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The Winter<br />

Auction Series<br />

Fine Jewellery & Watches Melbourne, 5 August 2019


03 9500 2607<br />

gibsonsauctions.com.au<br />

Jennifer Gibson<br />

CEO & Head of Valuations<br />

Jennifer.Gibson@gibsonsauctions.com.au<br />

Elliott Hughes<br />

Auctions Manager & Specialist<br />

Elliott.Hughes@gibsonsauctions.com.au<br />

Elizabeth Stannard<br />

Head of Jewellery<br />

Elizabeth.Stannard@gibsonsauctions.com.au<br />

Simon Gibson<br />

CFO<br />

Simon.Gibson@gibsonsauctions.com.au<br />

Deanna Baxter<br />

Business Manager<br />

Deanna.Baxter@gibsonsauctions.com.au<br />

Marilla O’Sullivan<br />

Auction Assistant<br />

Marilla.Osullivan@gibsonsauctions.com.au<br />

ORRONG RD<br />

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />

OSMENT ST<br />

HAMPDEN RD ASHLEIGH RD<br />

MT PLEASANT GROVE<br />

NEW ST<br />

HIGH ST<br />

AUBURN GROVE<br />

DENBIGH RD<br />

SUTHERLAND RD<br />

NORTHCOTE RD<br />

KOOYONG RD<br />

Auction, Viewing and<br />

Payment & Collections<br />

Level 1, 885-889 High Street<br />

Armadale, Victoria 3143<br />

DALE ST<br />

CHEEL ST


1<br />

BACK COVER:<br />

Lot 415 (Detail)<br />

The Winter<br />

Auction Series<br />

Auction<br />

Session I<br />

Fine Jewellery and Watches<br />

Monday 5 August 2019, 1pm (Lots 1–197)<br />

Session II Decorative Arts<br />

Tuesday 6 August 2019, 11am (Lots 198–583)<br />

Session III Chinese and Asian Works of Art<br />

Tuesday 6 August 2019, 5pm approximately (Lots 584–789)<br />

Level 1, 885-889 High Street<br />

Armadale, Victoria 3143<br />

Viewing<br />

Thursday 1 August<br />

Friday 2 August<br />

Saturday 3 August<br />

Sunday 4 August<br />

10.00–5.00pm<br />

10.00–5.00pm<br />

10.00–4.00pm<br />

10.00–4.00pm<br />

Auction Code: <strong>GA008</strong><br />

GST<br />

† Lots with this symbol are subject<br />

to GST on the hammer price and the<br />

buyer’s premium.<br />

Buyer’s Premium<br />

Buyer’s Premium is charged at 22%<br />

of the hammer price plus GST. GST is<br />

applicable to the buyer’s premium only,<br />

unless otherwise indi<strong>cat</strong>ed by the †<br />

symbol.<br />

Registration<br />

To register to bid at Gibson's<br />

Auctioneers & Valuers an accredited<br />

form of photo identifi<strong>cat</strong>ion is required.<br />

This applies to bidding in person at<br />

the auction, Telephone, Absentee and<br />

Online bidding.<br />

Resale Royalty Scheme<br />

Lots subject to payment of the Artist's<br />

Resale Royalty Scheme will be denoted<br />

by the symbol §. The Australian Resale<br />

Royalty is a flat rate of 5% on the<br />

hammer price (including GST) and is<br />

payable by the seller.<br />

Restricted or Organic Material<br />

♦ Lots with this symbol have been<br />

identified at the time of <strong>cat</strong>aloguing<br />

as containing organic material which<br />

may be subject to export or import<br />

restrictions. The absence of this<br />

symbol is not a guarantee that export<br />

or import restrictions will not apply. See<br />

www.cites.org for further information.<br />

Payments & Collections<br />

Can be made from:<br />

Level 1, 885-889 High Street,<br />

Armadale, Vic 3143<br />

Wednesday 7 August<br />

Thursday 8 August<br />

Friday 9 August<br />

10.00–4.00pm<br />

10.00–4.00pm<br />

10.00–4.00pm<br />

All goods must be collected and paid in<br />

full by 4pm on Friday 9 August (unless<br />

by prior arrangement) to avoid removal<br />

and storage charges.<br />

All payments are to be made in<br />

Australian Dollars (AU$).<br />

Please refer to the methods of payment<br />

in the HOW TO BUY section on the<br />

following pages.<br />

Credit card surcharges apply – 1.2%<br />

(incl GST) for Visa and Mastercard and<br />

3% (incl GST) for American Express.


2<br />

How to Buy<br />

All you need to know about the bidding process at auction<br />

Viewing<br />

Catalogues<br />

Online <strong>cat</strong>alogues can be viewed at<br />

www.gibsonsauctions.com.au approximately three weeks<br />

prior to the auction date.<br />

Complimentary printed <strong>cat</strong>alogues are available at Gibson’s<br />

Auctioneers & Valuers.<br />

Symbols<br />

Occasionally, a symbol is printed next to a lot number,<br />

indi<strong>cat</strong>ing a special clause associated with the sale of the<br />

item/s. Further information on symbols within our <strong>cat</strong>alogues<br />

can be found on Page 1.<br />

Viewing<br />

Auction viewings are open to the public and usually take place<br />

three or four days prior to the auction date, at the lo<strong>cat</strong>ion/s<br />

listed in the auction <strong>cat</strong>alogue and on the website.<br />

Lot Descriptions<br />

Lot Descriptions provide basic <strong>cat</strong>alogue information such<br />

as dimensions, date or age, medium, attribution, provenance<br />

and quantity.<br />

All lots are guaranteed for fourteen (14) days from the<br />

auction date.<br />

Estimates<br />

Estimates are printed in the <strong>cat</strong>alogue beside every lot and<br />

take into account rarity, condition, quality and provenance.<br />

The reserve is the amount at which the item is available for<br />

purchase. The reserve is an undisclosed confidential amount<br />

which is set at, or below the low estimate.<br />

The reserve will never exceed the low estimate at Gibson’s<br />

Auctioneers & Valuers. Many lots are sold without reserve.<br />

Talk to our Specialists<br />

Gibson’s Auctioneers & Valuers are an experienced team of<br />

specialists who are available to discuss items in further detail,<br />

and to offer advice and assistance.<br />

Contact details for relevant specialists can be found on the<br />

inside front cover our auction <strong>cat</strong>alogues and on our website.<br />

Condition Reports<br />

Condition Reports are available on request. Condition Reports<br />

supplement the lot description and provide information on the<br />

condition of an item.<br />

We strongly advise obtaining a condition report if you are<br />

unable to view an item in person prior to the auction.<br />

To request a condition report please email<br />

condition.reports@gibsonsauctions.com.au with the auction<br />

title and lot number/s.<br />

Bidding<br />

Gibson’s Auctioneers & Valuers offer four bidding options:<br />

1. Auction Room Bidding<br />

To bid in person we suggest you arrive early so that you<br />

have sufficient time to register for a bidding number prior<br />

to the auction. If this is your first time bidding with Gibson’s<br />

Auctioneers & Valuers please bring photo identifi<strong>cat</strong>ion, such<br />

as a driver’s licence or passport with you.<br />

2. Telephone Bidding<br />

Gibson’s Auctioneers & Valuers offer telephone bidding on all<br />

lots, at all auctions.<br />

Telephone Bidding is a convenient solution if you are unable to<br />

attend an auction in person. A Gibson’s Auctioneers & Valuers<br />

staff member will call you approximately 5 lots in advance and<br />

with your instruction, bid on your behalf at the auction.<br />

Please note: Telephone Bids must be organised at least 24<br />

hours prior to the auction and that occasionally, the number<br />

of telephone bidders available may be restricted when the<br />

auction is offsite.<br />

To organise a Telephone Bid please follow the link<br />

to the Telephone Bidding form on our website:<br />

www.gibsonsauctions.com.au.<br />

Please fill in & return via email to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s Auctioneers &<br />

Valuers, an email address is to be supplied when you submit<br />

your Telephone Bid, along with clear Photo ID verifying<br />

your address.


3<br />

3. Absentee Bids<br />

Absentee Bidding is another convenient solution if you<br />

are unable to attend an auction in person, to speak on the<br />

telephone or if you simply have a strict budget.<br />

An Absentee Bid should be set at the maximum amount<br />

you wish to bid on the lot/s you are interested in purchasing.<br />

Should the lot/s be knocked down at an amount lower than<br />

the bid recorded on your form, the lot will be sold to you for<br />

the lesser hammer price.<br />

Please note Absentee Bids must be received at least 24 hours<br />

prior to the auction to allow time for processing.<br />

To organise an Absentee Bid please follow the link to<br />

the Absentee Bidding form available on our website:<br />

www.gibsonsauctions.com.au.<br />

Please fill in & return via email to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s Auctioneers<br />

& Valuers, an email address is to be supplied when you<br />

submit your Absentee Bid, along with clear Photo ID verifying<br />

your address.<br />

4. Online Bidding<br />

Online bidding allows you to bid via the internet in real<br />

time with a live broadcast of the auction. To bid online visit<br />

our website and follow the ‘Live Bidding’ link under the<br />

‘Auctions’ tab.<br />

Please register for this service at least 24 hours prior to the<br />

auction to ensure you do not miss your lot.<br />

Please note online bidding is powered by Invaluable.com and<br />

so will incur a 5% fee on successful lots.<br />

If you have not bid with Gibson’s Auctioneers & Valuers<br />

previously, a photo ID verifying your address will be<br />

required before you can be approved to bid. Please email to<br />

mail@gibsonsauctions.com.au as soon as practical.<br />

International Bidding<br />

If you are bidding from overseas for the first time, you will be<br />

asked to provide a clear Photo ID verifying your address and<br />

a deposit (set at Gibson’s Auctioneers & Valuers’ discretion)<br />

prior to the auction. The deposit is refundable within 48<br />

hours should you not be successful. If you are successful<br />

the deposit will be deducted from your invoice total. The<br />

remaining balance must be paid preferably by direct deposit.<br />

Bank details are provided in the Payment & Collection section<br />

of this guide.<br />

Payment & Collection<br />

Payments<br />

If you are successful an invoice (AU$) will be emailed or<br />

posted to you immediately after the auction.<br />

You will pay the hammer price, plus the buyer’s premium<br />

(22% plus GST) on each Lot, together with any additional<br />

applicable charges such as GST on hammer.<br />

Payments must be made in full by the final day of Collections<br />

as printed in the <strong>cat</strong>alogue.<br />

Bank Transfer/Direct Deposit is our preferred method<br />

of payment:<br />

Account Name: Gibsons Auctions<br />

Bank:<br />

Bank of Melbourne (A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144<br />

• Personal, Company and Bank Cheques are not accepted<br />

without prior approval.<br />

• Eftpos (no charge).<br />

• Credit cards: Visa and Mastercard (1.2% inc GST merchant<br />

fee) and American Express (3% inc GST merchant fee).<br />

• Please note that credit card transactions over $5,000<br />

will not be accepted over the telephone unless by prior<br />

arrangement.<br />

• Cash payments up to AU$10,000 can be accepted. For any<br />

amount over this, cash is to be deposited directly into our<br />

account at a Bank of Melbourne/St George branch.<br />

Collections<br />

Gibson’s Auctioneers & Valuers are happy to assist and<br />

provide you with recommended transport companies whether<br />

it be a local, interstate or international delivery.<br />

Storage<br />

All items must be paid for and collected within the collection<br />

times advertised for each individual auction. If items are not<br />

collected within this time-frame, Gibson’s Auctioneers &<br />

Valuers reserve the right to charge removal and storage fees.


