Issue 48 Aurora Magazine May2022

FREE
Aurora
Issue 48
GREAT SOUTHERN Lifestyle, People, Happenings May 2022
JONATHAN HOOK
CERAMICS
LITTLE WHITE
WHALE PROJECT
ASHA BHAT
GLEN TOOVEY
LEATHERWORK
WALPOLE KIDS
PLUS LOCAL WW1 HISTORY,
LOCAL FASHION
AND WHAT’S ON IN MAY
10,000 DISTRIBUTED FREE
LOVE LOCAL
www.auroramagazine.com.au

Aurora
Great Southern Lifestyle, People, Happenings
Manager and Editor
Amanda Cruse
0438 212 979
amanda@auroramagazine.com.au
Advertising Sales
Amanda Cruse
0438 212 979
sales@auroramagazine.com.au
Production and Layout
Vanessa Pribil
vanessa@auroramagazine.com.au
Photography
editorial@auroramagazine.com.au
www.auroramagazine.com.au
Our cover
On the cover this month is widely
renowned Denmark ceramicist
Jonathan Hook. This image was taken
of Jonathan in his new Denmark
studio space and gallery as Jonathan
approaches five decades of dedication
to his art. For the full story, turn to
page 6. PHOTO: SERENA KIRBY.
FREE
Issue 48
JONATHAN HOOK
CERAMICS
LITTLE WHITE
WHALE PROJECT
ASHA BHAT
GLEN TOOVEY
LEATHERWORK
WALPOLE KIDS
Aurora
GREAT SOUTHERN Lifestyle, People, Happenings May 2022
PLUS LOCAL WW1 HISTORY,
LOCAL FASHION
AND WHAT’S ON IN MAY
Editorial
editorial@auroramagazine.com.au
10,000 DISTRIBUTED FREE
LOVE LOCAL
www.auroramagazine.com.au
Our Contributors
Amanda Cruse
Deanna Davenport
Serena Kirby
Adam Morris
Allen Newton
Anne Skinner
Distribution
Tim Cruse
0438 004 408
distribution@auroramagazine.com.au
Published by Greybird Media
Printed by Ive Group, Mandurah Print Centre
7 Rafferty Close, Mandurah, WA 6210
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Please dispose of thoughtfully.
Distribution
10,000 copies of Aurora Magazine are distributed free each month.
We distribute our paper strategically to ensure we are well placed for strong readership amongst
both locals and visitors to the Great Southern region.
You can pick up a copy from the Albany, Mount Barker and Walpole-Nornalup visitors centres, as
well as the Albany ANZAC Centre. We are also available from the Albany, Denmark, Katanning,
Mount Barker and Walpole public libraries. Almost 1000 copies are put directly into the rooms of
accommodation venues throughout the Great Southern.
We also have the following major distribution points:
Albany: Clarks News Agency, Coles (Albany Plaza and Orana), Dome Cafe, Plaza Lotteries, Puma
Service Station, Royale Patisserie, Spencer Park IGA, The Naked Bean, Woolworths (Chester Pass
Mall and Bayonet Head), and York Street IGA.
Denmark: Raven’s Coffee. We are also available at The General Store at Youngs Siding and the
Elleker General Store.
Mount Barker: Supa IGA and the Plantagenet Wines Cellar Door.
Walpole: Pioneer Store IGA and the Treetop Walk Gift Shop.
We have over 100 smaller distribution points, so there’s a good chance your favourite local cafe,
vineyard, boutique, hotel, gallery or corner store will have some copies on hand.
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2 LOVE LOCAL

contents
4 SPOTLIGHT ASHA BHAT
Campaigning Against Otherness
6 CREATE JONATHAN HOOK
Hands on the Wheel
10 RESEARCH LITTLE WHITE WHALE PROJECT
Saving Southern Right Wales
4 SPOTLIGHT 6 CREATE
12 CRAFT SUBURBAN COWBOY
Glen Toovey Leatherwork
14 VOGUE HORSING AROUND
Local Fashion Feature
18 REFLECT PRIVATE WILLIAM WEBSTER AYRE
20 PROMOTE ESTHER JONES
‘one of Billy Hughes’ burnt-out soldiers’
14 VOGUE 20 PROMOTE
The Farmer’s Daughter
22 PRODUCE ALBANY SEAFOODS
Mystery of the Missing Salmon
24 ENGAGE WALPOLE KIDS
Cartoonist Nathan Vass Viney
27 GIG GUIDE EVENTS, MARKETS AND EXHIBITIONS
22 PRODUCE 24 ENGAGE
䄀 瘀 愀 椀 氀 愀 戀 氀 攀 愀 琀 琀 栀 攀 ǻ 渀 攀 猀 琀 挀 愀 昀 猀 Ⰰ 最 爀 漀 挀 攀 爀 礀 猀 琀 漀 爀 攀 猀 Ⰰ 漀 爀 漀 渀 氀 椀 渀 攀
㐀 ㈀㈀ 㜀 㔀 㠀 㔀
猀 琀 愀 猀 栀 挀 漀 û 攀 攀 ⸀ 挀 漀 洀 ⸀ 愀 甀
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spotlight
ASHA BHAT
Campaigning Against Otherness
STORY SERENA KIRBY | PHOTO SERENA KIRBY
It’s easy to look at Asha Bhat’s multi-paged resume and be impressed. With an MBA,
a Masters Degree in Mathematics and a Bachelor of Science among her qualifications,
Asha is undoubtedly a high achiever.
She’s also the recipient of a long list of awards and prestigious scholarships that
includes being a two-time finalist in the WA Telstra Business Women’s Awards. She’s
been an Albany Citizen of the Year and, just last month, she was the judge’s choice for
Pro Bono Australia’s Impact 25 ‘Collaborator’ award.
Currently the CEO of the highly respected Southern Aboriginal Corporation (SAC)
that provides assistance for family violence prevention, affordable housing and legal
services, Asha has spear-headed the Corporation’s expansion into numerous regional
locations and a soon-to-opened office in Perth.
Impressive? Yes. Intimidating? Surprisingly not. Asha’s candour, empathy and beaming
smile has a way of putting even the most nervous person at ease. She’s also incredibly
open about the barrier of ‘otherness’ she has had to face on a regular basis.
Born in India, Asha came to Australia in 2004 with her husband and son, as a skilled
permanent resident.
“I had a degree in mathematics and had been a maths teacher back in India, but when
we arrived in Australia, with just $2000, I had to completely re-establish my professional
and personal life in an environment that didn’t particularly support migrant Indian
women,” Asha recounts.
