br />

& Submissions Coordinator<br />

Elle Haywood<br />

<strong>Brochure</strong> Editor/COORDINATOR<br />

Rhea Finnie<br />

<strong>Brochure</strong> designer<br />

Dan Taylor<br />

Friends & Patrons<br />

Elena Shampanova<br />

Projectionists & Technical Team<br />

George Agnew, Laurence Anderson,<br />

Tom Brooks & Hitomi Shinozaki<br />

Photographers<br />

Jean-Luc Benazet & David Riley<br />

<strong>Festival</strong> interns<br />

Musalina Dzhalil, Louise Grundy &<br />

Greté Kutkaité<br />

TAKE ONE FESTIVAL MAGAZINE<br />

Editor-in-Chief<br />

Rosy Hunt<br />

Managing Editor<br />

Jim Ross<br />

CAMBRIDGE FILM TRUST<br />

Isabelle McNeill, Simon Jones, Tony Jones,<br />

Jenny Nelson, Mike O’Brien & Matthew Webb<br />

ARTS PICTUREHOUSE<br />

General Manager<br />

Lorcan O’Neill<br />

Assistant General Manager<br />

Victoria Ayre<br />

Duty Managers<br />

Hitomi Shinozaki, Pėter Horvath<br />

& Thierry Preston<br />

PICTUREHOUSE CINEMAS<br />

Clare Binns, Keith Gehlert, Carol McKay<br />

& Madeleine Mullet<br />

Plus all the amazing volunteers, venue<br />

staff and all the hard-working film<br />

submissions reviewers.<br />

ALI & AVA<br />

UK|<strong>2021</strong> 95 mins<br />

DIRECTOR<br />

WITH<br />

THE ELECTRICAL LIFE OF LOUIS WAIN<br />

UK|<strong>2021</strong> 111 mins<br />

DIRECTOR<br />

WITH<br />

CFF<br />

12A<br />

Clio Barnard<br />

Adeel Akhtar, Claire Rushbrook, Ellora Torchia<br />

Adeel Akhtar (Four Lions, Big Sick, Enola Holmes, The Electrical Life of Louis Wain) delivers another stand-out<br />

performance as the complex, multilayered, musical, vibrant and kind Ali. As Ali comes to terms with the<br />

breakdown of his marriage he encounters Ava (Claire Rushbrook), another lost soul trying to emerge from the<br />

shadow left by her former, now deceased, husband. Clio Barnard’s latest film explores themes of happiness,<br />

belonging, and confronting racism. Ultimately, it is also a story about reconciliation and finding one’s path.<br />

Barnard once again proves herself the bard of the British working class. In Ali & Ava, she abandons her<br />

occasionally bleak realism for a kind of stubborn hopefulness, letting the delight of unexpected connection<br />

break through the storm clouds. JUDE DRY, INDIEWIRE<br />

We are delighted to welcome actress Claire Rushbrook for a Q&A following the film.<br />

PRINT SOURCE<br />

Altitude <strong>Film</strong>s<br />

Print source Studiocanal<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 5<br />

THU<br />

18<br />

CLOSING FILM<br />

20.30<br />

CFF<br />

12A<br />

MON<br />

22<br />

THU<br />

25<br />

20.30<br />

20.00<br />

Will Sharpe<br />

Benedict Cumberbatch, Claire Foy, Olivia Colman, Andrea Riseborough, Toby Jones<br />

An all-star cast led by Claire Foy and Benedict Cumberbatch, narrated by Olivia Colman and featuring a trove<br />

of household names such as Taika Waititi, Richard Ayoade, Aimee Lou Wood and Nick Cave. Will Sharpe<br />

focuses on 1880s London eccentric Louis Wain (Benedict Cumberbatch) whose prolific depictions of our<br />

domestic feline friends were to foreshadow the explosion of cat memes and videos that we see today. The<br />

film charts the painter’s life as new governess Emily (Claire Foy) is introduced to the family home. Hired to<br />

educate Wain’s younger sisters, a romance soon blossoms.<br />

The man responsible for some of Victorian England’s most beloved feline paintings led rather an<br />

interesting life, as this delightfully odd biopic attests. PETER DEBRUGE, VARIETY


GALA<br />

SCREENINGS<br />

OPENING<br />

GALA FILM FRI 20.30<br />

THE EYES OF TAMMY FAYE<br />

USa|<strong>2021</strong> 126 mins<br />

DIRECTOR<br />

WITH<br />

CFF<br />

15<br />

Michael Showalter<br />

Jessica Chastain, Andrew Garfield, Cherry Jones, Vincent D’Onofrio<br />

Michael Showalter (The Big Sick) returns with a humanising and gloriously colourful portrayal of 1970s global<br />

televangelist phenomenon Tammy Faye, played by Jessica Chastain. Showalter traces Tammy Faye’s rise from humble<br />

beginnings and the pivotal moment she met her husband, Jim Bakker. Together, they were formidable, establishing a<br />

colossal empire, which at its height reached millions of followers through television and broadcast. Bakker’s eventual<br />

financial and personal misconduct, however, led them to lose everything. Their experience was to foreshadow the rise<br />

of televangelism, strongly held money-led belief systems and cults of personality that are now commonplace.<br />

This biopic about Tammy Faye and her husband, the disgraced preacher Jim Bakker (played with oily charm by<br />

Andrew Garfield), walks a tricky tonal tightrope, touching on hypocrisy, religion, self-empowerment and denial.<br />

TIM GRIERSON, SCREEN INTERNATIONAL<br />

Print source<br />

Searchlight Pictures<br />

19<br />

UK<br />

P R E M I E R E<br />

Prepare to be dazzled by remarkable<br />

stories of mystical journeys, queer<br />

sexual liberation, the fight for<br />

recognition at work and the fall from<br />

stardom. The return to the big screen<br />

would not be complete without<br />

experiencing performances from<br />

Tilda Swinton, Franz Rogowski,<br />

Jessica Chastain, Andrew Garfield,<br />

Benedict Cumberbatch, Honor Swinton<br />

Byrne and Richard Ayoade.<br />

BLUE BAYOU<br />

Print source Universal Pictures<br />

6 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com<br />

CFF<br />

15<br />

USa & CANADA|<strong>2021</strong> 115 mins<br />

DIRECTOR Justin Chon<br />

WITH<br />

Justin Chon, Alicia Vikander, Mark O’Brien<br />

SAT<br />

20<br />

18.15<br />

MON<br />

22<br />

20.40<br />

Alicia Vikander stars in this gripping story about citizenship, rights, and the heartache that many<br />

families experience when pulled apart under tough immigration laws and enforcement.<br />

Vikander, often acclaimed for roles that call for elegance and poise, has rarely been this forceful and<br />

immediate on-screen, and she and Chon achieve a portrait of a marriage that pulses with warmth, life<br />

and a ferocious mutual need.” ... “You’re meant to reflect on their experiences. You might also find<br />

yourself thinking of the migrant families traumatized and separated at the U.S.-Mexico border in recent<br />

years — a different dimension of the immigrant crisis that nonetheless resonates with this movie’s<br />

singular nightmare. It’s in Antonio’s love for his wife and children, and his fear of losing them, that Blue<br />

Bayou finds a core of wrenching emotional honesty that survives its more manipulative impulses. It<br />

knows the love it takes to build and nurture a family, and the violence it takes to tear that family<br />

asunder. JUSTIN CHANG, LA TIMES


23<br />

GREAT FREEDOM<br />

Grosse Freiheit<br />

CFF<br />

15<br />

AUSTRIA & GERMANY|<strong>2021</strong> 116 mins<br />

German with English subtitles.<br />

DIRECTOR Sebastian Meise<br />

WITH<br />

Franz Rogowski, Georg Friedrich, Anton von Lucke, Thomas Prenn<br />

Sebastian Meise’s latest offering won the <strong>2021</strong> Un Certain Regard Jury Prize at<br />

the Cannes <strong>Film</strong> <strong>Festival</strong> and is set for wider acclaim. Meise presents a heartfelt<br />

and gut-wrenching portrayal of life in a homophobic post-WWII Germany. Hans<br />

(Franz Rogowski) is systematically arrested and imprisoned. On arriving in<br />

prison, he is beaten by his cellmate, and murderer, Victor (Georg Friedrich) in<br />

full view of the prison guard. Their relationship soon develops, however, giving<br />

rise to a sense of freedom that was never possible outside the prison walls.<br />

Meise’s film is an exquisite marriage of personal, political and sensual<br />

storytelling, its narrative and temporal drift tightened by another performance<br />

of quietly piercing vulnerability from Franz Rogowski. GUY LODGE, VARIETY<br />

CONTENT WARNING Contains abuse and scenes of a sexual nature.<br />

Print source<br />

MUBI<br />

TUE<br />

20.15<br />

THU<br />

25<br />

13.15<br />

MEMORIA<br />

CFF<br />

12A<br />

Colombia, Thailand, UK, Mexico, France, Germany<br />

& Qatar|<strong>2021</strong> 136 mins<br />

Spanish and English with English subtitles.<br />

DIRECTOR Apichatpong Weerasethakul<br />

WITH<br />

Tilda Swinton, Elkin Díaz, Jeanne Balibar, Juan Pablo Urrego, Daniel<br />

Giménez Cacho<br />

Tilda Swinton (The French Dispatch, The Souvenir, Orlando) stars in Apichatpong<br />

Weerasethakul’s (Uncle Boonmee Who Can Recall His Past Lives) sonic, otherworldly<br />

experience. An unmissable one-off <strong>Cambridge</strong> screening.<br />

The Thai master’s English-language debut – about an expat attuned to<br />

strange frequencies in Colombia – more than matches his past mystic odysseys.<br />

Apichatpong Weerasethakul offers us his own kind of exaltation and his own<br />

abolition of gravity” ... “Memoria is a beautiful and mysterious movie, slow<br />

cinema that decelerates your heartbeat. ★★★★★<br />

PETER BRADSHAW, THE GUARDIAN<br />

Print source<br />

Sovereign <strong>Film</strong> Distribution<br />

SAT<br />

20<br />

20.45<br />

21<br />

THE SOUVENIR: PART II<br />

UK|<strong>2021</strong> 107 mins<br />

DIRECTOR<br />

WITH<br />

CFF<br />

15<br />

Joanna Hogg<br />

Honor Swinton Byrne, Tilda Swinton, Joe Alwyn,<br />

Richard Ayoade, Charlie Heaton<br />

Joanna Hogg’s hotly-anticipated follow-up to The Souvenir (CFF39) continues<br />

with Julie (Honor Swinton Byrne) still mourning the loss of Anthony. She has<br />

abandoned her script for her final film school project and sets out to recreate<br />

the magic and heartbreak of her relationship with a complex man, whose<br />

addiction led to his untimely end. Realising this film within a film, completes the<br />

semi-biographical story of Joanna Hogg’s journey into the filmmaking world.<br />

A movie that defied the laws of film industry gravity, and those big names in<br />

the credits don’t in themselves explain this: a film that has floated free of what<br />

might be expected commercially or in any other way and carries itself with a<br />

marvellous austere artistry and compositional flair.<br />

PETER BRADSHAW, THE GUARDIAN<br />

Print source<br />

SUN<br />

20.15<br />

Picturehouse Entertainment<br />

MON<br />

22<br />

15.45<br />

TITANE<br />

Print source Altitude <strong>Film</strong>s<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 7<br />

CFF<br />

18<br />

WED<br />

24<br />

FRANCE|<strong>2021</strong> 108 mins<br />

French with English subtitles.<br />

DIRECTOR Julia Ducournau<br />

WITH<br />

20.45<br />

THU<br />

25<br />

20.30<br />

Vincent Lindon, Agathe Rousselle, Garance Marillier<br />

Interweaving cues from Cronenberg to Tarantino, tied together with exceptional<br />

performances from Agathe Rousselle and Vincent Lindon, and an almost human<br />

body-like score, Julia Ducournau’s Titane is a spectacular, brutal and hypnotic<br />

ride that keeps the viewer on a certain edge, not knowing what could possibly<br />

happen next. In <strong>2021</strong>, Ducournau became only the second woman ever to win the<br />

coveted Palme d’Or at the Cannes <strong>Film</strong> <strong>Festival</strong> for this unforgettable film.<br />

Titane consolidates a filmmaking style based on visceral shock, grisly<br />

absurdism and high thematic ambition. Violence is often played for comedy.<br />

Cruelty collides with tenderness. Eroticism keeps company with disgust. Through<br />

the stroboscopic aggression of Ducournau’s images you can glimpse ideas about<br />

gender, lust and the intimacy that connects people and machines.<br />

A.O. SCOTT, THE NEW YORK TIMES<br />

CONTENT WARNING Contains scenes of a sexual nature, and strong violence<br />

which some viewers may find distressing.


