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The Winter<br />
Auction Series<br />
Fine Jewellery & Watches Melbourne, 5 August 2019
03 9500 2607<br />
gibsonsauctions.com.au<br />
Jennifer Gibson<br />
CEO & Head of Valuations<br />
Jennifer.Gibson@gibsonsauctions.com.au<br />
Elliott Hughes<br />
Auctions Manager & Specialist<br />
Elliott.Hughes@gibsonsauctions.com.au<br />
Elizabeth Stannard<br />
Head of Jewellery<br />
Elizabeth.Stannard@gibsonsauctions.com.au<br />
Simon Gibson<br />
CFO<br />
Simon.Gibson@gibsonsauctions.com.au<br />
Deanna Baxter<br />
Business Manager<br />
Deanna.Baxter@gibsonsauctions.com.au<br />
Marilla O’Sullivan<br />
Auction Assistant<br />
Marilla.Osullivan@gibsonsauctions.com.au<br />
ORRONG RD<br />
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />
OSMENT ST<br />
HAMPDEN RD ASHLEIGH RD<br />
MT PLEASANT GROVE<br />
NEW ST<br />
HIGH ST<br />
AUBURN GROVE<br />
DENBIGH RD<br />
SUTHERLAND RD<br />
NORTHCOTE RD<br />
KOOYONG RD<br />
Auction, Viewing and<br />
Payment & Collections<br />
Level 1, 885-889 High Street<br />
Armadale, Victoria 3143<br />
DALE ST<br />
CHEEL ST
1<br />
BACK COVER:<br />
Lot 415 (Detail)<br />
The Winter<br />
Auction Series<br />
Auction<br />
Session I<br />
Fine Jewellery and Watches<br />
Monday 5 August 2019, 1pm (Lots 1–197)<br />
Session II Decorative Arts<br />
Tuesday 6 August 2019, 11am (Lots 198–583)<br />
Session III Chinese and Asian Works of Art<br />
Tuesday 6 August 2019, 5pm approximately (Lots 584–789)<br />
Level 1, 885-889 High Street<br />
Armadale, Victoria 3143<br />
Viewing<br />
Thursday 1 August<br />
Friday 2 August<br />
Saturday 3 August<br />
Sunday 4 August<br />
10.00–5.00pm<br />
10.00–5.00pm<br />
10.00–4.00pm<br />
10.00–4.00pm<br />
Auction Code: <strong>GA008</strong><br />
GST<br />
† Lots with this symbol are subject<br />
to GST on the hammer price and the<br />
buyer’s premium.<br />
Buyer’s Premium<br />
Buyer’s Premium is charged at 22%<br />
of the hammer price plus GST. GST is<br />
applicable to the buyer’s premium only,<br />
unless otherwise indi<strong>cat</strong>ed by the †<br />
symbol.<br />
Registration<br />
To register to bid at Gibson's<br />
Auctioneers & Valuers an accredited<br />
form of photo identifi<strong>cat</strong>ion is required.<br />
This applies to bidding in person at<br />
the auction, Telephone, Absentee and<br />
Online bidding.<br />
Resale Royalty Scheme<br />
Lots subject to payment of the Artist's<br />
Resale Royalty Scheme will be denoted<br />
by the symbol §. The Australian Resale<br />
Royalty is a flat rate of 5% on the<br />
hammer price (including GST) and is<br />
payable by the seller.<br />
Restricted or Organic Material<br />
♦ Lots with this symbol have been<br />
identified at the time of <strong>cat</strong>aloguing<br />
as containing organic material which<br />
may be subject to export or import<br />
restrictions. The absence of this<br />
symbol is not a guarantee that export<br />
or import restrictions will not apply. See<br />
www.cites.org for further information.<br />
Payments & Collections<br />
Can be made from:<br />
Level 1, 885-889 High Street,<br />
Armadale, Vic 3143<br />
Wednesday 7 August<br />
Thursday 8 August<br />
Friday 9 August<br />
10.00–4.00pm<br />
10.00–4.00pm<br />
10.00–4.00pm<br />
All goods must be collected and paid in<br />
full by 4pm on Friday 9 August (unless<br />
by prior arrangement) to avoid removal<br />
and storage charges.<br />
All payments are to be made in<br />
Australian Dollars (AU$).<br />
Please refer to the methods of payment<br />
in the HOW TO BUY section on the<br />
following pages.<br />
Credit card surcharges apply – 1.2%<br />
(incl GST) for Visa and Mastercard and<br />
3% (incl GST) for American Express.
2<br />
How to Buy<br />
All you need to know about the bidding process at auction<br />
Viewing<br />
Catalogues<br />
Online <strong>cat</strong>alogues can be viewed at<br />
www.gibsonsauctions.com.au approximately three weeks<br />
prior to the auction date.<br />
Complimentary printed <strong>cat</strong>alogues are available at Gibson’s<br />
Auctioneers & Valuers.<br />
Symbols<br />
Occasionally, a symbol is printed next to a lot number,<br />
indi<strong>cat</strong>ing a special clause associated with the sale of the<br />
item/s. Further information on symbols within our <strong>cat</strong>alogues<br />
can be found on Page 1.<br />
Viewing<br />
Auction viewings are open to the public and usually take place<br />
three or four days prior to the auction date, at the lo<strong>cat</strong>ion/s<br />
listed in the auction <strong>cat</strong>alogue and on the website.<br />
Lot Descriptions<br />
Lot Descriptions provide basic <strong>cat</strong>alogue information such<br />
as dimensions, date or age, medium, attribution, provenance<br />
and quantity.<br />
All lots are guaranteed for fourteen (14) days from the<br />
auction date.<br />
Estimates<br />
Estimates are printed in the <strong>cat</strong>alogue beside every lot and<br />
take into account rarity, condition, quality and provenance.<br />
The reserve is the amount at which the item is available for<br />
purchase. The reserve is an undisclosed confidential amount<br />
which is set at, or below the low estimate.<br />
The reserve will never exceed the low estimate at Gibson’s<br />
Auctioneers & Valuers. Many lots are sold without reserve.<br />
Talk to our Specialists<br />
Gibson’s Auctioneers & Valuers are an experienced team of<br />
specialists who are available to discuss items in further detail,<br />
and to offer advice and assistance.<br />
Contact details for relevant specialists can be found on the<br />
inside front cover our auction <strong>cat</strong>alogues and on our website.<br />
Condition Reports<br />
Condition Reports are available on request. Condition Reports<br />
supplement the lot description and provide information on the<br />
condition of an item.<br />
We strongly advise obtaining a condition report if you are<br />
unable to view an item in person prior to the auction.<br />
To request a condition report please email<br />
condition.reports@gibsonsauctions.com.au with the auction<br />
title and lot number/s.<br />
Bidding<br />
Gibson’s Auctioneers & Valuers offer four bidding options:<br />
1. Auction Room Bidding<br />
To bid in person we suggest you arrive early so that you<br />
have sufficient time to register for a bidding number prior<br />
to the auction. If this is your first time bidding with Gibson’s<br />
Auctioneers & Valuers please bring photo identifi<strong>cat</strong>ion, such<br />
as a driver’s licence or passport with you.<br />
2. Telephone Bidding<br />
Gibson’s Auctioneers & Valuers offer telephone bidding on all<br />
lots, at all auctions.<br />
Telephone Bidding is a convenient solution if you are unable to<br />
attend an auction in person. A Gibson’s Auctioneers & Valuers<br />
staff member will call you approximately 5 lots in advance and<br />
with your instruction, bid on your behalf at the auction.<br />
Please note: Telephone Bids must be organised at least 24<br />
hours prior to the auction and that occasionally, the number<br />
of telephone bidders available may be restricted when the<br />
auction is offsite.<br />
To organise a Telephone Bid please follow the link<br />
to the Telephone Bidding form on our website:<br />
www.gibsonsauctions.com.au.<br />
Please fill in & return via email to mail@gibsonsauctions.com.au<br />
If this is your first time bidding with Gibson’s Auctioneers &<br />
Valuers, an email address is to be supplied when you submit<br />
your Telephone Bid, along with clear Photo ID verifying<br />
your address.
3<br />
3. Absentee Bids<br />
Absentee Bidding is another convenient solution if you<br />
are unable to attend an auction in person, to speak on the<br />
telephone or if you simply have a strict budget.<br />
An Absentee Bid should be set at the maximum amount<br />
you wish to bid on the lot/s you are interested in purchasing.<br />
Should the lot/s be knocked down at an amount lower than<br />
the bid recorded on your form, the lot will be sold to you for<br />
the lesser hammer price.<br />
Please note Absentee Bids must be received at least 24 hours<br />
prior to the auction to allow time for processing.<br />
To organise an Absentee Bid please follow the link to<br />
the Absentee Bidding form available on our website:<br />
www.gibsonsauctions.com.au.<br />
Please fill in & return via email to mail@gibsonsauctions.com.au<br />
If this is your first time bidding with Gibson’s Auctioneers<br />
& Valuers, an email address is to be supplied when you<br />
submit your Absentee Bid, along with clear Photo ID verifying<br />
your address.<br />
4. Online Bidding<br />
Online bidding allows you to bid via the internet in real<br />
time with a live broadcast of the auction. To bid online visit<br />
our website and follow the ‘Live Bidding’ link under the<br />
‘Auctions’ tab.<br />
Please register for this service at least 24 hours prior to the<br />
auction to ensure you do not miss your lot.<br />
Please note online bidding is powered by Invaluable.com and<br />
so will incur a 5% fee on successful lots.<br />
If you have not bid with Gibson’s Auctioneers & Valuers<br />
previously, a photo ID verifying your address will be<br />
required before you can be approved to bid. Please email to<br />
mail@gibsonsauctions.com.au as soon as practical.<br />
International Bidding<br />
If you are bidding from overseas for the first time, you will be<br />
asked to provide a clear Photo ID verifying your address and<br />
a deposit (set at Gibson’s Auctioneers & Valuers’ discretion)<br />
prior to the auction. The deposit is refundable within 48<br />
hours should you not be successful. If you are successful<br />
the deposit will be deducted from your invoice total. The<br />
remaining balance must be paid preferably by direct deposit.<br />
Bank details are provided in the Payment & Collection section<br />
of this guide.<br />
Payment & Collection<br />
Payments<br />
If you are successful an invoice (AU$) will be emailed or<br />
posted to you immediately after the auction.<br />
You will pay the hammer price, plus the buyer’s premium<br />
(22% plus GST) on each Lot, together with any additional<br />
applicable charges such as GST on hammer.<br />
Payments must be made in full by the final day of Collections<br />
as printed in the <strong>cat</strong>alogue.<br />
Bank Transfer/Direct Deposit is our preferred method<br />
of payment:<br />
Account Name: Gibsons Auctions<br />
Bank:<br />
Bank of Melbourne (A division of St George)<br />
BSB: 193879<br />
Account No: 441701443<br />
Swift Code: SGBLAU2S<br />
Routing Code: 021000021<br />
Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144<br />
• Personal, Company and Bank Cheques are not accepted<br />
without prior approval.<br />
• Eftpos (no charge).<br />
• Credit cards: Visa and Mastercard (1.2% inc GST merchant<br />
fee) and American Express (3% inc GST merchant fee).<br />
• Please note that credit card transactions over $5,000<br />
will not be accepted over the telephone unless by prior<br />
arrangement.<br />
• Cash payments up to AU$10,000 can be accepted. For any<br />
amount over this, cash is to be deposited directly into our<br />
account at a Bank of Melbourne/St George branch.<br />
Collections<br />
Gibson’s Auctioneers & Valuers are happy to assist and<br />
provide you with recommended transport companies whether<br />
it be a local, interstate or international delivery.<br />
Storage<br />
All items must be paid for and collected within the collection<br />
times advertised for each individual auction. If items are not<br />
collected within this time-frame, Gibson’s Auctioneers &<br />
Valuers reserve the right to charge removal and storage fees.
4<br />
Fine Jewellery & Watches<br />
Session I – Monday 5 August 2019, 1pm<br />
1<br />
A TRI-GOLD ARTICULATED TRIPLE<br />
BAND RING<br />
Styled as three separate bands,<br />
pinned to bottom of shank, articulated<br />
movement, ‘cut-in’ diamond set design<br />
to top of bands; 18ct rose, white and<br />
yellow gold. Italian design. Ring size O½.<br />
Weight 10.2g.<br />
$500–700<br />
2<br />
A GOLD RING BY BENT KNUDSEN<br />
Styled as a spring, makers mark for<br />
Danish craftsman Bent Knudsen;<br />
18ct gold. Ring size K½. Weight 9.8g.<br />
$500–700<br />
3<br />
A CITRINE SLAVE RING<br />
Featuring a pear shaped faceted citrine<br />
set with small white stones, wide slave<br />
band; 9ct gold. Size Q. Weight 11g.<br />
$200–300<br />
4<br />
A GOLD FULL SOVEREIGN PENDANT<br />
Featuring a full sovereign within a<br />
scrolled mount, Australian makers mark;<br />
9ct gold bale. Total weight 12.6g.<br />
$400–600<br />
5<br />
A GOLD HORSESHOE MONEY CLIP<br />
Money clip styled as a horseshoe;<br />
14ct gold. Length 4.5cms. Width 4cms.<br />
Weight 18.5g.<br />
$1,000–1,500<br />
6<br />
A GROUP OF THREE NEPHRITE<br />
PENDANTS<br />
Two tear drop shaped, one heart<br />
shaped, two with 9ct gold bales.<br />
$120–160<br />
7<br />
A DIAMOND SOLITAIRE RING<br />
AND MATCHING BAND<br />
Featuring a central round brilliant cut<br />
diamond of 0.78cts, diamond set<br />
shoulders totalling 0.50cts, together<br />
with a matching diamond set band<br />
totalling 0.35cts; both 18ct white gold.<br />
Ring size O. Total weight 6.4g.<br />
$3,400–4,000<br />
8<br />
A SUBSTANTIAL EMERALD SAPPHIRE<br />
AND RUBY SET GOLD CROSS<br />
NECKLACE BY HARDY BROTHERS<br />
Set with a central emerald cut emerald<br />
of 1.55cts, four square cut sapphires<br />
totalling approximately 2.20cts and<br />
four pear shaped rubies totalling an<br />
estimated 1.85cts, on a curb link chain;<br />
18ct gold. Total weight 286g. Length<br />
70cms. Boxed.<br />
$14,000–16,000<br />
9<br />
A DIAMOND SET CROSSOVER RING<br />
Designed as two intercepting bands,<br />
one pave diamond set totalling 0.54cts;<br />
18ct yellow and white gold. Ring size<br />
J½. Weight 7.7g.<br />
$1,400–1,800<br />
10<br />
A SAPPHIRE AND DIAMOND RING<br />
Featuring three oval faceted sapphires<br />
totalling 4.08cts, surrounded by round<br />
brilliant cut diamonds totalling 0.85cts;<br />
18ct gold. Ring size M½. Weight 6.3g.<br />
$2,600–2,800<br />
11<br />
A GROSSULAR GARNET RING<br />
Three oval faceted green garnets,<br />
spaced by white stones; 18ct white<br />
gold. Ring size P. Weight 4.3g.<br />
$160–240<br />
12<br />
A PAIR OF RUBY AND DIAMOND<br />
CLUSTER EARRINGS<br />
Each earring set with a faceted oval cut<br />
ruby of 1.38cts, within a round brilliant<br />
cut diamond border totalling 0.16cts;<br />
18ct white gold. Total weight 3.6g.<br />
$1,600–1,800<br />
13<br />
A STAR SAPPHIRE AND DIAMOND<br />
RING<br />
Featuring an oval cut star sapphire,<br />
braided diamond set shoulders; 18ct<br />
rose gold. Ring size N½. Weight 2.2g.<br />
$300–400<br />
14<br />
AN EMERALD AND DIAMOND RING<br />
Oval cut emerald, platinum mount.<br />
Ring size Q. Weight 8.8g.<br />
$3,800-4,200<br />
15<br />
A PAIR OF EMERALD AND DIAMOND<br />
DROP EARRINGS<br />
Each earring set with a rectangular<br />
emerald cut emerald of 3.56cts,<br />
surmounted by a single round<br />
brilliant cut diamond of 0.13cts, on<br />
a shepherds hook fitting; 18ct gold.<br />
Total weight 5.6g.<br />
$2,400–2,800<br />
16<br />
A VINTAGE THREE STONE DIAMOND<br />
RING<br />
Featuring three old cut diamonds<br />
totalling approximately 0.18cts,<br />
surrounded by rough cut diamonds,<br />
within an ornate filigree mount, floral<br />
engraved shoulders; unmarked, testing<br />
as silver and 18ct gold. Ring size N.<br />
Weight 6.7g.<br />
$320–380
5<br />
2<br />
1<br />
3<br />
4<br />
5
6<br />
17<br />
A MULTI-COLOURED ZIRCON<br />
NECKLACE<br />
Set with graduated faceted oval and<br />
round cut coloured zircons, spaced on<br />
a gold plated chain. Length 44cms.<br />
$200–300<br />
18<br />
A CITRINE AND DIAMOND COCKTAIL<br />
RING<br />
Featuring a oval faceted cut citrine<br />
of approximately 12.20cts, single cut<br />
diamond set shoulders; 18ct white gold.<br />
Ring size M. Weight 7.5g.<br />
$400–600<br />
19<br />
A VINTAGE SMOKY QUARTZ RING<br />
Featuring an oval faceted smoky quartz<br />
of approximately 9.50cts, set within a<br />
pierced mount; 9ct gold. Ring size I½.<br />
Weight 5.7g.<br />
$100–200<br />
20<br />
A DIAMOND SET ETERNITY BAND<br />
Fully set band featuring thirty two<br />
channel set princess cut diamonds<br />
totalling approximately 2.10cts; 18ct<br />
white gold. Ring size K½. Weight 4g.<br />
$3,000–4,000<br />
21<br />
A DIAMOND SET HEART PENDANT<br />
ON CHAIN<br />
Featuring a heart shaped pave set<br />
diamond pendant, internal chamber<br />
set with floating round brilliant cut<br />
diamonds all totalling approximately<br />
1.00ct, on a fancy link chain; all in<br />
18ct white gold. Total weight 12.1g.<br />
Chain length 41cms.<br />
$2,000–2,600<br />
22<br />
A VINTAGE SAPPHIRE AND DIAMOND<br />
BRACELET<br />
Of cluster design, three oval cut<br />
sapphires totalling approximately<br />
3.00cts, surrounded by single cut<br />
diamonds totalling 1.12cts; 14ct white<br />
gold. Weight 21.3g.<br />
$1,800–2,200<br />
23<br />
A PAIR OF RUBY AND DIAMOND<br />
CLUSTER DROP EARRINGS<br />
Each earring set with an oval cut ruby<br />
of 2.25cts, within a round brilliant cut<br />
diamond surround totalling 0.75cts,<br />
European backings; 18ct gold. Total<br />
weight 5.6g.<br />
$2,600–3,200<br />
24<br />
A VINTAGE AMETRINE DRESS RING<br />
Oval faceted ametrine, surrounded<br />
by a border of coloured stones, floral<br />
and foliate engraved detail; unmarked,<br />
testing as silver and low gold (less than<br />
9ct). Ring size N. Weight 9.6g.<br />
$160–200<br />
25<br />
A PAIR OF AMETHYST AND ONYX<br />
EARRINGS<br />
Each earring featuring a round faceted<br />
amethyst set within an onyx cabochon<br />
panel; 18ct rose gold European<br />
backings.<br />
$1,000–1,500<br />
26<br />
A VINTAGE DIAMOND CLUSTER RING<br />
Featuring a cluster of rough cut<br />
diamonds, split shoulders, engraved<br />
scrolled and foliate detail; unmarked,<br />
testing as silver and 14ct gold.<br />
Ring size Q. Weight 4.8g.<br />
$280–340<br />
27<br />
A RUBY AND DIAMOND THREE<br />
STONE RING<br />
Featuring three oval shaped faceted<br />
rubies totalling 5.44cts, set within<br />
a diamond border totalling 0.48cts;<br />
18ct gold. Ring size M. Weight 6.9g.<br />
$2,600–2,800<br />
28<br />
A DIAMOND SET BAND RING<br />
Featuring a central double row of<br />
invisibly set princess cut diamonds<br />
totalling 1.20cts; 18ct gold. Ring size T.<br />
Weight 6.2g.<br />
$2,200–2,400<br />
29<br />
A VINTAGE DIAMOND SOLITAIRE RING<br />
Featuring a rough rose cut diamond,<br />
within a scrolled and engraved mount;<br />
unmarked, testing as 14ct gold.<br />
Ring size Q½. Weight 3.8g.<br />
$240–340<br />
30<br />
A RARE NORWEGIAN DESIGN ‘CAGE’<br />
COLLAR BY TORIL BJORG<br />
Crafted in silver, from the ‘Cage’<br />
collection, multiple elongated links,<br />
fastening to a ‘U’ shape bolt clasp.<br />
Length 48cms. Weight 495g.<br />
$4,000–6,000<br />
31<br />
AN EMERALD AND DIAMOND RING<br />
Featuring a square step cut emerald<br />
totalling 4.46cts, within a pierced grain<br />
set mount, surrounded by round brilliant<br />
cut diamonds totalling 0.71cts; 18ct<br />
white gold. Ring size M½. Weight 5.7g.<br />
GSL certifi<strong>cat</strong>e.<br />
$5,000–7,000
7<br />
17<br />
18<br />
19
8<br />
32<br />
A FLEXIBLE DIAMOND CHOKER<br />
Featuring a central diamond cluster,<br />
spaced round brilliant cut diamond<br />
choker all totalling 1.10cts, mounted<br />
on a flexible 18ct white gold choker.<br />
Length 37cms. Weight 20g.<br />
$3,200–3,600<br />
33<br />
A RUBY AND DIAMOND CLUSTER RING<br />
Featuring a central oval shaped<br />
cabochon cut ruby totalling 12.80cts,<br />
within a border of round brilliant cut<br />
diamonds totalling 0.80cts; 14ct gold.<br />
Ring size K½. Weight 8.9g.<br />
$3,000–4,000<br />
34<br />
AN EMERALD AND DIAMOND<br />
CLUSTER RING<br />
Centrally set with an oval faceted<br />
emerald of 2.38cts, surrounded by a<br />
border of round brilliant cut diamonds<br />
totalling 1.88cts; 18ct white and yellow<br />
gold. Ring size O½. Weight 5g.<br />
$3,200–3,600<br />
35<br />
A STAR RUBY RING<br />
Artisan created ring, central star<br />
ruby set within a shield style panel,<br />
embellished shoulders; gilded<br />
silver. Makers mark to inner shank.<br />
Ring size P½. Weight 6.7g.<br />
$220–260<br />
36<br />
AN AQUAMARINE AND DIAMOND<br />
DRESS RING<br />
Centrally set with an emerald cut<br />
aquamarine of 4.57cts, set within a<br />
round brilliant cut diamond border<br />
totalling 0.53cts; 18ct white gold.<br />
Ring size N. Weight 4.2g.<br />
$1,400–1,600<br />
37<br />
A GEORGIAN PINCHBECK BRACELET<br />
Ornately engraved curb link chain<br />
bracelet, screw clasp; brass alloy<br />
(copper and zinc). Length 16cms.<br />
$340–380<br />
38<br />
A GOLD SIGNET RING<br />
Oval shield, embellished engraved<br />
initials DEJ; 9ct gold. Ring size O.<br />
Weight 3.8g.<br />
$240–280<br />
39<br />
A DIAMOND ETERNITY BAND<br />
Featuring a half hoop set with a<br />
central line of baguette cut diamonds,<br />
bordered to each side by round brilliant<br />
cut diamonds, total diamond weight<br />
3.00cts; 18ct white gold. Ring size N.<br />
Weight 6g.<br />
$3,200–3,600<br />
40<br />
A PAIR OF GOLD DROP EARRINGS<br />
Antique style, elongated tear drop,<br />
surmounted by a palmette shield;<br />
9ct rose gold. Total weight 7.4g.<br />
$200–300<br />
41<br />
A PAIR OF RUBY AND DIAMOND<br />
DROP EARRINGS<br />
Each earring featuring a pear shaped<br />
cabochon cut ruby of 2.10cts,<br />
suspended from a diamond set<br />
drop; 18ct white gold. Each earring<br />
weighing 2g.<br />
$1,200–1,400<br />
42<br />
A PAIR OF GOLD DROP EARRINGS<br />
Antique style, pierced elongated drop,<br />
surmounted by a fleur-de-lis style<br />
shield; 9ct rose gold. Total weight 4.6g.<br />
$140–180<br />
43<br />
A DIAMOND PLAQUE RING<br />
Vertical plaque, centrally set with an<br />
old cut diamond of 0.70cts, plaque<br />
and shoulders fully grain set with<br />
round brilliant cut diamonds totalling<br />
0.70cts; 18ct white gold. Ring size M.<br />
Weight 4.6g.<br />
$3,200–3,600<br />
44<br />
THREE GOLD CURB LINK CHAINS<br />
Three sections of gold chains, all<br />
measuring 55cms in length, no clasps;<br />
9ct gold. Total weight 313.4g.<br />
$7,000–9,000<br />
45<br />
A SHELL CAMEO RING<br />
Featuring a carved cameo depicting<br />
a woman in profile, rope twist border,<br />
embellished shoulders; 9ct rose gold.<br />
Ring size M. Weight 2.3g.<br />
$200–300<br />
46<br />
A TANZANITE AND DIAMOND PLAQUE<br />
RING<br />
Centrally set with a fancy cut Tanzanite<br />
of 2.93cts, within an open pierced<br />
plaque set throughout with round<br />
brilliant cut diamonds totalling 0.52cts;<br />
18ct white gold. Ring size M½.<br />
Weight 8.7g.<br />
$3,000–3,400
9<br />
47<br />
A BOULDER OPAL AND ENAMEL<br />
PENDANT BY MYRA SKIPPER<br />
Created by the wife of Matcham<br />
Skipper, diamond-shaped silver panel,<br />
intri<strong>cat</strong>ely engraved and enamelled<br />
with two freeform mythical horses<br />
amongst a scrolled foliate background,<br />
suspended from a freeform boulder<br />
opal pendant, on a silver chain.<br />
Length of pendant drop 12cms.<br />
$650–850<br />
48<br />
A YELLOW SAPPHIRE RING<br />
BY MATCHAM SKIPPER<br />
Finely crafted and engraved, central<br />
faceted pale yellow sapphire, each<br />
shoulder adorned with an elegant<br />
female form, stamped with the makers<br />
mark, additional engraving by the<br />
artists wife, Myra Skipper; 18ct gold.<br />
Ring size M. Weight 6.7g.<br />
$1,800–2,400<br />
47<br />
48
10<br />
49<br />
A VINTAGE SYNTHETIC RUBY AND<br />
DIAMOND RING<br />
Abstract floral design, central round<br />
brilliant cut diamond totalling 0.25cts,<br />
ruby highlights; 14ct gold. Ring size M.<br />
Weight 6.1g.<br />
$700–900<br />
50<br />
AN ANTIQUE ROSE GOLD FOB CHAIN<br />
Curb link chain, fob clasp and t-bar<br />
terminal, each link stamped 9ct,<br />
375, makers mark Kendal & Dent,<br />
Birmingham; all 9ct rose gold.<br />
Weight 42.9g. Length 48cms.<br />
$900–1,200<br />
51<br />
A MATCHING FOB CHAIN NECKLACE<br />
AND BRACELET<br />
Fancy figure eight link chain, T-bar<br />
drop, matching bracelet; both 9ct<br />
gold. Necklace length 43cms. Bracelet<br />
length 20cms. Total weight 17.2g.<br />
$600–800<br />
52<br />
A CURB LINK CHAIN AND T-BAR<br />
Modern curb link chain, suspended<br />
T-bar drop, double swivel clasps; 9ct<br />
gold. Length 45cms. Weight 10g.<br />
$400–600<br />
53<br />
A KYANITE, ONYX AND DIAMOND RING<br />
Designed as a wide tapered band, the<br />
onyx plaque is centrally set with an oval<br />
cut kyanite of 3.18cts, baguette cut<br />
diamond shoulders totalling 0.87cts;<br />
18ct white gold. Ring size L. Weight 8g.<br />
$1,900–2,400<br />
54<br />
A GOLD AND DIAMOND CURB LINK<br />
CHAIN NECKLACE<br />
Featuring a graduated curb link chain<br />
with five central diamond set links; 9ct<br />
yellow and white gold. Weight 83.3g.<br />
Length 43cms.<br />
$3,000–3,600<br />
55<br />
A PAIR OF GOLD CUFFLINKS<br />
Square plaque, t-bar back, stamped<br />
2000, 375, makers mark CH,<br />
Birmingham; 9ct gold. Weight 14.2g.<br />
$400–600<br />
56<br />
A SAPPHIRE, DIAMOND AND BLACK<br />
ENAMEL RING<br />
The oval shaped plaque centrally set<br />
with a fancy scissor cut sapphire of<br />
1.41cts, within a black enamel plaque,<br />
outer diamond set border totalling<br />
0.19cts; 18ct white gold. Ring size M½.<br />
Weight 4.2g.<br />
$1,500–1,800<br />
57<br />
A GOLD SIGNET RING<br />
Textured gold finish, oval plaque<br />
featuring a rearing horse; 22ct gold.<br />
Ring size O½. Weight 19.6g. Retailed by<br />
Makers Mark. Boxed.<br />
$1,500–2,000<br />
58<br />
AN OPAL AND DIAMOND DRESS RING<br />
Featuring an oval cabochon cut crystal<br />
opal of 6.25cts, shouldered by round<br />
brilliant and baguette cut diamonds<br />
totalling 0.55cts; 18ct white gold.<br />
Ring size O. Weight 6.3g.<br />
$2,000–2,400<br />
59<br />
A FRESHWATER PEARL AND TOPAZ<br />
NECKLACE<br />
Comprising 9-9.5mm baroque pearls,<br />
strung to a rectangular step cut topaz<br />
set clasp, double figure eight safety<br />
clasps; 18ct gold. Length 46cms.<br />
$100–160<br />
60<br />
AN AMBER DRESS RING<br />
Featuring a large faceted amber,<br />
set within four claws; stamped 18ct<br />
gold, testing as 14ct. Ring size U½.<br />
Weight 17.1g.<br />
$500–700<br />
61<br />
A TWO TONE GOLD BAND RING<br />
Styled as a tapered wave; 18ct<br />
yellow and white gold. Ring size M.<br />
Weight 4.8g.<br />
$260–360<br />
62<br />
AN OPAL AND DIAMOND DROP<br />
PENDANT<br />
Featuring an oval white opal suspended<br />