Even with her high qualifications Asha experienced countless job refusals as she had no
Australian referees to vouch for her. She also couldn’t drive and with English as her third
language (yes, she speaks two others) and a heavy accent, people often didn’t have the
patience or foresight to look past her differences.
“I experienced very little respect. I was self-conscious of my English and felt I had to
prove myself all over again. I felt like the ‘other’ in an outgroup of marginalisation. I
had to find the strength and resilience to keep going and even when I finally got a job
in office administration, a year after arriving, it was hard to be accepted. I was Indian. I
was a woman.”
But prove herself she did and through finding areas of commonality, such as her
knowledge of cricket and her newly found enthusiasm for AFL and footy tipping, she
began to feel more connected and accepted.
After working her way up the employment ladder, and moving several times due to her
4 LOVE LOCAL

spotlight
husband’s own career, Asha ended up in Albany in 2008, and was offered SAC’s top job,
five years later.
“I can see that my experience of ‘otherness’ has supported me in what I now do. Being
an Indian woman leading an Aboriginal organisation is certainly an unusual situation
and you could consider it a case of ‘double otherness’. But knowing what it feels like to
be marginalised, and coming from a country rich in culture, has helped me connect with
the Aboriginal community in many ways.”
Asha’s empathy for those less fortunate has seen her donate a large slice of her time
to supporting charities and not for profit organisations with a particular focus on those
aimed at helping women. As the WA team leader of ‘Share the Dignity’ Asha is drawing
attention to one of the more hidden inequalities of her gender; period-poverty. ‘Share
the Dignity’ is a national charity that provides free period products to women and girls
that are experiencing hardship, homelessness or are fleeing domestic violence.
“Period-poverty is a major issue in India and women are ostracised from their family
and community when menstruating. It’s not culturally the same here but if you don’t
have the products you need to deal with your period it can definitely lead to a sense of
shame and loss of dignity.”
And it’s through this raising of issues affecting women that Asha wants to also address
the gender inequality she sees in the workplace and the broader community.
“There’s close to a 50/50 population gender balance in the Great Southern but do
you see that reflected in our workplaces, our corporate boards and committees?
No, you don’t. I’m on several boards and in the majority of them I’m the only brown
woman. On one of my committees, I am the only woman. It’s time to stop talking about
discrimination, diversity and inclusion. It’s time to act!
“Bias on the basis of race, gender, sexualtity, and other factors creating a sense of
‘otherness’, exists everywhere. Don’t just leave it up to HR managers and CEOs,
everybody can act for change.”
I can see that my experience
of ‘otherness’ has supported me
in what I now do. Being an Indian
woman leading an Aboriginal
organisation is certainly an unusual
situation and you could consider it a
case of ‘double otherness’.
Asha Bhat
Asha adds that she also sees elements of complacency creeping into our society.
“Many people feel we’ve come a long way in dealing with diversity and inclusion but
it’s not far enough. I hope I’m an example of what women migrants, and women from
other disadvantaged groups, can do. It may not be easy but it is doable.”
Asha admits she’s sacrificed much to get where she is and achieve what she has. She
studied hard and chose to work when others were enjoying time off. She’s had dark
times too, dealing with depression and struggled with self-doubt, imposter syndrome
and a fear of public speaking.
After each setback Asha has picked herself up and stepped back onto the path of
advocating for equality and equity. Asha is a woman who ‘walks-the-talk’ every day;
putting words into action and being the change she wants to see in the world. She is
indeed what the local Noongar community call Moorditj Yorga; a Solid Woman.
If you’d like to join Asha in supporting the Share the Dignity charity you can learn more
and donate by visiting sharethedignity.org.au
LOVE LOCAL
5

create
JONATHAN HOOK
Hands on the Wheel
STORY SERENA KIRBY | PHOTO SERENA KIRBY
This year marks five decades since Jonathan Hook took his first steps along the path to
becoming a professional ceramicist. Back then he was one of only two full time students
studying an Advanced Diploma in Ceramics at Perth’s Technical College. He was a
country kid at heart, having grown up in Kendenup, and was keen to relocate back to
the country once he finished his studies.
“I was really interested in wood fired kilns so I needed space and wood – lots of it,”
Jonathan says. “Denmark fitted the bill perfectly and I was drawn to the beauty of
the area. I was, and still am, inspired by it and the energy of the landscape permeates
through you and comes out in what you create.”
And Jonathan has definitely created in abundance. He has also been one of those
fortunate creatives who’s been able to sustain a career and a lifestyle doing what he
loves. His new gallery and studio space carries that hallmark of success as its brimming
with vessels in every shape, colour and size. Jonathan’s range now includes more than
1000 different items including a massive selection of carefully crafted tableware.
“For many years I’ve focussed on producing quality tableware and I now have more
than 70 different shapes in a wide variety of colours. Due to their fragile nature it’s not
practical to sell online. I also don’t have any stockists for the same reason so the only
place you can purchase my work is here at the gallery.”
Jonathan’s desire to stay local has also meant that he’s rarely exhibited saying he
prefers not to be part “of the gallery scene”.
“Exhibiting in a gallery is not a reliable way of selling work. Most of the people who buy
my work are from Perth anyway – so in effect – they come to me rather than me go to
them.”
When reflecting on the past 50 years Jonathan says his equipment has scarcely changed
and he still uses the same wheel he had decades ago.
“The biggest change has been in the refinement of my techniques and that comes from
perseverance and practice. This is physically demanding work and you have to be a
James Halliday 5 Red Star Winery
for 7 consecutive years
Rockcliffe cellar door is open every day and offers a selection of some
of the region’s best award-wining wines for tasting and available to
purchase. Customers are welcome to bring a picnic to enjoy at our beautiful
vineyard and pair with their favourite Rockcliffe wine. Visitors also come from
near and far to taste our famous Rockcliffe gelatos and sorbets – all made on
the premises to traditional artisan Italian recipes. Our cellar door is regularly
voted by our customers as not only the best cellar door in Denmark, but the
best cellar door experience they have ever had!
Rockcliffe wines are also available at the best restaurants,
bars and liquor stores throughout the Great Southern.
www.rockcliffe.com.au
CELLAR DOOR 18 Hamilton Road, Denmark, WA, 6333 | PHONE: 0419 848 195
OPENING HOURS 11am to 5pm, 7 days a week. At all other times by appointment, please phone.
6 LOVE LOCAL

create
workaholic to make a success out of making ceramics. You need a high energy level too
and a lot of passion.”
Jonathan’s seemingly abundant energy also led him to take on the designing and
building of his current studio and gallery which opened three years ago. Spanning 480
square metres with lofty ceilings, and floor to ceiling glass showing off panoramic views,
visitors can immerse themselves in the landscape while admiring the ceramics it has
inspired.