4<br />

Fine Jewellery & Watches<br />

Session I – Monday 5 August 2019, 1pm<br />

1<br />

A TRI-GOLD ARTICULATED TRIPLE<br />

BAND RING<br />

Styled as three separate bands,<br />

pinned to bottom of shank, articulated<br />

movement, ‘cut-in’ diamond set design<br />

to top of bands; 18ct rose, white and<br />

yellow gold. Italian design. Ring size O½.<br />

Weight 10.2g.<br />

$500–700<br />

2<br />

A GOLD RING BY BENT KNUDSEN<br />

Styled as a spring, makers mark for<br />

Danish craftsman Bent Knudsen;<br />

18ct gold. Ring size K½. Weight 9.8g.<br />

$500–700<br />

3<br />

A CITRINE SLAVE RING<br />

Featuring a pear shaped faceted citrine<br />

set with small white stones, wide slave<br />

band; 9ct gold. Size Q. Weight 11g.<br />

$200–300<br />

4<br />

A GOLD FULL SOVEREIGN PENDANT<br />

Featuring a full sovereign within a<br />

scrolled mount, Australian makers mark;<br />

9ct gold bale. Total weight 12.6g.<br />

$400–600<br />

5<br />

A GOLD HORSESHOE MONEY CLIP<br />

Money clip styled as a horseshoe;<br />

14ct gold. Length 4.5cms. Width 4cms.<br />

Weight 18.5g.<br />

$1,000–1,500<br />

6<br />

A GROUP OF THREE NEPHRITE<br />

PENDANTS<br />

Two tear drop shaped, one heart<br />

shaped, two with 9ct gold bales.<br />

$120–160<br />

7<br />

A DIAMOND SOLITAIRE RING<br />

AND MATCHING BAND<br />

Featuring a central round brilliant cut<br />

diamond of 0.78cts, diamond set<br />

shoulders totalling 0.50cts, together<br />

with a matching diamond set band<br />

totalling 0.35cts; both 18ct white gold.<br />

Ring size O. Total weight 6.4g.<br />

$3,400–4,000<br />

8<br />

A SUBSTANTIAL EMERALD SAPPHIRE<br />

AND RUBY SET GOLD CROSS<br />

NECKLACE BY HARDY BROTHERS<br />

Set with a central emerald cut emerald<br />

of 1.55cts, four square cut sapphires<br />

totalling approximately 2.20cts and<br />

four pear shaped rubies totalling an<br />

estimated 1.85cts, on a curb link chain;<br />

18ct gold. Total weight 286g. Length<br />

70cms. Boxed.<br />

$14,000–16,000<br />

9<br />

A DIAMOND SET CROSSOVER RING<br />

Designed as two intercepting bands,<br />

one pave diamond set totalling 0.54cts;<br />

18ct yellow and white gold. Ring size<br />

J½. Weight 7.7g.<br />

$1,400–1,800<br />

10<br />

A SAPPHIRE AND DIAMOND RING<br />

Featuring three oval faceted sapphires<br />

totalling 4.08cts, surrounded by round<br />

brilliant cut diamonds totalling 0.85cts;<br />

18ct gold. Ring size M½. Weight 6.3g.<br />

$2,600–2,800<br />

11<br />

A GROSSULAR GARNET RING<br />

Three oval faceted green garnets,<br />

spaced by white stones; 18ct white<br />

gold. Ring size P. Weight 4.3g.<br />

$160–240<br />

12<br />

A PAIR OF RUBY AND DIAMOND<br />

CLUSTER EARRINGS<br />

Each earring set with a faceted oval cut<br />

ruby of 1.38cts, within a round brilliant<br />

cut diamond border totalling 0.16cts;<br />

18ct white gold. Total weight 3.6g.<br />

$1,600–1,800<br />

13<br />

A STAR SAPPHIRE AND DIAMOND<br />

RING<br />

Featuring an oval cut star sapphire,<br />

braided diamond set shoulders; 18ct<br />

rose gold. Ring size N½. Weight 2.2g.<br />

$300–400<br />

14<br />

AN EMERALD AND DIAMOND RING<br />

Oval cut emerald, platinum mount.<br />

Ring size Q. Weight 8.8g.<br />

$3,800-4,200<br />

15<br />

A PAIR OF EMERALD AND DIAMOND<br />

DROP EARRINGS<br />

Each earring set with a rectangular<br />

emerald cut emerald of 3.56cts,<br />

surmounted by a single round<br />

brilliant cut diamond of 0.13cts, on<br />

a shepherds hook fitting; 18ct gold.<br />

Total weight 5.6g.<br />

$2,400–2,800<br />

16<br />

A VINTAGE THREE STONE DIAMOND<br />

RING<br />

Featuring three old cut diamonds<br />

totalling approximately 0.18cts,<br />

surrounded by rough cut diamonds,<br />

within an ornate filigree mount, floral<br />

engraved shoulders; unmarked, testing<br />

as silver and 18ct gold. Ring size N.<br />

Weight 6.7g.<br />

$320–380


5<br />

2<br />

1<br />

3<br />

4<br />

5


6<br />

17<br />

A MULTI-COLOURED ZIRCON<br />

NECKLACE<br />

Set with graduated faceted oval and<br />

round cut coloured zircons, spaced on<br />

a gold plated chain. Length 44cms.<br />

$200–300<br />

18<br />

A CITRINE AND DIAMOND COCKTAIL<br />

RING<br />

Featuring a oval faceted cut citrine<br />

of approximately 12.20cts, single cut<br />

diamond set shoulders; 18ct white gold.<br />

Ring size M. Weight 7.5g.<br />

$400–600<br />

19<br />

A VINTAGE SMOKY QUARTZ RING<br />

Featuring an oval faceted smoky quartz<br />

of approximately 9.50cts, set within a<br />

pierced mount; 9ct gold. Ring size I½.<br />

Weight 5.7g.<br />

$100–200<br />

20<br />

A DIAMOND SET ETERNITY BAND<br />

Fully set band featuring thirty two<br />

channel set princess cut diamonds<br />

totalling approximately 2.10cts; 18ct<br />

white gold. Ring size K½. Weight 4g.<br />

$3,000–4,000<br />

21<br />

A DIAMOND SET HEART PENDANT<br />

ON CHAIN<br />

Featuring a heart shaped pave set<br />

diamond pendant, internal chamber<br />

set with floating round brilliant cut<br />

diamonds all totalling approximately<br />

1.00ct, on a fancy link chain; all in<br />

18ct white gold. Total weight 12.1g.<br />

Chain length 41cms.<br />

$2,000–2,600<br />

22<br />

A VINTAGE SAPPHIRE AND DIAMOND<br />

BRACELET<br />

Of cluster design, three oval cut<br />

sapphires totalling approximately<br />

3.00cts, surrounded by single cut<br />

diamonds totalling 1.12cts; 14ct white<br />

gold. Weight 21.3g.<br />

$1,800–2,200<br />

23<br />

A PAIR OF RUBY AND DIAMOND<br />

CLUSTER DROP EARRINGS<br />

Each earring set with an oval cut ruby<br />

of 2.25cts, within a round brilliant cut<br />

diamond surround totalling 0.75cts,<br />

European backings; 18ct gold. Total<br />

weight 5.6g.<br />

$2,600–3,200<br />

24<br />

A VINTAGE AMETRINE DRESS RING<br />

Oval faceted ametrine, surrounded<br />

by a border of coloured stones, floral<br />

and foliate engraved detail; unmarked,<br />

testing as silver and low gold (less than<br />

9ct). Ring size N. Weight 9.6g.<br />

$160–200<br />

25<br />

A PAIR OF AMETHYST AND ONYX<br />

EARRINGS<br />

Each earring featuring a round faceted<br />

amethyst set within an onyx cabochon<br />

panel; 18ct rose gold European<br />

backings.<br />

$1,000–1,500<br />

26<br />

A VINTAGE DIAMOND CLUSTER RING<br />

Featuring a cluster of rough cut<br />

diamonds, split shoulders, engraved<br />

scrolled and foliate detail; unmarked,<br />

testing as silver and 14ct gold.<br />

Ring size Q. Weight 4.8g.<br />

$280–340<br />

27<br />

A RUBY AND DIAMOND THREE<br />

STONE RING<br />

Featuring three oval shaped faceted<br />

rubies totalling 5.44cts, set within<br />

a diamond border totalling 0.48cts;<br />

18ct gold. Ring size M. Weight 6.9g.<br />

$2,600–2,800<br />

28<br />

A DIAMOND SET BAND RING<br />

Featuring a central double row of<br />

invisibly set princess cut diamonds<br />

totalling 1.20cts; 18ct gold. Ring size T.<br />

Weight 6.2g.<br />

$2,200–2,400<br />

29<br />

A VINTAGE DIAMOND SOLITAIRE RING<br />

Featuring a rough rose cut diamond,<br />

within a scrolled and engraved mount;<br />

unmarked, testing as 14ct gold.<br />

Ring size Q½. Weight 3.8g.<br />

$240–340<br />

30<br />

A RARE NORWEGIAN DESIGN ‘CAGE’<br />

COLLAR BY TORIL BJORG<br />

Crafted in silver, from the ‘Cage’<br />

collection, multiple elongated links,<br />

fastening to a ‘U’ shape bolt clasp.<br />

Length 48cms. Weight 495g.<br />

$4,000–6,000<br />

31<br />

AN EMERALD AND DIAMOND RING<br />

Featuring a square step cut emerald<br />

totalling 4.46cts, within a pierced grain<br />

set mount, surrounded by round brilliant<br />

cut diamonds totalling 0.71cts; 18ct<br />

white gold. Ring size M½. Weight 5.7g.<br />

GSL certifi<strong>cat</strong>e.<br />

$5,000–7,000


7<br />

17<br />

18<br />

19


8<br />

32<br />

A FLEXIBLE DIAMOND CHOKER<br />

Featuring a central diamond cluster,<br />

spaced round brilliant cut diamond<br />

choker all totalling 1.10cts, mounted<br />

on a flexible 18ct white gold choker.<br />

Length 37cms. Weight 20g.<br />

$3,200–3,600<br />

33<br />

A RUBY AND DIAMOND CLUSTER RING<br />

Featuring a central oval shaped<br />

cabochon cut ruby totalling 12.80cts,<br />

within a border of round brilliant cut<br />

diamonds totalling 0.80cts; 14ct gold.<br />

Ring size K½. Weight 8.9g.<br />

$3,000–4,000<br />

34<br />

AN EMERALD AND DIAMOND<br />

CLUSTER RING<br />

Centrally set with an oval faceted<br />

emerald of 2.38cts, surrounded by a<br />

border of round brilliant cut diamonds<br />

totalling 1.88cts; 18ct white and yellow<br />

gold. Ring size O½. Weight 5g.<br />

$3,200–3,600<br />

35<br />

A STAR RUBY RING<br />

Artisan created ring, central star<br />

ruby set within a shield style panel,<br />

embellished shoulders; gilded<br />

silver. Makers mark to inner shank.<br />

Ring size P½. Weight 6.7g.<br />

$220–260<br />

36<br />

AN AQUAMARINE AND DIAMOND<br />

DRESS RING<br />

Centrally set with an emerald cut<br />

aquamarine of 4.57cts, set within a<br />

round brilliant cut diamond border<br />

totalling 0.53cts; 18ct white gold.<br />

Ring size N. Weight 4.2g.<br />

$1,400–1,600<br />

37<br />

A GEORGIAN PINCHBECK BRACELET<br />

Ornately engraved curb link chain<br />

bracelet, screw clasp; brass alloy<br />

(copper and zinc). Length 16cms.<br />

$340–380<br />

38<br />

A GOLD SIGNET RING<br />

Oval shield, embellished engraved<br />

initials DEJ; 9ct gold. Ring size O.<br />

Weight 3.8g.<br />

$240–280<br />

39<br />

A DIAMOND ETERNITY BAND<br />

Featuring a half hoop set with a<br />

central line of baguette cut diamonds,<br />

bordered to each side by round brilliant<br />

cut diamonds, total diamond weight<br />

3.00cts; 18ct white gold. Ring size N.<br />

Weight 6g.<br />

$3,200–3,600<br />

40<br />

A PAIR OF GOLD DROP EARRINGS<br />

Antique style, elongated tear drop,<br />

surmounted by a palmette shield;<br />

9ct rose gold. Total weight 7.4g.<br />

$200–300<br />

41<br />

A PAIR OF RUBY AND DIAMOND<br />

DROP EARRINGS<br />

Each earring featuring a pear shaped<br />

cabochon cut ruby of 2.10cts,<br />

suspended from a diamond set<br />

drop; 18ct white gold. Each earring<br />

weighing 2g.<br />

$1,200–1,400<br />

42<br />

A PAIR OF GOLD DROP EARRINGS<br />

Antique style, pierced elongated drop,<br />

surmounted by a fleur-de-lis style<br />

shield; 9ct rose gold. Total weight 4.6g.<br />

$140–180<br />

43<br />

A DIAMOND PLAQUE RING<br />

Vertical plaque, centrally set with an<br />

old cut diamond of 0.70cts, plaque<br />

and shoulders fully grain set with<br />

round brilliant cut diamonds totalling<br />

0.70cts; 18ct white gold. Ring size M.<br />

Weight 4.6g.<br />

$3,200–3,600<br />

44<br />

THREE GOLD CURB LINK CHAINS<br />

Three sections of gold chains, all<br />

measuring 55cms in length, no clasps;<br />

9ct gold. Total weight 313.4g.<br />

$7,000–9,000<br />

45<br />

A SHELL CAMEO RING<br />

Featuring a carved cameo depicting<br />

a woman in profile, rope twist border,<br />

embellished shoulders; 9ct rose gold.<br />

Ring size M. Weight 2.3g.<br />

$200–300<br />

46<br />

A TANZANITE AND DIAMOND PLAQUE<br />

RING<br />

Centrally set with a fancy cut Tanzanite<br />

of 2.93cts, within an open pierced<br />

plaque set throughout with round<br />

brilliant cut diamonds totalling 0.52cts;<br />

18ct white gold. Ring size M½.<br />

Weight 8.7g.<br />

$3,000–3,400


9<br />

47<br />

A BOULDER OPAL AND ENAMEL<br />

PENDANT BY MYRA SKIPPER<br />

Created by the wife of Matcham<br />

Skipper, diamond-shaped silver panel,<br />

intri<strong>cat</strong>ely engraved and enamelled<br />

with two freeform mythical horses<br />

amongst a scrolled foliate background,<br />

suspended from a freeform boulder<br />

opal pendant, on a silver chain.<br />

Length of pendant drop 12cms.<br />

$650–850<br />

48<br />

A YELLOW SAPPHIRE RING<br />

BY MATCHAM SKIPPER<br />

Finely crafted and engraved, central<br />

faceted pale yellow sapphire, each<br />

shoulder adorned with an elegant<br />

female form, stamped with the makers<br />

mark, additional engraving by the<br />

artists wife, Myra Skipper; 18ct gold.<br />

Ring size M. Weight 6.7g.<br />

$1,800–2,400<br />

47<br />

48


10<br />

49<br />

A VINTAGE SYNTHETIC RUBY AND<br />

DIAMOND RING<br />

Abstract floral design, central round<br />

brilliant cut diamond totalling 0.25cts,<br />

ruby highlights; 14ct gold. Ring size M.<br />

Weight 6.1g.<br />

$700–900<br />

50<br />

AN ANTIQUE ROSE GOLD FOB CHAIN<br />

Curb link chain, fob clasp and t-bar<br />

terminal, each link stamped 9ct,<br />

375, makers mark Kendal & Dent,<br />

Birmingham; all 9ct rose gold.<br />

Weight 42.9g. Length 48cms.<br />

$900–1,200<br />

51<br />

A MATCHING FOB CHAIN NECKLACE<br />

AND BRACELET<br />

Fancy figure eight link chain, T-bar<br />

drop, matching bracelet; both 9ct<br />

gold. Necklace length 43cms. Bracelet<br />

length 20cms. Total weight 17.2g.<br />

$600–800<br />

52<br />

A CURB LINK CHAIN AND T-BAR<br />

Modern curb link chain, suspended<br />

T-bar drop, double swivel clasps; 9ct<br />

gold. Length 45cms. Weight 10g.<br />

$400–600<br />

53<br />

A KYANITE, ONYX AND DIAMOND RING<br />

Designed as a wide tapered band, the<br />

onyx plaque is centrally set with an oval<br />

cut kyanite of 3.18cts, baguette cut<br />

diamond shoulders totalling 0.87cts;<br />

18ct white gold. Ring size L. Weight 8g.<br />

$1,900–2,400<br />

54<br />

A GOLD AND DIAMOND CURB LINK<br />

CHAIN NECKLACE<br />

Featuring a graduated curb link chain<br />

with five central diamond set links; 9ct<br />

yellow and white gold. Weight 83.3g.<br />

Length 43cms.<br />

$3,000–3,600<br />

55<br />

A PAIR OF GOLD CUFFLINKS<br />

Square plaque, t-bar back, stamped<br />

2000, 375, makers mark CH,<br />

Birmingham; 9ct gold. Weight 14.2g.<br />

$400–600<br />

56<br />

A SAPPHIRE, DIAMOND AND BLACK<br />

ENAMEL RING<br />

The oval shaped plaque centrally set<br />

with a fancy scissor cut sapphire of<br />

1.41cts, within a black enamel plaque,<br />

outer diamond set border totalling<br />

0.19cts; 18ct white gold. Ring size M½.<br />

Weight 4.2g.<br />

$1,500–1,800<br />

57<br />

A GOLD SIGNET RING<br />

Textured gold finish, oval plaque<br />

featuring a rearing horse; 22ct gold.<br />

Ring size O½. Weight 19.6g. Retailed by<br />

Makers Mark. Boxed.<br />

$1,500–2,000<br />

58<br />

AN OPAL AND DIAMOND DRESS RING<br />

Featuring an oval cabochon cut crystal<br />

opal of 6.25cts, shouldered by round<br />

brilliant and baguette cut diamonds<br />

totalling 0.55cts; 18ct white gold.<br />

Ring size O. Weight 6.3g.<br />

$2,000–2,400<br />

59<br />

A FRESHWATER PEARL AND TOPAZ<br />

NECKLACE<br />

Comprising 9-9.5mm baroque pearls,<br />

strung to a rectangular step cut topaz<br />

set clasp, double figure eight safety<br />

clasps; 18ct gold. Length 46cms.<br />

$100–160<br />

60<br />

AN AMBER DRESS RING<br />

Featuring a large faceted amber,<br />

set within four claws; stamped 18ct<br />

gold, testing as 14ct. Ring size U½.<br />

Weight 17.1g.<br />

$500–700<br />

61<br />

A TWO TONE GOLD BAND RING<br />

Styled as a tapered wave; 18ct<br />

yellow and white gold. Ring size M.<br />

Weight 4.8g.<br />

$260–360<br />

62<br />

AN OPAL AND DIAMOND DROP<br />

PENDANT<br />

Featuring an oval white opal suspended<br />

from a diamond and opal panel, total<br />

opal weight 16.26cts, diamonds<br />

totalling 0.16cts, on a conforming chain;<br />

18ct gold. Weight 9.3g.<br />

$1,800–2,200<br />

63<br />

A VINTAGE GOLD BOX LINK CHAIN<br />

Gold-plated Catorex lady’s<br />

pocketwatch pendant; 9ct gold<br />

box link chain. Length 69cms.<br />

Chain weight 9.9g.<br />

$180–220


11<br />

65<br />

64<br />

64<br />

A GOLD ‘PANTHERE MAILLON’ TIE PIN<br />

BY CARTIER<br />

Featuring a braided gold bar, chain<br />

attachment, slide backing; 18ct gold.<br />

Stamped Cartier. Boxed. Weight 10.6g.<br />

$1,000–2,000<br />

65<br />

A PAIR OF GOLD ‘PANTHERE MAILLON’<br />

STIRRUP CUFFLINKS BY CARTIER<br />

Featuring braided gold stirrups,<br />

signed Cartier; 18ct gold.<br />

Weight 17.8g. Boxed.<br />

$1,800–2,600<br />

66<br />

A ‘VIZANTIJA’ SAPPHIRE, RUBY<br />

AND EMERALD CROSS NECKLACE<br />

BY CARTIER<br />

Featuring a cross set with four square<br />

cut sapphires, four pear shaped rubies<br />

and a square cut emerald, pendant<br />

stamped Cartier, 1993, F11717, on an<br />

oval link necklace; 18ct gold.<br />

Total weight 47.9g. Chain length 77cms.<br />

Boxed with Certifi<strong>cat</strong>e of Authenticity.<br />

$4,000–6,000<br />

66


12<br />

67<br />

A SARD ONYX INTAGLIO RING<br />

Featuring a carved bird, rope twist<br />

border, embellished shoulders; 9ct rose<br />

gold. Ring size N. Weight 2.2g.<br />

$200–300<br />

68<br />

A CHRYSOPRASE SIGNET RING<br />

Featuring an oval shaped chrysoprase,<br />

bezel set; 9ct rose gold. Ring size N.<br />

Weight 3.8g.<br />

$200–300<br />

69<br />

A PAIR OF EMERALD AND DIAMOND<br />

DROP EARRINGS<br />

Each earring featuring a faceted pear<br />

shaped emerald of 1.96cts, set within a<br />

border of round brilliant cut diamonds<br />

totalling 0.15cts, suspended from a<br />

shepherds hook fitting; mounted in<br />

platinum. Each earring weighing 2.6g.<br />

$2,400–2,800<br />

70<br />

A SHELL CAMEO RING<br />

Featuring a carved cameo of a woman<br />

in profile, bezel set, ribbed shoulders;<br />

9ct rose gold. Ring size O. Weight 3.6g.<br />

$200–300<br />

71<br />

A VINTAGE GARNET CLUSTER RING<br />

Designed as a floral cluster, set<br />

throughout with round and marquise<br />

cut garnets; 14ct gold. Ring size L½.<br />

Weight 4.9g.<br />

$160–200<br />

72<br />

A JADE BANGLE<br />

Green jade, inner diameter 5.5cms.<br />

$100–200<br />

73<br />

A CULTURED PEARL NECKLACE<br />

The graduated strand measuring 3.1-<br />

6mm, closing to a silver pearl set clasp.<br />

Length 43cms.<br />

$80–120<br />

74<br />

A VINTAGE DANISH SILVER BRACELET<br />

Design as stylised leaves, spaced by<br />

elongated links, signed CAC, together<br />

with a single leaf earring (unsigned);<br />

both sterling silver. Length 18cms.<br />

$60–80<br />

75<br />

AN EMERALD AND DIAMOND PLAQUE<br />

RING<br />

The vertical plaque set with three<br />

oval cut emeralds totalling 1.27cts,<br />

surrounded by round brilliant cut<br />

diamonds totalling 0.34cts; 18ct yellow<br />

and white gold. Ring size P. Weight 3g.<br />

$1,300–1,500<br />

76<br />

A GROUP OF GOLD JEWELLERY<br />

To include a pair of earrings with<br />

engraved cufflink shields, two T-bar<br />

cufflink backings, and a grape<br />

bunch charm / pendant; all 9ct gold.<br />

Total weight 9.4g.<br />

$160–200<br />

77<br />

A THREE STONE DIAMOND RING<br />

Featuring a central princess cut<br />

diamond of approximately 0.40cts,<br />

flanked by two princess cut diamonds<br />

totalling 0.54cts; 18ct white and yellow<br />

gold. Ring size N. Weight 4.6g.<br />

$2,000–2,400<br />

78<br />

A DIAMOND SET BAND<br />

Wide pinky band, engraved detail,<br />

central pave diamond set panel, makers<br />

mark ‘Larry’; 18ct gold. Ring size I.<br />

Weight 5.4g.<br />

$160–260<br />

79<br />

AN EGYPTIAN GOLD PENDANT<br />

In the form of an Egyptian cartouche;<br />

18ct gold. Weight 2.1g.<br />

$120–140<br />

80<br />

TWO WIDE GOLD BANDS<br />

One plain band, size T½, one band with<br />

faceted edging, size I½; both 9ct gold.<br />

Total weight 9g.<br />

$180–240<br />

81<br />

TWO STONE SET HEART PENDANTS<br />

One set with emeralds, the other<br />

with green stone chips within a<br />

glass window; both set in 9ct gold.<br />

Total weight 8g.<br />

$120–180<br />

82<br />

TWO SYNTHETIC STAR SAPPHIRE<br />

RINGS<br />

Featuring a blue stone and a purple<br />

stone exhibiting a star chatoyancy; both<br />

18ct gold. Ring size R. Total weight 7.4g.<br />

$260–360<br />

83<br />

A GOLD OMEGA CHAIN NECKLACE<br />

Articulated omega chain, figure eight<br />

safety clasp; 18ct gold. Italian marks.<br />

Diameter 3.3mm. Length 40cms.<br />

Weight 25g.<br />

$1,000–1,500


13<br />

84<br />

84<br />

A MOONSTONE AND PAUA SHELL<br />

NECKLACE<br />

Art Nouveau-style necklace, shamrock<br />

leaves set with paua shell, central oval<br />

shaped moonstone cabochon with<br />

moonstone set drops, on an integral<br />

chain; central pendant section testing<br />

as 18ct gold, on a 9ct gold chain.<br />

Length 39cms. Weight 12.3g.<br />

$420–480<br />

85<br />

A MOONSTONE RING<br />

Styled as an exotic birds head with<br />

elongated beak, set with a cabochon<br />

cut moonstone; silver and 22ct gold.<br />

Ring size O½ (open shank). Weight 9.2g.<br />

$240–280<br />

85


14<br />

86<br />

A VICTORIAN CORAL, DIAMOND AND<br />

GARNET INSECT BROOCH<br />

Featuring a butterfly with coral body,<br />

garnet eyes and diamond set wings,<br />

pearl to terminal of bar; testing as 15ct<br />

gold. Boxed.<br />

$340–480<br />

87<br />

A VICTORIAN OPAL SET INSECT<br />

BROOCH<br />

The bee set with a white crystal opal<br />

body, garnet-and-glass doublet head;<br />

15ct gold. Weight 4g.<br />

$800–1,200<br />

88<br />

AN EMERALD AND DIAMOND RING<br />

Featuring an emerald cut emerald of<br />

2.68cts, shouldered by princess cut<br />

diamonds totalling 0.54cts; 18ct white<br />

gold. Ring size J½. Weight 5.6g.<br />

$3,000–3,400<br />

89<br />

AN EMERALD AND DIAMOND RING<br />

Featuring an emerald cut emerald of<br />

1.52cts, shouldered by baguette cut<br />

diamonds totalling 0.44cts; 18ct white<br />

gold. Ring size M. Weight 3.3g.<br />

$2,600–2,800<br />

90<br />

A FRESHWATER PEARL AND<br />

AMETHYST NECKLACE<br />

Comprising six strands of 4.5mm<br />

pearls, one strand of amethyst beads,<br />

all threaded to a cabochon amethyst<br />

set clasp, hallmarked Australian maker<br />

Paul Bott; 9ct gold. Length 45cms.<br />

$160–240<br />

91<br />

A PAIR OF PERIDOT STUD EARRINGS<br />

Each earring set with a round faceted<br />

peridot of 5.20cts; 18ct white gold.<br />

Each earring weighing 1.9g.<br />

$1,200–1,300<br />

92<br />

A PAIR OF YELLOW DIAMOND<br />

EARRINGS<br />

Each earring set with a fancy yellow<br />

cushion cut diamond of 1.07cts,<br />

surrounded by white diamonds totalling<br />

0.31cts; 18ct yellow and white gold.<br />

European backings.<br />

$4,600–4,800<br />

93<br />

AN ANTIQUE DIAMOND BROOCH<br />

Featuring a round brilliant cut diamond<br />

of 2.50cts, within a crown mount; 18ct<br />

gold. Ring size L. Weight 3g.<br />

$4,200–4,600<br />

94<br />

A PAIR OF SOUTH SEA PEARL AND<br />

DIAMOND EARRINGS<br />

Each earring featuring a pearl of<br />

12.2mm suspended from a diamond<br />

set hook; 18ct white gold.<br />

$1,000–1,200<br />

95<br />

A PAIR OF DIAMOND SET ELONGATED<br />

HOOP EARRINGS<br />

Diamonds set to the outside and<br />

inner side of hoop, both sides set<br />

with princess and round brilliant cut<br />

diamonds totalling 4.48cts; 18ct white<br />

gold. Total weight 13.5g.<br />

$4,200–4,600<br />

86<br />

87


15<br />

96<br />

97<br />

96<br />

A VICTORIAN AGATE AND DIAMOND<br />

MOURNING BROOCH<br />

The large banded agate cabochon<br />

applied with an old brilliant-cut<br />

diamond floral motif, to a tubular mount<br />

with entwined foliate black enamel<br />

detail, verso with glazed hairwork<br />

panel, engraved details denoting the<br />

passing of four members of the Macfie<br />

family of Airds; testing as 15ct gold.<br />

Weight 34.8g.<br />

$1,500–2,500<br />

97<br />

A VICTORIAN SILVER BROOCH<br />

Of shield form, stylised foliate detail,<br />

glazed locket to verso.<br />

$100–200


16<br />

98<br />

A PAIR OF DIAMOND STUD EARRINGS<br />

Each earring featuring a round brilliant<br />

cut diamond of 1.09cts, within a six<br />

claw setting, stamped IMP; 18ct white<br />

gold. Both diamonds GIA certified with<br />

certifi<strong>cat</strong>es stating colour G, clarity SI2.<br />

Boxed.<br />

$15,000–20,000<br />

99<br />

AN ART DECO-STYLE DIAMOND<br />

BRACELET<br />

Comprising articulated diamond panels,<br />

set throughout with princess cut and<br />

round brilliant cut diamonds totalling<br />

14.81cts; 18ct gold. Length 17.5cms.<br />

Weight 30g.<br />

$26,000–32,000<br />

100<br />

A THREE STONE DIAMOND RING<br />

Featuring a central round brilliant cut<br />

diamond of 0.62cts, flanked by two<br />

round brilliant cut diamonds totalling<br />

0.64cts; 18ct white gold. Ring size M.<br />

Weight 4.8g.<br />

$3,000–3,600<br />

101<br />

AN ANTIQUE DIAMOND BAR BROOCH<br />

Of pierced filigree design, set<br />

throughout with old European cut<br />

diamonds totalling approximately<br />

0.80cts, spaced by rose cut diamonds;<br />

18ct white gold. Length 6.5cms.<br />

Weight 6.1g.<br />

$2,600–3,200<br />

102<br />

A VINTAGE DIAMOND CLUSTER RING<br />

Of geometrical design, central round<br />

brilliant cut diamond totalling 0.73cts,<br />

surrounded by a border of undulating<br />

tapered baguette cut diamonds<br />

totalling 0.80cts; 18ct yellow and white<br />

gold. Ring size O. Weight 6.6g.<br />

$2,600–3,000<br />

103<br />

AN ANTIQUE DIAMOND BROOCH<br />

Designed as a pierced plaque,<br />

set throughout with old European<br />

and single cut diamonds totalling<br />

approximately 4.25cts; 18ct white gold.<br />

Weight 14.2g.<br />

$3,200–3,600<br />

104<br />

A PAIR OF CONVERTIBLE DIAMOND<br />

STUD EARRINGS<br />

Each earring featuring a round<br />

brilliant cut diamond stud of 0.72cts,<br />

surrounded by a removable diamond<br />

set halo totalling 0.21cts; 18ct white<br />

gold. Total weight 4.2g.<br />

$6,000–6,500<br />

98


17<br />

99<br />

100<br />

101<br />

102<br />

103


18<br />

105<br />

AN ANTIQUE GOLD LORGNETTE<br />

A rose gold lorngette, stamped 9ct,<br />

early 20th century, ribbed detail, with<br />

sprung <strong>cat</strong>ch. Length when closed<br />

14.5cms. Weight 30g.<br />

$600–800<br />

106<br />

A VINTAGE GOLD CIGARETTE LIGHTER<br />

BY DUPONT<br />

Rectangular form, linear decorative<br />

bands, underside stamped Du Pont,<br />

18K, engraved initials GEE; 18ct gold.<br />

$600–800<br />

107<br />

A GOLD HINGED BANGLE<br />

The hinged bangle featuring spaced<br />

elephants within two gold bands, figure<br />

eight safety clasp; 14ct white and<br />

yellow gold. Inner diameter 6.5cms.<br />

Weight 20.5g.<br />

$600–800<br />

108<br />

A PAIR OF JADE AND DIAMOND<br />

CLUSTER EARRINGS<br />

Each cluster stud earring set with<br />

an oval shaped jade cabochon of<br />

approximately 2.00cts, surrounded by<br />

a border of round brilliant cut diamonds<br />

totalling 0.35cts; 18ct white gold. Each<br />

earring weighing 2.9g.<br />

$3,400–3,600<br />

109<br />

A SAPPHIRE AND DIAMOND DRESS<br />

RING<br />

Featuring a cushion cut sapphire of<br />

1.69cts, within a pierced diamond<br />

set border totalling 0.32cts; 18ct<br />

yellow and white gold. Ring size M½.<br />