from a diamond and opal panel, total<br />
opal weight 16.26cts, diamonds<br />
totalling 0.16cts, on a conforming chain;<br />
18ct gold. Weight 9.3g.<br />
$1,800–2,200<br />
63<br />
A VINTAGE GOLD BOX LINK CHAIN<br />
Gold-plated Catorex lady’s<br />
pocketwatch pendant; 9ct gold<br />
box link chain. Length 69cms.<br />
Chain weight 9.9g.<br />
$180–220
11<br />
65<br />
64<br />
64<br />
A GOLD ‘PANTHERE MAILLON’ TIE PIN<br />
BY CARTIER<br />
Featuring a braided gold bar, chain<br />
attachment, slide backing; 18ct gold.<br />
Stamped Cartier. Boxed. Weight 10.6g.<br />
$1,000–2,000<br />
65<br />
A PAIR OF GOLD ‘PANTHERE MAILLON’<br />
STIRRUP CUFFLINKS BY CARTIER<br />
Featuring braided gold stirrups,<br />
signed Cartier; 18ct gold.<br />
Weight 17.8g. Boxed.<br />
$1,800–2,600<br />
66<br />
A ‘VIZANTIJA’ SAPPHIRE, RUBY<br />
AND EMERALD CROSS NECKLACE<br />
BY CARTIER<br />
Featuring a cross set with four square<br />
cut sapphires, four pear shaped rubies<br />
and a square cut emerald, pendant<br />
stamped Cartier, 1993, F11717, on an<br />
oval link necklace; 18ct gold.<br />
Total weight 47.9g. Chain length 77cms.<br />
Boxed with Certifi<strong>cat</strong>e of Authenticity.<br />
$4,000–6,000<br />
66
12<br />
67<br />
A SARD ONYX INTAGLIO RING<br />
Featuring a carved bird, rope twist<br />
border, embellished shoulders; 9ct rose<br />
gold. Ring size N. Weight 2.2g.<br />
$200–300<br />
68<br />
A CHRYSOPRASE SIGNET RING<br />
Featuring an oval shaped chrysoprase,<br />
bezel set; 9ct rose gold. Ring size N.<br />
Weight 3.8g.<br />
$200–300<br />
69<br />
A PAIR OF EMERALD AND DIAMOND<br />
DROP EARRINGS<br />
Each earring featuring a faceted pear<br />
shaped emerald of 1.96cts, set within a<br />
border of round brilliant cut diamonds<br />
totalling 0.15cts, suspended from a<br />
shepherds hook fitting; mounted in<br />
platinum. Each earring weighing 2.6g.<br />
$2,400–2,800<br />
70<br />
A SHELL CAMEO RING<br />
Featuring a carved cameo of a woman<br />
in profile, bezel set, ribbed shoulders;<br />
9ct rose gold. Ring size O. Weight 3.6g.<br />
$200–300<br />
71<br />
A VINTAGE GARNET CLUSTER RING<br />
Designed as a floral cluster, set<br />
throughout with round and marquise<br />
cut garnets; 14ct gold. Ring size L½.<br />
Weight 4.9g.<br />
$160–200<br />
72<br />
A JADE BANGLE<br />
Green jade, inner diameter 5.5cms.<br />
$100–200<br />
73<br />
A CULTURED PEARL NECKLACE<br />
The graduated strand measuring 3.1-<br />
6mm, closing to a silver pearl set clasp.<br />
Length 43cms.<br />
$80–120<br />
74<br />
A VINTAGE DANISH SILVER BRACELET<br />
Design as stylised leaves, spaced by<br />
elongated links, signed CAC, together<br />
with a single leaf earring (unsigned);<br />
both sterling silver. Length 18cms.<br />
$60–80<br />
75<br />
AN EMERALD AND DIAMOND PLAQUE<br />
RING<br />
The vertical plaque set with three<br />
oval cut emeralds totalling 1.27cts,<br />
surrounded by round brilliant cut<br />
diamonds totalling 0.34cts; 18ct yellow<br />
and white gold. Ring size P. Weight 3g.<br />
$1,300–1,500<br />
76<br />
A GROUP OF GOLD JEWELLERY<br />
To include a pair of earrings with<br />
engraved cufflink shields, two T-bar<br />
cufflink backings, and a grape<br />
bunch charm / pendant; all 9ct gold.<br />
Total weight 9.4g.<br />
$160–200<br />
77<br />
A THREE STONE DIAMOND RING<br />
Featuring a central princess cut<br />
diamond of approximately 0.40cts,<br />
flanked by two princess cut diamonds<br />
totalling 0.54cts; 18ct white and yellow<br />
gold. Ring size N. Weight 4.6g.<br />
$2,000–2,400<br />
78<br />
A DIAMOND SET BAND<br />
Wide pinky band, engraved detail,<br />
central pave diamond set panel, makers<br />
mark ‘Larry’; 18ct gold. Ring size I.<br />
Weight 5.4g.<br />
$160–260<br />
79<br />
AN EGYPTIAN GOLD PENDANT<br />
In the form of an Egyptian cartouche;<br />
18ct gold. Weight 2.1g.<br />
$120–140<br />
80<br />
TWO WIDE GOLD BANDS<br />
One plain band, size T½, one band with<br />
faceted edging, size I½; both 9ct gold.<br />
Total weight 9g.<br />
$180–240<br />
81<br />
TWO STONE SET HEART PENDANTS<br />
One set with emeralds, the other<br />
with green stone chips within a<br />
glass window; both set in 9ct gold.<br />
Total weight 8g.<br />
$120–180<br />
82<br />
TWO SYNTHETIC STAR SAPPHIRE<br />
RINGS<br />
Featuring a blue stone and a purple<br />
stone exhibiting a star chatoyancy; both<br />
18ct gold. Ring size R. Total weight 7.4g.<br />
$260–360<br />
83<br />
A GOLD OMEGA CHAIN NECKLACE<br />
Articulated omega chain, figure eight<br />
safety clasp; 18ct gold. Italian marks.<br />
Diameter 3.3mm. Length 40cms.<br />
Weight 25g.<br />
$1,000–1,500
13<br />
84<br />
84<br />
A MOONSTONE AND PAUA SHELL<br />
NECKLACE<br />
Art Nouveau-style necklace, shamrock<br />
leaves set with paua shell, central oval<br />
shaped moonstone cabochon with<br />
moonstone set drops, on an integral<br />
chain; central pendant section testing<br />
as 18ct gold, on a 9ct gold chain.<br />
Length 39cms. Weight 12.3g.<br />
$420–480<br />
85<br />
A MOONSTONE RING<br />
Styled as an exotic birds head with<br />
elongated beak, set with a cabochon<br />
cut moonstone; silver and 22ct gold.<br />
Ring size O½ (open shank). Weight 9.2g.<br />
$240–280<br />
85
14<br />
86<br />
A VICTORIAN CORAL, DIAMOND AND<br />
GARNET INSECT BROOCH<br />
Featuring a butterfly with coral body,<br />
garnet eyes and diamond set wings,<br />
pearl to terminal of bar; testing as 15ct<br />
gold. Boxed.<br />
$340–480<br />
87<br />
A VICTORIAN OPAL SET INSECT<br />
BROOCH<br />
The bee set with a white crystal opal<br />
body, garnet-and-glass doublet head;<br />
15ct gold. Weight 4g.<br />
$800–1,200<br />
88<br />
AN EMERALD AND DIAMOND RING<br />
Featuring an emerald cut emerald of<br />
2.68cts, shouldered by princess cut<br />
diamonds totalling 0.54cts; 18ct white<br />
gold. Ring size J½. Weight 5.6g.<br />
$3,000–3,400<br />
89<br />
AN EMERALD AND DIAMOND RING<br />
Featuring an emerald cut emerald of<br />
1.52cts, shouldered by baguette cut<br />
diamonds totalling 0.44cts; 18ct white<br />
gold. Ring size M. Weight 3.3g.<br />
$2,600–2,800<br />
90<br />
A FRESHWATER PEARL AND<br />
AMETHYST NECKLACE<br />
Comprising six strands of 4.5mm<br />
pearls, one strand of amethyst beads,<br />
all threaded to a cabochon amethyst<br />
set clasp, hallmarked Australian maker<br />
Paul Bott; 9ct gold. Length 45cms.<br />
$160–240<br />
91<br />
A PAIR OF PERIDOT STUD EARRINGS<br />
Each earring set with a round faceted<br />
peridot of 5.20cts; 18ct white gold.<br />
Each earring weighing 1.9g.<br />
$1,200–1,300<br />
92<br />
A PAIR OF YELLOW DIAMOND<br />
EARRINGS<br />
Each earring set with a fancy yellow<br />
cushion cut diamond of 1.07cts,<br />
surrounded by white diamonds totalling<br />
0.31cts; 18ct yellow and white gold.<br />
European backings.<br />
$4,600–4,800<br />
93<br />
AN ANTIQUE DIAMOND BROOCH<br />
Featuring a round brilliant cut diamond<br />
of 2.50cts, within a crown mount; 18ct<br />
gold. Ring size L. Weight 3g.<br />
$4,200–4,600<br />
94<br />
A PAIR OF SOUTH SEA PEARL AND<br />
DIAMOND EARRINGS<br />
Each earring featuring a pearl of<br />
12.2mm suspended from a diamond<br />
set hook; 18ct white gold.<br />
$1,000–1,200<br />
95<br />
A PAIR OF DIAMOND SET ELONGATED<br />
HOOP EARRINGS<br />
Diamonds set to the outside and<br />
inner side of hoop, both sides set<br />
with princess and round brilliant cut<br />
diamonds totalling 4.48cts; 18ct white<br />
gold. Total weight 13.5g.<br />
$4,200–4,600<br />
86<br />
87
15<br />
96<br />
97<br />
96<br />
A VICTORIAN AGATE AND DIAMOND<br />
MOURNING BROOCH<br />
The large banded agate cabochon<br />
applied with an old brilliant-cut<br />
diamond floral motif, to a tubular mount<br />
with entwined foliate black enamel<br />
detail, verso with glazed hairwork<br />
panel, engraved details denoting the<br />
passing of four members of the Macfie<br />
family of Airds; testing as 15ct gold.<br />
Weight 34.8g.<br />
$1,500–2,500<br />
97<br />
A VICTORIAN SILVER BROOCH<br />
Of shield form, stylised foliate detail,<br />
glazed locket to verso.<br />
$100–200
16<br />
98<br />
A PAIR OF DIAMOND STUD EARRINGS<br />
Each earring featuring a round brilliant<br />
cut diamond of 1.09cts, within a six<br />
claw setting, stamped IMP; 18ct white<br />
gold. Both diamonds GIA certified with<br />
certifi<strong>cat</strong>es stating colour G, clarity SI2.<br />
Boxed.<br />
$15,000–20,000<br />
99<br />
AN ART DECO-STYLE DIAMOND<br />
BRACELET<br />
Comprising articulated diamond panels,<br />
set throughout with princess cut and<br />
round brilliant cut diamonds totalling<br />
14.81cts; 18ct gold. Length 17.5cms.<br />
Weight 30g.<br />
$26,000–32,000<br />
100<br />
A THREE STONE DIAMOND RING<br />
Featuring a central round brilliant cut<br />
diamond of 0.62cts, flanked by two<br />
round brilliant cut diamonds totalling<br />
0.64cts; 18ct white gold. Ring size M.<br />
Weight 4.8g.<br />
$3,000–3,600<br />
101<br />
AN ANTIQUE DIAMOND BAR BROOCH<br />
Of pierced filigree design, set<br />
throughout with old European cut<br />
diamonds totalling approximately<br />
0.80cts, spaced by rose cut diamonds;<br />
18ct white gold. Length 6.5cms.<br />
Weight 6.1g.<br />
$2,600–3,200<br />
102<br />
A VINTAGE DIAMOND CLUSTER RING<br />
Of geometrical design, central round<br />
brilliant cut diamond totalling 0.73cts,<br />
surrounded by a border of undulating<br />
tapered baguette cut diamonds<br />
totalling 0.80cts; 18ct yellow and white<br />
gold. Ring size O. Weight 6.6g.<br />
$2,600–3,000<br />
103<br />
AN ANTIQUE DIAMOND BROOCH<br />
Designed as a pierced plaque,<br />
set throughout with old European<br />
and single cut diamonds totalling<br />
approximately 4.25cts; 18ct white gold.<br />
Weight 14.2g.<br />
$3,200–3,600<br />
104<br />
A PAIR OF CONVERTIBLE DIAMOND<br />
STUD EARRINGS<br />
Each earring featuring a round<br />
brilliant cut diamond stud of 0.72cts,<br />
surrounded by a removable diamond<br />
set halo totalling 0.21cts; 18ct white<br />
gold. Total weight 4.2g.<br />
$6,000–6,500<br />
98
17<br />
99<br />
100<br />
101<br />
102<br />
103
18<br />
105<br />
AN ANTIQUE GOLD LORGNETTE<br />
A rose gold lorngette, stamped 9ct,<br />
early 20th century, ribbed detail, with<br />
sprung <strong>cat</strong>ch. Length when closed<br />
14.5cms. Weight 30g.<br />
$600–800<br />
106<br />
A VINTAGE GOLD CIGARETTE LIGHTER<br />
BY DUPONT<br />
Rectangular form, linear decorative<br />
bands, underside stamped Du Pont,<br />
18K, engraved initials GEE; 18ct gold.<br />
$600–800<br />
107<br />
A GOLD HINGED BANGLE<br />
The hinged bangle featuring spaced<br />
elephants within two gold bands, figure<br />
eight safety clasp; 14ct white and<br />
yellow gold. Inner diameter 6.5cms.<br />
Weight 20.5g.<br />
$600–800<br />
108<br />
A PAIR OF JADE AND DIAMOND<br />
CLUSTER EARRINGS<br />
Each cluster stud earring set with<br />
an oval shaped jade cabochon of<br />
approximately 2.00cts, surrounded by<br />
a border of round brilliant cut diamonds<br />
totalling 0.35cts; 18ct white gold. Each<br />
earring weighing 2.9g.<br />
$3,400–3,600<br />
109<br />
A SAPPHIRE AND DIAMOND DRESS<br />
RING<br />
Featuring a cushion cut sapphire of<br />
1.69cts, within a pierced diamond<br />
set border totalling 0.32cts; 18ct<br />
yellow and white gold. Ring size M½.<br />
Weight 4.7g.<br />
$1,600–1,800<br />
110<br />
A YELLOW SAPPHIRE AND DIAMOND<br />
CLUSTER RING<br />
Centrally set with a faceted oval cut<br />
yellow sapphire of 1.72cts, set within a<br />
cluster of marquise and round brilliant<br />
cut diamonds totalling approximately<br />
0.90cts; 18ct white gold. Ring size O.<br />
Weight 5.6g.<br />
$2,400–2,600<br />
111<br />
A VINTAGE EMERALD AND DIAMOND<br />
RING<br />
Designed as a ribbon crossover, set<br />
with two oval cut emeralds totalling<br />
2.37cts, round brilliant cut diamonds<br />
totalling 1.59cts; 18ct white gold.<br />
Ring size P½. Weight 8.9g.<br />
$1,800–2,200<br />
112<br />
AN ANTIQUE GOLD BAND RING<br />
Fine hallmarked band, diameter 2.4mm;<br />
15ct rose gold. Ring size X. Weight 2.5g.<br />
$100–200<br />
113<br />
A GREEN SAPPHIRE AND DIAMOND<br />
RING<br />
Centrally set with a faceted oval shaped<br />
sapphire of 1.95cts, shouldered by<br />
round brilliant cut diamonds totalling<br />
0.22cts; 18ct gold and platinum.<br />
Ring size O. Weight 4.9g.<br />
$1,800–2,200<br />
114<br />
A VINTAGE PEARL AND DIAMOND<br />
CLUSTER RING<br />
Featuring a 6.8mm golden white pearl,<br />
surrounded by old cut diamonds<br />
totalling approximately 0.15cts; 18ct<br />
rose and white gold. Ring size O.<br />
Weight 4.4g.<br />
$1,000–1,500<br />
115<br />
AN AQUAMARINE AND DIAMOND RING<br />
Featuring an oval faceted aquamarine<br />
of approximately 3.50cts, within a<br />
pierced, grain set diamond mount; 18ct<br />
white gold. Ring size M½. Weight 4.7g.<br />
$2,200–2,600<br />
116<br />
TWO PAIRS OF GOLD BALL EARRINGS<br />
One pair of stud earrings, the other on<br />
European backings; both testing as 9ct<br />
gold. Total weight 5.4g.<br />
$100–200<br />
117<br />
A TIGERS EYE RING BY PATRICK JELK<br />
Carved cameo tigers eye depicting<br />
the profile of a gentleman, secured<br />
within a mount featuring three figures<br />
in action, set with diamonds and a<br />
golden sapphire, split shank; 18ct gold.<br />
Designed and crafted by Adelaide<br />
based jeweller Patrick Jelk for the<br />
2000 Sydney Olympics. Weight 21.5g.<br />
Ring size Z+1.<br />
$1,500–1,800<br />
118<br />
A DIAMOND DRESS RING<br />
The wide band ring featuring horizontal<br />
grain set detail, mounted with round<br />
brilliant cut diamonds totalling 3.27cts;<br />
18ct gold. Ring size O. Weight 10.9g.<br />
$3,200–3,400<br />
119<br />
A LAPEL PIN BY PATRICK JELK<br />
Featuring a carved cameo tigers eye<br />
depicting the head of a Roman man in<br />
profile, secured within a mount featuring<br />
a seated figure, pinch-pin to verso; 18ct<br />
gold. Designed and crafted by Adelaide<br />
based jeweller Patrick Jelk for the 2000<br />
Sydney Olympics. Weight 4.4g.<br />
$300–500
19<br />
105<br />
106<br />
107
20<br />
120<br />
AN AQUAMARINE AND DIAMOND<br />
DRESS RING<br />
Featuring a rectangular emerald<br />
cut aquamarine of 7.84cts, grain<br />
set diamond shoulders totalling<br />
0.44cts; 18ct white gold Ring size O.<br />
Weight 6.2g.<br />
$2,000–2,400<br />
121<br />
AN AQUAMARINE, ONYX AND<br />
DIAMOND PENDANT<br />
Featuring a fancy pear shaped<br />
aquamarine of 12.16cts, suspended<br />
from an onyx and diamond set bale,<br />
diamonds totalling 0.13cts, on a<br />
conforming chain; 18ct white gold.<br />
Weight 7.2g.<br />
$2,000–3,000<br />
122<br />
AN EMERALD, SAPPHIRE AND<br />
DIAMOND DRESS RING<br />
Featuring an emerald cut emerald of<br />
2.22cts, within a grain set border of<br />
carre cut sapphires totalling 1.08cts,<br />
round brilliant cut diamonds totalling<br />
0.25cts; 18ct white and yellow gold.<br />
Ring size P. Weight 3.4g.<br />
$1,600–2,000<br />
123<br />
A VINTAGE JADE AND DIAMOND RING<br />
Designed as a floral spray, featuring a<br />
round brilliant cut diamond of 0.60cts,<br />
three pear shaped jade cabochons,<br />
diamond detail to leaves; 14ct white<br />
gold. Ring size L½. Weight 3.7g.<br />
$600–800<br />
124<br />
A VINTAGE EMERALD BOMBE RING<br />
The pierced exotic mount set<br />
throughout with round cut emeralds;<br />
14ct gold. Ring size M. Weight 5.7g.<br />
$180–260<br />
125<br />
A KUNZITE, SAPPHIRE AND DIAMOND<br />
RING<br />
Featuring a chequerboard cut kunzite<br />
of 6.60cts, shouldered by orange<br />
sapphires totalling 1.96cts, within a<br />
round brilliant cut diamond border<br />
totalling 0.50cts; 18ct white and yellow<br />
gold. Ring size L. Weight 5.9g.<br />
$1,800–2,000<br />
126<br />
THREE HAND CRAFTED SILVER<br />
NECKLACES BY REGINA SCHWAZER<br />
The three pierced vessels depicting<br />
the Father, Son and Holy Spirit,<br />
suspended on wire ropes; crafted<br />
in silver by Adelaide based jeweller<br />
Regina Schwazer.<br />
$300–500<br />
127<br />
AN ANTIQUE CHRYSOPRASE AND<br />
SEED PEARL BANGLE<br />
Styled as a witches bangle, interlocking<br />
hearts set with two heart shaped<br />
cabochon cut chrysoprase, seed<br />
pearl border and bow, hinged bangle;<br />
9ct gold. Inner diameter 5.5cms.<br />
Weight 5.9g.<br />
$1,200–1,800<br />
128<br />
A SAPPHIRE AND DIAMOND RING<br />
Featuring a faceted pear shaped<br />
sapphire of approximately 1.85cts,<br />
tapered baguette diamond set<br />
shoulders totalling 0.30cts; 18ct white<br />
gold. Ring size Q. Weight 4.2g.<br />
$1,800–2,200<br />
129<br />
A VINTAGE GOLD BAND RING<br />
Plain band, 7mm wide, engraved<br />
to inner band; testing as 14ct gold.<br />
Ring size K½. Weight 5.7g.<br />
$400–600<br />
130<br />
A SAPPHIRE SET BRACELET<br />
Fancy double rope link bracelet, ring<br />
and foliate highlights, set with thirtynine<br />
sapphires totalling approximately<br />
3.90cts; 18ct gold. Weight 15.4g.<br />
$1,200–1,600<br />
131<br />
A WHITE OPAL CLUSTER RING<br />
Featuring an oval cabochon cut white<br />
opal, surrounded by an opal border; 9ct<br />
gold. Ring size P. Weight 3.2g.<br />
$160–200<br />
132<br />
A LOOSE SAPPHIRE<br />
The loose oval mixed cut sapphire<br />
of 5.53cts, accompanied by an IGI<br />
certifi<strong>cat</strong>e of authenticity.<br />
$1,000–1,500<br />
133<br />
A VINTAGE GEM SET PRINCESS RING<br />
Styled as a raised crown, set with<br />
various stones including sapphire,<br />
garnet, citrine, emerald and ruby; 14ct<br />
gold. Ring size J. Weight 3.7g.<br />
$200–300<br />
134<br />
A SET OF ANTIQUE GOLD DRESS<br />
STUDS<br />
Comprising three studs, bloomed finish;<br />
15ct gold. Fitted box. Weight 3.6g.<br />
$140–160<br />
135<br />
A PAIR OF DIAMOND HALF HOOP<br />
EARRINGS<br />
Each earring set with round brilliant<br />
cut diamonds totalling approximately<br />
0.10cts; 9ct gold. Total weight 2.9g.<br />
$160–180
21<br />
120<br />
121<br />
122<br />
123<br />
124<br />
125
22<br />
136<br />
A SAPPHIRE AND DIAMOND CLUSTER<br />
RING<br />
Featuring a central faceted oval shaped<br />
sapphire of 1.02cts, surrounded<br />
by baguette cut diamonds totalling<br />
approximately 0.45cts; 18ct white gold.<br />
Ring size M. Weight 3.1g.<br />
$2,000–2,400<br />
137<br />
A PAVE SET DIAMOND RING<br />
Featuring a marquise shaped tension<br />
set diamond panel; 14ct gold. Ring size<br />
P. Weight 7.9g.<br />
$240–340<br />
138<br />
A SAPPHIRE AND DIAMOND RING<br />
Designed as three interwoven<br />
clusters, graduated oval cut sapphires,<br />
surrounded by diamonds; 18ct gold.<br />
Ring size O. Weight 4g.<br />
$340–440<br />
139<br />
A PAIR OF ONYX AND DIAMOND DROP<br />
EARRINGS<br />
Each earring featuring an elongated<br />
tear shaped onyx drop, suspended<br />
from two round brilliant cut diamonds<br />
totalling approximately 0.15cts;<br />
18ct white gold. Length 4cms.<br />
$1,200–1,600<br />
140<br />
A PAIR OF RUBY, EMERALD AND<br />
DIAMOND CHANDELIER EARRINGS<br />
Each earring of exotic design, set<br />
throughout with rubies, emeralds<br />
and old cut diamonds; 18ct gold.<br />
European backings.<br />
$2,400–2,600<br />
141<br />
A PAIR OF BLACK AND WHITE<br />
DIAMOND EARRINGS<br />
Each earring set with a black diamond<br />
of 1.54cts, surrounded by white<br />
diamonds totalling 0.13cts; 18ct rose<br />
gold. European backings.<br />
$1,800–2,400<br />
142<br />
AN ANTIQUE ROCK CRYSTAL AND<br />
INSECT BROOCH<br />
Circular brooch set with a silver owl and<br />
flies within a rock crystal dome; silver.<br />
Possibly Mackay, Cunningham & Co.<br />
Edinburgh. Boxed.<br />
$800–1,200<br />
143<br />
A DIAMOND SET BANGLE<br />
The hinged bangle half set with round<br />
brilliant and baguette cut diamonds<br />
totalling approximately 1.85cts; 18ct<br />
white gold. Inner diameter 5.7cms.<br />
Weight 7.7g.<br />
$2,200–2,600<br />
144<br />
A SAPPHIRE AND DIAMOND<br />
DRESS RING<br />
Pierced, grain set plaque featuring a<br />
rectangular emerald cut sapphire of<br />
2.15cts, lozenge shaped plaque set<br />
throughout with round brilliant cut<br />
diamonds totalling 1.15cts; 18ct white<br />
gold. Ring size N. Weight 4.6g.<br />
$2,400–2,800<br />
145<br />
A PAIR OF MABE PEARL AND<br />
DIAMOND EARRINGS<br />
Each earring set with a mabe pearl<br />
measuring 11.2mm, within a diamond<br />
set border totaling approximately<br />
0.25cts; 18ct yellow and white gold.<br />
$1,400–1,600<br />
146<br />
A TANZANITE AND DIAMOND RING<br />
Featuring a pear shaped faceted<br />
tanzanite of approximately 2.75cts,<br />
surrounded by baguette and round<br />
brilliant cut diamonds; 18ct white gold.<br />
Ring size L. Weight 6.5g.<br />
$2,600-3,000<br />
147<br />
A PAIR OF RUBY AND DIAMOND<br />
CHANDELIER EARRINGS<br />
Each earring of pierced design,<br />
grain set carre cut rubies totalling<br />
0.30cts, round brilliant cut diamonds<br />
totalling 0.70cts, European backings;<br />
18ct white gold. Total weight 9.1g.<br />
$2,600–3,000<br />
148<br />
A PAIR OF DIAMOND CLUSTER STUD<br />
EARRINGS<br />
Each earring features a diamond set<br />
cluster totalling approximately 0.15cts;<br />
18ct gold. Total weight 2.5g.<br />
$120–160<br />
149<br />
A VINTAGE DIAMOND RING<br />
Central old cut diamond of<br />
approximately 0.25cts, diamond set<br />
shoulders, pierced filigree mount;<br />
platinum and 18ct gold. Ring size M.<br />
Weight 2.1g.<br />
$140–180<br />
150<br />
AN EMERALD AND DIAMOND<br />
COCKTAIL RING<br />
Featuring an emerald cut emerald<br />
of 6.51cts, within a round brilliant<br />
cut diamond surround totalling<br />
0.71cts; 18ct yellow and white gold.<br />
Ring size M½. Weight 8g.<br />
$5,000–7,000
23<br />
151<br />
151<br />
A PAIR OF SPANISH COLONIAL STYLE<br />
GOLD EARRINGS<br />
Of embellished ornate, scrolled design,<br />
flora and fauna detail, set with Motherof-Pearl<br />
and seed pearls, detachable<br />
drop; stamped 18ct, testing as 14ct<br />
gold. Length 8cms. Weight 31.2g.<br />
$1,600–2,000<br />
152<br />
152<br />
A PAIR OF SPANISH COLONIAL STYLE<br />
GOLD EARRINGS<br />
Each earring of embellished ornate<br />
floral design, set with a rose cut citrine<br />
and seed pearls, detachable drop;<br />
unmarked, testing as 14ct gold. Length<br />
7.5cms. Weight 24.6g.<br />
$1,400–1,800
24<br />
153<br />
A VICTORIAN LADY’S FULL HUNTER<br />
GOLD POCKET WATCH<br />
Gold cuvette with black enamel and<br />
rose cut diamond accents, cream dial<br />
with applied Roman numerals, gold<br />
floral accents, black filigree hands,<br />
c.1860. Marked to interior: Cylindre<br />
ho Joyeaux (Geneve); 18ct gold.<br />
Weight (all in) 39.8g.<br />
$1,600–2,000<br />
154<br />
A SAPPHIRE AND DIAMOND CLUSTER<br />
RING<br />
Set with a step cut Australian sapphire<br />
of 3.05cts, surrounded by a border of<br />
round brilliant cut diamonds totalling<br />
0.80cts; 18ct white gold. Ring size P.<br />
Weight 4.7g.<br />
$2,000–3,000<br />
155<br />
A GOLD GEORG JENSEN BRACELET<br />
Oval links, ring and t-bar clasp, signed<br />
Georg Jensen 750 Danmark; 18ct gold.<br />
Weight 136.6g. Length 25cms. Boxed.<br />
$7,000–9,000<br />
156<br />
A DIAMOND LINE NECKLACE<br />
The frontal section of the necklace<br />
set with round brilliant cut diamonds<br />
totalling 4.80cts; 18ct white gold.<br />
Length 43cms. Weight 18g.<br />
$4,800–5,500<br />
157<br />
A DIAMOND LINE BRACELET<br />
Fully set with round brilliant cut<br />
diamonds totalling 2.13cts; 18ct white<br />
gold. Length 18cms. Weight 7.7g.<br />
$2,600–2,800<br />
158<br />
A PAIR OF RUBY AND DIAMOND<br />
CLUSTER EARRINGS<br />
Each earring set with an oval faceted<br />
ruby of 1.82cts, surrounded by round<br />
brilliant diamonds totalling 0.18cts;<br />
18ct gold. Total weight 4.2g.<br />
$2,800-3,200<br />
159<br />
A GOLD CUBAN LINK BRACELET<br />
Comprising 15mm wide Cuban links,<br />
double figure eight safety clasp;<br />
stamped 90% (21.6ct gold). Weight<br />
207.7g. Length 21.5cms.<br />
$10,000–12,000<br />
160<br />
A VINTAGE IOLITE AND DIAMOND RING<br />
Featuring an oval faceted iolite of<br />
4.10cts, within a scalloped diamond<br />
set mount; 18ct yellow and white gold.<br />
Ring size Q½. Weight 5.6g.<br />
$2,800–3,600<br />
161<br />
AN EMERALD PENDANT<br />
Featuring an emerald cut emerald<br />
of approximately 8.50cts; 14ct gold<br />
mount. Weight 3.2g.<br />
$200–300<br />
162<br />
A TANZANITE BROOCH<br />
Designed as a floral wreath, set<br />
throughout with round faceted<br />
Tanzanites totalling 5.20cts; 9ct<br />
white gold. Safety chain attachment.<br />
Weight 3.9g.<br />
$1,000–1,200<br />
163<br />
A COIN SET PENDANT<br />
Featuring a Maria Theresa thaler<br />
silver bullion coin, within a scrolled<br />
gold mount created by Australian<br />
jeweller Paul Bott; 9ct gold mount.<br />
Total weight 35.9g.<br />
$200–300<br />
153
25<br />
164<br />
164<br />
AN EDWARDIAN EMERALD, DIAMOND<br />
AND SEED PEARL BROOCH<br />
Lozenge shape, foliate design, pearl<br />
and emerald set targets to terminal<br />
points (some losses); 14 carat gold.<br />
Weight 4.5g.<br />
$700–900<br />
165<br />
AN ANTIQUE PEARL AND DIAMOND<br />
RING<br />
Featuring a natural pearl measuring<br />
5.2mm, surrounded by a border of<br />
old European cut diamonds totalling<br />
approximately 0.53cts, engraved<br />
detail to band; 15ct gold. Ring size M.<br />
Weight 4.7g.<br />
$3,200–3,600<br />
166<br />
A GOLD SIGNET RING<br />
Featuring an oval plaque with 2000<br />
engraved within; 9ct gold. Ring size P.<br />
Weight 9.9g.<br />
$300–500<br />
167<br />
A GOLD SIGNET RING<br />
Square plaque, stamped 2000, 375,<br />
makers mark CH, Birmingham; 9ct gold.<br />
Ring size V½. Weight 7.7g.<br />
$300–500<br />
168<br />
A PAIR OF TEXTURED GOLD<br />
CUFFLINKS BY GEORGES L’ENFANT,<br />
ATTRIBUTED TO CARTIER<br />
Textured, patterned square plaques,<br />
makers mark for Georges L’Enfant,<br />
craftsman for Cartier, Maltese cross<br />
goldmark; 18ct gold. Weight 20.2g.<br />
Cartier box.<br />
$2,000–3,000<br />
169<br />
A VINTAGE LAPIS LAZULI RING BY<br />
GEORG JENSEN<br />
Large oval cabochon cut lapis, design<br />
number 46E by Harald Nielsen,<br />
stamped Georg Jensen, 925S,<br />
Denmark. Ring size P. Weight 20.3g.<br />
$600–800
26<br />
170<br />
A TUDOR HYDRONAUT II AUTOMATIC<br />
WRISTWATCH<br />
Black dial, 40mm, luminous block<br />
hour markers, silvered outer minute<br />
divisions, magnified date aperture at<br />
3, polished baton hands with luminous<br />
inserts, centre seconds, unidirectional<br />
rotatable stainless steel bezel, Tudor<br />
rubber wristband with stainless steel<br />
deployment clasp. Serial number<br />
J102687. Original box, papers and<br />
certifi<strong>cat</strong>e of authenticity.<br />
$1,500–2,000<br />
171<br />
A VINTAGE MENS DOXA ALARM<br />
WRISTWATCH<br />
