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Program Book / October 10, 2022 / CAMA Presents the City of Birmingham Symphony Orchestra with Mirga Gražinytė‑Tyla and Sheku Kanneh‑Mason

The Board of Directors of Community Arts Music Association dedicate this concert to the memory of Her Majesty The Queen Elizabeth II and of Her Majesty's 70 years of service to the people of the United Kingdom, the Realms, and the Commonwealth. MONDAY, OCTOBER 10, 2022, 7:30PM City of Birmingham Symphony Orchestra Mirga Gražinytė‑Tyla, Music Director Sheku Kanneh‑Mason, cello The City of Birmingham Symphony Orchestra is the flagship of musical life in Birmingham—and one of the world’s great orchestras. The tradition began with their very first concert back in 1920—conducted by Sir Edward Elgar. The CBSO became internationally famous when conductor Simon Rattle took the helm in 1980. In 2016, the CBSO welcomed the appointment of Mirga Gražinytė-Tyla, a native of Vilnius, Lithuania, as its Music Director, following her time with the Los Angeles Philharmonic as a Dudamel Fellow, Assistant Conductor, and Associate Conductor. British cellist Sheku Kanneh-Mason became a household name in 2018 after performing at the wedding of Prince Harry and Meghan Markle at Windsor Castle, watched by nearly two billion people globally. Sheku’s album Elgar on the Decca Classical label made him the first cellist in history to reach the UK Top 10. PROGRAM: RALPH VAUGHAN WILLIAMS: Fantasia on a Theme by Thomas Tallis SIR EDWARD ELGAR: Cello Concerto in E Minor, Op.85 MIECZYSŁAW WEINBERG: “Jewish Rhapsody,” from Festive Scenes, Op.36 CLAUDE DEBUSSY: La Mer PRE-CONCERT LECTURE: Jennifer Kloetzel, Professor, Cello and Head of Strings, UCSB Department of Music Sullivan Goss Art Gallery, 11 E. Anapamu Street, Santa Barbara Doors open 5:45PM ⫽ Lecture 6:00–6:40PM Presented by the CAMA Women’s Board •

The Board of Directors of Community Arts Music Association dedicate this concert to the memory of
Her Majesty The Queen Elizabeth II and of Her Majesty's 70 years of service to the people of the
United Kingdom, the Realms, and the Commonwealth.

MONDAY, OCTOBER 10, 2022, 7:30PM

City of Birmingham Symphony Orchestra
Mirga Gražinytė‑Tyla, Music Director
Sheku Kanneh‑Mason, cello

The City of Birmingham Symphony Orchestra is the flagship of musical life in Birmingham—and one of the world’s great orchestras. The tradition began with their very first concert back in 1920—conducted by Sir Edward Elgar. The CBSO became internationally famous when conductor Simon Rattle took the helm in 1980. In 2016, the CBSO welcomed the appointment of Mirga Gražinytė-Tyla, a native of Vilnius, Lithuania, as its Music Director, following her time with the Los Angeles Philharmonic as a Dudamel Fellow, Assistant Conductor, and Associate Conductor. British cellist Sheku Kanneh-Mason became a household name in 2018 after performing at the wedding of Prince Harry and Meghan Markle at Windsor Castle, watched by nearly two billion people globally. Sheku’s album Elgar on the Decca Classical label made him the first cellist in history to reach the UK Top 10.

PROGRAM:
RALPH VAUGHAN WILLIAMS: Fantasia on a Theme by Thomas Tallis
SIR EDWARD ELGAR: Cello Concerto in E Minor, Op.85
MIECZYSŁAW WEINBERG: “Jewish Rhapsody,” from Festive Scenes, Op.36
CLAUDE DEBUSSY: La Mer

PRE-CONCERT LECTURE:
Jennifer Kloetzel, Professor, Cello and Head of Strings, UCSB Department of Music
Sullivan Goss Art Gallery, 11 E. Anapamu Street, Santa Barbara
Doors open 5:45PM ⫽ Lecture 6:00–6:40PM
Presented by the CAMA Women’s Board

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keep his head down. When the Party moved

to control music in 1948 by labeling composers

“formalist” or insufficiently attuned

to “Socialist realism,” Weinberg was one

of only two who did not offer apologies or

recantations, and he suffered professionally

for it. (Soviet composers whose music

was “banned” still managed to get commissions

for less-prestigious theater or music

movie, which Weinberg had to do for a few

years. But he eventually composed about

150 works, including 21 symphonies and

17 string quartets.

Shostakovich championed Weinberg’s

music and made sure his A-list performer

friends like the cellist Mstislav Rostropovich,

and violinist David Oistrakh performed

his works. Weinberg exposed Shostakovich

to Jewish music, which manifested itself in

a number of Shostakovich works. But overt

Jewishness in music was not wise in the

Soviet Union, where antisemitism lurked behind

an official policy of eschewing ethnic

prejudice. The Jewish Rhapsody, one of his

Festive Scenes for Orchestra from 1946-47,

may be a reflection of the optimism in the

air right after the war ended.

“I was destined for the fine career of

a sailor,” wrote Claude Debussy to a friend

in September 1903 as La Mer was taking

shape. “Only the accidents of life put me on

another path.”

The finished version of “The Sea” is a

unique mix of tone poem and symphony, a

three-movement impression of the ocean.

Debussy would have bristled at the

Claude Debussy

CAMA AT THE GRANADA THEATRE • CITY OF BIRMINGHAM SYMPHONY ORCHESTRA

19

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