26.08.2022 Views

Benedict Sheehan A Christmas Carol

for narrator, SATB soloists, and SATB choir unaccompanied, with optional bones In this compelling work for narrator, soloists, and choir, Sheehan presents an engaging musical dramatization of Charles Dickens's A Christmas Carol. Dickens's text has been artfully abridged by Matthew Guard to facilitate concert performance, and the narration is seamlessly woven into Sheehan's richly diverse score. Suited to performance in a variety of settings, this work sees imaginative arrangements of traditional carols and vibrant and accessible original music combine to bring a familiar festive tale to life.

for narrator, SATB soloists, and SATB choir unaccompanied, with optional bones
In this compelling work for narrator, soloists, and choir, Sheehan presents an engaging musical dramatization of Charles Dickens's A Christmas Carol. Dickens's text has been artfully abridged by Matthew Guard to facilitate concert performance, and the narration is seamlessly woven into Sheehan's richly diverse score. Suited to performance in a variety of settings, this work sees imaginative arrangements of traditional carols and vibrant and accessible original music combine to bring a familiar festive tale to life.

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

STAVE 1<br />

SOPRANO<br />

ALTO<br />

TENOR<br />

BASS<br />

&<br />

&<br />

V<br />

?<br />

Slow and remote; with child-like simplicity q = 108<br />

p<br />

˙<br />

This<br />

∑<br />

∑<br />

SOLO<br />

∑<br />

for Matthew Guard and the Skylark Vocal Ensemble<br />

A CHRISTMAS CAROL<br />

∑<br />

∑<br />

œ œ œ œ œ<br />

is the truth sent<br />

∑<br />

1. The truth from above<br />

Ó<br />

Ó<br />

∑<br />

œ œ ˙.<br />

˙<br />

mm<br />

œ<br />

from a - bove, The truth of God, the God of love, There-<br />

∑<br />

π<br />

English traditional<br />

adap. and arr. BENEDICT SHEEHAN<br />

∑<br />

œ œ ˙ œ<br />

œ œ œ œ œ<br />

∑<br />

∑<br />

w œ œ<br />

œ œ ˙.<br />

∑<br />

mm<br />

œ œ<br />

for<br />

rehearsal<br />

only<br />

&<br />

?<br />

4 2 4 2 4 2 4 2 4 2 4 2 4 5 4 5 4 5 4 5 4 5 4 5 2 3 2 3 2 3 2 3 2 3 2 3 4 5 4 5 4 5 4 5 4 5 4 5 2 3 2 3 2 3 2 3 2 3 2 3<br />

Slow and remote; with child-like simplicity q = 108<br />

∑<br />

p<br />

˙<br />

∑<br />

œ œ œ œ œ<br />

Ó<br />

Ó<br />

œ œ ˙.<br />

˙<br />

œ<br />

œ œ ˙ œ<br />

œ œ œ œ œ<br />

w œ œ<br />

œ œ ˙.<br />

œ œ<br />

6<br />

&<br />

∑<br />

∑<br />

∑<br />

∑<br />

4<br />

&<br />

w.<br />

œ œ ˙ ˙<br />

for online perusal only<br />

w œ œ<br />

œ œ w<br />

4<br />

V<br />

œ œ ˙ œ œ<br />

œ œ . ˙<br />

- fore don’t turn me from your door, But heark - en all, both<br />

mm<br />

œ œ<br />

œ œ œ œ œ œ<br />

œ œ œ<br />

w<br />

rich and poor.<br />

4<br />

?<br />

∑<br />

∑<br />

∑<br />

∑<br />

4<br />

&<br />

w.<br />

œ œ ˙ ˙<br />

˙ œ˙ œ œ œ<br />

œ œ w<br />

4<br />

?<br />

œ œ ˙ œ œ<br />

œ œ ˙.<br />

œ œ<br />

œ<br />

œ<br />

Ó<br />

Ó<br />

œ œ œ w<br />

4<br />

© Oxford University Press 2022<br />

Printed in Great Britain<br />

OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />

The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!