Weight 4.7g.<br />

$1,600–1,800<br />

110<br />

A YELLOW SAPPHIRE AND DIAMOND<br />

CLUSTER RING<br />

Centrally set with a faceted oval cut<br />

yellow sapphire of 1.72cts, set within a<br />

cluster of marquise and round brilliant<br />

cut diamonds totalling approximately<br />

0.90cts; 18ct white gold. Ring size O.<br />

Weight 5.6g.<br />

$2,400–2,600<br />

111<br />

A VINTAGE EMERALD AND DIAMOND<br />

RING<br />

Designed as a ribbon crossover, set<br />

with two oval cut emeralds totalling<br />

2.37cts, round brilliant cut diamonds<br />

totalling 1.59cts; 18ct white gold.<br />

Ring size P½. Weight 8.9g.<br />

$1,800–2,200<br />

112<br />

AN ANTIQUE GOLD BAND RING<br />

Fine hallmarked band, diameter 2.4mm;<br />

15ct rose gold. Ring size X. Weight 2.5g.<br />

$100–200<br />

113<br />

A GREEN SAPPHIRE AND DIAMOND<br />

RING<br />

Centrally set with a faceted oval shaped<br />

sapphire of 1.95cts, shouldered by<br />

round brilliant cut diamonds totalling<br />

0.22cts; 18ct gold and platinum.<br />

Ring size O. Weight 4.9g.<br />

$1,800–2,200<br />

114<br />

A VINTAGE PEARL AND DIAMOND<br />

CLUSTER RING<br />

Featuring a 6.8mm golden white pearl,<br />

surrounded by old cut diamonds<br />

totalling approximately 0.15cts; 18ct<br />

rose and white gold. Ring size O.<br />

Weight 4.4g.<br />

$1,000–1,500<br />

115<br />

AN AQUAMARINE AND DIAMOND RING<br />

Featuring an oval faceted aquamarine<br />

of approximately 3.50cts, within a<br />

pierced, grain set diamond mount; 18ct<br />

white gold. Ring size M½. Weight 4.7g.<br />

$2,200–2,600<br />

116<br />

TWO PAIRS OF GOLD BALL EARRINGS<br />

One pair of stud earrings, the other on<br />

European backings; both testing as 9ct<br />

gold. Total weight 5.4g.<br />

$100–200<br />

117<br />

A TIGERS EYE RING BY PATRICK JELK<br />

Carved cameo tigers eye depicting<br />

the profile of a gentleman, secured<br />

within a mount featuring three figures<br />

in action, set with diamonds and a<br />

golden sapphire, split shank; 18ct gold.<br />

Designed and crafted by Adelaide<br />

based jeweller Patrick Jelk for the<br />

2000 Sydney Olympics. Weight 21.5g.<br />

Ring size Z+1.<br />

$1,500–1,800<br />

118<br />

A DIAMOND DRESS RING<br />

The wide band ring featuring horizontal<br />

grain set detail, mounted with round<br />

brilliant cut diamonds totalling 3.27cts;<br />

18ct gold. Ring size O. Weight 10.9g.<br />

$3,200–3,400<br />

119<br />

A LAPEL PIN BY PATRICK JELK<br />

Featuring a carved cameo tigers eye<br />

depicting the head of a Roman man in<br />

profile, secured within a mount featuring<br />

a seated figure, pinch-pin to verso; 18ct<br />

gold. Designed and crafted by Adelaide<br />

based jeweller Patrick Jelk for the 2000<br />

Sydney Olympics. Weight 4.4g.<br />

$300–500


19<br />

105<br />

106<br />

107


20<br />

120<br />

AN AQUAMARINE AND DIAMOND<br />

DRESS RING<br />

Featuring a rectangular emerald<br />

cut aquamarine of 7.84cts, grain<br />

set diamond shoulders totalling<br />

0.44cts; 18ct white gold Ring size O.<br />

Weight 6.2g.<br />

$2,000–2,400<br />

121<br />

AN AQUAMARINE, ONYX AND<br />

DIAMOND PENDANT<br />

Featuring a fancy pear shaped<br />

aquamarine of 12.16cts, suspended<br />

from an onyx and diamond set bale,<br />

diamonds totalling 0.13cts, on a<br />

conforming chain; 18ct white gold.<br />

Weight 7.2g.<br />

$2,000–3,000<br />

122<br />

AN EMERALD, SAPPHIRE AND<br />

DIAMOND DRESS RING<br />

Featuring an emerald cut emerald of<br />

2.22cts, within a grain set border of<br />

carre cut sapphires totalling 1.08cts,<br />

round brilliant cut diamonds totalling<br />

0.25cts; 18ct white and yellow gold.<br />

Ring size P. Weight 3.4g.<br />

$1,600–2,000<br />

123<br />

A VINTAGE JADE AND DIAMOND RING<br />

Designed as a floral spray, featuring a<br />

round brilliant cut diamond of 0.60cts,<br />

three pear shaped jade cabochons,<br />

diamond detail to leaves; 14ct white<br />

gold. Ring size L½. Weight 3.7g.<br />

$600–800<br />

124<br />

A VINTAGE EMERALD BOMBE RING<br />

The pierced exotic mount set<br />

throughout with round cut emeralds;<br />

14ct gold. Ring size M. Weight 5.7g.<br />

$180–260<br />

125<br />

A KUNZITE, SAPPHIRE AND DIAMOND<br />

RING<br />

Featuring a chequerboard cut kunzite<br />

of 6.60cts, shouldered by orange<br />

sapphires totalling 1.96cts, within a<br />

round brilliant cut diamond border<br />

totalling 0.50cts; 18ct white and yellow<br />

gold. Ring size L. Weight 5.9g.<br />

$1,800–2,000<br />

126<br />

THREE HAND CRAFTED SILVER<br />

NECKLACES BY REGINA SCHWAZER<br />

The three pierced vessels depicting<br />

the Father, Son and Holy Spirit,<br />

suspended on wire ropes; crafted<br />

in silver by Adelaide based jeweller<br />

Regina Schwazer.<br />

$300–500<br />

127<br />

AN ANTIQUE CHRYSOPRASE AND<br />

SEED PEARL BANGLE<br />

Styled as a witches bangle, interlocking<br />

hearts set with two heart shaped<br />

cabochon cut chrysoprase, seed<br />

pearl border and bow, hinged bangle;<br />

9ct gold. Inner diameter 5.5cms.<br />

Weight 5.9g.<br />

$1,200–1,800<br />

128<br />

A SAPPHIRE AND DIAMOND RING<br />

Featuring a faceted pear shaped<br />

sapphire of approximately 1.85cts,<br />

tapered baguette diamond set<br />

shoulders totalling 0.30cts; 18ct white<br />

gold. Ring size Q. Weight 4.2g.<br />

$1,800–2,200<br />

129<br />

A VINTAGE GOLD BAND RING<br />

Plain band, 7mm wide, engraved<br />

to inner band; testing as 14ct gold.<br />

Ring size K½. Weight 5.7g.<br />

$400–600<br />

130<br />

A SAPPHIRE SET BRACELET<br />

Fancy double rope link bracelet, ring<br />

and foliate highlights, set with thirtynine<br />

sapphires totalling approximately<br />

3.90cts; 18ct gold. Weight 15.4g.<br />

$1,200–1,600<br />

131<br />

A WHITE OPAL CLUSTER RING<br />

Featuring an oval cabochon cut white<br />

opal, surrounded by an opal border; 9ct<br />

gold. Ring size P. Weight 3.2g.<br />

$160–200<br />

132<br />

A LOOSE SAPPHIRE<br />

The loose oval mixed cut sapphire<br />

of 5.53cts, accompanied by an IGI<br />

certifi<strong>cat</strong>e of authenticity.<br />

$1,000–1,500<br />

133<br />

A VINTAGE GEM SET PRINCESS RING<br />

Styled as a raised crown, set with<br />

various stones including sapphire,<br />

garnet, citrine, emerald and ruby; 14ct<br />

gold. Ring size J. Weight 3.7g.<br />

$200–300<br />

134<br />

A SET OF ANTIQUE GOLD DRESS<br />

STUDS<br />

Comprising three studs, bloomed finish;<br />

15ct gold. Fitted box. Weight 3.6g.<br />

$140–160<br />

135<br />

A PAIR OF DIAMOND HALF HOOP<br />

EARRINGS<br />

Each earring set with round brilliant<br />

cut diamonds totalling approximately<br />

0.10cts; 9ct gold. Total weight 2.9g.<br />

$160–180


21<br />

120<br />

121<br />

122<br />

123<br />

124<br />

125


22<br />

136<br />

A SAPPHIRE AND DIAMOND CLUSTER<br />

RING<br />

Featuring a central faceted oval shaped<br />

sapphire of 1.02cts, surrounded<br />

by baguette cut diamonds totalling<br />

approximately 0.45cts; 18ct white gold.<br />

Ring size M. Weight 3.1g.<br />

$2,000–2,400<br />

137<br />

A PAVE SET DIAMOND RING<br />

Featuring a marquise shaped tension<br />

set diamond panel; 14ct gold. Ring size<br />

P. Weight 7.9g.<br />

$240–340<br />

138<br />

A SAPPHIRE AND DIAMOND RING<br />

Designed as three interwoven<br />

clusters, graduated oval cut sapphires,<br />

surrounded by diamonds; 18ct gold.<br />

Ring size O. Weight 4g.<br />

$340–440<br />

139<br />

A PAIR OF ONYX AND DIAMOND DROP<br />

EARRINGS<br />

Each earring featuring an elongated<br />

tear shaped onyx drop, suspended<br />

from two round brilliant cut diamonds<br />

totalling approximately 0.15cts;<br />

18ct white gold. Length 4cms.<br />

$1,200–1,600<br />

140<br />

A PAIR OF RUBY, EMERALD AND<br />

DIAMOND CHANDELIER EARRINGS<br />

Each earring of exotic design, set<br />

throughout with rubies, emeralds<br />

and old cut diamonds; 18ct gold.<br />

European backings.<br />

$2,400–2,600<br />

141<br />

A PAIR OF BLACK AND WHITE<br />

DIAMOND EARRINGS<br />

Each earring set with a black diamond<br />

of 1.54cts, surrounded by white<br />

diamonds totalling 0.13cts; 18ct rose<br />

gold. European backings.<br />

$1,800–2,400<br />

142<br />

AN ANTIQUE ROCK CRYSTAL AND<br />

INSECT BROOCH<br />

Circular brooch set with a silver owl and<br />

flies within a rock crystal dome; silver.<br />

Possibly Mackay, Cunningham & Co.<br />

Edinburgh. Boxed.<br />

$800–1,200<br />

143<br />

A DIAMOND SET BANGLE<br />

The hinged bangle half set with round<br />

brilliant and baguette cut diamonds<br />

totalling approximately 1.85cts; 18ct<br />

white gold. Inner diameter 5.7cms.<br />

Weight 7.7g.<br />

$2,200–2,600<br />

144<br />

A SAPPHIRE AND DIAMOND<br />

DRESS RING<br />

Pierced, grain set plaque featuring a<br />

rectangular emerald cut sapphire of<br />

2.15cts, lozenge shaped plaque set<br />

throughout with round brilliant cut<br />

diamonds totalling 1.15cts; 18ct white<br />

gold. Ring size N. Weight 4.6g.<br />

$2,400–2,800<br />

145<br />

A PAIR OF MABE PEARL AND<br />

DIAMOND EARRINGS<br />

Each earring set with a mabe pearl<br />

measuring 11.2mm, within a diamond<br />

set border totaling approximately<br />

0.25cts; 18ct yellow and white gold.<br />

$1,400–1,600<br />

146<br />

A TANZANITE AND DIAMOND RING<br />

Featuring a pear shaped faceted<br />

tanzanite of approximately 2.75cts,<br />

surrounded by baguette and round<br />

brilliant cut diamonds; 18ct white gold.<br />

Ring size L. Weight 6.5g.<br />

$2,600-3,000<br />

147<br />

A PAIR OF RUBY AND DIAMOND<br />

CHANDELIER EARRINGS<br />

Each earring of pierced design,<br />

grain set carre cut rubies totalling<br />

0.30cts, round brilliant cut diamonds<br />

totalling 0.70cts, European backings;<br />

18ct white gold. Total weight 9.1g.<br />

$2,600–3,000<br />

148<br />

A PAIR OF DIAMOND CLUSTER STUD<br />

EARRINGS<br />

Each earring features a diamond set<br />

cluster totalling approximately 0.15cts;<br />

18ct gold. Total weight 2.5g.<br />

$120–160<br />

149<br />

A VINTAGE DIAMOND RING<br />

Central old cut diamond of<br />

approximately 0.25cts, diamond set<br />

shoulders, pierced filigree mount;<br />

platinum and 18ct gold. Ring size M.<br />

Weight 2.1g.<br />

$140–180<br />

150<br />

AN EMERALD AND DIAMOND<br />

COCKTAIL RING<br />

Featuring an emerald cut emerald<br />

of 6.51cts, within a round brilliant<br />

cut diamond surround totalling<br />

0.71cts; 18ct yellow and white gold.<br />

Ring size M½. Weight 8g.<br />

$5,000–7,000


23<br />

151<br />

151<br />

A PAIR OF SPANISH COLONIAL STYLE<br />

GOLD EARRINGS<br />

Of embellished ornate, scrolled design,<br />

flora and fauna detail, set with Motherof-Pearl<br />

and seed pearls, detachable<br />

drop; stamped 18ct, testing as 14ct<br />

gold. Length 8cms. Weight 31.2g.<br />

$1,600–2,000<br />

152<br />

152<br />

A PAIR OF SPANISH COLONIAL STYLE<br />

GOLD EARRINGS<br />

Each earring of embellished ornate<br />

floral design, set with a rose cut citrine<br />

and seed pearls, detachable drop;<br />

unmarked, testing as 14ct gold. Length<br />

7.5cms. Weight 24.6g.<br />

$1,400–1,800


24<br />

153<br />

A VICTORIAN LADY’S FULL HUNTER<br />

GOLD POCKET WATCH<br />

Gold cuvette with black enamel and<br />

rose cut diamond accents, cream dial<br />

with applied Roman numerals, gold<br />

floral accents, black filigree hands,<br />

c.1860. Marked to interior: Cylindre<br />

ho Joyeaux (Geneve); 18ct gold.<br />

Weight (all in) 39.8g.<br />

$1,600–2,000<br />

154<br />

A SAPPHIRE AND DIAMOND CLUSTER<br />

RING<br />

Set with a step cut Australian sapphire<br />

of 3.05cts, surrounded by a border of<br />

round brilliant cut diamonds totalling<br />

0.80cts; 18ct white gold. Ring size P.<br />

Weight 4.7g.<br />

$2,000–3,000<br />

155<br />

A GOLD GEORG JENSEN BRACELET<br />

Oval links, ring and t-bar clasp, signed<br />

Georg Jensen 750 Danmark; 18ct gold.<br />

Weight 136.6g. Length 25cms. Boxed.<br />

$7,000–9,000<br />

156<br />

A DIAMOND LINE NECKLACE<br />

The frontal section of the necklace<br />

set with round brilliant cut diamonds<br />

totalling 4.80cts; 18ct white gold.<br />

Length 43cms. Weight 18g.<br />

$4,800–5,500<br />

157<br />

A DIAMOND LINE BRACELET<br />

Fully set with round brilliant cut<br />

diamonds totalling 2.13cts; 18ct white<br />

gold. Length 18cms. Weight 7.7g.<br />

$2,600–2,800<br />

158<br />

A PAIR OF RUBY AND DIAMOND<br />

CLUSTER EARRINGS<br />

Each earring set with an oval faceted<br />

ruby of 1.82cts, surrounded by round<br />

brilliant diamonds totalling 0.18cts;<br />

18ct gold. Total weight 4.2g.<br />

$2,800-3,200<br />

159<br />

A GOLD CUBAN LINK BRACELET<br />

Comprising 15mm wide Cuban links,<br />

double figure eight safety clasp;<br />

stamped 90% (21.6ct gold). Weight<br />

207.7g. Length 21.5cms.<br />

$10,000–12,000<br />

160<br />

A VINTAGE IOLITE AND DIAMOND RING<br />

Featuring an oval faceted iolite of<br />

4.10cts, within a scalloped diamond<br />

set mount; 18ct yellow and white gold.<br />

Ring size Q½. Weight 5.6g.<br />

$2,800–3,600<br />

161<br />

AN EMERALD PENDANT<br />

Featuring an emerald cut emerald<br />

of approximately 8.50cts; 14ct gold<br />

mount. Weight 3.2g.<br />

$200–300<br />

162<br />

A TANZANITE BROOCH<br />

Designed as a floral wreath, set<br />

throughout with round faceted<br />

Tanzanites totalling 5.20cts; 9ct<br />

white gold. Safety chain attachment.<br />

Weight 3.9g.<br />

$1,000–1,200<br />

163<br />

A COIN SET PENDANT<br />

Featuring a Maria Theresa thaler<br />

silver bullion coin, within a scrolled<br />

gold mount created by Australian<br />

jeweller Paul Bott; 9ct gold mount.<br />

Total weight 35.9g.<br />

$200–300<br />

153


25<br />

164<br />

164<br />

AN EDWARDIAN EMERALD, DIAMOND<br />

AND SEED PEARL BROOCH<br />

Lozenge shape, foliate design, pearl<br />

and emerald set targets to terminal<br />

points (some losses); 14 carat gold.<br />

Weight 4.5g.<br />

$700–900<br />

165<br />

AN ANTIQUE PEARL AND DIAMOND<br />

RING<br />

Featuring a natural pearl measuring<br />

5.2mm, surrounded by a border of<br />

old European cut diamonds totalling<br />

approximately 0.53cts, engraved<br />

detail to band; 15ct gold. Ring size M.<br />

Weight 4.7g.<br />

$3,200–3,600<br />

166<br />

A GOLD SIGNET RING<br />

Featuring an oval plaque with 2000<br />

engraved within; 9ct gold. Ring size P.<br />

Weight 9.9g.<br />

$300–500<br />

167<br />

A GOLD SIGNET RING<br />

Square plaque, stamped 2000, 375,<br />

makers mark CH, Birmingham; 9ct gold.<br />

Ring size V½. Weight 7.7g.<br />

$300–500<br />

168<br />

A PAIR OF TEXTURED GOLD<br />

CUFFLINKS BY GEORGES L’ENFANT,<br />

ATTRIBUTED TO CARTIER<br />

Textured, patterned square plaques,<br />

makers mark for Georges L’Enfant,<br />

craftsman for Cartier, Maltese cross<br />

goldmark; 18ct gold. Weight 20.2g.<br />

Cartier box.<br />

$2,000–3,000<br />

169<br />

A VINTAGE LAPIS LAZULI RING BY<br />

GEORG JENSEN<br />

Large oval cabochon cut lapis, design<br />

number 46E by Harald Nielsen,<br />

stamped Georg Jensen, 925S,<br />

Denmark. Ring size P. Weight 20.3g.<br />

$600–800


26<br />

170<br />

A TUDOR HYDRONAUT II AUTOMATIC<br />

WRISTWATCH<br />

Black dial, 40mm, luminous block<br />

hour markers, silvered outer minute<br />

divisions, magnified date aperture at<br />

3, polished baton hands with luminous<br />

inserts, centre seconds, unidirectional<br />

rotatable stainless steel bezel, Tudor<br />

rubber wristband with stainless steel<br />

deployment clasp. Serial number<br />

J102687. Original box, papers and<br />

certifi<strong>cat</strong>e of authenticity.<br />

$1,500–2,000<br />

171<br />

A VINTAGE MENS DOXA ALARM<br />

WRISTWATCH<br />

Gold filled case, stainless steel back,<br />

manual wind, 17 jewels, signed case,<br />

dial, movement with original Doxa<br />

crowns, case diameter 34mm, c.1950.<br />

Leather strap.<br />

$400–600<br />

170<br />

172<br />

A MENS CYMA ‘NAVY STAR’<br />

WRISTWATCH<br />

Black dial, gold hands and batons,<br />

17 jewels, manual wind, case diameter<br />

34mm, 9ct gold head, stainless steel<br />

back, c.1950.<br />

$300–500<br />

173<br />

A LADIES OMEGA ‘DYNAMIC’<br />

WRISTWATCH<br />

Two tone stainless steel blue and silver<br />

dial and case, date aperture at 3 o’clock,<br />

signed ‘Omega Automatic- Geneve<br />

dynamic’, case diameter 30mm, c.1960.<br />

$300–500


27<br />

174<br />

A GOLD ‘SEAMASTER GMT<br />

CHRONOMETER’ WRISTWATCH BY<br />

OMEGA<br />

Featuring a blue engraved dial,<br />

luminous baton markers, date aperture<br />

at 3 o’clock, automatic movement,<br />

rotating bezel, additional 24 hour hand,<br />

41mm case, gold wristband with fold<br />

over clasp; 18ct gold. Weight 225.4g.<br />

Boxed with all original papers.<br />

$10,000–15,000<br />

175<br />

A GENTS GOLD ‘’LEMAN ULTRA SLIM<br />

DATE WATCH’ BY BLANCPAIN<br />

Featuring a white dial with gold tone<br />

luminous hands, Roman numeral<br />

and baton hour markers, automatic<br />

movement, date window at 3 o’clock,<br />

38mm case, gold bracelet with foldover<br />

clasp; 18ct gold. Boxed with manual<br />

and guarantee.<br />

$6,000–8,000<br />

174


28<br />

176<br />

AN ART NOUVEAU ENAMEL AND SEED<br />

PEARL BROOCH<br />

Of openwork design, enamelled leaves,<br />

stylised seed pearl flower; 9ct gold.<br />

Weight 2.6g.<br />

$220–320<br />

177<br />

A RUBY AND DIAMOND DRESS RING<br />

Featuring a central round faceted ruby<br />

of 1.36cts, surrounded and shouldered<br />

by round brilliant cut diamonds totalling<br />

0.20cts; 18ct gold. Ring size N½.<br />

Weight 3.2g.<br />

$2,000–2,400<br />

178<br />

A PAIR OF CONVERTIBLE RUBY AND<br />

DIAMOND EARRINGS<br />

Each earring featuring a round faceted<br />

cut ruby of 1.31cts, within a removable<br />

diamond set halo totalling 0.18cts; 18ct<br />

gold. Each earring weighing 2.2g.<br />

$2,800–3,200<br />

179<br />

A DIAMOND LINE BRACELET<br />

Illusion set with round brilliant cut<br />

diamonds totalling 5.04cts; 18ct white<br />

gold. Length 16.5cms. Weight 15.6g.<br />

$5,000–5,500<br />

180<br />

A TANZANITE AND DIAMOND<br />

CLUSTER RING<br />

Centrally set with an oval faceted<br />

Tanzanite of 2.84cts, within a scalloped,<br />

undulating border of round brilliant<br />

and tapered baguette cut diamonds<br />

totalling 1.20cts; 18ct white gold.<br />

Ring size M. Weight 5.7g.<br />

$2,400–2,600<br />

181<br />

A PAIR OF SOUTH SEA PEARL AND<br />

DIAMOND EARRINGS<br />

Each earring featuring a 16.6mm round<br />

white pearl, within a diamond set hoop<br />

totalling 0.50cts; 18ct white gold.<br />

$2,600–2,800<br />

182<br />

A ZAMBIAN EMERALD AND DIAMOND<br />

RING<br />

Featuring an emerald cut emerald of<br />

3.76cts, tapered baguette diamond<br />

shoulders; 18ct white gold. Ring size K.<br />

Weight 3.7g. GSL certifi<strong>cat</strong>e.<br />

$4,000–4,600<br />

183<br />

A GOLD AND DIAMOND BRACELET<br />

Of belt and buckle design, set with<br />

round brilliant cut diamonds totalling<br />

approximately 0.10cts, double figure<br />

eight safety clasps; 18ct gold. Length<br />

20cms. Weight 13.5g.<br />

$600–800<br />

184<br />

A GOLD RING<br />

Celtic style swirled design, ribbed<br />

shoulders; 9ct gold. Ring size M.<br />

Weight 2.8g.<br />

$200–260<br />

185<br />

A GOLD CHAIN NECKLACE<br />

Cable chain with small gold plated<br />

religious pendant. Chain in 18ct gold.<br />

Length 61cms. Weight 5.9g (chain only).<br />

$200–300<br />

176


29<br />

186<br />

186<br />

A EUROPEAN ART NOUVEAU GOLD<br />

AND DIAMOND PENDANT<br />

Featuring a floral and foliate pierced<br />

panel, set with an old European cut<br />

diamond of approximately 0.15cts,<br />

suspending an engraved circular panel<br />

featuring the figure of a woman in<br />

profile, stamped E. Dropsy; 14ct gold.<br />

Weight 8.2g.<br />

$400–600<br />

187<br />

187<br />

AN ART NOUVEAU GOLD PENDANT<br />

Featuring three graduated articulated<br />

panels, each of floral and foliate design<br />

depicting a woman in profile; 14ct gold.<br />

Weight 10.5g. Length 6.5cms.<br />

$320–380


30<br />

188<br />

188<br />

A SOUTH SEA PEARL AND DIAMOND<br />

‘PARADIS’ BRACELET BY PASPALEY<br />

Featuring three Paspaley pearls<br />

measuring 10mm, spaced by diamond<br />

set plaques totalling 0.34cts; 18ct gold.<br />

Weight 11.4g. Length 19.5cms. Boxed<br />

with certifi<strong>cat</strong>e of authenticity.<br />

$1,800–2,500<br />

189<br />

A CULTURED PEARL BANGLE<br />

Expandable gold bracelet, silver grey<br />

cultured pearl terminals measuring<br />

9-9.5mm; 18ct gold. Weight 4.2g.<br />

$400–600<br />

190<br />

A PAIR OF CULTURED PEARL,<br />

EMERALD AND DIAMOND EARRINGS<br />

Each earring featuring a cabochon<br />

cut emerald and round brilliant cut<br />

diamond, suspending a 10.7mm<br />

pearl of grey / green hue; 18ct gold.<br />

Total weight 4.5g. Length 2cms.<br />

$500–700<br />

191<br />

A VICTORIAN SEED PEARL AND<br />

DIAMOND RING<br />

Of cluster design, central old cut<br />

diamond surrounded by seed pearls,<br />

embellished shoulders; 18ct gold.<br />

Ring size N. Weight 2.9g.<br />

$200–300<br />

192<br />

A DOUBLE STRAND AKOYA PEARL<br />

BRACELET<br />

Comprising uniform Akoya pearls<br />

measuring 6.9mm; closing to a 14ct<br />

gold clasp. Length 17cms.<br />

$60–80<br />

193<br />

AN AKOYA PEARL NECKLACE<br />

Featuring uniform pearls measuring<br />

6.4mm, closing to a pierced, diamond<br />

set heart pendant; 18ct gold.<br />

Length 41cms.<br />

$100–200<br />

194<br />

A FRESHWATER PEARL AND<br />

HARDSTONE TRIBAL STYLE<br />

NECKLACE<br />

Featuring a carved hardstone disc,<br />

suspended from a silver cube,<br />

on a multi-strand dyed golden<br />

freshwater pearl collar, signed Jaana.<br />

Length 40cms.<br />

$180–220<br />

195<br />

A FRESHWATER PEARL AND<br />

HARDSTONE TRIBAL STYLE<br />

NECKLACE<br />

Featuring a carved green hardstone<br />

dragon, suspended from a silver<br />

lantern, on a multi-strand dyed green<br />

freshwater pearl collar, signed Jaana.<br />

Length 42cms.<br />

$180–220


31<br />

196<br />

A SOUTH SEA PEARL AND DIAMOND<br />

PENDANT BY PASPALEY<br />

Featuring a single oval shaped pearl<br />

measuring 13mm, silver white hue,<br />

suspended from a pave set diamond<br />

bale, on a conforming chain; 18ct gold.<br />

Length 45cms. Boxed with Certifi<strong>cat</strong>e<br />

of Authenticity.<br />

$1,000–2,000<br />

197<br />

A PAIR OF SOUTH SEA PEARL AND<br />

DIAMOND EARRINGS BY PASPALEY<br />

Each earring featuring an oval shaped<br />

South Sea pearl measuring 12mm, of<br />

silver white hue, suspended from a pave<br />

set diamond bale; 18ct gold. Boxed with<br />

Certifi<strong>cat</strong>e of Authenticity.<br />

$1,500–2,000<br />

196<br />

197


Consigning Now<br />

20th Century Design<br />

Auction: Monday 23 September 2019<br />

Consignments close Friday 9 August<br />

ENQUIRIES 03 9500 2607 | mail@gibsonsauctions.com.au


The Winter<br />

Auction Series<br />

Decorative Arts & Design<br />

Chinese & Asian works of art<br />

Melbourne, 6 August 2019


03 9500 2607<br />

gibsonsauctions.com.au<br />

Jennifer Gibson<br />

CEO & Head of Valuations<br />

Jennifer.Gibson@gibsonsauctions.com.au<br />

Elliott Hughes<br />

Auctions Manager & Specialist<br />

Elliott.Hughes@gibsonsauctions.com.au<br />

Elizabeth Stannard<br />

Head of Jewellery<br />

Elizabeth.Stannard@gibsonsauctions.com.au<br />

Simon Gibson<br />

CFO<br />

Simon.Gibson@gibsonsauctions.com.au<br />

Deanna Baxter<br />

Business Manager<br />

Deanna.Baxter@gibsonsauctions.com.au<br />

Auction, Viewing and<br />

Payment & Collections<br />

Level 1, 885-889 High Street<br />

Armadale, Victoria 3143<br />

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />

DALE ST<br />

HIGH ST<br />

ORRONG RD<br />

HAMPDEN RD ASHLEIGH RD<br />

AUBURN GROVE<br />

DENBIGH RD<br />

SUTHERLAND RD<br />

KOOYONG RD<br />

NORTHCOTE RD<br />

CHEEL ST<br />

MT PLEASANT GROVE<br />

NEW ST<br />

OSMENT ST<br />

Marilla O’Sullivan<br />

Auction Assistant<br />

Marilla.Osullivan@gibsonsauctions.com.au


1<br />

FRONT COVER:<br />

Lot 415 (Detail)<br />

The Winter<br />

Auction Series<br />

Auction<br />

Session I<br />

Fine Jewellery and Watches<br />

Monday 5 August 2019, 1pm (Lots 1–197)<br />

Session II Decorative Arts<br />

Tuesday 6 August 2019, 11am (Lots 198–583)<br />

Session III Chinese and Asian Works of Art<br />

Tuesday 6 August 2019, 5pm approximately (Lots 584–789)<br />

Level 1, 885-889 High Street<br />

Armadale, Victoria 3143<br />

Viewing<br />

Thursday 1 August<br />

Friday 2 August<br />

Saturday 3 August<br />

Sunday 4 August<br />

10.00–5.00pm<br />

10.00–5.00pm<br />

10.00–4.00pm<br />

10.00–4.00pm<br />

Auction Code: <strong>GA008</strong><br />

GST<br />

† Lots with this symbol are subject<br />

to GST on the hammer price and the<br />

buyer’s premium.<br />

Buyer’s Premium<br />

Buyer’s Premium is charged at 22%<br />

of the hammer price plus GST. GST is<br />

applicable to the buyer’s premium only,<br />

unless otherwise indi<strong>cat</strong>ed by the †<br />

symbol.<br />

Registration<br />

To register to bid at Gibson's<br />

Auctioneers & Valuers an accredited<br />

form of photo identifi<strong>cat</strong>ion is required.<br />

This applies to bidding in person at<br />

the auction, Telephone, Absentee and<br />

Online bidding.<br />

Resale Royalty Scheme<br />

Lots subject to payment of the Artist's<br />

Resale Royalty Scheme will be denoted<br />

by the symbol §. The Australian Resale<br />

Royalty is a flat rate of 5% on the<br />

hammer price (including GST) and is<br />

payable by the seller.<br />

Restricted or Organic Material<br />

♦ Lots with this symbol have been<br />

identified at the time of <strong>cat</strong>aloguing<br />

as containing organic material which<br />

may be subject to export or import<br />

restrictions. The absence of this<br />

symbol is not a guarantee that export<br />

or import restrictions will not apply. See<br />

www.cites.org for further information.<br />

Payments & Collections<br />

Can be made from:<br />

Level 1, 885-889 High Street,<br />

Armadale, Vic 3143<br />

Wednesday 7 August<br />

Thursday 8 August<br />

Friday 9 August<br />

10.00–4.00pm<br />

10.00–4.00pm<br />

10.00–4.00pm<br />

All goods must be collected and paid in<br />

full by 4pm on Friday 9 August (unless<br />

by prior arrangement) to avoid removal<br />

and storage charges.<br />

All payments are to be made in<br />

Australian Dollars (AU$).<br />

Please refer to the methods of payment<br />

in the HOW TO BUY section on the<br />

following pages.<br />

Credit card surcharges apply – 1.2%<br />

(incl GST) for Visa and Mastercard and<br />

3% (incl GST) for American Express.