INTERNATIONAL<br />

FESTIVAL HIGHLIGHTS<br />

MEMORY BOX<br />

CFF<br />

15<br />

France, Lebanon & Canada|<strong>2021</strong> 104 mins<br />

French, Arabic & English with English subtitles.<br />

DIRECTORS Joana Hadjithomas & Khalil Joreige<br />

WITH Rim Turki, Manal Issa, Paloma Vauthier<br />

Print source<br />

UK<br />

P R E M I E R E<br />

Modern <strong>Film</strong>s<br />

WED<br />

24<br />

16.00<br />

THU<br />

25<br />

A timely reflection on the zeitgeist of 1980s Beirut<br />

through the lens of a mysterious trove of photos,<br />

notebooks, and recordings that arrive one<br />

Christmas Eve.<br />

12.30<br />

A winning cast of fine actresses and an engrossing<br />

back-and-forth timeline that jumps from wartime<br />

Beirut under the bombs to the staid tranquility of<br />

modern-day Montreal. HOLLYWOOD REPORTER<br />

A showcase of exceptional awardwinning<br />

cinema from the world’s<br />

festival circuit and film markets,<br />

taking us from Denmark to Turkey,<br />

from Beirut to France and beyond.<br />

Discover noteworthy debuts from<br />

filmmakers such as Laura Samani and<br />

Laura Wandel and venture into the<br />

latest films from acclaimed directors<br />

including Nisan Dağ, Jonas Poher<br />

Rasmussen and Céline Sciamma.<br />

FEAR<br />

Strah<br />

CFF<br />

15<br />

BULGARIA|2020 100 mins<br />

Bulgarian and English with English subtitles.<br />

DIRECTOR Ivaylo Hristov<br />

WITH<br />

Svetlana Yancheva, Michael Fleming,<br />

Ivan Savov, Stoyan Bochev, Krassimir<br />

Dokov, Miroslava Gogovska<br />

An exceptional combination of dark comedy<br />

and theatre from Ivaylo Hristov. Tallinn Black<br />

Nights’ grand prize winner, set in a rural village<br />

in Bulgaria, follows a lone black refugee Bamba<br />

(Michael Fleming) greeted at the edge of a forest<br />

by Svetla (Svetlana Yancheva) and her shotgun.<br />

An exceptional, heartwarming, deeply affecting<br />

and funny story ensues as one begins to consider<br />

life beyond the small confines and attitudes<br />

of the village and what the village represents.<br />

Captured in a sharp black and white evocative of<br />

The Lighthouse.<br />

Print source<br />

Pro<strong>Film</strong><br />

Mon<br />

22<br />

18.15<br />

THU<br />

25<br />

18.00<br />

FLEE<br />

CFF<br />

12A<br />

Denmark, Sweden, Norway & France|<strong>2021</strong> 90 mins<br />

Danish, English, Dari, & Russian with English<br />

subtitles.<br />

DIRECTOR Jonas Poher Rasmussen<br />

WITH Daniel Karimyar, Farhin Mijdzadeh<br />

Amin, a successful academic with a loving partner,<br />

recalls fleeing Afghanistan to start his new life in<br />

Denmark. A documentary genre-defying approach<br />

sees Amin and long-time friend in conversation as<br />

animated characters, bringing not only themselves,<br />

their homes, and even the recording equipment into<br />

the frame. Many moments during Amin’s journey<br />

and that of his family, who also tried but failed to<br />

make the same passage, are brought home to us in<br />

exquisite detail.<br />

A powerful and poetic memoir of personal<br />

struggle and self-discovery that expands the<br />

definition of documentary.<br />

HOLLYWOOD REPORTER<br />

Print source<br />

FRI<br />

19<br />

18.35<br />

Curzon Artificial Eye<br />

WED<br />

24<br />

20.45<br />

8 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com


LUZZU<br />

CFF<br />

15<br />

MALTA|<strong>2021</strong> 95 mins<br />

Maltese with English subtitles.<br />

DIRECTOR Alex Camilleri<br />

WITH<br />

Jesmark Scicluna, Michela Farrugia,<br />

David Scicluna<br />

Stunning, bucolic Maltese vistas provide the<br />

backdrop to Alex Camilleri’s daring and authentic<br />

portrayal of a dying way of life. Sundance <strong>Film</strong><br />

<strong>Festival</strong> acting award winner Jesmark Scicluna,<br />

a professional fisherman by day, is cast as a<br />

character of the same name, who is hurled into the<br />

dark underworld of illicit swordfish trading and<br />

illegal markets to keep his young family afloat.<br />

Extraordinary performances from non-actors<br />

traverse livelihoods which are impossible to<br />

maintain with the increased cost of living, fishing<br />

quotas and regulation.<br />

Accomplished debut from Maltese-American<br />

filmmaker Alex Camilleri profiles little-represented<br />

lives with intelligence and integrity. VARIETY<br />

Print source<br />

UK<br />

P R E M I E R E<br />

FRI<br />

19<br />

20.40<br />

Peccadillo Pictures<br />

SUN<br />

21<br />

19.45<br />

19<br />

PETITE MAMAN<br />

FRANCE|<strong>2021</strong> 72 mins<br />

French with English subtitles.<br />

DIRECTOR Céline Sciamma<br />

WITH<br />

CFF<br />

PG<br />

Joséphine Sanz, Gabrielle Sanz,<br />

Nina Meurisse, Stéphane Varupenne,<br />

Margot Abascal<br />

A poetic and sweeping opening sequence sets the<br />

scene for Céline Sciamma’s (Portrait of a Lady on<br />

Fire, Tomboy, Girlhood) feature. Nelly (Joséphine<br />

Sanz) is first seen saying goodbye to the residents<br />

at the nursing home where her grandmother has<br />

just passed away. Whilst sitting in the back seat of<br />

their car as she sets off home with mother Marion<br />

(Nina Meurisse), Nelly extends her arm around<br />

the headrest to share her snacks. This simple and<br />

thoughtful gesture sets the tone for an exquisite<br />

portrayal of childhood, coming to terms with loss<br />

and finding solace in friendship.<br />

Print source<br />

MUBI<br />

FRI<br />

18.00<br />

SUN<br />

21<br />

18.00<br />

PLAYGROUND<br />

Un Monde<br />

UK<br />

P R E M I E R E<br />

CFF<br />

15<br />

Belgium|<strong>2021</strong> 73 mins<br />

French with English subtitles.<br />

DIRECTOR Laura Wandel<br />

WITH<br />

Maya Vanderbeque, Günter Duret,<br />

Karim Leklou<br />

In this multi-award-winning debut by Laura Wandel,<br />

Abel (Günter Duret) and Nora (Maya Vanderbeque)<br />

are starting a new school but it’s not easy. Abel<br />

does not make friends and is regularly set upon<br />

by the other boys in his year. Whilst Nora makes<br />

more progress, she is soon cast in the same light as<br />

her brother. A startling portrayal of the difficulties<br />

of fitting in and the lengths humans will go to, to<br />

become part of the group.<br />

Playground is a sit-up-and-take-notice blend of<br />

outstandingly natural performances enhanced by<br />

spot-on cinematic choices. LISA NESSELSON,<br />

SCREEN INTERNATIONAL<br />

CONTENT WARNING Contains scenes of abuse.<br />

Print source<br />

TUE<br />

23<br />

18.30<br />

THU<br />

25<br />

New Wave <strong>Film</strong>s/Verve Pictures<br />

11.00<br />

ROARING 20’S<br />

CFF<br />

12A<br />

FRANCE|<strong>2021</strong> 90 mins<br />

French with English subtitles.<br />

DIRECTOR Elisabeth Vogler<br />

WITH<br />

Vladimir Seguin, Alice de Lencquesaing,<br />

Noémie Schmidt<br />

Elisabeth Vogler’s first feature is a seamlessly<br />

choreographed single take along the glorious<br />

Parisian streets and a beautiful reflection on<br />

human connection. An ensemble cast featuring<br />

Noémie Schmidt, Alice de Lencquesaing, and<br />

a host of new faces, are linked in a continuous<br />

passage and dialogue through the city as they<br />

each emerge, in turn, from the seclusion of the<br />

pandemic, talking about their futures, pasts, new<br />

loves and loves lost. There is a shared trajectory<br />

not only in the shared passage through the city<br />

but a communal future echoing titles such as The<br />

Iron Ministry.<br />

Print source<br />

SAT<br />

20<br />

<strong>Film</strong>s Boutique<br />

18.00<br />

TUE<br />

23<br />

16.30<br />

SMALL BODY<br />

Piccolo Corpo<br />

CFF<br />

15<br />

Italy, France & Slovenia|<strong>2021</strong> 89 mins<br />

Italian with English subtitles.<br />

DIRECTOR Laura Samani<br />

WITH<br />

Celeste Cescutti, Ondina Quadri<br />

Laura Samani takes us on an epic journey over<br />

mountains and seas in this beautiful period drama<br />

set in Italy in 1900, shot in Friuli Venezia-Giulia<br />

and featuring dialect from the region. It follows<br />

the quiet and determined Agata (Celeste Cescutti)<br />

as she makes her way through many hazards and<br />

dangers whilst travelling to a remote region to<br />

perform a miracle for her stillborn child.<br />

This is independent filmmaking at its most<br />

bold, resourceful, and philosophically ambitious.<br />

DIANA SANCHEZ, TORONTO INTERNATIONAL<br />

FILM FESTIVAL<br />

CONTENT WARNING Contains scenes of<br />

pregnancy loss and kidnapping.<br />

Print source<br />

Alpha Violet<br />

WED<br />

24<br />

18.30<br />

THU<br />

25<br />

16.30<br />

20<br />

WHEN I’M DONE DYING<br />

TURKEY|2020 87 mins<br />

Turkish with English subtitles.<br />

DIRECTOR Nisan Dağ<br />

WITH<br />

Oktay Çubuk, Hayal Köseoglu<br />

CFF<br />

15<br />

Nisan Dağ takes us into the buzzing rap scene in<br />

Istanbul and a glorious combination of music,<br />

composed by Da Poet, and colour provided by the<br />

neon lights so characteristic of the global music<br />

scene and Istanbul inner-city streets. Love and<br />

heartbreak follow, as the talented though ill-fated<br />

rappers Fehmi (Oktay Çubuk) and Yunus (Eren<br />

Çigdem) are consistently held back by Fehmi’s<br />

addiction to the cheap chemical drug bonzai.<br />

Strong parallels with The Souvenir, as Fehmi’s new<br />

love Devin (Hayal Köseoglu), a talented DJ, tries<br />

to help him.<br />

CONTENT WARNING Contains scenes of<br />

drug abuse.<br />

Print source<br />

SAT<br />

20.00<br />

MON<br />

22<br />

Magnolia Pictures International<br />

20.45<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 9


CONNECTION<br />

& DISCONNECTION<br />

UK<br />

P R E M I E R E<br />

KARNAWAL<br />

CFF<br />

15<br />

Argentina, Brazil, Chile, Mexico, Norway, Bolivia,<br />

& France|2020 97 mins<br />

Spanish with English subtitles.<br />

DIRECTOR Juan Pablo Félix<br />

WITH<br />

Print source<br />

UK<br />

P R E M I E R E<br />

Alfredo Castro, Martin López Lacci,<br />

Monica Lairana, Diego Cremonesi<br />

Beta Cinema<br />

SUN<br />

21<br />

13.30<br />

WED<br />

24<br />

20.30<br />

Juan Pablo Félix channels his own experience in<br />

dance and competitions into an exceptional first<br />

feature, alongside seasoned cinematographer<br />

Ramiro Civita, a San Sebastian <strong>Film</strong> <strong>Festival</strong> Silver<br />