Not content with just creating a designer space for himself Jonathan has also recently
turned his original studio into short-stay, luxury accommodation. His original home too
has undergone a makeover and is now available for holiday guests.
“I’ve always loved architecture and had I not become a ceramicist I would definitely
have been an architect.”
More recently Jonathan has returned to his studies in fine art; something he started a
LOVE LOCAL
7

create
couple of decades ago but had put aside due to life getting in the way. While Jonathan
says he’s always done sculptural works he hopes to head more in that direction in the
future. But he admits it is not a fast process.
“One piece could take 12 months or it could take 20 years. All good things take time to
develop and my renewed interest in painting and larger sculptural pieces presents me
with a lot of possibilities for creating work relevant to the Great Southern landscape.”
Functional or sculptural, whatever Jonathan creates it will continue to be sought
after by lovers of hand-made, quality objects carrying their maker’s mark. And while
Jonathan drives his creative exploration in new directions he’s sure to always have at
least one hand on the wheel.
Jonathan’s Studio and Gallery are located at 109 Lantzke Road, Denmark. You can visit
Monday to Friday from 10am to 5pm as well as Saturday and Sunday 12noon to 4pm.
www.jonathanhook.com
JONATHAN HOOK STUDIO CERAMICS | OPENING HOURS: Mon- Fri: 10am-5pm. Weekends: 12-4pm.
New Studio and Gallery at 109 Lantzke Rd off Redman Rd, Denmark. Contact: 0481 099 125
8 LOVE LOCAL

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esearch
LITTLE WHITE WHALE PROJECT
Saving Southern Right Whales
STORY DEANNA DAVENPORT | PHOTOS DEANNA DAVENPORT
Standing on the shoreline of Albany’s coast, marine biologist Katy Fannei watches
a mother-calf pair of endangered Southern Right whales (SRW) through binoculars,
observing their behaviour, which she describes as ‘very cuddly’.
“As the calf gets older, it dares to go on an exploration and then sometimes you can see
a little change in the behaviour of the mother and the calf comes back to the mother
really rapidly,” she laughed.
Observing these gentle giants for hours at a time, Katy would watch as the pair went
into deeper water for a swim, but the calf would become exhausted.
“I observed them coming back closer to shore where mum could rest her belly on top of
the sand and the calf literally climbed onto the back of her and just rested there.”
These land-based surveys, in addition to aerial surveys, are what Katy’s Masters
research is based upon. It was her curiosity about these gentle giants that caught the
attention of local pilot David Ellett and his wife Lisa-Maree.
Whilst Katy was conducting her land-based surveys in 2020, David took his family out
for a scenic flight along the coast. To the delight of the passengers, they spotted a white
SRW calf alongside its mother. David’s wife, Lisa-Maree, shared photos of the white calf
to a local Albany whale watching Facebook group. Katy saw the photo and reached out
to Lisa-Maree with the excitement of wanting to learn more about what they saw.
“I wanted to know all about that little white calf and so I asked Lisa-Maree all kinds of
questions,” Katy said.
Katy met with Lisa-Maree and David, who were enthusiastic to contribute to Katy’s
research. David proposed that the best way they could contribute was to help Katy
count whales from planes. Observing from the air would help Katy understand the
abundance, distribution and habitat use of SRW’s. David rallied support amongst the
local pilot community and so, the Little White Whale Project was conceived.
On 4 June 2021, Katy took her first flight.
With the help of 14 local volunteer pilots, Katy was able to fly once a week from the
Albany Wind Farm to Point Charles in Fitzgerald National Park. Katy said without the
help of the volunteer pilots, she would not have the data she has.
“With everyone contributing effort, resources, time and dedication to the project, we
managed to do 21 weekly surveys,” she said.
“It was very rewarding for the pilots to see the whales and fly for a ‘bigger’ purpose
than just for their pleasure. It raised interest and awareness about the animals in the
pilots and other community members spreading the word.”
A fond memory Katy has while flying was seeing the white SRW calf that inspired the
whole project.
CLOCKWISE FROM LEFT: Marine biologist Katy Fannei will be in Albany this month to continue her surveys of the SRW population. A Southern Right whale with its belly up and her calf alongside. Katy
conducting land-based surveys of Southern Right whales. Supplied by Andrew Davenport. Photographer Elly Waller. Supplied by Katy Fannei. Pilots Max Shearer and David Campbell with Katy Fannei in
the middle.
10 LOVE LOCAL

esearch
“When that white calf was seen in 2020 at Cheynes Beach by Lisa-Maree, I never got to
see it,” she said.
“There were posts saying ‘there it is, there it is’ and I always went to those locations but
I always missed it. So when I saw a white calf at the start of the 2021 season at Point
Ann, I just jumped and screamed.
“The pilots can still remember it – they thought I was going to jump out of the plane -
that’s how excited I was.
“Because that was the only one in the population we had in the survey site, we could
track it. Every week you could see how it moved, where it was and it was so exciting. In
the end, I named him Casper.”
The information collected for Katy’s thesis is just the beginning the Little White Whale
Project.
Founded by David and Lisa-Maree, the organisation aims to facilitate the research of
SRW’s in the Great Southern, which will aid in their protection and recovery. They hope
that the organisation can gain not-for-profit status.
Officially launched back in March at a community event, the pair shared their passion
for the purpose of the organisation, to increase awareness and understanding of SRW’s
through the sharing of research, education and storytelling.
Executive committee member Lisa-Maree said the local community are very fortunate
to have the Southern Right Whales visit Great Southern shores as one of their primary
breeding grounds in Australia each year.
“By supporting the Little White Whale Project,” she said, “you are supporting research
that is essential so we can learn and understand about their recovery and also
understand how we can best co-exist with them.
“We know from our First People that whales visited here peacefully for many thousands of
years, but the hunting of them by Europeans saw their almost complete extinction by 1950.
“This project is a small way we can contribute to their protection and recovery.”
With the support of community members, Katy said she hopes the flights surveying the
whales will continue.
“We want to connect information about their abundance and distribution. Simply
explained – we just want to understand the species, especially on a local basis because
there is not much research being done on them here.
“We want to see how they behave, what they need, what they use, what happens
during the breeding season and where they are.
“We want to be able to – not predict – but gather information about what would
happen in the future when the population sizes increase and there are more whales
and they need more space.
“Where would they go? It seems they need specific environmental conditions. They
need it very calm because they are chunky, very slow animals. They need to save their
energy, especially mothers and calves, to nurse and grow and learn. So, they need these
sheltered, shallow, calm bays.”
Katy said they don’t want to hoard the research they collect, but instead share it with
everyone who wants to learn and hope the local community can get on board with
sharing their knowledge as well.