2<br />

Property from the Collection of Dr. Colin Holden<br />

Session II – Tuesday 6 August 2019, 11am<br />

198<br />

A pair of tortoiseshell and ivory opera<br />

glasses, French, 19th century<br />

with leather case<br />

8cm long extended<br />

$200–300 ♦<br />

199<br />

A George II style Chinoiserie black<br />

lacquer armchair, English, 19th century<br />

$300–500<br />

198<br />

199<br />

200<br />

A large gilded scagliola pier mirror,<br />

possibly Swedish, circa 1790<br />

167 x 114cm<br />

$1,500–2,500<br />

201<br />

A pair of Rococo revival porcelain<br />

candlesticks, probably Minton,<br />

circa 1840<br />

27cm high<br />

$500–800<br />

202<br />

Three relief decorated salt glaze jugs,<br />

English, mid 19th century<br />

the tallest 22cm high<br />

$200–300<br />

203<br />

A French majolica fleur de lys form vase,<br />

Rouen region 19th century<br />

24.5cm high<br />

$100–200<br />

204<br />

A George III painted satinwood writing<br />

box, circa 1800<br />

16cm high, 46cm wide, 25cm deep<br />

$600–800


3<br />

205<br />

A mother of pearl inlaid tortoiseshell<br />

card case 19th century<br />

10cm high, 8cm wide, 1.5cm deep<br />

$200–300<br />

206<br />

A Biedermeier elm and ebonised settee,<br />

circa 1820<br />

103cm high, 130cm wide, 57cm deep<br />

$500–800<br />

207<br />

Two Mexican pauwa shell<br />

mounted boxes<br />

the largest 3cm high, 12cm wide,<br />

7.5cm deep<br />

$200–300<br />

208<br />

An oval miniature portrait on ivory<br />

of Lady Ancaster, probably English<br />

19th century<br />

10 x 8cm including frame<br />

$300–500 ♦<br />

209<br />

A pair of George III mahogany<br />

side chairs<br />

$400–600<br />

210<br />

A pair of carved ebony elephant<br />

bookends<br />

17cm high, 14cm wide, 4cm deep<br />

$150–220<br />

205<br />

206


4<br />

211<br />

A pair of George III style Chinoiserie red<br />

lacquered side chairs<br />

$400–600<br />

212<br />

A set of four Biedermeier side chairs,<br />

circa 1830<br />

$600–800<br />

213<br />

A set of four door panels inset with<br />

scenes from the life of Christ<br />

two 196 x 81.5 and two 196 x 55cm<br />

$1,200–1,500<br />

214<br />

A George III satinwood string inlaid<br />

tea caddy<br />

15cm high, 30cm wide, 15cm deep<br />

$600–800<br />

215<br />

An Arts and Crafts oak secretaire<br />

bookcase, circa 1910<br />

216cm high, 97cm wide, 37cm deep<br />

$400–600<br />

216<br />

A mother of pearl inlaid macassar<br />

sewing box, English, 19th century<br />

14cm high, 29cm wide, 23cm deep<br />

$300–500<br />

217<br />

A set of three Thonet style bentwood<br />

chairs, early 20th century<br />

$100–200<br />

218<br />

A collection of four Amphora vases and<br />

bowls, Czech, early 20th century<br />

the tallest 21cm high<br />

$200–300<br />

219<br />

A large Art Deco ‘Alienware’ tazza<br />

and bowl by Ditmar Urbach<br />

30cm high, 36cm diameter<br />

$100–200<br />

211


5<br />

220<br />

A Chinoiserie decorated black lacquer<br />

cabinet on stand, English, 18th century<br />

and later<br />

166cm high, 101cm wide, 52cm deep<br />

$1,500–2,000<br />

226<br />

A gilt brass mounted agate snuff box,<br />

19th century<br />

6cm wide<br />

$100–200<br />

227<br />

A French spelter figural lamp ‘La Glorie’<br />

by George Maxim, circa 1920<br />

58cm high<br />

$200–300<br />

221<br />

A pair of Louis XV style bronze leaf<br />

form candelabra 19th century<br />

18cm high<br />

$500–800<br />

222<br />

IRENE CARTER (1900-1955)<br />

Untitled (Cathedral Interior)<br />

watercolour<br />

signed lower right: IRENE CARTER<br />

44 x 33cm<br />

$300–500<br />

223<br />

A pair of oak joined chairs after the<br />

original design by William Richard<br />

Lethaby, circa 1900<br />

NOTE<br />

The design based on Lethaby’s<br />

‘Masters Chairs’ design for the Art<br />

Workers Guild, 1893.<br />

REFERENCE<br />

Fischer Fine Art Limited, London,<br />

Exhibition <strong>cat</strong>alogue 15 May - 27 June<br />

1986, Truth, Beauty and Design<br />

$1,000–1,500<br />

224<br />

A pair of continental Majolica putto<br />

and mask relief decorated jugs,<br />

19th century<br />

stamped to base: MK in a cartouche<br />

surmounted by a crown / 604<br />

34cm high, 16cm wide, 33cm deep<br />

$300–500<br />

225<br />

A large collection of Booths<br />

gilt and blue painted porcelain,<br />

early 19th century<br />

the covered urns 26cm high<br />

$500–800<br />

220


6<br />

Other Properties<br />

228<br />

A pair of Biedermeier Karelian birch<br />

burl wood veneer settees, Northern<br />

European, early 19th century<br />

upholstered in stripped green silk<br />

length of back 147cm<br />

$2,000–3,000<br />

229<br />

E. STREICHLER<br />

(GERMAN, ACTIVE 1900)<br />

Farmhouses and Farmhouse<br />

with Well (Untitled)<br />

oil on canvas (2)<br />

each signed lower right: STREICKLER<br />

49 x 63cm each<br />

$800–1,200<br />

230<br />

A set of four hand coloured prints of<br />

hunting scenes after the originals by<br />

J F Herring, late 19th century<br />

39 x 67cm<br />

$200–300<br />

231<br />

A pair of Venetian bulbous glass lamps,<br />

mid 20th century<br />

with yellow silk shades<br />

$800–1,200<br />

232<br />

A brass bound walnut stationary<br />

compendium,19th century<br />

in the form of a domed chest, the<br />

hinged cover opening to reveal various<br />

document apertures<br />

16.5cm high, 22.5cm wide, 12cm wide<br />

$200–300<br />

233<br />

A oval Sheraton style barber pole<br />

banded mahogany mirror, English,<br />

late19th, early 20th century<br />

77 x 53cm<br />

$300–500<br />

234<br />

A WMF silver plate jewellery box,<br />

German, circa 1900<br />

13cm high, 13cm wide, 9cm deep<br />

$700–900<br />

235<br />

ARTIST UNKNOWN<br />

Untitled (Portrait of a Lady)<br />

pencil on paper<br />

initialled lower right: F G<br />

39 x 29cm<br />

$100–200<br />

228


229 (Part)<br />

7


8<br />

236<br />

A French silver cartouche shaped snuff<br />

box, Paris circa 1735<br />

the hinged cover chased with figures in<br />

a stream within Rococo scrolls, similar<br />

figure of children to the reverse, illegible<br />

makers mark, charge and discharge<br />

marks<br />

6.5 x 4.8 x 2cm, 49 grams<br />

PROVENANCE<br />

The Collection of Rodney Davidson,<br />

Leonard Joel, Melbourne, March 2017,<br />

Lot 15<br />

Christie’s, Geneva, 15th November<br />

1983, lot 403<br />

$800–1,200<br />

236<br />

237<br />

A Louis XV style Boulle bracket clock,<br />

20th century<br />

with ornate gilt brass mounts and<br />

scrolling inlaid strapwork throughout<br />

56cm tall<br />

$600–800<br />

238<br />

A marquetry inlaid walnut side table,<br />

Dutch, first half 19th century<br />

70cm high, 67cm wide, 45cm deep<br />

$600–800<br />

238<br />

237


9<br />

239<br />

A carved giltwood cushion mirror,<br />

French, 19th century<br />

surmounted with birds and flowers<br />

170 x 86cm<br />

$1,200–1,500<br />

240<br />

An Edward VII silver cigarette case by<br />

Charles S Green & Co Ltd, Birmingham,<br />

1905, of plain form, hinged frontal<br />

panel opens to reveal a picture<br />

compartment, gilded interior,<br />

engraved shield with fleur-de-lis<br />

detail, initials DF, weight 103.1gms,<br />

length 8cms, width 6cms.<br />

$320–380<br />

241<br />

A European mount deer skull<br />

with antlers<br />

with one asymmetrical antler<br />

73cm high<br />

$200–300 ♦<br />

242<br />

A European mount deer skull<br />

with antlers<br />

with near symmetrical antlers<br />

76cm high<br />

$150–250 ♦<br />

243<br />

A large European mount deer skull<br />

with antlers<br />

with near symmetrical antlers<br />

80cm high<br />

$200–300 ♦<br />

244<br />

A carved ivory crab, circa 1920<br />

10cm wide<br />

$200–300 ♦<br />

245<br />

A French cherry-wood embossed tray<br />

3cm high, 52cm wide, 44cm deep<br />

$300–500<br />

239


10<br />

250<br />

KEN GAILER (BORN 1958)<br />

Rembrandt, Oranges,<br />

and Two Limes, 2001<br />

oil on board<br />

signed and dated lower left:<br />

GAILER 2001<br />

titled verso<br />

72 x 82cm<br />

$200–300<br />

251<br />

KEN GAILER (BORN 1958)<br />

The Story of Painting, 2001<br />

oil on board<br />

signed and dated lower left: GAILER<br />

titled and dated verso<br />

36 x 73cm<br />

$300–500<br />

252<br />

KEN GAILER (BORN 1958)<br />

Eclectic Meditations, 2002<br />

oil on canvas<br />

signed and dated lower right:<br />

GAILER 02<br />

87 x 79cm<br />

$300–500<br />

246<br />

246<br />

GEORG FISCHHOF<br />

(AUSTRIAN, 1859-1915)<br />

Fishing Boats (Untitled)<br />

oil on canvas<br />

signed lower left: J.Claiton (pseudonym)<br />

68 x 55cm<br />

PROVENANCE<br />

Leonard Joel, Fine Furniture, Art &<br />

Objects, November 2015, Lot 541<br />

$400–600<br />

247<br />

A Danish silver serving spoon by W&S<br />

Sorenson, pierced foliate design,<br />

c.1940, weight 95gms, length 22cms.<br />

$320–380<br />

248<br />

A Louis XVI style gilt bronze and<br />

marquetry centre table, French,<br />

19th century<br />

the shaped oval top finely decorated<br />

and inlaid with foliate scrolls and<br />

classical motifs<br />

72cm high, 144cm wide, 84cm deep<br />

$4,000–6,000<br />

249<br />

PAUL CASEBEER<br />

Californian Landscape<br />

oil on board<br />

23.5 x 29cm<br />

signed lower left: Paul Casebeer<br />

$300–500<br />

253<br />

KEN GAILER (BORN 1958)<br />

Eclectic Meditations No. 2, 2002<br />

oil on canvas<br />

signed and dated lower right:<br />

GAILER 02<br />

91 x 84cm<br />

$300–500<br />

254<br />

KEN GAILER (BORN 1958)<br />

Eclectic Meditations No. 3, 2002<br />

oil on canvas<br />

signed and dated lower right:<br />

GAILER 02<br />

84 x 76cm<br />

$300–500


248<br />

11


12<br />

255<br />

A pair of Louis XV style painted<br />

wingback armchairs<br />

with carved lion paw feet and lion mask<br />

velvet upholstery<br />

$1,500–2,500<br />

256<br />

A Regency revival mahogany brass<br />

mounted display bookcase<br />

with a domed pediment flanked by urn<br />

finials above a pair of astragal glazed<br />

doors, the projecting lower section with<br />

silk lined cupboard doors, gilded lion<br />

paw feet<br />

224cm high, 143cm wide, 56cm deep<br />

$1,500–2,500<br />

257<br />

A Louis XV style gilt wood salon mirror<br />

117cm high, 82cm wide<br />

$200–300<br />

258<br />

A large pair of Belleek first period gilded<br />

Amphora urns, circa 1870<br />

of classical form with a flared rim,<br />

decorated with classical acanthus and<br />

raised on three hoof feet, first period<br />

black mark to the base<br />

33.5cm high<br />

NOTE<br />

for a similar example see Portfolio<br />

Press, Degenhardt, Richard K., Belleek,<br />

the Complete Collectors Guide and<br />

Illustrated Reference, Pg. 46<br />

$2,000–3,000<br />

259<br />

A Belleek first period nautilus shell on<br />

coral, circa 1870<br />

the finely modelled shell raised on a<br />

pink highlighted stand of coral, first<br />

period black mark to the base<br />

22cm high<br />

NOTE<br />

for a similar example see Portfolio<br />

Press, Degenhardt, Richard K., Belleek,<br />

the Complete Collectors Guide and<br />

Illustrated Reference, Pg. 49<br />

$300–500<br />

260<br />

A unusual Belleek first period painted<br />

and gilded bowl, circa 1870<br />

of steep sided circular form decorated<br />

with a continuous scene of butterflies<br />

and wildflowers, first period black mark<br />

to the base<br />

11.5cm diameter<br />

NOTE<br />

A similar example is held by the<br />

National Museum, Dublin. See Portfolio<br />

Press, Degenhardt, Richard K., Belleek,<br />

the Complete Collectors Guide and<br />

Illustrated Reference, Pg. 48<br />

$600–800<br />

261<br />

A rare Belleek first period ‘blue thorn’<br />

teapot, circa 1870<br />

the lobed body and branch handle<br />

picked out with a rich turquoise blue<br />

glaze, first period black mark to the<br />

base<br />

14.5cm high<br />

$400–600<br />

255


13<br />

256


14<br />

262<br />

A Georgian double ended scent bottle<br />

cut glass, gold lids, original shagreen<br />

leather case<br />

8.5cm long<br />

$800–900<br />

263<br />

A Rene Lalique Ambre perfume bottle,<br />

made for Coty, circa 1910<br />

moulded with female forms,<br />

signed R. Lalique<br />

15cm high, 13cm diameter<br />

$3,000–4,000<br />

262<br />

264<br />

A German silver cased glass scent<br />

flask, 19th century<br />

of compressed cylindrical form the<br />

removable etched glass scent bottle<br />

within a conforming pierced C scroll<br />

decorated silver sheath<br />

11cm high<br />

$300–500<br />

265<br />

A Victorian silver lidded cut crystal<br />

perfume bottle<br />

hinged lid, maker Charles Meigh, 1892<br />

8cm high<br />

$50–100<br />

266<br />

A collection of glass paperweights,<br />

20th century<br />

comprising twenty seven pieces<br />

including examples of millefiore, lustre<br />

and clichy style flowers<br />

the largest 7cm high, 7.2cm diameter<br />

$300–500<br />

267<br />

Two green glass dump flower<br />

paperweights, English, circa 1890<br />

the largest 10cm high<br />

$200–400<br />

268<br />

A collection of five various glass<br />

paperweights, 19th century and later<br />

the largest 9.5cm high<br />

$300–500<br />

269<br />

A silver plate tantalus, English,<br />

19th century<br />

the lockable frame with three faceted<br />

glass square form decanters<br />

36cm high, 38cm wide, 17cm deep<br />

$600–800<br />

270<br />

An Australian Arts & Crafts silver sugar<br />

spoon by Sargison, stamped Hobart<br />

the bowl of beaten form, plain shaft<br />

with barley twist detail, wire cage finial<br />

set with a green hardstone, weight<br />

22.7gms, length 11.5cms.<br />

$120–180<br />

263 264


15<br />

271<br />

A Lalique Bacchantes vase<br />

decorated with female nymphs<br />

inscribed to base: Lalique France<br />

24cm high<br />

$1,500–2,500<br />

272<br />

A pair of Lalique crystal candlesticks<br />

inscribed to base: Lalique France<br />

13cm high<br />

$150–250<br />

273<br />

Three Lalique crystal partridges<br />

inscribed to base: Lalique France<br />

the tallest 18cm high<br />

$400–600<br />

271<br />

274<br />

A Lalique “Marguerite” frosted<br />

glass bowl<br />

etched to base: R LALIQUE FRANCE<br />

33cm diameter<br />

$300–500<br />

275<br />

A set of four Baccarat faceted glass<br />

‘Royal Family’ paperweights<br />

each with a sulphide bust portrait<br />

of ‘Queen Elizabeth II’, ‘The Duke<br />

of Edinburgh’, ‘Princess Anne’ and<br />

‘The Prince of Wales’, each stamped<br />

Baccarat, France to the base<br />

7.2cm diameter<br />

$300–500<br />

274


16<br />

276<br />

276<br />

CIRCLE OF PIETER MUILIER<br />

(DUTCH, 17TH CENTURY)<br />

(Untitled) Figures in a Classical<br />

Wooded Landscape<br />

oil on canvas<br />

76 x 99.5cm<br />

PROVENANCE<br />

Mossgreen, A Private Toorak Collection<br />

of International Art And Antiques,<br />

Melbourne, September 2011, Lot 118<br />

$3,000–4,000<br />

277<br />

An associated George III and IV<br />

sterling silver cruet set<br />

mixed maker’s marks and dates<br />

total weight of the stand 1485 gm,<br />

26cm high<br />

$300–500<br />

278<br />

JEAN CARSON GRAY<br />

(1927-2012)<br />

Flower Burst, 1989<br />

oil on canvas<br />

signed and dated lower right:<br />

Jean Carson Gray 89<br />

81 x 71cm<br />

$200–300<br />

279<br />

EUROPEAN SCHOOL<br />

Shepard with Flock in<br />

Landscape (untitled)<br />

oil on canvas<br />

sign illegibly lower right<br />

85 x 110cm<br />

$500–800<br />

280<br />

CHRISTIAN WILHELM ERNST<br />

DIETRICH (GERMAN, 1712-1774)<br />

Untitled (Landscape with Travellers<br />

Resting) and (River Landscape with<br />

Travellers and Mules)<br />

two drawings - watercolours<br />

signed lower left: C. W. E. Dietrich<br />

9.5 x 14.5cm (each)<br />

$1,500–2,500<br />

281<br />

JACQUES THEVENET<br />

(FRENCH, 1891-1989)<br />

Harbour at Low Tide, Brittany<br />

watercolour and gouache<br />

signed illegibly lower left<br />

42 x 57cm<br />

$200–300


17<br />

282<br />

A Louis XV style glazed oak bookcase,<br />

French, 19th century<br />

265high, 149cm wide, 55cm deep<br />

$1,500–2,500<br />

283<br />

A set of three monochrome etchings<br />

depicting the busts of Ercole, Vibio<br />

Volusiano and Busto Incognito<br />

40 x 29cm<br />

PROVENANCE<br />

The Contents of Dysart House,<br />

Mossgreen, Melbourne, October 2011,<br />

Lot 406<br />

$300–500<br />

284<br />

A vintage embossed satin evening bag<br />

floral motif, matching powder compact,<br />

satin coin purse<br />

$50–100<br />

285<br />

A gilt metal mounted tortoiseshell<br />

jewellery box, 19th century<br />

in the form of a domed chest with<br />

caryatid pilasters and paw feet<br />

14cm high, 22cm wide, 12cm wide<br />

$300–500 ♦<br />

286<br />

A Sevres style ‘Chateaus de Longpre’<br />

jewel box, 19th century<br />

painted and gilt with a bucolic scene of<br />

companions in a rustic landscape<br />

8cm high, 21cm wide, 13cm wide<br />

$300–500<br />

287<br />

A Victorian sterling silver Sherry tag,<br />

Charles Reily & George Storer, London,<br />

1842<br />

together with a Georgian sterling silver<br />

P tag, maker’s mark for Jonathan<br />

Millidge, Edinburgh<br />

$50–100<br />

288<br />

A pair of English vintage sea shell<br />

letter racks<br />

20cm high, 18cm wide, 7cm wide<br />

$100–200<br />

282


18<br />

289<br />

An unusual William and Mary period<br />

tortoise shell pique snuff box,<br />

17th century<br />

the oval top finely inlaid with flower<br />

heads and a central foliate cartouche<br />

8cm wide<br />

$500–700 ♦<br />

290<br />

An unusual circular ivory bird<br />

decorated box, 19th century<br />

decorated with a recessed glazed<br />

panel enclosing feather images of two<br />

brightly coloured song birds<br />

7.2cm diameter<br />

$200–300 ♦<br />

291<br />

A buttoned black upholstered ottoman<br />

with fringe, English, mid 19th century<br />

44cm high, 79cm wide, 79cm deep<br />

$600–800<br />

292<br />

A framed miniature portrait of a lady,<br />

late 19th century<br />

8.5 x 7cm<br />

$100–200<br />

293<br />

Two sets of cased opticians<br />

surgical instruments,<br />

19th century<br />

together with an eye speculum,<br />

the cases stamped John Weiss<br />

& Sons, Oxford St., London, one<br />

box hand inscribed to the cover<br />

Dr. R. Stott<br />

the largest case 16.5cm wide<br />

$400–600<br />

289<br />

290<br />

291


19<br />

294<br />

A fine George IV painted and ebonised<br />

tilt-top side table<br />

the rectangular top finely painted with<br />

a scene of Fountains Abbey within an<br />

ornate classical acanthus decorated<br />

border<br />

73cm high, 48cm wide and 38cm deep<br />

PROVENANCE<br />

Mossgreen Auctions, The Thomas<br />

Hamel & Martyn Cook Collection,<br />

Sydney, May 2012, Lot 139<br />

$2,000–3,000<br />

299<br />

A Royal Doulton Jintan vase,<br />

Burslem Artwares<br />

limited edition stamped to base<br />

102/350<br />

30cm high<br />

$300–500<br />

300<br />

A Royal Doulton miniature figurine<br />

‘Crinoline Lady’, designed by<br />

Leslie Harradine<br />

the early figure with black and white<br />

glaze, printed factory mark and HN 653<br />

to the base<br />

7.5cm high<br />

$300–500<br />

295<br />

An unusual carved Ivory keepsake box,<br />

late 19th century<br />

of circular form with pierced basket<br />

work sides, the base and screw cover<br />

carved with an ornate flower head<br />

7.5cm diameter<br />

$200–300 ♦<br />

296<br />

A Pre-Columbian pottery figure of a bull<br />

7cm high<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

$100–200<br />

297<br />

Three English tea caddies, 19th century<br />

comprising two box form satinwood<br />

strung mahogany caddies and a<br />

rosewood sarcophagus form tea caddy<br />

the largest 12cm high, 18cm wide,<br />

10.5cm deep<br />

$200–300<br />

298<br />

A collection of four various framed<br />

painted Indian paintings and miniatures,<br />

20th century<br />

the largest 19cm high, 24cm wide<br />

$200–300<br />

294


20<br />

301<br />

A Louis XVI style cream and gilt painted<br />

Fauteuil a la Reine, French circa 1900<br />

with satin floral upholstery<br />

PROVENANCE<br />

Shapiro, Sydney, Fine Silver,<br />

Asian & Decorative Arts Sale,<br />

December 2016, Lot 7<br />

The David Roche Foundation<br />

$500–800<br />

302<br />

Two English cups and saucers hand<br />

painted by A. Holland<br />

one with factory marks for Paragon<br />

the other Minton<br />

$100–200<br />

303<br />

A large carved giltwood over mantel<br />

mirror, English, late 19th century<br />

with a gadrooned edge and shell<br />

cresting<br />

157 x 91cm<br />

$400–600<br />

304<br />

A Victorian sterling silver chocolate pot,<br />

London, 1900<br />

with an ebonised handle and pad feet,<br />

maker’s mark illegible<br />

14.5cm high<br />

$150–250<br />

305<br />

A Louis XV style circular salon mirror<br />

with a moulded gadrooned rim and<br />

acanthus leaf decoration<br />

120cm diameter<br />

$200–300<br />

306<br />

A George III style mahogany<br />

Pembroke table<br />

66cm high, 77cm wide, 56cm deep<br />

$200–300<br />

307<br />

A spelter and bronze three mast ship<br />

on marble and onyx base, French<br />

mid-20th century<br />

68.5cm high<br />

$1,200–1,500<br />

308<br />

An ivory mounted ebonised walking<br />

stick,19th century<br />

the ovoid top carved with a maned<br />

lion with red facetted jewel eyes<br />

92cm high<br />

$300–500 ♦<br />

309<br />

A large collection of books<br />

$200–300<br />

310<br />

A collection of six brass wind<br />

instruments<br />

the largest 20cm long<br />

$200–300<br />

311<br />

ANTHONY A. PROUT<br />

(BORN 1946)<br />

Market, Rouen and Rouen<br />

Cathedral Steps<br />

two watercolours<br />

each signed lower right: A A PROUT<br />

64 x 48cm and 64 x 49cm<br />

$500–800<br />

312<br />

A scroll arm mahogany carver,<br />

English, 19th century<br />

$300–500<br />

301


21<br />

313<br />

314<br />

313<br />

A Regency Mother-of-Pearl tea caddy,<br />

English circa 1830,<br />

11cm high, 17cm wide, 12cm deep<br />

$600–800<br />

314<br />

A Continental porcelain hand painted<br />

lidded box, circa 1880<br />

Sèvres style, signed to base<br />

18cm high, 22cm wide, 14cm deep<br />

$800–1,000<br />

315<br />

A Samson porcelain figure of a girl,<br />

French, 19th century<br />

in the Chelsea style<br />

18cm high<br />

$300–500<br />

315


22<br />

316<br />

A gilt bronze mounted Limoges<br />

porcelain ink stand, late<br />

18th/19th century<br />

decorated with floral motifs and bearing<br />

the monogram AF probably for Francois<br />

Alluaud, director of the Royal Limoges<br />

porcelain company<br />

7cm high, 14cm across the handles<br />

$600–800<br />

316<br />

317<br />

A fine French gilt bronze mounted<br />

kingwood and marble top commode,<br />

19th century<br />

90cm high, 150cm wide, 60cm deep<br />

$1,000–2,000<br />

318<br />

A Louis XV style walnut and kingwood<br />

gilt bronze mounted marble top<br />

commode<br />

85cm high, 97cm wide and 48cm deep<br />

$800–1,200<br />

317


23<br />

323<br />

A Butterfield brass sundial, circa 1700<br />

of octagonal form, 40º- 60º North, the<br />

dial signed Butterfield Paris in original<br />

fitted box<br />

7cm wide, 6.5cm deep<br />

$3,000–5,000<br />

324<br />

Two Lithographic Museum<br />

Reproductions from the<br />

Musee De Louvre<br />

inscribed Raphael Del, Filley Sculp<br />

by Pequegnot<br />

the largest 20 x 10cm<br />

together with a reproduction print<br />

of three Sevres urns<br />

$200–300<br />

323<br />

319<br />

A Louis XV style gilt metal mounted<br />

porcelain mantel clock, 19th century<br />

painted throughout with floral<br />

cartouche panels reserved on a bleu<br />

celeste ground, the dial similarly<br />

decorated, with gilded swags and<br />

acanthus mounts and finials, eight day<br />

bell striking movement<br />

35cm high, 36cm wide, 12cm deep<br />

$1,500–2,500<br />

320<br />

A collection of three Chinese export<br />

green glazed lidded jars<br />

26cm high<br />

$300–500<br />

321<br />

Three large Chinese export green<br />

glazed teapots<br />

the largest 28cm high<br />

$150–250<br />

322<br />

Two Chinese export green glazed<br />

candlestick holders<br />

the largest 24cm tall<br />

$100–200<br />

319


24<br />

325<br />

A George IV flame mahogany astragal<br />

glazed bureau bookcase<br />

the fall front enclosing a fitted interior<br />

205cm high, 102cm wide and<br />

51cm deep.<br />

$1,500–2,500<br />

326<br />

GRACE WILSON MELVIN<br />

(1892 - 1977)<br />

Untitled (Grotto and Tree)<br />

pen and ink on paper<br />

signed lower left: G. W. Melvin<br />

25 x 20cm<br />

$300–500<br />

327<br />

A pair of Royal Vienna hand painted<br />

urns, Austrian 19th century<br />

inscribed mark to base for Ackermann<br />

& Fritz<br />

26cm high<br />

$200–300<br />

328<br />

A collection of ten deer antlers<br />

the longest 57cm long<br />

$200–300 ♦<br />

329<br />

A nickel plated magnifying glass<br />

29cm high<br />

$150–250<br />

330<br />

An Austrian silver Art Nouveau letter<br />

opener, circa 1900<br />

finely crafted with a girls head in profile<br />

and monogrammed M.F. to the reverse<br />

24cm long<br />

$400–600<br />

325


25<br />

331<br />

A Louis XV style marquetry inlaid walnut<br />

marble top secretaire abattant, French,<br />

19th century<br />

145cm high, 67cm wide and<br />

37cm deep.<br />

$1,500–2,000<br />

332<br />

A French provincial style oak dining<br />

table<br />

the rectangular parquetry inlaid top<br />

raised on substantial squared baluster<br />

supports and cross stretchers<br />

78cm high, 240cm wide, 100cm deep<br />

$800–1,200<br />

333<br />

333<br />

A scagliola bust of a Caesar<br />

88cm high<br />

$1,500–2,500<br />

334<br />

Three classical prints depicting busts<br />

of Roman emperors<br />

50 x 50cm each<br />

$150–250<br />

335<br />

A pair of Moroccan bone inlaid obelisks<br />

31cm high<br />

$200–300 ♦<br />

331


26<br />

336<br />

A burr walnut kidney shaped ladies<br />

desk, English 19th century<br />

76cm high, 117cm wide, 59cm deep<br />

$300–500<br />

337<br />

A set of nine carpet bowls in a cane<br />

basket<br />

the basket 54cm long<br />

$200–300<br />

338<br />

A collection of three bone inlaid<br />

wooden vessels<br />

the tallest 39cm high<br />

$300–500 ♦<br />

339<br />

Two bronze column lamps with shades<br />

48cm tall (without shade)<br />

$100–200<br />

340<br />

Three lacquered covered urns<br />

17cm high,14cm diameter<br />

$200–300<br />

341<br />

A large black glazed ceramic vase<br />

64cm high<br />

$150–250<br />

342<br />

A pair of framed architectural prints<br />

depicting scroll topped Ionic columns<br />

40 x 28cm<br />

$200–300<br />

343<br />

Three framed decorative prints<br />

depicting Roman covered urns<br />

28 x 18cm<br />

$200–300<br />

336


27<br />

344<br />

A bronze female torso<br />

75cm high<br />

$600–800<br />

345<br />

A collection of five lustre glass<br />

candlesticks<br />

the tallest 30cm high<br />

$200–300<br />

346<br />

A large collection of books<br />

$300–500<br />

347<br />

A large collection of books<br />

$300–500<br />

348<br />

A collection of silver and silver plate<br />

cutlery, 19th century and later<br />

various makers and dates, including<br />

a pair of George III serving spoons,<br />

London, 1810; a set of George III fiddle<br />

pattern teaspoons, various makers and<br />

a knife set by Warris & Co, Sheffield,<br />

1978, together with various plated<br />

cutlery pieces<br />

$200–300<br />

349<br />

ITALIAN SCHOOL,<br />

19TH CENTURY<br />

On Lake Achensee (Untitled)<br />

oil on board<br />

signed and dated illegibly lower right<br />

$400–600<br />

352<br />

A silver pepper caster, salt cellar with<br />

spoon and mustard cellar (both with<br />

blue glass liners), all by William Suckling<br />

Ltd, Birmingham, 1946, together with<br />

an EPNS salt, pepper and mustard of<br />

similar design<br />

$50–100<br />

353<br />

A collection of eighteen Sotheby’s<br />

International, Chinese and Painting<br />

<strong>cat</strong>alogues<br />

$150–250<br />

354<br />

A pair of large glass hurricane lamps<br />

38cm high<br />

$200–300<br />

355<br />

A pair of brushed aluminium articulated<br />

lamps, 20th century<br />

60cm high<br />

$200–300<br />

356<br />

A brass bound walnut writing slope,<br />

English 19th century<br />

17cm high, 50cm wide, 26cm deep<br />

$200–300<br />

357<br />

A collection of decorative spheres<br />

he largest 25cm diameter<br />

$200–300<br />

350<br />

A small carved giltwood mirror,<br />

19th century<br />

79 x 69cm<br />

$150–250<br />

351<br />

A lobed form parquetry and marquetry<br />

inlaid mahogany salon mirror, English,<br />

early 20th century<br />

92 x 62cm<br />

$100–200<br />

344


28<br />

358<br />

A George III Chippendale style carved<br />

mahogany settee<br />

upholstered in green silk<br />

92cm high, 122cm wide, 50cm deep<br />

PROVENANCE<br />

The Rodney Davidson Collection,<br />

Leonard Joel, Melbourne Lot 306<br />

$600–800<br />

359<br />

A gilded tooled leather bound bible,<br />

late 19th century<br />

$50–100<br />

360<br />

An assorted collection of reference<br />

books, auction <strong>cat</strong>alogues and classics<br />

including Charles Dickens and Duma<br />

$100–200<br />

361<br />

A pair of chintz upholstered easy chairs<br />

$300–500<br />

362<br />

A George III mahogany string inlaid fold<br />

over card table<br />

74cm high, 89cm wide, 41cm deep<br />

$400–600<br />

363<br />

A George III oak extension dining table<br />

with one leaf<br />

74cm high, 169cm wide (extended),<br />

113cm deep<br />

$400–600<br />

364<br />

A carved laurel leaf decorated giltwood<br />

mirror, 19th century<br />

110 x 98cm<br />

$400–600<br />

365<br />

A small flame mahogany glazed<br />

hanging bookcase, 19th century<br />

71cm high, 68cm wide, 25.5cm deep<br />

$150–250<br />

366<br />

A Moroccan brass tray table on stand<br />

56cm high, 65cm diameter<br />

$100–200<br />

367<br />

A mahogany extension dining table,<br />

English 19th century<br />

with two leaves<br />

71cm high, 360cm deep, 155cm deep<br />

$400–600<br />

368<br />

A Louis XVI giltwood fauteuil a la Reine<br />

the channelled back rail surmounted by<br />

a carved ribbon, the padded back and<br />

arm raised on acanthus carved outswept<br />

supports, with original buttoned<br />

down upholstery<br />

PROVENANCE<br />

The Andre Fink Collection, Bonham’s,<br />

Lot 159, October 2010<br />

$3,000–5,000<br />

358


29<br />

369<br />

A Gothic revival carved oak hall settle,<br />

French, 19th century<br />

with relief carved busts of noblemen<br />

and carved lion arms<br />

171cm high, 139cm wide and<br />

46cm deep<br />

$1,200–1,500<br />

370<br />

A pair of Louis XV style caned bergeres<br />

upholstered in pale grey Ralph Lauren<br />

woollen fabric<br />

PROVENANCE<br />

The Interior Decorator Sale, Mossgreen,<br />

Melbourne, October 2015, Lot 156<br />

$1,200–1,500<br />

371<br />

A George II style walnut child’s chair,<br />

19th century<br />

with a vase shaped central splat, the<br />

solid seat raised on cabriole legs<br />

PROVENANCE<br />

Purchased Jonn Dunn Antiques,<br />

September 1994<br />

$300–500<br />

369


30<br />

372<br />

Two large Chinese urns<br />

decorated with panels of phoenix<br />

and dragons<br />

the largest 97cm high<br />

$500–800<br />

373<br />

A three drawer acanthus leaf decorated<br />

sideboard<br />

84cm high, 250cm wide, 54cm deep<br />

$300–500<br />

374<br />

A Regency style child’s carver chair,<br />

19th century<br />

with scroll carved arms and a drop in<br />

seat raised on sabre legs<br />

372<br />

PROVENANCE<br />

Purchased Jonn Dunn Antiques,<br />

September 1987<br />

$300–500<br />

373


31<br />

375<br />

A bronzed figure of a Roman maiden<br />

145cm high<br />

$600–800<br />

376<br />

A set of twelve mahogany dining chairs<br />

$600–800<br />

377<br />

A large provincial fruitwood dining table<br />

80cm high, 220cm wide, 140cm deep<br />

$600–800<br />

378<br />

A George III mahogany fold-over<br />

tea table<br />

with a single frieze drawer raised<br />

on square supports<br />

75cm high, 87cm wide, 96cm deep.<br />

$500–800<br />

379<br />

A Louis XVI style provincial painted<br />

marble top credenza<br />

with a rounded rectangular marble top<br />

and wire doors and sides<br />

119cm high, 148cm wide, 49cm deep<br />

$800–1,200<br />

380<br />

A pair of William and Mary upholstered<br />

walnut side chairs<br />

padded back and seat and upholstered<br />

in yellow linen, turned cross stretchers<br />

$400–600<br />

381<br />

Two carved oak elbow chairs, English,<br />

late 17th/18th century<br />

each pierced and carved with foliate<br />

scrolls and turned stretchers, later<br />

upholstered seats<br />

$1,000–1,500<br />

382<br />

A burr walnut marquetry wine table,<br />

English, 19th century<br />

75cm high, 46cm diameter<br />

$150–250<br />

383<br />

A pair of Louis XV carved giltwood<br />

fauteuil, 19th century<br />

$800–1,200<br />

384<br />

A George III mahogany music<br />

Canterbury<br />

52cm high, 49cm wide, 34cm deep<br />

$200–300<br />

385<br />

A Regency mahogany wine table,<br />

circa 1830<br />

66cm high, 36cm wide, 33cm deep<br />

$100–200<br />

386<br />

A Napoléon III walnut rouge marble top<br />

brass mounted vitrine<br />

112cm high, 111cm wide and<br />

39cm deep<br />

$800–1,200<br />

375


32<br />

387<br />

A set of eight French oak caned seat<br />

dining chairs<br />

with stripped pink removable cushions<br />

$600–800<br />

388<br />

A large Louis XV & gilt bronze mounted<br />

walnut marble top commode<br />

87cm high, 124cm wide and<br />

48cm deep.<br />

$1,800–2,200<br />

389<br />

A Louis XV style Chinoiserie decorated<br />

red lacquer bureau de dame<br />

135cm high, 74cm wide, 48cm deep<br />

$1,200–1,500<br />

390<br />

A walnut three door glazed bookcase,<br />

French 19th century<br />

205cm high, 196cm wide and<br />

39cm deep<br />

$1,500–2,000<br />

391<br />

A provincial pine glazed corner cabinet<br />

189cm high, 90cm wide, 90cm deep<br />

$200–300<br />

392<br />

A circular Parquet des Versailles style<br />

table<br />

75cm high, 180cm diameter<br />

$1,200–1,500<br />

393<br />

A pair of French provincial walnut side<br />

tables<br />

72cm high, 80cm wide, 50cm deep<br />

$500–800<br />

394<br />

A pair of French provincial walnut side<br />

tables<br />

72cm high, 80cm wide, 50cm deep<br />

$500–800<br />

395<br />

Two Italian provincial style oak side<br />

tables<br />

90cm high, 50cm wide, 65cm deep<br />

$600–800<br />

387


33<br />

396<br />

A provincial pine cellarette<br />

of sarcophagus form with domed<br />

hinged lid and cone finial<br />

45cm high, 59cm wide, 43cm deep<br />

$200–300<br />

397<br />

A Charles II style cream linen<br />

upholstered walnut side chair<br />

$100–200<br />

398<br />

A French provincial parquetry top<br />

coffee table<br />

45cm high, 153cm wide, 92cm deep<br />

$200–300<br />

396<br />

399<br />

A contemporary Chinese style opium<br />

bed coffee table<br />

47cm high, 207cm wide, 135cm deep<br />

$300–500<br />

400<br />

A large cream vellum clad trunk<br />

52cm high, 201cm wide, 49cm deep<br />

$500–800<br />

401<br />

A French provincial style walnut writing<br />

desk<br />

75cm high, 177cm wide and<br />

88cm deep<br />

$500–800<br />

402<br />

A Chinese elm sideboard<br />

84cm high, 157cm wide and<br />

42cm deep.<br />

$300–500<br />

403<br />

A Moroccan wrought iron green mosaic<br />

tile top garden table<br />

73cm high, 200cm wide, 100cm deep<br />

$500–800


34<br />

404<br />

A Louis XV style French oak dining<br />

table<br />

73cm high, 304cm wide, 101cm deep<br />

$800–1,200<br />

405<br />

A George III style apprentice mahogany<br />

drop side table, late 19th century<br />

39cm high, 45cm wide, 53cm deep<br />

$60–80<br />

406<br />

A large mahogany reverse break front<br />

library bookcase, English, 19th century<br />

with a reverse breakfront cornice<br />

above six arch paneled glazed cabinet<br />

doors, the projecting lower section with<br />

conforming solid doors on a plinth base<br />

260cm high, 326cm wide, 48cm deep<br />

$4,000–6,000<br />

407<br />

404


35<br />

407<br />

A set of three French School classical<br />

engravings, 19th century<br />

comprising L’Adonis du Vatican,<br />

L’Appollon de Face and Le Faune<br />

de Barberini<br />

50 x 35cms<br />

PROVENANCE<br />

Decorative Arts Sale, Leonard Joel,<br />

June 2011, Lot 356<br />

$800–1,000<br />

407 (Detail)