Gold filled case, stainless steel back,<br />
manual wind, 17 jewels, signed case,<br />
dial, movement with original Doxa<br />
crowns, case diameter 34mm, c.1950.<br />
Leather strap.<br />
$400–600<br />
170<br />
172<br />
A MENS CYMA ‘NAVY STAR’<br />
WRISTWATCH<br />
Black dial, gold hands and batons,<br />
17 jewels, manual wind, case diameter<br />
34mm, 9ct gold head, stainless steel<br />
back, c.1950.<br />
$300–500<br />
173<br />
A LADIES OMEGA ‘DYNAMIC’<br />
WRISTWATCH<br />
Two tone stainless steel blue and silver<br />
dial and case, date aperture at 3 o’clock,<br />
signed ‘Omega Automatic- Geneve<br />
dynamic’, case diameter 30mm, c.1960.<br />
$300–500
27<br />
174<br />
A GOLD ‘SEAMASTER GMT<br />
CHRONOMETER’ WRISTWATCH BY<br />
OMEGA<br />
Featuring a blue engraved dial,<br />
luminous baton markers, date aperture<br />
at 3 o’clock, automatic movement,<br />
rotating bezel, additional 24 hour hand,<br />
41mm case, gold wristband with fold<br />
over clasp; 18ct gold. Weight 225.4g.<br />
Boxed with all original papers.<br />
$10,000–15,000<br />
175<br />
A GENTS GOLD ‘’LEMAN ULTRA SLIM<br />
DATE WATCH’ BY BLANCPAIN<br />
Featuring a white dial with gold tone<br />
luminous hands, Roman numeral<br />
and baton hour markers, automatic<br />
movement, date window at 3 o’clock,<br />
38mm case, gold bracelet with foldover<br />
clasp; 18ct gold. Boxed with manual<br />
and guarantee.<br />
$6,000–8,000<br />
174
28<br />
176<br />
AN ART NOUVEAU ENAMEL AND SEED<br />
PEARL BROOCH<br />
Of openwork design, enamelled leaves,<br />
stylised seed pearl flower; 9ct gold.<br />
Weight 2.6g.<br />
$220–320<br />
177<br />
A RUBY AND DIAMOND DRESS RING<br />
Featuring a central round faceted ruby<br />
of 1.36cts, surrounded and shouldered<br />
by round brilliant cut diamonds totalling<br />
0.20cts; 18ct gold. Ring size N½.<br />
Weight 3.2g.<br />
$2,000–2,400<br />
178<br />
A PAIR OF CONVERTIBLE RUBY AND<br />
DIAMOND EARRINGS<br />
Each earring featuring a round faceted<br />
cut ruby of 1.31cts, within a removable<br />
diamond set halo totalling 0.18cts; 18ct<br />
gold. Each earring weighing 2.2g.<br />
$2,800–3,200<br />
179<br />
A DIAMOND LINE BRACELET<br />
Illusion set with round brilliant cut<br />
diamonds totalling 5.04cts; 18ct white<br />
gold. Length 16.5cms. Weight 15.6g.<br />
$5,000–5,500<br />
180<br />
A TANZANITE AND DIAMOND<br />
CLUSTER RING<br />
Centrally set with an oval faceted<br />
Tanzanite of 2.84cts, within a scalloped,<br />
undulating border of round brilliant<br />
and tapered baguette cut diamonds<br />
totalling 1.20cts; 18ct white gold.<br />
Ring size M. Weight 5.7g.<br />
$2,400–2,600<br />
181<br />
A PAIR OF SOUTH SEA PEARL AND<br />
DIAMOND EARRINGS<br />
Each earring featuring a 16.6mm round<br />
white pearl, within a diamond set hoop<br />
totalling 0.50cts; 18ct white gold.<br />
$2,600–2,800<br />
182<br />
A ZAMBIAN EMERALD AND DIAMOND<br />
RING<br />
Featuring an emerald cut emerald of<br />
3.76cts, tapered baguette diamond<br />
shoulders; 18ct white gold. Ring size K.<br />
Weight 3.7g. GSL certifi<strong>cat</strong>e.<br />
$4,000–4,600<br />
183<br />
A GOLD AND DIAMOND BRACELET<br />
Of belt and buckle design, set with<br />
round brilliant cut diamonds totalling<br />
approximately 0.10cts, double figure<br />
eight safety clasps; 18ct gold. Length<br />
20cms. Weight 13.5g.<br />
$600–800<br />
184<br />
A GOLD RING<br />
Celtic style swirled design, ribbed<br />
shoulders; 9ct gold. Ring size M.<br />
Weight 2.8g.<br />
$200–260<br />
185<br />
A GOLD CHAIN NECKLACE<br />
Cable chain with small gold plated<br />
religious pendant. Chain in 18ct gold.<br />
Length 61cms. Weight 5.9g (chain only).<br />
$200–300<br />
176
29<br />
186<br />
186<br />
A EUROPEAN ART NOUVEAU GOLD<br />
AND DIAMOND PENDANT<br />
Featuring a floral and foliate pierced<br />
panel, set with an old European cut<br />
diamond of approximately 0.15cts,<br />
suspending an engraved circular panel<br />
featuring the figure of a woman in<br />
profile, stamped E. Dropsy; 14ct gold.<br />
Weight 8.2g.<br />
$400–600<br />
187<br />
187<br />
AN ART NOUVEAU GOLD PENDANT<br />
Featuring three graduated articulated<br />
panels, each of floral and foliate design<br />
depicting a woman in profile; 14ct gold.<br />
Weight 10.5g. Length 6.5cms.<br />
$320–380
30<br />
188<br />
188<br />
A SOUTH SEA PEARL AND DIAMOND<br />
‘PARADIS’ BRACELET BY PASPALEY<br />
Featuring three Paspaley pearls<br />
measuring 10mm, spaced by diamond<br />
set plaques totalling 0.34cts; 18ct gold.<br />
Weight 11.4g. Length 19.5cms. Boxed<br />
with certifi<strong>cat</strong>e of authenticity.<br />
$1,800–2,500<br />
189<br />
A CULTURED PEARL BANGLE<br />
Expandable gold bracelet, silver grey<br />
cultured pearl terminals measuring<br />
9-9.5mm; 18ct gold. Weight 4.2g.<br />
$400–600<br />
190<br />
A PAIR OF CULTURED PEARL,<br />
EMERALD AND DIAMOND EARRINGS<br />
Each earring featuring a cabochon<br />
cut emerald and round brilliant cut<br />
diamond, suspending a 10.7mm<br />
pearl of grey / green hue; 18ct gold.<br />
Total weight 4.5g. Length 2cms.<br />
$500–700<br />
191<br />
A VICTORIAN SEED PEARL AND<br />
DIAMOND RING<br />
Of cluster design, central old cut<br />
diamond surrounded by seed pearls,<br />
embellished shoulders; 18ct gold.<br />
Ring size N. Weight 2.9g.<br />
$200–300<br />
192<br />
A DOUBLE STRAND AKOYA PEARL<br />
BRACELET<br />
Comprising uniform Akoya pearls<br />
measuring 6.9mm; closing to a 14ct<br />
gold clasp. Length 17cms.<br />
$60–80<br />
193<br />
AN AKOYA PEARL NECKLACE<br />
Featuring uniform pearls measuring<br />
6.4mm, closing to a pierced, diamond<br />
set heart pendant; 18ct gold.<br />
Length 41cms.<br />
$100–200<br />
194<br />
A FRESHWATER PEARL AND<br />
HARDSTONE TRIBAL STYLE<br />
NECKLACE<br />
Featuring a carved hardstone disc,<br />
suspended from a silver cube,<br />
on a multi-strand dyed golden<br />
freshwater pearl collar, signed Jaana.<br />
Length 40cms.<br />
$180–220<br />
195<br />
A FRESHWATER PEARL AND<br />
HARDSTONE TRIBAL STYLE<br />
NECKLACE<br />
Featuring a carved green hardstone<br />
dragon, suspended from a silver<br />
lantern, on a multi-strand dyed green<br />
freshwater pearl collar, signed Jaana.<br />
Length 42cms.<br />
$180–220
31<br />
196<br />
A SOUTH SEA PEARL AND DIAMOND<br />
PENDANT BY PASPALEY<br />
Featuring a single oval shaped pearl<br />
measuring 13mm, silver white hue,<br />
suspended from a pave set diamond<br />
bale, on a conforming chain; 18ct gold.<br />
Length 45cms. Boxed with Certifi<strong>cat</strong>e<br />
of Authenticity.<br />
$1,000–2,000<br />
197<br />
A PAIR OF SOUTH SEA PEARL AND<br />
DIAMOND EARRINGS BY PASPALEY<br />
Each earring featuring an oval shaped<br />
South Sea pearl measuring 12mm, of<br />
silver white hue, suspended from a pave<br />
set diamond bale; 18ct gold. Boxed with<br />
Certifi<strong>cat</strong>e of Authenticity.<br />
$1,500–2,000<br />
196<br />
197
Consigning Now<br />
20th Century Design<br />
Auction: Monday 23 September 2019<br />
Consignments close Friday 9 August<br />
ENQUIRIES 03 9500 2607 | mail@gibsonsauctions.com.au
The Winter<br />
Auction Series<br />
Decorative Arts & Design<br />
Chinese & Asian works of art<br />
Melbourne, 6 August 2019
03 9500 2607<br />
gibsonsauctions.com.au<br />
Jennifer Gibson<br />
CEO & Head of Valuations<br />
Jennifer.Gibson@gibsonsauctions.com.au<br />
Elliott Hughes<br />
Auctions Manager & Specialist<br />
Elliott.Hughes@gibsonsauctions.com.au<br />
Elizabeth Stannard<br />
Head of Jewellery<br />
Elizabeth.Stannard@gibsonsauctions.com.au<br />
Simon Gibson<br />
CFO<br />
Simon.Gibson@gibsonsauctions.com.au<br />
Deanna Baxter<br />
Business Manager<br />
Deanna.Baxter@gibsonsauctions.com.au<br />
Auction, Viewing and<br />
Payment & Collections<br />
Level 1, 885-889 High Street<br />
Armadale, Victoria 3143<br />
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DALE ST<br />
HIGH ST<br />
ORRONG RD<br />
HAMPDEN RD ASHLEIGH RD<br />
AUBURN GROVE<br />
DENBIGH RD<br />
SUTHERLAND RD<br />
KOOYONG RD<br />
NORTHCOTE RD<br />
CHEEL ST<br />
MT PLEASANT GROVE<br />
NEW ST<br />
OSMENT ST<br />
Marilla O’Sullivan<br />
Auction Assistant<br />
Marilla.Osullivan@gibsonsauctions.com.au
1<br />
FRONT COVER:<br />
Lot 415 (Detail)<br />
The Winter<br />
Auction Series<br />
Auction<br />
Session I<br />
Fine Jewellery and Watches<br />
Monday 5 August 2019, 1pm (Lots 1–197)<br />
Session II Decorative Arts<br />
Tuesday 6 August 2019, 11am (Lots 198–583)<br />
Session III Chinese and Asian Works of Art<br />
Tuesday 6 August 2019, 5pm approximately (Lots 584–789)<br />
Level 1, 885-889 High Street<br />
Armadale, Victoria 3143<br />
Viewing<br />
Thursday 1 August<br />
Friday 2 August<br />
Saturday 3 August<br />
Sunday 4 August<br />
10.00–5.00pm<br />
10.00–5.00pm<br />
10.00–4.00pm<br />
10.00–4.00pm<br />
Auction Code: <strong>GA008</strong><br />
GST<br />
† Lots with this symbol are subject<br />
to GST on the hammer price and the<br />
buyer’s premium.<br />
Buyer’s Premium<br />
Buyer’s Premium is charged at 22%<br />
of the hammer price plus GST. GST is<br />
applicable to the buyer’s premium only,<br />
unless otherwise indi<strong>cat</strong>ed by the †<br />
symbol.<br />
Registration<br />
To register to bid at Gibson's<br />
Auctioneers & Valuers an accredited<br />
form of photo identifi<strong>cat</strong>ion is required.<br />
This applies to bidding in person at<br />
the auction, Telephone, Absentee and<br />
Online bidding.<br />
Resale Royalty Scheme<br />
Lots subject to payment of the Artist's<br />
Resale Royalty Scheme will be denoted<br />
by the symbol §. The Australian Resale<br />
Royalty is a flat rate of 5% on the<br />
hammer price (including GST) and is<br />
payable by the seller.<br />
Restricted or Organic Material<br />
♦ Lots with this symbol have been<br />
identified at the time of <strong>cat</strong>aloguing<br />
as containing organic material which<br />
may be subject to export or import<br />
restrictions. The absence of this<br />
symbol is not a guarantee that export<br />
or import restrictions will not apply. See<br />
www.cites.org for further information.<br />
Payments & Collections<br />
Can be made from:<br />
Level 1, 885-889 High Street,<br />
Armadale, Vic 3143<br />
Wednesday 7 August<br />
Thursday 8 August<br />
Friday 9 August<br />
10.00–4.00pm<br />
10.00–4.00pm<br />
10.00–4.00pm<br />
All goods must be collected and paid in<br />
full by 4pm on Friday 9 August (unless<br />
by prior arrangement) to avoid removal<br />
and storage charges.<br />
All payments are to be made in<br />
Australian Dollars (AU$).<br />
Please refer to the methods of payment<br />
in the HOW TO BUY section on the<br />
following pages.<br />
Credit card surcharges apply – 1.2%<br />
(incl GST) for Visa and Mastercard and<br />
3% (incl GST) for American Express.
2<br />
Property from the Collection of Dr. Colin Holden<br />
Session II – Tuesday 6 August 2019, 11am<br />
198<br />
A pair of tortoiseshell and ivory opera<br />
glasses, French, 19th century<br />
with leather case<br />
8cm long extended<br />
$200–300 ♦<br />
199<br />
A George II style Chinoiserie black<br />
lacquer armchair, English, 19th century<br />
$300–500<br />
198<br />
199<br />
200<br />
A large gilded scagliola pier mirror,<br />
possibly Swedish, circa 1790<br />
167 x 114cm<br />
$1,500–2,500<br />
201<br />
A pair of Rococo revival porcelain<br />
candlesticks, probably Minton,<br />
circa 1840<br />
27cm high<br />
$500–800<br />
202<br />
Three relief decorated salt glaze jugs,<br />
English, mid 19th century<br />
the tallest 22cm high<br />
$200–300<br />
203<br />
A French majolica fleur de lys form vase,<br />
Rouen region 19th century<br />
24.5cm high<br />
$100–200<br />
204<br />
A George III painted satinwood writing<br />
box, circa 1800<br />
16cm high, 46cm wide, 25cm deep<br />
$600–800
3<br />
205<br />
A mother of pearl inlaid tortoiseshell<br />
card case 19th century<br />
10cm high, 8cm wide, 1.5cm deep<br />
$200–300<br />
206<br />
A Biedermeier elm and ebonised settee,<br />
circa 1820<br />
103cm high, 130cm wide, 57cm deep<br />
$500–800<br />
207<br />
Two Mexican pauwa shell<br />
mounted boxes<br />
the largest 3cm high, 12cm wide,<br />
7.5cm deep<br />
$200–300<br />
208<br />
An oval miniature portrait on ivory<br />
of Lady Ancaster, probably English<br />
19th century<br />
10 x 8cm including frame<br />
$300–500 ♦<br />
209<br />
A pair of George III mahogany<br />
side chairs<br />
$400–600<br />
210<br />
A pair of carved ebony elephant<br />
bookends<br />
17cm high, 14cm wide, 4cm deep<br />
$150–220<br />
205<br />
206
4<br />
211<br />
A pair of George III style Chinoiserie red<br />
lacquered side chairs<br />
$400–600<br />
212<br />
A set of four Biedermeier side chairs,<br />
circa 1830<br />
$600–800<br />
213<br />
A set of four door panels inset with<br />
scenes from the life of Christ<br />
two 196 x 81.5 and two 196 x 55cm<br />
$1,200–1,500<br />
214<br />
A George III satinwood string inlaid<br />
tea caddy<br />
15cm high, 30cm wide, 15cm deep<br />
$600–800<br />
215<br />
An Arts and Crafts oak secretaire<br />
bookcase, circa 1910<br />
216cm high, 97cm wide, 37cm deep<br />
$400–600<br />
216<br />
A mother of pearl inlaid macassar<br />
sewing box, English, 19th century<br />
14cm high, 29cm wide, 23cm deep<br />
$300–500<br />
217<br />
A set of three Thonet style bentwood<br />
chairs, early 20th century<br />
$100–200<br />
218<br />
A collection of four Amphora vases and<br />
bowls, Czech, early 20th century<br />
the tallest 21cm high<br />
$200–300<br />
219<br />
A large Art Deco ‘Alienware’ tazza<br />
and bowl by Ditmar Urbach<br />
30cm high, 36cm diameter<br />
$100–200<br />
211
5<br />
220<br />
A Chinoiserie decorated black lacquer<br />
cabinet on stand, English, 18th century<br />
and later<br />
166cm high, 101cm wide, 52cm deep<br />
$1,500–2,000<br />
226<br />
A gilt brass mounted agate snuff box,<br />
19th century<br />
6cm wide<br />
$100–200<br />
227<br />
A French spelter figural lamp ‘La Glorie’<br />
by George Maxim, circa 1920<br />
58cm high<br />
$200–300<br />
221<br />
A pair of Louis XV style bronze leaf<br />
form candelabra 19th century<br />
18cm high<br />
$500–800<br />
222<br />
IRENE CARTER (1900-1955)<br />
Untitled (Cathedral Interior)<br />
watercolour<br />
signed lower right: IRENE CARTER<br />
44 x 33cm<br />
$300–500<br />
223<br />
A pair of oak joined chairs after the<br />
original design by William Richard<br />
Lethaby, circa 1900<br />
NOTE<br />
The design based on Lethaby’s<br />
‘Masters Chairs’ design for the Art<br />
Workers Guild, 1893.<br />
REFERENCE<br />
Fischer Fine Art Limited, London,<br />
Exhibition <strong>cat</strong>alogue 15 May - 27 June<br />
1986, Truth, Beauty and Design<br />
$1,000–1,500<br />
224<br />
A pair of continental Majolica putto<br />
and mask relief decorated jugs,<br />
19th century<br />
stamped to base: MK in a cartouche<br />
surmounted by a crown / 604<br />
34cm high, 16cm wide, 33cm deep<br />
$300–500<br />
225<br />
A large collection of Booths<br />
gilt and blue painted porcelain,<br />
early 19th century<br />
the covered urns 26cm high<br />
$500–800<br />
220
6<br />
Other Properties<br />
228<br />
A pair of Biedermeier Karelian birch<br />
burl wood veneer settees, Northern<br />
European, early 19th century<br />
upholstered in stripped green silk<br />
length of back 147cm<br />
$2,000–3,000<br />
229<br />
E. STREICHLER<br />
(GERMAN, ACTIVE 1900)<br />
Farmhouses and Farmhouse<br />
with Well (Untitled)<br />
oil on canvas (2)<br />
each signed lower right: STREICKLER<br />
49 x 63cm each<br />
$800–1,200<br />
230<br />
A set of four hand coloured prints of<br />
hunting scenes after the originals by<br />
J F Herring, late 19th century<br />
39 x 67cm<br />
$200–300<br />
231<br />
A pair of Venetian bulbous glass lamps,<br />
mid 20th century<br />
with yellow silk shades<br />
$800–1,200<br />
232<br />
A brass bound walnut stationary<br />
compendium,19th century<br />
in the form of a domed chest, the<br />
hinged cover opening to reveal various<br />
document apertures<br />
16.5cm high, 22.5cm wide, 12cm wide<br />
$200–300<br />
233<br />
A oval Sheraton style barber pole<br />
banded mahogany mirror, English,<br />
late19th, early 20th century<br />
77 x 53cm<br />
$300–500<br />
234<br />
A WMF silver plate jewellery box,<br />
German, circa 1900<br />
13cm high, 13cm wide, 9cm deep<br />
$700–900<br />
235<br />
ARTIST UNKNOWN<br />
Untitled (Portrait of a Lady)<br />
pencil on paper<br />
initialled lower right: F G<br />
39 x 29cm<br />
$100–200<br />
228
229 (Part)<br />
7
8<br />
236<br />
A French silver cartouche shaped snuff<br />
box, Paris circa 1735<br />
the hinged cover chased with figures in<br />
a stream within Rococo scrolls, similar<br />
figure of children to the reverse, illegible<br />
makers mark, charge and discharge<br />
marks<br />
6.5 x 4.8 x 2cm, 49 grams<br />
PROVENANCE<br />
The Collection of Rodney Davidson,<br />
Leonard Joel, Melbourne, March 2017,<br />
Lot 15<br />
Christie’s, Geneva, 15th November<br />
1983, lot 403<br />
$800–1,200<br />
236<br />
237<br />
A Louis XV style Boulle bracket clock,<br />
20th century<br />
with ornate gilt brass mounts and<br />
scrolling inlaid strapwork throughout<br />
56cm tall<br />
$600–800<br />
238<br />
A marquetry inlaid walnut side table,<br />
Dutch, first half 19th century<br />
70cm high, 67cm wide, 45cm deep<br />
$600–800<br />
238<br />
237
9<br />
239<br />
A carved giltwood cushion mirror,<br />
French, 19th century<br />
surmounted with birds and flowers<br />
170 x 86cm<br />
$1,200–1,500<br />
240<br />
An Edward VII silver cigarette case by<br />
Charles S Green & Co Ltd, Birmingham,<br />
1905, of plain form, hinged frontal<br />
panel opens to reveal a picture<br />
compartment, gilded interior,<br />
engraved shield with fleur-de-lis<br />
detail, initials DF, weight 103.1gms,<br />
length 8cms, width 6cms.<br />
$320–380<br />
241<br />
A European mount deer skull<br />
with antlers<br />
with one asymmetrical antler<br />
73cm high<br />
$200–300 ♦<br />
242<br />
A European mount deer skull<br />
with antlers<br />
with near symmetrical antlers<br />
76cm high<br />
$150–250 ♦<br />
243<br />
A large European mount deer skull<br />
with antlers<br />
with near symmetrical antlers<br />
80cm high<br />
$200–300 ♦<br />
244<br />
A carved ivory crab, circa 1920<br />
10cm wide<br />
$200–300 ♦<br />
245<br />
A French cherry-wood embossed tray<br />
3cm high, 52cm wide, 44cm deep<br />
$300–500<br />
239
10<br />
250<br />
KEN GAILER (BORN 1958)<br />
Rembrandt, Oranges,<br />
and Two Limes, 2001<br />
oil on board<br />
signed and dated lower left:<br />
GAILER 2001<br />
titled verso<br />
72 x 82cm<br />
$200–300<br />
251<br />
KEN GAILER (BORN 1958)<br />
The Story of Painting, 2001<br />
oil on board<br />
signed and dated lower left: GAILER<br />
titled and dated verso<br />
36 x 73cm<br />
$300–500<br />
252<br />
KEN GAILER (BORN 1958)<br />
Eclectic Meditations, 2002<br />
oil on canvas<br />
signed and dated lower right:<br />
GAILER 02<br />
87 x 79cm<br />
$300–500<br />
246<br />
246<br />
GEORG FISCHHOF<br />
(AUSTRIAN, 1859-1915)<br />
Fishing Boats (Untitled)<br />
oil on canvas<br />
signed lower left: J.Claiton (pseudonym)<br />
68 x 55cm<br />
PROVENANCE<br />
Leonard Joel, Fine Furniture, Art &<br />
Objects, November 2015, Lot 541<br />
$400–600<br />
247<br />
A Danish silver serving spoon by W&S<br />
Sorenson, pierced foliate design,<br />
c.1940, weight 95gms, length 22cms.<br />
$320–380<br />
248<br />
A Louis XVI style gilt bronze and<br />
marquetry centre table, French,<br />
19th century<br />
the shaped oval top finely decorated<br />
and inlaid with foliate scrolls and<br />
classical motifs<br />
72cm high, 144cm wide, 84cm deep<br />
$4,000–6,000<br />
249<br />
PAUL CASEBEER<br />
Californian Landscape<br />
oil on board<br />
23.5 x 29cm<br />
signed lower left: Paul Casebeer<br />
$300–500<br />
253<br />
KEN GAILER (BORN 1958)<br />
Eclectic Meditations No. 2, 2002<br />
oil on canvas<br />
signed and dated lower right:<br />
GAILER 02<br />
91 x 84cm<br />
$300–500<br />
254<br />
KEN GAILER (BORN 1958)<br />
Eclectic Meditations No. 3, 2002<br />
oil on canvas<br />
signed and dated lower right:<br />
GAILER 02<br />
84 x 76cm<br />
$300–500
248<br />
11
12<br />
255<br />
A pair of Louis XV style painted<br />
wingback armchairs<br />
with carved lion paw feet and lion mask<br />
velvet upholstery<br />
$1,500–2,500<br />
256<br />
A Regency revival mahogany brass<br />
mounted display bookcase<br />
with a domed pediment flanked by urn<br />
finials above a pair of astragal glazed<br />
doors, the projecting lower section with<br />
silk lined cupboard doors, gilded lion<br />
paw feet<br />
224cm high, 143cm wide, 56cm deep<br />
$1,500–2,500<br />
257<br />
A Louis XV style gilt wood salon mirror<br />
117cm high, 82cm wide<br />
$200–300<br />
258<br />
A large pair of Belleek first period gilded<br />
Amphora urns, circa 1870<br />
of classical form with a flared rim,<br />
decorated with classical acanthus and<br />
raised on three hoof feet, first period<br />
black mark to the base<br />
33.5cm high<br />
NOTE<br />
for a similar example see Portfolio<br />
Press, Degenhardt, Richard K., Belleek,<br />
the Complete Collectors Guide and<br />
Illustrated Reference, Pg. 46<br />
$2,000–3,000<br />
259<br />
A Belleek first period nautilus shell on<br />
coral, circa 1870<br />
the finely modelled shell raised on a<br />
pink highlighted stand of coral, first<br />
period black mark to the base<br />
22cm high<br />
NOTE<br />
for a similar example see Portfolio<br />
Press, Degenhardt, Richard K., Belleek,<br />
the Complete Collectors Guide and<br />
Illustrated Reference, Pg. 49<br />
$300–500<br />
260<br />
A unusual Belleek first period painted<br />
and gilded bowl, circa 1870<br />
of steep sided circular form decorated<br />
with a continuous scene of butterflies<br />
and wildflowers, first period black mark<br />
to the base<br />
11.5cm diameter<br />
NOTE<br />
A similar example is held by the<br />
National Museum, Dublin. See Portfolio<br />
Press, Degenhardt, Richard K., Belleek,<br />
the Complete Collectors Guide and<br />
Illustrated Reference, Pg. 48<br />
$600–800<br />
261<br />
A rare Belleek first period ‘blue thorn’<br />
teapot, circa 1870<br />
the lobed body and branch handle<br />
picked out with a rich turquoise blue<br />
glaze, first period black mark to the<br />
base<br />
14.5cm high<br />
$400–600<br />
255
13<br />
256
14<br />
262<br />
A Georgian double ended scent bottle<br />
cut glass, gold lids, original shagreen<br />
leather case<br />
8.5cm long<br />
$800–900<br />
263<br />
A Rene Lalique Ambre perfume bottle,<br />
made for Coty, circa 1910<br />
moulded with female forms,<br />
signed R. Lalique<br />
15cm high, 13cm diameter<br />
$3,000–4,000<br />
262<br />
264<br />
A German silver cased glass scent<br />
flask, 19th century<br />
of compressed cylindrical form the<br />
removable etched glass scent bottle<br />
within a conforming pierced C scroll<br />
decorated silver sheath<br />
11cm high<br />
$300–500<br />
265<br />
A Victorian silver lidded cut crystal<br />
perfume bottle<br />
hinged lid, maker Charles Meigh, 1892<br />
8cm high<br />
$50–100<br />
266<br />
A collection of glass paperweights,<br />
20th century<br />
comprising twenty seven pieces<br />
including examples of millefiore, lustre<br />
and clichy style flowers<br />
the largest 7cm high, 7.2cm diameter<br />
$300–500<br />
267<br />
Two green glass dump flower<br />
paperweights, English, circa 1890<br />
the largest 10cm high<br />
$200–400<br />
268<br />
A collection of five various glass<br />
paperweights, 19th century and later<br />
the largest 9.5cm high<br />
$300–500<br />
269<br />
A silver plate tantalus, English,<br />
19th century<br />
the lockable frame with three faceted<br />
glass square form decanters<br />
36cm high, 38cm wide, 17cm deep<br />
$600–800<br />
270<br />
An Australian Arts & Crafts silver sugar<br />
spoon by Sargison, stamped Hobart<br />
the bowl of beaten form, plain shaft<br />
with barley twist detail, wire cage finial<br />
set with a green hardstone, weight<br />
22.7gms, length 11.5cms.<br />
$120–180<br />
263 264
15<br />
271<br />
A Lalique Bacchantes vase<br />
decorated with female nymphs<br />
inscribed to base: Lalique France<br />
24cm high<br />
$1,500–2,500<br />
272<br />
A pair of Lalique crystal candlesticks<br />
inscribed to base: Lalique France<br />
13cm high<br />
$150–250<br />
273<br />
Three Lalique crystal partridges<br />
inscribed to base: Lalique France<br />
the tallest 18cm high<br />
$400–600<br />
271<br />
274<br />
A Lalique “Marguerite” frosted<br />
glass bowl<br />
etched to base: R LALIQUE FRANCE<br />
33cm diameter<br />
$300–500<br />
275<br />
A set of four Baccarat faceted glass<br />
‘Royal Family’ paperweights<br />
each with a sulphide bust portrait<br />
of ‘Queen Elizabeth II’, ‘The Duke<br />
of Edinburgh’, ‘Princess Anne’ and<br />
‘The Prince of Wales’, each stamped<br />
Baccarat, France to the base<br />
7.2cm diameter<br />
$300–500<br />
274
16<br />
276<br />
276<br />
CIRCLE OF PIETER MUILIER<br />
(DUTCH, 17TH CENTURY)<br />
(Untitled) Figures in a Classical<br />
Wooded Landscape<br />
oil on canvas<br />
76 x 99.5cm<br />
PROVENANCE<br />
Mossgreen, A Private Toorak Collection<br />
of International Art And Antiques,<br />
Melbourne, September 2011, Lot 118<br />
$3,000–4,000<br />
277<br />
An associated George III and IV<br />
sterling silver cruet set<br />
mixed maker’s marks and dates<br />
total weight of the stand 1485 gm,<br />
26cm high<br />
$300–500<br />
278<br />
JEAN CARSON GRAY<br />
(1927-2012)<br />
Flower Burst, 1989<br />
oil on canvas<br />
signed and dated lower right:<br />
Jean Carson Gray 89<br />
81 x 71cm<br />
$200–300<br />
279<br />
EUROPEAN SCHOOL<br />
Shepard with Flock in<br />
Landscape (untitled)<br />
oil on canvas<br />
sign illegibly lower right<br />
85 x 110cm<br />
$500–800<br />
280<br />
CHRISTIAN WILHELM ERNST<br />
DIETRICH (GERMAN, 1712-1774)<br />
Untitled (Landscape with Travellers<br />
Resting) and (River Landscape with<br />
Travellers and Mules)<br />
two drawings - watercolours<br />
signed lower left: C. W. E. Dietrich<br />
9.5 x 14.5cm (each)<br />
$1,500–2,500<br />
281<br />
JACQUES THEVENET<br />
(FRENCH, 1891-1989)<br />
Harbour at Low Tide, Brittany<br />
watercolour and gouache<br />
signed illegibly lower left<br />
42 x 57cm<br />
$200–300
17<br />
282<br />
A Louis XV style glazed oak bookcase,<br />
French, 19th century<br />
265high, 149cm wide, 55cm deep<br />
$1,500–2,500<br />
283<br />
A set of three monochrome etchings<br />
depicting the busts of Ercole, Vibio<br />