Shell winner. Part thriller/road movie/family drama<br />

and coming-of-age story, we follow Cambra (Martin<br />

López Lacci) as he tries to make the national final<br />

that could change his life in rural Argentina. The<br />

surprise reappearance of Cambra’s father El Corto<br />

(Alfredo Castro) however, who has been given short<br />

leave from jail, throws up lots of other questions and<br />

obstacles that Cambra must overcome.<br />

The pandemic has led to a monumental<br />

distortion in how we interact with<br />

each other, with technology becoming<br />

a lifeline for loneliness, while others<br />

have logged off from the online bustle.<br />

This selection of films embraces<br />

the complexities of family life, the<br />

search for companionship in our<br />

communities, and looking for our<br />

wider purpose.<br />

ATABAI<br />

CFF<br />

15<br />

Iran|2020 106 mins<br />

Persian & Turkish with English subtitles.<br />

DIRECTOR Niki Karimi<br />

WITH<br />

Hadi Hejazifar, Sahar Dolatshahi,<br />

Javad Ezati<br />

Lauded director Niki Karimi takes us into a world<br />

of tradition, hopes and expectation. Kazem (Hadi<br />

Hejazifar) returns from a business trip to discover<br />

that his brother-in-law has sold his orchard to a<br />

stranger, Shirazi. Kazem finds himself falling in<br />

love with Shirazi’s daughter but first must face his<br />

past. With its intertwined use of Azari and Farsi<br />

languages, alongside the fabulous landscapes of<br />

North West Iran, this film brings a fresh perspective<br />

to Iranian cinema and seeks to build bridges<br />

between generations and communities.<br />

Print source<br />

AI <strong>Film</strong> Pro<br />

SUN<br />

21<br />

11.15<br />

THU<br />

25<br />

15.45<br />

Beyto<br />

CFF<br />

15<br />

SWITZERLAND|2020 98 mins<br />

Swiss German & Turkish, with English subtitles.<br />

DIRECTOR Gitta Gsell<br />

WITH<br />

Burak Ates, Dimitri Stapfer, Ecem Aydin<br />

A poignant story set in Switzerland follows<br />

Beyto (Burak Ates) as he tries to reconcile family<br />

expectations and Turkish heritage, with his<br />

relationship with swimming coach Mike (Dimitri<br />

Stapfer). As Beyto’s parents become aware of his<br />

new love, they head back to Turkey to arrange<br />

a marriage with his childhood friend Seher.<br />

Whether the wedding goes ahead or not will have<br />

consequences for all.<br />

A realistic and sensitive portrait of a budding<br />

and seemingly impossible love. It’s a sincere and,<br />

at times, touching film which speaks of a form of<br />

intimacy transcending gender and sexual<br />

orientation. GIORGIA DEL DON, CINEUROPA<br />

Print source<br />

FRI<br />

19<br />

Matchbox <strong>Film</strong>s<br />

18.30<br />

THU<br />

25<br />

11.45<br />

10 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com


EURO<br />

P R E M I E R E<br />

UK<br />

P R E M I E R E<br />

23 24 25<br />

EVERYTHING IN THE END<br />

CFF<br />

12A<br />

United States & Iceland|<strong>2021</strong> 74 mins<br />

English, Icelandic & Portuguese with English<br />

subtitles.<br />

DIRECTOR Mylissa Fitzsimmons<br />

WITH<br />

Hugo De Sousa, Joi Johannsson, Raul<br />

Portero, Elizabeth Austin, Lilja Þórisdóttir<br />

Stranded in a small Icelandic town, a young<br />

Portuguese man named Paulo seeks out human<br />

connections and intimacy during the Earth’s<br />

final days. This uplifting story centres around<br />

conversations with strangers, reflecting on loss,<br />

love, death and hope when time has run out.<br />

This is a profound debut from filmmaker Mylissa<br />

Fitzsimmons, who builds a moving narrative<br />

against the beautiful backdrop of Iceland, giving<br />

characters the space to process the past and<br />

present. It is a poetic take on the quiet apocalypse<br />

story, about placing our trust in others, and finding<br />

peace in our final moments.<br />

Print source<br />

TUE<br />

18.00<br />

WED<br />

Hello Charles LLC<br />

12.30<br />

THU<br />

16.45<br />

THE LAUREATE<br />

UK|<strong>2021</strong> 103 mins<br />

DIRECTOR<br />

WITH<br />

CFF<br />

15<br />

William Nunez<br />

Tom Hughes, Diana Agron,<br />

Laura Haddock<br />

We hope to welcome director William Nunez and<br />

actors Tom Hughes and Laura Haddock for a Q&A<br />

following the film.<br />

Print source<br />

Metro International<br />

MON<br />

22<br />

18.00<br />

WED<br />

24<br />

13.45<br />

Esteemed war poet Robert Graves (Tom Hughes),<br />

married to Nancy Nicholson (Laura Haddock), writes<br />

to American poet Laura Riding (Dianna Agron)<br />

seeking to rekindle his passion for poetry and writing.<br />

As Riding enters the family home and a patriarchal<br />

world of London’s writers and clubs, worlds are<br />

turned upside down. William Nunez’s ten-year-long<br />

battle to make The Laureate has produced a film<br />

that questions who is active and passive in the lives<br />

that we lead and the consequences of our actions.<br />

Endorsed by Graves’ family, this film provides an<br />

entry point into a world recovering from war and the<br />

creative works that followed in response.<br />

UK<br />

P R E M I E R E<br />

INTL<br />

P R E M I E R E<br />

THE MASSACRE OF<br />

CFF<br />

ANRÖCHTE 15<br />

Das Massaker von Anröchte<br />

GERMANY|<strong>2021</strong> 63 mins<br />

German with English subtitles.<br />

DIRECTOR Hannah Dörr<br />

WITH<br />

Print source<br />

Hendrik Arnst, Julian Sark,<br />

Max Bretschneider<br />

UCM.ONE<br />

Anröchte is the scene of a massacre, as people<br />

are randomly beheaded. When detectives Konka<br />

(Hendrik Arnst) and Walter (Julian Sark) investigate,<br />

they discover the dark side of the area. As the mayor<br />

refuses to acknowledge the murders, local youths<br />

become suspects and the detectives are thrown into a<br />

disorientating situation. With a blend of meticulously<br />

framed shots, a razor sharp script and German techno<br />

beats; The Massacre of Anröchte fully embraces the<br />

absurd. From philosophical questions around good and<br />

evil and the sheer frustration of trying to make sense of<br />

this unusual crime, this is a memorable black comedy.<br />

FRI<br />

19<br />

THE SEED<br />

Die Saat<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 11<br />

14.15<br />

WED<br />

24<br />

13.15<br />

CFF<br />

15<br />

GERMANY|<strong>2021</strong> 97 mins<br />

German with English subtitles.<br />

DIRECTOR Mia Meyer<br />

WITH<br />

Hanno Koffler, Dora Zygouri, Anna<br />

Blomeier, Andreas Döhler, Robert<br />

Stadlober, Lilith Julie Johna<br />

Comparisons with Ken Loach are justified in this<br />

highly emotional, taught tour de force by Mia<br />

Meyer, which will see its International Premiere in<br />

the <strong>Festival</strong>, following its debut in Berlin. Building<br />

site supervisor Rainer (Hanno Koffler) is challenged<br />

by the arrival of lower-paid workers, whose<br />

presence threatens the status quo. As labour action<br />

ensues, led by Rainer, he’s faced with losing his job<br />

when his staff cross the picket line and his boss<br />

holds him accountable for the disruption to work.<br />

Rainer’s daughter meanwhile has also been drawn<br />

into a dangerous confrontation with another girl,<br />

mirroring her father’s plight.<br />

Print source<br />

SAT<br />

20<br />

16.00<br />

Missing <strong>Film</strong>s GbR<br />

MON<br />

22<br />

12.30


CamERA<br />

CATALONIA<br />

UK<br />

P R E M I E R E<br />

THE BELLY OF THE SEA<br />

El ventre del mar<br />

CATALONIA|<strong>2021</strong> 72 mins<br />

Catalan with English subtitles.<br />

DIRECTOR Agustí Villaronga<br />

WITH<br />

Print source<br />

CFF<br />

18<br />

Roger Casamajor, Muminu Diallo,<br />

Oscar Kapoya<br />

Antidote Sales<br />

SUN<br />

21<br />

18.10<br />

THU<br />

25<br />

20.15<br />

Camera Catalonia’s favourite, Agustí Villaronga,<br />

returns to the <strong>Festival</strong> with a hard-hitting court<br />

drama that pits a surviving officer and a sailor from<br />

the French ship Medusa, which sank off the coast of<br />

present-day Mauritania, in a moral and historical<br />

confrontation. Popularised by Géricault, a hero of<br />

French Romanticism, his iconic work, The Raft of<br />

Medusa, depicted the torturous journey of the sailors<br />

cast adrift on a makeshift raft, whilst the officers sailed<br />

away securely in lifeboats. Villaronga’s emotive and<br />

distinctive style places the events from 1816 into a<br />

modern narrative that challenges whether the same<br />

would and is happening today.<br />

UK<br />

P R E M I E R E<br />

UK<br />

P R E M I E R E<br />

We are delighted to bring back our<br />

Camera Catalonia strand to the big<br />

screen! Our journey through the best<br />

of recent Catalan cinema will take us as<br />

far as the Dominican Republic, sailing<br />

through the Mediterranean waters<br />

with stories full of pathos and drama,<br />

but without forgetting the necessary<br />

snippets of comedy and humour that<br />

can be found in everyday life.<br />

Supported by<br />

15 HOURS<br />

CFF<br />

15<br />

15 HORAS<br />

CATALONIA, Dominican Republic|<strong>2021</strong> 90 mins<br />

Spanish with English subtitles.<br />

DIRECTOR Judith Colell<br />

WITH<br />

SAT<br />

20<br />

Sterlyn Ramírez, Marc Clotet, Stephany<br />

Liriano, Katherine Montes, Felix Germán<br />

On the surface, Manuel (Marc Clotet) is an<br />

exceptionally talented world-famous conductor and<br />

feted public persona. This facade hides his angry,<br />

violent outbursts towards his suffering wife Aura<br />

(Sterlyn Ramírez). Set in the Dominican Republic,<br />

this story of domestic abuse highlights the difficulty<br />

in raising women’s voices when confronting<br />

domestic abuse in the context of traditional<br />

family values and the complexity of navigating<br />

government support agencies. Aura’s painful<br />

journey and escape from her abuser is also a path<br />

to self-discovery and freedom.<br />

CONTENT WARNING Contains scenes of abuse.<br />

We are delighted to welcome director Judith<br />

Colell for a Q&A following the film.<br />

24 25<br />

BALANDRAU, FROZEN HELL<br />

Balandrau, infern glaçat<br />

CATALONIA|<strong>2021</strong> 78 mins<br />

Catalan with English subtitles.<br />

DIRECTOR Guille Cascante<br />

Print source The Open Reel<br />

12 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com<br />

15.30<br />

THU<br />

25<br />

14.00<br />

CFF<br />

12A<br />

Fresh from opening the DocsBarcelona <strong>Festival</strong>,<br />

Balandrau, Frozen Hell, sensitively portrays a real<br />

tragedy. It is a story of survival, sorrow and guilt, in<br />

which Guille Cascante recreates the events of 30th<br />

December 2000. Moments away from a new year,<br />

a perfect storm suddenly came down the Catalan<br />

Pyrenees, trapping several mountaineers and skiers,<br />

leaving very few survivors to tell their stories. What<br />

follows is deeply personal and moving reflections<br />

by those who did survive and their rescuers,<br />

encapsulated in guilt and sadness at having lost<br />

close friends and partners on that fateful day. The<br />

beauty of the mountains, captured in gorgeous<br />

widescreen photography, contrasts with the<br />

merciless rage of natural disasters like this one.<br />

Print source<br />

WED<br />

Lastor Media S.L.<br />

16.15<br />

THU<br />

18.15


21<br />

THE ODD-JOB MEN<br />

Sis Dies Corrents<br />

CFF<br />

12A<br />

CATALONIA|<strong>2021</strong> 85 mins<br />

Catalan, Spanish and Berber with English subtitles.<br />

DIRECTOR Neus Ballús<br />

WITH<br />

Mohamed Mellali, Valero Escolar,<br />

Pep Sarrà<br />

Following hot on the heels of the world premiere<br />

in Locarno, Neus Ballús (The Plague, Staff Only)<br />

continues to explore her cinematic combination<br />

of reality and fiction in a distinctively personal<br />

way. Three very different characters, who only<br />

share their profession of handyman, and their<br />

relationship whilst at work, are the main elements<br />

that Ballús employs to analyse prejudices towards<br />

migration in Europe and the quirkiness of human<br />

nature. Reminiscent of Jacques Tati, she uses<br />

deadpan and life-affirming humour to depict<br />

the three characters navigating through the<br />

extraordinary that can be found in everyday life.<br />

Print source<br />

SUN<br />

BETA CINEMA<br />

16.00<br />

WED<br />

24<br />

19.00<br />

THE PEOPLE UPSTAIRS<br />

SENTIMENTAL<br />

CATALONIA|2020 81 mins<br />

Spanish with English subtitles.<br />

DIRECTOR Cesc Gay<br />

WITH<br />

Print source<br />

CFF<br />

15<br />

Javier Cámara, Belén Cuesta, Alberto San<br />

Juan, Griselda Siciliani<br />

<strong>Film</strong>ax<br />

SUN<br />

21<br />

18.15<br />

TUE<br />

23<br />

16.15<br />

Cesc Gay (Truman, Ficció) writes and directs a highly<br />

entertaining romp, which delves into love, sex and<br />

relationships, through an excruciatingly funny<br />

evening with two very different couples. Javier<br />

Cámara (Talk to Her, Sex and Lucía) delivers a brilliant<br />

and sardonic performance alongside a terrific Belén<br />

Cuesta. As a couple, they have a visually beautiful,<br />

organised life in their perfect apartment but they<br />

are constantly at odds with each other. The loud<br />

noises from their very amorous neighbours upstairs<br />

highlight the challenges in their own relationship<br />

and this leads to a heightened crescendo, as all<br />

neighbours get together for a dinner party with<br />

unexpected consequences.<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 13