36<br />

Property from a Private Collection, Melbourne<br />

408<br />

A Philip’s ‘9 inch’ terrestrial globe<br />

on stand<br />

with a brass axis, the globe stamped<br />

‘Philips 9 inch Terrestrial Globe.<br />

Warm currents red, cold currents<br />

blue. Principal Shipping routes with<br />

distances in Nautical Miles.. 4520...<br />

London Geographical Institute. George<br />

Philip & Son Ltd. 32 Fleet St. Printed in<br />

Great Britain’<br />

53cm high<br />

$500–800<br />

409<br />

A brass telescope on stand by Watkins,<br />

Charing Cross, London, circa 1780<br />

with original brass tripod base stand<br />

and wooden box, signed around the<br />

eyepiece WATKINS Charing Cross<br />

LONDON<br />

the tube with eyepiece fully extended<br />

85cm<br />

$1,000–1,500<br />

410<br />

An early 19th century brass telescope<br />

on a later brass stand<br />

the telescope 41cm long, the stand<br />

30cm high<br />

$1,800–2,500<br />

411<br />

A Bennett’s patent school-room orrery,<br />

first half 20th century<br />

26cm high, 48cm wide<br />

$300–500<br />

412<br />

A brass mahogany desk ornament<br />

orrery, 20th century<br />

in the form of a brass mounted lawn<br />

bowling ball, the screw top enclosing a<br />

fully functional brass orrery with handle<br />

winder<br />

11.5cm high, 12.5cm diameter<br />

$600–800<br />

408


37<br />

409<br />

413<br />

A fine kaleidoscope, after the original by<br />

Wm. Leigh of Newton<br />

the cylindrical body tube with rack<br />

and pinion and worm screw geared<br />

mechanism, with an ebonised handle<br />

activating two independent periphery<br />

geared collar tubes rotating at different<br />

speeds and fitted with two mirror angle<br />

setting levers, each scale engraved from<br />

6-12, supported on a compass joint<br />

with rack-work altitude adjustment on a<br />

mahogany and brass telescopic stand<br />

and tripod base with ebonised castors,<br />

levelling screws with acorn finials and<br />

two circular stretcher rings, the outer ring<br />

engraved 1. Who could, from thy outward<br />

case, Half thy hidden beauties trace? 2.<br />

Who from such exterior show, Guess<br />

the gems within that glow! 3. Emblem of<br />

the mind divine, Cased within its mortal<br />

shrine., the inner ring engraved ‘original W.<br />

LEIGH, NEWTON MAKER C.1822, replica<br />

G. Gyori, Melbourne’ 41cm high<br />

$3,000–5,000<br />

414<br />

A large brass sector, 19th century<br />

engraved with linear scales,<br />

fitted cedar case<br />

70cm<br />

$600–800<br />

413


38


39<br />

415<br />

415<br />

A limited edition Grand Orrery, after the original<br />

mounted on an ebonised wooden base surmounted by<br />

a circular brass plate engraved with signs of the Zodiac,<br />

months of the year and the four seasons, the central<br />

stepped and turned brass column surmounted by a brass<br />

sun, the geared arms supporting the planets and moons<br />

of earth’s solar system<br />

52cm high, 78cm diameter<br />

$18,000–25,000


40<br />

416<br />

416<br />

An unusual flintlock key pistol<br />

constructed entirely of steel, the key<br />

also forming the barrel, with a shaped<br />

oval bow and exposed trigger<br />

12cm<br />

$500–800<br />

417<br />

A flintlock powder tester, late<br />

18th/19th century<br />

Of pistol form, with large steel indi<strong>cat</strong>or<br />

wheel numbered from ‘1’ to ‘11’ on<br />

one side, mounted on a bracket with<br />

indi<strong>cat</strong>or point on one side, and with<br />

ovoidal anvil fitting against the top<br />

of a circular chimney above the<br />

touch-hole, the bracket retained<br />

by a ring-headed screw, lightly<br />

engraved lock, figured full stock,<br />

chamfered pommel, engraved<br />

brass trigger-guard<br />

19cm<br />

$1,800–2,500<br />

417<br />

418<br />

A continental flintlock tinder-lighter,<br />

late18th/early century<br />

with steel lock plates, strike and tinder<br />

compartment, carved walnut stock and<br />

U shaped steel stand<br />

24.5cm<br />

$1,200–1,500<br />

418


41<br />

419<br />

419<br />

An Ernst Plank gauge III Vulkan<br />

passenger set, live steam European<br />

outline locomotive, circa 1895<br />

model 0-4-0, comprising the<br />

locomotive with ‘Vulkan’ stamp, tender,<br />

gondola and coach with a six piece<br />

circular track section and original box<br />

the locomotive 14cm high, 16cm long<br />

NOTE<br />

Ernst Plank & Company started out<br />

in 1866 in Nüremberg Germany as<br />

a toy-repair shop. Named after the<br />

company founder, they made magic<br />

lanterns, steam engines, die cast<br />

metal planes, boats, cars, steamboats<br />

and sewing machines produced from<br />

pressed tin plate. At one time it was the<br />

second largest manufacturer of magic<br />

lanterns. The company was lo<strong>cat</strong>ed at<br />

Hochfederstrasse 40 in Nüremberg.<br />

Plank’s toys were notable for their<br />

quality, often being ornate in design<br />

and more finely finished than other<br />

manufacturers of that era.<br />

$1,500–2,500<br />

420<br />

A German Bing 135/12 hot air engine,<br />

circa 1910<br />

30cm high, 30cm wide, 12cm deep<br />

$1,000–1,500<br />

421<br />

An automata ‘tea drinking’ doll,<br />

circa 1900<br />

modelled as figure of a doll seated<br />

at a table drinking from a deli<strong>cat</strong>e<br />

cup and saucer<br />

30cm high<br />

$1,500–2,500<br />

420


42<br />

422<br />

423<br />

422<br />

A German brass equinoctial universal<br />

inclining sundial compass, 19th century<br />

the circular compass within an<br />

inscribed octagonal case with hinged<br />

brass axis and pin<br />

8.5 x 8.5cm<br />

$150–250<br />

423<br />

An Austrian miniature brass octant,<br />

by G. Sadtler, Vienna, 19th century<br />

inscribed ‘G. Sadtler in Wien’, fitted<br />

wooden case<br />

10cm high<br />

$400–600<br />

424<br />

A gilt brass striking carriage clock,<br />

French, 19th century<br />

with a lever platform, striking on a gong,<br />

enamel dial, Roman numerals, fully<br />

glazed case and brass carrying handle<br />

17.5cm high<br />

$600–800<br />

425<br />

A gilt brass strike repeating carriage<br />

clock<br />

with a lever platform, bell strike, gilded<br />

fret dial, Arabic numerals, subsidiary<br />

alarm dial and bevelled glass plate<br />

19cm high<br />

$300–500<br />

426<br />

A Junghans swinging timepiece,<br />

circa 1930<br />

within a brass drum case forming the<br />

upper part of a gridiron pendulum with<br />

counter-weight, held aloft by a spelter<br />

figure of the onion boy<br />

40cm high<br />

$500–800<br />

427<br />

A European rush light on stand,<br />

18th century<br />

with hand wrought steel mounts<br />

120cm high<br />

$100–200<br />

428<br />

A small brass domed sundial compass,<br />

19th century, and a brass Seidel ring<br />

time piece, after the antique<br />

each 4.5cm diameter<br />

$200–300<br />

424


43<br />

429<br />

An Eggert & Son Two-day Marine<br />

Chronometer, New York, no. 220<br />

silvered roman numeral dial, gold hands,<br />

up/down indi<strong>cat</strong>or, and seconds bit,<br />

signed movement and dial ‘Eggert &<br />

Son no. 220’, chain fusee movement,<br />

maintaining power, two-arm bimetallic<br />

balance, helical hairspring, jeweled<br />

escape and balance, mounted in a<br />

brass gimbaled bowl and housed in a<br />

three-tier brass-bound mahogany box<br />

with carrying handles<br />

the case 17cm high, 16.5cm wide,<br />

16.5cm deep<br />

$5,000–8,000<br />

430<br />

A Japanese marine chronometer,<br />

V-279, circa 1945<br />

silvered roman numeral dial, gilded<br />

hands, up/down indi<strong>cat</strong>or, and seconds<br />

bit, inscribed with Japanese script,<br />

chain fusee movement, maintaining<br />

power, two-arm bimetallic balance,<br />

helical hairspring, jewelled escape and<br />

balance, mounted in a brass gimbaled<br />

bowl and housed in a three-tier brassbound<br />

oak box with carrying handles<br />

and a silvered plate marked V-279<br />

the case 19cm high, 18.5cm wide,<br />

18.5cm deep<br />

$3,000–5,000<br />

430<br />

429


44<br />

431<br />

A gold crossbow fibula (brooch),<br />

probably 2nd or 3rd century A.D.<br />

testing with minimum purity of 18 carat,<br />

with chased decoration to the bow, the<br />

arch with spherical terminals, decorated<br />

with additional rosettes<br />

11cm, 128 grms<br />

$8,000–10,000<br />

432<br />

Five bronze fibula, probably Roman<br />

1st - 3rd century A.D.<br />

comprising three cross-bow form<br />

clips and two short bow shaped clips,<br />

together with a small Egyptian figure<br />

of Anubis<br />

the largest fibula 8.2cm, the figure<br />

6.2cm<br />

$600–800<br />

433<br />

A 19th century Swiss walnut music box,<br />

F. Conchon, Geneva<br />

with a single brass cylinder playing six<br />

airs, contained within a marquetry and<br />

string inlaid box<br />

14cm high, 54cm wide, 22.5cm deep<br />

$600–800<br />

434<br />

A Northern European forged iron broad<br />

axe, probably Carinthian, 17th century<br />

the axe head 41cm<br />

$150–250<br />

435<br />

A brass refracting telescope on stand<br />

by Watson and Sons Ltd, London,<br />

late 19th century<br />

with a wooden containing extra lenses<br />

and various eye pieces, signed around<br />

the eyepiece WATSON & SONS<br />

313 HIGH HOLBORN LONDON 734,<br />

and numbered 1482, large folding<br />

mahogany floor standing wooden<br />

tripod<br />

the tube<br />

107cm long<br />

$2,500–3,000<br />

436<br />

A rare late Victorian cased aphrometer<br />

or champagne test gauge by Hayward<br />

Tyler & Co., London, circa 1890<br />

with two removable spears and<br />

contained within its original leather<br />

case<br />

19cm<br />

$200–300<br />

437<br />

A 19th century ebony and brass breast<br />

drill made by G. Buck, London<br />

well crafted and bearing a brass band<br />

to the handle inscribed ‘G. Buck, Maker<br />

247 Tottenham Court Road<br />

32cm long<br />

$100–200<br />

438<br />

A brass pocket barometer by Calderoni<br />

es Tarsa, Budapest, circa 1900<br />

circular brass case, the silvered signed<br />

Calderoni es Tarsa<br />

7cm diameter<br />

$100–200<br />

439<br />

A miniature walnut cased music box,<br />

probably Swiss, 19th century<br />

with a key wind mechanism and single<br />

brass cylinder playing airs, contained<br />

within a burr walnut and mother-ofpearl<br />

inlaid box<br />

5cm high, 13cm wide, 8.5cm deep<br />

$300–500<br />

440<br />

A single draw terrestrial refractor,<br />

by Dolland, London, 19th century<br />

with a tapered ebonised body, the draw<br />

further inscribed with the initials M. J.<br />

52cm fully extended<br />

$200–300<br />

441<br />

A collection of five various antique<br />

planes, 19th century and later<br />

comprising<br />

together with two antique iron axe<br />

heads<br />

the largest plane 43cm long<br />

$500–800<br />

442<br />

A piece of barbed wire from the iron<br />

curtain in Hungary, circa 1940<br />

$50–100<br />

431


45<br />

Other Properties<br />

443<br />

A Herend porcelain figure of a gypsy<br />

and horse<br />

44cm high, 47cm wide<br />

$200–300<br />

444<br />

A pair of vellum clad trunks<br />

70cm high, 52cm wide, 53cm deep<br />

$400–600<br />

445<br />

A set of six green painted wrought iron<br />

garden chairs<br />

$300–500<br />

446<br />

A large pine refectory table, English,<br />

19th century<br />

76cm high, 333.5cm wide, 89cm deep<br />

$2,000–3,000<br />

447<br />

A burl walnut music Canterbury, English<br />

19th century<br />

113cm high, 60cm wide, 42cm deep<br />

$100–200<br />

448<br />

A George III mahogany bow<br />

front chest of drawers<br />

79cm high, 102cm wide<br />

and 50cm deep<br />

$400–600<br />

449<br />

A George III mahogany<br />

string inlaid fold-over card<br />

table<br />

75cm high, 91.5cm wide,<br />

44cm deep<br />

$600–800<br />

450<br />

A George III style<br />

mahogany open armchair<br />

upholstered in peach silk<br />

demask<br />

$500–800<br />

451<br />

A George III flame mahogany desk<br />

78cm high, 91cm wide, 50cm deep<br />

$400–600<br />

443<br />

444


46<br />

452<br />

452<br />

A Biedermeier beechwood suite<br />

comprising a chaise lounge and four<br />

chairs upholstered in black velvet<br />

the chaise 186cm long<br />

$500–800<br />

453<br />

A French provincial style oak hall table<br />

79cm high, 211cm wide, 52cm deep<br />

$600–800<br />

454<br />

A William and Mary style carved walnut<br />

caned high back chair<br />

$150–250<br />

455<br />

A gilt-tooled leather top mahogany<br />

pedestal partners desk<br />

78cm high, 158cm wide, 101cm deep<br />

$800–1,200<br />

456<br />

A George III astragal glazed mahogany<br />

corner cabinet<br />

216cm high, 94cm wide, 94cm deep<br />

$400–600<br />

452


47<br />

457<br />

A Royal Doulton Fanling vase,<br />

Burslem Artwares<br />

limited edition stamped to base<br />

141/250<br />

18cm high<br />

$300–500<br />

458<br />

A Royal Doulton sung flambe vase<br />

limited edition stamped to base<br />

139/350<br />

18cm high<br />

$200–300<br />

459<br />

A Royal Doulton Nanjing bowl,<br />

Burslem Artwares<br />

limited edition stamped to base 83/250<br />

16cm high<br />

$300–500<br />

460<br />

A rectangular rosewood centre table,<br />

English 19th century<br />

72cm high, 118cm wide, 60cm deep<br />

$400–600<br />

461<br />

A yellow embossed silk upholstered<br />

three seater sofa by Kim Moir Bespoke<br />

250cm length of back<br />

$1,800–2,500<br />

462<br />

A pair of large red and gold four fold<br />

screens by Kim Moir Bespoke<br />

270cm high, 140cm wide<br />

$1,800–2,500<br />

463<br />

A mahogany and marble top gilt-bronze<br />

mounted and marquetry inlaid tall boy,<br />

French 19th century<br />

128cm high, 63cm wide, 37cm deep<br />

$500–800<br />

457<br />

464<br />

A pair of Empire style table lamps<br />

with cream silk shades<br />

97cm high with shade<br />

$1,000–1,200<br />

465<br />

A gilt-bronze mounted walnut marble<br />

top pedestal, French, circa 1840<br />

107cm high, 40cm diameter<br />

$500–800<br />

466<br />

A fine neo-classical Carrara marble<br />

bath, Italian, 18/19th century<br />

53cm high, 139cm wide, 60cm deep<br />

$1,200–1,500<br />

458<br />

459


48<br />

467<br />

A pair Spode of porcelain French<br />

shaped urns, circa 1820<br />

inscribed mark to base: SPODE 2375<br />

in underglaze red<br />

13cm high<br />

$600–800<br />

468<br />

A First Period Worcester mug,<br />

circa 1755<br />

decorated with the plantation pattern<br />

9cm high<br />

$600–800<br />

469<br />

A Chantilly porcelain spiralled pot a jus<br />

and cover, circa 1770<br />

inscribed to the base with a hunting<br />

horn mark and R in underglaze blue<br />

7.5cm high<br />

PROVENANCE<br />

Bernard Gomes, Paris<br />

$300–500<br />

470<br />

A Mennecy porcelain pot à fard,<br />

circa 1765-70<br />

impressed marks to the base Mennecy<br />

‘Duc de Villeroy’ DV mark and P<br />

7cm high<br />

$200–300<br />

471<br />

A Mennecy fruit and foliate decorated<br />

sugar bowl and cover, circa 1760<br />

impressed marks to the base Mennecy<br />

‘Duc de Villeroy’ DV mark<br />

12cm high<br />

$500–700<br />

472<br />

A Regency cut glass custard cup<br />

and cover<br />

10cm high<br />

$200–300<br />

473<br />

A Veuve Perrin faience coffee cup<br />

and saucer, circa 1765<br />

inscribed marks to base: VP in gilt<br />

the coffee can 5cm high<br />

$300–500<br />

474<br />

A La Courtille porcelain pot à fard,<br />

Paris circa 1770<br />

inscribed to base: crossed arrows mark<br />

in underglaze blue<br />

8cm high<br />

$200–300<br />

475<br />

A Chantilly porcelain tea bowl and<br />

saucer, circa 1770<br />

inscribed to base: hunting horn mark<br />

in underglaze blue<br />

the saucer 12.5cm<br />

$200–300<br />

476<br />

A Worcester sparrow beak jug,<br />

circa 1765-70<br />

with blue scale ground and<br />

Kakiemon style decoration<br />

marked to base: fret mark in<br />

underglaze blue<br />

7.5cm high<br />

$300–500<br />

467


49<br />

477<br />

477<br />

Two Worcester porcelain plates,<br />

circa 1770<br />

with blue scale ground with flowers in<br />

elaborate gilt edge reserves<br />

inscribed to bases: fret mark in<br />

underglaze blue<br />

22.5cm diameter<br />

$500–800<br />

478<br />

A Sevres sugar bowl and cover,<br />

circa 1760<br />

inscribed marks to base: interlaced<br />

L’s and date letter G, painters mark for<br />

Jean-Louis Morin (1732-1787)<br />

7cm high<br />

$600–800<br />

479<br />

A French creamware custard cup<br />

and cover, circa 1760<br />

9cm high<br />

$120–150<br />

480<br />

A Doccia porcelain gilt<br />

Chinoiserie decorated teabowl<br />

and saucer, circa 1750<br />

the teabowl 4.5cm high<br />

$1,800–2,500<br />

478


50<br />

481<br />

481<br />

A Saint-Cloud tobacco pot and silver<br />

mounted cover, circa 1720-1730<br />

14cm high<br />

$800–1,200<br />

482<br />

A Japanese sake cup by Aoki Mokubei<br />

(1767 - 1833)<br />

5cm diameter<br />

$300–500<br />

483<br />

A Japanese sake cup by Katsumo<br />

Hiroskuni<br />

6cm diameter<br />

$100–500<br />

484<br />

A Japanese sake cup<br />

with presentation box, 7.5cm diameter<br />

together with a Japanese green glazed<br />

porcelain sake cup, 7cm diameter<br />

$150–250<br />

485<br />

A First Period Worcester teabowl and<br />

saucer, circa 1775<br />

decorated with three flower pattern<br />

inscribed to base: crescent mark in<br />

underglaze blue<br />

the teabowl 4cm high<br />

$150–250<br />

486<br />

A pair of French gilt bronze mounted<br />

Japanese Imari dishes, late<br />

18th/19th century<br />

23cm diameter, 11cm high<br />

$500–800<br />

487<br />

A Wedgwood creamware pierced<br />

and foliate decorated fruit basket,<br />

circa 1915<br />

impressed marks to base: WEDGWOOD<br />

/ 3KQ, and inscribed pattern number<br />

mark A6215<br />

28cm across the handles<br />

$100–200<br />

488<br />

A Spode porcelain reticulated chestnut<br />

basket and stand, circa 1810<br />

decorated with printed blue flying<br />

pennant pattern<br />

the basket 23cm across the handles<br />

$500–800<br />

489<br />

A small Paris La Courtille porcelain pot<br />

à fard, circa 1770<br />

7cm high<br />

$150–250<br />

490<br />

A porcelain handled knife, probably Bow<br />

or Chelsea, 18th century<br />

27cm long<br />

$150–250<br />

491<br />

A Meissen Kakiemon patern knife,<br />

circa 1750<br />

stamped marks to blade: GR / RB & R<br />

21.5cm long<br />

$300–500


51<br />

492<br />

493<br />

492<br />

A Bow porcelain foliate decorated<br />

sparrow beak jug, circa 1760<br />

8.5cm high<br />

$300–500<br />

493<br />

A Mennecy porcelain three footed<br />

foliate decorated jug, circa 1760<br />

marked to base DV<br />

11cm high<br />

$400–600<br />

496<br />

A pair of Penningtons Liverpool sauce<br />

boats, circa 1780<br />

10cm high<br />

LITERATURE<br />

for a similar example see Watney<br />

‘Liverpool Porcelain’, p91<br />

$300–500<br />

497<br />

A Chantilly porcelain sugar bowl and<br />

cover, circa 1760<br />

with rose finial and decorated with<br />

landscapes in the Vincennes style<br />

inscribed hunting horn mark to base<br />

10cm high<br />

$1,200–1,500<br />

494<br />

A small Spode porcelain basket,<br />

circa 1830<br />

7.5cm diameter<br />

$150–250<br />

495<br />

A Mennecy fruit decorated dish,<br />

circa 1755-60<br />

impressed mark to base: DV<br />

18cm diameter<br />

$1,000–1,500<br />

494


52<br />

505<br />

A pair of Wedgwood creamware plates,<br />

circa 1790<br />

impressed marks to base<br />

25cm diameter<br />

$100–200<br />

506<br />

A Chantilly porcelain foliate decorated<br />

sugar bowl, circa 1750<br />

inscribed to base: .L.<br />

5.5cm high<br />

$120–150<br />

498<br />

A Saint-Cloud snuff box in the form of a<br />

recumbent monk, circa 1750<br />

decorated with Kakiemon flowers, silver<br />

mounts<br />

5cm high<br />

$1,500–2,500<br />

499<br />

A Worcester porcelain thistle tea bowl<br />

and saucer, circa 1785<br />

the tea bowl inscribed to base: crescent<br />

mark in underglaze blue<br />

the saucer 14cm diameter<br />

$150–250<br />

500<br />

A Locré & Russinger porcelain figure of<br />

a gardeners companion, circa 1775<br />

inscribed mark to the base: crossed<br />

flaming torches in underglaze blue<br />

17cm high<br />

NOTE<br />

Laurentius Russinger worked as a<br />

modeller at the Höchst porcelain<br />

factory prior to moving to Paris.<br />

A similar model of the gardeners<br />

companion exists which is attributed to<br />

Russinger on which this model would<br />

be based.<br />

$250–350<br />

498<br />

501<br />

A Wedgwood game pie dish,<br />

insert and cover, circa 1860<br />

impressed mark to base: WEDGWOOD<br />

15cm high, 27cm wide, 20cm deep<br />

$400–600<br />

502<br />

A Tournai porcelain mustard pot and<br />

cover, French mid 18th century<br />

inscribed to base: G<br />

9.5cm high<br />

$150–250<br />

503<br />

A Worcester porcelain plate, circa 1790<br />

decorated with the fisherman and<br />

cormorant print<br />

mark to base: mock oriental mark in<br />

underglaze blue<br />

20cm diameter<br />

$100–200<br />

504<br />

Two KPM Berlin porcelain plates,<br />

circa 1800<br />

one decorated with a tulip,<br />

the other a rose<br />

inscribed to base: sceptre marks in<br />

underglaze blue<br />

24cm diameter<br />

$100–200<br />

507<br />

A Japanese Arita blue foliate decorated<br />

plate, circa 1680-1700<br />

20.5cm diameter<br />

$250–350<br />

508<br />

A Bow porcelain handled knife,<br />

circa 1750<br />

stamped mark to blade: BROWN<br />

29.5cm long<br />

$120–150<br />

509<br />

A Japanese Kakiemon dish, circa 1720<br />

decorated with a flying phoenix<br />

14.5cm diameter<br />

$400–600<br />

510<br />

Two Royal Worcester rose decorated<br />

vases, circa 1909<br />

one signed H. Martin<br />

$300–500<br />

511<br />

A Chamberlain’s Worcester porcelain<br />

vase, circa 1880<br />

hand painted with the scene of Malvern<br />

within a gilded cartouche<br />

14.5cm tall.<br />

$100–200<br />

512<br />

A pair of Royal Worcester rose<br />

decorated vase by Kitty Blake,<br />

circa 1894<br />

24cm high<br />

$150–250


53<br />

513<br />

513<br />

A Royal Worcester two handled berry<br />

decorated urn by Kitty Blake, 1934<br />

signed to body: K. Blake and stamped<br />

to base with Royal Worcester mark and<br />

date cipher for 1934<br />

15cm high<br />

$100–200<br />

514<br />

A Royal Worcester reticulated vase by<br />

George Owen, dated 1906<br />

the globular body pierced with a band<br />

of honeycomb rising to a slender neck<br />

with a flared quatrefoil rim, the body<br />

incised in gold AH 1906, gold factory<br />

mark and shape number 789<br />

12.5cm high<br />

$1,500–2,500<br />

515<br />

A pair of Chinese powder blue<br />

ormolu mounted vases, French,<br />

late 19th century<br />

of waisted form with foliate decoration<br />

to the foot and rim<br />

17cm high<br />

$600–800<br />

514


54<br />

516<br />

A silver painted Indian temple<br />

on wrought iron base<br />

93cm high, 77cm wide, 50cm deep<br />

(excluding base)<br />

$500–800<br />

517<br />

A fine Kashan pattern Persian silk rug<br />

with a central medallion on an ivory field<br />

within green borders<br />

222 x 136cm<br />

$800–1,200<br />

518<br />

An Afghan medallion rug<br />

in tones of red with a geometric border<br />

and a medallion field<br />

316 x 250cm<br />

$600–800<br />

519<br />

A Persian pattern hall runner,<br />

20th century<br />

with repeating medallion design<br />

402 x 79cm<br />

$200–300<br />

520<br />

A red ground Afghan rug, 20th century<br />

with central medallion decorated with<br />

birds<br />

172 x 95cm<br />

$200–300<br />

521<br />

A Tusirkan rug, South West Iran,<br />

circa 1930<br />

185 x 147cm<br />

$700–900<br />

522<br />

A Shaherbabak rug, South Iran<br />

204 x 164cm<br />

$800–1,200<br />

523<br />

A Baktyari rug, South West Iran,<br />

circa 1940<br />

235 x 163cm<br />

$1,300–1,500<br />

524<br />

A Mehraban runner, North West Iran<br />

287 x 75cm<br />

$400–600<br />

525<br />

A Houssinabad rug, West Iran<br />

301 x 205cm<br />

$1,800–2,500<br />

526<br />

A Baktyari rug, South West Iran<br />

322 x 206cm<br />

$2,000–2,500<br />

527<br />

A Fradan rug, South West Iran,<br />

circa 1930<br />

310 x 206cm<br />

$2,000–2,500<br />

516


55<br />

517


56<br />

528<br />

An unusual novelty silver smoker’s<br />

companion, London, 1881<br />

modelled as a milk cart with pails and<br />

other dairy related items, diamond<br />

resignation marks (1876) with sterling<br />

assay marks<br />

PROVENANCE<br />

Purchased Shapiro Auctions, Sydney,<br />

The Collection of John Hawkins, 2009<br />

$200–300<br />

528<br />

529<br />

A Louis XV style carved fruitwood<br />

bombe commode<br />

89cm high, 120cm wide, 67cm deep<br />

$600–800<br />

529


57<br />

530<br />

530<br />

An Italian Pietra Dura panel of two<br />

song-birds<br />

within a velvet mounted giltwood frame<br />

the panel 8 x 12cm<br />

$200–300<br />

531<br />

A rare Louis XV serpentine marble<br />

and carved console table, French,<br />

18th century<br />

80cm high, 94cm wide, 46cm deep<br />

$1,000–1,500<br />

532<br />

A large circular satinwood centre table,<br />

English or French circa 1865<br />

75cm high, 140cm wide, 95cm deep<br />

(oval)<br />

$1,000–2,000<br />

533<br />

A Portuguese Colonial coromandel<br />

and bronze mounted bureau,<br />

18th century<br />

122cm high, 126cm wide, 62cm wide<br />

$600–800<br />

534<br />

A rare and finely caved walnut roll<br />

top bureau, Alsace Region, French,<br />

18th century<br />

113cm high, 102cm wide, 66cm deep<br />

$800–1,000<br />

535<br />

A large red painted cast iron lantern<br />

bracket in the form of a knight’s arm,<br />

French 19th century<br />

90cm high<br />

$500–800<br />

536<br />

A George III mahogany straight front<br />

bureau<br />

100cm high, 92cm wide, 50cm deep<br />

$500–800<br />

537<br />

A kingwood and ebony veneered and<br />

gilt bronze mounted tall boy, French<br />

19th century<br />

130cm high, 64cm wide, 34cm deep<br />

$500–800


58<br />

538<br />

538<br />

ATTRIBUTED TO HENRY FOLEY<br />

(ENGLISH, 1848-1874)<br />

Untitled (Santa Maria Burgos)<br />

oil on canvas<br />

29.5 x 45cm<br />

$400–600<br />

539<br />

A Lladro porcelain limited edition figure<br />

of a mother and child<br />

signed and numbered to base:<br />

Antonio Ramas No. 121<br />

44cm high, 50cm wide, 27cm deep<br />

$300–500<br />

540<br />

A walnut serpentine fronted commode,<br />

Italian 18th century<br />

90cm high, 125cm wide, 63cm deep<br />

$800–1,200<br />

541<br />

A satinwood bachelor’s chest, English,<br />

circa 1845<br />

with finely enamelled handles<br />

90cm high, 97cm wide, 50cm deep<br />

$500–800<br />

539


59<br />

542<br />

An Arts and Crafts oak mirror back hall<br />

stand, English, early 20th century<br />

215 high, 122cm wide, 40cm deep<br />

$500–800<br />

543<br />

A sienna tasselled silk brocade sofa<br />

length of back 210cm<br />

$1,500–2,500<br />

544<br />

An unusual grand tour bronze banquet<br />

lamp modelled as Silenius and the<br />

Serpent, late19th century<br />

with a frosted and etched orb form<br />

shade<br />

61cm high<br />

$1,800–2,500<br />

545<br />

A French wrought metal wine cage<br />

113cm high, 103cm wide, 58cm deep<br />

$500–800<br />

546<br />

A Louis XVI style walnut bergere<br />

upholstered in ecru and cream<br />