Volusiano and Busto Incognito<br />
40 x 29cm<br />
PROVENANCE<br />
The Contents of Dysart House,<br />
Mossgreen, Melbourne, October 2011,<br />
Lot 406<br />
$300–500<br />
284<br />
A vintage embossed satin evening bag<br />
floral motif, matching powder compact,<br />
satin coin purse<br />
$50–100<br />
285<br />
A gilt metal mounted tortoiseshell<br />
jewellery box, 19th century<br />
in the form of a domed chest with<br />
caryatid pilasters and paw feet<br />
14cm high, 22cm wide, 12cm wide<br />
$300–500 ♦<br />
286<br />
A Sevres style ‘Chateaus de Longpre’<br />
jewel box, 19th century<br />
painted and gilt with a bucolic scene of<br />
companions in a rustic landscape<br />
8cm high, 21cm wide, 13cm wide<br />
$300–500<br />
287<br />
A Victorian sterling silver Sherry tag,<br />
Charles Reily & George Storer, London,<br />
1842<br />
together with a Georgian sterling silver<br />
P tag, maker’s mark for Jonathan<br />
Millidge, Edinburgh<br />
$50–100<br />
288<br />
A pair of English vintage sea shell<br />
letter racks<br />
20cm high, 18cm wide, 7cm wide<br />
$100–200<br />
282
18<br />
289<br />
An unusual William and Mary period<br />
tortoise shell pique snuff box,<br />
17th century<br />
the oval top finely inlaid with flower<br />
heads and a central foliate cartouche<br />
8cm wide<br />
$500–700 ♦<br />
290<br />
An unusual circular ivory bird<br />
decorated box, 19th century<br />
decorated with a recessed glazed<br />
panel enclosing feather images of two<br />
brightly coloured song birds<br />
7.2cm diameter<br />
$200–300 ♦<br />
291<br />
A buttoned black upholstered ottoman<br />
with fringe, English, mid 19th century<br />
44cm high, 79cm wide, 79cm deep<br />
$600–800<br />
292<br />
A framed miniature portrait of a lady,<br />
late 19th century<br />
8.5 x 7cm<br />
$100–200<br />
293<br />
Two sets of cased opticians<br />
surgical instruments,<br />
19th century<br />
together with an eye speculum,<br />
the cases stamped John Weiss<br />
& Sons, Oxford St., London, one<br />
box hand inscribed to the cover<br />
Dr. R. Stott<br />
the largest case 16.5cm wide<br />
$400–600<br />
289<br />
290<br />
291
19<br />
294<br />
A fine George IV painted and ebonised<br />
tilt-top side table<br />
the rectangular top finely painted with<br />
a scene of Fountains Abbey within an<br />
ornate classical acanthus decorated<br />
border<br />
73cm high, 48cm wide and 38cm deep<br />
PROVENANCE<br />
Mossgreen Auctions, The Thomas<br />
Hamel & Martyn Cook Collection,<br />
Sydney, May 2012, Lot 139<br />
$2,000–3,000<br />
299<br />
A Royal Doulton Jintan vase,<br />
Burslem Artwares<br />
limited edition stamped to base<br />
102/350<br />
30cm high<br />
$300–500<br />
300<br />
A Royal Doulton miniature figurine<br />
‘Crinoline Lady’, designed by<br />
Leslie Harradine<br />
the early figure with black and white<br />
glaze, printed factory mark and HN 653<br />
to the base<br />
7.5cm high<br />
$300–500<br />
295<br />
An unusual carved Ivory keepsake box,<br />
late 19th century<br />
of circular form with pierced basket<br />
work sides, the base and screw cover<br />
carved with an ornate flower head<br />
7.5cm diameter<br />
$200–300 ♦<br />
296<br />
A Pre-Columbian pottery figure of a bull<br />
7cm high<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
$100–200<br />
297<br />
Three English tea caddies, 19th century<br />
comprising two box form satinwood<br />
strung mahogany caddies and a<br />
rosewood sarcophagus form tea caddy<br />
the largest 12cm high, 18cm wide,<br />
10.5cm deep<br />
$200–300<br />
298<br />
A collection of four various framed<br />
painted Indian paintings and miniatures,<br />
20th century<br />
the largest 19cm high, 24cm wide<br />
$200–300<br />
294
20<br />
301<br />
A Louis XVI style cream and gilt painted<br />
Fauteuil a la Reine, French circa 1900<br />
with satin floral upholstery<br />
PROVENANCE<br />
Shapiro, Sydney, Fine Silver,<br />
Asian & Decorative Arts Sale,<br />
December 2016, Lot 7<br />
The David Roche Foundation<br />
$500–800<br />
302<br />
Two English cups and saucers hand<br />
painted by A. Holland<br />
one with factory marks for Paragon<br />
the other Minton<br />
$100–200<br />
303<br />
A large carved giltwood over mantel<br />
mirror, English, late 19th century<br />
with a gadrooned edge and shell<br />
cresting<br />
157 x 91cm<br />
$400–600<br />
304<br />
A Victorian sterling silver chocolate pot,<br />
London, 1900<br />
with an ebonised handle and pad feet,<br />
maker’s mark illegible<br />
14.5cm high<br />
$150–250<br />
305<br />
A Louis XV style circular salon mirror<br />
with a moulded gadrooned rim and<br />
acanthus leaf decoration<br />
120cm diameter<br />
$200–300<br />
306<br />
A George III style mahogany<br />
Pembroke table<br />
66cm high, 77cm wide, 56cm deep<br />
$200–300<br />
307<br />
A spelter and bronze three mast ship<br />
on marble and onyx base, French<br />
mid-20th century<br />
68.5cm high<br />
$1,200–1,500<br />
308<br />
An ivory mounted ebonised walking<br />
stick,19th century<br />
the ovoid top carved with a maned<br />
lion with red facetted jewel eyes<br />
92cm high<br />
$300–500 ♦<br />
309<br />
A large collection of books<br />
$200–300<br />
310<br />
A collection of six brass wind<br />
instruments<br />
the largest 20cm long<br />
$200–300<br />
311<br />
ANTHONY A. PROUT<br />
(BORN 1946)<br />
Market, Rouen and Rouen<br />
Cathedral Steps<br />
two watercolours<br />
each signed lower right: A A PROUT<br />
64 x 48cm and 64 x 49cm<br />
$500–800<br />
312<br />
A scroll arm mahogany carver,<br />
English, 19th century<br />
$300–500<br />
301
21<br />
313<br />
314<br />
313<br />
A Regency Mother-of-Pearl tea caddy,<br />
English circa 1830,<br />
11cm high, 17cm wide, 12cm deep<br />
$600–800<br />
314<br />
A Continental porcelain hand painted<br />
lidded box, circa 1880<br />
Sèvres style, signed to base<br />
18cm high, 22cm wide, 14cm deep<br />
$800–1,000<br />
315<br />
A Samson porcelain figure of a girl,<br />
French, 19th century<br />
in the Chelsea style<br />
18cm high<br />
$300–500<br />
315
22<br />
316<br />
A gilt bronze mounted Limoges<br />
porcelain ink stand, late<br />
18th/19th century<br />
decorated with floral motifs and bearing<br />
the monogram AF probably for Francois<br />
Alluaud, director of the Royal Limoges<br />
porcelain company<br />
7cm high, 14cm across the handles<br />
$600–800<br />
316<br />
317<br />
A fine French gilt bronze mounted<br />
kingwood and marble top commode,<br />
19th century<br />
90cm high, 150cm wide, 60cm deep<br />
$1,000–2,000<br />
318<br />
A Louis XV style walnut and kingwood<br />
gilt bronze mounted marble top<br />
commode<br />
85cm high, 97cm wide and 48cm deep<br />
$800–1,200<br />
317
23<br />
323<br />
A Butterfield brass sundial, circa 1700<br />
of octagonal form, 40º- 60º North, the<br />
dial signed Butterfield Paris in original<br />
fitted box<br />
7cm wide, 6.5cm deep<br />
$3,000–5,000<br />
324<br />
Two Lithographic Museum<br />
Reproductions from the<br />
Musee De Louvre<br />
inscribed Raphael Del, Filley Sculp<br />
by Pequegnot<br />
the largest 20 x 10cm<br />
together with a reproduction print<br />
of three Sevres urns<br />
$200–300<br />
323<br />
319<br />
A Louis XV style gilt metal mounted<br />
porcelain mantel clock, 19th century<br />
painted throughout with floral<br />
cartouche panels reserved on a bleu<br />
celeste ground, the dial similarly<br />
decorated, with gilded swags and<br />
acanthus mounts and finials, eight day<br />
bell striking movement<br />
35cm high, 36cm wide, 12cm deep<br />
$1,500–2,500<br />
320<br />
A collection of three Chinese export<br />
green glazed lidded jars<br />
26cm high<br />
$300–500<br />
321<br />
Three large Chinese export green<br />
glazed teapots<br />
the largest 28cm high<br />
$150–250<br />
322<br />
Two Chinese export green glazed<br />
candlestick holders<br />
the largest 24cm tall<br />
$100–200<br />
319
24<br />
325<br />
A George IV flame mahogany astragal<br />
glazed bureau bookcase<br />
the fall front enclosing a fitted interior<br />
205cm high, 102cm wide and<br />
51cm deep.<br />
$1,500–2,500<br />
326<br />
GRACE WILSON MELVIN<br />
(1892 - 1977)<br />
Untitled (Grotto and Tree)<br />
pen and ink on paper<br />
signed lower left: G. W. Melvin<br />
25 x 20cm<br />
$300–500<br />
327<br />
A pair of Royal Vienna hand painted<br />
urns, Austrian 19th century<br />
inscribed mark to base for Ackermann<br />
& Fritz<br />
26cm high<br />
$200–300<br />
328<br />
A collection of ten deer antlers<br />
the longest 57cm long<br />
$200–300 ♦<br />
329<br />
A nickel plated magnifying glass<br />
29cm high<br />
$150–250<br />
330<br />
An Austrian silver Art Nouveau letter<br />
opener, circa 1900<br />
finely crafted with a girls head in profile<br />
and monogrammed M.F. to the reverse<br />
24cm long<br />
$400–600<br />
325
25<br />
331<br />
A Louis XV style marquetry inlaid walnut<br />
marble top secretaire abattant, French,<br />
19th century<br />
145cm high, 67cm wide and<br />
37cm deep.<br />
$1,500–2,000<br />
332<br />
A French provincial style oak dining<br />
table<br />
the rectangular parquetry inlaid top<br />
raised on substantial squared baluster<br />
supports and cross stretchers<br />
78cm high, 240cm wide, 100cm deep<br />
$800–1,200<br />
333<br />
333<br />
A scagliola bust of a Caesar<br />
88cm high<br />
$1,500–2,500<br />
334<br />
Three classical prints depicting busts<br />
of Roman emperors<br />
50 x 50cm each<br />
$150–250<br />
335<br />
A pair of Moroccan bone inlaid obelisks<br />
31cm high<br />
$200–300 ♦<br />
331
26<br />
336<br />
A burr walnut kidney shaped ladies<br />
desk, English 19th century<br />
76cm high, 117cm wide, 59cm deep<br />
$300–500<br />
337<br />
A set of nine carpet bowls in a cane<br />
basket<br />
the basket 54cm long<br />
$200–300<br />
338<br />
A collection of three bone inlaid<br />
wooden vessels<br />
the tallest 39cm high<br />
$300–500 ♦<br />
339<br />
Two bronze column lamps with shades<br />
48cm tall (without shade)<br />
$100–200<br />
340<br />
Three lacquered covered urns<br />
17cm high,14cm diameter<br />
$200–300<br />
341<br />
A large black glazed ceramic vase<br />
64cm high<br />
$150–250<br />
342<br />
A pair of framed architectural prints<br />
depicting scroll topped Ionic columns<br />
40 x 28cm<br />
$200–300<br />
343<br />
Three framed decorative prints<br />
depicting Roman covered urns<br />
28 x 18cm<br />
$200–300<br />
336
27<br />
344<br />
A bronze female torso<br />
75cm high<br />
$600–800<br />
345<br />
A collection of five lustre glass<br />
candlesticks<br />
the tallest 30cm high<br />
$200–300<br />
346<br />
A large collection of books<br />
$300–500<br />
347<br />
A large collection of books<br />
$300–500<br />
348<br />
A collection of silver and silver plate<br />
cutlery, 19th century and later<br />
various makers and dates, including<br />
a pair of George III serving spoons,<br />
London, 1810; a set of George III fiddle<br />
pattern teaspoons, various makers and<br />
a knife set by Warris & Co, Sheffield,<br />
1978, together with various plated<br />
cutlery pieces<br />
$200–300<br />
349<br />
ITALIAN SCHOOL,<br />
19TH CENTURY<br />
On Lake Achensee (Untitled)<br />
oil on board<br />
signed and dated illegibly lower right<br />
$400–600<br />
352<br />
A silver pepper caster, salt cellar with<br />
spoon and mustard cellar (both with<br />
blue glass liners), all by William Suckling<br />
Ltd, Birmingham, 1946, together with<br />
an EPNS salt, pepper and mustard of<br />
similar design<br />
$50–100<br />
353<br />
A collection of eighteen Sotheby’s<br />
International, Chinese and Painting<br />
<strong>cat</strong>alogues<br />
$150–250<br />
354<br />
A pair of large glass hurricane lamps<br />
38cm high<br />
$200–300<br />
355<br />
A pair of brushed aluminium articulated<br />
lamps, 20th century<br />
60cm high<br />
$200–300<br />
356<br />
A brass bound walnut writing slope,<br />
English 19th century<br />
17cm high, 50cm wide, 26cm deep<br />
$200–300<br />
357<br />
A collection of decorative spheres<br />
he largest 25cm diameter<br />
$200–300<br />
350<br />
A small carved giltwood mirror,<br />
19th century<br />
79 x 69cm<br />
$150–250<br />
351<br />
A lobed form parquetry and marquetry<br />
inlaid mahogany salon mirror, English,<br />
early 20th century<br />
92 x 62cm<br />
$100–200<br />
344
28<br />
358<br />
A George III Chippendale style carved<br />
mahogany settee<br />
upholstered in green silk<br />
92cm high, 122cm wide, 50cm deep<br />
PROVENANCE<br />
The Rodney Davidson Collection,<br />
Leonard Joel, Melbourne Lot 306<br />
$600–800<br />
359<br />
A gilded tooled leather bound bible,<br />
late 19th century<br />
$50–100<br />
360<br />
An assorted collection of reference<br />
books, auction <strong>cat</strong>alogues and classics<br />
including Charles Dickens and Duma<br />
$100–200<br />
361<br />
A pair of chintz upholstered easy chairs<br />
$300–500<br />
362<br />
A George III mahogany string inlaid fold<br />
over card table<br />
74cm high, 89cm wide, 41cm deep<br />
$400–600<br />
363<br />
A George III oak extension dining table<br />
with one leaf<br />
74cm high, 169cm wide (extended),<br />
113cm deep<br />
$400–600<br />
364<br />
A carved laurel leaf decorated giltwood<br />
mirror, 19th century<br />
110 x 98cm<br />
$400–600<br />
365<br />
A small flame mahogany glazed<br />
hanging bookcase, 19th century<br />
71cm high, 68cm wide, 25.5cm deep<br />
$150–250<br />
366<br />
A Moroccan brass tray table on stand<br />
56cm high, 65cm diameter<br />
$100–200<br />
367<br />
A mahogany extension dining table,<br />
English 19th century<br />
with two leaves<br />
71cm high, 360cm deep, 155cm deep<br />
$400–600<br />
368<br />
A Louis XVI giltwood fauteuil a la Reine<br />
the channelled back rail surmounted by<br />
a carved ribbon, the padded back and<br />
arm raised on acanthus carved outswept<br />
supports, with original buttoned<br />
down upholstery<br />
PROVENANCE<br />
The Andre Fink Collection, Bonham’s,<br />
Lot 159, October 2010<br />
$3,000–5,000<br />
358
29<br />
369<br />
A Gothic revival carved oak hall settle,<br />
French, 19th century<br />
with relief carved busts of noblemen<br />
and carved lion arms<br />
171cm high, 139cm wide and<br />
46cm deep<br />
$1,200–1,500<br />
370<br />
A pair of Louis XV style caned bergeres<br />
upholstered in pale grey Ralph Lauren<br />
woollen fabric<br />
PROVENANCE<br />
The Interior Decorator Sale, Mossgreen,<br />
Melbourne, October 2015, Lot 156<br />
$1,200–1,500<br />
371<br />
A George II style walnut child’s chair,<br />
19th century<br />
with a vase shaped central splat, the<br />
solid seat raised on cabriole legs<br />
PROVENANCE<br />
Purchased Jonn Dunn Antiques,<br />
September 1994<br />
$300–500<br />
369
30<br />
372<br />
Two large Chinese urns<br />
decorated with panels of phoenix<br />
and dragons<br />
the largest 97cm high<br />
$500–800<br />
373<br />
A three drawer acanthus leaf decorated<br />
sideboard<br />
84cm high, 250cm wide, 54cm deep<br />
$300–500<br />
374<br />
A Regency style child’s carver chair,<br />
19th century<br />
with scroll carved arms and a drop in<br />
seat raised on sabre legs<br />
372<br />
PROVENANCE<br />
Purchased Jonn Dunn Antiques,<br />
September 1987<br />
$300–500<br />
373
31<br />
375<br />
A bronzed figure of a Roman maiden<br />
145cm high<br />
$600–800<br />
376<br />
A set of twelve mahogany dining chairs<br />
$600–800<br />
377<br />
A large provincial fruitwood dining table<br />
80cm high, 220cm wide, 140cm deep<br />
$600–800<br />
378<br />
A George III mahogany fold-over<br />
tea table<br />
with a single frieze drawer raised<br />
on square supports<br />
75cm high, 87cm wide, 96cm deep.<br />
$500–800<br />
379<br />
A Louis XVI style provincial painted<br />
marble top credenza<br />
with a rounded rectangular marble top<br />
and wire doors and sides<br />
119cm high, 148cm wide, 49cm deep<br />
$800–1,200<br />
380<br />
A pair of William and Mary upholstered<br />
walnut side chairs<br />
padded back and seat and upholstered<br />
in yellow linen, turned cross stretchers<br />
$400–600<br />
381<br />
Two carved oak elbow chairs, English,<br />
late 17th/18th century<br />
each pierced and carved with foliate<br />
scrolls and turned stretchers, later<br />
upholstered seats<br />
$1,000–1,500<br />
382<br />
A burr walnut marquetry wine table,<br />
English, 19th century<br />
75cm high, 46cm diameter<br />
$150–250<br />
383<br />
A pair of Louis XV carved giltwood<br />
fauteuil, 19th century<br />
$800–1,200<br />
384<br />
A George III mahogany music<br />
Canterbury<br />
52cm high, 49cm wide, 34cm deep<br />
$200–300<br />
385<br />
A Regency mahogany wine table,<br />
circa 1830<br />
66cm high, 36cm wide, 33cm deep<br />
$100–200<br />
386<br />
A Napoléon III walnut rouge marble top<br />
brass mounted vitrine<br />
112cm high, 111cm wide and<br />
39cm deep<br />
$800–1,200<br />
375
32<br />
387<br />
A set of eight French oak caned seat<br />
dining chairs<br />
with stripped pink removable cushions<br />
$600–800<br />
388<br />
A large Louis XV & gilt bronze mounted<br />
walnut marble top commode<br />
87cm high, 124cm wide and<br />
48cm deep.<br />
$1,800–2,200<br />
389<br />
A Louis XV style Chinoiserie decorated<br />
red lacquer bureau de dame<br />
135cm high, 74cm wide, 48cm deep<br />
$1,200–1,500<br />
390<br />
A walnut three door glazed bookcase,<br />
French 19th century<br />
205cm high, 196cm wide and<br />
39cm deep<br />
$1,500–2,000<br />
391<br />
A provincial pine glazed corner cabinet<br />
189cm high, 90cm wide, 90cm deep<br />
$200–300<br />
392<br />
A circular Parquet des Versailles style<br />
table<br />
75cm high, 180cm diameter<br />
$1,200–1,500<br />
393<br />
A pair of French provincial walnut side<br />
tables<br />
72cm high, 80cm wide, 50cm deep<br />
$500–800<br />
394<br />
A pair of French provincial walnut side<br />
tables<br />
72cm high, 80cm wide, 50cm deep<br />
$500–800<br />
395<br />
Two Italian provincial style oak side<br />
tables<br />
90cm high, 50cm wide, 65cm deep<br />
$600–800<br />
387
33<br />
396<br />
A provincial pine cellarette<br />
of sarcophagus form with domed<br />
hinged lid and cone finial<br />
45cm high, 59cm wide, 43cm deep<br />
$200–300<br />
397<br />
A Charles II style cream linen<br />
upholstered walnut side chair<br />
$100–200<br />
398<br />
A French provincial parquetry top<br />
coffee table<br />
45cm high, 153cm wide, 92cm deep<br />
$200–300<br />
396<br />
399<br />
A contemporary Chinese style opium<br />
bed coffee table<br />
47cm high, 207cm wide, 135cm deep<br />
$300–500<br />
400<br />
A large cream vellum clad trunk<br />
52cm high, 201cm wide, 49cm deep<br />
$500–800<br />
401<br />
A French provincial style walnut writing<br />
desk<br />
75cm high, 177cm wide and<br />
88cm deep<br />
$500–800<br />
402<br />
A Chinese elm sideboard<br />
84cm high, 157cm wide and<br />
42cm deep.<br />
$300–500<br />
403<br />
A Moroccan wrought iron green mosaic<br />
tile top garden table<br />
73cm high, 200cm wide, 100cm deep<br />
$500–800
34<br />
404<br />
A Louis XV style French oak dining<br />
table<br />
73cm high, 304cm wide, 101cm deep<br />
$800–1,200<br />
405<br />
A George III style apprentice mahogany<br />
drop side table, late 19th century<br />
39cm high, 45cm wide, 53cm deep<br />
$60–80<br />
406<br />
A large mahogany reverse break front<br />
library bookcase, English, 19th century<br />
with a reverse breakfront cornice<br />
above six arch paneled glazed cabinet<br />
doors, the projecting lower section with<br />
conforming solid doors on a plinth base<br />
260cm high, 326cm wide, 48cm deep<br />
$4,000–6,000<br />
407<br />
404
35<br />
407<br />
A set of three French School classical<br />
engravings, 19th century<br />
comprising L’Adonis du Vatican,<br />
L’Appollon de Face and Le Faune<br />
de Barberini<br />
50 x 35cms<br />
PROVENANCE<br />
Decorative Arts Sale, Leonard Joel,<br />
June 2011, Lot 356<br />
$800–1,000<br />
407 (Detail)
36<br />
Property from a Private Collection, Melbourne<br />
408<br />
A Philip’s ‘9 inch’ terrestrial globe<br />
on stand<br />
with a brass axis, the globe stamped<br />
‘Philips 9 inch Terrestrial Globe.<br />
Warm currents red, cold currents<br />
blue. Principal Shipping routes with<br />
distances in Nautical Miles.. 4520...<br />
London Geographical Institute. George<br />
Philip & Son Ltd. 32 Fleet St. Printed in<br />
Great Britain’<br />
53cm high<br />
$500–800<br />
409<br />
A brass telescope on stand by Watkins,<br />
Charing Cross, London, circa 1780<br />
with original brass tripod base stand<br />
and wooden box, signed around the<br />
eyepiece WATKINS Charing Cross<br />
LONDON<br />
the tube with eyepiece fully extended<br />
85cm<br />
$1,000–1,500<br />
410<br />
An early 19th century brass telescope<br />
on a later brass stand<br />
the telescope 41cm long, the stand<br />
30cm high<br />
$1,800–2,500<br />
411<br />
A Bennett’s patent school-room orrery,<br />
first half 20th century<br />
26cm high, 48cm wide<br />
$300–500<br />
412<br />
A brass mahogany desk ornament<br />
orrery, 20th century<br />
in the form of a brass mounted lawn<br />
bowling ball, the screw top enclosing a<br />
fully functional brass orrery with handle<br />
winder<br />
11.5cm high, 12.5cm diameter<br />
$600–800<br />
408
37<br />
409<br />
413<br />
A fine kaleidoscope, after the original by<br />
Wm. Leigh of Newton<br />
the cylindrical body tube with rack<br />
and pinion and worm screw geared<br />
mechanism, with an ebonised handle<br />
activating two independent periphery<br />
geared collar tubes rotating at different<br />
speeds and fitted with two mirror angle<br />
setting levers, each scale engraved from<br />
6-12, supported on a compass joint<br />
with rack-work altitude adjustment on a<br />
mahogany and brass telescopic stand<br />
and tripod base with ebonised castors,<br />
levelling screws with acorn finials and<br />
two circular stretcher rings, the outer ring<br />
engraved 1. Who could, from thy outward<br />
case, Half thy hidden beauties trace? 2.<br />
Who from such exterior show, Guess<br />
the gems within that glow! 3. Emblem of<br />
the mind divine, Cased within its mortal<br />
shrine., the inner ring engraved ‘original W.<br />
LEIGH, NEWTON MAKER C.1822, replica<br />
G. Gyori, Melbourne’ 41cm high<br />
$3,000–5,000<br />
414<br />
A large brass sector, 19th century<br />
engraved with linear scales,<br />
fitted cedar case<br />
70cm<br />
$600–800<br />
413
38
39<br />
415<br />
415<br />
A limited edition Grand Orrery, after the original<br />
mounted on an ebonised wooden base surmounted by<br />
a circular brass plate engraved with signs of the Zodiac,<br />
months of the year and the four seasons, the central<br />
stepped and turned brass column surmounted by a brass<br />
sun, the geared arms supporting the planets and moons<br />
of earth’s solar system<br />
52cm high, 78cm diameter<br />
$18,000–25,000
40<br />
416<br />
416<br />
An unusual flintlock key pistol<br />
constructed entirely of steel, the key<br />
also forming the barrel, with a shaped<br />
oval bow and exposed trigger<br />
12cm<br />
$500–800<br />
417<br />
A flintlock powder tester, late<br />
18th/19th century<br />
Of pistol form, with large steel indi<strong>cat</strong>or<br />
wheel numbered from ‘1’ to ‘11’ on<br />
one side, mounted on a bracket with<br />
indi<strong>cat</strong>or point on one side, and with<br />
ovoidal anvil fitting against the top<br />
of a circular chimney above the<br />
touch-hole, the bracket retained<br />
by a ring-headed screw, lightly<br />
engraved lock, figured full stock,<br />
chamfered pommel, engraved<br />
brass trigger-guard<br />
19cm<br />
$1,800–2,500<br />
417<br />
418<br />
A continental flintlock tinder-lighter,<br />
late18th/early century<br />
with steel lock plates, strike and tinder<br />
compartment, carved walnut stock and<br />
U shaped steel stand<br />
24.5cm<br />
$1,200–1,500<br />
418
41<br />
419<br />
419<br />
An Ernst Plank gauge III Vulkan<br />
passenger set, live steam European<br />
outline locomotive, circa 1895<br />
model 0-4-0, comprising the<br />
locomotive with ‘Vulkan’ stamp, tender,<br />
gondola and coach with a six piece<br />
circular track section and original box<br />
the locomotive 14cm high, 16cm long<br />
NOTE<br />
Ernst Plank & Company started out<br />
in 1866 in Nüremberg Germany as<br />
a toy-repair shop. Named after the<br />
company founder, they made magic<br />
lanterns, steam engines, die cast<br />
metal planes, boats, cars, steamboats<br />
and sewing machines produced from<br />
pressed tin plate. At one time it was the<br />
second largest manufacturer of magic<br />
lanterns. The company was lo<strong>cat</strong>ed at<br />
Hochfederstrasse 40 in Nüremberg.<br />
Plank’s toys were notable for their<br />
quality, often being ornate in design<br />
and more finely finished than other<br />
manufacturers of that era.<br />
$1,500–2,500<br />
420<br />
A German Bing 135/12 hot air engine,<br />
circa 1910<br />
30cm high, 30cm wide, 12cm deep<br />
$1,000–1,500<br />
421<br />
An automata ‘tea drinking’ doll,<br />
circa 1900<br />
modelled as figure of a doll seated<br />
at a table drinking from a deli<strong>cat</strong>e<br />
cup and saucer<br />
30cm high<br />
$1,500–2,500<br />
420
42<br />
422<br />
423<br />
422<br />
A German brass equinoctial universal<br />
inclining sundial compass, 19th century<br />
the circular compass within an<br />
inscribed octagonal case with hinged<br />
brass axis and pin<br />
8.5 x 8.5cm<br />
$150–250<br />
423<br />
An Austrian miniature brass octant,<br />
by G. Sadtler, Vienna, 19th century<br />
inscribed ‘G. Sadtler in Wien’, fitted<br />
wooden case<br />
10cm high<br />
$400–600<br />
424<br />
A gilt brass striking carriage clock,<br />
French, 19th century<br />
with a lever platform, striking on a gong,<br />
enamel dial, Roman numerals, fully<br />
glazed case and brass carrying handle<br />
17.5cm high<br />
$600–800<br />
425<br />
A gilt brass strike repeating carriage<br />
clock<br />
with a lever platform, bell strike, gilded<br />
fret dial, Arabic numerals, subsidiary<br />
alarm dial and bevelled glass plate<br />
19cm high<br />
$300–500<br />
426<br />
A Junghans swinging timepiece,<br />
circa 1930<br />
within a brass drum case forming the<br />
upper part of a gridiron pendulum with<br />
counter-weight, held aloft by a spelter<br />
figure of the onion boy<br />
40cm high<br />
$500–800<br />
427<br />
A European rush light on stand,<br />
18th century<br />
with hand wrought steel mounts<br />
120cm high<br />
$100–200<br />
428<br />
A small brass domed sundial compass,<br />