JAPAN<br />

<strong>2021</strong><br />

GB<br />

P R E M I E R E<br />

POUPELLE OF CHIMNEY TOWN<br />

Entotsu Machi no Poupelle<br />

JAPAN|2020 100 mins<br />

Japanese with English subtitles.<br />

DIRECTOR Yusuke Hirota<br />

WITH<br />

Print source<br />

CFF<br />

PG<br />

Masataka Kubota, Mana Ashida,<br />

Shinosuke Tatekawa, Eiko Koike, Shingo<br />

Fujimori, Jun Kunimura<br />

Kiyuki Inc.<br />

SAT<br />

20<br />

18.30<br />

TUE<br />

23<br />

18.15<br />

Based on Akihiro Nishino’s bestselling book of the<br />

same name, this is a beautiful and touching story<br />

of a young boy Lubicchi (played by child actor<br />

Mana Ashida) who refuses to believe that the world<br />

is enshrined in smoke and that there are instead<br />

worlds and stars beyond. Immediately post COP26<br />

in Glasgow this year, there is a strong and timely<br />

ecological message that we can always live more in<br />

harmony with the environment and with each other.<br />

A masterpiece of animation full of surprise and<br />

discovery. WATANABE REIKO, NIPPON.COM<br />

In partnership with the BFI, the<br />

<strong>Festival</strong> is proud to present a window<br />

onto contemporary Japanese cinema,<br />

featuring a selection of exciting new<br />

films by Japanese directors Ryûsuke<br />

Hamaguchi, Yusuke Hirota, Keita<br />

Fujimoto and Costa Rican filmmaker<br />

Allegra Pacheco. Delve into tales of<br />

blossoming new relationships,<br />

the societal pressure of excessive<br />

working, and the latest Haruki<br />

Murakami adaptation.<br />

CLOSE-KNIT<br />

CFF<br />

15<br />

Karera ga honki de amu toki wa<br />

JAPAN|2017 127 mins<br />

Japanese with English subtitles.<br />

DIRECTOR Naoko Ogigami<br />

WITH<br />

Tôma Ikuta, Mugi Kadowaki,<br />

Kenta Kiritani<br />

Naoko Ogigami’s multi-award winning feature<br />

centres around 11-year-old Tomo who, after<br />

being neglected by her mother, is taken in by her<br />

uncle Makio and his transgender girlfriend Rinko.<br />

Together they create a loving home for the young<br />

girl. The film opens audiences up to progressive<br />

conversations and curiosity around sexuality,<br />

gender and identity, while continuing to embrace<br />

Ogigami’s tradition of making sensitive and<br />

emotionally-healing cinema.<br />

One might find the tremendous emotional<br />

swells of Close-Knit so moving at times that one<br />

can barely hear the sound of fresh ground being<br />

broken in Japanese cinema. THE FILM STAGE<br />

Print source<br />

Nikkatsu<br />

FRI<br />

19<br />

15.30<br />

19<br />

DRIVE MY CAR 15<br />

Doraibu mai kA<br />

JAPAN|<strong>2021</strong> 179 mins<br />

Japanese, Korean, English, Cantonese, Mandarin,<br />

Tagalog, Indonesian, German & Malaysian with<br />

English subtitles.<br />

DIRECTOR Ryûsuke Hamaguchi<br />

WITH<br />

Hidetoshi Nishijima, Tôko Miura,<br />

Reika Kirishima<br />

Based on Haruki Murakami’s short story Men<br />

Without Women, Ryûsuke Hamaguchi’s Cannes<br />

<strong>Film</strong> <strong>Festival</strong> award-winning screenplay examines<br />

relationships, responsibility and guilt, centred on<br />

the relationship between theatre actor-director<br />

Yûsuke Kafuku (Hidetoshi Nishijima) and his<br />

screenwriter wife Oto (Reika Kirishima).<br />

Reaches a new grandeur with this engrossing<br />

adaptation about a theatre director grappling<br />

with Chekhov and his wife’s infidelity.<br />

★★★★★ PETER BRADSHAW, THE GUARDIAN<br />

Print source<br />

FRI<br />

Modern <strong>Film</strong>s<br />

20.05<br />

SAT<br />

20<br />

20.30<br />

14 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com


UK<br />

P R E M I E R E<br />

EURO<br />

P R E M I E R E<br />

20<br />

JUST THE TWO OF US<br />

Futari no sekai<br />

JAPAN|2020 104 mins<br />

Japanese with English subtitles.<br />

DIRECTOR Keita Fujimoto<br />

WITH<br />

CFF<br />

15<br />

Masatoshi Nagase, Shiori Doi, Motomi<br />

Makiguchi, Kazumi Kondo<br />

Keita Fujimoto’s first feature sees Shunsaku<br />

(Masatoshi Nagase), a talented artist, left immobile<br />

by a car accident and cared for by his father Gohei<br />

Takagi (Motomi Makiguchi). Frustrated with his<br />

life, he resorts to insults and appalling behaviour<br />

towards anyone who cares for him. Hanae Hirahara<br />

(Shiori Doi), who has been completely blind for<br />

the last five years, becomes Shunsaku’s carer and<br />

delivers a dose of reality that challenges him to<br />

look at his situation differently.<br />

With her air of self-confidence and stubborn<br />

determination, she commands attention in every<br />

scene. But she also displays a vulnerability that<br />

invites sympathy, despite the melodramatic turns<br />

her story takes. JAPAN TIMES<br />

Print source<br />

SAT<br />

15.45<br />

Free Stone Productions<br />

MON<br />

22<br />

16.00<br />

19<br />

SALARYMAN<br />

CFF<br />

15<br />

Costa Rica & Japan|<strong>2021</strong> 79 mins<br />

English & Japanese with English subtitles.<br />

DIRECTOR Allegra Pacheco<br />

WITH Allegra Pacheco<br />

In this harrowing and insightful documentary,<br />

Costa Rican artist Allegra Pacheco explores the<br />

reality and myth of the ‘Salaryman’ in Japan.<br />

These people are typically white collar workers<br />

expected to commit excessive hours to work, at the<br />

compromise of home and social lives. Late nights<br />

and intense drinking sessions result in many of<br />

them passed out in the streets, raising questions<br />

around the ethics of our global working practices<br />

in a capitalist society. Exploring the impact this<br />

has on both men and women, Pacheco not only<br />

seeks to raise awareness about the situation,<br />

but gives a platform for those affected to share<br />

their stories.<br />

CONTENT WARNING Contains discussion<br />

of suicide.<br />

Print source<br />

FRI<br />

12.15<br />

SAT<br />

20<br />

Legs Limitada<br />

12.00<br />

WED<br />

24<br />

14.45<br />

21<br />

WHEEL OF FORTUNE<br />

CFF<br />

AND FANTASY 15<br />

GUZEN TO SOZO<br />

JAPAN|<strong>2021</strong> 121 mins<br />

Japanese with English subtitles.<br />

DIRECTOR Ryûsuke Hamaguchi<br />

WITH Kotone Furukawa, Ayumu Nakajima, Hyunri<br />

Another sleek and stylish film by Ryûsuke<br />

Hamaguchi begins with Gumi and Meiko (Kotone<br />

Furukawa) in electric conversation and the news<br />

of a potential new love interest. Professor Segawa<br />

(Kiyohiko Shibukawa) keeps his school office<br />

door wide open to avoid potential accusations<br />

of harassment and misconduct, yet even being<br />

visible doesn’t stop an erotic reading with an older<br />

student being recorded that causes trouble for<br />

both. The finale presents a school reunion and<br />

chance encounter between two people who vaguely<br />

remember one another. As their encounter develops,<br />

they enact the roles of the people they thought they<br />

were. Winner of the <strong>2021</strong> Silver Bear Grand Jury<br />

Prize at the Berlin International <strong>Film</strong> <strong>Festival</strong>.<br />

