Cambridge Film Festival 2021 Brochure
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<strong>Cambridge</strong><br />
FILM FESTIVAL <strong>2021</strong><br />
18<br />
25<br />
NOVEMber<br />
NOVEMber<br />
www.camfilmfest.com<br />
40TH<br />
FESTIVAL
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WELCOMe<br />
TO THE 40th CAMBRIDGE FILM FESTIVAL<br />
In 2004, when I first<br />
became involved with the<br />
<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong><br />
(CFF), gloomy predictions<br />
of the ‘end of cinema’ were<br />
everywhere. Not of film as<br />
an artform, necessarily, but<br />
of cinema as a theatrical<br />
viewing experience: big<br />
screen, dark room, fellow<br />
travellers laughing or crying<br />
(or annoyingly munching)<br />
beside you. As passionate<br />
devotees of that experience,<br />
Tony Jones (former <strong>Festival</strong> Director) and I worked<br />
together to set up the <strong>Cambridge</strong> <strong>Film</strong> Trust, an<br />
arts charity promoting film culture and education –<br />
notably through our big, in-cinema <strong>Festival</strong>.<br />
Over the years, cinema-going hung in there, despite the rise of<br />
portable devices and streaming platforms, and we were proud to<br />
play our part. CFF screened silent films with live accompaniment,<br />
projected films in all kinds of unusual and outdoor venues<br />
(remember the riverside screenings?) and brought cinephiles<br />
and filmmakers together for Q&As and conversations in the bar.<br />
Then came Covid-19. Suddenly, cinemas were closed and our<br />
40th <strong>Festival</strong> could not take place: it felt like this really might<br />
be the end.<br />
We collaborated on a fantastic<br />
online event, AMPLIFY! and<br />
launched CFF@Home – and<br />
discovered a <strong>Festival</strong>-feeling was<br />
possible online, with Zoom keeping<br />
the conversations alive. But while<br />
we’re keeping online screenings,<br />
to help brilliant cinema reach as<br />
wide an audience as possible, that<br />
communal big screen experience<br />
will always be at the heart of<br />
what we do.<br />
A debt of gratitude is owed to<br />
Matthew Webb, Owen Baker,<br />
Cristina Roures, Esperanza Moreno<br />
Guerra, Becky Mann, Mike O’Brien,<br />
Hannah Hitchin, Rhea Finnie,<br />
George Agnew and the entire <strong>Festival</strong> team; for delivering<br />
this 40th <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> that brings us all to the<br />
cinema again.<br />
This splendid celebration of world cinema would not be possible<br />
without them. Nor would it be as expansive without the generous<br />
and ongoing support of Studio 24, The Technology Partnership<br />
(TTP), the Eligator Sansom Family Fund, and the BFI.<br />
Thank you to everyone who has supported us in presenting this<br />
40th <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>.<br />
I’m thrilled to welcome you back to the <strong>Festival</strong>.<br />
Isabelle McNeill<br />
Chair, <strong>Cambridge</strong> <strong>Film</strong> Trust<br />
It’s hard to convey how much our lives have changed since the<br />
39th <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> (CFF). The pandemic has tested<br />
us all in unimaginable ways, yet the spirit, ethos and goals of<br />
the <strong>Cambridge</strong> <strong>Film</strong> Trust and <strong>Festival</strong> remain the same. We<br />
continue to bring established and new voices to <strong>Cambridge</strong>,<br />
opening windows for all onto vistas, stories and languages<br />
beyond.<br />
Key anchors in the programme whether Flee or Great Freedom,<br />
Ali & Ava or Luzzu, Fear or Playground, When I’m Done Dying, or<br />
I Am Here all explore transnational stories in an engaging and<br />
entertaining way, sharing an open, rich, expansive and multifaceted<br />
view of the world. There is humour, joy, sadness and<br />
terror that will warm, entertain, shake, awaken.<br />
<strong>Film</strong>makers have naturally responded to the pandemic. A<br />
special event with Ai Weiwei & Wang Fen (p.22) highlights their<br />
prolific filmmaking efforts which Weiwei describes as the most<br />
productive time in his filmmaking career. Elisabeth Vogler’s<br />
vibrant, miraculous single take along the Seine gives a joyous<br />
wander through Paris as people emerge from seclusion, in<br />
Roaring 20’s.<br />
A BFI Japan Season (p.14) features the masterful Ryûsuke<br />
Hamaguchi who blends Murakami and Chekhov, alongside<br />
new name Keita Fujimoto. Families will not want to miss<br />
Poupelle of Chimney Town evocative of Spirited Away or Howl’s<br />
Moving Castle. Camera Catalonia (p.12) returns with favourites<br />
Agustí Villaronga and Cesc Gay, the unmissable Balandrau,<br />
Frozen Hell and hard-hitting 15 Hours by Judith Colell. The<br />
Liberty strand (p.21) lays bare the events that led to a global<br />
movement in Ferguson Rises and explores the UK’s complicated<br />
relationship with immigration in Hostile. ShortFusion (p.23)<br />
offers a poignant reflection on world filmmaking.<br />
Gala screenings (p.6) provide a grand stage for Julia<br />
Ducournau’s Palme d’Or-winning Titane, Michael Showalter’s<br />
The Eyes of Tammy Faye, Joanna Hogg’s The Souvenir: Part II<br />
and The Electrical Life of Louis Wain. Creativity on <strong>Film</strong> (p.18)<br />
presents a stunning animated adaptation of Coppelia featuring<br />
Darcey Bussell, who will also join us in <strong>Cambridge</strong>. Nature &<br />
Community (p.20) introduces Alexis Gambis’s Son of Monarchs,<br />
a rare feature that blends science with a deeply personal story.<br />
Screenings in-venue will be supported by an online programme<br />
which will allow attendees to see some of the <strong>Festival</strong> films<br />
from the comfort of their own home. We continue meanwhile,<br />
on our inclusive journey. 50% of the programme is female<br />
directed. We’ve also introduced simpler pricing to make the<br />
<strong>Festival</strong> as accessible as possible.<br />
Thank you to the programmers Yeşim Güzelpınar, Elle<br />
Haywood, Ramon Lamarca, Prerona Prasad who have<br />
joined me in long, expansive discussions on film. Hitomi<br />
Shinozaki’s advice on contemporary Japanese cinema has<br />
been paramount in selecting films and placing them in context.<br />
We continue to benefit enormously from the experience of<br />
Tony Jones who has advised throughout. Thank you also to<br />
the 40+ strong team of reviewers who have carefully watched,<br />
reviewed and championed submissions to the <strong>Festival</strong>.<br />
Laying the groundwork for the <strong>Festival</strong> has required<br />
an extraordinary volley of activity, and near constant<br />
communication with a far-reaching, international network<br />
of producers, sales agents, distributors and filmmakers in<br />
Tallinn, Sundance, Cannes, Gothenburg, Rotterdam, and<br />
Berlin film festivals and markets, and beyond. As we all adjust<br />
to a new world and ever-changing release plans, platforms<br />
and calendar, I’m especially grateful to Altitude <strong>Film</strong>s, Beta<br />
Cinema, Curzon Artificial Eye, Metro International, Matchbox<br />
<strong>Film</strong>s, The Match Factory, Modern <strong>Film</strong>s, MUBI, New Wave<br />
<strong>Film</strong>s, Peccadillo Pictures, Searchlight Pictures, Sovereign<br />
<strong>Film</strong> Distribution, Studiocanal, UDI, and Universal Pictures for<br />
placing their films and trust with us, as well, of course, to our<br />
hosts the Arts Picturehouse.<br />
We have considered more than 3000 filmmakers and their<br />
films. Whilst championing seasoned directors such as Céline<br />
Sciamma and Andrea Arnold, new voices Laura Wandel,<br />
Juan Pablo Félix, and Laura Samani, have all produced<br />
striking debuts. We have 95 titles from 44 countries, with 21<br />
UK premieres, and 5 European premieres in the programme.<br />
Seeing the <strong>Festival</strong> come together has been a rewarding<br />
experience and I look forward to sharing this with you all.<br />
Matthew Webb<br />
Lead Programmer & Executive Director, <strong>Cambridge</strong> <strong>Film</strong> Trust<br />
<strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong><br />
3
CONTENTS<br />
5 Opening<br />
& Closing films<br />
6 GALA<br />
SCREENINGS<br />
8 INTERNATIONAL<br />
FESTIVAL HIghights<br />
10 Connection &<br />
Disconnection<br />
12 CAMERA<br />
CATALONIA<br />
14 JAPAN<br />
16<br />
<strong>2021</strong><br />
SCHEDULE, TICKETS<br />
& VENUES<br />
18 Creativity<br />
on <strong>Film</strong><br />
20 Nature &<br />
Community<br />
21 Liberty<br />
22<br />
23 SHort<br />
Fusion<br />
27<br />
Producing during<br />
the Pandemic<br />
<strong>Film</strong> Hub South East,<br />
YOUTH LAB<br />
28 CFF@Home<br />
30 Honour<br />
Board<br />
31 Index<br />
of films<br />
Developing your voice<br />
JESUS COLLEGE, MONday 22nd November, 15:00 - 21:00<br />
Jesus College, University of <strong>Cambridge</strong>, presents an<br />
afternoon celebrating the student short films created<br />
for the rolling <strong>Film</strong> at Jesus competitions. Master of<br />
Jesus, Sonita Alleyne OBE, who launched the initiative<br />
in October 2020, will introduce the showcase of films.<br />
Co-founder of <strong>Film</strong> at Jesus, Anja Diel, will invite<br />
participation in the next round of competition.<br />
Programme<br />
15.00<br />
17.00<br />
19.00<br />
Showcase of student films, introduced by Sonita Alleyne OBE,<br />
Master of Jesus College.<br />
Screenwriter James McCarthy will host an industry panel of<br />
screenwriters, film directors and producers, in a bid to help<br />
new filmmakers work towards making their first feature.<br />
Hitomi Shinozaki, Programme Advisor for the CFF40 Japan<br />
Season, will introduce a screening of Keita Fujimoto’s<br />
engaging drama, Just the Two of Us.<br />
FREE EVENT (booking required via camfilmfest.com)<br />
2019 Surprise fiilm: The Personal History of David Copperfield<br />
SURPRISE FILM<br />
Sun 21st Nov, 21.45<br />
CFF<br />
15<br />
Often met with laughs, whoops or groans,<br />
the Surprise <strong>Film</strong> has been a staple of the<br />
<strong>Festival</strong> since 2001. Each year, rumour and<br />
speculation grow to fever pitch, and no<br />
one – not even the projectionist – knows<br />
the film’s title until the first few frames on<br />
screen slowly reveal its true identity. So,<br />
for those amongst you who relish the taste<br />
of adventure, snap up your ticket early on<br />
and enjoy this unique experience.<br />
There will be no reviews or clues from<br />
us, but feel free to join the discussion on<br />
Twitter. Follow us at @camfilmfest and<br />
tag your suggestions with #CFFSurprise.<br />
4 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com
40TH<br />
OPENING FILM<br />
FESTIVAL<br />
CAMBRIDGE FILM FESTIVAL STAFF<br />
Operations Managers<br />
Cristina Roures & Esperanza Moreno Guerra<br />
Marketing Manager<br />
Owen Baker<br />
Events & Venues Manager<br />
Hannah Hitchin<br />
<strong>Festival</strong> Logistics<br />
Hitomi Shinozaki<br />
Corporate Partnerships & PR Manager<br />
Becky Mann<br />
Youth Lab & Young People’s Jury Lead<br />
Abigail Pollock<br />
Lead ProgrammER<br />
Matthew Webb<br />
Programming Panel<br />
Yeşim Güzelpınar (Turkish <strong>Film</strong> Programmer),<br />
Elle Haywood, Ramon Lamarca & Prerona<br />
Prasad (Artist Moving Image Programmer)<br />
Camera Catalonia Programmer<br />
Ramon Lamarca<br />
Programme Advisor for the Japan Season<br />
Hitomi Shinozaki<br />
Short <strong>Film</strong>s Programmer<br />