19th century, and a brass Seidel ring<br />
time piece, after the antique<br />
each 4.5cm diameter<br />
$200–300<br />
424
43<br />
429<br />
An Eggert & Son Two-day Marine<br />
Chronometer, New York, no. 220<br />
silvered roman numeral dial, gold hands,<br />
up/down indi<strong>cat</strong>or, and seconds bit,<br />
signed movement and dial ‘Eggert &<br />
Son no. 220’, chain fusee movement,<br />
maintaining power, two-arm bimetallic<br />
balance, helical hairspring, jeweled<br />
escape and balance, mounted in a<br />
brass gimbaled bowl and housed in a<br />
three-tier brass-bound mahogany box<br />
with carrying handles<br />
the case 17cm high, 16.5cm wide,<br />
16.5cm deep<br />
$5,000–8,000<br />
430<br />
A Japanese marine chronometer,<br />
V-279, circa 1945<br />
silvered roman numeral dial, gilded<br />
hands, up/down indi<strong>cat</strong>or, and seconds<br />
bit, inscribed with Japanese script,<br />
chain fusee movement, maintaining<br />
power, two-arm bimetallic balance,<br />
helical hairspring, jewelled escape and<br />
balance, mounted in a brass gimbaled<br />
bowl and housed in a three-tier brassbound<br />
oak box with carrying handles<br />
and a silvered plate marked V-279<br />
the case 19cm high, 18.5cm wide,<br />
18.5cm deep<br />
$3,000–5,000<br />
430<br />
429
44<br />
431<br />
A gold crossbow fibula (brooch),<br />
probably 2nd or 3rd century A.D.<br />
testing with minimum purity of 18 carat,<br />
with chased decoration to the bow, the<br />
arch with spherical terminals, decorated<br />
with additional rosettes<br />
11cm, 128 grms<br />
$8,000–10,000<br />
432<br />
Five bronze fibula, probably Roman<br />
1st - 3rd century A.D.<br />
comprising three cross-bow form<br />
clips and two short bow shaped clips,<br />
together with a small Egyptian figure<br />
of Anubis<br />
the largest fibula 8.2cm, the figure<br />
6.2cm<br />
$600–800<br />
433<br />
A 19th century Swiss walnut music box,<br />
F. Conchon, Geneva<br />
with a single brass cylinder playing six<br />
airs, contained within a marquetry and<br />
string inlaid box<br />
14cm high, 54cm wide, 22.5cm deep<br />
$600–800<br />
434<br />
A Northern European forged iron broad<br />
axe, probably Carinthian, 17th century<br />
the axe head 41cm<br />
$150–250<br />
435<br />
A brass refracting telescope on stand<br />
by Watson and Sons Ltd, London,<br />
late 19th century<br />
with a wooden containing extra lenses<br />
and various eye pieces, signed around<br />
the eyepiece WATSON & SONS<br />
313 HIGH HOLBORN LONDON 734,<br />
and numbered 1482, large folding<br />
mahogany floor standing wooden<br />
tripod<br />
the tube<br />
107cm long<br />
$2,500–3,000<br />
436<br />
A rare late Victorian cased aphrometer<br />
or champagne test gauge by Hayward<br />
Tyler & Co., London, circa 1890<br />
with two removable spears and<br />
contained within its original leather<br />
case<br />
19cm<br />
$200–300<br />
437<br />
A 19th century ebony and brass breast<br />
drill made by G. Buck, London<br />
well crafted and bearing a brass band<br />
to the handle inscribed ‘G. Buck, Maker<br />
247 Tottenham Court Road<br />
32cm long<br />
$100–200<br />
438<br />
A brass pocket barometer by Calderoni<br />
es Tarsa, Budapest, circa 1900<br />
circular brass case, the silvered signed<br />
Calderoni es Tarsa<br />
7cm diameter<br />
$100–200<br />
439<br />
A miniature walnut cased music box,<br />
probably Swiss, 19th century<br />
with a key wind mechanism and single<br />
brass cylinder playing airs, contained<br />
within a burr walnut and mother-ofpearl<br />
inlaid box<br />
5cm high, 13cm wide, 8.5cm deep<br />
$300–500<br />
440<br />
A single draw terrestrial refractor,<br />
by Dolland, London, 19th century<br />
with a tapered ebonised body, the draw<br />
further inscribed with the initials M. J.<br />
52cm fully extended<br />
$200–300<br />
441<br />
A collection of five various antique<br />
planes, 19th century and later<br />
comprising<br />
together with two antique iron axe<br />
heads<br />
the largest plane 43cm long<br />
$500–800<br />
442<br />
A piece of barbed wire from the iron<br />
curtain in Hungary, circa 1940<br />
$50–100<br />
431
45<br />
Other Properties<br />
443<br />
A Herend porcelain figure of a gypsy<br />
and horse<br />
44cm high, 47cm wide<br />
$200–300<br />
444<br />
A pair of vellum clad trunks<br />
70cm high, 52cm wide, 53cm deep<br />
$400–600<br />
445<br />
A set of six green painted wrought iron<br />
garden chairs<br />
$300–500<br />
446<br />
A large pine refectory table, English,<br />
19th century<br />
76cm high, 333.5cm wide, 89cm deep<br />
$2,000–3,000<br />
447<br />
A burl walnut music Canterbury, English<br />
19th century<br />
113cm high, 60cm wide, 42cm deep<br />
$100–200<br />
448<br />
A George III mahogany bow<br />
front chest of drawers<br />
79cm high, 102cm wide<br />
and 50cm deep<br />
$400–600<br />
449<br />
A George III mahogany<br />
string inlaid fold-over card<br />
table<br />
75cm high, 91.5cm wide,<br />
44cm deep<br />
$600–800<br />
450<br />
A George III style<br />
mahogany open armchair<br />
upholstered in peach silk<br />
demask<br />
$500–800<br />
451<br />
A George III flame mahogany desk<br />
78cm high, 91cm wide, 50cm deep<br />
$400–600<br />
443<br />
444
46<br />
452<br />
452<br />
A Biedermeier beechwood suite<br />
comprising a chaise lounge and four<br />
chairs upholstered in black velvet<br />
the chaise 186cm long<br />
$500–800<br />
453<br />
A French provincial style oak hall table<br />
79cm high, 211cm wide, 52cm deep<br />
$600–800<br />
454<br />
A William and Mary style carved walnut<br />
caned high back chair<br />
$150–250<br />
455<br />
A gilt-tooled leather top mahogany<br />
pedestal partners desk<br />
78cm high, 158cm wide, 101cm deep<br />
$800–1,200<br />
456<br />
A George III astragal glazed mahogany<br />
corner cabinet<br />
216cm high, 94cm wide, 94cm deep<br />
$400–600<br />
452
47<br />
457<br />
A Royal Doulton Fanling vase,<br />
Burslem Artwares<br />
limited edition stamped to base<br />
141/250<br />
18cm high<br />
$300–500<br />
458<br />
A Royal Doulton sung flambe vase<br />
limited edition stamped to base<br />
139/350<br />
18cm high<br />
$200–300<br />
459<br />
A Royal Doulton Nanjing bowl,<br />
Burslem Artwares<br />
limited edition stamped to base 83/250<br />
16cm high<br />
$300–500<br />
460<br />
A rectangular rosewood centre table,<br />
English 19th century<br />
72cm high, 118cm wide, 60cm deep<br />
$400–600<br />
461<br />
A yellow embossed silk upholstered<br />
three seater sofa by Kim Moir Bespoke<br />
250cm length of back<br />
$1,800–2,500<br />
462<br />
A pair of large red and gold four fold<br />
screens by Kim Moir Bespoke<br />
270cm high, 140cm wide<br />
$1,800–2,500<br />
463<br />
A mahogany and marble top gilt-bronze<br />
mounted and marquetry inlaid tall boy,<br />
French 19th century<br />
128cm high, 63cm wide, 37cm deep<br />
$500–800<br />
457<br />
464<br />
A pair of Empire style table lamps<br />
with cream silk shades<br />
97cm high with shade<br />
$1,000–1,200<br />
465<br />
A gilt-bronze mounted walnut marble<br />
top pedestal, French, circa 1840<br />
107cm high, 40cm diameter<br />
$500–800<br />
466<br />
A fine neo-classical Carrara marble<br />
bath, Italian, 18/19th century<br />
53cm high, 139cm wide, 60cm deep<br />
$1,200–1,500<br />
458<br />
459
48<br />
467<br />
A pair Spode of porcelain French<br />
shaped urns, circa 1820<br />
inscribed mark to base: SPODE 2375<br />
in underglaze red<br />
13cm high<br />
$600–800<br />
468<br />
A First Period Worcester mug,<br />
circa 1755<br />
decorated with the plantation pattern<br />
9cm high<br />
$600–800<br />
469<br />
A Chantilly porcelain spiralled pot a jus<br />
and cover, circa 1770<br />
inscribed to the base with a hunting<br />
horn mark and R in underglaze blue<br />
7.5cm high<br />
PROVENANCE<br />
Bernard Gomes, Paris<br />
$300–500<br />
470<br />
A Mennecy porcelain pot à fard,<br />
circa 1765-70<br />
impressed marks to the base Mennecy<br />
‘Duc de Villeroy’ DV mark and P<br />
7cm high<br />
$200–300<br />
471<br />
A Mennecy fruit and foliate decorated<br />
sugar bowl and cover, circa 1760<br />
impressed marks to the base Mennecy<br />
‘Duc de Villeroy’ DV mark<br />
12cm high<br />
$500–700<br />
472<br />
A Regency cut glass custard cup<br />
and cover<br />
10cm high<br />
$200–300<br />
473<br />
A Veuve Perrin faience coffee cup<br />
and saucer, circa 1765<br />
inscribed marks to base: VP in gilt<br />
the coffee can 5cm high<br />
$300–500<br />
474<br />
A La Courtille porcelain pot à fard,<br />
Paris circa 1770<br />
inscribed to base: crossed arrows mark<br />
in underglaze blue<br />
8cm high<br />
$200–300<br />
475<br />
A Chantilly porcelain tea bowl and<br />
saucer, circa 1770<br />
inscribed to base: hunting horn mark<br />
in underglaze blue<br />
the saucer 12.5cm<br />
$200–300<br />
476<br />
A Worcester sparrow beak jug,<br />
circa 1765-70<br />
with blue scale ground and<br />
Kakiemon style decoration<br />
marked to base: fret mark in<br />
underglaze blue<br />
7.5cm high<br />
$300–500<br />
467
49<br />
477<br />
477<br />
Two Worcester porcelain plates,<br />
circa 1770<br />
with blue scale ground with flowers in<br />
elaborate gilt edge reserves<br />
inscribed to bases: fret mark in<br />
underglaze blue<br />
22.5cm diameter<br />
$500–800<br />
478<br />
A Sevres sugar bowl and cover,<br />
circa 1760<br />
inscribed marks to base: interlaced<br />
L’s and date letter G, painters mark for<br />
Jean-Louis Morin (1732-1787)<br />
7cm high<br />
$600–800<br />
479<br />
A French creamware custard cup<br />
and cover, circa 1760<br />
9cm high<br />
$120–150<br />
480<br />
A Doccia porcelain gilt<br />
Chinoiserie decorated teabowl<br />
and saucer, circa 1750<br />
the teabowl 4.5cm high<br />
$1,800–2,500<br />
478
50<br />
481<br />
481<br />
A Saint-Cloud tobacco pot and silver<br />
mounted cover, circa 1720-1730<br />
14cm high<br />
$800–1,200<br />
482<br />
A Japanese sake cup by Aoki Mokubei<br />
(1767 - 1833)<br />
5cm diameter<br />
$300–500<br />
483<br />
A Japanese sake cup by Katsumo<br />
Hiroskuni<br />
6cm diameter<br />
$100–500<br />
484<br />
A Japanese sake cup<br />
with presentation box, 7.5cm diameter<br />
together with a Japanese green glazed<br />
porcelain sake cup, 7cm diameter<br />
$150–250<br />
485<br />
A First Period Worcester teabowl and<br />
saucer, circa 1775<br />
decorated with three flower pattern<br />
inscribed to base: crescent mark in<br />
underglaze blue<br />
the teabowl 4cm high<br />
$150–250<br />
486<br />
A pair of French gilt bronze mounted<br />
Japanese Imari dishes, late<br />
18th/19th century<br />
23cm diameter, 11cm high<br />
$500–800<br />
487<br />
A Wedgwood creamware pierced<br />
and foliate decorated fruit basket,<br />
circa 1915<br />
impressed marks to base: WEDGWOOD<br />
/ 3KQ, and inscribed pattern number<br />
mark A6215<br />
28cm across the handles<br />
$100–200<br />
488<br />
A Spode porcelain reticulated chestnut<br />
basket and stand, circa 1810<br />
decorated with printed blue flying<br />
pennant pattern<br />
the basket 23cm across the handles<br />
$500–800<br />
489<br />
A small Paris La Courtille porcelain pot<br />
à fard, circa 1770<br />
7cm high<br />
$150–250<br />
490<br />
A porcelain handled knife, probably Bow<br />
or Chelsea, 18th century<br />
27cm long<br />
$150–250<br />
491<br />
A Meissen Kakiemon patern knife,<br />
circa 1750<br />
stamped marks to blade: GR / RB & R<br />
21.5cm long<br />
$300–500
51<br />
492<br />
493<br />
492<br />
A Bow porcelain foliate decorated<br />
sparrow beak jug, circa 1760<br />
8.5cm high<br />
$300–500<br />
493<br />
A Mennecy porcelain three footed<br />
foliate decorated jug, circa 1760<br />
marked to base DV<br />
11cm high<br />
$400–600<br />
496<br />
A pair of Penningtons Liverpool sauce<br />
boats, circa 1780<br />
10cm high<br />
LITERATURE<br />
for a similar example see Watney<br />
‘Liverpool Porcelain’, p91<br />
$300–500<br />
497<br />
A Chantilly porcelain sugar bowl and<br />
cover, circa 1760<br />
with rose finial and decorated with<br />
landscapes in the Vincennes style<br />
inscribed hunting horn mark to base<br />
10cm high<br />
$1,200–1,500<br />
494<br />
A small Spode porcelain basket,<br />
circa 1830<br />
7.5cm diameter<br />
$150–250<br />
495<br />
A Mennecy fruit decorated dish,<br />
circa 1755-60<br />
impressed mark to base: DV<br />
18cm diameter<br />
$1,000–1,500<br />
494
52<br />
505<br />
A pair of Wedgwood creamware plates,<br />
circa 1790<br />
impressed marks to base<br />
25cm diameter<br />
$100–200<br />
506<br />
A Chantilly porcelain foliate decorated<br />
sugar bowl, circa 1750<br />
inscribed to base: .L.<br />
5.5cm high<br />
$120–150<br />
498<br />
A Saint-Cloud snuff box in the form of a<br />
recumbent monk, circa 1750<br />
decorated with Kakiemon flowers, silver<br />
mounts<br />
5cm high<br />
$1,500–2,500<br />
499<br />
A Worcester porcelain thistle tea bowl<br />
and saucer, circa 1785<br />
the tea bowl inscribed to base: crescent<br />
mark in underglaze blue<br />
the saucer 14cm diameter<br />
$150–250<br />
500<br />
A Locré & Russinger porcelain figure of<br />
a gardeners companion, circa 1775<br />
inscribed mark to the base: crossed<br />
flaming torches in underglaze blue<br />
17cm high<br />
NOTE<br />
Laurentius Russinger worked as a<br />
modeller at the Höchst porcelain<br />
factory prior to moving to Paris.<br />
A similar model of the gardeners<br />
companion exists which is attributed to<br />
Russinger on which this model would<br />
be based.<br />
$250–350<br />
498<br />
501<br />
A Wedgwood game pie dish,<br />
insert and cover, circa 1860<br />
impressed mark to base: WEDGWOOD<br />
15cm high, 27cm wide, 20cm deep<br />
$400–600<br />
502<br />
A Tournai porcelain mustard pot and<br />
cover, French mid 18th century<br />
inscribed to base: G<br />
9.5cm high<br />
$150–250<br />
503<br />
A Worcester porcelain plate, circa 1790<br />
decorated with the fisherman and<br />
cormorant print<br />
mark to base: mock oriental mark in<br />
underglaze blue<br />
20cm diameter<br />
$100–200<br />
504<br />
Two KPM Berlin porcelain plates,<br />
circa 1800<br />
one decorated with a tulip,<br />
the other a rose<br />
inscribed to base: sceptre marks in<br />
underglaze blue<br />
24cm diameter<br />
$100–200<br />
507<br />
A Japanese Arita blue foliate decorated<br />
plate, circa 1680-1700<br />
20.5cm diameter<br />
$250–350<br />
508<br />
A Bow porcelain handled knife,<br />
circa 1750<br />
stamped mark to blade: BROWN<br />
29.5cm long<br />
$120–150<br />
509<br />
A Japanese Kakiemon dish, circa 1720<br />
decorated with a flying phoenix<br />
14.5cm diameter<br />
$400–600<br />
510<br />
Two Royal Worcester rose decorated<br />
vases, circa 1909<br />
one signed H. Martin<br />
$300–500<br />
511<br />
A Chamberlain’s Worcester porcelain<br />
vase, circa 1880<br />
hand painted with the scene of Malvern<br />
within a gilded cartouche<br />
14.5cm tall.<br />
$100–200<br />
512<br />
A pair of Royal Worcester rose<br />
decorated vase by Kitty Blake,<br />
circa 1894<br />
24cm high<br />
$150–250
53<br />
513<br />
513<br />
A Royal Worcester two handled berry<br />
decorated urn by Kitty Blake, 1934<br />
signed to body: K. Blake and stamped<br />
to base with Royal Worcester mark and<br />
date cipher for 1934<br />
15cm high<br />
$100–200<br />
514<br />
A Royal Worcester reticulated vase by<br />
George Owen, dated 1906<br />
the globular body pierced with a band<br />
of honeycomb rising to a slender neck<br />
with a flared quatrefoil rim, the body<br />
incised in gold AH 1906, gold factory<br />
mark and shape number 789<br />
12.5cm high<br />
$1,500–2,500<br />
515<br />
A pair of Chinese powder blue<br />
ormolu mounted vases, French,<br />
late 19th century<br />
of waisted form with foliate decoration<br />
to the foot and rim<br />
17cm high<br />
$600–800<br />
514
54<br />
516<br />
A silver painted Indian temple<br />
on wrought iron base<br />
93cm high, 77cm wide, 50cm deep<br />
(excluding base)<br />
$500–800<br />
517<br />
A fine Kashan pattern Persian silk rug<br />
with a central medallion on an ivory field<br />
within green borders<br />
222 x 136cm<br />
$800–1,200<br />
518<br />
An Afghan medallion rug<br />
in tones of red with a geometric border<br />
and a medallion field<br />
316 x 250cm<br />
$600–800<br />
519<br />
A Persian pattern hall runner,<br />
20th century<br />
with repeating medallion design<br />
402 x 79cm<br />
$200–300<br />
520<br />
A red ground Afghan rug, 20th century<br />
with central medallion decorated with<br />
birds<br />
172 x 95cm<br />
$200–300<br />
521<br />
A Tusirkan rug, South West Iran,<br />
circa 1930<br />
185 x 147cm<br />
$700–900<br />
522<br />
A Shaherbabak rug, South Iran<br />
204 x 164cm<br />
$800–1,200<br />
523<br />
A Baktyari rug, South West Iran,<br />
circa 1940<br />
235 x 163cm<br />
$1,300–1,500<br />
524<br />
A Mehraban runner, North West Iran<br />
287 x 75cm<br />
$400–600<br />
525<br />
A Houssinabad rug, West Iran<br />
301 x 205cm<br />
$1,800–2,500<br />
526<br />
A Baktyari rug, South West Iran<br />
322 x 206cm<br />
$2,000–2,500<br />
527<br />
A Fradan rug, South West Iran,<br />
circa 1930<br />
310 x 206cm<br />
$2,000–2,500<br />
516
55<br />
517
56<br />
528<br />
An unusual novelty silver smoker’s<br />
companion, London, 1881<br />
modelled as a milk cart with pails and<br />
other dairy related items, diamond<br />
resignation marks (1876) with sterling<br />
assay marks<br />
PROVENANCE<br />
Purchased Shapiro Auctions, Sydney,<br />
The Collection of John Hawkins, 2009<br />
$200–300<br />
528<br />
529<br />
A Louis XV style carved fruitwood<br />
bombe commode<br />
89cm high, 120cm wide, 67cm deep<br />
$600–800<br />
529
57<br />
530<br />
530<br />
An Italian Pietra Dura panel of two<br />
song-birds<br />
within a velvet mounted giltwood frame<br />
the panel 8 x 12cm<br />
$200–300<br />
531<br />
A rare Louis XV serpentine marble<br />
and carved console table, French,<br />
18th century<br />
80cm high, 94cm wide, 46cm deep<br />
$1,000–1,500<br />
532<br />
A large circular satinwood centre table,<br />
English or French circa 1865<br />
75cm high, 140cm wide, 95cm deep<br />
(oval)<br />
$1,000–2,000<br />
533<br />
A Portuguese Colonial coromandel<br />
and bronze mounted bureau,<br />
18th century<br />
122cm high, 126cm wide, 62cm wide<br />
$600–800<br />
534<br />
A rare and finely caved walnut roll<br />
top bureau, Alsace Region, French,<br />
18th century<br />
113cm high, 102cm wide, 66cm deep<br />
$800–1,000<br />
535<br />
A large red painted cast iron lantern<br />
bracket in the form of a knight’s arm,<br />
French 19th century<br />
90cm high<br />
$500–800<br />
536<br />
A George III mahogany straight front<br />
bureau<br />
100cm high, 92cm wide, 50cm deep<br />
$500–800<br />
537<br />
A kingwood and ebony veneered and<br />
gilt bronze mounted tall boy, French<br />
19th century<br />
130cm high, 64cm wide, 34cm deep<br />
$500–800
58<br />
538<br />
538<br />
ATTRIBUTED TO HENRY FOLEY<br />
(ENGLISH, 1848-1874)<br />
Untitled (Santa Maria Burgos)<br />
oil on canvas<br />
29.5 x 45cm<br />
$400–600<br />
539<br />
A Lladro porcelain limited edition figure<br />
of a mother and child<br />
signed and numbered to base:<br />
Antonio Ramas No. 121<br />
44cm high, 50cm wide, 27cm deep<br />
$300–500<br />
540<br />
A walnut serpentine fronted commode,<br />
Italian 18th century<br />
90cm high, 125cm wide, 63cm deep<br />
$800–1,200<br />
541<br />
A satinwood bachelor’s chest, English,<br />
circa 1845<br />
with finely enamelled handles<br />
90cm high, 97cm wide, 50cm deep<br />
$500–800<br />
539
59<br />
542<br />
An Arts and Crafts oak mirror back hall<br />
stand, English, early 20th century<br />
215 high, 122cm wide, 40cm deep<br />
$500–800<br />
543<br />
A sienna tasselled silk brocade sofa<br />
length of back 210cm<br />
$1,500–2,500<br />
544<br />
An unusual grand tour bronze banquet<br />
lamp modelled as Silenius and the<br />
Serpent, late19th century<br />
with a frosted and etched orb form<br />
shade<br />
61cm high<br />
$1,800–2,500<br />
545<br />
A French wrought metal wine cage<br />
113cm high, 103cm wide, 58cm deep<br />
$500–800<br />
546<br />
A Louis XVI style walnut bergere<br />
upholstered in ecru and cream<br />
$800–1,200<br />
547<br />
A pair of French Empire bronze and gilt<br />
bronze mounted candelabra<br />
41cm high<br />
$800–1,000<br />
548<br />
A Charles II tortoiseshell and ebonised<br />
mirror<br />
with a later bevelled edge plate<br />
107 x 86cm<br />
NOTE<br />
In its original form this mirror would<br />
more than likely have had a stumpwork<br />
inner slip and a smaller plate. For a<br />
similar example see Bonhams, London,<br />
New Bond Street, The Provenance Sale,<br />
Fine English Furniture, Works of Art and<br />
Sculpture, 3 Nov 2010, lot 3<br />
$1,500–2,500<br />
542
60<br />
549<br />
551
61<br />
550<br />
549<br />
GEORGE L. SEYMOUR (BRITISH)<br />
A Trooper 2nd Dragoon<br />
(Scots Grey) and Lieutenant<br />
2nd Life Guards<br />
two watercolours<br />
titled lower left and signed lower left:<br />
G L Seymour<br />
40 x 33cm (each)<br />
together with two prints ‘Officer of the<br />
British Army’, 12.5 x 10cm each<br />
$100–200<br />
551<br />
A carved walnut twin pedestal partners<br />
desk, French, 19th century<br />
80cm high, 151cm wide, 104cm deep<br />
$1,000–1,500<br />
552<br />
A large Anglo Indian iron bound<br />
damchiya trunk, 19th century<br />
the domed hinged lid and body with<br />
applied heavy wrought iron lock-plates,<br />
strapping and handles<br />
92cm high, 141cm wide, 78cm deep.<br />
$800–1,200<br />
550<br />
A cased magic lantern projector<br />
with English hand coloured slides,<br />
late 19th century<br />
approximately fifty slides including<br />
three kaleidoscopic rackwork slides,<br />
fourteen articulated slipping slides<br />
and a collection of slides with English<br />
castles and palaces by Carpenter &<br />
Wesley<br />
$4,000–6,000<br />
552
62<br />
553<br />
A pair of George III mahogany side<br />
chairs<br />
$400–600<br />
554<br />
A set of eight Spanish style leather<br />
upholstered walnut dining chairs<br />
$500–800<br />
555<br />
A Regency style rosewood marquetry<br />
inlaid shield back chair<br />
$80–120<br />
556<br />
A carved mahogany writing table,<br />
French, circa 1840<br />
96cm high<br />
$600–800<br />
553<br />
554
63<br />
557<br />
558<br />
557<br />
JEAN- PIERRE MONCERET<br />
(FRENCH 1813-1888)<br />
Portrait of Monsieur Louis Pech<br />
oil on canvas<br />
signed and dated centre left: Monseret<br />
1878 and inscribed verso: Mr PECH<br />
Louis, Ne le Jour de l’Ascenton en<br />
1805, Peint le 20 Avril, 1878<br />
58 x 47cm<br />
$300–500<br />
558<br />
Two large Indian torchères<br />
123cm high<br />
$400–600
64<br />
559<br />
559<br />
A Loetz silver overlay iridescent glass<br />
vase, circa 1900<br />
the silver overlay formed as twining<br />
leafage over the iridescent blue green<br />
bulbous form<br />
9cm high<br />
$400–600<br />
560<br />
A French provincial style three seat<br />
settee<br />
upholstered in beige linen<br />
length of back 208cm<br />
$500–800<br />
561<br />
A large bronze model after Isidore<br />
Jules Bonheur (1827-1901) of a horse<br />
and jockey, French, early 20th century<br />
105cm high, 80cm wide<br />
$1,800–2,500<br />
562<br />
A bell striking lantern clock, Japanese,<br />
19th century<br />
the weight driven twin foliate etched<br />
escapement within a brass case and<br />
dial ring, alarm and day/date apertures<br />
in dial, timber base and backboard, tall<br />
timber stand<br />
172cm high, 26cm wide, 30cm deep<br />
$3,500–4,500<br />
563<br />
A Swiss deck watch, circa 1940<br />
white bakelite cased clock, white<br />
face, black Roman numerals, seconds<br />
markers, fully jewelled, within a<br />
hinged wooden box, accompanied<br />
by a department of defence mark<br />
and rating certifi<strong>cat</strong>e from H.M.<br />
Chronometer Depot, Bradford-on-<br />
Avon<br />
the watch 7.3cm diameter, the box<br />
12.3cm high, 9.5cm wide, 6.5cm deep<br />
$400–600<br />
560
65<br />
564<br />
564<br />
An Adam-style foliate crave<br />
giltwood over mantel mirror, English,<br />
19th century<br />
64 x 134cm<br />
$500–800<br />
565<br />
A handwoven Persian silk prayer rug<br />
95 x 62cm<br />
$500–800<br />
566<br />
A George III mahogany bracket<br />
clock, circa 1790<br />
By J. Jackson, London and Bristol<br />
the gilt mounted mahogany bell top<br />
case with female caryatids and urnform<br />
finials, decorated throughout<br />
with applied scrolling foliate<br />
decoration raised on bracket feet,<br />
twin fusee, bell striking, eight-day<br />
spring driven movement with anchor<br />
escapement and maintaining power<br />
beating half seconds, calendar<br />
aperture below the centre arbour,<br />
break arch enamel dial signed J.<br />
Jackson, Bristol and London<br />
61cm high, 38cm wide, 22cm deep<br />
$4,000–6,000<br />
565
66<br />
567<br />
Two Staffordshire cockerel figures<br />
and an Italian figure of a pheasant,<br />
19th century<br />
the Staffordshire cockerel with separate<br />
head probably by Enoch Wood<br />
the tallest 24cm high<br />
$300–500<br />
568<br />
A pair of wrought iron garden chairs<br />
$100–200<br />
569<br />
Two Chinoiserie decorated wine jar<br />
lamps<br />
converted to electricity<br />
100cm high without shade<br />
$600–800<br />
570<br />
An Art Deco strut clock<br />
Oval form, polished brass, luminous<br />
numbers and hands, machine turned<br />
detail, face stamped ‘8 Days’, c.1930.<br />
8 x 6cm.<br />
$200–300<br />
571<br />
A Louis XV style gilt bronze mounted<br />
porcelain clock garniture, 19th century<br />
finely painted throughout with bucolic<br />
scene figural panels and floral<br />
cartouche reserved on a bleu celeste<br />
ground, with gilt bronze masks, mounts<br />
and finials,<br />
eight day bell striking movement<br />
the urns 33cm high, the clock<br />
35cm high<br />
$2,500–3,500<br />
567<br />
568
67<br />
572<br />
A pair of reconstituted stone<br />
garden urns<br />
decorated with fruit swag and<br />
Bacchus masks<br />
136cm high<br />
$800–1,200<br />
573<br />
A turned circular top occasional table<br />
with triangular base, Continental<br />
17th/18th century<br />
74cm high, 74cm wide, 56cm deep<br />
$500–800<br />
574<br />
A carved giltwood ceiling light, Italian<br />
19th century<br />
125cm high<br />
$800–1,000<br />
580<br />
A polychrome decorated carved oak<br />
panel of a huntsman in a landscape,<br />
North German 18th century<br />
27cm high, 37cm wide<br />
$400–600<br />
581<br />