Print source<br />

SUN<br />

Modern <strong>Film</strong>s<br />

20.30<br />

MON<br />

22<br />

18.15<br />

CLASSICAL<br />

MUSIC FOR<br />

MODERN<br />

LIFE<br />

WITH MARK KERMODE<br />

SATURDAYS 1PM-3PM<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 15


SCHEDULE OF FILMS<br />

THU 18 NOV<br />

Arts Picturehouse<br />

Screen 1<br />

20:30 Ali & Ava 5<br />

FRI 19 NOV<br />

Arts Picturehouse<br />

Screen 1<br />

12:45 Forced Change 20<br />

14:45 Ferguson Rises 21<br />

16:45 Forest Rebels 19<br />

18:35 Flee 8<br />

20:30 The Eyes of Tammy Faye 6<br />

Screen 2<br />

12:15 Salaryman 15<br />

14:15 The Massacre of Anröchte 11<br />

15:45 Son of Monarchs 20<br />

18:00 Petite Maman 9<br />

20:05 Drive My Car 15<br />

Screen 3<br />

11:30 SHORTS to Debate 24<br />

13:30 SHORTS to Contemplate 24<br />

15:30 Close-Knit 14<br />

18:30 Beyto 10<br />

20:40 Luzzu 9<br />

SAT 20 NOV<br />

Arts Picturehouse<br />

Screen 1<br />

11:15 <strong>Film</strong>, the Living Record 19<br />

of Our Memory<br />

13:45 Coppelia 18<br />

15:45 Just the Two of Us 14<br />

18:15 Blue Bayou 6<br />

20:45 Memoria 7<br />

Screen 2<br />

11:00 SHORTS to Expand 25<br />

13:15 Hostile 21<br />

15:30 15 Hours 12<br />

18:00 Roaring 20’s 9<br />

20:00 When I’m Done Dying 9<br />

22:00 SHORTS to Unnerve 26<br />

Screen 3<br />

12:00 Salaryman 15<br />

14:00 512 Hours 18<br />

16:00 The Seed 11<br />

18:30 Poupelle of Chimney Town 14<br />

20:30 Drive My Car 15<br />

SUN 21 NOV<br />

Arts Picturehouse<br />

Screen 1<br />

11:15 Atabai 10<br />

13:30 Karnawal 10<br />

16:00 The Odd-Job Men 13<br />

18:00 Petite Maman 9<br />

20:15 The Souvenir: Part II 7<br />

Screen 2<br />

12:00 SHORTS to Expand 25<br />

14:00 Forest Rebels 19<br />

15:45 <strong>Film</strong>, the Living Record 19<br />

of Our Memory<br />

18:10 The Belly of the Sea 12<br />

19:45 Luzzu 9<br />

21:45 Surprise <strong>Film</strong> 4<br />

Screen 3<br />

10:45 SHORTS to Cheer 23<br />

12:45 Growth With Hope 20<br />

14:30 SHORTS to Embrace 25<br />

16:15 SHORTS to Journey 26<br />

18:15 The People Upstairs 13<br />

20:30 Wheel of Fortune 15<br />

and Fantasy<br />

HOWARD THEATRE<br />

11:00 Coronation 22<br />

13:00 Q&A with Ai Weiwei & 22<br />

Wang Fen followed by<br />

screening of Cockroach<br />

Please<br />

note, not all<br />

of the films in the<br />

<strong>Festival</strong> have been<br />

certificated by the BBFC,<br />

some have been given<br />

advisory<br />

certificates by the<br />

<strong>Festival</strong>.<br />

ONLINE<br />

Advance tickets can be purchased via:<br />

www.camfilmfest.com<br />

Adult £12.50<br />

Adult Picturehouse Member £10.50<br />

Retired/Student £11.50<br />

Retired/Student Picturehouse Member £9.50<br />

Child £6.50<br />

Matinee (1pm-5pm) £6.50<br />

Morning (10am-1pm) £3.00<br />

Online (CFF@Home) £6.50<br />

5 <strong>Film</strong> Online Pass £20.00<br />

IN PERSON<br />

at the Arts Picturehouse<br />

F-RATED<br />

There are<br />

no adverts or<br />

trailers before<br />

the films<br />

at CFF.<br />

Launched in 2014 by our good friends at<br />

<strong>Film</strong>Bath, the F-Rating is applied to films by<br />

cinemas and film festivals, giving moviegoers<br />

an easily identifiable label, so they can choose<br />

films that fairly represent women on screen and<br />

behind the camera. Highlighting these films<br />

sends a clear message that women can and<br />

should have more than just a supporting role<br />

within the industry. Find out more about the<br />

F-Rating at f-rated.org.<br />

The F-Rating is applied to all films<br />

which are directed by women and/or<br />

written by women.<br />

Tickets for the online CFF@Home screenings are only<br />

available via camfilmfest.com (not at the Arts Picturehouse).<br />

SILVER<br />

SCREEN<br />

Over 60s for films at Arts Picturehouse on<br />

Tuesdays and Thursdays that start before<br />

16:45. Includes a free hot drink and biscuits!<br />

The Triple F-Rating is the gold<br />

standard. It is applied to all films which<br />

have significant women on screen, as<br />

well as being directed and/or written<br />

by women.<br />

16 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com


MON 22 NOV TUE 23 NOV WED 24 NOV Thu 25 NOV<br />

Arts Picturehouse<br />

Screen 1<br />

10:45 Nico 21<br />

12:30 The Seed 11<br />

14:30 SHORTS to Contemplate 24<br />

16:30 I Am Here 21<br />

18:15 Fear 8<br />

20:30 Ali & Ava 5<br />

Screen 2<br />

12:15 Forest Rebels 19<br />

14:15 Growth With Hope 20<br />

16:00 Just the Two of Us 14<br />

18:00 The Laureate 11<br />

20:40 Blue Bayou 6<br />

Screen 3<br />

12:00 SHORTS to Cheer 23<br />

14:00 SHORTS to Embrace 25<br />

15:45 The Souvenir: Part II 7<br />

18:15 Wheel of Fortune 15<br />

and Fantasy<br />

20:45 When I’m Done Dying 15<br />

HOWARD THEATRE<br />

18:00 Rohingya 22<br />

JESUS COLLEGE<br />

15:00 Student film showcase 4<br />

17:00 Industry panel with 4<br />

James McCarthy<br />

19:00 Just the Two of Us 4<br />

Arts Picturehouse<br />

Screen 1<br />

12:00 I Am Here 21<br />

14:00 <strong>Film</strong>, the Living Record 19<br />

of Our Memory<br />

16:30 Roaring 20’s 9<br />

18:30 Playground 9<br />

20:15 Great Freedom 7<br />

Screen 2<br />

11:30 Son of Monarchs 20<br />

13:45 SHORTS to Debate 24<br />

16:15 The People Upstairs 13<br />

18:15 Poupelle of Chimney Town 14<br />

20:30 Cow 20<br />

Screen 3<br />

13:30 Ferguson Rises 21<br />

15:30 Hostile 21<br />

18:00 Everything in the End 11<br />

Arts Picturehouse<br />

Screen 1<br />

11:45 Cow 20<br />

13:45 The Laureate 11<br />

16:00 Memory Box 8<br />

18:15 Coppelia 18<br />

20:45 Titane 7<br />

Screen 2<br />

10:45 SHORTS to Unnerve 26<br />

12:30 Everything in the End 11<br />

14:15 Forced Change 20<br />

16:15 Balandrau, Frozen Hell 12<br />

18:30 Small Body 9<br />

20:30 Karnawal 10<br />

Screen 3<br />

11:00 SHORTS to Journey 26<br />

13:15 The Massacre of Anröchte 11<br />

14:45 Salaryman 15<br />

16:30 <strong>Film</strong> Hub South East 27<br />

Showcase<br />

19:00 The Odd-Job Men 13<br />

20:45 Flee 8<br />

Arts Picturehouse<br />

Screen 1<br />

11:00 Playground 9<br />

13:15 Great Freedom 7<br />

15:45 Atabai 10<br />

18:00 Fear 8<br />

20:00 The Electrical Life of 5<br />

Louis Wain<br />

Screen 2<br />

11:45 Beyto 10<br />

14:00 15 Hours 12<br />

16:45 Everything in the End 11<br />

18:15 Balandrau, Frozen Hell 12<br />

20:30 Titane 7<br />

Screen 3<br />

10:45 Growth With Hope 20<br />

12:30 Memory Box 8<br />

14:45 Nico 21<br />

16:30 Small Body 9<br />

18:30 The Afterlight 18<br />

20:15 The Belly of the Sea 12<br />

VENUES<br />

The <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> is committed<br />

to following the most up-to-date<br />

government guidance on Covid-19 to<br />

make your visit with us a safe one.<br />

We welcome masks in our venues.<br />

THE ARTS PICTUREHOUSE<br />

38-39 St Andrew’s Street, <strong>Cambridge</strong>, CB2 3AR<br />

www.picturehouses.co.uk<br />

The Arts Picturehouse screens a year-round programme of the best<br />

in new and classic cinema over three screens (including one THXcertificated<br />

for best quality sound). All screens are licensed, so you<br />

can take your drink from the café-bar in with you. You do not have<br />

to be a member to view films at the Arts Picturehouse, but if you are<br />

you’ll receive discounts on tickets.<br />

HOWARD THEATRE<br />

Downing College, Regent Street, <strong>Cambridge</strong>, CB2 1DQ<br />

www.dow.cam.ac.uk<br />

A beautifully-appointed, 140-seat theatre which is not only a home<br />

to the College’s flourishing Dramatic Society but an especially<br />

elegant venue for regular music events by visiting artists and a<br />

popular stage for academic lectures and conferences.<br />

JESUS COLLEGE<br />

Jesus Lane, <strong>Cambridge</strong>, CB5 8BL<br />

www.jesus.cam.ac.uk<br />

In the heart of <strong>Cambridge</strong>, its extensive grounds protecting it from<br />

the noise and bustle of the town, Jesus College is a community of<br />

more than 1,000 members, including around 500 undergraduates,<br />

400 graduates and research associates, and over 100 Fellows.<br />

COVID-19<br />

The <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong><br />

is committed to following the<br />

most up-to-date government<br />

guidance<br />

THE<br />

on<br />

ARTS<br />

Covid-19<br />

PICTUREHOUSE<br />

to<br />

make your visit with us a safe<br />

one. We welcome masks in<br />

our venues.<br />

JESUS COLLEGE<br />

HOWARD THEATRE<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 17


CREATIVITY<br />

ON FILM<br />

UK<br />

P R E M I E R E<br />

COPPELIA<br />

CFF<br />

PG<br />

Netherlands, Germany & Belgium|<strong>2021</strong> 82 mins<br />

No dialogue.<br />

DIRECTORS Jeff Tudor, Steven De Beul & Ben Tesseur<br />

WITH Michaela DePrince, Daniel Camargo, Vito<br />

Mazzeo, Darcey Bussell<br />

We are delighted to welcome Darcey Bussell to a<br />

screening of the film.<br />

Print source<br />

Urban Distribution International<br />

SAT<br />

20<br />

13.45<br />

WED<br />

24<br />

18.15<br />

The 150-year-old ballet of Coppelia is reinvigorated<br />

in this beautiful animated, live-action feature. The<br />

peace of a quiet town is disrupted by the arrival of<br />

Doctor Coppelius (Vito Mazzeo), a sneaky man with<br />

a cunning plan. Swan, performed by the enchanting<br />

Michaela DePrince, suspects something is afoot.<br />

She must save her town and partner Franz (Daniel<br />

Camargo) from the Doctor, who plans to use their<br />

hearts to spark life into his ‘perfect’ robotic woman<br />

and take over. This world-class ensemble of dancers<br />

also includes Darcey Bussell, in a classic tale where<br />

love saves the day.<br />

UK<br />

P R E M I E R E<br />

From the archiving of cinema to<br />

improvisational lockdown theatre,<br />

celebrate the talent and innovation<br />

behind all art forms. In this strand<br />

you can encounter an absorbing,<br />

meditative performance within the<br />

Serpentine Gallery, refresh your<br />

memory of the ballet Coppelia retold<br />

through modern animation and<br />

experience a rare screening of a new<br />

35mm print recalling stories from<br />

the golden age of cinema.<br />

THE AFTERLIGHT<br />

CFF<br />

12A<br />

UK|<strong>2021</strong> 82 mins<br />

Multiple languages with English subtitles.<br />

DIRECTOR Charlie Shackleton<br />

Fragments of hundreds of films from around the<br />

world, from the early years of the medium, bring<br />

together an ensemble cast of actors with one thing<br />

in common: each is no longer alive. Together,<br />

they contend with a fragile existence lived solely<br />

through these traces of their work. Existing only on<br />

a single 35mm print, The Afterlight is a rare gem of<br />

a film that constructs an original narrative through<br />

collective memory. Every time the print is shown,<br />

it becomes further eroded by wear and time,<br />

until it fades forever. This exquisite film captures<br />

the tactile beauty of the physical print, and a<br />

traditional tale that evokes the magic of the past.<br />

Print source<br />

Loop<br />

THU<br />

25<br />

18.30<br />

20 21 23<br />

FILM, THE LIVING RECORD<br />

CFF<br />

OF OUR MEMORY PG<br />

Spain|<strong>2021</strong> 119 mins<br />

English and English subtitles.<br />

DIRECTOR Inés Toharia<br />

WITH<br />

SAT<br />

11.15<br />

SUN<br />

15.45<br />

Ken Loach, Costa-Gavras, Wim Wenders,<br />

Bryony Dixon, Fernando Trueba,<br />

Aboubakar Sanogo<br />

<strong>Film</strong> archivists, curators, technicians and<br />

filmmakers from around the world come<br />

together to showcase the important work of film<br />

preservation and why it is needed in documenting<br />

the history of the art. The narrators are custodians<br />

of film, whose work behind the scenes safeguards<br />

the survival of motion pictures. It is a task they<br />

undertake based on their closely held belief in the<br />

artistic and cultural value of the moving image, in<br />

tune with a shared mantra that a film might one<br />

day transform someone’s life.<br />

Print source El Grifilm Productions,<br />

<strong>Film</strong> Option International<br />

TUE<br />

14.00<br />

18 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com


EURO<br />

P R E M I E R E<br />

UK<br />

P R E M I E R E<br />

19 21<br />

FOREST REBELS<br />

Die Waldgänger<br />

CFF<br />

12A<br />

GERMANY|<strong>2021</strong> 80 mins<br />

German with English subtitles.<br />

DIRECTOR Gordon Kämmerer<br />

WITH<br />

FRI<br />

Marie Rathscheck, Gordon Kämmerer,<br />

Max Thommes<br />

A young Berlin theatre company comes to the<br />

“Staatstheater Cottbus” to rehearse for a play<br />

about the history of the forests in Germany<br />

and how this is tied to culture and identity.<br />

A documentary team is onsite to capture the<br />

rehearsals, but the impact of the pandemic<br />

causes the team to lock down in the building to<br />

complete the play. From jealous rivalries between<br />

cast members, to the warm humour of day-to-day<br />

theatre life, this mockumentary brings together<br />

an unruly bunch of artists determined to keep the<br />

show alive with a dose of dry, sharp humour.<br />

Print source<br />

16.45<br />

SUN<br />

14.00<br />

Staatstheater Cottbus<br />

MON<br />

22<br />

12.15<br />

512 HOURS<br />

CFF<br />

U<br />

UK|<strong>2021</strong> 90 mins<br />

English.<br />

DIRECTORS Adina Istrate & Gia La Salvia<br />

WITH Marina Abramović, Hans-Ulrich Olbrist,<br />

Klaus Biesenbach, Giuliano Argenziano,<br />

Lynsey Peisinger, Daniel Hatton<br />

Print source<br />

<strong>Film</strong> Republic<br />

SAT<br />

20<br />

14.00<br />

As long queues snaked for hours through Kensington<br />

Gardens to the Serpentine’s doors, gallery patrons<br />

had no idea what was waiting for them inside.<br />

What did visitors to Marina Abramović’s latest<br />

show expect? What daring and audacious acts<br />

would unfold? Those invited in were asked to<br />

surrender possessions, all digital devices, and with<br />

no connection to the outside world, ultimately<br />

themselves. Was this an experiment in art,<br />

connection, obedience, meditation? A modern day<br />

emperor’s new clothes story reflects on Marina<br />

Abramović’s 2014 show. This is an exclusive <strong>Festival</strong><br />

edit being shared for the first time in the UK following<br />

its premiere at CPH:DOX.<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 19