“The community in Albany is just amazing. Everyone is so passionate and kind and
helpful. Whales are important to them and there is much more we can all learn with
each other’s help.”
Katy will be back in Albany this month to start aerial surveys for the 2022 season.
You can get behind and support Katy, Lisa-Maree and David, and the volunteer pilots, by
heading to their website https://www.littlewhitewhaleproject.org/
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craft
SUBURBAN COWBOY
Glen Toovey – The Last of the Leathermen
STORY ADAM MORRIS | PHOTOS LATA WRIGHT
Glen Toovey is between studios at the moment as he sits in his makeshift workshop
hidden away on a nondescript street in suburban McKail. But the temporary digs
haven’t stopped the gifted young craftsman from practicing his passion on a daily basis.
As the phrase goes, wild horses couldn’t drag him away.
Glen is currently consumed with making all things leather and although the focus is on
equine and rider apparel such as saddles, spur straps and reins, Glen has also turned his
expert hand to belts, bags, wallets and even mobile phone cases which he tries to make
as quickly as the orders come to him, a task which he admits is frankly impossible.
The corridor from Glen’s front door to the small space where he spends most of his
free time is lined with well-worn cowboy boots, half made saddles and rolls of leather
of varying shades stacked neatly on the floor to ceiling shelving. Akubras sit nestled
about the room on top of the spools of the industrial sewing machines and the smell of
leather fills the air. Glen sits in the middle of it all, looking very much at home riding the
fine line between creativity and chaos beautifully.
“I would like to have each piece be a work of art that the owner is happy to have
for the rest of their life. One of my main aims would be to make each piece of work
be heirloom quality that gets handed to the next generation and bring back the
appreciation for handmade, quality work that lasts a lifetime.”
For Glen his leatherwork is an extension of what he has done with horses all his life. A
never-ending process of reflection and creativity, always striving to achieve the most
optimal outcome, whether it’s fashioning a new belt with exquisite detail or calming a
traumatised horse and bringing the best out in the animal to improve its quality of life.
Glenn loves making things and he loves getting better at making things, sometimes it’s a
saddle, sometimes it’s a bridle and sometimes it’s working alongside a horse that needs
looking after. For Glen, being around horses is much more than a hobby or something
to do on the weekend, it’s a way of life.
“The biggest thing I love about horses – they are a reflection of yourself, if you are tense
and nervous, they will be too. But if you are relaxed and calm they’ll reflect that. They
are all individuals where they each have their own quirks and personality and you need
to be adaptable to get the best out of them. They have helped me massively to learn to
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craft
be more patient and understanding but it’s an endless goal that I will always find room
for improvement on to achieve a better horse. It’s one of those things that I’ll never
finish learning, just like my leather work, there’s always something more to learn.”
Glen grew up on a horse and cattle farm in the Frankland region of WA before moving
to Albany with his family when he was just seven years old. The family took their love
of horses with them and they’ve been an integral part of Glen’s life ever since he can
remember. Glen’s horse Kitty waits for him at a mate’s property in Mount Barker, where
he travels to her regularly to reconnect and restore both himself and Kitty as Glen keeps
his eye out for a suitable property for his next move.
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huge range, local artisans, relaxed shopping
Glen’s passion and commitment to what he does will see him travel to NSW to take part
in an informal apprenticeship from Master Leatherworker John Saunders, a man who
holds icon status in Glen’s world and a man whose work Glen has been admiring for
many years.
“He’s definitely my biggest inspiration for leatherwork along with Don Gonzales, Dustin
Loftis, Gracie Christian and Sarah Garvey. John makes one of the best quality saddles
I’ve ever seen in terms of craftsmanship, they all make absolute works of art when it
comes to creativity and quality in what they do.”
In ten years time, Glen hopes to be building custom saddles where clients can come
with their own design and he’ll be able to bring their vision to life. Sitting with Glen
and listening to him explain his plans and passion in his tiny makeshift studio is like
sitting with a luthier or a master carpenter. His drive and determination in the quest for
a perfection he knows he will never attain is inspirational, and you can’t help but feel
excited for him as his captivating hobby looks to be in danger of turning into a full-time
career.
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LOVE LOCAL
13

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14 LOVE LOCAL

vogue
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OTOS LATA WRIGHT | LOCATION OUTSKIRTS OF MCKAIL, ALBANY
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LOVE LOCAL
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vogue
THIS PAGE CLOCKWISE FROM TOP LEFT: Both women wear Thomas Cook hats from Trailblazers and Bullzye t-shirts, $40 from Trailblazers. RM Williams skirt with raw edge, $165 from Trailblazers. Pure
Western embellished skirt, $95 from Trailblazers. Pure Western navy and white shirt, $80 from Trailblazers. Alicia wears Hardslog shirt, $45 from Trailblazers. Kate wears Thomas Cook shirt, $110 from
Trailblazers. Horze puffer jacket, $115 from Albany Horseworld.
OPPOSITE PAGE: All Toovey accessories crafted by local leather craftsman Glen Toovey. To learn more about Glen see the full story in this edition of Aurora Magazine on page 12.
16 LOVE LOCAL

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Find Refuge In The Sea. For the hard workers. The searchers. The
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PRIVATE WILLIAM WEBSTER AYRE
‘I am just one of Billy Hughes’ burnt-out soldiers’
STORY ANNE SKINNER
At 48 years old, William Ayre was more than twice the age of most of the young men
lining up at the Albany recruiting office in the spring of 1914. Unlike the naïve, eager
20-somethings ahead of him and behind him in the queue, William’s previous military
experience had shown him the horrors of war. More than anyone else there, he knew
something of what they all would face.
As a teenager he had joined the Royal Navy where he worked his way up from naval
cadet to Sub-Lieutenant. After nine years at sea, William left the navy and later
volunteered to fight in the Boer War in South Africa, serving as a Corporal in the 2 nd
Western Australian Mounted Infantry. When Australia and Britain declared war on
Germany on 4 August 1914, he was still single and had no dependents. It made sense,
William thought, that he should once again sign up to serve his country.
To the rousing sounds of the Albany Brass Band, 850 Private William Webster Ayre
marched to the railway station with the first contingent of Albany soldiers on the
evening of Sunday, 16 August, where they were farewelled by a cheering crowd
of about 1500 people. Those first 30 Albany volunteers joined other members of
the recently raised 11 th Battalion at Blackboy Hill Training Camp, which those early
enlistees had literally to carve out of virgin bush. Less than three months later, Pte Ayre
embarked from Fremantle with H Company aboard the troopship Ascanius. They were
bound for Egypt and several months of further training to fight on the newly opened
front against the Ottoman Empire.