A French Empire marquetry inlaid<br />
gilt bronze mounted portico clock,<br />
late 19th century<br />
the movement stamped Leroy, Paris<br />
the case stamped Thevenard<br />
55cm high, 29cm wide, 16cm deep<br />
$1,800–2,200<br />
582<br />
A Louis XV style gilt bronze mounted<br />
porcelain mantel clock, 19th century<br />
painted with floral panels reserved<br />
on a bleu celeste ground, the case<br />
decorated with classical motifs and<br />
surmounted by two doves, enamel<br />
dial, eight day locking plate bell striking<br />
movement<br />
28cm high, 22cm wide, 13cm deep<br />
$1,000–1,500<br />
583<br />
Two large composite table torcheres<br />
76.5cm tall<br />
$400–600<br />
575<br />
A porcelain mounted marble top thuyawood<br />
occasional table, Continental,<br />
circa 1900<br />
75cm high, 35cm diameter<br />
$600–800<br />
576<br />
Two carved wood models of eagles,<br />
Swiss or German 19th century<br />
20cm high, 45cm wide<br />
$300–500<br />
577<br />
A pair of polychrome painted dummy<br />
boards figures of soldiers, French,<br />
18th/19th century<br />
150cm high<br />
$1,000–2,000<br />
578<br />
An Empire style settee<br />
length of back 217cm<br />
$800–1,000<br />
579<br />
A finely carved wood figure of an eagle,<br />
Low Countries, 19th century<br />
46cm high<br />
$300–500<br />
572
68<br />
Chinese & Asian Works of Art<br />
Session III – Tuesday 6 August 2019, 5pm approximately<br />
584<br />
A pale celadon and russet jade carving<br />
of a Qilin<br />
the coiled recumbent figure on a<br />
scrolling cloud form base<br />
5cm wide<br />
$400–600<br />
585<br />
A Tianhuang soapstone ‘chilong’ seal,<br />
19th/20th century<br />
of square form with a red stained<br />
carved seal to the base and a two<br />
character inscription to the face<br />
3.5cm high.<br />
十 九 / 二 十 世 紀 青 龍 雕 田 黃 石 印<br />
$400–600<br />
586<br />
Two Japanese earthenware figures,<br />
late19th/early 20th century<br />
each modelled as Daikokuten<br />
tallest 33.5cm high<br />
$300–500<br />
587<br />
A Chinese spinach jade ink stone<br />
carved with a writhing dragon<br />
17.5cm long, 8.5cm wide<br />
翠 玉 硯 台 一 件<br />
$400–600<br />
588<br />
An unusual marbled white jade ring<br />
ornament<br />
of circular form with a central aperture<br />
5.5cm diameter<br />
$600–800<br />
589<br />
A white hardstone snuff bottle<br />
of compressed rectangular form carved<br />
with landscape scenes and a dragon to<br />
one side<br />
7.5cm high<br />
龍 雕 鼻 煙 壺 一 件<br />
$400–600<br />
590<br />
A gilded enamel and coral Buddha<br />
pendant<br />
of pierced cylindrical form enclosing a<br />
seated Buddha<br />
5.5cm high<br />
坐 佛 像 搪 瓷 與 珊 瑚 墜 飾 一 件<br />
$800–1,000<br />
591<br />
A Tibetan silver-gilt prayer ring<br />
the pierced spinner decorated with<br />
floral motifs and figures<br />
3cm diameter<br />
藏 傳 佛 教 鍍 銀 戒 指 一 只<br />
$300–400<br />
592<br />
A small zitan circular box<br />
3cm high, 5cm diameter<br />
小 型 紫 檀 圓 盒 一 件<br />
$200–300<br />
593<br />
A Japanese bronze figure of a scholar<br />
and a duck, 19th century<br />
37cm high, 19cm wide, 18cm diameter<br />
$800–1,200<br />
584<br />
585<br />
594<br />
Two Chinese gilt bronze hair ornaments,<br />
possibly T’ang Dynasty<br />
16cm long<br />
青 銅 髮 飾 一 對 可 能 來 自 唐 代<br />
$400–600
69<br />
595<br />
A Tianhuang soapstone boulder<br />
carving of a figure beneath a tree<br />
with a carved wooden stand<br />
4.5cm high, 49 grams<br />
$1,000–1,500<br />
596<br />
A russet jade carving of birds in a<br />
prunus tree<br />
ornately pierced and carved with<br />
flowering branches and birds, carved<br />
wooden stand<br />
13cm high, not including the stand<br />
$600–800<br />
597<br />
A small Chinese carved ivory brush pot,<br />
19th century<br />
finely carved with pavilions and figures<br />
in a landscape<br />
7.8cm high, 5cm diameter<br />
$300–500 ♦<br />
599<br />
A Chinese silver plate dragon frame,<br />
late 19th century<br />
the lobed circular frame moulded in<br />
high relief with two writhing dragons<br />
25cm diameter<br />
十 九 世 紀 晚 期 龍 紋 鍍 銀 畫 框<br />
$200–400<br />
600<br />
A small Chinese flambe-glazed bottle<br />
vase, 19th century<br />
13cm high<br />
十 九 世 紀 小 型 紅 黑 窯 變 釉 花 瓶 一 件<br />
$400–600<br />
601<br />
A Chinese covered beaker,<br />
18th century<br />
13cm high<br />
$300–500<br />
602<br />
A Chinese Imari tea bowl and saucer,<br />
18th century<br />
the tea bowl 4cm high<br />
$100–200<br />
603<br />
A Japanese Imari dish, 18th century<br />
15cm diameter<br />
$50–100<br />
598<br />
Three Tibetan ‘Dzi’ beads<br />
each with a circular dragon mark<br />
each approximately 2.7cm long<br />
$300–500<br />
595 596
70<br />
608<br />
Two Chinese jade carvings,<br />
19th century<br />
comprising a pale celadon jade figure<br />
of a boy, seated on a large ribbed gourd<br />
and holding a lotus stem<br />
together with a green and russet jadeite<br />
pendant, carved and pierced with<br />
lingzhi and a bat<br />
6.5cm high and 7cm high<br />
十 九 世 紀 白 玉 雕 小 童 與 綠 褐 色 荔 枝 蝙<br />
蝠 墜 飾 一 對<br />
$300–500<br />
604<br />
A pale celadon carved jade plaque<br />
of shaped square form with a central<br />
pierced aperture, carved to both sides<br />
with bats in flight<br />
5cm high, 5cm wide<br />
小 型 青 白 玉 牌 一 件<br />
$200–300<br />
605<br />
A pair of celadon jade bowls,<br />
Qing Dynasty<br />
10cm diameter, 6cm high<br />
清 代 青 瓷 綠 雕 玉 碗 一 對<br />
$6,000–8,000<br />
604<br />
606<br />
A celadon and russet jade carved<br />
plaque<br />
ornately pierced and carved as a<br />
chilong riding a mythical beast<br />
7cm high, 11cm wide<br />
青 赤 色 玉 牌 一 件<br />
$500–800<br />
607<br />
A carved pale celadon jade gilt metal<br />
pendant<br />
of tear-drop form carved with a bird<br />
perched amongst scrolling foliage<br />
7cm high<br />
青 玉 水 滴 狀 墜 飾<br />
$400–500<br />
609<br />
A Chinese pale celadon carved jade<br />
pendant<br />
carved to one side with figures and<br />
lotus, the reverse carved with a four line<br />
calligraphy inscription<br />
7.2cm high, 4.4cm wide<br />
$500–800<br />
610<br />
A Chinese pale celadon carving<br />
of two birds<br />
5cm wide<br />
$600–800<br />
611<br />
A celadon jade snuff bottle<br />
of compressed ovoid form with scroll<br />
handles, decorated to each side with a<br />
writhing dragon, turquoise stopper<br />
6.2cm high<br />
青 玉 鼻 煙 壺<br />
$300–500<br />
605
71<br />
615<br />
A carved celadon jade pendant<br />
pierced and carved with a stylised<br />
cicada and scrolling lotus, circular link<br />
metal chain<br />
5cm high, 10cm wide<br />
玉 雕 墜 飾 一 件<br />
$400–600<br />
615<br />
616<br />
A Chinese cocoon jar,<br />
possibly Han dynasty<br />
34cm high<br />
$300–500<br />
612<br />
A carved celadon jade ewer and cover<br />
the pear-shaped body with loop handle<br />
and tapering spout, carved in low relief<br />
with lotus scrolls, fluted domed cover<br />
and finial<br />
14.5cm high<br />
PROVENANCE<br />
Sotheby’s Australia, Fine Asian,<br />
Australian & European Art,<br />
Decorative Arts & Furniture, Melbourne,<br />
14 & 15 May, 2012, lot 452<br />
$2,000–3,000<br />
613<br />
A Chinese blanc de chine wine cup,<br />
18th century<br />
with moulded foliate decoration<br />
6.5cm diameter<br />
$150–250<br />
614<br />
A carved amethyst quartz snuff bottle<br />
with carved decoration of a monkey<br />
6cm high<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
紫 水 晶 猴 雕 鼻 煙 壺 一 件<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$100–200<br />
612
72<br />
617<br />
617<br />
A celadon and russet jade boulder<br />
carving, Qing Dynasty, 18th century<br />
finely carved as a peach with two bats<br />
amidst scrolling foliage in low relief,<br />
Spink & sons label to the base<br />
7.8cm wide<br />
十 八 世 紀 清 赤 色 青 玉 石 雕<br />
PROVENANCE<br />
Jane Carnegie, in association with six<br />
London dealers, Exhibition and Sale,<br />
Georges Gallery, 162 Collins Street<br />
Melbourne, 21 May, 1981, lot 49<br />
$8,000–12,000<br />
618<br />
A celadon and russet jade carving of<br />
an Ox<br />
the recumbent animal carved with three<br />
attendants<br />
4cm high, 10cm wide, 7.5cm deep<br />
青 赤 色 水 牛 玉 雕 一 件<br />
$500–800<br />
619<br />
A celadon and russet jade boulder<br />
carving of a Chilong and cub<br />
5cm high, 7.5cm wide, 3.5cm deep<br />
青 赤 色 玉 抱 石 雕 有 青 龍 與 小 獸<br />
$400–600<br />
620<br />
A pale celadon carved jade figure of a<br />
Chilong<br />
the mythical beast crouching with tail<br />
coiled<br />
8cm wide<br />
白 玉 臥 青 龍 一 件<br />
$400–500<br />
621<br />
A russet and celadon carved jade bi<br />
disc<br />
carved with two chilong dragons, the<br />
reverse with incised ribbon decoration<br />
8.5cm wide<br />
青 赤 色 龍 紋 玉 碟 一 件<br />
$500–800<br />
622<br />
A white jade carving of a fish and a<br />
mottled jade carving of a cicada<br />
the fish is 8cm, the cicada is 6.5cm<br />
白 玉 魚 雕 與 雜 色 玉 蟬 雕 一 對<br />
$300–500<br />
623<br />
A celadon jade carving of a figure<br />
under a tree<br />
the seated figure holding a staff and<br />
seated beneath a branch hung with a<br />
gourd<br />
8cm high<br />
白 玉 人 像 雕 一 件<br />
$200–300<br />
624<br />
A set of five carved celadon jade<br />
buttons<br />
each carved as a lotus flower head<br />
2cm diameter<br />
$200–300<br />
625<br />
A carved celadon and russett jade<br />
figure of a Qilin<br />
recumbent figure modelled holding a<br />
bowl in its fore-paws<br />
6cm high, 11.5cm wide<br />
玉 麒 麟 一 件<br />
$300–500
73<br />
618<br />
619<br />
620<br />
621<br />
622<br />
623
74<br />
627<br />
626<br />
626<br />
A green jade ‘taotie mask’ snuff bottle,<br />
Late Qing Dynasty<br />
of compressed oval form with carved<br />
taotie masks to the shoulders<br />
6.5cm high<br />
$100–200<br />
627<br />
A fine gilt bronze figure of a Qilin,<br />
Qing Dynasty<br />
the recumbent figure with head turned,<br />
raised on a carved scrolling lotus stand<br />
the figure 4.5cm high, 8cm wide,<br />
4.5cm deep<br />
雍 正 款 流 金 臥 麒 麟<br />
$3,000–5,000<br />
628<br />
An emerald green Burmese carved<br />
jadeite pendant<br />
modelled as a toad perched on a gourd,<br />
wooden stand<br />
6cm high<br />
緬 甸 祖 母 綠 玉 石 吊 墜 一 件<br />
$300–400<br />
628
75<br />
629<br />
A white jade carving of lingzhi and lotus<br />
finely pierced and carved with scrolling<br />
lingzhi and a single lotus<br />
9cm long<br />
靈 芝 與 睡 蓮 玉 雕 一 件<br />
$600–800<br />
630<br />
A carved russet and pale celadon jade<br />
ruyi sceptre<br />
of typical form with, the head carved<br />
with two bats, tasselled cord<br />
26.5cm long<br />
白 玉 如 意 一 件<br />
$1,000–1,500<br />
631<br />
A pair of Chinese famille noire style<br />
table lamps<br />
with black and grey tasselled shades<br />
82cm high<br />
$400–600<br />
632<br />
A large famille rose bowl, 20th century<br />
14cm high, 42cm diameter<br />
$300–500<br />
633<br />
A pair of Chinese crackle glaze lobe<br />
form bowls, 20th century<br />
7.5cm high, 12cm diameter (each)<br />
$600–800<br />
634<br />
A pair of covered bowls, Republic<br />
period<br />
each decorated with a female figure<br />
collecting flowers<br />
11cm diameter, 8.5cm high<br />
$400–600<br />
635<br />
A Chinese gilded lacquer work box<br />
of octagonal form with pierced and<br />
carved panels<br />
31cm high, 35cm wide, 22cm deep<br />
$300–500<br />
629 630
76<br />
637<br />
A Chinese aubergine, yellow and green<br />
glazed puzzle wine pot and cover,<br />
19th century<br />
in the Kangxi manner<br />
22cm high<br />
十 九 世 紀 ( 款 康 熙 ) 黃 綠 圖 紋 倒 流 壺 一 只<br />
$800–1,200<br />
638<br />
An unusual silver mounted rhodonite,<br />
turquoise and enamel temple form box<br />
possibly Harbin origin, late 19th/early<br />
20th century<br />
19.5cm high, 14.5cm diameter<br />
十 九 / 二 十 世 紀 罕 見 廟 宇 狀 盒 子 飾 以 玫<br />
瑰 , 綠 松 石 以 及 琺 瑯<br />
極 可 能 來 自 哈 爾 濱<br />
$1,800–2,500<br />
637<br />
636<br />
A Peking glass brush washer<br />
the green-overlay pink glass body<br />
decorated with panels of flowering<br />
peach branches within lappet borders<br />
4.5cm high, 8cm diameter<br />
琉 璃 筆 洗 一 件<br />
$600–800<br />
636 638
77<br />
639<br />
A Peking glass bowl<br />
the green-overlay white glass<br />
body decorated with gold fish<br />
and flowering lotus<br />
8cm high, 25cm diameter<br />
翠 綠 金 魚 琉 璃 碗 一 只<br />
$1,200–1,500<br />
640<br />
A carved Chinese rosewood stand<br />
12cm high, 45cm wide, 29cm deep<br />
$150–250<br />
641<br />
A Chinese lacquer and brass<br />
dinner gong<br />
60cm high, 40cm wide, 25cm deep<br />
$400–600<br />
642<br />
A pair of Ding-style incised<br />
earthenware bowls<br />
of circular form with an unglazed rim,<br />
the interior decorated with floral scrolls<br />
6cm high, 18.5cm diameter (each)<br />
$1,200–1,500<br />
639<br />
643<br />
A Chinese carved and gilded hardwood<br />
table screen, early 19th century<br />
18cm high, 35cm wide, 35cm deep<br />
$300–500<br />
644<br />
A Chinese silver mounted green stone<br />
wine cup, late 19th century<br />
with coral and turquoise inlay flanked<br />
by pierced and carved handles<br />
6cm high<br />
十 九 世 紀 晚 期 銀 飾 綠 岩 酒 杯<br />
$1,500–2,500<br />
645<br />
An unusual lotus decorated<br />
baluster vase<br />
20.5cm high<br />
$300–500<br />
644
78<br />
646<br />
A large carved greenstone weight,<br />
possibly Chinese, 19th century<br />
with lobed corners, carved with a boy<br />
and a large toad<br />
13cm high, 28cm wide, 23.5cm deep<br />
$600–800<br />
647<br />
An unusual sea green crackle glaze<br />
bowl, possibly Sung/Yuan Dynasty<br />
of lobed circular form with a slightly<br />
flared rim, darkened crackling to the<br />
glaze throughout<br />
6cm high, 18.5cm diameter<br />
$500–800<br />
648<br />
A Chinese blanc de chine libation cup,<br />
late 19th century<br />
of rhinoceros horn form, relief<br />
decorated with dragons and pine<br />
branches<br />
7cm high, 14cm wide<br />
$400–600<br />
649<br />
A pair of Sung style lobed dishes<br />
each of shaped circular form with a pale<br />
creamy glaze<br />
13.5cm diameter<br />
$400–600<br />
650<br />
A small Japanese porcelain fan form<br />
box, late Meiji Period<br />
the interior decorated with butterflies<br />
12cm wide<br />
$50–100<br />
651<br />
A small Chinese polychrome<br />
decorated saucer dish<br />
of lotus form decorated with a scene<br />
of figures and scholars<br />
17.5cm diameter<br />
$100–200<br />
652<br />
A Chinese porcelain fish bowl,<br />
20th century<br />
decorated in Imari tones with panels of<br />
flowers and gilded highlights<br />
41cm high, 53cm diameter<br />
$200–300<br />
653<br />
A Chinese porcelain fish bowl, 20th<br />
century<br />
decorated with panels of birds and<br />
scrolling foliage<br />
42cm high, 53cm diameter<br />
$200–300<br />
654<br />
A Chinese porcelain fish bowl,<br />
20th century<br />
decorated in the Imari style with<br />
landscape panels and scrolling foliage<br />
42cm high, 53cm diameter<br />
$200–300<br />
646
79<br />
655<br />
A large carved greenstone weight,<br />
possibly Chinese, 19th century<br />
of rectangular form, carved with<br />
a Shi-Shi and cub holding a ball<br />
12cm high, 28cm wide, 23.5cm deep<br />
$600–800<br />
656<br />
A Chinese porcelain fish bowl,<br />
20th century<br />
decorated in famille rose colours with<br />
panels of figures within scrolling foliate<br />
borders<br />
42cm high, 53cm diameter<br />
$200–300<br />
657<br />
JAPANESE SCHOOL<br />
River<br />
watercolour<br />
signed lower right<br />
51.5 x 75.5cm<br />
$200–300<br />
658<br />
A Chinese blue glazed bottle vase and a<br />
large celadon glaze covered jar<br />
the vase 32cm high, the covered jar<br />
25cm high<br />
$200–300<br />
659<br />
A pair of Chinese sang de bouef vases<br />
the tallest 40cm high<br />
$400–600<br />
660<br />
A matched pair of Chinese sang de<br />
beouf lidded urns<br />
24cm high<br />
$400–600<br />
661<br />
A matched pair of Chinese sang de<br />
beouf lidded urns<br />
the tallest 25cm high<br />
$400–600<br />
662<br />
A Chinese hardstone inlaid lacquer sixfold<br />
screen, late 19th century<br />
each panel 182cm high, 41cm wide<br />
$600–800<br />
663<br />
A dual panel porcelain table screen,<br />
signed<br />
each framed rectangular panel painted<br />
with a bird on a branch, within a hinged<br />
elm and rosewood frame<br />
each panel 26.5 x 19.5cm including<br />
the frame<br />
$400–600<br />
664<br />
A tea-dust Gu-form vase<br />
with a rich green glaze, moulded seal<br />
mark to the base<br />
12cm high<br />
$300–500<br />
655
80<br />
665<br />
A gilt bronze figure of buddha<br />
the figure with serene expression and<br />
seated in dhayanasana raised on lotus<br />
throne<br />
34.5cm high<br />
$800–1,200<br />
666<br />
A large pair of Japanese red and black<br />
lacquer decorated vases, Meiji Period<br />
(1868-1912)<br />
63cm high<br />
$600–800<br />
667<br />
A turquoise blue glazed pottery vase,<br />
possibly 13th century Persian<br />
13cm high<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
十 三 世 紀 波 斯 帝 國 藍 綠 陶 瓶<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$200–300<br />
668<br />
A small brown glazed censer,<br />
possibly Ming<br />
together with a small cream glazed<br />
vase, with a burnt orange interior, raised<br />
on lug feet<br />
the censer 6.5cm high, 10cm diameter,<br />
the vase 13.5cm high<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
約 明 代 小 型 棕 色 釉 面 香 爐 一 件<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$400–600<br />
665
81<br />
672<br />
A small Tibetan turquoise decorated<br />
censer in the form of a mythical animal,<br />
19th century<br />
the standing figure encrusted with<br />
turquoise and coral beads<br />
12cm high<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
十 九 世 紀 小 型 西 藏 青 綠 麒 麟 香 爐<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$200–300<br />
672<br />
669<br />
A repousse gilt bronze figure of White<br />
Tara, 19th century<br />
seated in Dhyanasana on a double lotus<br />
throne, her right hand lowered in varada<br />
mudra and her left raised in vitarka<br />
mudra, with serene expression and<br />
wearing a lotus tiara, carved wooden<br />
stand<br />
14cm high<br />
十 九 世 紀 青 銅 鍍 金 白 度 母 雕 像 一 件<br />
$2,000–3,000<br />
670<br />
A collection of three pieces of Chinese<br />
porcelain, 18th century and later<br />
comprising a celadon tripod censer, a<br />
Sang de Boeuf brush washer and a pale<br />
celadon covered dish<br />
the largest 11.5cm diameter<br />
$500–800<br />
671<br />
A Chinese red painted covered pail<br />
43cm high<br />
$200–300<br />
669
82<br />
673<br />
674<br />
673<br />
A Jun ware splashed blue glaze bowl<br />
of circular form with an unglazed foot,<br />
the interior with a deli<strong>cat</strong>e crimson<br />
streak to one side<br />
6.5cm high, 13cm diameter<br />
$500–800<br />
674<br />
A Jun ware splashed blue glaze bowl<br />
of circular form with an unglazed foot,<br />
with a flambe splash and crackle glaze<br />
to the interior<br />
6cm high, 13cm diameter<br />
$500–800<br />
675<br />
A powder blue porcelain brush washer<br />
of compressed circular form, the base<br />
inscribed in underglaze blue with a sixcharacter<br />
Qianlong seal mark<br />
9cm diameter, 5cm high<br />
粉 藍 瓷 筆 洗 一 件<br />
$300–500<br />
676<br />
A powder blue circular covered box and<br />
cover, mark of Qianlong<br />
the base inscribed in underglaze blue<br />
with a six-character Qianlong sealmark<br />
9cm diameter<br />
$200–300<br />
677<br />
A large gilded mazarin blue lobed vase<br />
of lobed baluster form with a flared rim<br />
painted with a scene of shi-shi playing<br />
with a ball, turquoise glazed interior and<br />
foot, the base inscribed in iron-red with<br />
an apocryphal six-character Qianlong<br />
seal mark<br />
33cm high<br />
$1,000–1,500<br />
678<br />
A carved Northern Song style Ding<br />
lotus dish<br />
with angled sides rising from a broad<br />
base, the interior carved with a single<br />
lotus sprig<br />
16.5cm diameter<br />
北 宋 風 格 蓮 花 瓷 盤 一 件<br />
$300–500<br />
679<br />
A peachbloom-type shallow footed<br />
bowl, seal mark of Qianlong<br />
the interior and base glazed white, the<br />
base inscribed with a six character seal<br />
mark in underglaze blue<br />
21cm diameter<br />
乾 隆 款 高 腳 淺 碟 一 件<br />
$400–600<br />
675
83<br />
680<br />
A Chinese Mazarine blue monochrome<br />
vase, late 18th century<br />
of baluster form with a flared rim in a<br />
deep blue glaze, the base with a Joshua<br />
McClelland Print Room label inscribed<br />
‘baluster shaped vase in mazarin<br />
blue with chicken skin glaze, late<br />
18th century, C.3894’<br />
21.5cm high<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
十 八 世 紀 晚 期 寶 藍 單 色 花 瓶 一 只<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$500–800<br />
676<br />
677<br />
680
84<br />
682<br />
681<br />
A T’ang style bronze figure of a<br />
Bodhisattva<br />
the standing figure with a flame mandorla<br />
and holding a branch and an urn<br />
42cm high<br />
唐 風 銅 鍍 菩 薩<br />
$1,200–1,500<br />
682<br />
A cloisonné snuff bottle, mark of<br />
Qianlong, probably 19th century<br />
oviform, decorated with stylised dragon<br />
masks to each side below a band of<br />
ruyi to the neck and flaming pearls to<br />
the shoulders all on a turquoise ground,<br />
with matching stopper, pauwa shell<br />
decorated wooden box<br />
6.5cm high<br />
約 十 九 世 紀 乾 隆 款 景 泰 藍 鼻 煙 壺 一 件<br />
$1,200–1,500<br />
681
85<br />
683<br />
A large Chinese bronze censer,<br />
circa 1930<br />
of circular form with a relief moulded<br />
frieze decoration of mythical animals<br />
amongst foliage raised on three boldly<br />
cast Tao-Tieh mask feet<br />
37cm high, 32cm diameter<br />
$1,500–2,500<br />
684<br />
A Chinese painting attributed<br />
to Zhang Daqian<br />
Lady in a Bamboo Forest<br />
signed upper left<br />
ink/watercolour on paper<br />
80 x 29cm<br />
$600–800<br />
685<br />
An unusual coral glazed dragon plate,<br />
bearing signature for Wang Bingrong,<br />
late Qing Dynasty<br />
the heavily potted plate relief moulded<br />
with two dragons chasing a flaming<br />
pearl, impressed seal mark to base,<br />
raised on a well carved wooden stand<br />
27cm diameter<br />
$300–500<br />
683
86<br />
686<br />
DING YANYONG (1902-1978)<br />
T’ING Yin-Yung - 丁 衍 庸 - TING<br />
Yin-Yung<br />
Crane and Flower<br />
ink/colour on paper (framed)<br />
signed and inscribed<br />
69 x 45cm<br />
PROVENANCE<br />
East West Art, Melbourne<br />
Private collection, Melbourne<br />
$4,000–6,000<br />
687<br />
A Chinese scroll painting<br />
Bird on a flowering branch<br />
watercolour<br />
signed and inscribed upper left: Loo<br />
Ming Jan<br />
77 x 33cm<br />
$300–500<br />
688<br />
DING YANYONG (1902-1978)<br />
T’ING Yin-Yung - 丁 衍 庸 - TING<br />
Yin-Yung<br />
Landscape with Pavilion and Figures<br />
ink/colour on paper (framed)<br />
signed and inscribed upper left<br />
96.5 x 35.5cm<br />
PROVENANCE<br />
East West Art, Melbourne<br />
Private collection, Melbourne<br />
$4,000–6,000<br />
686<br />
689<br />
A Chinese painting attributed to Leng<br />
Mei<br />
Ladies and Children in a landscape<br />
signed lower left<br />
ink/watercolour on paper<br />
47 x 70cm<br />
$600–800<br />
690<br />
A small Korean elm scholar’s chest,<br />
19th century<br />
36cm high, 90cm wide, 31cm deep<br />
$250–350
87<br />
687<br />
688
88<br />
691<br />
691<br />
A pair of Chinese red lacquered elm<br />
yoke back chairs<br />
$200–300<br />
692<br />
A Chinese glazed pottery figure of a<br />
female Courtier and a white glazed<br />
earthenware ox, Tang Dynasty<br />
figure of lady 13cm high, the ox<br />
10.5cm high<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
唐 代 陶 女 官 與 水 牛 一 對<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$400–600<br />
692
89<br />
693<br />
A Chinese scroll signed Sai Li,<br />
late 19th century<br />
depicting an elder and boy beneath<br />
a tree<br />
signed and inscribed upper right<br />
94cm high, 44cm wide<br />
$200–400<br />
694<br />
A Chinese red lacquer cabinet<br />
with substantial brass lock plates and<br />
handles<br />
110cm high, 62 wide, 177cm deep<br />
$300–500<br />
695<br />
A Chinese camphorwood sideboard,<br />
20th century<br />
with heavy brass lock-plates and<br />
handles<br />
74cm high, 133cm wide, 53cm deep<br />
$200–300<br />
693<br />
696<br />
A marbled ground porcelain wall vase,<br />
by Liu Yu Cheng (1904 - 1969)<br />
of compressed circular form with three<br />
slender cylindrical necks, decorated<br />
to each side with a central panel of<br />
flowers, birds and insects, signed in<br />
image<br />
15.5cm high<br />
$500–800<br />
696
90<br />
697<br />
Two Japanese Ivory Okimono, Meiji<br />
Period, late 19th/early 20th century<br />
one comprising a man holding<br />
some spring blossom with basket<br />
of persimmon at his feet. Stained<br />
highlights to robes, Signed Gyokushi<br />
to base<br />
the other a man cowering from a<br />
Dragon, signed Suigetsu, carved by<br />
Suigetsu.<br />
21cm high, 5cm wide, 8cm deep and<br />
25cm high, 9cm wide, 6cm deep<br />
$1,800–2,500 ♦<br />
698<br />
A Chinese carved ivory box decorated<br />
with pomegranate, finger citron,<br />
peaches and bats, 19th century<br />
7cm diameter<br />
$200–300 ♦<br />
699<br />
A pair of Chinese Tang style<br />
ceramic horses<br />
27cm high<br />
$300–500<br />
700<br />
A pair of Chinese Tang style<br />
ceramic horses<br />
27cm high<br />
$300–500<br />
701<br />
A pair of Chinese export green<br />
glazed lidded jars<br />
26cm high<br />
$200–300<br />
698<br />
702<br />
AFTER CHEN YIFEI<br />
Lingering Melodies from the<br />
Xunyang River<br />
oil on canvas<br />
76 x 100cm<br />
$3,000–5,000<br />
703<br />
AFTER CHEN YIFEI<br />
The Banquet<br />
oil on canvas<br />
90 x 120cm<br />
$1,200–1,500<br />
704<br />
A Chinese stained elm side cabinet,<br />
20th century<br />
103cm high, 123cm wide,<br />
38cm deep<br />
$200–300<br />
697
91<br />
705<br />
Two Japanese Ivory Okimono, Meiji<br />
Period, late 19th/early 20th century<br />
Comprising an elaborate scene of a<br />
man holding a scroll and female holding<br />
an Uchiwa, both entwined with a<br />
Dragon, Signed Gyokuzan to base<br />
and a Japanese Ivory Okimono Meiji<br />
Period, late 19th/early 20th century<br />
family of acrobat entertainers on base,<br />
signed<br />
17cm high, 6cm wide, 4cm deep and<br />
19cm high, 7cm wide, 4cm deep<br />
$1,400–1,600 ♦<br />
706<br />
Two Chinese celadon glazed<br />
covered urns<br />
the largest 33cm high<br />
$50–100<br />
707<br />
A collection of five Chinese green<br />
glazed parrots<br />
22cm tall<br />
$300–500<br />
711<br />
A Japanese bronze hibachi,<br />
late 19th century<br />
decorated with a continuous scene of<br />
birds flying above waves<br />
20cm high, 23cm diameter<br />
$100–200<br />
712<br />
A Chinese bone mounted bamboo<br />