NATURE<br />

& COMMUNITY<br />

COW<br />

CFF<br />

PG<br />

UK|<strong>2021</strong> 94 mins<br />

English.<br />

DIRECTOR Andrea Arnold<br />

Andrea Arnold returns to the <strong>Festival</strong> with a<br />

thought-provoking non-sentimental look at these<br />

majestic animals and the roles that they play in<br />

our lives, whether on the dinner table or in the<br />

dairy yard.<br />

Andrea Arnold’s first documentary is a meaty<br />

slice of bovine socio-realism. With this<br />

documentary, Andrea Arnold has created a kind of<br />

agribusiness pastoral about the daily life of cows<br />

on a working dairy farm. Her camera simply gets<br />

up close and personal with cows as they moo and<br />

trot around and give birth and stare with<br />

mysterious placidity into the camera.<br />

PETER BRADSHAW, THE GUARDIAN<br />

CONTENT WARNING Contains scenes of<br />

bovine birth.<br />

Print source<br />

EURO<br />

P R E M I E R E<br />

MUBI<br />

TUE<br />

23<br />

20.30<br />

WED<br />

24<br />

11.45<br />

19<br />

FORCED CHANGE<br />

United States|<strong>2021</strong> 70 mins<br />

English and English subtitles.<br />

DIRECTOR Rennik Soholt<br />

WITH<br />

CFF<br />

12A<br />

Jared Andrukanis, Andre Batiste, Daniel<br />

Brown, James Clark, Nathaniel Collins<br />

Forced Change is a feature documentary that uses<br />

the path of destruction left behind by Hurricane<br />

Katrina, as a vehicle to bring to life unique<br />

human stories that shed light on what it means<br />

to be home. <strong>Film</strong>ed at critical moments over<br />

the past fourteen years, this is a heartbreaking<br />

retrospective of four unique people that left New<br />

Orleans after the hurricane, became displaced<br />

and never returned home. It highlights the value<br />

of community, the importance of memory, the<br />

strength in having to uproot your life and start<br />

over, but also shows the iconicity of New Orleans<br />

and its rich history.<br />

Print source<br />

UK<br />

P R E M I E R E<br />

FRI<br />

12.45<br />

103rd Street Productions<br />

WED<br />

24<br />

14.15<br />

The urgency of global warming and<br />

climate change is at the forefront<br />

of this programme of fiction films and<br />

documentaries. Explore the world of<br />

eco farming, walk the land with bovine<br />

creatures and return home to the<br />

comfort of the forest, to contemplate<br />

how we treat the natural world<br />

and identify where we find hope in<br />

protecting it for future generations.<br />

21 22<br />

GROWTH WITH HOPE<br />

Taiwan|<strong>2021</strong> 79 mins<br />

Chinese with English subtitles.<br />

DIRECTOR Jessica Wan-yu LIN<br />

WITH<br />

Yang Ru-men, Yang Xin-ji,<br />

19<br />

SON OF MONARCHS<br />

Hijo de Monarcas<br />

Print source Wide Management<br />

20 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com<br />

CFF<br />

PG<br />

The Qingshui Wetland in Jinshan is the best known<br />

farming wetland along the north coast of Taiwan.<br />

Situated at the northmost tip of the country, it has<br />

become the first stop of the birds migrating south.<br />

This vibrant documentary embraces the beauty<br />

of eco farming, and acknowledges the dedication<br />

of the locals to the land. From educating school<br />

kids, to bringing in scientists to monitor the animal<br />

population, director Jessica Wan-yu LIN takes us<br />

on this critical journey that champions new ways<br />

to protect our environment.<br />

Print source<br />

SUN<br />

12.45<br />

MON<br />

14.15<br />

THU<br />

25<br />

Public Television Service Taiwan<br />

10.45<br />

CFF<br />

15<br />

Mexico & USA|2020 97 mins<br />

Spanish and English with English subtitles.<br />

DIRECTOR Alexis Gambis<br />

WITH<br />

FRI<br />

15.45<br />

TUE<br />

23<br />

11.30<br />

Tenoch Huerta Mejia, Alexia Rasmussen,<br />

Lázaro Gabino Rodríguez<br />

A rare movie that centres science (biology, CRISPR,<br />

gene editing, and bioethics) within a very personal,<br />

moving narrative. Scientist Mendel (Tenoch Huerta<br />

Mejia) moves to New York to follow his work, leaving<br />

his family behind in Mexico. The death of Mendel’s<br />

grandmother forces him to return there and face<br />

the childhood trauma of losing his parents due to<br />

the flooding of the local mine where his brother still<br />

works. Multiple awards include the Alfred P. Sloan<br />

Feature <strong>Film</strong> Prize for scientifically-themed work at<br />

the Sundance <strong>Film</strong> <strong>Festival</strong>.<br />

Son of Monarchs is a visually daring hybrid of<br />

science and art anchored by a riveting performance<br />

by Mexican actor Tenoch Huerta (Narcos, upcoming<br />

Black Panther II) JUDE DRY, INDIEWIRE


LIBERTY<br />

UK<br />

P R E M I E R E<br />

19<br />

FERGUSON RISES<br />

United States|<strong>2021</strong> 83 mins<br />

English with English subtitles.<br />

DIRECTOR<br />

WITH<br />

CFF<br />

15<br />

Mobolaji Olambiwonnu<br />

Michael Brown Sr, Renita Lamkin, Tory<br />

Russell, Osagyfo Sekou<br />

In 2014 Darren Wilson, a white police officer,<br />

fatally shot 18-year-old Michael Brown, who was<br />

unarmed. This led to protests across the state and<br />

caused a ripple effect throughout the United States<br />

of America. Ferguson Rises is a film charting the<br />

history of this incident that resulted in the current<br />

Black Lives Matter movement and conversations<br />

across the world about racial injustice. It is also a<br />

story of loss and healing, including interviews with<br />

Michael Brown Snr who talks about his grief and<br />

his hopes for a better world.<br />

Print source<br />

Philmco<br />

FRI<br />

14.45<br />

TUE<br />

23<br />

13.30<br />

UK<br />

P R E M I E R E<br />

I AM HERE<br />

CFF<br />

12A<br />

South Africa|<strong>2021</strong> 73 mins<br />

English, Hebrew & Yiddish.<br />

DIRECTOR Jordy Sank<br />

WITH Ella Blumenthal<br />

Jordy Sank’s (Atlanta, Durban) multiple awardwinning<br />

I Am Here centres on the occasion of Ella<br />

Blumenthal’s 98th birthday. Surrounded by family,<br />

Ella reflects on her astonishing WWII survival<br />

story. Transferred between several concentration<br />

camps, Ella saw her parents, close family and<br />

friends taken away and killed, yet somehow<br />

managed to survive and tell her story. Through<br />

many nail-biting encounters and a keen ability to<br />

be out of the firing line, Ella is liberated by Allied<br />

forces to then marry and move to South Africa.<br />

Viewers will see strong parallels with Flee and<br />

the beautifully evocative hand-drawn animation<br />

woven throughout.<br />

Print source<br />

Mon<br />

22<br />

16.30<br />

Metro International<br />

TUE<br />

23<br />

12.00<br />

UK<br />

P R E M I E R E<br />

The festival presents a collection<br />

of stories on migration, racism,<br />

politics and unity that have called<br />

attention to injustices and the<br />

work that is still required to create<br />

a fair and just society. The strand<br />

includes documentaries reflecting on<br />

government policies, surviving the<br />

Holocaust and collective protest,<br />

to fiction features about searching<br />

for courage after feeling excluded<br />

from society.<br />

HOSTILE<br />

CFF<br />

15<br />

UK|<strong>2021</strong> 94 mins<br />

English with English subtitles.<br />

DIRECTOR Sonita Gale<br />

Sonita Gale’s documentary takes a deep dive<br />

into Britain’s complicated relationship with<br />

immigration. The film explores the lives of<br />

international students, members of the Windrush<br />

generation and ‘highly-skilled migrants’ who have<br />

been challenged by government policies, and a<br />

hostile reception that is not always welcoming<br />

of their presence, alongside the added pressures<br />

of the Covid-19 pandemic. Through personal<br />

anecdotes and emotional interviews, the<br />

effects of Brexit, discrimination and law present<br />

questions about citizenship, identity, belonging<br />

and fraternity.<br />

Print source<br />

SAT<br />

20<br />

Galeforce <strong>Film</strong>s Ltd.<br />

Print source UCM.ONE<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 21<br />

13.15<br />

TUE<br />

23<br />

15.30<br />

NICO<br />

CFF<br />

15<br />

GERMANY|<strong>2021</strong> 75 mins<br />

English, German, Persian & Spanish with English<br />

subtitles.<br />

DIRECTOR<br />

WITH<br />

MON<br />

22<br />

10.45<br />

THU<br />

25<br />

Eline Gehring<br />

Sara Fazilat, Javeh Asefdjah, Sara<br />

Klimoska<br />

14.45<br />

In summertime in Germany Nico enjoys the carefree<br />

balance of her work as a nurse and hanging out with<br />

friends. Heading home one evening, she is racially<br />

attacked and hospitalised. Feeling helpless from<br />

the incident, Nico decides to take up martial arts to<br />

regain her confidence. This also leads her to build a<br />

connection with another woman, Ronny, at the local<br />

fairground. The navigation of trauma is a complex<br />

journey and actor Sara Fazilat conveys both Nico’s<br />

vulnerability and strength. A powerful story that<br />

respects the anger of a young woman feeling<br />

detached from her old life and follows her courage in<br />

learning to trust again.<br />

CONTENT WARNING Contains discussion of<br />

violence and assault.