Standing 176cm tall and weighing 76kg, the Tasmanian-born Pte Ayre was a finelooking,
well-built man with blue eyes and brown hair. In his ten years at the Albany
Water Board he had risen to the position of foreman, and his employers valued him
enough to hold the position until his return. He may have been twice the age of his
comrades in arms, but his health and fitness were still “good for his age”, according to a
medical examiner who saw him after the war.
LEFT: Private William Webster Ayre at Blackboy Hill in 1914. (Courtesy Norman Dowie).
ABOVE: A troop train carrying Australian soldiers from Marseilles to Le Havre makes a rest stop.
(Courtesy Australian War Memorial P02321_053). BELOW: Australian soldiers resting on the quay
at Marseilles after disembarking from Egypt in early 1916. (Courtesy Australian War Memorial
A02752)
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The 11 th Battalion was among the first ashore at Gallipoli on 25 April 1915. Pte Ayre
fought his way up the craggy slopes behind the beachhead and dug in with the rest of
his company. Two months later, during a raid on a Turkish trench, a bayonet wielded by
another Australian soldier accidentally wounded him in the back of his right knee. He
was treated at the casualty clearing station on the beach and invalided out of action for
the next five weeks. The injury, considered light by the medics, was to affect his ability
to fight for the rest of the war and dogged him for the remainder of his life. He was
placed on light duties until the end of the Gallipoli campaign.
75 rounds of ammunition. The British blockade of the North Sea and English Channel
was designed to prevent war supplies, food and fuel from reaching Germany, which
retaliated by using its only weapon of advantage – torpedo-armed submarines.
The end of the war intervened before Pte Ayre finished his home leave. For the next
few years, he went back to prospecting around Coolgardie where he had spent some
time after returning from South Africa. He later met 45-year-old Isobel Palmer and the
couple married in 1923. Too proud to apply for a military pension, William continued to
work at various jobs, mostly as a chainman for the Western Australian Railways.
After the evacuation, Pte Ayre was made a temporary baggage guard in Egypt until
the battalion sailed for the Western Front in March 1916. Once in France, he was
transferred permanently to the regimental transport section. The job was not without
its dangers, as the transports were often exposed to enemy fire. Pte Ayre escaped
further injury and illness during the 11 th Battalion’s campaigns through Pozieres, Ypres,
the Hindenburg Line and the German spring offensive of early 1918. In August, the
battalion was a part of the great offensive launched east of Amiens that was later
lauded as the greatest Allied success in a single day on the Western Front. Throughout
every advance and retreat, Pte Ayre concentrated on one of the most important tasks
of any war – driving wagon after wagon of food supplies, ammunition, rolls of barbed
Advising the Great Southern since 2012
wire and timber for trench construction to support the front line troops.
In July 1918, the Gallipoli veteran was sent on leave to Australia and allocated to
submarine guard duty for the journey home. The guard was stationed at various
vantage points of the vessel to look out for German U-boats, each soldier allocated
Advising the We know Great and understand Southern the since rural sector 2012
We know and understand the rural sector
• Succession Planning;
Advising • General Property the We Law know Great and understand Southern the • since rural sector 2012
We know and understand the rural sector
Worn out by years of toil and debilitating illness, William Webster Ayre suffered a stroke
and passed away in 1939 on the eve of the Second World War. The doctors determined
the 73-year-old was suffering from arteriosclerosis, cerebral thrombosis and uraemia.
Isobel applied for a war widow’s pension, but her application was refused after the
Repatriation Commission decided William’s death was not the result of his war service.
In her indignant appeal, Isobel wrote: “My husband had a stroke which I say was mostly
Advising the Great Southern since 2012
due to his four and a half years’ war service at the age of 50. I feel I know him better
than any doctor. He often said to me, ‘I am just one of (wartime Prime Minister) Billy
Hughes’ burnt-out soldiers’.” Isobel lost her appeal and was forced to live on a weekly
pension of 17 shillings and sixpence – equivalent to just over $81 today. She passed
away in 1950 and was laid to rest near her husband in Karrakatta Cemetery.
Sources: Charles Bean, The AIF in France, 1916; Australian War Memorial; National
We know and understand the rural sector
Advising the Great Southern since
Archives of Australia; AIF Project, https://www.rba.gov.au/calculator/annualPreDecimal.
html; https://www.theworldwar.org/learn/about-wwi/unrestricted-u-boat-warfare.
• Leases and Share Farming Agreements;
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agricultural business assets and residential
properties;
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• Succession Planning; • Probate and Estate Administration; and www.wapropertylawyers.com.au
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(Courtesy Australian War Memorial A01019).
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Street, Albany • Telephone: (08) 9841 5634
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promote
ESTHER JONES
The Farmer’s Daughter
STORY SERENA KIRBY | PHOTO SERENA KIRBY
The farming and agriculture sector has undergone major changes since Esther Jones
was a child but there’s one farming tradition that hasn’t quite caught up with modern
trends. Family farm inheritance still favours sons and it’s estimated that only 10 percent
of farm successors are women.
For farmer’s daughter, Esther, this meant that when her parents decided to retire, the
family property she dearly loved was put up for sale; a female successor was simply not
something anyone had considered.
Esther was devastated; she was a teenager at the time – still at school and still living at
home and one of two children – both daughters. But unlike most girls her age and era
she was far more interested in doing farm work with her dad than learning how to cook
with her mum.
“I just loved our farm and everything farming; the paddocks, the big skies, being with
my dad and working outside,” Esther says. “I lived and breathed the land. It was my
passion. It was my everything.”
Esther quickly decided that if she wasn’t able to work on the farm she’d work within
the industry instead. And what she lacked in male chromosomes she certainly made up
for in determination as, straight out of school, she scored a job as a cadet journo at the
Western Farmer and Grazier newspaper.
“I soon got poached by Elders Weekly and became their first ever female livestock
journo. I travelled the State covering news stories and livestock sales. I was so young
and often worried farmers wouldn’t take me seriously if I rocked up with P plates on my
car. I always made sure to stop at the gates and whip the plates off.”
Esther quickly saw there was a gap in the market for promoting what was happening
on the land. Yes, there were public relations companies sending out media releases for
farming clients but none of the PR businesses back then had any real life experience in
agriculture.
With opportunity knocking loudly at the door Esther set up her own farming-focussed
company. She had no PR experience, no plan and no idea how she was going to make
it work but her timing was perfect and Elders came on board as her first client with
Wesfarmers soon following suit.
“The business just took off and one job led to another. Within a few years I was starting
a family too and I clearly remember being on the phone to book ram sale ads in
between birthing contractions. Crazy I know, but that’s how much I loved my work; I
literally pushed through to get the job done.”