opium pipe, late 19th century<br />
47cm long<br />
$300–500 ♦<br />
713<br />
Three Chinese brass censers<br />
the largest 12cm wide<br />
$100–200<br />
714<br />
A collection of four Annamese blue and<br />
white porcelain, 18th century and later<br />
comprising two bowls, a ginger jar and<br />
a small covered dish<br />
the largest bowl 15cm diameter<br />
$200–300<br />
715<br />
A pair Chinese cloisonné vases<br />
each of baluster form enamelled with a<br />
profusion of flower heads and scrolling<br />
foliage<br />
16.5cm high<br />
$100–200<br />
708<br />
Two large Chinese style ebonised<br />
frame mirrors<br />
170 x 107cm<br />
$600–800<br />
709<br />
A Chinese Sang de Boeuf vase,<br />
late 19th century<br />
36cm high<br />
晚 十 九 世 紀 銅 紅 釉 花 瓶 一 件<br />
$600–800<br />
710<br />
A carved bamboo censer,<br />
late Qing Dynasty<br />
pierced and carved with the figure<br />
of a seated monk beneath a pine<br />
tree<br />
20cm high, 5cm diameter<br />
晚 清 竹 雕 香 爐<br />
$1,500–2,500<br />
705
92<br />
716<br />
CHINESE SCHOOL<br />
Untitled (River Landscape)<br />
watercolour<br />
signed lower left<br />
51 x 75cm<br />
$300–500<br />
717<br />
CHINESE SCHOOL<br />
Girl with Rabbits<br />
watercolour<br />
signed lower left<br />
34 x 45.5cm (image size)<br />
$200–300<br />
716<br />
718<br />
A Chinese handpainted fan,<br />
19th century<br />
in a silver gilt frame<br />
24 x 52cm<br />
$800–1,200<br />
719<br />
A Chantilly porcelain lobed saucer,<br />
circa 1735<br />
decorated with two Chinese boys from<br />
the Japanese Kakiemon original<br />
13cm diameter<br />
$1,200–1,500<br />
717<br />
720<br />
A pair of French gilt bronze mounted<br />
marble table lamps<br />
of baluster form with classical swan<br />
neck loop handle mounts and ecru silk<br />
shades<br />
76cm high including the shades<br />
$1,000–1,200<br />
721<br />
A turquoise ground covered circular<br />
box and cover, mark of Jiajing<br />
the domed cover and footed base<br />
densely decorated in polychrome<br />
enamels with auspicious symbols within<br />
intri<strong>cat</strong>e lotus sprays, reserved on a rich<br />
turquoise ground, the base inscribed<br />
with a six-character seal mark of Jiajing<br />
8cm diameter<br />
明 嘉 靖 款 多 彩 綠 底 圓 盒 ( 含 蓋 ) 一 只<br />
$500–800<br />
718
93<br />
722<br />
An enamelled blue and white porcelain<br />
chrysanthemum vase<br />
of slender baluster form decorated<br />
with panels of peony, peach and<br />
chrysanthemum reserved on an<br />
underglaze blue and white scrolling<br />
foliate ground, the base inscribed in<br />
underglaze blue with an apocryphal sixcharacter<br />
Qianlong seal mark<br />
20cm high<br />
$600–800<br />
723<br />
A pair of Chinese export glazed pottery<br />
figures of storks, 19th century<br />
each in tones of green, yellow, white<br />
and brown<br />
28cm high<br />
$2,000–3,000<br />
721<br />
722<br />
723
94<br />
724<br />
A Blanc de Chine figure of Guanyin, late<br />
Qing Dynasty<br />
the standing figure draped in flowing<br />
robes holding a lotus, raised on a lotus<br />
applied pedestal<br />
30.5cm high<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
晚 清 時 期 白 瓷 觀 音 像 一 尊<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$600–800<br />
725<br />
A white glazed stemmed bowl,<br />
mark of Qianlong<br />
with incised decoration of scrolling<br />
lotus throughout, the interior with<br />
an incised apocryphal Qianlong sixcharacter<br />
mark to the base<br />
14.5cm diameter<br />
乾 隆 款 白 瓷 蓮 花 雕 飾 高 腳 碗<br />
$500–800<br />
726<br />
A celadon crackle glaze footed bowl,<br />
19th century<br />
of shallow circular form, the fluted body<br />
raised on three squat feet<br />
19cm diameter<br />
$400–600<br />
727<br />
A Sawankhalok celadon bottle vase,<br />
possibly 15th century<br />
of baluster form with incised decoration<br />
and a metal collar to the rim<br />
19cm highs<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
約 十 五 世 紀 泰 青 瓷 花 瓶<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$300–500<br />
724<br />
725
95<br />
730<br />
A splashed Jun-ware gilt metal<br />
mounted bowl, Song/Yuan Dynasty<br />
of circular form with crimson splashes,<br />
this piece is reputedly from the Sir Keith<br />
Murdoch Collection<br />
4.5cm high, 18.5cm diameter<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
宋 / 元 時 期 鈞 窯 瓷 碗 一 只 鑲 有 金 邊 盤 上<br />
有 深 紅 潑 濺 圖 飾<br />
源 流 : 傳 為 Sir Keith Murdoch 收 藏<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$600–800<br />
730<br />
728<br />
A Chinese yellow glaze puzzle wine pot,<br />
late Qing Dynasty<br />
of pierced serpentine form with a loop<br />
handle and spout surmounted by a<br />
cover with a Fo dog finial<br />
25cm high, 18cm wide<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
晚 清 黃 釉 色 倒 流 壺<br />
源 流 : 墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$1,000–1,500<br />
729<br />
A famille verte rouleau vase,<br />
20th century<br />
decorated with a panel of figures and<br />
a toad, the neck painted with bamboo,<br />
the base inscribed in underglaze blue<br />
with an apocryphal six-character<br />
Kangxi mark<br />
30cm high<br />
$500–800<br />
728
96<br />
731<br />
An iron-red celadon glaze stem cup,<br />
mark of Qianlong<br />
with an everted rim and flared foot<br />
decorated with peaches and bats, the<br />
base inscribed with an apocryphal<br />
six-character Qianlong seal mark in<br />
underglaze blue<br />
9cm high<br />
乾 隆 款 青 瓷 紅 釉 高 腳 碗 一 件 - 蝙 蝠<br />
與 蜜 桃<br />
$400–600<br />
732<br />
A crackle glaze pale celadon bottle<br />
vase, mark of Yonzheng<br />
the mallet form body rising to a slender<br />
neck and flared rim with an all-over<br />
crackle to the glaze, the base inscribed<br />
in underglaze blue with a six-character<br />
seal mark of Yongzheng<br />
18cm high<br />
雍 正 款 青 瓷 冰 裂 紋 花 瓶 一 只<br />
$400–600<br />
733<br />
A celadon bottle vase,<br />
mark of Qianlong<br />
the tapering bulbous body rising<br />
to a ribbed neck and flared rim<br />
with a deli<strong>cat</strong>e the glaze, the base<br />
inscribed in underglaze blue with a<br />
six-character seal mark of Qianlong<br />
18cm high<br />
乾 隆 款 青 瓷 花 瓶<br />
$200–300<br />
734<br />
A Chinese celadon glazed fluted<br />
bowl<br />
with panels of incised foliate<br />
decoration to the exterior<br />
10cm diameter<br />
$100–200<br />
731<br />
732 733
97<br />
738<br />
A pale green twin fish bowl, possibly<br />
Sung/Yuan Dynasty<br />
of circular form with an unglazed rim,<br />
the base with two fish swimming in<br />
opposite directions<br />
6cm high, 17.5cm diameter<br />
$600–800<br />
739<br />
A Chinese Longquan celadon<br />
carved jar and cover, Song Dynasty,<br />
early 12th century<br />
with a ribbed ovoid body carved with<br />
a band of overlapping upright petals<br />
below four convex bands, the wide<br />
neck flanked by lug handles, the domed<br />
cover with everted rim and a flanged<br />
ring below a pierced bud-shaped finial,<br />
crackled translucent green glaze<br />
28.5cm high<br />
宋 代 十 二 世 紀 早 期 龍 泉 青 瓷 罐<br />
$3,000–4,000<br />
738<br />
735<br />
A Longquan celadon ‘twin fish’ dish,<br />
late Southern Song/Yuan Dynasty,<br />
13th/14th century<br />
potted with deep fluted sides carved<br />
with upright lotus petals, the interior<br />
decorated with a pair of sprig-moulded<br />
fish, Jane Carnegie, Melbourne label to<br />
the base<br />
20.5cm diameter<br />
PROVENANCE<br />
Joshua McLelland Print Room<br />
<strong>cat</strong>alogue, 19 September, 1984<br />
$1,500–2,500<br />
736<br />
A celadon crackle glaze dish<br />
12.5cm diameter<br />
$200–300<br />
737<br />
A celadon crackle glaze vase,<br />
20th century<br />
10cm high<br />
$300–500<br />
735
98<br />
740<br />
An incised celadon glazed bowl, Yuan<br />
dynasty<br />
the shallow bowl and deep sides<br />
incised with foliate scrolls and<br />
flower-heads, British Antique Dealers<br />
Association label to the interior<br />
8cm high, 16cm diameter<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
元 代 青 磁 釉 碗 一 只<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$400–600<br />
740<br />
741<br />
A Guan-style celadon glaze jar<br />
the cylindrical neck and everted rim<br />
on a short tapering foot with all-over<br />
crackling to the glaze and burnt orange<br />
unglazed footrim<br />
11cm diameter<br />
NOTE<br />
for a similar example see Sotheby’s<br />
Australia, Fine Asian, Australian &<br />
European Arts & Design, Sydney, 19<br />
July, 2016, lot 31<br />
$400–600<br />
742<br />
A large heavily potted celadon glazed<br />
earthenware bowl, Korean, 20th century<br />
13cm high, 40cm diameter<br />
$1,000–1,500<br />
741<br />
742
99<br />
743<br />
A Longquan carved celadon glazed<br />
dish, Yuan Dynasty<br />
the heavily potted serpentine circular<br />
dish, with incised underglaze foliate<br />
decoration, the underside with fluted<br />
border and burnt orange footrim<br />
30cm diameter<br />
$3,000–5,000<br />
744<br />
A pale green celadon glazed covered<br />
wine pot, in the Sung/Yuan style,<br />
20th century<br />
the lobed body with panels of scrolling<br />
foliate decoration, with a loop handle<br />
and leaf cover<br />
19cm high<br />
$300–500<br />
745<br />
A pale celadon glazed vase,<br />
20th century<br />
the baluster form with a flared rim<br />
decorated with phoenix flying amongst<br />
clouds, ruyi borders<br />
23.5cm high<br />
$200–300<br />
743<br />
746<br />
A Longquan celadon glazed dish, late<br />
Ming Dynasty<br />
with central foliate incised decoration<br />
and deep ribs to the cavetto<br />
32.5cm diameter<br />
$2,000–3,000<br />
747<br />
Three Chinese celadon glazed bowls,<br />
Ming period and later<br />
comprising a large footed bowl with<br />
incised decoration and bearing a British<br />
Antique Dealers Association label to<br />
the interior; a crackle glazed footed<br />
bowl and a smaller bowl with fluted<br />
sides<br />
the largest 9cm high, 20cm diameter<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
明 代 或 更 晚 青 釉 面 碗 三 件<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$600–800<br />
746
100<br />
748<br />
748<br />
A yellow ground green enamelled dragon<br />
bowl, mark of Yongzheng<br />
the exterior finely incisedwith two five<br />
clawed dragons in pursuit of flaming<br />
pearls amidst flames and cloud scrolls, a<br />
band of Ruyi to the rim, the base inscribed<br />
with an apocryphal six-character mark of<br />
Yongzheng in underglaze blue<br />
14.5cm diameter<br />
雍 正 款 黃 底 鑲 綠 龍 紋 碗 一 只<br />
$600–800<br />
749<br />
749<br />
A calligraphy decorated covered bowl,<br />
mark of Qianlong<br />
profusely decorated throughout with<br />
tribute poetry within ruyi and lappet<br />
borders, the base and cover inscribed<br />
with an apocryphal six-character Qianlong<br />
seal mark in iron red<br />
10.5cm diameter<br />
乾 隆 款 白 底 題 詩 碗 ( 含 蓋 )<br />
$500–800<br />
750<br />
A Doucai ‘floral medallion’ wine cup, mark<br />
of Daoguang<br />
decorated with a frieze of flower heads,<br />
the base inscribed in underglaze blue with<br />
a six-character mark of Daoguang<br />
8.2cm diameter<br />
道 光 款 多 彩 花 紋 酒 杯 一 只<br />
$300–500<br />
750
101<br />
751<br />
751<br />
A yellow ground red dragon bowl<br />
of circular form the exterior decorated with<br />
two writhing dragons chasing a flaming pearl<br />
within geometric borders, the base inscribed<br />
with an underglaze blue six-character<br />
Yongzheng mark<br />
7cm high, 15cm diameter<br />
$500–800<br />
752<br />
A peach bloom bottle vase, 19th century<br />
23cm high<br />
$400–600<br />
753<br />
A yellow ground and green-glazed dragon<br />
stem cup<br />
with a circular flared rim and foot, the exterior<br />
of the bowl decorated with two dragons<br />
chasing flaming pearls, incised with an<br />
apocryphal six-character mark to the interior<br />
9cm high<br />
黃 底 飾 有 青 龍 一 對 高 腳 杯 一 只<br />
$200–300<br />
752<br />
754<br />
An ‘iron-red’ dragon bowl, mark of Kangxi<br />
decorated with a writhing dragon chasing<br />
flaming pearls amongst clouds, the interior<br />
with apocryphal six-character Kangxi mark in<br />
iron-red to the base<br />
17.5cm diameter<br />
康 熙 款 紅 色 龍 紋 碗 一 只<br />
$300–500
102<br />
755<br />
A ‘Jian’ russet-glazed tea bowl,<br />
Song Dynasty<br />
the deep rounded form with a russet<br />
hare’s fur streaked glaze<br />
9.5cm diameter<br />
$400–600<br />
756<br />
A Chinese flambe vase,<br />
18th/19th century<br />
of squat circular form, heavily potted<br />
with a thick, green and red crackled<br />
glaze, small lug handles<br />
8cm high, 12cm diameter<br />
$400–600<br />
757<br />
A peachbloom-type shallow footed<br />
bowl, seal mark of Qianlong<br />
the interior and base glazed white, the<br />
base inscribed with a six character seal<br />
mark in underglaze blue<br />
21cm diameter<br />
乾 隆 款 高 腳 淺 碟 一 件<br />
$400–600<br />
758<br />
A pair of peach bloom wine cups,<br />
mark of Yongzheng<br />
with a gilt rim, decorated to the interior<br />
with a leafy peach, each inscribed with<br />
an apocryphal six-character Yongzheng<br />
mark to the base<br />
6cm high<br />
$300–500<br />
755<br />
759<br />
A flambe-glaze double-gourd vase,<br />
19th century<br />
with a rich purple and lilac glaze running<br />
down from the neck rim, six-character<br />
seal mark to the base<br />
20cm high<br />
$2,000–3,000<br />
760<br />
A Chinese flambe vase, late 19th /early<br />
20th century<br />
the baluster form with a rich red glaze<br />
and pale lilac streaks to the neck<br />
30cm high<br />
$400–600<br />
761<br />
An under glazed blue and red porcelain<br />
stem cup<br />
of circular form with flared rim and<br />
foot, the exterior decorated with fish<br />
swimming through lotus, the interior<br />
painted with two goldfish, the base<br />
with an apocryphal under glazed blue<br />
Qianlong mark<br />
10cm high, 12cm diameter<br />
$100–200<br />
756
103<br />
757 758<br />
759 760
104<br />
762<br />
A blue and white porcelain panel,<br />
signed Wang Bu, Republic Period<br />
decorated with a scene of man and<br />
a boy fishing by a pond in a wooded<br />
landscape, signed with artists seal<br />
25cm high, 18cm wide<br />
$3,000–5,000<br />
763<br />
A pair of blue and white bowls, mark and<br />
period of Guangxu<br />
each decorated throughout with floral<br />
scrolls and Buddhist emblems above a<br />
lotus band border, the bases inscribed<br />
with a six-character Guangxu mark in<br />
underglaze blue<br />
14cm diameter<br />
$500–800<br />
764<br />
A collection of five Chinese and<br />
Annamese blue and white porcelain<br />
bowls and vessels, Ming Dynasty and<br />
later<br />
the largest bowl 16.5cm diameter, the<br />
wine pot 14cm high<br />
$300–500<br />
765<br />
A small blue and white jarlet,<br />
probably 16th century<br />
9.5cm high<br />
762<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
約 十 六 世 紀 小 型 藍 白 壺 一 件<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$200–300<br />
763
105<br />
766<br />
766<br />
Two Chinese blue and white saucer<br />
dishes, 18th century and later<br />
the largest dish 15.5cm diameter<br />
$400–600<br />
767<br />
A Chinese blue and white dish<br />
decorated with a scene of figures<br />
on a bridge, square lozenge mark in<br />
underglaze blue to the base<br />
19.5cm diameter<br />
$200–300<br />
768<br />
A collection of Chinese blue and<br />
white porcelain vessels, 19th century<br />
and later<br />
comprising a set of six covered dishes<br />
decorated with flowers and scrolling<br />
foliage, a covered ginger jar, a plate and<br />
three bowls<br />
the ginger jar 18cm high, the plate<br />
23cm diameter and covered dishes<br />
9.5cm<br />
$200–300<br />
767
106<br />
769<br />
A blue and white stem cup, mark of<br />
Qianlong<br />
with an everted rim and flared foot<br />
decorated throughout with floral scrolls<br />
within ruyi borders, the base inscribed<br />
with an apocryphal six-character<br />
Qianlong seal mark in underglaze blue<br />
11cm high<br />
乾 隆 款 藍 白 瓷 高 腳 碗 ㄧ 只<br />
$500–800<br />
769<br />
770<br />
Four blue and white ‘Nanking Cargo’<br />
bowls, 18th century<br />
comprising two bowls and two small<br />
dishes, each decorated to the exterior<br />
with temples and landscapes , each<br />
applied to the base with a Christie’s<br />
label indi<strong>cat</strong>ing lot numbers from the<br />
Nanking Cargo<br />
the largest 15cm diameter<br />
$500–800<br />
771<br />
A blue and white porcelain inkstone and<br />
a covered bowl, late 19th century<br />
the inkstone of circular form decorated<br />
with panels of figures, the covered bowl<br />
decorated with a continuous frieze of<br />
figures and scholars, underglaze blue<br />
with four-character mark to base<br />
the inkstone 12cm diameter, the bowl<br />
10cm diameter<br />
$400–600<br />
770<br />
771
107<br />
772<br />
A large blue and white jar and cover,<br />
late 19th century<br />
decorated with a continuous scene<br />
of boys playing at various games and<br />
pursuits in a landscape setting<br />
29cm high<br />
$1,500–2,500<br />
773<br />
A pair of Chinese blue and white saucer<br />
dishes, Qing Dynasty, Kangxi Period<br />
(1662-1722)<br />
each painted to the interior with a<br />
scene of a couple in a pavilion garden<br />
within a flower and diaper border<br />
around a serpentine cavetto, the base<br />
with apocryphal Chenghua mark;<br />
together with and 18th century saucer<br />
dish bearing a Yongzheng mark<br />
15.5cm diameter<br />
清 康 熙 藍 白 盤 一 對<br />
$600–800<br />
774<br />
A Chinese blue and white jar and two<br />
blue and white vases, Qing<br />
Dynasty, 18th century and later each<br />
decorated in under glazed<br />
blue with landscape scenes and flowers<br />
the tallest vase<br />
20cm high<br />
清 青 花 瓶 一 對 與 瓷 罐 一 只<br />
$600–800<br />
775<br />
Two Chinese blue and white dishes,<br />
Qing Dynasty, Kangxi Period<br />
(1662-1722)<br />
one dish decorated with panels of<br />
flowers within diaper borders, the<br />
second deeper dish decorated with fish<br />
and sea creatures<br />
the largest 23.5cm diameter<br />
清 康 熙 青 花 花 紋 瓷 碗 一 對<br />
$400–600<br />
776<br />
A Chinese blue and white bowl,<br />
late Qing Dynasty<br />
9.5cm high, 19.2cm diameter<br />
晚 清 青 花 碗<br />
$1,500–2,500<br />
777<br />
A pair of large Japanese blue and white<br />
chargers, late 19th century<br />
each decorated with a central panel of<br />
birds and prunus within a fretted border<br />
together with a Japanese blue and<br />
white blossom decorated charger<br />
the pair 43cm diameter<br />
$300–500<br />
778<br />
A Chinese blue and white figure and<br />
a glazed earthenware covered pot,<br />
possibly 18th century<br />
the figure 15cm high<br />
$300–500<br />
779<br />
A celadon glazed blue and white<br />
covered box, 20th century<br />
the interior decorated with erotic<br />
scenes, the metal bound exterior with<br />
applied dragon and phoenix mounts<br />
6cm high, 10cm wide, 10cm deep<br />
$400–600<br />
772
108<br />
780<br />
780<br />
A pair of pale celadon glazed bowls,<br />
probably Sung/Yuan Period<br />
each of lobed circular form with an<br />
unglazed rim<br />
6.5cm high<br />
$600–800<br />
781<br />
Two Chinese enamelled ‘fu shou’ bowls,<br />
Guangxu six-character iron-red mark,<br />
and probably of the period<br />
each painted around the body with<br />
five medallions with a stylised ‘shou’<br />
character, the medallions each outlined<br />
by a pair of green enamel bats, all<br />
between two decorative borders<br />
15cm diameter (each)<br />
PROVENANCE<br />
Bonhams, Fine Furniture, Decorative<br />
Arts and Asian Art, Sydney, 25-27<br />
November 2013, Lot 132<br />
清 光 緒 福 壽 對 碗 含 底 座<br />
源 流 : 2013 悉 尼 Bonhams Fine<br />
Furniture, Decorative Arts and Asian<br />
Art 拍 品 132<br />
$1,500–2,500<br />
782<br />
A Chinese celadon glaze lamp base<br />
of elegant baluster form with a light<br />
sea-green glaze<br />
the vase 30cm high, with fittings<br />
65cm high<br />
青 瓷 燈 座 一 只<br />
$300–500<br />
783<br />
A celadon glazed brush pot<br />
of cylindrical form with a thick deep<br />
green glaze, the exterior decorated with<br />
three calligraphy panels<br />
12.5cm high<br />
青 瓷 筆 洗 飾 有 回 文<br />
$300–500<br />
784<br />
A Chinese carved and gilded<br />
red lacquer side board,<br />
late 19th century/early 20th century<br />
92cm high, 110cm wide, 55cm deep.<br />
$400–600<br />
785<br />
A Chinese gilded red lacquer cabinet<br />
with substantial brass lock-plates<br />
126cm high, 94cm wide, 46.5cm deep<br />
$250–350<br />
786<br />
A Thai bronze figural lamp, 20th century<br />
modelled as a standing crowned<br />
Kinnara<br />
88cm high<br />
$300–500<br />
787<br />
A Chinese blue and white square form<br />
vase converted to a lamp<br />
decorated with panels of figures and<br />
scholars, the shoulders with scrolling<br />
floral motifs, wooden mounts<br />
the vase 30cm high, including the<br />
mounts 41cm high<br />
青 白 方 花 瓶 檯 燈 座<br />
$800–1,200<br />
781
109<br />
788<br />
788<br />
A moulded Ding-type bowl,<br />
late Qing Dynasty<br />
with low relief moulded decoration to<br />
the interior of scrolling floral motifs and<br />
calligraphy panels and medallions<br />
7cm high, 17.5cm diameter<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
晚 清 時 期 定 窯 風 格 模 造 碗 一 只<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$600–800<br />
789<br />
A Qingbai celadon Ding-style twin fish<br />
dish, Song/Yuan Dynasty<br />
with an unglazed rim the shallow bowl<br />
centred by a circular panel with two fish<br />
swimming amongst waves<br />
3.5cm high, 17cm diameter<br />
PROVENANCE<br />
The collection of Dr John Kenny,<br />
Melbourne<br />
宋 / 元 時 期 青 白 瓷 定 窯 雙 魚 碗 一 件<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$600–800<br />
End of Sale<br />
789
110<br />
Terms & Conditions of Sale<br />
The terms and conditions of sale listed here contain<br />
the policies of Gibson’s Auctioneers & Valuers<br />
Pty Ltd. They are the terms on which Gibson’s<br />
Auctioneers & Valuers Pty Ltd and the Seller contract<br />
with the Buyer. They may be amended by printed<br />
Saleroom Notices or oral announcements made<br />
before and during the sale. By bidding at auction you<br />
agree to be bound by these terms.<br />
1. Background to the Terms used in<br />
these Conditions<br />
The conditions that are listed below contain terms<br />
that are used regularly and may need explanation.<br />
They are as follows:<br />
“the Buyer” means the person with the highest bid<br />
accepted by the Auctioneer<br />
“the Lot” means any item depicted within the sale for<br />
auction and in particular the item or items described<br />
against any lot number in the <strong>cat</strong>alogue.<br />
“the Hammer price” means the amount of the highest<br />
bid accepted by the auctioneer in relation to a lot<br />
“the Buyers Premium” means the charge payable by<br />
the Buyer to the auction house as a percentage of<br />
the hammer price.<br />
“the Reserve” means the lowest amount at which<br />
Gibson’s Auctioneers & Valuers has agreed with the<br />
Seller that the lot can be sold.<br />
“Forgery” means an item constituting an imitation<br />
originally conceived and executed as a whole, with<br />
a fraudulent intention to deceive as to authorship,<br />
origin, age, period, culture or source, where the<br />
correct description as to such matters is not<br />
reflected by the description in the <strong>cat</strong>alogue.<br />
Accordingly no lot shall be capable of being a forgery<br />
by reason of any damage or restoration work of any<br />
kind (Including re-painting).<br />
“the insured value” means the amount that Gibson’s<br />
Auctioneers & Valuers in its absolute discretion<br />
from time to time shall consider the value for which<br />
a lot should be covered for insurance (whether or<br />
not insurance is arranged by Gibson’s Auctioneers<br />
& Valuers.)<br />
All values expressed in Gibson’s Auctioneers &<br />
Valuers Pty Ltd <strong>cat</strong>alogues (in any format) are in<br />
Australian Dollars (AU$). All bids, “hammer price”,<br />
“reserves”, “Buyers Premium” and other expressions<br />
of value are understood by all parties to be in<br />
Australian Dollars (AU$) unless otherwise specified.<br />
2. Gibson’s Auctioneers & Valuers<br />
Auctions as Agent<br />
Except as otherwise stated Gibson’s Auctioneers &<br />
Valuers Pty Ltd acts as agent for the Seller.<br />
The contract for the sale of the property is therefore<br />
made between the Seller and the Buyer.<br />
3. Before the Sale<br />
A) EXAMINATION OF PROPERTY<br />
Prospective Buyers are strongly advised to examine<br />
in person any property in which they are interested<br />
before the Auction takes place. Neither Gibson’s<br />
Auctioneers & Valuers nor the Seller provides any<br />
guarantee in relation to the nature of the property<br />
apart from the Limited warranty in the paragraph<br />
below.<br />
The property is otherwise sold “AS IS”<br />
B) CATALOGUE AND OTHER DESCRIPTIONS<br />
All statements by Gibson’s Auctioneers & Valuers<br />
in the <strong>cat</strong>alogue entry for the property or in the<br />
condition report, or made orally or in writing<br />
elsewhere, are statements of opinion and are not<br />
to be relied upon as statements of fact. Such<br />
statements do not constitute a representation,<br />
warranty or assumption of liability by Gibson’s<br />
Auctioneers & Valuers of any kind. References in the<br />
<strong>cat</strong>alogue entry to the condition report to damage<br />
or restoration are for guidance only and should be<br />
evaluated by personal inspection by the bidder or<br />
a knowledgeable representative. The absence of<br />
such a reference does not imply that an item is free<br />
from defects or restoration, nor does a reference to<br />
particular defects imply the absence of any others.<br />
Estimates of the selling price should not be relied<br />
on as a statement that this is the price at which<br />
the item will sell or it’s value for any other purpose.<br />
Neither Gibson’s Auctioneers & Valuers nor The<br />
Seller is responsible for any errors or omissions in the<br />
<strong>cat</strong>alogue or any supplemental material.<br />
Images are measured height by width (sight size).<br />
Illustrations are provided only as a guide and should<br />
not be relied upon as a true representation of colour<br />
or condition. Images are not shown at a standard<br />
scale. Mention is rarely made of frames (which may be<br />
provided as supplementary images on the website)<br />
which do not form part of the lot as described in the<br />
printed <strong>cat</strong>alogue.<br />
Foreign buyers should note that all transactions<br />
are in Australian dollars (AU$)so there may be a<br />
small exchange rate risk. The costs associated<br />