$800–1,200<br />

547<br />

A pair of French Empire bronze and gilt<br />

bronze mounted candelabra<br />

41cm high<br />

$800–1,000<br />

548<br />

A Charles II tortoiseshell and ebonised<br />

mirror<br />

with a later bevelled edge plate<br />

107 x 86cm<br />

NOTE<br />

In its original form this mirror would<br />

more than likely have had a stumpwork<br />

inner slip and a smaller plate. For a<br />

similar example see Bonhams, London,<br />

New Bond Street, The Provenance Sale,<br />

Fine English Furniture, Works of Art and<br />

Sculpture, 3 Nov 2010, lot 3<br />

$1,500–2,500<br />

542


60<br />

549<br />

551


61<br />

550<br />

549<br />

GEORGE L. SEYMOUR (BRITISH)<br />

A Trooper 2nd Dragoon<br />

(Scots Grey) and Lieutenant<br />

2nd Life Guards<br />

two watercolours<br />

titled lower left and signed lower left:<br />

G L Seymour<br />

40 x 33cm (each)<br />

together with two prints ‘Officer of the<br />

British Army’, 12.5 x 10cm each<br />

$100–200<br />

551<br />

A carved walnut twin pedestal partners<br />

desk, French, 19th century<br />

80cm high, 151cm wide, 104cm deep<br />

$1,000–1,500<br />

552<br />

A large Anglo Indian iron bound<br />

damchiya trunk, 19th century<br />

the domed hinged lid and body with<br />

applied heavy wrought iron lock-plates,<br />

strapping and handles<br />

92cm high, 141cm wide, 78cm deep.<br />

$800–1,200<br />

550<br />

A cased magic lantern projector<br />

with English hand coloured slides,<br />

late 19th century<br />

approximately fifty slides including<br />

three kaleidoscopic rackwork slides,<br />

fourteen articulated slipping slides<br />

and a collection of slides with English<br />

castles and palaces by Carpenter &<br />

Wesley<br />

$4,000–6,000<br />

552


62<br />

553<br />

A pair of George III mahogany side<br />

chairs<br />

$400–600<br />

554<br />

A set of eight Spanish style leather<br />

upholstered walnut dining chairs<br />

$500–800<br />

555<br />

A Regency style rosewood marquetry<br />

inlaid shield back chair<br />

$80–120<br />

556<br />

A carved mahogany writing table,<br />

French, circa 1840<br />

96cm high<br />

$600–800<br />

553<br />

554


63<br />

557<br />

558<br />

557<br />

JEAN- PIERRE MONCERET<br />

(FRENCH 1813-1888)<br />

Portrait of Monsieur Louis Pech<br />

oil on canvas<br />

signed and dated centre left: Monseret<br />

1878 and inscribed verso: Mr PECH<br />

Louis, Ne le Jour de l’Ascenton en<br />

1805, Peint le 20 Avril, 1878<br />

58 x 47cm<br />

$300–500<br />

558<br />

Two large Indian torchères<br />

123cm high<br />

$400–600


64<br />

559<br />

559<br />

A Loetz silver overlay iridescent glass<br />

vase, circa 1900<br />

the silver overlay formed as twining<br />

leafage over the iridescent blue green<br />

bulbous form<br />

9cm high<br />

$400–600<br />

560<br />

A French provincial style three seat<br />

settee<br />

upholstered in beige linen<br />

length of back 208cm<br />

$500–800<br />

561<br />

A large bronze model after Isidore<br />

Jules Bonheur (1827-1901) of a horse<br />

and jockey, French, early 20th century<br />

105cm high, 80cm wide<br />

$1,800–2,500<br />

562<br />

A bell striking lantern clock, Japanese,<br />

19th century<br />

the weight driven twin foliate etched<br />

escapement within a brass case and<br />

dial ring, alarm and day/date apertures<br />

in dial, timber base and backboard, tall<br />

timber stand<br />

172cm high, 26cm wide, 30cm deep<br />

$3,500–4,500<br />

563<br />

A Swiss deck watch, circa 1940<br />

white bakelite cased clock, white<br />

face, black Roman numerals, seconds<br />

markers, fully jewelled, within a<br />

hinged wooden box, accompanied<br />

by a department of defence mark<br />

and rating certifi<strong>cat</strong>e from H.M.<br />

Chronometer Depot, Bradford-on-<br />

Avon<br />

the watch 7.3cm diameter, the box<br />

12.3cm high, 9.5cm wide, 6.5cm deep<br />

$400–600<br />

560


65<br />

564<br />

564<br />

An Adam-style foliate crave<br />

giltwood over mantel mirror, English,<br />

19th century<br />

64 x 134cm<br />

$500–800<br />

565<br />

A handwoven Persian silk prayer rug<br />

95 x 62cm<br />

$500–800<br />

566<br />

A George III mahogany bracket<br />

clock, circa 1790<br />

By J. Jackson, London and Bristol<br />

the gilt mounted mahogany bell top<br />

case with female caryatids and urnform<br />

finials, decorated throughout<br />

with applied scrolling foliate<br />

decoration raised on bracket feet,<br />

twin fusee, bell striking, eight-day<br />

spring driven movement with anchor<br />

escapement and maintaining power<br />

beating half seconds, calendar<br />

aperture below the centre arbour,<br />

break arch enamel dial signed J.<br />

Jackson, Bristol and London<br />

61cm high, 38cm wide, 22cm deep<br />

$4,000–6,000<br />

565


66<br />

567<br />

Two Staffordshire cockerel figures<br />

and an Italian figure of a pheasant,<br />

19th century<br />

the Staffordshire cockerel with separate<br />

head probably by Enoch Wood<br />

the tallest 24cm high<br />

$300–500<br />

568<br />

A pair of wrought iron garden chairs<br />

$100–200<br />

569<br />

Two Chinoiserie decorated wine jar<br />

lamps<br />

converted to electricity<br />

100cm high without shade<br />

$600–800<br />

570<br />

An Art Deco strut clock<br />

Oval form, polished brass, luminous<br />

numbers and hands, machine turned<br />

detail, face stamped ‘8 Days’, c.1930.<br />

8 x 6cm.<br />

$200–300<br />

571<br />

A Louis XV style gilt bronze mounted<br />

porcelain clock garniture, 19th century<br />

finely painted throughout with bucolic<br />

scene figural panels and floral<br />

cartouche reserved on a bleu celeste<br />

ground, with gilt bronze masks, mounts<br />

and finials,<br />

eight day bell striking movement<br />

the urns 33cm high, the clock<br />

35cm high<br />

$2,500–3,500<br />

567<br />

568


67<br />

572<br />

A pair of reconstituted stone<br />

garden urns<br />

decorated with fruit swag and<br />

Bacchus masks<br />

136cm high<br />

$800–1,200<br />

573<br />

A turned circular top occasional table<br />

with triangular base, Continental<br />

17th/18th century<br />

74cm high, 74cm wide, 56cm deep<br />

$500–800<br />

574<br />

A carved giltwood ceiling light, Italian<br />

19th century<br />

125cm high<br />

$800–1,000<br />

580<br />

A polychrome decorated carved oak<br />

panel of a huntsman in a landscape,<br />

North German 18th century<br />

27cm high, 37cm wide<br />

$400–600<br />

581<br />

A French Empire marquetry inlaid<br />

gilt bronze mounted portico clock,<br />

late 19th century<br />

the movement stamped Leroy, Paris<br />

the case stamped Thevenard<br />

55cm high, 29cm wide, 16cm deep<br />

$1,800–2,200<br />

582<br />

A Louis XV style gilt bronze mounted<br />

porcelain mantel clock, 19th century<br />

painted with floral panels reserved<br />

on a bleu celeste ground, the case<br />

decorated with classical motifs and<br />

surmounted by two doves, enamel<br />

dial, eight day locking plate bell striking<br />

movement<br />

28cm high, 22cm wide, 13cm deep<br />

$1,000–1,500<br />

583<br />

Two large composite table torcheres<br />

76.5cm tall<br />

$400–600<br />

575<br />

A porcelain mounted marble top thuyawood<br />

occasional table, Continental,<br />

circa 1900<br />

75cm high, 35cm diameter<br />

$600–800<br />

576<br />

Two carved wood models of eagles,<br />

Swiss or German 19th century<br />

20cm high, 45cm wide<br />

$300–500<br />

577<br />

A pair of polychrome painted dummy<br />

boards figures of soldiers, French,<br />

18th/19th century<br />

150cm high<br />

$1,000–2,000<br />

578<br />

An Empire style settee<br />

length of back 217cm<br />

$800–1,000<br />

579<br />

A finely carved wood figure of an eagle,<br />

Low Countries, 19th century<br />

46cm high<br />

$300–500<br />

572


68<br />

Chinese & Asian Works of Art<br />

Session III – Tuesday 6 August 2019, 5pm approximately<br />

584<br />

A pale celadon and russet jade carving<br />

of a Qilin<br />

the coiled recumbent figure on a<br />

scrolling cloud form base<br />

5cm wide<br />

$400–600<br />

585<br />

A Tianhuang soapstone ‘chilong’ seal,<br />

19th/20th century<br />

of square form with a red stained<br />

carved seal to the base and a two<br />

character inscription to the face<br />

3.5cm high.<br />

十 九 / 二 十 世 紀 青 龍 雕 田 黃 石 印<br />

$400–600<br />

586<br />

Two Japanese earthenware figures,<br />

late19th/early 20th century<br />

each modelled as Daikokuten<br />

tallest 33.5cm high<br />

$300–500<br />

587<br />

A Chinese spinach jade ink stone<br />

carved with a writhing dragon<br />

17.5cm long, 8.5cm wide<br />

翠 玉 硯 台 一 件<br />

$400–600<br />

588<br />

An unusual marbled white jade ring<br />

ornament<br />

of circular form with a central aperture<br />

5.5cm diameter<br />

$600–800<br />

589<br />

A white hardstone snuff bottle<br />

of compressed rectangular form carved<br />

with landscape scenes and a dragon to<br />

one side<br />

7.5cm high<br />

龍 雕 鼻 煙 壺 一 件<br />

$400–600<br />

590<br />

A gilded enamel and coral Buddha<br />

pendant<br />

of pierced cylindrical form enclosing a<br />

seated Buddha<br />

5.5cm high<br />

坐 佛 像 搪 瓷 與 珊 瑚 墜 飾 一 件<br />

$800–1,000<br />

591<br />

A Tibetan silver-gilt prayer ring<br />

the pierced spinner decorated with<br />

floral motifs and figures<br />

3cm diameter<br />

藏 傳 佛 教 鍍 銀 戒 指 一 只<br />

$300–400<br />

592<br />

A small zitan circular box<br />

3cm high, 5cm diameter<br />

小 型 紫 檀 圓 盒 一 件<br />

$200–300<br />

593<br />

A Japanese bronze figure of a scholar<br />

and a duck, 19th century<br />

37cm high, 19cm wide, 18cm diameter<br />

$800–1,200<br />

584<br />

585<br />

594<br />

Two Chinese gilt bronze hair ornaments,<br />

possibly T’ang Dynasty<br />

16cm long<br />

青 銅 髮 飾 一 對 可 能 來 自 唐 代<br />

$400–600


69<br />

595<br />

A Tianhuang soapstone boulder<br />

carving of a figure beneath a tree<br />

with a carved wooden stand<br />

4.5cm high, 49 grams<br />

$1,000–1,500<br />

596<br />

A russet jade carving of birds in a<br />

prunus tree<br />

ornately pierced and carved with<br />

flowering branches and birds, carved<br />

wooden stand<br />

13cm high, not including the stand<br />

$600–800<br />

597<br />

A small Chinese carved ivory brush pot,<br />

19th century<br />

finely carved with pavilions and figures<br />

in a landscape<br />

7.8cm high, 5cm diameter<br />

$300–500 ♦<br />

599<br />

A Chinese silver plate dragon frame,<br />

late 19th century<br />

the lobed circular frame moulded in<br />

high relief with two writhing dragons<br />

25cm diameter<br />

十 九 世 紀 晚 期 龍 紋 鍍 銀 畫 框<br />

$200–400<br />

600<br />

A small Chinese flambe-glazed bottle<br />

vase, 19th century<br />

13cm high<br />

十 九 世 紀 小 型 紅 黑 窯 變 釉 花 瓶 一 件<br />

$400–600<br />

601<br />

A Chinese covered beaker,<br />

18th century<br />

13cm high<br />

$300–500<br />

602<br />

A Chinese Imari tea bowl and saucer,<br />

18th century<br />

the tea bowl 4cm high<br />

$100–200<br />

603<br />

A Japanese Imari dish, 18th century<br />

15cm diameter<br />

$50–100<br />

598<br />

Three Tibetan ‘Dzi’ beads<br />

each with a circular dragon mark<br />

each approximately 2.7cm long<br />

$300–500<br />

595 596


70<br />

608<br />

Two Chinese jade carvings,<br />

19th century<br />

comprising a pale celadon jade figure<br />

of a boy, seated on a large ribbed gourd<br />

and holding a lotus stem<br />

together with a green and russet jadeite<br />

pendant, carved and pierced with<br />

lingzhi and a bat<br />

6.5cm high and 7cm high<br />

十 九 世 紀 白 玉 雕 小 童 與 綠 褐 色 荔 枝 蝙<br />

蝠 墜 飾 一 對<br />

$300–500<br />

604<br />

A pale celadon carved jade plaque<br />

of shaped square form with a central<br />

pierced aperture, carved to both sides<br />

with bats in flight<br />

5cm high, 5cm wide<br />

小 型 青 白 玉 牌 一 件<br />

$200–300<br />

605<br />

A pair of celadon jade bowls,<br />

Qing Dynasty<br />

10cm diameter, 6cm high<br />

清 代 青 瓷 綠 雕 玉 碗 一 對<br />

$6,000–8,000<br />

604<br />

606<br />

A celadon and russet jade carved<br />

plaque<br />

ornately pierced and carved as a<br />

chilong riding a mythical beast<br />

7cm high, 11cm wide<br />

青 赤 色 玉 牌 一 件<br />

$500–800<br />

607<br />

A carved pale celadon jade gilt metal<br />

pendant<br />

of tear-drop form carved with a bird<br />

perched amongst scrolling foliage<br />

7cm high<br />

青 玉 水 滴 狀 墜 飾<br />

$400–500<br />

609<br />

A Chinese pale celadon carved jade<br />

pendant<br />

carved to one side with figures and<br />

lotus, the reverse carved with a four line<br />

calligraphy inscription<br />

7.2cm high, 4.4cm wide<br />

$500–800<br />

610<br />

A Chinese pale celadon carving<br />

of two birds<br />

5cm wide<br />

$600–800<br />

611<br />

A celadon jade snuff bottle<br />

of compressed ovoid form with scroll<br />

handles, decorated to each side with a<br />

writhing dragon, turquoise stopper<br />

6.2cm high<br />

青 玉 鼻 煙 壺<br />

$300–500<br />

605


71<br />

615<br />

A carved celadon jade pendant<br />

pierced and carved with a stylised<br />

cicada and scrolling lotus, circular link<br />

metal chain<br />

5cm high, 10cm wide<br />

玉 雕 墜 飾 一 件<br />

$400–600<br />

615<br />

616<br />

A Chinese cocoon jar,<br />

possibly Han dynasty<br />

34cm high<br />

$300–500<br />

612<br />

A carved celadon jade ewer and cover<br />

the pear-shaped body with loop handle<br />

and tapering spout, carved in low relief<br />

with lotus scrolls, fluted domed cover<br />

and finial<br />

14.5cm high<br />

PROVENANCE<br />

Sotheby’s Australia, Fine Asian,<br />

Australian & European Art,<br />

Decorative Arts & Furniture, Melbourne,<br />

14 & 15 May, 2012, lot 452<br />

$2,000–3,000<br />

613<br />

A Chinese blanc de chine wine cup,<br />

18th century<br />

with moulded foliate decoration<br />

6.5cm diameter<br />

$150–250<br />

614<br />

A carved amethyst quartz snuff bottle<br />

with carved decoration of a monkey<br />

6cm high<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

紫 水 晶 猴 雕 鼻 煙 壺 一 件<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$100–200<br />

612


72<br />

617<br />

617<br />

A celadon and russet jade boulder<br />

carving, Qing Dynasty, 18th century<br />

finely carved as a peach with two bats<br />

amidst scrolling foliage in low relief,<br />

Spink & sons label to the base<br />

7.8cm wide<br />

十 八 世 紀 清 赤 色 青 玉 石 雕<br />

PROVENANCE<br />

Jane Carnegie, in association with six<br />

London dealers, Exhibition and Sale,<br />

Georges Gallery, 162 Collins Street<br />

Melbourne, 21 May, 1981, lot 49<br />

$8,000–12,000<br />

618<br />

A celadon and russet jade carving of<br />

an Ox<br />

the recumbent animal carved with three<br />

attendants<br />

4cm high, 10cm wide, 7.5cm deep<br />

青 赤 色 水 牛 玉 雕 一 件<br />

$500–800<br />

619<br />

A celadon and russet jade boulder<br />

carving of a Chilong and cub<br />

5cm high, 7.5cm wide, 3.5cm deep<br />

青 赤 色 玉 抱 石 雕 有 青 龍 與 小 獸<br />

$400–600<br />

620<br />

A pale celadon carved jade figure of a<br />

Chilong<br />

the mythical beast crouching with tail<br />

coiled<br />

8cm wide<br />

白 玉 臥 青 龍 一 件<br />

$400–500<br />

621<br />

A russet and celadon carved jade bi<br />

disc<br />

carved with two chilong dragons, the<br />

reverse with incised ribbon decoration<br />

8.5cm wide<br />

青 赤 色 龍 紋 玉 碟 一 件<br />

$500–800<br />

622<br />

A white jade carving of a fish and a<br />

mottled jade carving of a cicada<br />

the fish is 8cm, the cicada is 6.5cm<br />

白 玉 魚 雕 與 雜 色 玉 蟬 雕 一 對<br />

$300–500<br />

623<br />

A celadon jade carving of a figure<br />

under a tree<br />

the seated figure holding a staff and<br />

seated beneath a branch hung with a<br />

gourd<br />

8cm high<br />

白 玉 人 像 雕 一 件<br />

$200–300<br />

624<br />

A set of five carved celadon jade<br />

buttons<br />

each carved as a lotus flower head<br />

2cm diameter<br />

$200–300<br />

625<br />

A carved celadon and russett jade<br />

figure of a Qilin<br />

recumbent figure modelled holding a<br />

bowl in its fore-paws<br />

6cm high, 11.5cm wide<br />

玉 麒 麟 一 件<br />

$300–500


73<br />

618<br />

619<br />

620<br />

621<br />

622<br />

623


74<br />

627<br />

626<br />

626<br />

A green jade ‘taotie mask’ snuff bottle,<br />

Late Qing Dynasty<br />

of compressed oval form with carved<br />

taotie masks to the shoulders<br />

6.5cm high<br />

$100–200<br />

627<br />

A fine gilt bronze figure of a Qilin,<br />

Qing Dynasty<br />

the recumbent figure with head turned,<br />

raised on a carved scrolling lotus stand<br />

the figure 4.5cm high, 8cm wide,<br />

4.5cm deep<br />

雍 正 款 流 金 臥 麒 麟<br />

$3,000–5,000<br />

628<br />

An emerald green Burmese carved<br />

jadeite pendant<br />

modelled as a toad perched on a gourd,<br />

wooden stand<br />

6cm high<br />

緬 甸 祖 母 綠 玉 石 吊 墜 一 件<br />

$300–400<br />

628


75<br />

629<br />

A white jade carving of lingzhi and lotus<br />

finely pierced and carved with scrolling<br />

lingzhi and a single lotus<br />

9cm long<br />

靈 芝 與 睡 蓮 玉 雕 一 件<br />

$600–800<br />

630<br />

A carved russet and pale celadon jade<br />

ruyi sceptre<br />

of typical form with, the head carved<br />

with two bats, tasselled cord<br />

26.5cm long<br />

白 玉 如 意 一 件<br />

$1,000–1,500<br />

631<br />

A pair of Chinese famille noire style<br />

table lamps<br />

with black and grey tasselled shades<br />

82cm high<br />

$400–600<br />

632<br />

A large famille rose bowl, 20th century<br />

14cm high, 42cm diameter<br />

$300–500<br />

633<br />

A pair of Chinese crackle glaze lobe<br />

form bowls, 20th century<br />

7.5cm high, 12cm diameter (each)<br />

$600–800<br />

634<br />

A pair of covered bowls, Republic<br />

period<br />

each decorated with a female figure<br />

collecting flowers<br />

11cm diameter, 8.5cm high<br />

$400–600<br />

635<br />

A Chinese gilded lacquer work box<br />

of octagonal form with pierced and<br />

carved panels<br />

31cm high, 35cm wide, 22cm deep<br />

$300–500<br />

629 630


76<br />

637<br />

A Chinese aubergine, yellow and green<br />

glazed puzzle wine pot and cover,<br />

19th century<br />

in the Kangxi manner<br />

22cm high<br />

十 九 世 紀 ( 款 康 熙 ) 黃 綠 圖 紋 倒 流 壺 一 只<br />

$800–1,200<br />

638<br />

An unusual silver mounted rhodonite,<br />

turquoise and enamel temple form box<br />

possibly Harbin origin, late 19th/early<br />

20th century<br />

19.5cm high, 14.5cm diameter<br />

十 九 / 二 十 世 紀 罕 見 廟 宇 狀 盒 子 飾 以 玫<br />

瑰 , 綠 松 石 以 及 琺 瑯<br />

極 可 能 來 自 哈 爾 濱<br />

$1,800–2,500<br />

637<br />

636<br />

A Peking glass brush washer<br />

the green-overlay pink glass body<br />

decorated with panels of flowering<br />

peach branches within lappet borders<br />

4.5cm high, 8cm diameter<br />

琉 璃 筆 洗 一 件<br />

$600–800<br />

636 638


77<br />

639<br />

A Peking glass bowl<br />

the green-overlay white glass<br />

body decorated with gold fish<br />

and flowering lotus<br />

8cm high, 25cm diameter<br />

翠 綠 金 魚 琉 璃 碗 一 只<br />

$1,200–1,500<br />

640<br />

A carved Chinese rosewood stand<br />

12cm high, 45cm wide, 29cm deep<br />

$150–250<br />

641<br />

A Chinese lacquer and brass<br />

dinner gong<br />

60cm high, 40cm wide, 25cm deep<br />

$400–600<br />

642<br />

A pair of Ding-style incised<br />

earthenware bowls<br />

of circular form with an unglazed rim,<br />

the interior decorated with floral scrolls<br />

6cm high, 18.5cm diameter (each)<br />

$1,200–1,500<br />

639<br />

643<br />

A Chinese carved and gilded hardwood<br />

table screen, early 19th century<br />

18cm high, 35cm wide, 35cm deep<br />

$300–500<br />

644<br />

A Chinese silver mounted green stone<br />

wine cup, late 19th century<br />

with coral and turquoise inlay flanked<br />

by pierced and carved handles<br />

6cm high<br />

十 九 世 紀 晚 期 銀 飾 綠 岩 酒 杯<br />

$1,500–2,500<br />

645<br />

An unusual lotus decorated<br />

baluster vase<br />

20.5cm high<br />

$300–500<br />

644


78<br />

646<br />

A large carved greenstone weight,<br />

possibly Chinese, 19th century<br />

with lobed corners, carved with a boy<br />

and a large toad<br />

13cm high, 28cm wide, 23.5cm deep<br />

$600–800<br />

647<br />

An unusual sea green crackle glaze<br />

bowl, possibly Sung/Yuan Dynasty<br />

of lobed circular form with a slightly<br />

flared rim, darkened crackling to the<br />

glaze throughout<br />

6cm high, 18.5cm diameter<br />

$500–800<br />

648<br />

A Chinese blanc de chine libation cup,<br />

late 19th century<br />

of rhinoceros horn form, relief<br />

decorated with dragons and pine<br />

branches<br />

7cm high, 14cm wide<br />

$400–600<br />

649<br />

A pair of Sung style lobed dishes<br />

each of shaped circular form with a pale<br />

creamy glaze<br />

13.5cm diameter<br />

$400–600<br />

650<br />

A small Japanese porcelain fan form<br />

box, late Meiji Period<br />

the interior decorated with butterflies<br />

12cm wide<br />

$50–100<br />

651<br />

A small Chinese polychrome<br />

decorated saucer dish<br />

of lotus form decorated with a scene<br />

of figures and scholars<br />

17.5cm diameter<br />

$100–200<br />

652<br />

A Chinese porcelain fish bowl,<br />

20th century<br />

decorated in Imari tones with panels of<br />

flowers and gilded highlights<br />

41cm high, 53cm diameter<br />

$200–300<br />

653<br />

A Chinese porcelain fish bowl, 20th<br />

century<br />

decorated with panels of birds and<br />

scrolling foliage<br />

42cm high, 53cm diameter<br />

$200–300<br />

654<br />

A Chinese porcelain fish bowl,<br />

20th century<br />

decorated in the Imari style with<br />

landscape panels and scrolling foliage<br />

42cm high, 53cm diameter<br />

$200–300<br />

646


79<br />

655<br />

A large carved greenstone weight,<br />

possibly Chinese, 19th century<br />

of rectangular form, carved with<br />

a Shi-Shi and cub holding a ball<br />

12cm high, 28cm wide, 23.5cm deep<br />

$600–800<br />

656<br />

A Chinese porcelain fish bowl,<br />

20th century<br />

decorated in famille rose colours with<br />

panels of figures within scrolling foliate<br />

borders<br />

42cm high, 53cm diameter<br />

$200–300<br />

657<br />

JAPANESE SCHOOL<br />

River<br />

watercolour<br />

signed lower right<br />

51.5 x 75.5cm<br />

$200–300<br />

658<br />

A Chinese blue glazed bottle vase and a<br />

large celadon glaze covered jar<br />

the vase 32cm high, the covered jar<br />

25cm high<br />

$200–300<br />

659<br />

A pair of Chinese sang de bouef vases<br />

the tallest 40cm high<br />

$400–600<br />

660<br />

A matched pair of Chinese sang de<br />

beouf lidded urns<br />

24cm high<br />

$400–600<br />

661<br />

A matched pair of Chinese sang de<br />

beouf lidded urns<br />

the tallest 25cm high<br />

$400–600<br />

662<br />

A Chinese hardstone inlaid lacquer sixfold<br />

screen, late 19th century<br />

each panel 182cm high, 41cm wide<br />

$600–800<br />

663<br />

A dual panel porcelain table screen,<br />

signed<br />

each framed rectangular panel painted<br />

with a bird on a branch, within a hinged<br />

elm and rosewood frame<br />

each panel 26.5 x 19.5cm including<br />

the frame<br />

$400–600<br />

664<br />

A tea-dust Gu-form vase<br />

with a rich green glaze, moulded seal<br />

mark to the base<br />

12cm high<br />

$300–500<br />

655


80<br />

665<br />

A gilt bronze figure of buddha<br />

the figure with serene expression and<br />

seated in dhayanasana raised on lotus<br />

throne<br />

34.5cm high<br />

$800–1,200<br />

666<br />

A large pair of Japanese red and black<br />

lacquer decorated vases, Meiji Period<br />

(1868-1912)<br />

63cm high<br />

$600–800<br />

667<br />

A turquoise blue glazed pottery vase,<br />

possibly 13th century Persian<br />

13cm high<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

十 三 世 紀 波 斯 帝 國 藍 綠 陶 瓶<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$200–300<br />

668<br />

A small brown glazed censer,<br />

possibly Ming<br />

together with a small cream glazed<br />

vase, with a burnt orange interior, raised<br />

on lug feet<br />

the censer 6.5cm high, 10cm diameter,<br />

the vase 13.5cm high<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

約 明 代 小 型 棕 色 釉 面 香 爐 一 件<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$400–600<br />

665


81<br />

672<br />

A small Tibetan turquoise decorated<br />

censer in the form of a mythical animal,<br />

19th century<br />

the standing figure encrusted with<br />

turquoise and coral beads<br />

12cm high<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

十 九 世 紀 小 型 西 藏 青 綠 麒 麟 香 爐<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$200–300<br />

672<br />

669<br />

A repousse gilt bronze figure of White<br />

Tara, 19th century<br />

seated in Dhyanasana on a double lotus<br />

throne, her right hand lowered in varada<br />

mudra and her left raised in vitarka<br />

mudra, with serene expression and<br />

wearing a lotus tiara, carved wooden<br />

stand<br />

14cm high<br />

十 九 世 紀 青 銅 鍍 金 白 度 母 雕 像 一 件<br />

$2,000–3,000<br />

670<br />

A collection of three pieces of Chinese<br />

porcelain, 18th century and later<br />

comprising a celadon tripod censer, a<br />

Sang de Boeuf brush washer and a pale<br />

celadon covered dish<br />

the largest 11.5cm diameter<br />

$500–800<br />

671<br />

A Chinese red painted covered pail<br />

43cm high<br />

$200–300<br />

669


82<br />

673<br />

674<br />

673<br />

A Jun ware splashed blue glaze bowl<br />

of circular form with an unglazed foot,<br />

the interior with a deli<strong>cat</strong>e crimson<br />

streak to one side<br />

6.5cm high, 13cm diameter<br />

$500–800<br />

674<br />

A Jun ware splashed blue glaze bowl<br />

of circular form with an unglazed foot,<br />

with a flambe splash and crackle glaze<br />

to the interior<br />

6cm high, 13cm diameter<br />

$500–800<br />

675<br />

A powder blue porcelain brush washer<br />

of compressed circular form, the base<br />

inscribed in underglaze blue with a sixcharacter<br />

Qianlong seal mark<br />

9cm diameter, 5cm high<br />

粉 藍 瓷 筆 洗 一 件<br />

$300–500<br />

676<br />

A powder blue circular covered box and<br />

cover, mark of Qianlong<br />

the base inscribed in underglaze blue<br />

with a six-character Qianlong sealmark<br />

9cm diameter<br />

$200–300<br />

677<br />

A large gilded mazarin blue lobed vase<br />

of lobed baluster form with a flared rim<br />

painted with a scene of shi-shi playing<br />

with a ball, turquoise glazed interior and<br />

foot, the base inscribed in iron-red with<br />

an apocryphal six-character Qianlong<br />

seal mark<br />

33cm high<br />

$1,000–1,500<br />

678<br />

A carved Northern Song style Ding<br />

lotus dish<br />

with angled sides rising from a broad<br />

base, the interior carved with a single<br />

lotus sprig<br />

16.5cm diameter<br />

北 宋 風 格 蓮 花 瓷 盤 一 件<br />

$300–500<br />

679<br />

A peachbloom-type shallow footed<br />

bowl, seal mark of Qianlong<br />

the interior and base glazed white, the<br />

base inscribed with a six character seal<br />

mark in underglaze blue<br />

21cm diameter<br />

乾 隆 款 高 腳 淺 碟 一 件<br />

$400–600<br />

675


83<br />

680<br />

A Chinese Mazarine blue monochrome<br />

vase, late 18th century<br />

of baluster form with a flared rim in a<br />

deep blue glaze, the base with a Joshua<br />

McClelland Print Room label inscribed<br />

‘baluster shaped vase in mazarin<br />

blue with chicken skin glaze, late<br />

18th century, C.3894’<br />

21.5cm high<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

十 八 世 紀 晚 期 寶 藍 單 色 花 瓶 一 只<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$500–800<br />