PRODUCING DURING THE PANDEMIC<br />

WITH AI WEIWEI & WANG FEN<br />

Howard Theatre, Downing College, University of <strong>Cambridge</strong><br />

21-22 November FREE (booking required via camfilmfest.com)<br />

Ai Weiwei and Wang Fen talk about their prolific filmmaking<br />

efforts. With a digital-first release strategy during the pandemic,<br />

this is an opportunity to see their work in the Howard Theatre in<br />

Downing College. Revisit Wuhan at the beginning of the outbreak,<br />

join the pro-democracy protests on the streets of Hong Kong<br />

and follow the plight of the Rohingya.<br />

A Q&A with Ai Weiwei and Wang Fen will be held on Sunday 21st at 1pm following<br />

an 11am screening of Coronation. Cockroach will be shown after the Q&A and<br />

Rohingya will screen on the evening of the 22nd.<br />

Delivered by the Heong Gallery and<br />

Downing College, University<br />

of <strong>Cambridge</strong><br />

SUN<br />

21<br />

11.00<br />

CORONATION<br />

CFF<br />

12A<br />

Germany|2020 115 mins<br />

Mandarin with English subtitles.<br />

On December 1, 2019, the first patient with Covid-19 symptoms was<br />

identified in Wuhan. <strong>Film</strong>ed entirely by ordinary citizens living in Wuhan,<br />

Coronation chronicles the state’s control of citizens’ lives and access to<br />

information during an unprecedented health crisis that spilled into the<br />

rest of the world in 2020. It questions whether humanity, transparency<br />

and trust were sacrificed in order to maintain the Chinese state’s image of<br />

omnipotence. Produced and directed remotely by Ai Weiwei in Europe.<br />

SUN<br />

21<br />

13.00 Live Q&A with Ai Weiwei and Wang Fen, followed by a screening of Cockroach<br />

COCKROACH<br />

CFF<br />

12A<br />

Germany|2020 93 mins<br />

English and Cantonese with English subtitles.<br />

Cockroach is a poignant and dramatic visual record of the final moments<br />

of an independent, democratic Hong Kong. In 2019 Hong Kong erupted<br />

into months of street demonstrations, police suppression and violence<br />

in response to a proposed bill which allowed for extradition to mainland<br />

China for criminal prosecutions. Cockroach captures the fear and<br />

frustration in Hong Kong in the lead-up to the imposition of the National<br />

Security Law in Hong Kong on 30 June 2020.<br />

MON<br />

22<br />

18.00<br />

ROHINGYA<br />

CFF<br />

15<br />

Germany|<strong>2021</strong> 122 mins<br />

English.<br />

Rohingya is a continuation of Ai Weiwei’s previous films Human Flow (2017)<br />

and The Rest (2019), which spotlight the plight of refugees. Forced out of<br />

Myanmar since 2017, over 900,000 of Myanmar’s ethnic Muslim Rohingya<br />

minority now live in a refugee camp at Cox’s Bazar, Bangladesh, making<br />

it the largest refugee settlement of our time. <strong>Film</strong>ed over several months,<br />

Rohingya records the community’s everyday life, social rituals, the camp’s<br />

unique landscapes, and the light of humanity amid one of the greatest<br />

displacements of our time.<br />

Print source<br />

Ai Weiwei<br />

22 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com


Sit Down and Shut Up<br />

Ireland, <strong>2021</strong>, 13 mins. Dir. Cian O Connor.<br />

A David vs Goliath tale about the opera<br />

of football, the city of Limerick, and a<br />

game that no one remembers that three<br />

men will never forget.<br />

Out of Time<br />

France, <strong>2021</strong>, 9 mins. Dir. Delphine<br />

Montaigne.<br />

Felix faces being kicked out of an<br />

establishment by the director, but what<br />

is this place?<br />

Shorts to<br />

CHEER<br />

CFF12, 88 mins<br />

Grin from ear to ear at these uplifting tales.<br />

Sun 21, 10.45 Mon 22, 12.00<br />

Courtroom Sketches<br />

France, <strong>2021</strong>, 16 mins. Dir. Karleener.<br />

Edmond, a courtroom sketch artist,<br />

intervenes unexpectedly during hearings<br />

of over-indebted people.<br />

Lemons<br />

UK, <strong>2021</strong>, 4 mins. Dir. RVBBERDUCK.<br />

Two lemons walk into a petrol station.<br />

The Rev<br />

UK, <strong>2021</strong>, 16 mins. Dir. Fabia Martin.<br />

A repressed vicar in the midst of an<br />

identity crisis is asked to organise a lastminute<br />

funeral.<br />

SHORTfusion<br />

Cupids<br />

US, <strong>2021</strong>, 10 mins. Dir. Zoey Martinson.<br />

Three kids try to save their teacher, who<br />

is destined to a life on the sofa with cats,<br />

from a lonely summer.<br />

Mila<br />

US, Canada & Italy, <strong>2021</strong>, 20 mins. Dir.<br />

Cinzia Angelini.<br />

A little girl’s life takes an unexpected turn<br />

during World War II.<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 23


Shorts to<br />

DEBATE<br />

CFF18, 81 mins<br />

Powerful narratives of our current times.<br />

CONTENT WARNING This strand contains<br />

scenes of abuse, bodily harm, graphic suicide,<br />

mental illness and violence.<br />

Fri 19, 11.30 Tue 23, 13.45<br />

The Kicksled Choir<br />

Norway, 2020, 18 mins. Dir. Torfinn Iversen.<br />

Gabriel hopes to join the local choir, known for their<br />

kindness towards refugees, but his father isn’t keen.<br />

Shorts to<br />

CONTEMPLATE<br />

CFF15, 88 mins<br />

Reflecting on emotional cruxes and times of change.<br />

CONTENT WARNING This strand contains scenes of<br />

a sexual nature, abuse, kidnapping, mental illness,<br />

pregnancy, discussion of death and sexual assault.<br />

Fri 19, 13.30 Mon 22, 14.30<br />

Iniquity<br />

UK, <strong>2021</strong>, 20 mins. Dir. Oliver Goodrum.<br />

Michael is on the brink of a new start in life, until his<br />

past comes back to haunt his future.<br />

Hunting Bears<br />

UK, 2020, 10 mins. Dir. Jason Ruddy.<br />

When Andy can no longer face the responsibility of<br />

caring for his brother, a trip down memory lane seems<br />

to be the only answer to his problems.<br />

Uncle<br />

UK, 2020, 13 mins. Dir. Michelle Jones.<br />

The coming-of-age story set in 90’s London, of a<br />

teenage girl whose uncle dies in prison awaiting trial.<br />

Birthday Boy<br />

UK, <strong>2021</strong>, 20 mins. Dir. Leo Lebeau.<br />

Birthday Boy follows a transgender boy, Alex, as he<br />

experiences bullying at a private all girls school. He<br />

lives a double life in online games, where he feels he<br />

can express his true identity.<br />

Sounds of Nature<br />

Germany, <strong>2021</strong>, 15 mins. Dir. Eliza Petkova.<br />

During a walk, a dental nurse realises the distance<br />

between her and her ailing mother.<br />

You Look Fine<br />

UK, <strong>2021</strong>, 4 mins. Dir. Katie Byford.<br />

Syd attends a doctor’s appointment while coping<br />

with post-traumatic stress disorder (PTSD) symptoms,<br />

following a recent incident of sexual assault.<br />

An Invitation<br />

China, 2020, 13 mins. Dir. Yeung Tung & Hao Zhao.<br />

An 8-year-old boy reluctantly visits his divorced father<br />

in Hong Kong, who wants him to become a Hong<br />

Kong citizen.<br />

Bump<br />

UK, <strong>2021</strong>, 15 mins. Dir. Rory Keenan.<br />

Leaving her house in some distress amidst a blazing<br />

row with an unseen person, heavily pregnant Pearl<br />

appears to be on a curious mission.<br />

Waves<br />

UK, 2020, 16 mins. Dir. Margarita Milne.<br />

On a surfing trip, an Australian woman questions her<br />

decision to move to the other side of the world for love.<br />

SHORTfusion<br />

Georgia<br />

Republic of Korea, 2020, 25 mins. Dir. Jayil Pak.<br />

When the police refuse to investigate their daughter’s<br />

alleged suicide, two computer-illiterate parents decide<br />

to design a protest banner.<br />

24 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com


Shorts to<br />

EMBRACE<br />

CFF15, 84 mins<br />

The coming together of community and kindness.<br />

CONTENT WARNING This strand contains scenes<br />

of mental illness and suicide references.<br />

Sun 21, 14.30 Mon 22, 14.00<br />

Voce<br />

UK & Italy, <strong>2021</strong>, 15 mins. Dir. Emily May Smith.<br />

An inhibited young woman is tasked to deliver news to<br />

her estranged Nonna (grandmother) in southern Italy.<br />

Snorrie<br />

Netherlands, <strong>2021</strong>, 12 mins. Dir. Victoria Warmerdam.<br />

Absurd tragicomedy about thirty-something Freek<br />

reuniting with his imaginary friend from the past,<br />

who is looking for closure.<br />

Just in Case<br />

UK, <strong>2021</strong>, 14 mins. Dir. Kirsty Robinson-Ward.<br />

Rachel lives with bipolar disorder and the invisibility<br />

of her condition has become all too real for her<br />

family.<br />

An Irish Goodbye<br />

Ireland, <strong>2021</strong>, 23 mins. Dir. Ross White & Tom Berkeley.<br />

Against the backdrop of a farm in rural Northern<br />

Ireland, estranged brothers Turlough and Lorcan<br />

reunite following their mother’s death.<br />

Soft Rain<br />

Singapore, <strong>2021</strong>, 7 mins. Dir. Sacha Geodegebure.<br />

A man suffering from depression is rained on by pink,<br />

fluffy balls from the sky.<br />

Break Any Spell<br />

Canada, <strong>2021</strong>, 13 mins. Dir. Anton Jøsef.<br />

When April sets off to battle in the the world of<br />

live-action role-playing, her mother’s early-onset<br />

Alzheimer’s disease reaches a breaking point.<br />

Shorts to<br />

EXPAND<br />

CFF12, 92 mins<br />

Broaden your perspective in a swirl of creativity.<br />

CONTENT WARNING This strand contains<br />

scenes of nudity and discussion of death.<br />

Sat 20, 11.00 Sun 21, 12.00<br />

Boobs<br />

Canada, <strong>2021</strong>, 8 mins. Dir. Marie Valade.<br />

A surrealist journey through a woman’s lovehate<br />

relationship with her breasts, her body, her<br />

femininity.<br />

Spotted Yellow<br />

Iran, 2020, 12 mins. Dir. Baran Sarmad.<br />

A young girl with a yellow spot on her face, suddenly<br />

feels the signs of a giraffe in her life.<br />

Bluebird Society<br />

Turkey, 2020, 17 mins. Dir. Deniz Bensusan.<br />

In a community where the torture of one person<br />

allows freedom of another, will Efil stay or leave?<br />

Diseased and Disorderly<br />

UK, <strong>2021</strong>, 14 mins. Dir. Andrew Kötting.<br />

A film that uses the paintings, drawings and collages<br />

of the neurodiverse artist Eden Kötting to make<br />

imagistic gold.<br />

To Err LOCAL<br />

UK, <strong>2021</strong>, 11 mins. Dir. Nanci Cruz.<br />

When Kiara, an AI satellite, is sent to observe a<br />

blackhole, she forms a friendship with Noelle back<br />

on Earth.<br />

The Wall<br />

China, <strong>2021</strong>, 30 mins. Dir. Shulei Zhou.<br />

A wall smasher, Baiqiang, accidentally enters a<br />

demolishing room where artist, Xiang Fei, lived<br />

before, and an unprecedented force grows.<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 25