& Submissions Coordinator<br />
Elle Haywood<br />
<strong>Brochure</strong> Editor/COORDINATOR<br />
Rhea Finnie<br />
<strong>Brochure</strong> designer<br />
Dan Taylor<br />
Friends & Patrons<br />
Elena Shampanova<br />
Projectionists & Technical Team<br />
George Agnew, Laurence Anderson,<br />
Tom Brooks & Hitomi Shinozaki<br />
Photographers<br />
Jean-Luc Benazet & David Riley<br />
<strong>Festival</strong> interns<br />
Musalina Dzhalil, Louise Grundy &<br />
Greté Kutkaité<br />
TAKE ONE FESTIVAL MAGAZINE<br />
Editor-in-Chief<br />
Rosy Hunt<br />
Managing Editor<br />
Jim Ross<br />
CAMBRIDGE FILM TRUST<br />
Isabelle McNeill, Simon Jones, Tony Jones,<br />
Jenny Nelson, Mike O’Brien & Matthew Webb<br />
ARTS PICTUREHOUSE<br />
General Manager<br />
Lorcan O’Neill<br />
Assistant General Manager<br />
Victoria Ayre<br />
Duty Managers<br />
Hitomi Shinozaki, Pėter Horvath<br />
& Thierry Preston<br />
PICTUREHOUSE CINEMAS<br />
Clare Binns, Keith Gehlert, Carol McKay<br />
& Madeleine Mullet<br />
Plus all the amazing volunteers, venue<br />
staff and all the hard-working film<br />
submissions reviewers.<br />
ALI & AVA<br />
UK|<strong>2021</strong> 95 mins<br />
DIRECTOR<br />
WITH<br />
THE ELECTRICAL LIFE OF LOUIS WAIN<br />
UK|<strong>2021</strong> 111 mins<br />
DIRECTOR<br />
WITH<br />
CFF<br />
12A<br />
Clio Barnard<br />
Adeel Akhtar, Claire Rushbrook, Ellora Torchia<br />
Adeel Akhtar (Four Lions, Big Sick, Enola Holmes, The Electrical Life of Louis Wain) delivers another stand-out<br />
performance as the complex, multilayered, musical, vibrant and kind Ali. As Ali comes to terms with the<br />
breakdown of his marriage he encounters Ava (Claire Rushbrook), another lost soul trying to emerge from the<br />
shadow left by her former, now deceased, husband. Clio Barnard’s latest film explores themes of happiness,<br />
belonging, and confronting racism. Ultimately, it is also a story about reconciliation and finding one’s path.<br />
Barnard once again proves herself the bard of the British working class. In Ali & Ava, she abandons her<br />
occasionally bleak realism for a kind of stubborn hopefulness, letting the delight of unexpected connection<br />
break through the storm clouds. JUDE DRY, INDIEWIRE<br />
We are delighted to welcome actress Claire Rushbrook for a Q&A following the film.<br />
PRINT SOURCE<br />
Altitude <strong>Film</strong>s<br />
Print source Studiocanal<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 5<br />
THU<br />
18<br />
CLOSING FILM<br />
20.30<br />
CFF<br />
12A<br />
MON<br />
22<br />
THU<br />
25<br />
20.30<br />
20.00<br />
Will Sharpe<br />
Benedict Cumberbatch, Claire Foy, Olivia Colman, Andrea Riseborough, Toby Jones<br />
An all-star cast led by Claire Foy and Benedict Cumberbatch, narrated by Olivia Colman and featuring a trove<br />
of household names such as Taika Waititi, Richard Ayoade, Aimee Lou Wood and Nick Cave. Will Sharpe<br />
focuses on 1880s London eccentric Louis Wain (Benedict Cumberbatch) whose prolific depictions of our<br />
domestic feline friends were to foreshadow the explosion of cat memes and videos that we see today. The<br />
film charts the painter’s life as new governess Emily (Claire Foy) is introduced to the family home. Hired to<br />
educate Wain’s younger sisters, a romance soon blossoms.<br />
The man responsible for some of Victorian England’s most beloved feline paintings led rather an<br />
interesting life, as this delightfully odd biopic attests. PETER DEBRUGE, VARIETY
GALA<br />
SCREENINGS<br />
OPENING<br />
GALA FILM FRI 20.30<br />
THE EYES OF TAMMY FAYE<br />
USa|<strong>2021</strong> 126 mins<br />
DIRECTOR<br />
WITH<br />
CFF<br />
15<br />
Michael Showalter<br />
Jessica Chastain, Andrew Garfield, Cherry Jones, Vincent D’Onofrio<br />
Michael Showalter (The Big Sick) returns with a humanising and gloriously colourful portrayal of 1970s global<br />
televangelist phenomenon Tammy Faye, played by Jessica Chastain. Showalter traces Tammy Faye’s rise from humble<br />
beginnings and the pivotal moment she met her husband, Jim Bakker. Together, they were formidable, establishing a<br />
colossal empire, which at its height reached millions of followers through television and broadcast. Bakker’s eventual<br />
financial and personal misconduct, however, led them to lose everything. Their experience was to foreshadow the rise<br />
of televangelism, strongly held money-led belief systems and cults of personality that are now commonplace.<br />
This biopic about Tammy Faye and her husband, the disgraced preacher Jim Bakker (played with oily charm by<br />
Andrew Garfield), walks a tricky tonal tightrope, touching on hypocrisy, religion, self-empowerment and denial.<br />
TIM GRIERSON, SCREEN INTERNATIONAL<br />
Print source<br />
Searchlight Pictures<br />
19<br />
UK<br />
P R E M I E R E<br />
Prepare to be dazzled by remarkable<br />
stories of mystical journeys, queer<br />
sexual liberation, the fight for<br />
recognition at work and the fall from<br />
stardom. The return to the big screen<br />
would not be complete without<br />
experiencing performances from<br />
Tilda Swinton, Franz Rogowski,<br />
Jessica Chastain, Andrew Garfield,<br />
Benedict Cumberbatch, Honor Swinton<br />
Byrne and Richard Ayoade.<br />
BLUE BAYOU<br />
Print source Universal Pictures<br />
6 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com<br />
CFF<br />
15<br />
USa & CANADA|<strong>2021</strong> 115 mins<br />
DIRECTOR Justin Chon<br />
WITH<br />
Justin Chon, Alicia Vikander, Mark O’Brien<br />
SAT<br />
20<br />
18.15<br />
MON<br />
22<br />
20.40<br />
Alicia Vikander stars in this gripping story about citizenship, rights, and the heartache that many<br />
families experience when pulled apart under tough immigration laws and enforcement.<br />
Vikander, often acclaimed for roles that call for elegance and poise, has rarely been this forceful and<br />
immediate on-screen, and she and Chon achieve a portrait of a marriage that pulses with warmth, life<br />
and a ferocious mutual need.” ... “You’re meant to reflect on their experiences. You might also find<br />
yourself thinking of the migrant families traumatized and separated at the U.S.-Mexico border in recent<br />
years — a different dimension of the immigrant crisis that nonetheless resonates with this movie’s<br />
singular nightmare. It’s in Antonio’s love for his wife and children, and his fear of losing them, that Blue<br />
Bayou finds a core of wrenching emotional honesty that survives its more manipulative impulses. It<br />
knows the love it takes to build and nurture a family, and the violence it takes to tear that family<br />
asunder. JUSTIN CHANG, LA TIMES
23<br />
GREAT FREEDOM<br />
Grosse Freiheit<br />
CFF<br />
15<br />
AUSTRIA & GERMANY|<strong>2021</strong> 116 mins<br />
German with English subtitles.<br />
DIRECTOR Sebastian Meise<br />
WITH<br />
Franz Rogowski, Georg Friedrich, Anton von Lucke, Thomas Prenn<br />
Sebastian Meise’s latest offering won the <strong>2021</strong> Un Certain Regard Jury Prize at<br />
the Cannes <strong>Film</strong> <strong>Festival</strong> and is set for wider acclaim. Meise presents a heartfelt<br />
and gut-wrenching portrayal of life in a homophobic post-WWII Germany. Hans<br />
(Franz Rogowski) is systematically arrested and imprisoned. On arriving in<br />
prison, he is beaten by his cellmate, and murderer, Victor (Georg Friedrich) in<br />
full view of the prison guard. Their relationship soon develops, however, giving<br />
rise to a sense of freedom that was never possible outside the prison walls.<br />
Meise’s film is an exquisite marriage of personal, political and sensual<br />
storytelling, its narrative and temporal drift tightened by another performance<br />
of quietly piercing vulnerability from Franz Rogowski. GUY LODGE, VARIETY<br />
CONTENT WARNING Contains abuse and scenes of a sexual nature.<br />
Print source<br />
MUBI<br />
TUE<br />
20.15<br />
THU<br />
25<br />
13.15<br />
MEMORIA<br />
CFF<br />
12A<br />
Colombia, Thailand, UK, Mexico, France, Germany<br />
& Qatar|<strong>2021</strong> 136 mins<br />
Spanish and English with English subtitles.<br />
DIRECTOR Apichatpong Weerasethakul<br />
WITH<br />
Tilda Swinton, Elkin Díaz, Jeanne Balibar, Juan Pablo Urrego, Daniel<br />
Giménez Cacho<br />
Tilda Swinton (The French Dispatch, The Souvenir, Orlando) stars in Apichatpong<br />
Weerasethakul’s (Uncle Boonmee Who Can Recall His Past Lives) sonic, otherworldly<br />
experience. An unmissable one-off <strong>Cambridge</strong> screening.<br />
The Thai master’s English-language debut – about an expat attuned to<br />
strange frequencies in Colombia – more than matches his past mystic odysseys.<br />
Apichatpong Weerasethakul offers us his own kind of exaltation and his own<br />
abolition of gravity” ... “Memoria is a beautiful and mysterious movie, slow<br />
cinema that decelerates your heartbeat. ★★★★★<br />
PETER BRADSHAW, THE GUARDIAN<br />
Print source<br />
Sovereign <strong>Film</strong> Distribution<br />
SAT<br />
20<br />
20.45<br />
21<br />
THE SOUVENIR: PART II<br />
UK|<strong>2021</strong> 107 mins<br />
DIRECTOR<br />
WITH<br />
CFF<br />
15<br />
Joanna Hogg<br />
Honor Swinton Byrne, Tilda Swinton, Joe Alwyn,<br />
Richard Ayoade, Charlie Heaton<br />
Joanna Hogg’s hotly-anticipated follow-up to The Souvenir (CFF39) continues<br />
with Julie (Honor Swinton Byrne) still mourning the loss of Anthony. She has<br />
abandoned her script for her final film school project and sets out to recreate<br />
the magic and heartbreak of her relationship with a complex man, whose<br />
addiction led to his untimely end. Realising this film within a film, completes the<br />
semi-biographical story of Joanna Hogg’s journey into the filmmaking world.<br />
A movie that defied the laws of film industry gravity, and those big names in<br />
the credits don’t in themselves explain this: a film that has floated free of what<br />
might be expected commercially or in any other way and carries itself with a<br />
marvellous austere artistry and compositional flair.<br />
PETER BRADSHAW, THE GUARDIAN<br />
Print source<br />
SUN<br />
20.15<br />
Picturehouse Entertainment<br />
MON<br />
22<br />
15.45<br />
TITANE<br />
Print source Altitude <strong>Film</strong>s<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 7<br />
CFF<br />
18<br />
WED<br />
24<br />
FRANCE|<strong>2021</strong> 108 mins<br />
French with English subtitles.<br />
DIRECTOR Julia Ducournau<br />
WITH<br />
20.45<br />
THU<br />
25<br />
20.30<br />
Vincent Lindon, Agathe Rousselle, Garance Marillier<br />
Interweaving cues from Cronenberg to Tarantino, tied together with exceptional<br />
performances from Agathe Rousselle and Vincent Lindon, and an almost human<br />
body-like score, Julia Ducournau’s Titane is a spectacular, brutal and hypnotic<br />
ride that keeps the viewer on a certain edge, not knowing what could possibly<br />
happen next. In <strong>2021</strong>, Ducournau became only the second woman ever to win the<br />
coveted Palme d’Or at the Cannes <strong>Film</strong> <strong>Festival</strong> for this unforgettable film.<br />
Titane consolidates a filmmaking style based on visceral shock, grisly<br />
absurdism and high thematic ambition. Violence is often played for comedy.<br />
Cruelty collides with tenderness. Eroticism keeps company with disgust. Through<br />
the stroboscopic aggression of Ducournau’s images you can glimpse ideas about<br />
gender, lust and the intimacy that connects people and machines.<br />
A.O. SCOTT, THE NEW YORK TIMES<br />
CONTENT WARNING Contains scenes of a sexual nature, and strong violence<br />
which some viewers may find distressing.
