Foreign Rights Catalogue E.A. Seemann Henschel Fall 2022

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Margarete Schuler Stephanie Harrer Basics of Acting Each acting study program begins with the basics, in which the fundamentals of staged drama are taught. Initially without text, it focuses primarily on improvisation training as well as on the perception of oneself and others, communication skills, finding one's position in the ensemble, the use of one's fantasy, dealing with spaces and props, etc. This book conveys the methodology of Brecht and Stanislawski taught at the state acting schools in Germany and the methods of the world-famous Canadian theater dramaturg Keith Johnstone. It is aimed at acting students who want to review what they have learned and try it out for themselves, as well as at lecturers who are looking for inspiration, both in professional and amateur acting classes. • the essentials for aspiring actors and lecturers • according to the methodology of Brecht, Stanislawski and Keith Johnstone • with numerous exercises and valuable practical tips THE AUTHORS Margarete Schuler is a graduate actress and professor of acting at the University of Performing Arts Ernst Busch in Berlin. TRIMMED PAGE SIZE 135 mm x 215 mm (appr. 5.3 x 8.5 inches) PAGES 160 TEXT 40,000 words 290,000 characters incl. spaces ILLUSTRATIONS 24 b/w illustrations BINDING brochure PUBLICATION DATE 2011, updated version 2020 RIGHTS SOLD TO Poland Stephanie Harrer is a graduate actress and teaches at the University of Performing Arts Ernst Busch in Berlin as well as at the Frankfurt University of Music and Performing Arts. Please contact Sina Scholz sina.scholz@seemann-henschel.de © E. A. Seemann Henschel, Leipzig 2022 ----- www.seemann-henschel.de
Jessica Höhn Jessica Höhn is a trained actress and has studied social work and theater pedagogy and holds a master's degree in culture, aesthetics, and media. She works as a cultural manager and theater pedagogue in projects with children, teenagers, adults, and seniors as well as inclusive groups. She leads an intercultural theater group, teaches at several universities, and trains prospective theater pedagogues. Theater Pedagogy Basics, Target Groups, Exercises Whether it's acting in school theaters, retirement homes or as a social project with young people – theater pedagogy is omnipresent. It creates unique experiences in the group and imparts a variety of essential skills. Although the result may look straightforward and entertaining, it entails a great deal of knowledge and is sometimes hard work for the theater pedagogue. Höhn, herself an experienced theater pedagogue, has now compiled the first hands-on compendium for practical use. She describes the needs and qualities of the various target groups, presents "classics" from the director's toolbox, provides useful methods and exercises, and gives tips for awkward group situations. It is an indispensable guidebook that experienced theatre-makers and beginners can always consult. • indispensable guidebook for experienced theatre-makers as well as for beginners • Basics, checklists, preparation and "play material" for educational theater projects • information about working with various target groups: requirements, differences, similarities THE AUTHOR TRIMMED PAGE SIZE 135 mm x 215 mm (appr. 5.3 x 8.5 inches) PAGES 144 TEXT 35,000 words 240,000 characters incl. spaces ILLUSTRATIONS 8 b/w illustrations BINDING brochure PUBLICATION DATE 2015, updated version 2018 RIGHTS worldwide Please contact Sina Scholz sina.scholz@seemann-henschel.de © E. A. Seemann Henschel, Leipzig 2022 ----- www.seemann-henschel.de
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Foreign Rights Catalogue E.A. Seemann Henschel Fall 2022

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