with acquiring a good certifi<strong>cat</strong>e will be carried by<br />
the purchaser. If the item turns out to be forged or<br />
otherwise incorrectly described, all reasonable costs<br />
will be borne by the vendor.<br />
C) BUYERS RESPONSIBILITY<br />
All property is sold “as is” without representation<br />
or warranty of any kind by Gibson’s Auctioneers<br />
& Valuers or the Seller. Buyers are responsible for<br />
satisfying themselves concerning the condition<br />
of the property and the matters referred to in the<br />
<strong>cat</strong>alogue by requesting a condition report<br />
4. At the Sale<br />
A) REFUSAL OF ADMISSION<br />
Gibson’s Auctioneers & Valuers reserves the right at<br />
our complete discretion to refuse admission to the<br />
auction premises or participation in any auction and<br />
to reject any bid.<br />
B) REGISTRATION BEFORE BIDDING<br />
Any prospective new buyer must complete and sign<br />
a registration form and provide photo-identifi<strong>cat</strong>ion<br />
before bidding. Gibson’s Auctioneers & Valuers may<br />
request bank, trade or other financial references to<br />
substantiate this registration.<br />
C) BIDDING AS A PRINCIPAL<br />
When making a bid, a bidder is accepting personal<br />
liability to pay the purchase price including the<br />
buyers premium and all applicable taxes, plus all<br />
other applicable charges, unless it has been explicitly<br />
agreed in writing with Gibson’s Auctioneers & Valuers<br />
before the commencement of the sale that the<br />
bidder is acting as agent on behalf of an identified<br />
third party acceptable to Gibson’s Auctioneers &<br />
Valuers and that Gibson’s Auctioneers & Valuers will<br />
only look to the principal for payment.<br />
D) INTERNATIONAL REGISTRATIONS<br />
All International clients not known to Gibson’s<br />
Auctioneers & Valuers will be required to scan or fax<br />
through an accredited form of photo identifi<strong>cat</strong>ion<br />
and pay a deposit at our discretion in cleared funds<br />
into Gibson’s Auctioneers & Valuers’ account at least<br />
48 hours before the commencement of the auction.<br />
Bids will not be accepted without this deposit.<br />
Gibson’s Auctioneers & Valuers also reserves the<br />
right to request any additional forms of identifi<strong>cat</strong>ion<br />
prior to registering an overseas bid.<br />
This deposit can be made using a credit card,<br />
however the balance of any purchase price in excess<br />
of $5,000 can not be charged to this card without<br />
prior arrangement. This deposit is redeemable<br />
against any auction purchase.<br />
E) ABSENTEE BIDS<br />
Gibson’s Auctioneers & Valuers will use reasonable<br />
efforts to execute written bids delivered to us AT<br />
LEAST 24 Hours before the sale for the convenience<br />
of those clients who are unable to attend the auction<br />
in person. If we receive identical written bids on a<br />
particular lot, and at the auction these are the highest<br />
bids on that lot, then the lot will be sold to the person<br />
whose written bid was received and accepted first.<br />
Execution of written bids is a free service undertaken<br />
subject to other commitments at the time of the sale<br />
and we do not accept liability for failing to execute<br />
a written bid or for errors or omissions which may<br />
arise. It is the bidder’s responsibility to check with<br />
Gibson’s Auctioneers & Valuers after the auction if<br />
they were successful. Unlimited or “Buy” bids will not<br />
be accepted. Please refer to our indi<strong>cat</strong>ive bidding<br />
increments below for appropriate absentee bid<br />
amounts (Section K).<br />
F) TELEPHONE BIDS<br />
Priority will be given to overseas and interstate<br />
bidders. Arrangements for this service must be<br />
confirmed AT LEAST 24 HOURS PRIOR to the auction<br />
commencing. Gibson’s Auctioneers & Valuers<br />
accepts no responsibility whatsoever for any errors<br />
or failure to execute bids. In telephone bidding the<br />
buyer agrees to be bound by all terms and conditions<br />
listed here and accepts that Gibson’s Auctioneers<br />
& Valuers cannot be held responsible for any<br />
mis-communi<strong>cat</strong>ions in the process. The success<br />
of telephone bidding cannot be guaranteed due to<br />
circumstances that are unforeseen. Buyers should<br />
be aware of the risk and accept the consequences<br />
should contact be unsuccessful at the time of<br />
Auction. You must advise Gibson’s Auctioneers &<br />
Valuers of the lots in question and recommend a<br />
‘Cover Bid’ amount should there be any issues with<br />
technology or communi<strong>cat</strong>ion via the telephone<br />
number provided. Gibson’s Auctioneers & Valuers<br />
will advise Telephone Bidders who have registered<br />
at least 24 hours before the auction of any relevant<br />
changes to descriptions, withdrawals or any other<br />
sale room notices.<br />
G) ONLINE BIDDING<br />
Gibson’s Auctioneers & Valuers accepts no<br />
responsibility for any errors, failure to execute bids or<br />
any other miscommuni<strong>cat</strong>ions regarding this process.<br />
It is the online bidder’s responsibility to ensure the<br />
accuracy of the relevant information regarding bids,<br />
lot numbers and contact details.<br />
H) RESERVES<br />
Unless otherwise indi<strong>cat</strong>ed, all lots are offered subject<br />
to a reserve, which is the confidential minimum price<br />
below which the Lot will not be sold. The reserve will<br />
not exceed the low estimate printed in the <strong>cat</strong>alogue.<br />
The auctioneer may open the bidding on any Lot<br />
below the reserve by placing a bid on behalf of the<br />
Seller. The auctioneer may continue to bid on behalf<br />
of seller up to the amount of the reserve, either<br />
by placing consecutive bids or by placing bids in<br />
response to other bidders.<br />
I) AUCTIONEERS DISCRETION<br />
The Auctioneer has the right at his absolute and sole<br />
discretion to refuse any bid, to advance the bidding<br />
in such a manner as he may decide, to withdraw or<br />
divide any lot, to combine any two or more lots and,<br />
in the case or error or dispute and whether during or
111<br />
after the sale, to determine the successful bidder, to<br />
continue the bidding, to cancel the sale or to reoffer<br />
and resell the item in dispute. If any dispute arises<br />
after the sale, then Gibson’s Auctioneers & Valuers’s<br />
sale record is conclusive.<br />
J) SUCCESSFUL BID AND PASSING OF RISK<br />
Subject to the auctioneer’s discretion, the highest<br />
bidder accepted by the auctioneer will be the buyer<br />
and the striking of his hammer marks the acceptance<br />
of the highest bid and the conclusion of a contract<br />
for sale between the Seller and the Buyer. Risk and<br />
responsibility for the lot (including frames or glass<br />
where relevant) passes immediately to the Buyer.<br />
K) INDICATIVE BIDDING STEPS, ETC.<br />
Gibson’s Auctioneers & Valuers reserves the right to<br />
refuse any bid, withdraw any lot from sale, to place<br />
a reserve on any lot and to advance the bidding<br />
according to the following:<br />
Increment Amount<br />
Dollar Range<br />
$20 $0–$500<br />
$50 $500–$1,000<br />
$100 $1,000–$2,000<br />
$200 $2,000–$5,000<br />
$500 $5,000–$10,000<br />
$1,000 $10,000–$20,000<br />
$2,000 $20,000–$50,000<br />
$5,000 $50,000–$100,000<br />
$10,000 $100,000–$200,000<br />
$20,000 $200,000–$500,000<br />
$50,000 $500,000–$1,000,000<br />
Absentee bids must follow these increments and any<br />
bids that don’t follow the steps will be rounded up to<br />
the nearest acceptable bid.<br />
5. After the Sale<br />
A) BUYERS PREMIUM<br />
In addition to the hammer price, the buyer agrees to<br />
pay to Gibson’s Auctioneers & Valuers the buyers<br />
premium. The buyer’s premium is 22% of the<br />
hammer price plus GST. (Goods and Services Tax)<br />
where applicable.<br />
B) PAYMENT AND PASSING OF TITLE<br />
The buyer must pay the full amount due (comprising<br />
the hammer price, buyers premium and any<br />
applicable taxes and GST) not later than three (3)<br />
days after the auction date.<br />
The buyer will not acquire title for the lot until<br />
Gibson’s Auctioneers & Valuers receives full<br />
payment in cleared funds, and no goods under any<br />
circumstances will be released without confirmation<br />
of cleared funds received. This applies even if the<br />
buyer wishes to send items interstate or overseas.<br />
Payment can be made by the following means:<br />
• Bank Transfer/Direct Deposit is our preferred<br />
method of payment<br />
Account Name: Gibsons Auctions<br />
Bank:<br />
Bank of Melbourne<br />
(A division of St George)<br />
BSB: 193879<br />
Account No: 441701443<br />
Swift Code: SGBLAU2S<br />
Routing Code: 021000021<br />
Bank Address: 197-201 Glenferrie Road,<br />
Malvern, Vic, 3144<br />
The buyer is responsible for any bank fees and<br />
charges applicable for the transfer of funds into<br />
Gibson’s Auctioneers & Valuers’s account<br />
• Personal, Company and Bank Cheques are not<br />
accepted without prior approval.<br />
• Eftpos (no charge)<br />
• Credit cards: Visa and Mastercard (1.2% incl GST<br />
merchant fee) and American Express (3% incl<br />
GST merchant fee)<br />
Please note that credit card transactions over<br />
$5,000 will not be accepted over the telephone<br />
unless by prior arrangement.<br />
• Cash up to AU$10,000 can accepted in<br />
cash. For any amount over this, cash is to be<br />
deposited directly into our account at a Bank of<br />
Melbourne/St George branch<br />
C) COLLECTION OF PURCHASES & INSURANCE<br />
Gibson’s Auctioneers & Valuers is entitled to retain<br />
items sold until all amounts due to us have been<br />
received in full in good cleared funds. Subject to this,<br />
the Buyer shall collect purchased lots within three<br />
(3) days from the date of the sale unless otherwise<br />
agreed in writing between Gibson’s Auctioneers &<br />
Valuers and the Buyer.<br />
At the fall of the hammer, insurance is the<br />
responsibility of the purchaser.<br />
D) PACKING, HANDLING AND SHIPPING<br />
At the request of the buyer, Gibson’s Auctioneers &<br />
Valuers may assist with packing of goods but takes<br />
no responsibility for loss, damage or breakage that<br />
may occur.<br />
Gibson’s Auctioneers & Valuers at the request of the<br />
buyer may arrange for a carrier, packer or shipper to<br />
have the property packed, insured and shipped at<br />
the buyer’s expense. All packing, shipping, insurance,<br />
postage & associated charges will be borne by the<br />
purchaser.<br />
Gibson’s Auctioneers & Valuers can assist with<br />
removal companies that the buyer can use but takes<br />
no responsibility whatsoever for the actions of any<br />
recommended third party.<br />
E) CULTURAL HERITAGE EXPORT LICENCES<br />
Unless otherwise agreed by us in writing, the fact<br />
that the buyer wishes to apply for an export licence<br />
does not affect his or her obligation to make full<br />
payment immediately, nor our right to charge<br />
interest or storage charges on late payment. It<br />
is the Buyer’s responsibility to check Australia’s<br />
Protection of Moveable Cultural Heritage Act 1986<br />
before purchase. If the Buyer requests Gibson’s<br />
Auctioneers & Valuers to apply for an export licence<br />
then we shall be entitled to charge a fee for this<br />
service. We shall not be obliged to rescind a sale nor<br />
to refund any interest or other expenses incurred<br />
by the Buyer where payment is made by the Buyer<br />
in circumstances where an export licence is not<br />
granted.<br />
F) REMEDIES FOR NON-PAYMENT<br />
If the Buyer fails to make full payment immediately,<br />
Gibson’s Auctioneers & Valuers is entitled to exercise<br />
one or more of the following rights or remedies (in<br />
addition to asserting any other rights or remedies<br />
available under the law)<br />
i) to charge interest at the ANZ visa credit card<br />
rate as published weekly in the Australian<br />
Financial Review<br />
ii)<br />
iii)<br />
iv)<br />
to hold the defaulting Buyer liable for the<br />
total amount due and to commence legal<br />
proceedings for it’s recovery along with interest,<br />
legal fees and costs to the fullest extent<br />
permitted under applicable law<br />
to cancel the sale<br />
to resell the property publicly or privately on<br />
such terms as we see fit<br />
v) to pay the Seller an amount up to the net<br />
proceeds payable in respect of the amount bid<br />
by the defaulting Buyer. In these circumstances<br />
the defaulting Buyer can have no claim upon<br />
Gibson’s Auctioneers & Valuers in the event that<br />
the item(s) are sold for an amount greater than<br />
the original invoiced amount.<br />
vi)<br />
vii)<br />
to set off against any amounts which Gibson’s<br />
Auctioneers & Valuers may owe the Buyer in<br />
any other transactions, the outstanding amount<br />
remaining unpaid by the Buyer.<br />
where several amounts are owed by the Buyer to<br />
us, in respect of different transactions, to apply<br />
any amount paid to discharge any amount owed<br />
in respect of any particular transaction, whether<br />
or not the Buyer so directs.<br />
viii) to reject at any future auction any bids made by<br />
or on behalf of the Buyer or to obtain a deposit<br />
from the Buyer prior to accepting any bids.<br />
ix)<br />
to exercise all the rights and remedies of a<br />
person holding security over any property in<br />
our possession owned by the Buyer whether by<br />
way of pledge, security interest or in any other<br />
way, to the fullest extent permitted by the law of<br />
the place where such property is lo<strong>cat</strong>ed. The<br />
Buyer will be deemed to have been granted such<br />
security to us and we may retain such property<br />
as collateral security for such Buyer’s obligations<br />
to us.<br />
x) to take such other action as Gibson’s<br />
Auctioneers & Valuers deem necessary or<br />
appropriate<br />
If we do sell the property under paragraph<br />
(iv), then the defaulting Buyer shall be liable<br />
for payment of any deficiency between the<br />
total amount originally due to us and the<br />
price obtained upon reselling as well as for<br />
all costs, expenses, damages, legal fees and<br />
commissions and premiums of whatever kinds<br />
associated with both sales or otherwise arising<br />
from the default.<br />
If we pay any amount to the Seller under<br />
paragraph (v) the Buyer acknowledges that<br />
Gibson’s Auctioneers & Valuers shall have all<br />
of the rights of the Seller, however arising, to<br />
pursue the Buyer for such amount.<br />
G) FAILURE TO COLLECT PURCHASES<br />
Where purchases are not collected within three (3)<br />
days from the sale date, whether or not payment<br />
has been made, we shall be permitted to remove the<br />
property to a warehouse at the buyer’s expense, and<br />
only release the items after payment in full has been<br />
made of removal, storage handling, insurance and<br />
any other costs incurred, together with payment of all<br />
other amounts due to us.<br />
6. Extent of Gibson’s Auctioneers &<br />
Valuers Liability<br />
Gibson’s Auctioneers & Valuers agrees to refund<br />
the purchase price in the circumstances of the<br />
Limited Warranty set out in paragraph 7 below.<br />
Apart from that, neither the Seller nor we, nor any<br />
of our employees or agents are responsible for<br />
the correctness of any statement of whatever kind<br />
concerning any lot, whether written or oral, nor<br />
for any other errors or omissions in description<br />
or for any faults or defects in any lots. Except as<br />
stated in paragraph 7 below, neither the Seller<br />
ourselves, our officers, agents or employees give any<br />
representation warranty or guarantee or assume any<br />
liability of any kind in respect of any lot with regard<br />
to merchantability, fitness for a particular purpose,<br />
description, size, quality, condition, attribution,<br />
authenticity, rarity, importance, medium, provenance,<br />
exhibition history, literature or historical relevance.<br />
Except as required by local law any warranty of any<br />
kind is excluded by this paragraph.<br />
7. Limited Warranty<br />
Subject to the terms and conditions of this<br />
paragraph, the Seller warrants for the period of<br />
fourteen (14) days from the date of the sale that<br />
any property described in this <strong>cat</strong>alogue (noting<br />
such description may be amended by any saleroom<br />
notice or announcement) which is stated without<br />
qualifi<strong>cat</strong>ion to be the work of a named author or
112<br />
authorship is authentic and not a forgery. The term<br />
“Author” or “authorship” refers to the creator of the<br />
property or to the period, culture, source, or origin<br />
as the case may be, with which the creation of such<br />
property is identified in the <strong>cat</strong>alogue.<br />
The warranty is subject to the following:<br />
i) it does not apply where a) the <strong>cat</strong>alogue<br />
description or saleroom notice corresponded<br />
to the generally accepted opinion of scholars<br />
and experts at the date of the sale or fairly<br />
indi<strong>cat</strong>ed that there was a conflict of opinions,<br />
or b) correct identifi<strong>cat</strong>ion of a lot can be<br />
demonstrated only by means of a scientific<br />
process not generally accepted for use until<br />
after publi<strong>cat</strong>ion of the <strong>cat</strong>alogue or a process<br />
which at the date of the publi<strong>cat</strong>ion of the<br />
<strong>cat</strong>alogue was unreasonably expensive or<br />
impractical or likely to have caused damage to<br />
the property.<br />
ii)<br />
iii)<br />
iv)<br />
the benefits of the warranty are not assignable<br />
and shall apply only to the original buyer of the<br />
lot as shown on the invoice originally issued by<br />
Gibson’s Auctioneers & Valuers when the lot was<br />
sold at Auction.<br />
the Original Buyer must have remained the<br />
owner of the lot without disposing of any interest<br />
in it to any third party<br />
The Buyer’s sole and exclusive remedy against<br />
the Seller in place of any other remedy which<br />
might be available, is the cancellation of the sale<br />
and the refund of the original purchase price<br />
paid for the lot less the buyers premium which is<br />
non refundable. Neither the Seller nor Gibson’s<br />
Auctioneers & Valuers will be liable for any<br />
special, incidental nor consequential damages<br />
including, without limitation, loss of profits not for<br />
interest.<br />
v) The Buyer must give written notice of claim<br />
to us within fourteen (14) days of the date of<br />
the Auction. The Seller shall have the right,<br />
to require the Buyer to obtain two written<br />
opinions by recognised experts in the field,<br />
mutually acceptable to the Buyer and Gibson’s<br />
Auctioneers & Valuers to decide whether or not<br />
to cancel the sale under warranty.<br />
vi)<br />
the Buyer must return the lot to Seller in the<br />
same condition that it was purchased.<br />
8. Severability<br />
If any part of these Conditions of Sale is found by any<br />
court to be invalid, illegal or unenforceable, that part<br />
shall be discounted and the rest of the Conditions<br />
shall continue to be valid to the fullest extent<br />
permitted by law.<br />
9. Copyright<br />
The copyright of all images, illustrations and written<br />
material produced by Gibson’s Auctioneers &<br />
Valuers relating to a lot including the contents of this<br />
<strong>cat</strong>alogue, is and shall remain the property at all times<br />
of Gibson’s Auctioneers & Valuers and shall not be<br />
used by the Buyer, nor by anyone else without our<br />
prior written consent. Gibson’s Auctioneers & Valuers<br />
and the Seller make no representation or warranty<br />
that the Buyer of a property will acquire any copyright<br />
or other reproduction rights in it.<br />
10. Law and Jurisdiction<br />
These terms and conditions and any matters<br />
concerned with the foregoing fall within the exclusive<br />
jurisdiction of the courts of the state in which the<br />
auction is held.<br />
11. Pre-Sale Estimates<br />
Gibson’s Auctioneers & Valuers publishes with each<br />
<strong>cat</strong>alogue our opinion as to the estimated price range<br />
for each lot. These estimates are approximate prices<br />
only and are not intended to be definitive. They are<br />
prepared well in advance of the sale and may be<br />
subject to revision. Interested parties should contact<br />
Gibson’s Auctioneers & Valuers prior to auction for<br />
updated pre-sale estimates and starting prices.<br />
12. Sale results<br />
Gibson’s Auctioneers & Valuers will provide auction<br />
results, which will be available as soon as possible<br />
after the sale. Results will include buyer’s premium<br />
(22% plus GST). These results will be posted at<br />
www.gibsonsauctions.com.au.<br />
13. Goods and Service Tax<br />
In accordance with A New Tax System (Goods<br />
and Services Tax) Act 1999 Gibson’s Auctioneers<br />
& Valuers Auctions will collect on behalf of the<br />
Australian tax office (ATO) a Goods and Service Tax<br />
(GST) of 10% on all applicable transactions.<br />
ABN: 26 440 767 899<br />
GST is applicable on the hammer price in the case<br />
where the seller is selling property that is owned by<br />
an entity registered for GST. GST is also applicable<br />
on the hammer price in the case where the seller is<br />
not an Australian resident. These lots are denoted by<br />
a dagger symbol † placed next to the estimate.<br />
GST is also applicable on the buyer’s premium.<br />
Overseas buyers and buyers non-resident in Australia<br />
will not be charged GST on both hammer price and<br />
premiums under the following conditions:<br />
1. The items are exported through a Gibson’s<br />
Auctioneers & Valuers approved freight<br />
company including Australia Post<br />
2. The items are exported within 60 days of the<br />
date of the sale<br />
The invoice supplied by Gibson’s Auctioneers &<br />
Valuers for purchases will be regarded as a Tax<br />
invoice for GST purposes.<br />
14. Resale Royalty Scheme<br />
Under the legal obligations of the Resale Royalty<br />
Scheme for Visual Artists Act 2009, sellers must<br />
provide the following information to comply with<br />
the act:<br />
• was the artwork acquired after 8 June 2010?<br />
• is the sale/reserve price (including GST) $1,000<br />
or more?<br />
• is the artist from Australia or a country listed in<br />
the Regulations to the Act?<br />
• is the artist alive, or deceased less than 70<br />
years?<br />
The seller:<br />
i) acknowledges that he or she understands his or<br />
her legal obligations under the Resale Royalty for<br />
Visual Artists Act 2009 (the Act);<br />
ii)<br />
iii)<br />
iv)<br />
undertakes to comply with all requirements of<br />
the Act, including by providing its agent, the<br />
company, with accurate information sufficient for<br />
compliance with sections 28 and 29 of the Act;<br />
undertakes to indemnify the company for any<br />
loss incurred by the company as a result of<br />
the vendor’s failure to comply with any of the<br />
vendor’s legal obligations under the Act; and<br />
acknowledges that if he or she fails to comply<br />
with any of his or her legal obligations under<br />
the Act, the company may provide the vendor’s<br />
name and contact details to Copyright Agency<br />
Limited (CAL).<br />
Lots subject to payment of the Resale Royalty<br />
Scheme will be denoted by the §. The Australian<br />
Resale Royalty is a flat rate of 5% on the hammer<br />
price (including GST). The Australian Resale Royalty<br />
is payable by the seller in addition to the buyers<br />
premium plus any applicable GST.<br />
15. Jewels & Watches<br />
GEMSTONES<br />
Gemstones have historically been subjected to a<br />
variety of treatments to enhance their appearance.<br />
Sapphire and rubies are routinely heat treated to<br />
improve their colour and clarity, similarly emeralds<br />
are frequently treated with oils or resin for the same<br />
purpose. Other treatments such as staining or dyeing,<br />
irradiation, filling or coating may have been used<br />
on other precious and semi-precious gemstones<br />
and organic material. These treatments may be<br />
permanent, whilst others may need special care to<br />
preserve their appearance. Buyers should assume<br />
that each lot has been subject to some form of<br />
treatment and that the estimates reflect this.<br />
A number of laboratories issue certifi<strong>cat</strong>es that<br />
give detailed descriptions of gemstones, and in<br />
the event that Gibson’s Auctioneers & Valuers has<br />
been supplied with or obtained certifi<strong>cat</strong>es for any<br />
lot, this shall be noted in the <strong>cat</strong>alogue. However,<br />
as there may not be consensus between different<br />
laboratories on the degree, or types of treatment<br />
of the gemstones, Gibson’s Auctioneers & Valuers<br />
supplies these without warranty.<br />
Buyers should assume that all gemstones sold by<br />
Gibson’s Auctioneers & Valuers may have been<br />
subjected to such treatments, and that the <strong>cat</strong>alogue<br />
estimates reflect this.<br />
PEARLS<br />
Pearls, like gemstones, are also subject to various<br />
treatments. Buyers should assume that any pearls<br />
sold by Gibson’s Auctioneers & Valuers may have<br />
been subjected to such treatments, and that the<br />
<strong>cat</strong>alogue estimates reflect this.<br />
WATCHES<br />
Please note: All watches sold by Gibson’s<br />
Auctioneers & Valuers are sold on an “as is”<br />
basis. Gibson’s Auctioneers & Valuers makes no<br />
representation or warranty that any watch is in<br />
working order. Many watches have been repaired<br />
over their lifetime and may contain non-original parts.<br />
The absence of any reference to the condition of a<br />
watch does not imply that the lot is in good condition<br />
and without defects, repairs or restorations. Buyers<br />
should be aware that a general service, change of<br />
battery or further repair work, for which the Buyer is<br />
solely responsible for, may be necessary.<br />
ESTIMATED WEIGHTS<br />
If a stone has a known weight, it has been weighed<br />
out of the mount. If a stone has an estimated weight,<br />
it is an approximate weight only and has been<br />
measured by us in the mount and is a statement of<br />
opinion only. The information is given as a guide only<br />
and Buyers should satisfy themselves with regard to<br />
this information as to its accuracy.