INTERNATIONAL<br />
FESTIVAL HIGHLIGHTS<br />
MEMORY BOX<br />
CFF<br />
15<br />
France, Lebanon & Canada|<strong>2021</strong> 104 mins<br />
French, Arabic & English with English subtitles.<br />
DIRECTORS Joana Hadjithomas & Khalil Joreige<br />
WITH Rim Turki, Manal Issa, Paloma Vauthier<br />
Print source<br />
UK<br />
P R E M I E R E<br />
Modern <strong>Film</strong>s<br />
WED<br />
24<br />
16.00<br />
THU<br />
25<br />
A timely reflection on the zeitgeist of 1980s Beirut<br />
through the lens of a mysterious trove of photos,<br />
notebooks, and recordings that arrive one<br />
Christmas Eve.<br />
12.30<br />
A winning cast of fine actresses and an engrossing<br />
back-and-forth timeline that jumps from wartime<br />
Beirut under the bombs to the staid tranquility of<br />
modern-day Montreal. HOLLYWOOD REPORTER<br />
A showcase of exceptional awardwinning<br />
cinema from the world’s<br />
festival circuit and film markets,<br />
taking us from Denmark to Turkey,<br />
from Beirut to France and beyond.<br />
Discover noteworthy debuts from<br />
filmmakers such as Laura Samani and<br />
Laura Wandel and venture into the<br />
latest films from acclaimed directors<br />
including Nisan Dağ, Jonas Poher<br />
Rasmussen and Céline Sciamma.<br />
FEAR<br />
Strah<br />
CFF<br />
15<br />
BULGARIA|2020 100 mins<br />
Bulgarian and English with English subtitles.<br />
DIRECTOR Ivaylo Hristov<br />
WITH<br />
Svetlana Yancheva, Michael Fleming,<br />
Ivan Savov, Stoyan Bochev, Krassimir<br />
Dokov, Miroslava Gogovska<br />
An exceptional combination of dark comedy<br />
and theatre from Ivaylo Hristov. Tallinn Black<br />
Nights’ grand prize winner, set in a rural village<br />
in Bulgaria, follows a lone black refugee Bamba<br />
(Michael Fleming) greeted at the edge of a forest<br />
by Svetla (Svetlana Yancheva) and her shotgun.<br />
An exceptional, heartwarming, deeply affecting<br />
and funny story ensues as one begins to consider<br />
life beyond the small confines and attitudes<br />
of the village and what the village represents.<br />
Captured in a sharp black and white evocative of<br />
The Lighthouse.<br />
Print source<br />
Pro<strong>Film</strong><br />
Mon<br />
22<br />
18.15<br />
THU<br />
25<br />
18.00<br />
FLEE<br />
CFF<br />
12A<br />
Denmark, Sweden, Norway & France|<strong>2021</strong> 90 mins<br />
Danish, English, Dari, & Russian with English<br />
subtitles.<br />
DIRECTOR Jonas Poher Rasmussen<br />
WITH Daniel Karimyar, Farhin Mijdzadeh<br />
Amin, a successful academic with a loving partner,<br />
recalls fleeing Afghanistan to start his new life in<br />
Denmark. A documentary genre-defying approach<br />
sees Amin and long-time friend in conversation as<br />
animated characters, bringing not only themselves,<br />
their homes, and even the recording equipment into<br />
the frame. Many moments during Amin’s journey<br />
and that of his family, who also tried but failed to<br />
make the same passage, are brought home to us in<br />
exquisite detail.<br />
A powerful and poetic memoir of personal<br />
struggle and self-discovery that expands the<br />
definition of documentary.<br />
HOLLYWOOD REPORTER<br />
Print source<br />
FRI<br />
19<br />
18.35<br />
Curzon Artificial Eye<br />
WED<br />
24<br />
20.45<br />
8 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com
LUZZU<br />
CFF<br />
15<br />
MALTA|<strong>2021</strong> 95 mins<br />
Maltese with English subtitles.<br />
DIRECTOR Alex Camilleri<br />
WITH<br />
Jesmark Scicluna, Michela Farrugia,<br />
David Scicluna<br />
Stunning, bucolic Maltese vistas provide the<br />
backdrop to Alex Camilleri’s daring and authentic<br />
portrayal of a dying way of life. Sundance <strong>Film</strong><br />
<strong>Festival</strong> acting award winner Jesmark Scicluna,<br />
a professional fisherman by day, is cast as a<br />
character of the same name, who is hurled into the<br />
dark underworld of illicit swordfish trading and<br />
illegal markets to keep his young family afloat.<br />
Extraordinary performances from non-actors<br />
traverse livelihoods which are impossible to<br />
maintain with the increased cost of living, fishing<br />
quotas and regulation.<br />
Accomplished debut from Maltese-American<br />
filmmaker Alex Camilleri profiles little-represented<br />
lives with intelligence and integrity. VARIETY<br />
Print source<br />
UK<br />
P R E M I E R E<br />
FRI<br />
19<br />
20.40<br />
Peccadillo Pictures<br />
SUN<br />
21<br />
19.45<br />
19<br />
PETITE MAMAN<br />
FRANCE|<strong>2021</strong> 72 mins<br />
French with English subtitles.<br />
DIRECTOR Céline Sciamma<br />
WITH<br />
CFF<br />
PG<br />
Joséphine Sanz, Gabrielle Sanz,<br />
Nina Meurisse, Stéphane Varupenne,<br />
Margot Abascal<br />
A poetic and sweeping opening sequence sets the<br />
scene for Céline Sciamma’s (Portrait of a Lady on<br />
Fire, Tomboy, Girlhood) feature. Nelly (Joséphine<br />
Sanz) is first seen saying goodbye to the residents<br />
at the nursing home where her grandmother has<br />
just passed away. Whilst sitting in the back seat of<br />
their car as she sets off home with mother Marion<br />
(Nina Meurisse), Nelly extends her arm around<br />
the headrest to share her snacks. This simple and<br />
thoughtful gesture sets the tone for an exquisite<br />
portrayal of childhood, coming to terms with loss<br />
and finding solace in friendship.<br />
Print source<br />
MUBI<br />
FRI<br />
18.00<br />
SUN<br />
21<br />
18.00<br />
PLAYGROUND<br />
Un Monde<br />
UK<br />
P R E M I E R E<br />
CFF<br />
15<br />
Belgium|<strong>2021</strong> 73 mins<br />
French with English subtitles.<br />
DIRECTOR Laura Wandel<br />
WITH<br />
Maya Vanderbeque, Günter Duret,<br />
Karim Leklou<br />
In this multi-award-winning debut by Laura Wandel,<br />
Abel (Günter Duret) and Nora (Maya Vanderbeque)<br />
are starting a new school but it’s not easy. Abel<br />
does not make friends and is regularly set upon<br />
by the other boys in his year. Whilst Nora makes<br />
more progress, she is soon cast in the same light as<br />
her brother. A startling portrayal of the difficulties<br />
of fitting in and the lengths humans will go to, to<br />
become part of the group.<br />
Playground is a sit-up-and-take-notice blend of<br />
outstandingly natural performances enhanced by<br />
spot-on cinematic choices. LISA NESSELSON,<br />
SCREEN INTERNATIONAL<br />
CONTENT WARNING Contains scenes of abuse.<br />
Print source<br />
TUE<br />
23<br />
18.30<br />
THU<br />
25<br />
New Wave <strong>Film</strong>s/Verve Pictures<br />
11.00<br />
ROARING 20’S<br />
CFF<br />
12A<br />
FRANCE|<strong>2021</strong> 90 mins<br />
French with English subtitles.<br />
DIRECTOR Elisabeth Vogler<br />
WITH<br />
Vladimir Seguin, Alice de Lencquesaing,<br />
Noémie Schmidt<br />
Elisabeth Vogler’s first feature is a seamlessly<br />
choreographed single take along the glorious<br />
Parisian streets and a beautiful reflection on<br />
human connection. An ensemble cast featuring<br />
Noémie Schmidt, Alice de Lencquesaing, and<br />
a host of new faces, are linked in a continuous<br />
passage and dialogue through the city as they<br />
each emerge, in turn, from the seclusion of the<br />
pandemic, talking about their futures, pasts, new<br />
loves and loves lost. There is a shared trajectory<br />
not only in the shared passage through the city<br />
but a communal future echoing titles such as The<br />
Iron Ministry.<br />
Print source<br />
SAT<br />
20<br />
<strong>Film</strong>s Boutique<br />
18.00<br />
TUE<br />
23<br />
16.30<br />
SMALL BODY<br />
Piccolo Corpo<br />
CFF<br />
15<br />
Italy, France & Slovenia|<strong>2021</strong> 89 mins<br />
Italian with English subtitles.<br />
DIRECTOR Laura Samani<br />
WITH<br />
Celeste Cescutti, Ondina Quadri<br />
Laura Samani takes us on an epic journey over<br />
mountains and seas in this beautiful period drama<br />
set in Italy in 1900, shot in Friuli Venezia-Giulia<br />
and featuring dialect from the region. It follows<br />
the quiet and determined Agata (Celeste Cescutti)<br />
as she makes her way through many hazards and<br />
dangers whilst travelling to a remote region to<br />
perform a miracle for her stillborn child.<br />
This is independent filmmaking at its most<br />
bold, resourceful, and philosophically ambitious.<br />
DIANA SANCHEZ, TORONTO INTERNATIONAL<br />
FILM FESTIVAL<br />
CONTENT WARNING Contains scenes of<br />
pregnancy loss and kidnapping.<br />
Print source<br />
Alpha Violet<br />
WED<br />
24<br />
18.30<br />
THU<br />
25<br />
16.30<br />
20<br />
WHEN I’M DONE DYING<br />
TURKEY|2020 87 mins<br />
Turkish with English subtitles.<br />
DIRECTOR Nisan Dağ<br />
WITH<br />
Oktay Çubuk, Hayal Köseoglu<br />
CFF<br />
15<br />
Nisan Dağ takes us into the buzzing rap scene in<br />
Istanbul and a glorious combination of music,<br />
composed by Da Poet, and colour provided by the<br />
neon lights so characteristic of the global music<br />
scene and Istanbul inner-city streets. Love and<br />
heartbreak follow, as the talented though ill-fated<br />
rappers Fehmi (Oktay Çubuk) and Yunus (Eren<br />
Çigdem) are consistently held back by Fehmi’s<br />
addiction to the cheap chemical drug bonzai.<br />
Strong parallels with The Souvenir, as Fehmi’s new<br />
love Devin (Hayal Köseoglu), a talented DJ, tries<br />
to help him.<br />
CONTENT WARNING Contains scenes of<br />
drug abuse.<br />
Print source<br />
SAT<br />
20.00<br />
MON<br />
22<br />
Magnolia Pictures International<br />
20.45<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 9
CONNECTION<br />
& DISCONNECTION<br />
UK<br />
P R E M I E R E<br />
KARNAWAL<br />
CFF<br />
15<br />
Argentina, Brazil, Chile, Mexico, Norway, Bolivia,<br />
& France|2020 97 mins<br />
Spanish with English subtitles.<br />
DIRECTOR Juan Pablo Félix<br />
WITH<br />
Print source<br />
UK<br />
P R E M I E R E<br />
Alfredo Castro, Martin López Lacci,<br />
Monica Lairana, Diego Cremonesi<br />
Beta Cinema<br />
SUN<br />
21<br />
13.30<br />
WED<br />
24<br />
20.30<br />
Juan Pablo Félix channels his own experience in<br />
dance and competitions into an exceptional first<br />
feature, alongside seasoned cinematographer<br />
Ramiro Civita, a San Sebastian <strong>Film</strong> <strong>Festival</strong> Silver<br />
Shell winner. Part thriller/road movie/family drama<br />
and coming-of-age story, we follow Cambra (Martin<br />
López Lacci) as he tries to make the national final<br />
that could change his life in rural Argentina. The<br />
surprise reappearance of Cambra’s father El Corto<br />
(Alfredo Castro) however, who has been given short<br />
leave from jail, throws up lots of other questions and<br />
obstacles that Cambra must overcome.<br />
The pandemic has led to a monumental<br />
distortion in how we interact with<br />
each other, with technology becoming<br />
a lifeline for loneliness, while others<br />
have logged off from the online bustle.<br />
This selection of films embraces<br />
the complexities of family life, the<br />
search for companionship in our<br />
communities, and looking for our<br />
wider purpose.<br />
ATABAI<br />
CFF<br />
15<br />
Iran|2020 106 mins<br />
Persian & Turkish with English subtitles.<br />
DIRECTOR Niki Karimi<br />
WITH<br />
Hadi Hejazifar, Sahar Dolatshahi,<br />
Javad Ezati<br />
Lauded director Niki Karimi takes us into a world<br />
of tradition, hopes and expectation. Kazem (Hadi<br />
Hejazifar) returns from a business trip to discover<br />
that his brother-in-law has sold his orchard to a<br />
stranger, Shirazi. Kazem finds himself falling in<br />
love with Shirazi’s daughter but first must face his<br />
past. With its intertwined use of Azari and Farsi<br />
languages, alongside the fabulous landscapes of<br />
North West Iran, this film brings a fresh perspective<br />
to Iranian cinema and seeks to build bridges<br />
between generations and communities.<br />
Print source<br />
AI <strong>Film</strong> Pro<br />
SUN<br />
21<br />
11.15<br />
THU<br />
25<br />
15.45<br />
Beyto<br />
CFF<br />
15<br />
SWITZERLAND|2020 98 mins<br />
Swiss German & Turkish, with English subtitles.<br />
DIRECTOR Gitta Gsell<br />
WITH<br />
Burak Ates, Dimitri Stapfer, Ecem Aydin<br />
A poignant story set in Switzerland follows<br />
Beyto (Burak Ates) as he tries to reconcile family<br />
expectations and Turkish heritage, with his<br />
relationship with swimming coach Mike (Dimitri<br />
Stapfer). As Beyto’s parents become aware of his<br />
new love, they head back to Turkey to arrange<br />
a marriage with his childhood friend Seher.<br />
Whether the wedding goes ahead or not will have<br />
consequences for all.<br />
A realistic and sensitive portrait of a budding<br />
and seemingly impossible love. It’s a sincere and,<br />
at times, touching film which speaks of a form of<br />
intimacy transcending gender and sexual<br />
orientation. GIORGIA DEL DON, CINEUROPA<br />
Print source<br />
FRI<br />
19<br />
Matchbox <strong>Film</strong>s<br />
18.30<br />
THU<br />
25<br />
11.45<br />
10 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com
EURO<br />
P R E M I E R E<br />
UK<br />
P R E M I E R E<br />
23 24 25<br />
EVERYTHING IN THE END<br />
CFF<br />
12A<br />
United States & Iceland|<strong>2021</strong> 74 mins<br />
English, Icelandic & Portuguese with English<br />
subtitles.<br />
DIRECTOR Mylissa Fitzsimmons<br />
WITH<br />
Hugo De Sousa, Joi Johannsson, Raul<br />
Portero, Elizabeth Austin, Lilja Þórisdóttir<br />
Stranded in a small Icelandic town, a young<br />
Portuguese man named Paulo seeks out human<br />