With event management often falling under the PR umbrella, Esther expanded into
organising conferences and expos for the farming industry. Her first event was a
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relatively small affair but within a few short years she had a staff of five and was
convening up to 15 events a year with many of those being large-scale national events.
Esther has since sold her events business and done a seachange to live on the banks of
the Wilson Inlet, but her involvement in the industry has not diminished. She’s swapped
her backstage role for an upfront microphone and has become a highly regarded
presenter at industry events. She also trains other would-be presenters.
“I think my success with organising conferences and presenting content is all to do
with my point of difference. I know what makes good content – not from the point
of a convener but from an audience perspective. A wise man once told me that ‘it’s
more important to be interested than interesting’. At the moment I’m training some
CSIRO scientists how to talk better to farmers. How can I be their best trainer if I’m not
interested in them?”
As a passionate professional, Esther has also dedicated time to help not for profit
agricultural-related associations by holding executive roles with groups like the WA
Sheep Alliance and Western Dairy and currently she’s Executive Officer with the WA
Livestock Research Council.
She’s also shining a spotlight on what’s possible for women in a predominantly maledominated
industry and says there’s been a resurgence in women interested in working
in agriculture.
“Advances in on-farm technology and machinery has seen a lightening of the physical
workload making a career in farming a lot more accessible to women. The sector has
become a lot more profitable, more interesting and you could even say ‘sexy’. Women’s
confidence has risen and they’re better supported than they used to be. There’s also
been an increase in the number of women studying agricultural sciences and they now
I know what makes good content
– not from the point of a convener
but from an audience perspective.
A wise man once told me that ‘it’s
more important to be interested
than interesting’.
Esther Jones
make up more than 55% of students in this field. Seriously, if you have an Ag. Science
degree, you’re spoilt for choice when it comes to job options.”
Esther adds that at a recent farming event in Kojonup around 50% of attendees were
women under age 40 and she constantly meets young couples that work as a tight
team, sharing the on-farm workload and the business management.
And what of farm succession? Esther says things are changing but ever so slowly.
“Farm succession is a weighty topic and long-standing tradition. It’s a bit like the Titanic;
it’s not something you can turn quickly.”
The women in agriculture movement will also be hard to stop and Esther is proof of
that. Once that farm dirt gets under your feet, under your nails and under your skin, it
can spark a lifelong love. It’s a classic case of: you can take the girl out of the farm but
you can’t take farming out of the girl.
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ALBANY SEAFOODS
Mystery of the Missing Salmon
STORY ALLEN NEWTON
Love them or hate them, Albany’s famous Australian salmon seem to have gone
missing. It’s more than 20 years since two viruses swept from South Australia through
the Southern Ocean and all but wiped out the once prolific sardines which were the
main source of food for the salmon.
Tony Westerberg whose fishing family has been operating out of the Great Southern
since the early 1900s, says it’s not the first time the family has had to deal with
changing fishing conditions. They’ve always had to keep one step ahead of the game as
fisheries have come and gone.
These days Albany Seafoods operate two purse seine vessels out of Albany targeting
sardines which are landed within three hours of being caught and processed in the
2000m2 factory five minutes out of town. Their efforts are focused on beach seining
Australian herring and Australian salmon, as well as purse seining sardines.
Keeping ahead of the game for Albany Seafoods has meant value adding to some of
their fish which are now canned and packaged for retail distribution. They have been
seeking wider distribution for their canned salmon and sardines but dealing with the
big supermarket chains has been difficult without multiple products in their range.
“It’s not worth the hassle for them of dealing with just one or two products from us,”
Tony says.
Albany Seafoods now have export approval and are looking more closely at potential
overseas markets and casting their nets over a wider area.
Given the disappearance of the sardines and the large volumes of salmon that used to
be found along Albany beaches, the local fishing industry is working together under the
auspices of the Southern Seafood Producers Association to bring a bigger boat to Albany
from the eastern States to see what fish are out in the deeper ocean in the next year or
two. They know that redbait and blue mackerel are both offshore in fairly big volumes and
there’s speculation that the salmon may also be out there in larger numbers.
“Since the sardine virus there aren’t many sardines on the coast anymore and the
salmon aren’t travelling the coast like they used to,” he says.
It’s thought they are mostly staying offshore where the baitfish are and to purse seine
for them will need a bigger boat. The results will be worth the effort says Tony with big
demand, mainly in northern Africa, for mackerel.
Sardines were impacted by two viruses that arrived in WA in 1995 and 1998, which Tony
says came in from California in imported bait to the tuna farms in Port Lincoln in South
Australia and then swept through to WA impacting the sardine fishery which hasn’t
recovered in WA.
“In the first two years after the virus we were catching salmon and they were coming
through the same on the beaches and they were full of everything, whiting, stingrays,
blowies, every mortal thing in the ocean was inside the salmon, when normally they
were just full of sardines.
“Since then salmon sightings have been less and less, so we presume they are all
offshore, out where the bait is because they are fully roed and they are coming up to
spawn, but I’m not too sure.
“A couple of scientists I’ve spoken to, who do worldwide stuff, said pelagics will follow
pelagics, so the salmon follow the sardines and if the sardine stocks go down they’ll
restrict their spawning because there’s not enough food and as the sardines bounce
back up they’ll start spawning again.
“Because our population hasn’t bounced back like it has in South Australia there are a
few of us starting to think maybe they are not out there, maybe they’ve just restricted
their spawning.”
Tony hopes a bigger fishing boat will reveal more about the true picture and targeting
larger fish might be the solution to keep the fishery going.
But even if they do find the elusive salmon Tony says they also have to deal with the
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fish’s sometimes poor reputation as an eating fish and to convince the public that it is a
healthy, tasty and sustainable locally fished seafood.
To help the Albany Seafoods food van has been set up to sell and promote salmon,
herring and sardines and to showcase how they can be cooked. The van will be at the
Albany Food & Wine Festival as part of Taste Great Southern on Saturday, 14 May at the
Centennial Park Exhibition Centre.
The van serves dishes like massaman salmon arancini balls, smoked salmon croquettes,
salmon cake sliders, panang salmon spring rolls, Albany lemon pepper salmon wonton
skins, salmon pate crostini, smoked sardine bruschetta and herring tacos.
People often turn their nose up when they are told the fish being used in the food van
is salmon but bled and cooked properly it can be tasty Tony says. The fish cooked in
the van is soaked in buttermilk and honey which makes it tender and removes the fishy
taste. Tony says people don’t realise how little they need to do to create something
really tasty from a fish that is cheap to buy.