676<br />

677<br />

680


84<br />

682<br />

681<br />

A T’ang style bronze figure of a<br />

Bodhisattva<br />

the standing figure with a flame mandorla<br />

and holding a branch and an urn<br />

42cm high<br />

唐 風 銅 鍍 菩 薩<br />

$1,200–1,500<br />

682<br />

A cloisonné snuff bottle, mark of<br />

Qianlong, probably 19th century<br />

oviform, decorated with stylised dragon<br />

masks to each side below a band of<br />

ruyi to the neck and flaming pearls to<br />

the shoulders all on a turquoise ground,<br />

with matching stopper, pauwa shell<br />

decorated wooden box<br />

6.5cm high<br />

約 十 九 世 紀 乾 隆 款 景 泰 藍 鼻 煙 壺 一 件<br />

$1,200–1,500<br />

681


85<br />

683<br />

A large Chinese bronze censer,<br />

circa 1930<br />

of circular form with a relief moulded<br />

frieze decoration of mythical animals<br />

amongst foliage raised on three boldly<br />

cast Tao-Tieh mask feet<br />

37cm high, 32cm diameter<br />

$1,500–2,500<br />

684<br />

A Chinese painting attributed<br />

to Zhang Daqian<br />

Lady in a Bamboo Forest<br />

signed upper left<br />

ink/watercolour on paper<br />

80 x 29cm<br />

$600–800<br />

685<br />

An unusual coral glazed dragon plate,<br />

bearing signature for Wang Bingrong,<br />

late Qing Dynasty<br />

the heavily potted plate relief moulded<br />

with two dragons chasing a flaming<br />

pearl, impressed seal mark to base,<br />

raised on a well carved wooden stand<br />

27cm diameter<br />

$300–500<br />

683


86<br />

686<br />

DING YANYONG (1902-1978)<br />

T’ING Yin-Yung - 丁 衍 庸 - TING<br />

Yin-Yung<br />

Crane and Flower<br />

ink/colour on paper (framed)<br />

signed and inscribed<br />

69 x 45cm<br />

PROVENANCE<br />

East West Art, Melbourne<br />

Private collection, Melbourne<br />

$4,000–6,000<br />

687<br />

A Chinese scroll painting<br />

Bird on a flowering branch<br />

watercolour<br />

signed and inscribed upper left: Loo<br />

Ming Jan<br />

77 x 33cm<br />

$300–500<br />

688<br />

DING YANYONG (1902-1978)<br />

T’ING Yin-Yung - 丁 衍 庸 - TING<br />

Yin-Yung<br />

Landscape with Pavilion and Figures<br />

ink/colour on paper (framed)<br />

signed and inscribed upper left<br />

96.5 x 35.5cm<br />

PROVENANCE<br />

East West Art, Melbourne<br />

Private collection, Melbourne<br />

$4,000–6,000<br />

686<br />

689<br />

A Chinese painting attributed to Leng<br />

Mei<br />

Ladies and Children in a landscape<br />

signed lower left<br />

ink/watercolour on paper<br />

47 x 70cm<br />

$600–800<br />

690<br />

A small Korean elm scholar’s chest,<br />

19th century<br />

36cm high, 90cm wide, 31cm deep<br />

$250–350


87<br />

687<br />

688


88<br />

691<br />

691<br />

A pair of Chinese red lacquered elm<br />

yoke back chairs<br />

$200–300<br />

692<br />

A Chinese glazed pottery figure of a<br />

female Courtier and a white glazed<br />

earthenware ox, Tang Dynasty<br />

figure of lady 13cm high, the ox<br />

10.5cm high<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

唐 代 陶 女 官 與 水 牛 一 對<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$400–600<br />

692


89<br />

693<br />

A Chinese scroll signed Sai Li,<br />

late 19th century<br />

depicting an elder and boy beneath<br />

a tree<br />

signed and inscribed upper right<br />

94cm high, 44cm wide<br />

$200–400<br />

694<br />

A Chinese red lacquer cabinet<br />

with substantial brass lock plates and<br />

handles<br />

110cm high, 62 wide, 177cm deep<br />

$300–500<br />

695<br />

A Chinese camphorwood sideboard,<br />

20th century<br />

with heavy brass lock-plates and<br />

handles<br />

74cm high, 133cm wide, 53cm deep<br />

$200–300<br />

693<br />

696<br />

A marbled ground porcelain wall vase,<br />

by Liu Yu Cheng (1904 - 1969)<br />

of compressed circular form with three<br />

slender cylindrical necks, decorated<br />

to each side with a central panel of<br />

flowers, birds and insects, signed in<br />

image<br />

15.5cm high<br />

$500–800<br />

696


90<br />

697<br />

Two Japanese Ivory Okimono, Meiji<br />

Period, late 19th/early 20th century<br />

one comprising a man holding<br />

some spring blossom with basket<br />

of persimmon at his feet. Stained<br />

highlights to robes, Signed Gyokushi<br />

to base<br />

the other a man cowering from a<br />

Dragon, signed Suigetsu, carved by<br />

Suigetsu.<br />

21cm high, 5cm wide, 8cm deep and<br />

25cm high, 9cm wide, 6cm deep<br />

$1,800–2,500 ♦<br />

698<br />

A Chinese carved ivory box decorated<br />

with pomegranate, finger citron,<br />

peaches and bats, 19th century<br />

7cm diameter<br />

$200–300 ♦<br />

699<br />

A pair of Chinese Tang style<br />

ceramic horses<br />

27cm high<br />

$300–500<br />

700<br />

A pair of Chinese Tang style<br />

ceramic horses<br />

27cm high<br />

$300–500<br />

701<br />

A pair of Chinese export green<br />

glazed lidded jars<br />

26cm high<br />

$200–300<br />

698<br />

702<br />

AFTER CHEN YIFEI<br />

Lingering Melodies from the<br />

Xunyang River<br />

oil on canvas<br />

76 x 100cm<br />

$3,000–5,000<br />

703<br />

AFTER CHEN YIFEI<br />

The Banquet<br />

oil on canvas<br />

90 x 120cm<br />

$1,200–1,500<br />

704<br />

A Chinese stained elm side cabinet,<br />

20th century<br />

103cm high, 123cm wide,<br />

38cm deep<br />

$200–300<br />

697


91<br />

705<br />

Two Japanese Ivory Okimono, Meiji<br />

Period, late 19th/early 20th century<br />

Comprising an elaborate scene of a<br />

man holding a scroll and female holding<br />

an Uchiwa, both entwined with a<br />

Dragon, Signed Gyokuzan to base<br />

and a Japanese Ivory Okimono Meiji<br />

Period, late 19th/early 20th century<br />

family of acrobat entertainers on base,<br />

signed<br />

17cm high, 6cm wide, 4cm deep and<br />

19cm high, 7cm wide, 4cm deep<br />

$1,400–1,600 ♦<br />

706<br />

Two Chinese celadon glazed<br />

covered urns<br />

the largest 33cm high<br />

$50–100<br />

707<br />

A collection of five Chinese green<br />

glazed parrots<br />

22cm tall<br />

$300–500<br />

711<br />

A Japanese bronze hibachi,<br />

late 19th century<br />

decorated with a continuous scene of<br />

birds flying above waves<br />

20cm high, 23cm diameter<br />

$100–200<br />

712<br />

A Chinese bone mounted bamboo<br />

opium pipe, late 19th century<br />

47cm long<br />

$300–500 ♦<br />

713<br />

Three Chinese brass censers<br />

the largest 12cm wide<br />

$100–200<br />

714<br />

A collection of four Annamese blue and<br />

white porcelain, 18th century and later<br />

comprising two bowls, a ginger jar and<br />

a small covered dish<br />

the largest bowl 15cm diameter<br />

$200–300<br />

715<br />

A pair Chinese cloisonné vases<br />

each of baluster form enamelled with a<br />

profusion of flower heads and scrolling<br />

foliage<br />

16.5cm high<br />

$100–200<br />

708<br />

Two large Chinese style ebonised<br />

frame mirrors<br />

170 x 107cm<br />

$600–800<br />

709<br />

A Chinese Sang de Boeuf vase,<br />

late 19th century<br />

36cm high<br />

晚 十 九 世 紀 銅 紅 釉 花 瓶 一 件<br />

$600–800<br />

710<br />

A carved bamboo censer,<br />

late Qing Dynasty<br />

pierced and carved with the figure<br />

of a seated monk beneath a pine<br />

tree<br />

20cm high, 5cm diameter<br />

晚 清 竹 雕 香 爐<br />

$1,500–2,500<br />

705


92<br />

716<br />

CHINESE SCHOOL<br />

Untitled (River Landscape)<br />

watercolour<br />

signed lower left<br />

51 x 75cm<br />

$300–500<br />

717<br />

CHINESE SCHOOL<br />

Girl with Rabbits<br />

watercolour<br />

signed lower left<br />

34 x 45.5cm (image size)<br />

$200–300<br />

716<br />

718<br />

A Chinese handpainted fan,<br />

19th century<br />

in a silver gilt frame<br />

24 x 52cm<br />

$800–1,200<br />

719<br />

A Chantilly porcelain lobed saucer,<br />

circa 1735<br />

decorated with two Chinese boys from<br />

the Japanese Kakiemon original<br />

13cm diameter<br />

$1,200–1,500<br />

717<br />

720<br />

A pair of French gilt bronze mounted<br />

marble table lamps<br />

of baluster form with classical swan<br />

neck loop handle mounts and ecru silk<br />

shades<br />

76cm high including the shades<br />

$1,000–1,200<br />

721<br />

A turquoise ground covered circular<br />

box and cover, mark of Jiajing<br />

the domed cover and footed base<br />

densely decorated in polychrome<br />

enamels with auspicious symbols within<br />

intri<strong>cat</strong>e lotus sprays, reserved on a rich<br />

turquoise ground, the base inscribed<br />

with a six-character seal mark of Jiajing<br />

8cm diameter<br />

明 嘉 靖 款 多 彩 綠 底 圓 盒 ( 含 蓋 ) 一 只<br />

$500–800<br />

718


93<br />

722<br />

An enamelled blue and white porcelain<br />

chrysanthemum vase<br />

of slender baluster form decorated<br />

with panels of peony, peach and<br />

chrysanthemum reserved on an<br />

underglaze blue and white scrolling<br />

foliate ground, the base inscribed in<br />

underglaze blue with an apocryphal sixcharacter<br />

Qianlong seal mark<br />

20cm high<br />

$600–800<br />

723<br />

A pair of Chinese export glazed pottery<br />

figures of storks, 19th century<br />

each in tones of green, yellow, white<br />

and brown<br />

28cm high<br />

$2,000–3,000<br />

721<br />

722<br />

723


94<br />

724<br />

A Blanc de Chine figure of Guanyin, late<br />

Qing Dynasty<br />

the standing figure draped in flowing<br />

robes holding a lotus, raised on a lotus<br />

applied pedestal<br />

30.5cm high<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

晚 清 時 期 白 瓷 觀 音 像 一 尊<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$600–800<br />

725<br />

A white glazed stemmed bowl,<br />

mark of Qianlong<br />

with incised decoration of scrolling<br />

lotus throughout, the interior with<br />

an incised apocryphal Qianlong sixcharacter<br />

mark to the base<br />

14.5cm diameter<br />

乾 隆 款 白 瓷 蓮 花 雕 飾 高 腳 碗<br />

$500–800<br />

726<br />

A celadon crackle glaze footed bowl,<br />

19th century<br />

of shallow circular form, the fluted body<br />

raised on three squat feet<br />

19cm diameter<br />

$400–600<br />

727<br />

A Sawankhalok celadon bottle vase,<br />

possibly 15th century<br />

of baluster form with incised decoration<br />

and a metal collar to the rim<br />

19cm highs<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

約 十 五 世 紀 泰 青 瓷 花 瓶<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$300–500<br />

724<br />

725


95<br />

730<br />

A splashed Jun-ware gilt metal<br />

mounted bowl, Song/Yuan Dynasty<br />

of circular form with crimson splashes,<br />

this piece is reputedly from the Sir Keith<br />

Murdoch Collection<br />

4.5cm high, 18.5cm diameter<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

宋 / 元 時 期 鈞 窯 瓷 碗 一 只 鑲 有 金 邊 盤 上<br />

有 深 紅 潑 濺 圖 飾<br />

源 流 : 傳 為 Sir Keith Murdoch 收 藏<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$600–800<br />

730<br />

728<br />

A Chinese yellow glaze puzzle wine pot,<br />

late Qing Dynasty<br />

of pierced serpentine form with a loop<br />

handle and spout surmounted by a<br />

cover with a Fo dog finial<br />

25cm high, 18cm wide<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

晚 清 黃 釉 色 倒 流 壺<br />

源 流 : 墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$1,000–1,500<br />

729<br />

A famille verte rouleau vase,<br />

20th century<br />

decorated with a panel of figures and<br />

a toad, the neck painted with bamboo,<br />

the base inscribed in underglaze blue<br />

with an apocryphal six-character<br />

Kangxi mark<br />

30cm high<br />

$500–800<br />

728


96<br />

731<br />

An iron-red celadon glaze stem cup,<br />

mark of Qianlong<br />

with an everted rim and flared foot<br />

decorated with peaches and bats, the<br />

base inscribed with an apocryphal<br />

six-character Qianlong seal mark in<br />

underglaze blue<br />

9cm high<br />

乾 隆 款 青 瓷 紅 釉 高 腳 碗 一 件 - 蝙 蝠<br />

與 蜜 桃<br />

$400–600<br />

732<br />

A crackle glaze pale celadon bottle<br />

vase, mark of Yonzheng<br />

the mallet form body rising to a slender<br />

neck and flared rim with an all-over<br />

crackle to the glaze, the base inscribed<br />

in underglaze blue with a six-character<br />

seal mark of Yongzheng<br />

18cm high<br />

雍 正 款 青 瓷 冰 裂 紋 花 瓶 一 只<br />

$400–600<br />

733<br />

A celadon bottle vase,<br />

mark of Qianlong<br />

the tapering bulbous body rising<br />

to a ribbed neck and flared rim<br />

with a deli<strong>cat</strong>e the glaze, the base<br />

inscribed in underglaze blue with a<br />

six-character seal mark of Qianlong<br />

18cm high<br />

乾 隆 款 青 瓷 花 瓶<br />

$200–300<br />

734<br />

A Chinese celadon glazed fluted<br />

bowl<br />

with panels of incised foliate<br />

decoration to the exterior<br />

10cm diameter<br />

$100–200<br />

731<br />

732 733


97<br />

738<br />

A pale green twin fish bowl, possibly<br />

Sung/Yuan Dynasty<br />

of circular form with an unglazed rim,<br />

the base with two fish swimming in<br />

opposite directions<br />

6cm high, 17.5cm diameter<br />

$600–800<br />

739<br />

A Chinese Longquan celadon<br />

carved jar and cover, Song Dynasty,<br />

early 12th century<br />

with a ribbed ovoid body carved with<br />

a band of overlapping upright petals<br />

below four convex bands, the wide<br />

neck flanked by lug handles, the domed<br />

cover with everted rim and a flanged<br />

ring below a pierced bud-shaped finial,<br />

crackled translucent green glaze<br />

28.5cm high<br />

宋 代 十 二 世 紀 早 期 龍 泉 青 瓷 罐<br />

$3,000–4,000<br />

738<br />

735<br />

A Longquan celadon ‘twin fish’ dish,<br />

late Southern Song/Yuan Dynasty,<br />

13th/14th century<br />

potted with deep fluted sides carved<br />

with upright lotus petals, the interior<br />

decorated with a pair of sprig-moulded<br />

fish, Jane Carnegie, Melbourne label to<br />

the base<br />

20.5cm diameter<br />

PROVENANCE<br />

Joshua McLelland Print Room<br />

<strong>cat</strong>alogue, 19 September, 1984<br />

$1,500–2,500<br />

736<br />

A celadon crackle glaze dish<br />

12.5cm diameter<br />

$200–300<br />

737<br />

A celadon crackle glaze vase,<br />

20th century<br />

10cm high<br />

$300–500<br />

735


98<br />

740<br />

An incised celadon glazed bowl, Yuan<br />

dynasty<br />

the shallow bowl and deep sides<br />

incised with foliate scrolls and<br />

flower-heads, British Antique Dealers<br />

Association label to the interior<br />

8cm high, 16cm diameter<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

元 代 青 磁 釉 碗 一 只<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$400–600<br />

740<br />

741<br />

A Guan-style celadon glaze jar<br />

the cylindrical neck and everted rim<br />

on a short tapering foot with all-over<br />

crackling to the glaze and burnt orange<br />

unglazed footrim<br />

11cm diameter<br />

NOTE<br />

for a similar example see Sotheby’s<br />

Australia, Fine Asian, Australian &<br />

European Arts & Design, Sydney, 19<br />

July, 2016, lot 31<br />

$400–600<br />

742<br />

A large heavily potted celadon glazed<br />

earthenware bowl, Korean, 20th century<br />

13cm high, 40cm diameter<br />

$1,000–1,500<br />

741<br />

742


99<br />

743<br />

A Longquan carved celadon glazed<br />

dish, Yuan Dynasty<br />

the heavily potted serpentine circular<br />

dish, with incised underglaze foliate<br />

decoration, the underside with fluted<br />

border and burnt orange footrim<br />

30cm diameter<br />

$3,000–5,000<br />

744<br />

A pale green celadon glazed covered<br />

wine pot, in the Sung/Yuan style,<br />

20th century<br />

the lobed body with panels of scrolling<br />

foliate decoration, with a loop handle<br />

and leaf cover<br />

19cm high<br />

$300–500<br />

745<br />

A pale celadon glazed vase,<br />

20th century<br />

the baluster form with a flared rim<br />

decorated with phoenix flying amongst<br />

clouds, ruyi borders<br />

23.5cm high<br />

$200–300<br />

743<br />

746<br />

A Longquan celadon glazed dish, late<br />

Ming Dynasty<br />

with central foliate incised decoration<br />

and deep ribs to the cavetto<br />

32.5cm diameter<br />

$2,000–3,000<br />

747<br />

Three Chinese celadon glazed bowls,<br />

Ming period and later<br />

comprising a large footed bowl with<br />

incised decoration and bearing a British<br />

Antique Dealers Association label to<br />

the interior; a crackle glazed footed<br />

bowl and a smaller bowl with fluted<br />

sides<br />

the largest 9cm high, 20cm diameter<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

明 代 或 更 晚 青 釉 面 碗 三 件<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$600–800<br />

746


100<br />

748<br />

748<br />

A yellow ground green enamelled dragon<br />

bowl, mark of Yongzheng<br />

the exterior finely incisedwith two five<br />

clawed dragons in pursuit of flaming<br />

pearls amidst flames and cloud scrolls, a<br />

band of Ruyi to the rim, the base inscribed<br />

with an apocryphal six-character mark of<br />

Yongzheng in underglaze blue<br />

14.5cm diameter<br />

雍 正 款 黃 底 鑲 綠 龍 紋 碗 一 只<br />

$600–800<br />

749<br />

749<br />

A calligraphy decorated covered bowl,<br />

mark of Qianlong<br />

profusely decorated throughout with<br />

tribute poetry within ruyi and lappet<br />

borders, the base and cover inscribed<br />

with an apocryphal six-character Qianlong<br />

seal mark in iron red<br />

10.5cm diameter<br />

乾 隆 款 白 底 題 詩 碗 ( 含 蓋 )<br />

$500–800<br />

750<br />

A Doucai ‘floral medallion’ wine cup, mark<br />

of Daoguang<br />

decorated with a frieze of flower heads,<br />

the base inscribed in underglaze blue with<br />

a six-character mark of Daoguang<br />

8.2cm diameter<br />

道 光 款 多 彩 花 紋 酒 杯 一 只<br />

$300–500<br />

750


101<br />

751<br />

751<br />

A yellow ground red dragon bowl<br />

of circular form the exterior decorated with<br />

two writhing dragons chasing a flaming pearl<br />

within geometric borders, the base inscribed<br />

with an underglaze blue six-character<br />

Yongzheng mark<br />

7cm high, 15cm diameter<br />

$500–800<br />

752<br />

A peach bloom bottle vase, 19th century<br />

23cm high<br />

$400–600<br />

753<br />

A yellow ground and green-glazed dragon<br />

stem cup<br />

with a circular flared rim and foot, the exterior<br />

of the bowl decorated with two dragons<br />

chasing flaming pearls, incised with an<br />

apocryphal six-character mark to the interior<br />

9cm high<br />

黃 底 飾 有 青 龍 一 對 高 腳 杯 一 只<br />

$200–300<br />

752<br />

754<br />

An ‘iron-red’ dragon bowl, mark of Kangxi<br />

decorated with a writhing dragon chasing<br />

flaming pearls amongst clouds, the interior<br />

with apocryphal six-character Kangxi mark in<br />

iron-red to the base<br />

17.5cm diameter<br />

康 熙 款 紅 色 龍 紋 碗 一 只<br />

$300–500


102<br />

755<br />

A ‘Jian’ russet-glazed tea bowl,<br />

Song Dynasty<br />

the deep rounded form with a russet<br />

hare’s fur streaked glaze<br />

9.5cm diameter<br />

$400–600<br />

756<br />

A Chinese flambe vase,<br />

18th/19th century<br />

of squat circular form, heavily potted<br />

with a thick, green and red crackled<br />

glaze, small lug handles<br />

8cm high, 12cm diameter<br />

$400–600<br />

757<br />

A peachbloom-type shallow footed<br />

bowl, seal mark of Qianlong<br />

the interior and base glazed white, the<br />

base inscribed with a six character seal<br />

mark in underglaze blue<br />

21cm diameter<br />

乾 隆 款 高 腳 淺 碟 一 件<br />

$400–600<br />

758<br />

A pair of peach bloom wine cups,<br />

mark of Yongzheng<br />

with a gilt rim, decorated to the interior<br />

with a leafy peach, each inscribed with<br />

an apocryphal six-character Yongzheng<br />

mark to the base<br />

6cm high<br />

$300–500<br />

755<br />

759<br />

A flambe-glaze double-gourd vase,<br />

19th century<br />

with a rich purple and lilac glaze running<br />

down from the neck rim, six-character<br />

seal mark to the base<br />

20cm high<br />

$2,000–3,000<br />

760<br />

A Chinese flambe vase, late 19th /early<br />

20th century<br />

the baluster form with a rich red glaze<br />

and pale lilac streaks to the neck<br />

30cm high<br />

$400–600<br />

761<br />

An under glazed blue and red porcelain<br />

stem cup<br />

of circular form with flared rim and<br />

foot, the exterior decorated with fish<br />

swimming through lotus, the interior<br />

painted with two goldfish, the base<br />

with an apocryphal under glazed blue<br />

Qianlong mark<br />

10cm high, 12cm diameter<br />

$100–200<br />

756


103<br />

757 758<br />

759 760


104<br />

762<br />

A blue and white porcelain panel,<br />

signed Wang Bu, Republic Period<br />

decorated with a scene of man and<br />

a boy fishing by a pond in a wooded<br />

landscape, signed with artists seal<br />

25cm high, 18cm wide<br />

$3,000–5,000<br />

763<br />

A pair of blue and white bowls, mark and<br />

period of Guangxu<br />

each decorated throughout with floral<br />

scrolls and Buddhist emblems above a<br />

lotus band border, the bases inscribed<br />

with a six-character Guangxu mark in<br />

underglaze blue<br />

14cm diameter<br />

$500–800<br />

764<br />

A collection of five Chinese and<br />

Annamese blue and white porcelain<br />

bowls and vessels, Ming Dynasty and<br />

later<br />

the largest bowl 16.5cm diameter, the<br />

wine pot 14cm high<br />

$300–500<br />

765<br />

A small blue and white jarlet,<br />

probably 16th century<br />

9.5cm high<br />

762<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

約 十 六 世 紀 小 型 藍 白 壺 一 件<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$200–300<br />

763


105<br />

766<br />

766<br />

Two Chinese blue and white saucer<br />

dishes, 18th century and later<br />

the largest dish 15.5cm diameter<br />

$400–600<br />

767<br />

A Chinese blue and white dish<br />

decorated with a scene of figures<br />

on a bridge, square lozenge mark in<br />

underglaze blue to the base<br />

19.5cm diameter<br />

$200–300<br />

768<br />

A collection of Chinese blue and<br />

white porcelain vessels, 19th century<br />

and later<br />

comprising a set of six covered dishes<br />

decorated with flowers and scrolling<br />

foliage, a covered ginger jar, a plate and<br />

three bowls<br />

the ginger jar 18cm high, the plate<br />

23cm diameter and covered dishes<br />

9.5cm<br />

$200–300<br />

767


106<br />

769<br />

A blue and white stem cup, mark of<br />

Qianlong<br />

with an everted rim and flared foot<br />

decorated throughout with floral scrolls<br />

within ruyi borders, the base inscribed<br />

with an apocryphal six-character<br />

Qianlong seal mark in underglaze blue<br />

11cm high<br />

乾 隆 款 藍 白 瓷 高 腳 碗 ㄧ 只<br />

$500–800<br />

769<br />

770<br />

Four blue and white ‘Nanking Cargo’<br />

bowls, 18th century<br />

comprising two bowls and two small<br />

dishes, each decorated to the exterior<br />

with temples and landscapes , each<br />

applied to the base with a Christie’s<br />

label indi<strong>cat</strong>ing lot numbers from the<br />

Nanking Cargo<br />

the largest 15cm diameter<br />

$500–800<br />

771<br />

A blue and white porcelain inkstone and<br />

a covered bowl, late 19th century<br />

the inkstone of circular form decorated<br />

with panels of figures, the covered bowl<br />

decorated with a continuous frieze of<br />

figures and scholars, underglaze blue<br />

with four-character mark to base<br />

the inkstone 12cm diameter, the bowl<br />

10cm diameter<br />

$400–600<br />

770<br />

771


107<br />

772<br />

A large blue and white jar and cover,<br />

late 19th century<br />

decorated with a continuous scene<br />

of boys playing at various games and<br />

pursuits in a landscape setting<br />

29cm high<br />

$1,500–2,500<br />

773<br />

A pair of Chinese blue and white saucer<br />

dishes, Qing Dynasty, Kangxi Period<br />

(1662-1722)<br />

each painted to the interior with a<br />

scene of a couple in a pavilion garden<br />

within a flower and diaper border<br />

around a serpentine cavetto, the base<br />

with apocryphal Chenghua mark;<br />

together with and 18th century saucer<br />

dish bearing a Yongzheng mark<br />

15.5cm diameter<br />

清 康 熙 藍 白 盤 一 對<br />

$600–800<br />

774<br />

A Chinese blue and white jar and two<br />

blue and white vases, Qing<br />

Dynasty, 18th century and later each<br />

decorated in under glazed<br />

blue with landscape scenes and flowers<br />

the tallest vase<br />

20cm high<br />

清 青 花 瓶 一 對 與 瓷 罐 一 只<br />

$600–800<br />

775<br />

Two Chinese blue and white dishes,<br />

Qing Dynasty, Kangxi Period<br />

(1662-1722)<br />

one dish decorated with panels of<br />

flowers within diaper borders, the<br />

second deeper dish decorated with fish<br />

and sea creatures<br />

the largest 23.5cm diameter<br />

清 康 熙 青 花 花 紋 瓷 碗 一 對<br />

$400–600<br />

776<br />

A Chinese blue and white bowl,<br />

late Qing Dynasty<br />

9.5cm high, 19.2cm diameter<br />

晚 清 青 花 碗<br />

$1,500–2,500<br />

777<br />

A pair of large Japanese blue and white<br />

chargers, late 19th century<br />

each decorated with a central panel of<br />

birds and prunus within a fretted border<br />

together with a Japanese blue and<br />

white blossom decorated charger<br />

the pair 43cm diameter<br />

$300–500<br />

778<br />

A Chinese blue and white figure and<br />

a glazed earthenware covered pot,<br />

possibly 18th century<br />

the figure 15cm high<br />

$300–500<br />

779<br />

A celadon glazed blue and white<br />

covered box, 20th century<br />

the interior decorated with erotic<br />

scenes, the metal bound exterior with<br />

applied dragon and phoenix mounts<br />

6cm high, 10cm wide, 10cm deep<br />

$400–600<br />

772


108<br />

780<br />

780<br />

A pair of pale celadon glazed bowls,<br />

probably Sung/Yuan Period<br />

each of lobed circular form with an<br />

unglazed rim<br />

6.5cm high<br />

$600–800<br />

781<br />

Two Chinese enamelled ‘fu shou’ bowls,<br />

Guangxu six-character iron-red mark,<br />

and probably of the period<br />

each painted around the body with<br />

five medallions with a stylised ‘shou’<br />

character, the medallions each outlined<br />

by a pair of green enamel bats, all<br />

between two decorative borders<br />

15cm diameter (each)<br />

PROVENANCE<br />

Bonhams, Fine Furniture, Decorative<br />

Arts and Asian Art, Sydney, 25-27<br />

November 2013, Lot 132<br />

清 光 緒 福 壽 對 碗 含 底 座<br />

源 流 : 2013 悉 尼 Bonhams Fine<br />

Furniture, Decorative Arts and Asian<br />

Art 拍 品 132<br />

$1,500–2,500<br />

782<br />

A Chinese celadon glaze lamp base<br />

of elegant baluster form with a light<br />

sea-green glaze<br />

the vase 30cm high, with fittings<br />

65cm high<br />

青 瓷 燈 座 一 只<br />

$300–500<br />

783<br />

A celadon glazed brush pot<br />

of cylindrical form with a thick deep<br />

green glaze, the exterior decorated with<br />

three calligraphy panels<br />

12.5cm high<br />

青 瓷 筆 洗 飾 有 回 文<br />

$300–500<br />

784<br />

A Chinese carved and gilded<br />

red lacquer side board,<br />

late 19th century/early 20th century<br />

92cm high, 110cm wide, 55cm deep.<br />

$400–600<br />

785<br />

A Chinese gilded red lacquer cabinet<br />

with substantial brass lock-plates<br />

126cm high, 94cm wide, 46.5cm deep<br />

$250–350<br />

786<br />

A Thai bronze figural lamp, 20th century<br />

modelled as a standing crowned<br />

Kinnara<br />

88cm high<br />

$300–500<br />

787<br />

A Chinese blue and white square form<br />

vase converted to a lamp<br />

decorated with panels of figures and<br />

scholars, the shoulders with scrolling<br />

floral motifs, wooden mounts<br />

the vase 30cm high, including the<br />

mounts 41cm high<br />

青 白 方 花 瓶 檯 燈 座<br />

$800–1,200<br />

781


109<br />

788<br />

788<br />

A moulded Ding-type bowl,<br />

late Qing Dynasty<br />

with low relief moulded decoration to<br />

the interior of scrolling floral motifs and<br />

calligraphy panels and medallions<br />

7cm high, 17.5cm diameter<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

晚 清 時 期 定 窯 風 格 模 造 碗 一 只<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$600–800<br />