connections and intimacy during the Earth’s<br />
final days. This uplifting story centres around<br />
conversations with strangers, reflecting on loss,<br />
love, death and hope when time has run out.<br />
This is a profound debut from filmmaker Mylissa<br />
Fitzsimmons, who builds a moving narrative<br />
against the beautiful backdrop of Iceland, giving<br />
characters the space to process the past and<br />
present. It is a poetic take on the quiet apocalypse<br />
story, about placing our trust in others, and finding<br />
peace in our final moments.<br />
Print source<br />
TUE<br />
18.00<br />
WED<br />
Hello Charles LLC<br />
12.30<br />
THU<br />
16.45<br />
THE LAUREATE<br />
UK|<strong>2021</strong> 103 mins<br />
DIRECTOR<br />
WITH<br />
CFF<br />
15<br />
William Nunez<br />
Tom Hughes, Diana Agron,<br />
Laura Haddock<br />
We hope to welcome director William Nunez and<br />
actors Tom Hughes and Laura Haddock for a Q&A<br />
following the film.<br />
Print source<br />
Metro International<br />
MON<br />
22<br />
18.00<br />
WED<br />
24<br />
13.45<br />
Esteemed war poet Robert Graves (Tom Hughes),<br />
married to Nancy Nicholson (Laura Haddock), writes<br />
to American poet Laura Riding (Dianna Agron)<br />
seeking to rekindle his passion for poetry and writing.<br />
As Riding enters the family home and a patriarchal<br />
world of London’s writers and clubs, worlds are<br />
turned upside down. William Nunez’s ten-year-long<br />
battle to make The Laureate has produced a film<br />
that questions who is active and passive in the lives<br />
that we lead and the consequences of our actions.<br />
Endorsed by Graves’ family, this film provides an<br />
entry point into a world recovering from war and the<br />
creative works that followed in response.<br />
UK<br />
P R E M I E R E<br />
INTL<br />
P R E M I E R E<br />
THE MASSACRE OF<br />
CFF<br />
ANRÖCHTE 15<br />
Das Massaker von Anröchte<br />
GERMANY|<strong>2021</strong> 63 mins<br />
German with English subtitles.<br />
DIRECTOR Hannah Dörr<br />
WITH<br />
Print source<br />
Hendrik Arnst, Julian Sark,<br />
Max Bretschneider<br />
UCM.ONE<br />
Anröchte is the scene of a massacre, as people<br />
are randomly beheaded. When detectives Konka<br />
(Hendrik Arnst) and Walter (Julian Sark) investigate,<br />
they discover the dark side of the area. As the mayor<br />
refuses to acknowledge the murders, local youths<br />
become suspects and the detectives are thrown into a<br />
disorientating situation. With a blend of meticulously<br />
framed shots, a razor sharp script and German techno<br />
beats; The Massacre of Anröchte fully embraces the<br />
absurd. From philosophical questions around good and<br />
evil and the sheer frustration of trying to make sense of<br />
this unusual crime, this is a memorable black comedy.<br />
FRI<br />
19<br />
THE SEED<br />
Die Saat<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 11<br />
14.15<br />
WED<br />
24<br />
13.15<br />
CFF<br />
15<br />
GERMANY|<strong>2021</strong> 97 mins<br />
German with English subtitles.<br />
DIRECTOR Mia Meyer<br />
WITH<br />
Hanno Koffler, Dora Zygouri, Anna<br />
Blomeier, Andreas Döhler, Robert<br />
Stadlober, Lilith Julie Johna<br />
Comparisons with Ken Loach are justified in this<br />
highly emotional, taught tour de force by Mia<br />
Meyer, which will see its International Premiere in<br />
the <strong>Festival</strong>, following its debut in Berlin. Building<br />
site supervisor Rainer (Hanno Koffler) is challenged<br />
by the arrival of lower-paid workers, whose<br />
presence threatens the status quo. As labour action<br />
ensues, led by Rainer, he’s faced with losing his job<br />
when his staff cross the picket line and his boss<br />
holds him accountable for the disruption to work.<br />
Rainer’s daughter meanwhile has also been drawn<br />
into a dangerous confrontation with another girl,<br />
mirroring her father’s plight.<br />
Print source<br />
SAT<br />
20<br />
16.00<br />
Missing <strong>Film</strong>s GbR<br />
MON<br />
22<br />
12.30
CamERA<br />
CATALONIA<br />
UK<br />
P R E M I E R E<br />
THE BELLY OF THE SEA<br />
El ventre del mar<br />
CATALONIA|<strong>2021</strong> 72 mins<br />
Catalan with English subtitles.<br />
DIRECTOR Agustí Villaronga<br />
WITH<br />
Print source<br />
CFF<br />
18<br />
Roger Casamajor, Muminu Diallo,<br />
Oscar Kapoya<br />
Antidote Sales<br />
SUN<br />
21<br />
18.10<br />
THU<br />
25<br />
20.15<br />
Camera Catalonia’s favourite, Agustí Villaronga,<br />
returns to the <strong>Festival</strong> with a hard-hitting court<br />
drama that pits a surviving officer and a sailor from<br />
the French ship Medusa, which sank off the coast of<br />
present-day Mauritania, in a moral and historical<br />
confrontation. Popularised by Géricault, a hero of<br />
French Romanticism, his iconic work, The Raft of<br />
Medusa, depicted the torturous journey of the sailors<br />
cast adrift on a makeshift raft, whilst the officers sailed<br />
away securely in lifeboats. Villaronga’s emotive and<br />
distinctive style places the events from 1816 into a<br />
modern narrative that challenges whether the same<br />
would and is happening today.<br />
UK<br />
P R E M I E R E<br />
UK<br />
P R E M I E R E<br />
We are delighted to bring back our<br />
Camera Catalonia strand to the big<br />
screen! Our journey through the best<br />
of recent Catalan cinema will take us as<br />
far as the Dominican Republic, sailing<br />
through the Mediterranean waters<br />
with stories full of pathos and drama,<br />
but without forgetting the necessary<br />
snippets of comedy and humour that<br />
can be found in everyday life.<br />
Supported by<br />
15 HOURS<br />
CFF<br />
15<br />
15 HORAS<br />
CATALONIA, Dominican Republic|<strong>2021</strong> 90 mins<br />
Spanish with English subtitles.<br />
DIRECTOR Judith Colell<br />
WITH<br />
SAT<br />
20<br />
Sterlyn Ramírez, Marc Clotet, Stephany<br />
Liriano, Katherine Montes, Felix Germán<br />
On the surface, Manuel (Marc Clotet) is an<br />
exceptionally talented world-famous conductor and<br />
feted public persona. This facade hides his angry,<br />
violent outbursts towards his suffering wife Aura<br />
(Sterlyn Ramírez). Set in the Dominican Republic,<br />
this story of domestic abuse highlights the difficulty<br />
in raising women’s voices when confronting<br />
domestic abuse in the context of traditional<br />
family values and the complexity of navigating<br />
government support agencies. Aura’s painful<br />
journey and escape from her abuser is also a path<br />
to self-discovery and freedom.<br />
CONTENT WARNING Contains scenes of abuse.<br />
We are delighted to welcome director Judith<br />
Colell for a Q&A following the film.<br />
24 25<br />
BALANDRAU, FROZEN HELL<br />
Balandrau, infern glaçat<br />
CATALONIA|<strong>2021</strong> 78 mins<br />
Catalan with English subtitles.<br />
DIRECTOR Guille Cascante<br />
Print source The Open Reel<br />
12 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com<br />
15.30<br />
THU<br />
25<br />
14.00<br />
CFF<br />
12A<br />
Fresh from opening the DocsBarcelona <strong>Festival</strong>,<br />
Balandrau, Frozen Hell, sensitively portrays a real<br />
tragedy. It is a story of survival, sorrow and guilt, in<br />
which Guille Cascante recreates the events of 30th<br />
December 2000. Moments away from a new year,<br />
a perfect storm suddenly came down the Catalan<br />
Pyrenees, trapping several mountaineers and skiers,<br />
leaving very few survivors to tell their stories. What<br />
follows is deeply personal and moving reflections<br />
by those who did survive and their rescuers,<br />
encapsulated in guilt and sadness at having lost<br />
close friends and partners on that fateful day. The<br />
beauty of the mountains, captured in gorgeous<br />
widescreen photography, contrasts with the<br />
merciless rage of natural disasters like this one.<br />
Print source<br />
WED<br />
Lastor Media S.L.<br />
16.15<br />
THU<br />
18.15
21<br />
THE ODD-JOB MEN<br />
Sis Dies Corrents<br />
CFF<br />
12A<br />
CATALONIA|<strong>2021</strong> 85 mins<br />
Catalan, Spanish and Berber with English subtitles.<br />
DIRECTOR Neus Ballús<br />
WITH<br />
Mohamed Mellali, Valero Escolar,<br />
Pep Sarrà<br />
Following hot on the heels of the world premiere<br />
in Locarno, Neus Ballús (The Plague, Staff Only)<br />
continues to explore her cinematic combination<br />
of reality and fiction in a distinctively personal<br />
way. Three very different characters, who only<br />
share their profession of handyman, and their<br />
relationship whilst at work, are the main elements<br />
that Ballús employs to analyse prejudices towards<br />
migration in Europe and the quirkiness of human<br />
nature. Reminiscent of Jacques Tati, she uses<br />
deadpan and life-affirming humour to depict<br />
the three characters navigating through the<br />
extraordinary that can be found in everyday life.<br />
Print source<br />
SUN<br />
BETA CINEMA<br />
16.00<br />
WED<br />
24<br />
19.00<br />
THE PEOPLE UPSTAIRS<br />
SENTIMENTAL<br />
CATALONIA|2020 81 mins<br />
Spanish with English subtitles.<br />
DIRECTOR Cesc Gay<br />
WITH<br />
Print source<br />
CFF<br />
15<br />
Javier Cámara, Belén Cuesta, Alberto San<br />
Juan, Griselda Siciliani<br />
<strong>Film</strong>ax<br />
SUN<br />
21<br />
18.15<br />
TUE<br />
23<br />
16.15<br />
Cesc Gay (Truman, Ficció) writes and directs a highly<br />
entertaining romp, which delves into love, sex and<br />
relationships, through an excruciatingly funny<br />
evening with two very different couples. Javier<br />
Cámara (Talk to Her, Sex and Lucía) delivers a brilliant<br />
and sardonic performance alongside a terrific Belén<br />
Cuesta. As a couple, they have a visually beautiful,<br />
organised life in their perfect apartment but they<br />
are constantly at odds with each other. The loud<br />
noises from their very amorous neighbours upstairs<br />
highlight the challenges in their own relationship<br />
and this leads to a heightened crescendo, as all<br />
neighbours get together for a dinner party with<br />
unexpected consequences.<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 13
JAPAN<br />
<strong>2021</strong><br />
GB<br />
P R E M I E R E<br />
POUPELLE OF CHIMNEY TOWN<br />
Entotsu Machi no Poupelle<br />
JAPAN|2020 100 mins<br />
Japanese with English subtitles.<br />
DIRECTOR Yusuke Hirota<br />
WITH<br />
Print source<br />
CFF<br />
PG<br />
Masataka Kubota, Mana Ashida,<br />
Shinosuke Tatekawa, Eiko Koike, Shingo<br />
Fujimori, Jun Kunimura<br />
Kiyuki Inc.<br />
SAT<br />
20<br />
18.30<br />
TUE<br />
23<br />
18.15<br />
Based on Akihiro Nishino’s bestselling book of the<br />
same name, this is a beautiful and touching story<br />
of a young boy Lubicchi (played by child actor<br />
Mana Ashida) who refuses to believe that the world<br />
is enshrined in smoke and that there are instead<br />
worlds and stars beyond. Immediately post COP26<br />
in Glasgow this year, there is a strong and timely<br />
ecological message that we can always live more in<br />
harmony with the environment and with each other.<br />
A masterpiece of animation full of surprise and<br />
discovery. WATANABE REIKO, NIPPON.COM<br />
In partnership with the BFI, the<br />
<strong>Festival</strong> is proud to present a window<br />
onto contemporary Japanese cinema,<br />
featuring a selection of exciting new<br />
films by Japanese directors Ryûsuke<br />
Hamaguchi, Yusuke Hirota, Keita<br />
Fujimoto and Costa Rican filmmaker<br />
Allegra Pacheco. Delve into tales of<br />
blossoming new relationships,<br />
the societal pressure of excessive<br />
working, and the latest Haruki<br />
Murakami adaptation.<br />
CLOSE-KNIT<br />
CFF<br />
15<br />
Karera ga honki de amu toki wa<br />
JAPAN|2017 127 mins<br />
Japanese with English subtitles.<br />
DIRECTOR Naoko Ogigami<br />
WITH<br />
Tôma Ikuta, Mugi Kadowaki,<br />
Kenta Kiritani<br />
Naoko Ogigami’s multi-award winning feature<br />
centres around 11-year-old Tomo who, after<br />
being neglected by her mother, is taken in by her<br />
uncle Makio and his transgender girlfriend Rinko.<br />
Together they create a loving home for the young<br />
girl. The film opens audiences up to progressive<br />
conversations and curiosity around sexuality,<br />
gender and identity, while continuing to embrace<br />
Ogigami’s tradition of making sensitive and<br />
emotionally-healing cinema.<br />
One might find the tremendous emotional<br />
swells of Close-Knit so moving at times that one<br />
can barely hear the sound of fresh ground being<br />
broken in Japanese cinema. THE FILM STAGE<br />
Print source<br />
Nikkatsu<br />
FRI<br />
19<br />
15.30<br />
19<br />
DRIVE MY CAR 15<br />
Doraibu mai kA<br />
JAPAN|<strong>2021</strong> 179 mins<br />
Japanese, Korean, English, Cantonese, Mandarin,<br />
Tagalog, Indonesian, German & Malaysian with<br />
English subtitles.<br />
DIRECTOR Ryûsuke Hamaguchi<br />
WITH<br />
Hidetoshi Nishijima, Tôko Miura,<br />
Reika Kirishima<br />
Based on Haruki Murakami’s short story Men<br />
Without Women, Ryûsuke Hamaguchi’s Cannes<br />
<strong>Film</strong> <strong>Festival</strong> award-winning screenplay examines<br />
relationships, responsibility and guilt, centred on<br />
the relationship between theatre actor-director<br />
Yûsuke Kafuku (Hidetoshi Nishijima) and his<br />
screenwriter wife Oto (Reika Kirishima).<br />
Reaches a new grandeur with this engrossing<br />
adaptation about a theatre director grappling<br />
with Chekhov and his wife’s infidelity.<br />