Albany Seafoods is on Instagram @albanyseafoodsfoodvan
RIGHT: Tony Westerberg in the Albany Seafood van which will be at the Albany Food & Wine
Festival on 14 May to promote how tasty Australian salmon can be.
BELOW: Purse seining for sardines off the coast of Albany.
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engage
WALPOLE KIDS
Cartoonist Nathan Vass Viney Animates Walpole Art Scene
STORY ADAM MORRIS
The Walpole arts scene is alive and thriving and one man, Nathan Vass Viney has
captured it all in a new short documentary along with assistance from Regional Arts WA
and the Walpole Community Resource Centre.
You don’t meet many cartoonists in everyday life Nathan, how did you discover this
passion?
I began drawing cartoons when I was in Primary School. A close friend and I were
getting into comic books and newspaper strips and it took our full attention. We both
came up with jokes based on school and family life, always in a competition to make
each-other laugh. Looking back, most of the strips made no sense. But it was fun. I’ve
been producing comics and 2D animation ever since. While I do have a regular job
in Walpole, my not so secret identity is the local newspaper comic guy. The comic,
Walpole Kids has been mentioned or appeared in event posters, stickers, a book, as
knitted characters and now in this short documentary film.
Walpole is often the forgotten town when Perth tourists think of heading south, how
would you describe the town and its attractions for people who have never visited?
I’d hope that Walpole is not forgotten! We are the ideal spot to rest up and enjoy some
incredible nature and community. When my partner and I first visited Walpole for a
weekend many years ago, we had no idea it was near water. We enjoyed the incredible
forests, but missed a whole other element. Walpole backs onto two incredible inlets.
With still mirror-like water and a quiet town, Walpole’s Swarbrick Jetty or Coalmine
Beach are perfect places to stop and have a breather.
The local art scene seems to be bustling in Walpole, how is it such a small community
has such a vibrant artist community?
You’ll find most any community will have a vibrant art scene. Some people don’t even
recognise themselves as artists, but they make incredible things just in their backyards.
Art is really just anything that a person can create, starting out in the mind. Cooking and
baking is art, music is art, sticking some dry pieces of pasta together is art. Something
I’ve tried to do with my new documentary film Walpole Kids: Meet the Artists is bring all
of the arts together.
You have a cartoon strip that runs weekly in the local paper, could you tell us a little
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bit about its origins and what you hope it brings to local readers each week?
My comic strip, Walpole Kids began in 2020 as a weekly strip but as of 2021 had to
become fortnightly. This is just due to general life time constraints. The comic has
appeared in 3 newspapers during its run so far and remains to this day in the Walpole
Weekly community paper. I was inspired by the nature, the small town setting and
the slogans Walpole displays, such as ‘Litter Free Walpole’. I wanted to make some
characters that could experience the town with me, so I made three children originally
to experience it via short form jokes.
Who has been your inspiration in the animation world? Do you remember which
cartoons appealed to you as a child?
My comic heroes as a kid and still to this day are Charles M Schulz of Peanuts fame,
Bill Watterson of Calvin and Hobbes and the many artists that have worked on the
UK comic magazine, The Beano. When it comes to animation, my heroes have been a
bit more obscure, people like Adam Phillips, a pioneer in Flash Animation in the early
2000s, Howard Read, creator of the BBC Children’s show, Little Howard’s Big Question,
of which I was an animator on, and inspiration on a wider scale, film studios such as
Studio Ghibli.
Your film Walpole Kids: Meet the Artists incorporates the local community including
school children, what was it like making the film?
The film showcases up to 14 local artists and uses the voice acting abilities of 4 local
Walpole kids. I’ve always enjoyed the early Peanuts television specials, in that they
always used real kids to voice the characters such as Charlie Brown. There is nothing
more authentic. It was great fun working with the kids and getting them involved. I was
mostly just running from place to place with a phone and a tripod, with every element
of the production running around in my brain. That was fun too. At the end of the
day, I love art and I love where it comes from. So the greatest part of interviewing the
creatives was hearing their stories and seeing where that inspiration was coming from.
What was the thinking behind the interview series, was this your brainchild?
When I came to Walpole originally, I visited the Ficifolia Community Garden. It’s
a lovely place, very peaceful. I noticed some coloured children’s chairs by a small
stage. Immediately I imagined some new characters sitting on those chairs, enjoying
a performance. Almost two years later, in Walpole Kids: Meet the Artists, I sat those
characters on those chairs and they watched a performance for real. I had no idea how
it would go, I just hoped for the best. It turned out all of the artists I interviewed were
incredible, and they definitely made the film what it is. Luckily for me, Regional Arts WA
and Cherie Smith at the Walpole Community Resource Centre supported the project.
What is next for yourself Nathan?
I am currently working on a traineeship at the Walpole Community Resource Centre,
so there’s a bit of work for me to do regarding that, now the fun is over. But the comic
will continue to go out fortnightly as long as I can and as long as the newspaper will
have me. I’d love to make more animated shorts in the future. My partner Jasmine
and I, have just had our first child so I’m excited for us to continue our journey as new
parents. There is much to learn and plenty of love to be shared.
The documentary will be available shortly after it’s first screening on 30 April on the
Walpole Community Resource Centre YouTube Channel and Facebook soon after.
Walpole Kids books and stickers are available at the Walpole Makers Collective and the
Walpole Community Resource Centre. To see more of Nathan’s work you can visit his
website at www.artbynathanviney.com
OPPOSITE: Nathan Vass Viney with his partner Jasmine Dyer at the Perth Comics Arts festival last year. ABOVE: The Walpole Kids watch a performance at the Ficifolia Community Garden.
BELOW: Some examples of the Walpole Kids comic as it appears in the Walpole Weekly.
LOVE LOCAL
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WHAT’S ON!
what’s on
Koolbardi wer Wadong
at AEC this June
Immerse yourself in Noongar culture with the magnificent Koolbardi wer Wadong
presented by the Albany Entertainment Centre 4 June 2022.
Get ready to aliwa yeyi! (look out now!) as feathers will fly in this cautionary tale.
Koolbardi the Magpie and Wardong the Crow are two very proud, vain, jealous
brothers. Watch as their cunning, rivalry and one-upmanship brings them unstuck in
spectacular fashion.
Set on Noongar Boodja (the south west corner of Western Australia), you are invited
to join a journey back to the Nyittiny, the time of Creation, where love, loyalty, betrayal
and jealousy are all stretched to their limits. Award winning songwriters and story
tellers, Gina Williams and Guy Ghouse weave magic in a world first, brought to life
under the deft direction of Matt Reuben James Ward. Experience the incredible beauty
of the language of this land as this production promises to delight audiences of all ages.