SHORTfusion<br />

Shorts to<br />

JOURNEY<br />

CFF15, 90 mins<br />

Broaden your perspective in a swirl of creativity.<br />

CONTENT WARNING This strand contains sexual<br />

references, strong language and scenes about<br />

death and mental health.<br />

Sun 21, 16.15 Wed 24, 11.00<br />

Guide Me Home LOCAL<br />

UK, 2020, 15 mins. Dir. Stefan Georgiou.<br />

David arrives in London with dreams, but when things<br />

don’t go to plan he starts to slip between the cracks of<br />

the city.<br />

Nursery Rhymes<br />

Singapore, 2020, 10 mins. Dir. Michael Kam.<br />

Drawing inspiration from his memories of his<br />

grandmothers, Michael Kam imagines their childhood<br />

spent under different imperialist rule.<br />

A New Perspective<br />

France & Italy, <strong>2021</strong>, 18 mins. Dir. Emanuela Ponzano.<br />

As pre-teens search a forest for valuable objects,<br />

they’re brought face-to-face with people escaping<br />

persecution.<br />

Shorts to<br />

UNNERVE<br />

CFF15, 84 mins<br />

A chilling dose of horror and the unexpected.<br />

CONTENT WARNING This strand contains scenes<br />

of a sexual nature, bodily harm and violence.<br />

Sat 20, 22.00 Wed 24, 10.45<br />

Rocks and Crows<br />

Switzerland, 2020, 4 mins. Dir. Anne Thorens.<br />

Lucas is playing in the yard of his building with his<br />

plastic pistol. But his game takes another twist when<br />

he starts playing with crows.<br />

Catch a Butcher<br />

UK, <strong>2021</strong>, 11 mins. Dir. Cassiah Joski-Jethi.<br />

Catch A Butcher is a short horror set in 19th Century<br />

India, where a nurse’s first night on the job descends<br />

into terror as she discovers the truth behind the<br />

disappearances of mixed race babies.<br />

Down<br />

UK, <strong>2021</strong>, 6 mins. Dir. Guy Harvey.<br />

A hole in London lures people to jump inside, growing<br />

larger, deeper and seemingly more unstoppable with<br />

each victim.<br />

Itch<br />

Malta, <strong>2021</strong>, 8 mins. Dir. Susannah Farrugia.<br />

A psychological horror about a novice nun who<br />

develops a severe skin condition which continues<br />

to worsen along with her mental state as she<br />

struggles with her feelings for another nun.<br />

Banshee LOCAL<br />

UK, <strong>2021</strong>, 6 mins. Dir. Matt Ditko.<br />

A string of bizarre missing person<br />

cases leads two troubled teenagers<br />

to investigate their town’s forbidden forest.<br />

Verzasca in Red<br />

Switzerland, <strong>2021</strong>, 11 mins. Dir. Nadina Dollie.<br />

Maria experiences an ethereal sexual awakening on a<br />

summer vacation.<br />

Black Slide<br />

Israel, <strong>2021</strong>, 11 mins. Dir. Uri Lotan.<br />

Eviah and his best friend sneak into<br />

the Black slide, the most terrifying<br />

ride in Aqua Fun.<br />

Ali and His Miracle Sheep<br />

UK, <strong>2021</strong>, 25 mins. Dir. Maythem Ridha.<br />

Guided by his grandmother’s haunting<br />

Sumerian lament, 9-year-old mute Ali<br />

takes his sheep, Kirmenta, for sacrifice<br />

on a journey across Iraq’s landscape.<br />

Malakout<br />

Iran, 2020, 11 mins. Dir. Farnoosh Abedi.<br />

A piano player tries to bring his wife back to life, but<br />

the deal awakens the devil inside him.<br />

They Salivate<br />

France, 2020, 20 mins. Dir. Ariane Boukerche.<br />

They Salivate is the story of a kiss. A couple kiss each<br />

other in their deserted living room. The party begins<br />

and one guest drinks the couple’s last kiss.<br />

EVIE<br />

Australia, <strong>2021</strong>, 18 mins. Dir. Alex von Hofmann.<br />

In a world decimated by nuclear war, a young girl<br />

living in the Australian countryside must venture<br />

alone to a distant farmhouse to seek medical<br />

supplies for her dying father.<br />

26 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com


BFI Network + <strong>Film</strong> Hub South East<br />

Showcase<br />

Arts Picturehouse, Wednesday 24th November, 16:30 - 18:30<br />

YOUTH LAB<br />

FREE EVENT<br />

This event is an opportunity to watch new BFI Network films, made by filmmakers<br />

from across the South East Region. You will have the chance to hear from the<br />

filmmakers about their experience and attend a talk about available funding from<br />

the BFI Network South East Talent Exec, Thomas Wightman.<br />

During the pandemic The Youth Lab, made up of<br />

16- to 24-year-olds, has met regularly over Zoom<br />

to discuss various topics around cinema and<br />

the film industry. They have also taken part in<br />

specially organised online workshops with high<br />

profile guests such as Mark Kermode, Simran<br />

Hans, Anna Smith and Anna Bogutskaya. This<br />

year’s Youth Lab Jury will comprise current<br />

Youth Lab participants, who will announce their<br />

winning film before the end of the <strong>Festival</strong>.<br />

If any young people would like to join the 2022<br />

cohort, please email Abby, the Youth Lab<br />

lead, at abby@cambridgefilmtrust.org.uk.<br />

Birthdays Christenings Mother’s Day Father’s<br />

Day Long Service Awards Congratulations New<br />

Home Baby Shower Leaving Gift Get Well Soon<br />

Thank You Weddings Anniversary Employee Rewards<br />

Company Christmas Gifts and even Afternoon Tea!<br />

Available to<br />

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Birthdays Christenings Mother’s Day Fathe<br />

Day Long Service Awards Congratulations N<br />

Home Baby Shower Leaving Gift Get Well So<br />

Thank You Weddings Anniversary Employee Rewar<br />

Company Christmas Gifts and even Afternoon Te<br />

The Love <strong>Cambridge</strong><br />

GIFT CARD<br />

With over 200 participating businesses in <strong>Cambridge</strong> the choice of where to spend is huge – shopping,<br />

dining, leisure and much more - making the Love <strong>Cambridge</strong> Gift Card the perfect present for everyone!<br />

For a full list of businesses signed up to accept the Love <strong>Cambridge</strong> Gift Card<br />

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LOOK<br />

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delivered by<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 27


5 films<br />

Stream<br />

for<br />

£20<br />

When the first lockdown was announced back<br />

in March 2020 we feared the 40th edition of THE<br />

<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> would not go ahead<br />

that year. We immediately began making plans<br />

to save the <strong>Festival</strong>, and ensure that film<br />

lovers could continue to access outstanding<br />

films not available via other platforms.<br />

First came a partnership with three other UK film festivals to produce AMPLIFY!, a<br />

virtual film festival that ran throughout November 2020 and attracted an audience of<br />

over 15,000, not just from <strong>Cambridge</strong> but UK-wide.<br />

Since then we have presented a range of online events under the CFF at Home umbrella,<br />

with highlights from 40 years of the <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> in the CFF Rewind season,<br />

and films selected and introduced by special guests such as Mark Kermode, Sarah Gavron,<br />

and Terence Davies through the incredibly popular “A <strong>Film</strong> I Love…” series.<br />

All of these online presentations have been building to this, our very first blended, real<br />

world and online <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>.<br />

If you can get to the Arts Picturehouse between the 18th and 25th of November we’d love<br />

to see you there, but if you can’t or if you just want to enjoy even more films, then we<br />

have a wide selection of CFF40’s features and shorts available through the CFF at Home<br />

platform right up until December 5th!<br />

All of the CFF at Home titles are available UK-wide and there is a fantastic <strong>Festival</strong> pass<br />

which allows you to stream 5 films for £20!<br />

Visit camfilmfest.com for full<br />

details and tickets.<br />

28 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com


SUN<br />

21<br />

NOV<br />

MON<br />

22<br />

NOV<br />

TUE<br />

23<br />

NOV<br />

WED<br />

24<br />

NOV<br />

THU<br />

25<br />

NOV<br />

FRI<br />

26<br />

NOV<br />

SAT<br />

27<br />

NOV<br />

SUN<br />

28<br />

NOV<br />

MON<br />

29<br />

NOV<br />

TUE<br />

30<br />

NOV<br />

WED<br />

01<br />

DEC<br />

THU<br />

02<br />

DEC<br />

FRI<br />

03<br />

DEC<br />

SAT<br />

04<br />

DEC<br />

SUN<br />

05<br />

DEC<br />

FERGUSON RISES<br />

FORCED CHANGE<br />

FOREST REBELS<br />

SALARYMAN<br />

SHORTS TO CONTEMPLATE<br />

SHORTS TO DEBATE<br />

SON OF MONARCHS<br />

THE MASSACRE OF ANRÖCHTE<br />

WHEEL OF FORTUNE AND FANTASY<br />

15 HOURS<br />

512 HOURS<br />

FILM, THE LIVING RECORD OF OUR MEMORY<br />

HOSTILE<br />

JUST THE TWO OF US<br />

SHORTS TO UNNERVE<br />

WHEN I’M DONE DYING<br />

GROWTH WITH HOPE<br />

KARNAWAL<br />

SHORTS TO CHEER<br />

SHORTS TO EMBRACE<br />

SHORTS TO EXPAND<br />

SHORTS TO JOURNEY<br />

BEYTO<br />

FEAR<br />

NICO<br />

EVERYTHING IN THE END<br />

MEMORY BOX<br />

BALANDRAU, FROZEN HELL<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 29


MAIN FUNDER<br />

40TH<br />

FESTIVAL<br />

DONOR<br />

SUPPORTERS<br />

INSTITUTES, FOUNDATIONS AND TRUSTS<br />

SENIOR MEDIA PARTNER<br />

MEDIA PARTNERS<br />

VENUE PARTNERS<br />

PATRON<br />

FRIENDS<br />

Anne Bailey, Anne Beamish, Lola Caball Roures, Janet Fox,<br />

Rachel Knight, Rob Marsden, Gavin Midgley, Chris Shaw,<br />

Lucy Sheppard, Stuart Wren<br />

30 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com


Index of <strong>Film</strong>s<br />

Features<br />

15 Hours 12<br />

512 Hours 19<br />

Afterlight, The 18<br />

Ai Weiwei Trio: Cockroach, 22<br />

Coronation and Rohingya<br />

Ali and Ava 5<br />

Atabai 10<br />

Balandrau, Frozen Hell 12<br />

Belly of the Sea, The 12<br />

Beyto 10<br />

Blue Bayou 6<br />

Close-Knit 14<br />

Cockroach 22<br />

Coppelia 18<br />

Coronation 22<br />

Cow 20<br />

Drive My Car 14<br />

Electrical Life of Louis Wain, The 5<br />

Everything in the End 11<br />

Eyes of Tammy Faye, The 6<br />

Fear 8<br />

Ferguson Rises 21<br />

<strong>Film</strong>, the Living Record of 18<br />

Our Memory<br />

Flee 8<br />

Forced Change 20<br />

Forest Rebels 19<br />

Great Freedom 7<br />

Growth with Hope 20<br />

Hostile 21<br />

I Am Here 21<br />

Just the Two of Us 15<br />

Karnawal 10<br />

Laureate, The 11<br />

Luzzu 9<br />

Massacre of Anröchte, The 11<br />

Memoria 7<br />

Memory Box 8<br />

Nico 21<br />

Odd-Job Men, The 13<br />

People Upstairs, The 13<br />

Petite Maman 9<br />

Playground 9<br />

Poupelle of Chimney Town 14<br />

Roaring 20’s 9<br />

Rohingya 22<br />

Salaryman 15<br />

Seed, The 11<br />

Shorts to Cheer 23<br />

Shorts to Contemplate 24<br />

Shorts to Debate 24<br />

Shorts to Embrace 25<br />

Shorts to Expand 25<br />

Shorts to Journey 26<br />

Shorts to Unnerve 26<br />

Small Body 9<br />

Son of Monarchs 20<br />

Souvenir: Part II, The 7<br />

Surprise <strong>Film</strong> 4<br />

Titane 7<br />

Wheel of Fortune and Fantasy 15<br />

When I’m Done Dying 9<br />

ShortS<br />

Ali and his Miracle Sheep 26<br />

A New Perspective 26<br />

An Invitation 24<br />

An Irish Goodbye 25<br />

Banshee 26<br />

Birthday Boy 24<br />

Black Slide 26<br />

Bluebird Society 25<br />

Boobs 25<br />

Break Any Spell 25<br />

Bump 24<br />

Catch a Butcher 26<br />

Courtroom Sketches 23<br />

Cupids 23<br />

Diseased and Disorderly 25<br />

Down 26<br />

Evie 26<br />

Georgia 24<br />

Guide Me Home 26<br />

Hunting Bears 24<br />

Iniquity 24<br />

Itch 26<br />

Just In Case 25<br />

Kicksled Choir, The 24<br />

Lemons 23<br />

Malakout 26<br />

Mila 23<br />

Nursery Rhymes 26<br />

Out of Time 23<br />

Rev, The 23<br />

Rocks and Crows 26<br />

Sit Down and Shut Up 23<br />

Snorrie 25<br />

Soft Rain 25<br />

Sounds of Nature 24<br />

Spotted Yellow 25<br />

They Salivate 26<br />

To Err 25<br />

Uncle 24<br />

Verzasca In Red 26<br />

Voce 25<br />

Wall, The 25<br />

Waves 24<br />

You Look Fine 24<br />

#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 31


40TH<br />

FESTIVAL<br />

WE WOULD LIKE<br />

TO THANK<br />

PRINCIPAL PARTNERS<br />

THIRD PARTNERS<br />

Catherine Jones – the <strong>Cambridge</strong> jeweller since 1963<br />

Celebrating our 60th anniversary in 2023<br />

Own a piece of <strong>Cambridge</strong><br />

SERVICES:<br />

Commissions<br />

Redesign heirlooms<br />

Repairs<br />

Valuations<br />

9 Bridge Street <strong>Cambridge</strong> CB2 1UA +44 01223 361596 online@catherinejones.com wwww.catherinejones.com

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