★★★★★ PETER BRADSHAW, THE GUARDIAN<br />
Print source<br />
FRI<br />
Modern <strong>Film</strong>s<br />
20.05<br />
SAT<br />
20<br />
20.30<br />
14 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com
UK<br />
P R E M I E R E<br />
EURO<br />
P R E M I E R E<br />
20<br />
JUST THE TWO OF US<br />
Futari no sekai<br />
JAPAN|2020 104 mins<br />
Japanese with English subtitles.<br />
DIRECTOR Keita Fujimoto<br />
WITH<br />
CFF<br />
15<br />
Masatoshi Nagase, Shiori Doi, Motomi<br />
Makiguchi, Kazumi Kondo<br />
Keita Fujimoto’s first feature sees Shunsaku<br />
(Masatoshi Nagase), a talented artist, left immobile<br />
by a car accident and cared for by his father Gohei<br />
Takagi (Motomi Makiguchi). Frustrated with his<br />
life, he resorts to insults and appalling behaviour<br />
towards anyone who cares for him. Hanae Hirahara<br />
(Shiori Doi), who has been completely blind for<br />
the last five years, becomes Shunsaku’s carer and<br />
delivers a dose of reality that challenges him to<br />
look at his situation differently.<br />
With her air of self-confidence and stubborn<br />
determination, she commands attention in every<br />
scene. But she also displays a vulnerability that<br />
invites sympathy, despite the melodramatic turns<br />
her story takes. JAPAN TIMES<br />
Print source<br />
SAT<br />
15.45<br />
Free Stone Productions<br />
MON<br />
22<br />
16.00<br />
19<br />
SALARYMAN<br />
CFF<br />
15<br />
Costa Rica & Japan|<strong>2021</strong> 79 mins<br />
English & Japanese with English subtitles.<br />
DIRECTOR Allegra Pacheco<br />
WITH Allegra Pacheco<br />
In this harrowing and insightful documentary,<br />
Costa Rican artist Allegra Pacheco explores the<br />
reality and myth of the ‘Salaryman’ in Japan.<br />
These people are typically white collar workers<br />
expected to commit excessive hours to work, at the<br />
compromise of home and social lives. Late nights<br />
and intense drinking sessions result in many of<br />
them passed out in the streets, raising questions<br />
around the ethics of our global working practices<br />
in a capitalist society. Exploring the impact this<br />
has on both men and women, Pacheco not only<br />
seeks to raise awareness about the situation,<br />
but gives a platform for those affected to share<br />
their stories.<br />
CONTENT WARNING Contains discussion<br />
of suicide.<br />
Print source<br />
FRI<br />
12.15<br />
SAT<br />
20<br />
Legs Limitada<br />
12.00<br />
WED<br />
24<br />
14.45<br />
21<br />
WHEEL OF FORTUNE<br />
CFF<br />
AND FANTASY 15<br />
GUZEN TO SOZO<br />
JAPAN|<strong>2021</strong> 121 mins<br />
Japanese with English subtitles.<br />
DIRECTOR Ryûsuke Hamaguchi<br />
WITH Kotone Furukawa, Ayumu Nakajima, Hyunri<br />
Another sleek and stylish film by Ryûsuke<br />
Hamaguchi begins with Gumi and Meiko (Kotone<br />
Furukawa) in electric conversation and the news<br />
of a potential new love interest. Professor Segawa<br />
(Kiyohiko Shibukawa) keeps his school office<br />
door wide open to avoid potential accusations<br />
of harassment and misconduct, yet even being<br />
visible doesn’t stop an erotic reading with an older<br />
student being recorded that causes trouble for<br />
both. The finale presents a school reunion and<br />
chance encounter between two people who vaguely<br />
remember one another. As their encounter develops,<br />
they enact the roles of the people they thought they<br />
were. Winner of the <strong>2021</strong> Silver Bear Grand Jury<br />
Prize at the Berlin International <strong>Film</strong> <strong>Festival</strong>.<br />
Print source<br />
SUN<br />
Modern <strong>Film</strong>s<br />
20.30<br />
MON<br />
22<br />
18.15<br />
CLASSICAL<br />
MUSIC FOR<br />
MODERN<br />
LIFE<br />
WITH MARK KERMODE<br />
SATURDAYS 1PM-3PM<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 15
SCHEDULE OF FILMS<br />
THU 18 NOV<br />
Arts Picturehouse<br />
Screen 1<br />
20:30 Ali & Ava 5<br />
FRI 19 NOV<br />
Arts Picturehouse<br />
Screen 1<br />
12:45 Forced Change 20<br />
14:45 Ferguson Rises 21<br />
16:45 Forest Rebels 19<br />
18:35 Flee 8<br />
20:30 The Eyes of Tammy Faye 6<br />
Screen 2<br />
12:15 Salaryman 15<br />
14:15 The Massacre of Anröchte 11<br />
15:45 Son of Monarchs 20<br />
18:00 Petite Maman 9<br />
20:05 Drive My Car 15<br />
Screen 3<br />
11:30 SHORTS to Debate 24<br />
13:30 SHORTS to Contemplate 24<br />
15:30 Close-Knit 14<br />
18:30 Beyto 10<br />
20:40 Luzzu 9<br />
SAT 20 NOV<br />
Arts Picturehouse<br />
Screen 1<br />
11:15 <strong>Film</strong>, the Living Record 19<br />
of Our Memory<br />
13:45 Coppelia 18<br />
15:45 Just the Two of Us 14<br />
18:15 Blue Bayou 6<br />
20:45 Memoria 7<br />
Screen 2<br />
11:00 SHORTS to Expand 25<br />
13:15 Hostile 21<br />
15:30 15 Hours 12<br />
18:00 Roaring 20’s 9<br />
20:00 When I’m Done Dying 9<br />
22:00 SHORTS to Unnerve 26<br />
Screen 3<br />
12:00 Salaryman 15<br />
14:00 512 Hours 18<br />
16:00 The Seed 11<br />
18:30 Poupelle of Chimney Town 14<br />
20:30 Drive My Car 15<br />
SUN 21 NOV<br />
Arts Picturehouse<br />
Screen 1<br />
11:15 Atabai 10<br />
13:30 Karnawal 10<br />
16:00 The Odd-Job Men 13<br />
18:00 Petite Maman 9<br />
20:15 The Souvenir: Part II 7<br />
Screen 2<br />
12:00 SHORTS to Expand 25<br />
14:00 Forest Rebels 19<br />
15:45 <strong>Film</strong>, the Living Record 19<br />
of Our Memory<br />
18:10 The Belly of the Sea 12<br />
19:45 Luzzu 9<br />
21:45 Surprise <strong>Film</strong> 4<br />
Screen 3<br />
10:45 SHORTS to Cheer 23<br />
12:45 Growth With Hope 20<br />
14:30 SHORTS to Embrace 25<br />
16:15 SHORTS to Journey 26<br />
18:15 The People Upstairs 13<br />
20:30 Wheel of Fortune 15<br />
and Fantasy<br />
HOWARD THEATRE<br />
11:00 Coronation 22<br />
13:00 Q&A with Ai Weiwei & 22<br />
Wang Fen followed by<br />
screening of Cockroach<br />
Please<br />
note, not all<br />
of the films in the<br />
<strong>Festival</strong> have been<br />
certificated by the BBFC,<br />
some have been given<br />
advisory<br />
certificates by the<br />
<strong>Festival</strong>.<br />
ONLINE<br />
Advance tickets can be purchased via:<br />
www.camfilmfest.com<br />
Adult £12.50<br />
Adult Picturehouse Member £10.50<br />
Retired/Student £11.50<br />
Retired/Student Picturehouse Member £9.50<br />
Child £6.50<br />
Matinee (1pm-5pm) £6.50<br />
Morning (10am-1pm) £3.00<br />
Online (CFF@Home) £6.50<br />
5 <strong>Film</strong> Online Pass £20.00<br />
IN PERSON<br />
at the Arts Picturehouse<br />
F-RATED<br />
There are<br />
no adverts or<br />
trailers before<br />
the films<br />
at CFF.<br />
Launched in 2014 by our good friends at<br />
<strong>Film</strong>Bath, the F-Rating is applied to films by<br />
cinemas and film festivals, giving moviegoers<br />
an easily identifiable label, so they can choose<br />
films that fairly represent women on screen and<br />
behind the camera. Highlighting these films<br />
sends a clear message that women can and<br />
should have more than just a supporting role<br />
within the industry. Find out more about the<br />
F-Rating at f-rated.org.<br />
The F-Rating is applied to all films<br />
which are directed by women and/or<br />
written by women.<br />
Tickets for the online CFF@Home screenings are only<br />
available via camfilmfest.com (not at the Arts Picturehouse).<br />
SILVER<br />
SCREEN<br />
Over 60s for films at Arts Picturehouse on<br />
Tuesdays and Thursdays that start before<br />
16:45. Includes a free hot drink and biscuits!<br />
The Triple F-Rating is the gold<br />
standard. It is applied to all films which<br />
have significant women on screen, as<br />
well as being directed and/or written<br />
by women.<br />
16 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com
MON 22 NOV TUE 23 NOV WED 24 NOV Thu 25 NOV<br />
Arts Picturehouse<br />
Screen 1<br />
10:45 Nico 21<br />
12:30 The Seed 11<br />
14:30 SHORTS to Contemplate 24<br />
16:30 I Am Here 21<br />
18:15 Fear 8<br />
20:30 Ali & Ava 5<br />
Screen 2<br />
12:15 Forest Rebels 19<br />
14:15 Growth With Hope 20<br />
16:00 Just the Two of Us 14<br />
18:00 The Laureate 11<br />
20:40 Blue Bayou 6<br />
Screen 3<br />
12:00 SHORTS to Cheer 23<br />
14:00 SHORTS to Embrace 25<br />
15:45 The Souvenir: Part II 7<br />
18:15 Wheel of Fortune 15<br />
and Fantasy<br />
20:45 When I’m Done Dying 15<br />
HOWARD THEATRE<br />
18:00 Rohingya 22<br />
JESUS COLLEGE<br />
15:00 Student film showcase 4<br />
17:00 Industry panel with 4<br />
James McCarthy<br />
19:00 Just the Two of Us 4<br />
Arts Picturehouse<br />
Screen 1<br />
12:00 I Am Here 21<br />
14:00 <strong>Film</strong>, the Living Record 19<br />
of Our Memory<br />
16:30 Roaring 20’s 9<br />
18:30 Playground 9<br />
20:15 Great Freedom 7<br />
Screen 2<br />
11:30 Son of Monarchs 20<br />
13:45 SHORTS to Debate 24<br />
16:15 The People Upstairs 13<br />
18:15 Poupelle of Chimney Town 14<br />
20:30 Cow 20<br />
Screen 3<br />
13:30 Ferguson Rises 21<br />
15:30 Hostile 21<br />
18:00 Everything in the End 11<br />
Arts Picturehouse<br />
Screen 1<br />
11:45 Cow 20<br />
13:45 The Laureate 11<br />
16:00 Memory Box 8<br />
18:15 Coppelia 18<br />
20:45 Titane 7<br />
Screen 2<br />
10:45 SHORTS to Unnerve 26<br />
12:30 Everything in the End 11<br />
14:15 Forced Change 20<br />
16:15 Balandrau, Frozen Hell 12<br />
18:30 Small Body 9<br />
20:30 Karnawal 10<br />
Screen 3<br />
11:00 SHORTS to Journey 26<br />
13:15 The Massacre of Anröchte 11<br />
14:45 Salaryman 15<br />
16:30 <strong>Film</strong> Hub South East 27<br />
Showcase<br />
19:00 The Odd-Job Men 13<br />
20:45 Flee 8<br />
Arts Picturehouse<br />
Screen 1<br />
11:00 Playground 9<br />
13:15 Great Freedom 7<br />
15:45 Atabai 10<br />
18:00 Fear 8<br />
20:00 The Electrical Life of 5<br />
Louis Wain<br />
Screen 2<br />
11:45 Beyto 10<br />
14:00 15 Hours 12<br />
16:45 Everything in the End 11<br />
18:15 Balandrau, Frozen Hell 12<br />
20:30 Titane 7<br />
Screen 3<br />
10:45 Growth With Hope 20<br />
12:30 Memory Box 8<br />
14:45 Nico 21<br />
16:30 Small Body 9<br />
18:30 The Afterlight 18<br />
20:15 The Belly of the Sea 12<br />
VENUES<br />
The <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> is committed<br />
to following the most up-to-date<br />
government guidance on Covid-19 to<br />
make your visit with us a safe one.<br />
We welcome masks in our venues.<br />
THE ARTS PICTUREHOUSE<br />
38-39 St Andrew’s Street, <strong>Cambridge</strong>, CB2 3AR<br />
www.picturehouses.co.uk<br />
The Arts Picturehouse screens a year-round programme of the best<br />
in new and classic cinema over three screens (including one THXcertificated<br />
for best quality sound). All screens are licensed, so you<br />
can take your drink from the café-bar in with you. You do not have<br />
to be a member to view films at the Arts Picturehouse, but if you are<br />
you’ll receive discounts on tickets.<br />
HOWARD THEATRE<br />
Downing College, Regent Street, <strong>Cambridge</strong>, CB2 1DQ<br />
www.dow.cam.ac.uk<br />
A beautifully-appointed, 140-seat theatre which is not only a home<br />
to the College’s flourishing Dramatic Society but an especially<br />
elegant venue for regular music events by visiting artists and a<br />
popular stage for academic lectures and conferences.<br />
JESUS COLLEGE<br />
Jesus Lane, <strong>Cambridge</strong>, CB5 8BL<br />
www.jesus.cam.ac.uk<br />
In the heart of <strong>Cambridge</strong>, its extensive grounds protecting it from<br />
the noise and bustle of the town, Jesus College is a community of<br />
more than 1,000 members, including around 500 undergraduates,<br />
400 graduates and research associates, and over 100 Fellows.<br />
COVID-19<br />
The <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong><br />
is committed to following the<br />
most up-to-date government<br />
guidance<br />
THE<br />
on<br />
ARTS<br />
Covid-19<br />
PICTUREHOUSE<br />
to<br />
make your visit with us a safe<br />
one. We welcome masks in<br />
our venues.<br />
JESUS COLLEGE<br />
HOWARD THEATRE<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 17
CREATIVITY<br />
ON FILM<br />
UK<br />
P R E M I E R E<br />
COPPELIA<br />
CFF<br />
PG<br />
Netherlands, Germany & Belgium|<strong>2021</strong> 82 mins<br />
No dialogue.<br />
DIRECTORS Jeff Tudor, Steven De Beul & Ben Tesseur<br />
WITH Michaela DePrince, Daniel Camargo, Vito<br />
Mazzeo, Darcey Bussell<br />
We are delighted to welcome Darcey Bussell to a<br />
screening of the film.<br />
Print source<br />
Urban Distribution International<br />
SAT<br />
20<br />
13.45<br />
WED<br />
24<br />
18.15<br />
The 150-year-old ballet of Coppelia is reinvigorated<br />
in this beautiful animated, live-action feature. The<br />
peace of a quiet town is disrupted by the arrival of<br />
Doctor Coppelius (Vito Mazzeo), a sneaky man with<br />
a cunning plan. Swan, performed by the enchanting<br />
Michaela DePrince, suspects something is afoot.<br />
She must save her town and partner Franz (Daniel<br />
Camargo) from the Doctor, who plans to use their<br />
hearts to spark life into his ‘perfect’ robotic woman<br />
and take over. This world-class ensemble of dancers<br />
also includes Darcey Bussell, in a classic tale where<br />
love saves the day.<br />
UK<br />
P R E M I E R E<br />
From the archiving of cinema to<br />
improvisational lockdown theatre,<br />
celebrate the talent and innovation<br />
behind all art forms. In this strand<br />
you can encounter an absorbing,<br />
meditative performance within the<br />
Serpentine Gallery, refresh your<br />
memory of the ballet Coppelia retold<br />
through modern animation and<br />