The production will be sung in Noongar with English surtitles.
Koolbardi wer Wardong is a Wesfarmers Arts Commission. The Albany tour is supported
by Opera in the Regions Partner Minderoo Foundation, Playing WA and Feilman
Foundation. Albany Children’s Chorus is supported by Lotterywest and choreographer is
supported by the Bendat Family Foundation.
Get Your Entries in for
Nature Photo Comp
20 years ago in 2002 an enthusiastic group of photographers organised the first Mount
Barker Wildflower Photographic Competition. For that very first competition there
were three sections with 134 entries. The annual photographic competition and public
exhibition is still going strong, with some of those original entrants still participating
every year.
The competition has grown since then, and is now the Mount Barker Wildflower &
Nature Photo Competition, and includes 5 different sections including WA wildflowers,
nature and landscapes and attracts 100s of entries each year. This year the committee
have included a new category of photographic art to allow for digital enhancement in
any of the 3 subject categories.
In recognition of the 20 year anniversary the prize pool has increased to a very
substantial $3000, while entry fees remain at a modest $2.50 per image. Entries close
on Sunday 11 September and entry forms are available from local visitor centres.
BUY TICKETS!
Box Office 9844 5005 | albanyentertainment.com.au
Follow us on Instagram and Facebook
MOUNT BARKER WILDFLOWER &NATURE
Photo Competition
$3000 prize money over 5 sections.
CLOSING DATE Sunday 11th September 2022.
Entry forms now available from visitor centres
Phone David 0478 162 997 or email aldredd650@gmail.com
26 LOVE LOCAL

gig guide
Everything we put in the Gig Guide is correct at the time of
printing, to the best of everyone’s knowledge. But be warned,
things can and do change.
WHO + WHAT WHERE WHEN
ALBANY ENTERTAINMENT CENTRE
Jon Stevens – Noiseworks and INXS
Collection
Albany Entertainment Centre
Monday 2 May, 6.30pm
Chopin Waltzes by Candlelight Albany Entertainment Centre Friday 6 May, 7.30pm
The Celebration of Swing Albany Entertainment Centre Sunday 8 May, 3pm
The Great Un-Wondering of
Wilbur Whittaker
Albany Entertainment Centre
Wednesday 18 May, 4.30pm
Banff Mountain Film Festival Albany Entertainment Centre Saturday 21 May, 7pm
Amy Shark See U Somewhere
Australian Tour
EXHIBITIONS
Albany Entertainment Centre
The Rats of Tobruk Barrack Building, Princess Royal Fortress to 1 May
Brickwrecks: In Lego Museum of the Great Southern to 8 May
Hammer & Honey Albany Town Hall to 21 May
Maritime & Miniatures Trail Museum of the Great Southern to 8 May
Strike A Pose Museum of the Great Southern to 8 May
Warbirds: Aircraft of WW2 Married Quarters, Princess Royal Fortress All of May
FESTIVALS AND SPECIAL EVENTS
Thursday 26 May, 7.30pm
CINEFESTOZ ALBANY Various locations, Albany 28 April to 1 May
TASTE GREAT SOUTHERN Various locations, Great Southern 5 to 15 May
Mother’s Day Classic Albany From Middleton Beach Sunday 8 May from 7.30am
2022 MSWA Albany Swim Albany Leisure and Aquatic Centre Saturday 14 May
Albany Food & Wine Festival Agricultural Pavilion, Albany Saturday 14 May
Great Southern Volunteer Conference Retravision Stadium, Albany 21 to 22 May
MARKETS
Make a Scene Pop-up Gallery Patterson’s Arcade, York Street Each Mon to Sat, 10am-4pm
Albany Farmers Market Collie Street, Albany Every Saturday 8am to noon
Stirling Terrace Indoor Markets Old Auction Room Every Sat and Sun 9am to 3pm
Centennial Markets Centennial Park, Albany Every Sat and Sun 9am to 1pm
Albany Boatshed Markets The Boatshed, Princess Royal Drive Every Sunday, 9am to 1pm
Kwoorabup Community Markets Steiner School Hall, Denmark Every Sunday, 10am to 2pm
Kendenup Town Hall Markets Kendenup Town Hall Saturday 14 May, 9am-1pm
OTHER
Film Harvest – Independent
and Arthouse Films
Orana Cinemas Albany
Every Wednesday 6.15pm
It’s FREE to promote your event in the
AURORA MAGAZINE Gig Guide!
If you would like to be included for the Winter edition,
contact us at gigguide@auroramagazine.com.au before the
5pm Sunday 5 June deadline.
SPECIAL TASTE GREAT SOUTHERN EVENT !
SATURDAY 14 May 2022
Keep an eye on our Facebook page for details
Kendenup
Town Hall
EVERYBODY’S BEEN ON
ALBANY’S RIVERBOAT!
www.albanyaustralia.com
9am Full 36k, 4 hour “SHELTERED WATER CRUISE”
Billy tea, coffee, wildlife &
Captain Kalgan’s famous HOT damper.
Aussie seniors $95 - we reckon you’ve earned the discount
BUT IT REALLY PAYS TO BOOK
Markets
Upcoming markets: Saturday 14 May
• fresh produce • local olive oil
• plants galore • hot food
• cakes & slices • jams & preserves
• local handcrafted gifts
9844 3166
Not so rough,
it’s only
9-1pm
Call Kate Ryan-Taylor on 0493 044 235 for details
PLUS
Natural Raw
Honey Tasting
Karri on Bar
SMALL BAR IN PORONGURUP
Pizza oven’s lit, the beers are cold and the tunes are playing!
Hope to see you down here for a casual afternoon
or evening drink and some tasty food!
OPEN FRIDAY EVENING FROM 5PM. OPEN SATURDAY
AND SUNDAY FROM 11AM. KITCHEN CLOSES AT 8PM.
Check our website for additional opening hours during school holidays.
1983 PORONGURUP RD, PORONGURUP, WA. CALL (08) 9853 1022
LOVE LOCAL
27

ESSENTIALS FOR AN ECO FRIENDLY
HOME AND LOW WASTE LIFESTYLE
WARM YOUR
HOME THIS
WINTER
Visit our showroom for new build design consults and
exceptional product knowledge on our broad range of
eye-catching and high efficiency wood heaters
from Australian and leading international brands.
JARRAHDALE • PACIFIC ENERGY • MASPORT • MORSO
We stock a range of wood fire parts and accessories
FIRE TOOLS • CHILD GUARDS • KINDLING STORAGE • FIRE PARTS
MON-FRI. 8.30AM-5PM // SAT. 9AM- 1PM
9 MINNA ST, ALBANY // 08 9841 6171
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