789<br />

A Qingbai celadon Ding-style twin fish<br />

dish, Song/Yuan Dynasty<br />

with an unglazed rim the shallow bowl<br />

centred by a circular panel with two fish<br />

swimming amongst waves<br />

3.5cm high, 17cm diameter<br />

PROVENANCE<br />

The collection of Dr John Kenny,<br />

Melbourne<br />

宋 / 元 時 期 青 白 瓷 定 窯 雙 魚 碗 一 件<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$600–800<br />

End of Sale<br />

789


110<br />

Terms & Conditions of Sale<br />

The terms and conditions of sale listed here contain<br />

the policies of Gibson’s Auctioneers & Valuers<br />

Pty Ltd. They are the terms on which Gibson’s<br />

Auctioneers & Valuers Pty Ltd and the Seller contract<br />

with the Buyer. They may be amended by printed<br />

Saleroom Notices or oral announcements made<br />

before and during the sale. By bidding at auction you<br />

agree to be bound by these terms.<br />

1. Background to the Terms used in<br />

these Conditions<br />

The conditions that are listed below contain terms<br />

that are used regularly and may need explanation.<br />

They are as follows:<br />

“the Buyer” means the person with the highest bid<br />

accepted by the Auctioneer<br />

“the Lot” means any item depicted within the sale for<br />

auction and in particular the item or items described<br />

against any lot number in the <strong>cat</strong>alogue.<br />

“the Hammer price” means the amount of the highest<br />

bid accepted by the auctioneer in relation to a lot<br />

“the Buyers Premium” means the charge payable by<br />

the Buyer to the auction house as a percentage of<br />

the hammer price.<br />

“the Reserve” means the lowest amount at which<br />

Gibson’s Auctioneers & Valuers has agreed with the<br />

Seller that the lot can be sold.<br />

“Forgery” means an item constituting an imitation<br />

originally conceived and executed as a whole, with<br />

a fraudulent intention to deceive as to authorship,<br />

origin, age, period, culture or source, where the<br />

correct description as to such matters is not<br />

reflected by the description in the <strong>cat</strong>alogue.<br />

Accordingly no lot shall be capable of being a forgery<br />

by reason of any damage or restoration work of any<br />

kind (Including re-painting).<br />

“the insured value” means the amount that Gibson’s<br />

Auctioneers & Valuers in its absolute discretion<br />

from time to time shall consider the value for which<br />

a lot should be covered for insurance (whether or<br />

not insurance is arranged by Gibson’s Auctioneers<br />

& Valuers.)<br />

All values expressed in Gibson’s Auctioneers &<br />

Valuers Pty Ltd <strong>cat</strong>alogues (in any format) are in<br />

Australian Dollars (AU$). All bids, “hammer price”,<br />

“reserves”, “Buyers Premium” and other expressions<br />

of value are understood by all parties to be in<br />

Australian Dollars (AU$) unless otherwise specified.<br />

2. Gibson’s Auctioneers & Valuers<br />

Auctions as Agent<br />

Except as otherwise stated Gibson’s Auctioneers &<br />

Valuers Pty Ltd acts as agent for the Seller.<br />

The contract for the sale of the property is therefore<br />

made between the Seller and the Buyer.<br />

3. Before the Sale<br />

A) EXAMINATION OF PROPERTY<br />

Prospective Buyers are strongly advised to examine<br />

in person any property in which they are interested<br />

before the Auction takes place. Neither Gibson’s<br />

Auctioneers & Valuers nor the Seller provides any<br />

guarantee in relation to the nature of the property<br />

apart from the Limited warranty in the paragraph<br />

below.<br />

The property is otherwise sold “AS IS”<br />

B) CATALOGUE AND OTHER DESCRIPTIONS<br />

All statements by Gibson’s Auctioneers & Valuers<br />

in the <strong>cat</strong>alogue entry for the property or in the<br />

condition report, or made orally or in writing<br />

elsewhere, are statements of opinion and are not<br />

to be relied upon as statements of fact. Such<br />

statements do not constitute a representation,<br />

warranty or assumption of liability by Gibson’s<br />

Auctioneers & Valuers of any kind. References in the<br />

<strong>cat</strong>alogue entry to the condition report to damage<br />

or restoration are for guidance only and should be<br />

evaluated by personal inspection by the bidder or<br />

a knowledgeable representative. The absence of<br />

such a reference does not imply that an item is free<br />

from defects or restoration, nor does a reference to<br />

particular defects imply the absence of any others.<br />

Estimates of the selling price should not be relied<br />

on as a statement that this is the price at which<br />

the item will sell or it’s value for any other purpose.<br />

Neither Gibson’s Auctioneers & Valuers nor The<br />

Seller is responsible for any errors or omissions in the<br />

<strong>cat</strong>alogue or any supplemental material.<br />

Images are measured height by width (sight size).<br />

Illustrations are provided only as a guide and should<br />

not be relied upon as a true representation of colour<br />

or condition. Images are not shown at a standard<br />

scale. Mention is rarely made of frames (which may be<br />

provided as supplementary images on the website)<br />

which do not form part of the lot as described in the<br />

printed <strong>cat</strong>alogue.<br />

Foreign buyers should note that all transactions<br />

are in Australian dollars (AU$)so there may be a<br />

small exchange rate risk. The costs associated<br />

with acquiring a good certifi<strong>cat</strong>e will be carried by<br />

the purchaser. If the item turns out to be forged or<br />

otherwise incorrectly described, all reasonable costs<br />

will be borne by the vendor.<br />

C) BUYERS RESPONSIBILITY<br />

All property is sold “as is” without representation<br />

or warranty of any kind by Gibson’s Auctioneers<br />

& Valuers or the Seller. Buyers are responsible for<br />

satisfying themselves concerning the condition<br />

of the property and the matters referred to in the<br />

<strong>cat</strong>alogue by requesting a condition report<br />

4. At the Sale<br />

A) REFUSAL OF ADMISSION<br />

Gibson’s Auctioneers & Valuers reserves the right at<br />

our complete discretion to refuse admission to the<br />

auction premises or participation in any auction and<br />

to reject any bid.<br />

B) REGISTRATION BEFORE BIDDING<br />

Any prospective new buyer must complete and sign<br />

a registration form and provide photo-identifi<strong>cat</strong>ion<br />

before bidding. Gibson’s Auctioneers & Valuers may<br />

request bank, trade or other financial references to<br />

substantiate this registration.<br />

C) BIDDING AS A PRINCIPAL<br />

When making a bid, a bidder is accepting personal<br />

liability to pay the purchase price including the<br />

buyers premium and all applicable taxes, plus all<br />

other applicable charges, unless it has been explicitly<br />

agreed in writing with Gibson’s Auctioneers & Valuers<br />

before the commencement of the sale that the<br />

bidder is acting as agent on behalf of an identified<br />

third party acceptable to Gibson’s Auctioneers &<br />

Valuers and that Gibson’s Auctioneers & Valuers will<br />

only look to the principal for payment.<br />

D) INTERNATIONAL REGISTRATIONS<br />

All International clients not known to Gibson’s<br />

Auctioneers & Valuers will be required to scan or fax<br />

through an accredited form of photo identifi<strong>cat</strong>ion<br />

and pay a deposit at our discretion in cleared funds<br />

into Gibson’s Auctioneers & Valuers’ account at least<br />

48 hours before the commencement of the auction.<br />

Bids will not be accepted without this deposit.<br />

Gibson’s Auctioneers & Valuers also reserves the<br />

right to request any additional forms of identifi<strong>cat</strong>ion<br />

prior to registering an overseas bid.<br />

This deposit can be made using a credit card,<br />

however the balance of any purchase price in excess<br />

of $5,000 can not be charged to this card without<br />

prior arrangement. This deposit is redeemable<br />

against any auction purchase.<br />

E) ABSENTEE BIDS<br />

Gibson’s Auctioneers & Valuers will use reasonable<br />

efforts to execute written bids delivered to us AT<br />

LEAST 24 Hours before the sale for the convenience<br />

of those clients who are unable to attend the auction<br />

in person. If we receive identical written bids on a<br />

particular lot, and at the auction these are the highest<br />

bids on that lot, then the lot will be sold to the person<br />

whose written bid was received and accepted first.<br />

Execution of written bids is a free service undertaken<br />

subject to other commitments at the time of the sale<br />

and we do not accept liability for failing to execute<br />

a written bid or for errors or omissions which may<br />

arise. It is the bidder’s responsibility to check with<br />

Gibson’s Auctioneers & Valuers after the auction if<br />

they were successful. Unlimited or “Buy” bids will not<br />

be accepted. Please refer to our indi<strong>cat</strong>ive bidding<br />

increments below for appropriate absentee bid<br />

amounts (Section K).<br />

F) TELEPHONE BIDS<br />

Priority will be given to overseas and interstate<br />

bidders. Arrangements for this service must be<br />

confirmed AT LEAST 24 HOURS PRIOR to the auction<br />

commencing. Gibson’s Auctioneers & Valuers<br />

accepts no responsibility whatsoever for any errors<br />

or failure to execute bids. In telephone bidding the<br />

buyer agrees to be bound by all terms and conditions<br />

listed here and accepts that Gibson’s Auctioneers<br />

& Valuers cannot be held responsible for any<br />

mis-communi<strong>cat</strong>ions in the process. The success<br />

of telephone bidding cannot be guaranteed due to<br />

circumstances that are unforeseen. Buyers should<br />

be aware of the risk and accept the consequences<br />

should contact be unsuccessful at the time of<br />

Auction. You must advise Gibson’s Auctioneers &<br />

Valuers of the lots in question and recommend a<br />

‘Cover Bid’ amount should there be any issues with<br />

technology or communi<strong>cat</strong>ion via the telephone<br />

number provided. Gibson’s Auctioneers & Valuers<br />

will advise Telephone Bidders who have registered<br />

at least 24 hours before the auction of any relevant<br />

changes to descriptions, withdrawals or any other<br />

sale room notices.<br />

G) ONLINE BIDDING<br />

Gibson’s Auctioneers & Valuers accepts no<br />

responsibility for any errors, failure to execute bids or<br />

any other miscommuni<strong>cat</strong>ions regarding this process.<br />

It is the online bidder’s responsibility to ensure the<br />

accuracy of the relevant information regarding bids,<br />

lot numbers and contact details.<br />

H) RESERVES<br />

Unless otherwise indi<strong>cat</strong>ed, all lots are offered subject<br />

to a reserve, which is the confidential minimum price<br />

below which the Lot will not be sold. The reserve will<br />

not exceed the low estimate printed in the <strong>cat</strong>alogue.<br />

The auctioneer may open the bidding on any Lot<br />

below the reserve by placing a bid on behalf of the<br />

Seller. The auctioneer may continue to bid on behalf<br />

of seller up to the amount of the reserve, either<br />

by placing consecutive bids or by placing bids in<br />

response to other bidders.<br />

I) AUCTIONEERS DISCRETION<br />

The Auctioneer has the right at his absolute and sole<br />

discretion to refuse any bid, to advance the bidding<br />

in such a manner as he may decide, to withdraw or<br />

divide any lot, to combine any two or more lots and,<br />

in the case or error or dispute and whether during or


111<br />

after the sale, to determine the successful bidder, to<br />

continue the bidding, to cancel the sale or to reoffer<br />

and resell the item in dispute. If any dispute arises<br />

after the sale, then Gibson’s Auctioneers & Valuers’s<br />

sale record is conclusive.<br />

J) SUCCESSFUL BID AND PASSING OF RISK<br />

Subject to the auctioneer’s discretion, the highest<br />

bidder accepted by the auctioneer will be the buyer<br />

and the striking of his hammer marks the acceptance<br />

of the highest bid and the conclusion of a contract<br />

for sale between the Seller and the Buyer. Risk and<br />

responsibility for the lot (including frames or glass<br />

where relevant) passes immediately to the Buyer.<br />

K) INDICATIVE BIDDING STEPS, ETC.<br />

Gibson’s Auctioneers & Valuers reserves the right to<br />

refuse any bid, withdraw any lot from sale, to place<br />

a reserve on any lot and to advance the bidding<br />

according to the following:<br />

Increment Amount<br />

Dollar Range<br />

$20 $0–$500<br />

$50 $500–$1,000<br />

$100 $1,000–$2,000<br />

$200 $2,000–$5,000<br />

$500 $5,000–$10,000<br />

$1,000 $10,000–$20,000<br />

$2,000 $20,000–$50,000<br />

$5,000 $50,000–$100,000<br />

$10,000 $100,000–$200,000<br />

$20,000 $200,000–$500,000<br />

$50,000 $500,000–$1,000,000<br />

Absentee bids must follow these increments and any<br />

bids that don’t follow the steps will be rounded up to<br />

the nearest acceptable bid.<br />

5. After the Sale<br />

A) BUYERS PREMIUM<br />

In addition to the hammer price, the buyer agrees to<br />

pay to Gibson’s Auctioneers & Valuers the buyers<br />

premium. The buyer’s premium is 22% of the<br />

hammer price plus GST. (Goods and Services Tax)<br />

where applicable.<br />

B) PAYMENT AND PASSING OF TITLE<br />

The buyer must pay the full amount due (comprising<br />

the hammer price, buyers premium and any<br />

applicable taxes and GST) not later than three (3)<br />

days after the auction date.<br />

The buyer will not acquire title for the lot until<br />

Gibson’s Auctioneers & Valuers receives full<br />

payment in cleared funds, and no goods under any<br />

circumstances will be released without confirmation<br />

of cleared funds received. This applies even if the<br />

buyer wishes to send items interstate or overseas.<br />

Payment can be made by the following means:<br />

• Bank Transfer/Direct Deposit is our preferred<br />

method of payment<br />

Account Name: Gibsons Auctions<br />

Bank:<br />

Bank of Melbourne<br />

(A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road,<br />

Malvern, Vic, 3144<br />

The buyer is responsible for any bank fees and<br />

charges applicable for the transfer of funds into<br />

Gibson’s Auctioneers & Valuers’s account<br />

• Personal, Company and Bank Cheques are not<br />

accepted without prior approval.<br />

• Eftpos (no charge)<br />

• Credit cards: Visa and Mastercard (1.2% incl GST<br />

merchant fee) and American Express (3% incl<br />

GST merchant fee)<br />

Please note that credit card transactions over<br />

$5,000 will not be accepted over the telephone<br />

unless by prior arrangement.<br />

• Cash up to AU$10,000 can accepted in<br />

cash. For any amount over this, cash is to be<br />

deposited directly into our account at a Bank of<br />

Melbourne/St George branch<br />

C) COLLECTION OF PURCHASES & INSURANCE<br />

Gibson’s Auctioneers & Valuers is entitled to retain<br />

items sold until all amounts due to us have been<br />

received in full in good cleared funds. Subject to this,<br />

the Buyer shall collect purchased lots within three<br />

(3) days from the date of the sale unless otherwise<br />

agreed in writing between Gibson’s Auctioneers &<br />

Valuers and the Buyer.<br />

At the fall of the hammer, insurance is the<br />

responsibility of the purchaser.<br />

D) PACKING, HANDLING AND SHIPPING<br />

At the request of the buyer, Gibson’s Auctioneers &<br />

Valuers may assist with packing of goods but takes<br />

no responsibility for loss, damage or breakage that<br />

may occur.<br />

Gibson’s Auctioneers & Valuers at the request of the<br />

buyer may arrange for a carrier, packer or shipper to<br />

have the property packed, insured and shipped at<br />

the buyer’s expense. All packing, shipping, insurance,<br />

postage & associated charges will be borne by the<br />

purchaser.<br />

Gibson’s Auctioneers & Valuers can assist with<br />

removal companies that the buyer can use but takes<br />

no responsibility whatsoever for the actions of any<br />

recommended third party.<br />

E) CULTURAL HERITAGE EXPORT LICENCES<br />

Unless otherwise agreed by us in writing, the fact<br />

that the buyer wishes to apply for an export licence<br />

does not affect his or her obligation to make full<br />

payment immediately, nor our right to charge<br />

interest or storage charges on late payment. It<br />

is the Buyer’s responsibility to check Australia’s<br />

Protection of Moveable Cultural Heritage Act 1986<br />

before purchase. If the Buyer requests Gibson’s<br />

Auctioneers & Valuers to apply for an export licence<br />

then we shall be entitled to charge a fee for this<br />

service. We shall not be obliged to rescind a sale nor<br />

to refund any interest or other expenses incurred<br />

by the Buyer where payment is made by the Buyer<br />

in circumstances where an export licence is not<br />

granted.<br />

F) REMEDIES FOR NON-PAYMENT<br />

If the Buyer fails to make full payment immediately,<br />

Gibson’s Auctioneers & Valuers is entitled to exercise<br />

one or more of the following rights or remedies (in<br />

addition to asserting any other rights or remedies<br />

available under the law)<br />

i) to charge interest at the ANZ visa credit card<br />

rate as published weekly in the Australian<br />

Financial Review<br />

ii)<br />

iii)<br />

iv)<br />

to hold the defaulting Buyer liable for the<br />

total amount due and to commence legal<br />

proceedings for it’s recovery along with interest,<br />

legal fees and costs to the fullest extent<br />

permitted under applicable law<br />

to cancel the sale<br />

to resell the property publicly or privately on<br />

such terms as we see fit<br />

v) to pay the Seller an amount up to the net<br />

proceeds payable in respect of the amount bid<br />

by the defaulting Buyer. In these circumstances<br />

the defaulting Buyer can have no claim upon<br />

Gibson’s Auctioneers & Valuers in the event that<br />

the item(s) are sold for an amount greater than<br />

the original invoiced amount.<br />

vi)<br />

vii)<br />

to set off against any amounts which Gibson’s<br />

Auctioneers & Valuers may owe the Buyer in<br />

any other transactions, the outstanding amount<br />

remaining unpaid by the Buyer.<br />

where several amounts are owed by the Buyer to<br />

us, in respect of different transactions, to apply<br />

any amount paid to discharge any amount owed<br />

in respect of any particular transaction, whether<br />

or not the Buyer so directs.<br />

viii) to reject at any future auction any bids made by<br />

or on behalf of the Buyer or to obtain a deposit<br />

from the Buyer prior to accepting any bids.<br />

ix)<br />

to exercise all the rights and remedies of a<br />

person holding security over any property in<br />

our possession owned by the Buyer whether by<br />

way of pledge, security interest or in any other<br />

way, to the fullest extent permitted by the law of<br />

the place where such property is lo<strong>cat</strong>ed. The<br />

Buyer will be deemed to have been granted such<br />

security to us and we may retain such property<br />

as collateral security for such Buyer’s obligations<br />

to us.<br />

x) to take such other action as Gibson’s<br />

Auctioneers & Valuers deem necessary or<br />

appropriate<br />

If we do sell the property under paragraph<br />

(iv), then the defaulting Buyer shall be liable<br />

for payment of any deficiency between the<br />

total amount originally due to us and the<br />

price obtained upon reselling as well as for<br />

all costs, expenses, damages, legal fees and<br />

commissions and premiums of whatever kinds<br />

associated with both sales or otherwise arising<br />

from the default.<br />

If we pay any amount to the Seller under<br />

paragraph (v) the Buyer acknowledges that<br />

Gibson’s Auctioneers & Valuers shall have all<br />

of the rights of the Seller, however arising, to<br />

pursue the Buyer for such amount.<br />

G) FAILURE TO COLLECT PURCHASES<br />

Where purchases are not collected within three (3)<br />

days from the sale date, whether or not payment<br />

has been made, we shall be permitted to remove the<br />

property to a warehouse at the buyer’s expense, and<br />

only release the items after payment in full has been<br />

made of removal, storage handling, insurance and<br />

any other costs incurred, together with payment of all<br />

other amounts due to us.<br />

6. Extent of Gibson’s Auctioneers &<br />

Valuers Liability<br />

Gibson’s Auctioneers & Valuers agrees to refund<br />

the purchase price in the circumstances of the<br />

Limited Warranty set out in paragraph 7 below.<br />

Apart from that, neither the Seller nor we, nor any<br />

of our employees or agents are responsible for<br />

the correctness of any statement of whatever kind<br />

concerning any lot, whether written or oral, nor<br />

for any other errors or omissions in description<br />

or for any faults or defects in any lots. Except as<br />

stated in paragraph 7 below, neither the Seller<br />

ourselves, our officers, agents or employees give any<br />

representation warranty or guarantee or assume any<br />

liability of any kind in respect of any lot with regard<br />

to merchantability, fitness for a particular purpose,<br />

description, size, quality, condition, attribution,<br />

authenticity, rarity, importance, medium, provenance,<br />

exhibition history, literature or historical relevance.<br />

Except as required by local law any warranty of any<br />

kind is excluded by this paragraph.<br />

7. Limited Warranty<br />

Subject to the terms and conditions of this<br />

paragraph, the Seller warrants for the period of<br />

fourteen (14) days from the date of the sale that<br />

any property described in this <strong>cat</strong>alogue (noting<br />

such description may be amended by any saleroom<br />

notice or announcement) which is stated without<br />

qualifi<strong>cat</strong>ion to be the work of a named author or


112<br />

authorship is authentic and not a forgery. The term<br />

“Author” or “authorship” refers to the creator of the<br />

property or to the period, culture, source, or origin<br />

as the case may be, with which the creation of such<br />

property is identified in the <strong>cat</strong>alogue.<br />

The warranty is subject to the following:<br />

i) it does not apply where a) the <strong>cat</strong>alogue<br />

description or saleroom notice corresponded<br />

to the generally accepted opinion of scholars<br />

and experts at the date of the sale or fairly<br />

indi<strong>cat</strong>ed that there was a conflict of opinions,<br />

or b) correct identifi<strong>cat</strong>ion of a lot can be<br />

demonstrated only by means of a scientific<br />

process not generally accepted for use until<br />

after publi<strong>cat</strong>ion of the <strong>cat</strong>alogue or a process<br />

which at the date of the publi<strong>cat</strong>ion of the<br />

<strong>cat</strong>alogue was unreasonably expensive or<br />

impractical or likely to have caused damage to<br />

the property.<br />

ii)<br />

iii)<br />

iv)<br />

the benefits of the warranty are not assignable<br />

and shall apply only to the original buyer of the<br />

lot as shown on the invoice originally issued by<br />

Gibson’s Auctioneers & Valuers when the lot was<br />

sold at Auction.<br />

the Original Buyer must have remained the<br />

owner of the lot without disposing of any interest<br />

in it to any third party<br />

The Buyer’s sole and exclusive remedy against<br />

the Seller in place of any other remedy which<br />

might be available, is the cancellation of the sale<br />

and the refund of the original purchase price<br />

paid for the lot less the buyers premium which is<br />

non refundable. Neither the Seller nor Gibson’s<br />

Auctioneers & Valuers will be liable for any<br />

special, incidental nor consequential damages<br />

including, without limitation, loss of profits not for<br />

interest.<br />

v) The Buyer must give written notice of claim<br />

to us within fourteen (14) days of the date of<br />

the Auction. The Seller shall have the right,<br />

to require the Buyer to obtain two written<br />

opinions by recognised experts in the field,<br />

mutually acceptable to the Buyer and Gibson’s<br />

Auctioneers & Valuers to decide whether or not<br />

to cancel the sale under warranty.<br />

vi)<br />

the Buyer must return the lot to Seller in the<br />

same condition that it was purchased.<br />

8. Severability<br />

If any part of these Conditions of Sale is found by any<br />

court to be invalid, illegal or unenforceable, that part<br />

shall be discounted and the rest of the Conditions<br />

shall continue to be valid to the fullest extent<br />

permitted by law.<br />

9. Copyright<br />

The copyright of all images, illustrations and written<br />

material produced by Gibson’s Auctioneers &<br />

Valuers relating to a lot including the contents of this<br />

<strong>cat</strong>alogue, is and shall remain the property at all times<br />

of Gibson’s Auctioneers & Valuers and shall not be<br />

used by the Buyer, nor by anyone else without our<br />

prior written consent. Gibson’s Auctioneers & Valuers<br />

and the Seller make no representation or warranty<br />

that the Buyer of a property will acquire any copyright<br />

or other reproduction rights in it.<br />

10. Law and Jurisdiction<br />

These terms and conditions and any matters<br />

concerned with the foregoing fall within the exclusive<br />

jurisdiction of the courts of the state in which the<br />

auction is held.<br />

11. Pre-Sale Estimates<br />

Gibson’s Auctioneers & Valuers publishes with each<br />

<strong>cat</strong>alogue our opinion as to the estimated price range<br />

for each lot. These estimates are approximate prices<br />

only and are not intended to be definitive. They are<br />

prepared well in advance of the sale and may be<br />

subject to revision. Interested parties should contact<br />

Gibson’s Auctioneers & Valuers prior to auction for<br />

updated pre-sale estimates and starting prices.<br />

12. Sale results<br />

Gibson’s Auctioneers & Valuers will provide auction<br />

results, which will be available as soon as possible<br />

after the sale. Results will include buyer’s premium<br />

(22% plus GST). These results will be posted at<br />

www.gibsonsauctions.com.au.<br />

13. Goods and Service Tax<br />

In accordance with A New Tax System (Goods<br />

and Services Tax) Act 1999 Gibson’s Auctioneers<br />

& Valuers Auctions will collect on behalf of the<br />

Australian tax office (ATO) a Goods and Service Tax<br />

(GST) of 10% on all applicable transactions.<br />

ABN: 26 440 767 899<br />

GST is applicable on the hammer price in the case<br />

where the seller is selling property that is owned by<br />

an entity registered for GST. GST is also applicable<br />

on the hammer price in the case where the seller is<br />

not an Australian resident. These lots are denoted by<br />

a dagger symbol † placed next to the estimate.<br />

GST is also applicable on the buyer’s premium.<br />

Overseas buyers and buyers non-resident in Australia<br />

will not be charged GST on both hammer price and<br />

premiums under the following conditions:<br />

1. The items are exported through a Gibson’s<br />

Auctioneers & Valuers approved freight<br />

company including Australia Post<br />

2. The items are exported within 60 days of the<br />

date of the sale<br />

The invoice supplied by Gibson’s Auctioneers &<br />

Valuers for purchases will be regarded as a Tax<br />

invoice for GST purposes.<br />

14. Resale Royalty Scheme<br />

Under the legal obligations of the Resale Royalty<br />

Scheme for Visual Artists Act 2009, sellers must<br />

provide the following information to comply with<br />

the act:<br />

• was the artwork acquired after 8 June 2010?<br />

• is the sale/reserve price (including GST) $1,000<br />

or more?<br />

• is the artist from Australia or a country listed in<br />

the Regulations to the Act?<br />

• is the artist alive, or deceased less than 70<br />

years?<br />

The seller:<br />

i) acknowledges that he or she understands his or<br />

her legal obligations under the Resale Royalty for<br />

Visual Artists Act 2009 (the Act);<br />

ii)<br />

iii)<br />

iv)<br />

undertakes to comply with all requirements of<br />

the Act, including by providing its agent, the<br />

company, with accurate information sufficient for<br />

compliance with sections 28 and 29 of the Act;<br />

undertakes to indemnify the company for any<br />

loss incurred by the company as a result of<br />

the vendor’s failure to comply with any of the<br />

vendor’s legal obligations under the Act; and<br />

acknowledges that if he or she fails to comply<br />

with any of his or her legal obligations under<br />

the Act, the company may provide the vendor’s<br />

name and contact details to Copyright Agency<br />

Limited (CAL).<br />

Lots subject to payment of the Resale Royalty<br />

Scheme will be denoted by the §. The Australian<br />

Resale Royalty is a flat rate of 5% on the hammer<br />

price (including GST). The Australian Resale Royalty<br />

is payable by the seller in addition to the buyers<br />

premium plus any applicable GST.<br />

15. Jewels & Watches<br />

GEMSTONES<br />

Gemstones have historically been subjected to a<br />

variety of treatments to enhance their appearance.<br />

Sapphire and rubies are routinely heat treated to<br />

improve their colour and clarity, similarly emeralds<br />

are frequently treated with oils or resin for the same<br />

purpose. Other treatments such as staining or dyeing,<br />

irradiation, filling or coating may have been used<br />

on other precious and semi-precious gemstones<br />

and organic material. These treatments may be<br />

permanent, whilst others may need special care to<br />

preserve their appearance. Buyers should assume<br />

that each lot has been subject to some form of<br />

treatment and that the estimates reflect this.<br />

A number of laboratories issue certifi<strong>cat</strong>es that<br />

give detailed descriptions of gemstones, and in<br />

the event that Gibson’s Auctioneers & Valuers has<br />

been supplied with or obtained certifi<strong>cat</strong>es for any<br />

lot, this shall be noted in the <strong>cat</strong>alogue. However,<br />

as there may not be consensus between different<br />

laboratories on the degree, or types of treatment<br />

of the gemstones, Gibson’s Auctioneers & Valuers<br />

supplies these without warranty.<br />

Buyers should assume that all gemstones sold by<br />

Gibson’s Auctioneers & Valuers may have been<br />

subjected to such treatments, and that the <strong>cat</strong>alogue<br />

estimates reflect this.<br />

PEARLS<br />

Pearls, like gemstones, are also subject to various<br />

treatments. Buyers should assume that any pearls<br />

sold by Gibson’s Auctioneers & Valuers may have<br />

been subjected to such treatments, and that the<br />

<strong>cat</strong>alogue estimates reflect this.<br />

WATCHES<br />

Please note: All watches sold by Gibson’s<br />

Auctioneers & Valuers are sold on an “as is”<br />

basis. Gibson’s Auctioneers & Valuers makes no<br />

representation or warranty that any watch is in<br />

working order. Many watches have been repaired<br />

over their lifetime and may contain non-original parts.<br />

The absence of any reference to the condition of a<br />

watch does not imply that the lot is in good condition<br />

and without defects, repairs or restorations. Buyers<br />

should be aware that a general service, change of<br />

battery or further repair work, for which the Buyer is<br />

solely responsible for, may be necessary.<br />

ESTIMATED WEIGHTS<br />

If a stone has a known weight, it has been weighed<br />

out of the mount. If a stone has an estimated weight,<br />

it is an approximate weight only and has been<br />

measured by us in the mount and is a statement of<br />

opinion only. The information is given as a guide only<br />

and Buyers should satisfy themselves with regard to<br />

this information as to its accuracy.

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