experience a rare screening of a new<br />
35mm print recalling stories from<br />
the golden age of cinema.<br />
THE AFTERLIGHT<br />
CFF<br />
12A<br />
UK|<strong>2021</strong> 82 mins<br />
Multiple languages with English subtitles.<br />
DIRECTOR Charlie Shackleton<br />
Fragments of hundreds of films from around the<br />
world, from the early years of the medium, bring<br />
together an ensemble cast of actors with one thing<br />
in common: each is no longer alive. Together,<br />
they contend with a fragile existence lived solely<br />
through these traces of their work. Existing only on<br />
a single 35mm print, The Afterlight is a rare gem of<br />
a film that constructs an original narrative through<br />
collective memory. Every time the print is shown,<br />
it becomes further eroded by wear and time,<br />
until it fades forever. This exquisite film captures<br />
the tactile beauty of the physical print, and a<br />
traditional tale that evokes the magic of the past.<br />
Print source<br />
Loop<br />
THU<br />
25<br />
18.30<br />
20 21 23<br />
FILM, THE LIVING RECORD<br />
CFF<br />
OF OUR MEMORY PG<br />
Spain|<strong>2021</strong> 119 mins<br />
English and English subtitles.<br />
DIRECTOR Inés Toharia<br />
WITH<br />
SAT<br />
11.15<br />
SUN<br />
15.45<br />
Ken Loach, Costa-Gavras, Wim Wenders,<br />
Bryony Dixon, Fernando Trueba,<br />
Aboubakar Sanogo<br />
<strong>Film</strong> archivists, curators, technicians and<br />
filmmakers from around the world come<br />
together to showcase the important work of film<br />
preservation and why it is needed in documenting<br />
the history of the art. The narrators are custodians<br />
of film, whose work behind the scenes safeguards<br />
the survival of motion pictures. It is a task they<br />
undertake based on their closely held belief in the<br />
artistic and cultural value of the moving image, in<br />
tune with a shared mantra that a film might one<br />
day transform someone’s life.<br />
Print source El Grifilm Productions,<br />
<strong>Film</strong> Option International<br />
TUE<br />
14.00<br />
18 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com
EURO<br />
P R E M I E R E<br />
UK<br />
P R E M I E R E<br />
19 21<br />
FOREST REBELS<br />
Die Waldgänger<br />
CFF<br />
12A<br />
GERMANY|<strong>2021</strong> 80 mins<br />
German with English subtitles.<br />
DIRECTOR Gordon Kämmerer<br />
WITH<br />
FRI<br />
Marie Rathscheck, Gordon Kämmerer,<br />
Max Thommes<br />
A young Berlin theatre company comes to the<br />
“Staatstheater Cottbus” to rehearse for a play<br />
about the history of the forests in Germany<br />
and how this is tied to culture and identity.<br />
A documentary team is onsite to capture the<br />
rehearsals, but the impact of the pandemic<br />
causes the team to lock down in the building to<br />
complete the play. From jealous rivalries between<br />
cast members, to the warm humour of day-to-day<br />
theatre life, this mockumentary brings together<br />
an unruly bunch of artists determined to keep the<br />
show alive with a dose of dry, sharp humour.<br />
Print source<br />
16.45<br />
SUN<br />
14.00<br />
Staatstheater Cottbus<br />
MON<br />
22<br />
12.15<br />
512 HOURS<br />
CFF<br />
U<br />
UK|<strong>2021</strong> 90 mins<br />
English.<br />
DIRECTORS Adina Istrate & Gia La Salvia<br />
WITH Marina Abramović, Hans-Ulrich Olbrist,<br />
Klaus Biesenbach, Giuliano Argenziano,<br />
Lynsey Peisinger, Daniel Hatton<br />
Print source<br />
<strong>Film</strong> Republic<br />
SAT<br />
20<br />
14.00<br />
As long queues snaked for hours through Kensington<br />
Gardens to the Serpentine’s doors, gallery patrons<br />
had no idea what was waiting for them inside.<br />
What did visitors to Marina Abramović’s latest<br />
show expect? What daring and audacious acts<br />
would unfold? Those invited in were asked to<br />
surrender possessions, all digital devices, and with<br />
no connection to the outside world, ultimately<br />
themselves. Was this an experiment in art,<br />
connection, obedience, meditation? A modern day<br />
emperor’s new clothes story reflects on Marina<br />
Abramović’s 2014 show. This is an exclusive <strong>Festival</strong><br />
edit being shared for the first time in the UK following<br />
its premiere at CPH:DOX.<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 19
NATURE<br />
& COMMUNITY<br />
COW<br />
CFF<br />
PG<br />
UK|<strong>2021</strong> 94 mins<br />
English.<br />
DIRECTOR Andrea Arnold<br />
Andrea Arnold returns to the <strong>Festival</strong> with a<br />
thought-provoking non-sentimental look at these<br />
majestic animals and the roles that they play in<br />
our lives, whether on the dinner table or in the<br />
dairy yard.<br />
Andrea Arnold’s first documentary is a meaty<br />
slice of bovine socio-realism. With this<br />
documentary, Andrea Arnold has created a kind of<br />
agribusiness pastoral about the daily life of cows<br />
on a working dairy farm. Her camera simply gets<br />
up close and personal with cows as they moo and<br />
trot around and give birth and stare with<br />
mysterious placidity into the camera.<br />
PETER BRADSHAW, THE GUARDIAN<br />
CONTENT WARNING Contains scenes of<br />
bovine birth.<br />
Print source<br />
EURO<br />
P R E M I E R E<br />
MUBI<br />
TUE<br />
23<br />
20.30<br />
WED<br />
24<br />
11.45<br />
19<br />
FORCED CHANGE<br />
United States|<strong>2021</strong> 70 mins<br />
English and English subtitles.<br />
DIRECTOR Rennik Soholt<br />
WITH<br />
CFF<br />
12A<br />
Jared Andrukanis, Andre Batiste, Daniel<br />
Brown, James Clark, Nathaniel Collins<br />
Forced Change is a feature documentary that uses<br />
the path of destruction left behind by Hurricane<br />
Katrina, as a vehicle to bring to life unique<br />
human stories that shed light on what it means<br />
to be home. <strong>Film</strong>ed at critical moments over<br />
the past fourteen years, this is a heartbreaking<br />
retrospective of four unique people that left New<br />
Orleans after the hurricane, became displaced<br />
and never returned home. It highlights the value<br />
of community, the importance of memory, the<br />
strength in having to uproot your life and start<br />
over, but also shows the iconicity of New Orleans<br />
and its rich history.<br />
Print source<br />
UK<br />
P R E M I E R E<br />
FRI<br />
12.45<br />
103rd Street Productions<br />
WED<br />
24<br />
14.15<br />
The urgency of global warming and<br />
climate change is at the forefront<br />
of this programme of fiction films and<br />
documentaries. Explore the world of<br />
eco farming, walk the land with bovine<br />
creatures and return home to the<br />
comfort of the forest, to contemplate<br />
how we treat the natural world<br />
and identify where we find hope in<br />
protecting it for future generations.<br />
21 22<br />
GROWTH WITH HOPE<br />
Taiwan|<strong>2021</strong> 79 mins<br />
Chinese with English subtitles.<br />
DIRECTOR Jessica Wan-yu LIN<br />
WITH<br />
Yang Ru-men, Yang Xin-ji,<br />
19<br />
SON OF MONARCHS<br />
Hijo de Monarcas<br />
Print source Wide Management<br />
20 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com<br />
CFF<br />
PG<br />
The Qingshui Wetland in Jinshan is the best known<br />
farming wetland along the north coast of Taiwan.<br />
Situated at the northmost tip of the country, it has<br />
become the first stop of the birds migrating south.<br />
This vibrant documentary embraces the beauty<br />
of eco farming, and acknowledges the dedication<br />
of the locals to the land. From educating school<br />
kids, to bringing in scientists to monitor the animal<br />
population, director Jessica Wan-yu LIN takes us<br />
on this critical journey that champions new ways<br />
to protect our environment.<br />
Print source<br />
SUN<br />
12.45<br />
MON<br />
14.15<br />
THU<br />
25<br />
Public Television Service Taiwan<br />
10.45<br />
CFF<br />
15<br />
Mexico & USA|2020 97 mins<br />
Spanish and English with English subtitles.<br />
DIRECTOR Alexis Gambis<br />
WITH<br />
FRI<br />
15.45<br />
TUE<br />
23<br />
11.30<br />
Tenoch Huerta Mejia, Alexia Rasmussen,<br />
Lázaro Gabino Rodríguez<br />
A rare movie that centres science (biology, CRISPR,<br />
gene editing, and bioethics) within a very personal,<br />
moving narrative. Scientist Mendel (Tenoch Huerta<br />
Mejia) moves to New York to follow his work, leaving<br />
his family behind in Mexico. The death of Mendel’s<br />
grandmother forces him to return there and face<br />
the childhood trauma of losing his parents due to<br />
the flooding of the local mine where his brother still<br />
works. Multiple awards include the Alfred P. Sloan<br />
Feature <strong>Film</strong> Prize for scientifically-themed work at<br />
the Sundance <strong>Film</strong> <strong>Festival</strong>.<br />
Son of Monarchs is a visually daring hybrid of<br />
science and art anchored by a riveting performance<br />
by Mexican actor Tenoch Huerta (Narcos, upcoming<br />
Black Panther II) JUDE DRY, INDIEWIRE
LIBERTY<br />
UK<br />
P R E M I E R E<br />
19<br />
FERGUSON RISES<br />
United States|<strong>2021</strong> 83 mins<br />
English with English subtitles.<br />
DIRECTOR<br />
WITH<br />
CFF<br />
15<br />
Mobolaji Olambiwonnu<br />
Michael Brown Sr, Renita Lamkin, Tory<br />
Russell, Osagyfo Sekou<br />
In 2014 Darren Wilson, a white police officer,<br />
fatally shot 18-year-old Michael Brown, who was<br />
unarmed. This led to protests across the state and<br />
caused a ripple effect throughout the United States<br />
of America. Ferguson Rises is a film charting the<br />
history of this incident that resulted in the current<br />
Black Lives Matter movement and conversations<br />
across the world about racial injustice. It is also a<br />
story of loss and healing, including interviews with<br />
Michael Brown Snr who talks about his grief and<br />
his hopes for a better world.<br />
Print source<br />
Philmco<br />
FRI<br />
14.45<br />
TUE<br />
23<br />
13.30<br />
UK<br />
P R E M I E R E<br />
I AM HERE<br />
CFF<br />
12A<br />
South Africa|<strong>2021</strong> 73 mins<br />
English, Hebrew & Yiddish.<br />
DIRECTOR Jordy Sank<br />
WITH Ella Blumenthal<br />
Jordy Sank’s (Atlanta, Durban) multiple awardwinning<br />
I Am Here centres on the occasion of Ella<br />
Blumenthal’s 98th birthday. Surrounded by family,<br />
Ella reflects on her astonishing WWII survival<br />
story. Transferred between several concentration<br />
camps, Ella saw her parents, close family and<br />
friends taken away and killed, yet somehow<br />
managed to survive and tell her story. Through<br />
many nail-biting encounters and a keen ability to<br />
be out of the firing line, Ella is liberated by Allied<br />
forces to then marry and move to South Africa.<br />
Viewers will see strong parallels with Flee and<br />
the beautifully evocative hand-drawn animation<br />
woven throughout.<br />
Print source<br />
Mon<br />
22<br />
16.30<br />
Metro International<br />
TUE<br />
23<br />
12.00<br />
UK<br />
P R E M I E R E<br />
The festival presents a collection<br />
of stories on migration, racism,<br />
politics and unity that have called<br />
attention to injustices and the<br />
work that is still required to create<br />
a fair and just society. The strand<br />
includes documentaries reflecting on<br />
government policies, surviving the<br />
Holocaust and collective protest,<br />
to fiction features about searching<br />
for courage after feeling excluded<br />
from society.<br />
HOSTILE<br />
CFF<br />
15<br />
UK|<strong>2021</strong> 94 mins<br />
English with English subtitles.<br />
DIRECTOR Sonita Gale<br />
Sonita Gale’s documentary takes a deep dive<br />
into Britain’s complicated relationship with<br />
immigration. The film explores the lives of<br />
international students, members of the Windrush<br />
generation and ‘highly-skilled migrants’ who have<br />
been challenged by government policies, and a<br />
hostile reception that is not always welcoming<br />
of their presence, alongside the added pressures<br />
of the Covid-19 pandemic. Through personal<br />
anecdotes and emotional interviews, the<br />
effects of Brexit, discrimination and law present<br />
questions about citizenship, identity, belonging<br />
and fraternity.<br />
Print source<br />
SAT<br />
20<br />
Galeforce <strong>Film</strong>s Ltd.<br />
Print source UCM.ONE<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 21<br />
13.15<br />
TUE<br />
23<br />
15.30<br />
NICO<br />
CFF<br />
15<br />
GERMANY|<strong>2021</strong> 75 mins<br />
English, German, Persian & Spanish with English<br />
subtitles.<br />
DIRECTOR<br />
WITH<br />
MON<br />
22<br />
10.45<br />
THU<br />
25<br />
Eline Gehring<br />
Sara Fazilat, Javeh Asefdjah, Sara<br />
Klimoska<br />
14.45<br />
In summertime in Germany Nico enjoys the carefree<br />
balance of her work as a nurse and hanging out with<br />
friends. Heading home one evening, she is racially<br />
attacked and hospitalised. Feeling helpless from<br />
the incident, Nico decides to take up martial arts to<br />
regain her confidence. This also leads her to build a<br />
connection with another woman, Ronny, at the local<br />
fairground. The navigation of trauma is a complex<br />
journey and actor Sara Fazilat conveys both Nico’s<br />
vulnerability and strength. A powerful story that<br />
respects the anger of a young woman feeling<br />
detached from her old life and follows her courage in<br />
learning to trust again.<br />
CONTENT WARNING Contains discussion of<br />
violence and assault.
PRODUCING DURING THE PANDEMIC<br />
WITH AI WEIWEI & WANG FEN<br />
Howard Theatre, Downing College, University of <strong>Cambridge</strong><br />
21-22 November FREE (booking required via camfilmfest.com)<br />
Ai Weiwei and Wang Fen talk about their prolific filmmaking<br />
efforts. With a digital-first release strategy during the pandemic,<br />
this is an opportunity to see their work in the Howard Theatre in<br />
Downing College. Revisit Wuhan at the beginning of the outbreak,<br />
join the pro-democracy protests on the streets of Hong Kong<br />
and follow the plight of the Rohingya.<br />
A Q&A with Ai Weiwei and Wang Fen will be held on Sunday 21st at 1pm following<br />
an 11am screening of Coronation. Cockroach will be shown after the Q&A and<br />
Rohingya will screen on the evening of the 22nd.<br />
Delivered by the Heong Gallery and<br />
Downing College, University<br />
of <strong>Cambridge</strong><br />
SUN<br />
21<br />
11.00<br />
CORONATION<br />
CFF<br />
12A<br />
Germany|2020 115 mins<br />
Mandarin with English subtitles.<br />
On December 1, 2019, the first patient with Covid-19 symptoms was<br />
identified in Wuhan. <strong>Film</strong>ed entirely by ordinary citizens living in Wuhan,<br />
Coronation chronicles the state’s control of citizens’ lives and access to<br />
information during an unprecedented health crisis that spilled into the<br />
rest of the world in 2020. It questions whether humanity, transparency<br />
and trust were sacrificed in order to maintain the Chinese state’s image of<br />
omnipotence. Produced and directed remotely by Ai Weiwei in Europe.<br />
SUN<br />
21<br />
13.00 Live Q&A with Ai Weiwei and Wang Fen, followed by a screening of Cockroach<br />
COCKROACH<br />
CFF<br />
12A<br />
Germany|2020 93 mins<br />
English and Cantonese with English subtitles.<br />
Cockroach is a poignant and dramatic visual record of the final moments<br />
of an independent, democratic Hong Kong. In 2019 Hong Kong erupted<br />
into months of street demonstrations, police suppression and violence<br />
in response to a proposed bill which allowed for extradition to mainland<br />
China for criminal prosecutions. Cockroach captures the fear and<br />
frustration in Hong Kong in the lead-up to the imposition of the National<br />
Security Law in Hong Kong on 30 June 2020.<br />
MON<br />
22<br />
18.00<br />
ROHINGYA<br />
CFF<br />
15<br />
Germany|<strong>2021</strong> 122 mins<br />
English.<br />
Rohingya is a continuation of Ai Weiwei’s previous films Human Flow (2017)<br />
and The Rest (2019), which spotlight the plight of refugees. Forced out of<br />
Myanmar since 2017, over 900,000 of Myanmar’s ethnic Muslim Rohingya<br />
minority now live in a refugee camp at Cox’s Bazar, Bangladesh, making<br />
it the largest refugee settlement of our time. <strong>Film</strong>ed over several months,<br />
Rohingya records the community’s everyday life, social rituals, the camp’s<br />
unique landscapes, and the light of humanity amid one of the greatest<br />
displacements of our time.<br />
Print source<br />
Ai Weiwei<br />
22 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com
Sit Down and Shut Up<br />
Ireland, <strong>2021</strong>, 13 mins. Dir. Cian O Connor.<br />
A David vs Goliath tale about the opera<br />
of football, the city of Limerick, and a<br />
game that no one remembers that three<br />
men will never forget.<br />
Out of Time<br />
France, <strong>2021</strong>, 9 mins. Dir. Delphine<br />
Montaigne.<br />
Felix faces being kicked out of an<br />
establishment by the director, but what<br />
is this place?<br />
Shorts to<br />
CHEER<br />
CFF12, 88 mins<br />
Grin from ear to ear at these uplifting tales.<br />
Sun 21, 10.45 Mon 22, 12.00<br />
Courtroom Sketches<br />
France, <strong>2021</strong>, 16 mins. Dir. Karleener.<br />
Edmond, a courtroom sketch artist,<br />
intervenes unexpectedly during hearings<br />
of over-indebted people.<br />
Lemons<br />
UK, <strong>2021</strong>, 4 mins. Dir. RVBBERDUCK.<br />
Two lemons walk into a petrol station.<br />
The Rev<br />
UK, <strong>2021</strong>, 16 mins. Dir. Fabia Martin.<br />
A repressed vicar in the midst of an<br />
identity crisis is asked to organise a lastminute<br />
funeral.<br />
SHORTfusion<br />
Cupids<br />
US, <strong>2021</strong>, 10 mins. Dir. Zoey Martinson.<br />
Three kids try to save their teacher, who<br />
is destined to a life on the sofa with cats,<br />
from a lonely summer.<br />
Mila<br />
US, Canada & Italy, <strong>2021</strong>, 20 mins. Dir.<br />
Cinzia Angelini.<br />
A little girl’s life takes an unexpected turn<br />
during World War II.<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 23
Shorts to<br />
DEBATE<br />
CFF18, 81 mins<br />
Powerful narratives of our current times.<br />
CONTENT WARNING This strand contains<br />
scenes of abuse, bodily harm, graphic suicide,<br />
mental illness and violence.<br />
Fri 19, 11.30 Tue 23, 13.45<br />
The Kicksled Choir<br />
Norway, 2020, 18 mins. Dir. Torfinn Iversen.<br />
Gabriel hopes to join the local choir, known for their<br />
kindness towards refugees, but his father isn’t keen.<br />
Shorts to<br />
CONTEMPLATE<br />
CFF15, 88 mins<br />
Reflecting on emotional cruxes and times of change.<br />
CONTENT WARNING This strand contains scenes of<br />
a sexual nature, abuse, kidnapping, mental illness,<br />
pregnancy, discussion of death and sexual assault.<br />
Fri 19, 13.30 Mon 22, 14.30<br />
Iniquity<br />
UK, <strong>2021</strong>, 20 mins. Dir. Oliver Goodrum.<br />
Michael is on the brink of a new start in life, until his<br />
past comes back to haunt his future.<br />
Hunting Bears<br />
UK, 2020, 10 mins. Dir. Jason Ruddy.<br />
When Andy can no longer face the responsibility of<br />
caring for his brother, a trip down memory lane seems<br />
to be the only answer to his problems.<br />
Uncle<br />
UK, 2020, 13 mins. Dir. Michelle Jones.<br />
The coming-of-age story set in 90’s London, of a<br />
teenage girl whose uncle dies in prison awaiting trial.<br />
Birthday Boy<br />
UK, <strong>2021</strong>, 20 mins. Dir. Leo Lebeau.<br />
Birthday Boy follows a transgender boy, Alex, as he<br />
experiences bullying at a private all girls school. He<br />
lives a double life in online games, where he feels he<br />
can express his true identity.<br />
Sounds of Nature<br />
Germany, <strong>2021</strong>, 15 mins. Dir. Eliza Petkova.<br />
During a walk, a dental nurse realises the distance<br />
between her and her ailing mother.<br />
You Look Fine<br />
UK, <strong>2021</strong>, 4 mins. Dir. Katie Byford.<br />
Syd attends a doctor’s appointment while coping<br />
with post-traumatic stress disorder (PTSD) symptoms,<br />
following a recent incident of sexual assault.<br />
An Invitation<br />
China, 2020, 13 mins. Dir. Yeung Tung & Hao Zhao.<br />
An 8-year-old boy reluctantly visits his divorced father<br />
in Hong Kong, who wants him to become a Hong<br />
Kong citizen.<br />
Bump<br />
UK, <strong>2021</strong>, 15 mins. Dir. Rory Keenan.<br />
Leaving her house in some distress amidst a blazing<br />
row with an unseen person, heavily pregnant Pearl<br />
appears to be on a curious mission.<br />
Waves<br />
UK, 2020, 16 mins. Dir. Margarita Milne.<br />
On a surfing trip, an Australian woman questions her<br />
decision to move to the other side of the world for love.<br />
SHORTfusion<br />
Georgia<br />
Republic of Korea, 2020, 25 mins. Dir. Jayil Pak.<br />
When the police refuse to investigate their daughter’s<br />
alleged suicide, two computer-illiterate parents decide<br />
to design a protest banner.<br />
24 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com
Shorts to<br />
EMBRACE<br />
CFF15, 84 mins<br />
The coming together of community and kindness.<br />
CONTENT WARNING This strand contains scenes<br />
of mental illness and suicide references.<br />
Sun 21, 14.30 Mon 22, 14.00<br />
Voce<br />
UK & Italy, <strong>2021</strong>, 15 mins. Dir. Emily May Smith.<br />
An inhibited young woman is tasked to deliver news to<br />
her estranged Nonna (grandmother) in southern Italy.<br />
Snorrie<br />
Netherlands, <strong>2021</strong>, 12 mins. Dir. Victoria Warmerdam.<br />
Absurd tragicomedy about thirty-something Freek<br />
reuniting with his imaginary friend from the past,<br />
who is looking for closure.<br />
Just in Case<br />
UK, <strong>2021</strong>, 14 mins. Dir. Kirsty Robinson-Ward.<br />
Rachel lives with bipolar disorder and the invisibility<br />
of her condition has become all too real for her<br />
family.<br />
An Irish Goodbye<br />
Ireland, <strong>2021</strong>, 23 mins. Dir. Ross White & Tom Berkeley.<br />
Against the backdrop of a farm in rural Northern<br />
Ireland, estranged brothers Turlough and Lorcan<br />
reunite following their mother’s death.<br />
Soft Rain<br />
Singapore, <strong>2021</strong>, 7 mins. Dir. Sacha Geodegebure.<br />
A man suffering from depression is rained on by pink,<br />
fluffy balls from the sky.<br />
Break Any Spell<br />
Canada, <strong>2021</strong>, 13 mins. Dir. Anton Jøsef.<br />
When April sets off to battle in the the world of<br />
live-action role-playing, her mother’s early-onset<br />
Alzheimer’s disease reaches a breaking point.<br />
Shorts to<br />
EXPAND<br />
CFF12, 92 mins<br />
Broaden your perspective in a swirl of creativity.<br />
CONTENT WARNING This strand contains<br />
scenes of nudity and discussion of death.<br />
Sat 20, 11.00 Sun 21, 12.00<br />
Boobs<br />
Canada, <strong>2021</strong>, 8 mins. Dir. Marie Valade.<br />
A surrealist journey through a woman’s lovehate<br />
relationship with her breasts, her body, her<br />
femininity.<br />
Spotted Yellow<br />
Iran, 2020, 12 mins. Dir. Baran Sarmad.<br />
A young girl with a yellow spot on her face, suddenly<br />
feels the signs of a giraffe in her life.<br />
Bluebird Society<br />
Turkey, 2020, 17 mins. Dir. Deniz Bensusan.<br />
In a community where the torture of one person<br />
allows freedom of another, will Efil stay or leave?<br />
Diseased and Disorderly<br />
UK, <strong>2021</strong>, 14 mins. Dir. Andrew Kötting.<br />
A film that uses the paintings, drawings and collages<br />
of the neurodiverse artist Eden Kötting to make<br />
imagistic gold.<br />
To Err LOCAL<br />
UK, <strong>2021</strong>, 11 mins. Dir. Nanci Cruz.<br />
When Kiara, an AI satellite, is sent to observe a<br />
blackhole, she forms a friendship with Noelle back<br />
on Earth.<br />
The Wall<br />
China, <strong>2021</strong>, 30 mins. Dir. Shulei Zhou.<br />
A wall smasher, Baiqiang, accidentally enters a<br />
demolishing room where artist, Xiang Fei, lived<br />
before, and an unprecedented force grows.<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 25
SHORTfusion<br />
Shorts to<br />
JOURNEY<br />
CFF15, 90 mins<br />
Broaden your perspective in a swirl of creativity.<br />
CONTENT WARNING This strand contains sexual<br />
references, strong language and scenes about<br />
death and mental health.<br />
Sun 21, 16.15 Wed 24, 11.00<br />
Guide Me Home LOCAL<br />
UK, 2020, 15 mins. Dir. Stefan Georgiou.<br />
David arrives in London with dreams, but when things<br />
don’t go to plan he starts to slip between the cracks of<br />
the city.<br />
Nursery Rhymes<br />
Singapore, 2020, 10 mins. Dir. Michael Kam.<br />
Drawing inspiration from his memories of his<br />
grandmothers, Michael Kam imagines their childhood<br />
spent under different imperialist rule.<br />
A New Perspective<br />
France & Italy, <strong>2021</strong>, 18 mins. Dir. Emanuela Ponzano.<br />
As pre-teens search a forest for valuable objects,<br />
they’re brought face-to-face with people escaping<br />
persecution.<br />
Shorts to<br />
UNNERVE<br />
CFF15, 84 mins<br />
A chilling dose of horror and the unexpected.<br />
CONTENT WARNING This strand contains scenes<br />
of a sexual nature, bodily harm and violence.<br />
Sat 20, 22.00 Wed 24, 10.45<br />
Rocks and Crows<br />
Switzerland, 2020, 4 mins. Dir. Anne Thorens.<br />
Lucas is playing in the yard of his building with his<br />
plastic pistol. But his game takes another twist when<br />
he starts playing with crows.<br />
Catch a Butcher<br />
UK, <strong>2021</strong>, 11 mins. Dir. Cassiah Joski-Jethi.<br />
Catch A Butcher is a short horror set in 19th Century<br />
India, where a nurse’s first night on the job descends<br />
into terror as she discovers the truth behind the<br />
disappearances of mixed race babies.<br />
Down<br />
UK, <strong>2021</strong>, 6 mins. Dir. Guy Harvey.<br />
A hole in London lures people to jump inside, growing<br />
larger, deeper and seemingly more unstoppable with<br />
each victim.<br />
Itch<br />
Malta, <strong>2021</strong>, 8 mins. Dir. Susannah Farrugia.<br />
A psychological horror about a novice nun who<br />
develops a severe skin condition which continues<br />
to worsen along with her mental state as she<br />
struggles with her feelings for another nun.<br />
Banshee LOCAL<br />
UK, <strong>2021</strong>, 6 mins. Dir. Matt Ditko.<br />
A string of bizarre missing person<br />
cases leads two troubled teenagers<br />
to investigate their town’s forbidden forest.<br />
Verzasca in Red<br />
Switzerland, <strong>2021</strong>, 11 mins. Dir. Nadina Dollie.<br />
Maria experiences an ethereal sexual awakening on a<br />
summer vacation.<br />
Black Slide<br />
Israel, <strong>2021</strong>, 11 mins. Dir. Uri Lotan.<br />
Eviah and his best friend sneak into<br />
the Black slide, the most terrifying<br />
ride in Aqua Fun.<br />
Ali and His Miracle Sheep<br />
UK, <strong>2021</strong>, 25 mins. Dir. Maythem Ridha.<br />
Guided by his grandmother’s haunting<br />
Sumerian lament, 9-year-old mute Ali<br />
takes his sheep, Kirmenta, for sacrifice<br />
on a journey across Iraq’s landscape.<br />
Malakout<br />
Iran, 2020, 11 mins. Dir. Farnoosh Abedi.<br />
A piano player tries to bring his wife back to life, but<br />
the deal awakens the devil inside him.<br />
They Salivate<br />
France, 2020, 20 mins. Dir. Ariane Boukerche.<br />
They Salivate is the story of a kiss. A couple kiss each<br />
other in their deserted living room. The party begins<br />
and one guest drinks the couple’s last kiss.<br />
EVIE<br />
Australia, <strong>2021</strong>, 18 mins. Dir. Alex von Hofmann.<br />
In a world decimated by nuclear war, a young girl<br />
living in the Australian countryside must venture<br />
alone to a distant farmhouse to seek medical<br />
supplies for her dying father.<br />
26 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com
BFI Network + <strong>Film</strong> Hub South East<br />
Showcase<br />
Arts Picturehouse, Wednesday 24th November, 16:30 - 18:30<br />
YOUTH LAB<br />
FREE EVENT<br />
This event is an opportunity to watch new BFI Network films, made by filmmakers<br />
from across the South East Region. You will have the chance to hear from the<br />
filmmakers about their experience and attend a talk about available funding from<br />
the BFI Network South East Talent Exec, Thomas Wightman.<br />
During the pandemic The Youth Lab, made up of<br />
16- to 24-year-olds, has met regularly over Zoom<br />
to discuss various topics around cinema and<br />
the film industry. They have also taken part in<br />
specially organised online workshops with high<br />
profile guests such as Mark Kermode, Simran<br />
Hans, Anna Smith and Anna Bogutskaya. This<br />
year’s Youth Lab Jury will comprise current<br />
Youth Lab participants, who will announce their<br />
winning film before the end of the <strong>Festival</strong>.<br />
If any young people would like to join the 2022<br />
cohort, please email Abby, the Youth Lab<br />
lead, at abby@cambridgefilmtrust.org.uk.<br />
Birthdays Christenings Mother’s Day Father’s<br />
Day Long Service Awards Congratulations New<br />
Home Baby Shower Leaving Gift Get Well Soon<br />
Thank You Weddings Anniversary Employee Rewards<br />
Company Christmas Gifts and even Afternoon Tea!<br />
Available to<br />
BUY NOW<br />
Birthdays Christenings Mother’s Day Fathe<br />
Day Long Service Awards Congratulations N<br />
Home Baby Shower Leaving Gift Get Well So<br />
Thank You Weddings Anniversary Employee Rewar<br />
Company Christmas Gifts and even Afternoon Te<br />
The Love <strong>Cambridge</strong><br />
GIFT CARD<br />
With over 200 participating businesses in <strong>Cambridge</strong> the choice of where to spend is huge – shopping,<br />
dining, leisure and much more - making the Love <strong>Cambridge</strong> Gift Card the perfect present for everyone!<br />
For a full list of businesses signed up to accept the Love <strong>Cambridge</strong> Gift Card<br />
please visit www.love-cambridgegiftcard.com<br />
LOOK<br />
What’s<br />
NEW<br />
Available to purchase online at<br />
WWW.LOVE- CAMBRIDGEGIFTCARD.COM<br />
delivered by<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 27
5 films<br />
Stream<br />
for<br />
£20<br />
When the first lockdown was announced back<br />
in March 2020 we feared the 40th edition of THE<br />
<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> would not go ahead<br />
that year. We immediately began making plans<br />
to save the <strong>Festival</strong>, and ensure that film<br />
lovers could continue to access outstanding<br />
films not available via other platforms.<br />
First came a partnership with three other UK film festivals to produce AMPLIFY!, a<br />
virtual film festival that ran throughout November 2020 and attracted an audience of<br />
over 15,000, not just from <strong>Cambridge</strong> but UK-wide.<br />
Since then we have presented a range of online events under the CFF at Home umbrella,<br />
with highlights from 40 years of the <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> in the CFF Rewind season,<br />
and films selected and introduced by special guests such as Mark Kermode, Sarah Gavron,<br />
and Terence Davies through the incredibly popular “A <strong>Film</strong> I Love…” series.<br />
All of these online presentations have been building to this, our very first blended, real<br />
world and online <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>.<br />
If you can get to the Arts Picturehouse between the 18th and 25th of November we’d love<br />
to see you there, but if you can’t or if you just want to enjoy even more films, then we<br />
have a wide selection of CFF40’s features and shorts available through the CFF at Home<br />
platform right up until December 5th!<br />
All of the CFF at Home titles are available UK-wide and there is a fantastic <strong>Festival</strong> pass<br />
which allows you to stream 5 films for £20!<br />
Visit camfilmfest.com for full<br />
details and tickets.<br />
28 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com
SUN<br />
21<br />
NOV<br />
MON<br />
22<br />
NOV<br />
TUE<br />
23<br />
NOV<br />
WED<br />
24<br />
NOV<br />
THU<br />
25<br />
NOV<br />
FRI<br />
26<br />
NOV<br />
SAT<br />
27<br />
NOV<br />
SUN<br />
28<br />
NOV<br />
MON<br />
29<br />
NOV<br />
TUE<br />
30<br />
NOV<br />
WED<br />
01<br />
DEC<br />
THU<br />
02<br />
DEC<br />
FRI<br />
03<br />
DEC<br />
SAT<br />
04<br />
DEC<br />
SUN<br />
05<br />
DEC<br />
FERGUSON RISES<br />
FORCED CHANGE<br />
FOREST REBELS<br />
SALARYMAN<br />
SHORTS TO CONTEMPLATE<br />
SHORTS TO DEBATE<br />
SON OF MONARCHS<br />
THE MASSACRE OF ANRÖCHTE<br />
WHEEL OF FORTUNE AND FANTASY<br />
15 HOURS<br />
512 HOURS<br />
FILM, THE LIVING RECORD OF OUR MEMORY<br />
HOSTILE<br />
JUST THE TWO OF US<br />
SHORTS TO UNNERVE<br />
WHEN I’M DONE DYING<br />
GROWTH WITH HOPE<br />
KARNAWAL<br />
SHORTS TO CHEER<br />
SHORTS TO EMBRACE<br />
SHORTS TO EXPAND<br />
SHORTS TO JOURNEY<br />
BEYTO<br />
FEAR<br />
NICO<br />
EVERYTHING IN THE END<br />
MEMORY BOX<br />
BALANDRAU, FROZEN HELL<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 29
MAIN FUNDER<br />
40TH<br />
FESTIVAL<br />
DONOR<br />
SUPPORTERS<br />
INSTITUTES, FOUNDATIONS AND TRUSTS<br />
SENIOR MEDIA PARTNER<br />
MEDIA PARTNERS<br />
VENUE PARTNERS<br />
PATRON<br />
FRIENDS<br />
Anne Bailey, Anne Beamish, Lola Caball Roures, Janet Fox,<br />
Rachel Knight, Rob Marsden, Gavin Midgley, Chris Shaw,<br />
Lucy Sheppard, Stuart Wren<br />
30 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> camfilmfest.com
Index of <strong>Film</strong>s<br />
Features<br />
15 Hours 12<br />
512 Hours 19<br />
Afterlight, The 18<br />
Ai Weiwei Trio: Cockroach, 22<br />
Coronation and Rohingya<br />
Ali and Ava 5<br />
Atabai 10<br />
Balandrau, Frozen Hell 12<br />
Belly of the Sea, The 12<br />
Beyto 10<br />
Blue Bayou 6<br />
Close-Knit 14<br />
Cockroach 22<br />
Coppelia 18<br />
Coronation 22<br />
Cow 20<br />
Drive My Car 14<br />
Electrical Life of Louis Wain, The 5<br />
Everything in the End 11<br />
Eyes of Tammy Faye, The 6<br />
Fear 8<br />
Ferguson Rises 21<br />
<strong>Film</strong>, the Living Record of 18<br />
Our Memory<br />
Flee 8<br />
Forced Change 20<br />
Forest Rebels 19<br />
Great Freedom 7<br />
Growth with Hope 20<br />
Hostile 21<br />
I Am Here 21<br />
Just the Two of Us 15<br />
Karnawal 10<br />
Laureate, The 11<br />
Luzzu 9<br />
Massacre of Anröchte, The 11<br />
Memoria 7<br />
Memory Box 8<br />
Nico 21<br />
Odd-Job Men, The 13<br />
People Upstairs, The 13<br />
Petite Maman 9<br />
Playground 9<br />
Poupelle of Chimney Town 14<br />
Roaring 20’s 9<br />
Rohingya 22<br />
Salaryman 15<br />
Seed, The 11<br />
Shorts to Cheer 23<br />
Shorts to Contemplate 24<br />
Shorts to Debate 24<br />
Shorts to Embrace 25<br />
Shorts to Expand 25<br />
Shorts to Journey 26<br />
Shorts to Unnerve 26<br />
Small Body 9<br />
Son of Monarchs 20<br />
Souvenir: Part II, The 7<br />
Surprise <strong>Film</strong> 4<br />
Titane 7<br />
Wheel of Fortune and Fantasy 15<br />
When I’m Done Dying 9<br />
ShortS<br />
Ali and his Miracle Sheep 26<br />
A New Perspective 26<br />
An Invitation 24<br />
An Irish Goodbye 25<br />
Banshee 26<br />
Birthday Boy 24<br />
Black Slide 26<br />
Bluebird Society 25<br />
Boobs 25<br />
Break Any Spell 25<br />
Bump 24<br />
Catch a Butcher 26<br />
Courtroom Sketches 23<br />
Cupids 23<br />
Diseased and Disorderly 25<br />
Down 26<br />
Evie 26<br />
Georgia 24<br />
Guide Me Home 26<br />
Hunting Bears 24<br />
Iniquity 24<br />
Itch 26<br />
Just In Case 25<br />
Kicksled Choir, The 24<br />
Lemons 23<br />
Malakout 26<br />
Mila 23<br />
Nursery Rhymes 26<br />
Out of Time 23<br />
Rev, The 23<br />
Rocks and Crows 26<br />
Sit Down and Shut Up 23<br />
Snorrie 25<br />
Soft Rain 25<br />
Sounds of Nature 24<br />
Spotted Yellow 25<br />
They Salivate 26<br />
To Err 25<br />
Uncle 24<br />
Verzasca In Red 26<br />
Voce 25<br />
Wall, The 25<br />
Waves 24<br />
You Look Fine 24<br />
#CFF40 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2021</strong> 31
40TH<br />
FESTIVAL<br />
WE WOULD LIKE<br />
TO THANK<br />
PRINCIPAL PARTNERS<br />
THIRD PARTNERS<br />
Catherine Jones – the <strong>Cambridge</strong> jeweller since 1963<br />
Celebrating our 60th anniversary in 2023<br />
Own a piece of <strong>Cambridge</strong><br />
SERVICES:<br />
Commissions<br />
Redesign heirlooms<br />
Repairs<br />
Valuations<br />
9 Bridge Street <strong>Cambridge</strong> CB2 1UA +44 01223 361596 online@catherinejones.com wwww.catherinejones.com