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The Ellies 2022

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Miami’s Visual Arts Awards<br />

October 26, <strong>2022</strong>


Jee Park. "Chrystie<br />

Street," <strong>2022</strong>, mixed<br />

media. Dimensions<br />

variable. Courtesy of<br />

the artist.


Welcome | October 26, <strong>2022</strong><br />

Tonight, we are delighted to celebrate the 5th<br />

anniversary of <strong>The</strong> <strong>Ellies</strong>, Miami’s Visual Arts Awards.<br />

Thank you for being here to honor our community’s<br />

visual artists and their role in making Miami the<br />

dynamic cultural capital that it is.<br />

Oolite Arts created these awards to celebrate and<br />

elevate artists’ careers with a series of prizes named<br />

for our founder and arts pioneer Ellie Schneiderman.<br />

Ellie, who saw the awards come to fruition before<br />

passing away in 2020, was a visionary set on<br />

creating an organization that would “help artists help<br />

themselves.” It's a mission that Oolite Arts strives<br />

to achieve every day.<br />

We build on her artistic legacy with each award, now<br />

totaling a combined $2.5 million in direct support<br />

to South Florida artists. We’re especially proud to<br />

have named five eminent artists as recipients of<br />

the Michael Richards Award. <strong>The</strong> accompanying<br />

$75,000 honorarium is given to those who have<br />

achieved the highest levels of professional distinction<br />

in the arts while also giving back to our community.<br />

Tonight, Robert McKnight joins the list of honorees<br />

that includes Edouard Duval-Carrié, Karen Rifas,<br />

Maria Martinez-Cañas and Cesar Trasobares.<br />

Congratulations Robert!<br />

[ 4 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


In these pages, you’ll find our Creator Award, Teacher<br />

Travel Grant and Social Justice Winners for <strong>2022</strong>.<br />

We’re proud that they are a part of the Oolite family,<br />

and wish them every success as they develop their<br />

artistic practices.<br />

Dennis Scholl<br />

President and CEO<br />

Oolite Arts<br />

[ 5 ]


Oolite Arts’ Founder<br />

Ellie Schneiderman,<br />

for whom <strong>The</strong> <strong>Ellies</strong> are<br />

named, in front of the<br />

organization’s main<br />

location in 1985. An arts<br />

pioneer, Schneiderman<br />

passed away in 2020.<br />

Photo credit:<br />

Miami Herald File<br />

[ 6 ]


[ Above ] Fola Akinde. “Birth of the Spirit,” <strong>2022</strong>. Courtesy of the artist.<br />

[ 8 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


<strong>The</strong> <strong>Ellies</strong> | Creator Award Winners <strong>2022</strong><br />

Fola Akinde $5,000<br />

Yoruba Mappings<br />

For a body of work that explores the revitalization of<br />

spirituality and Yoruba religion in Miami<br />

Margaret Cardillo $12,000<br />

Jane the First<br />

For a documentary on the first female sportscaster in<br />

America, Jane Chastain, who got her start right here in<br />

Miami at WTVJ, and faced a reception - from her coworkers<br />

to a national audience - that was controversial at best<br />

Carolina Casusol Valle $5,000<br />

In Conversation with My Fellows<br />

For a body of work that focuses on the stories of Latin<br />

American immigrants in the U.S. coupled with 104 species<br />

of flora that flourish in dry, hot and rock environments<br />

despite the adversities<br />

[ 9 ]


Rose Marie Cromwell $10,000<br />

King of Fish<br />

For a book of photographs that tells the story of “Coco<br />

Solo,” a former U.S. military base in Panama, repurposed<br />

as an under-resourced public housing community, and<br />

eventually demolished to become a container yard serving<br />

the Panama Canal<br />

Carolina Cueva $8,000<br />

In Being, In Space: Form and Care<br />

For a sculptural installation that reimagines everyday<br />

objects in Western homes to reflect modern day indigenous<br />

identities and cultures<br />

Cara Dodge $10,000<br />

This Bitter Earth<br />

For a short narrative film focused on the iguana, a symbol of<br />

queerness viewed as “other,” that is being hunted by those<br />

seeking to maintain hierarchy and order<br />

Smith Durogene $5,000<br />

Here Today, Gone Tomorrow<br />

For a photography series that captures the character of<br />

South Florida’s neighborhoods, particularly as many are<br />

being replaced by new development<br />

[ 10 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


Liz Ferrer $6,000<br />

[Cries in Spanish]<br />

For a bilingual episodic web series that follows the stories of<br />

Latinx and queer characters living outside of the norm in the<br />

U.S. and is inspired by a viral meme of the tear-stained face<br />

of novela villain Soraya with the mocking subtitle “Cries in<br />

Spanish”<br />

Alexandra Fields O’Neale $10,000<br />

Bound//Unbound<br />

For a sound art installation on Key Biscayne that uses<br />

the ocean as narrator to describe the cyclical nature of<br />

enslavement through the Middle Passage and freedom<br />

through the Saltwater Railroad<br />

Dara Friedman $25,000<br />

River Hill<br />

To create a meandering labyrinth in an industrial brownfield<br />

in Buffalo, New York that offers an opportunity for people to<br />

physically wind and unwind<br />

Jayme Kaye Gershen $12,000<br />

Six degrees<br />

To create a hybrid film that interweaves universal stories<br />

about identity and culture that connect a changing city<br />

[ 11 ]


Leslie Gomez-Gonzalez $5,000<br />

olvidar, es olvidarnos (to forget, is to forget us)<br />

For a traveling installation that consists of a blue dinner<br />

table with a woven banana leaf table runner that travels<br />

to different communities in an effort to have people share,<br />

listen, and sit together<br />

Yi Chin Hsieh $6,000<br />

<strong>The</strong> Dinner Party<br />

For an exhibition project where small groups will experience<br />

a dinner party setting with participating artists; however,<br />

instead of food, the participants will be served limited<br />

edition artworks and learn the stories behind them<br />

Jacek Kolasinski $10,000<br />

Creole Archive Project - Book Project<br />

For a book on the cultural linkages between Poland and<br />

Haiti, beginning with the Haitian Revolution and continuing<br />

to modern day<br />

[ 14 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


[ Above ] Jacek Kolasinski. Installation from the “Creole Archive<br />

Project: Poloné Nwa,” <strong>2022</strong>, mixed media. Dimensions variable.<br />

Courtesy of the artist.<br />

[ Previous Page ] Alexandra Fields O’Neale. “Bound//Unbound,” <strong>2022</strong>.<br />

Photo by Monica Sorelle.<br />

[ 15 ]


Amanda Linares $11,000<br />

Yo vengo de todas partes, y hacia todas partes voy (I come<br />

from everywhere and everywhere I shall go)<br />

For an immersive installation spurred by the artists’<br />

discovery of her paternal great grandfather’s stone<br />

home in Spain, which explores themes of immigration,<br />

interconnectedness and identity<br />

T. Eliott Mansa $15,000<br />

Room for the Living / Room for the Dead<br />

For an exhibition that recreates the sunken living rooms<br />

popular in the 1970s as a shrine to the dead, and is activated<br />

as a gathering space to play cards and dominos, or bring<br />

flowers and photographs for their departed loved ones<br />

Francisco Masó $8,000<br />

Interaction of Political Colors<br />

For a limited, silk-screen edition of works that examines the<br />

use of color in totalitarian societies, based on a study of the<br />

colors and patterns worn by secret police in Cuba<br />

[ Left ] Francisco Masó. “Page 19. Volume III. Tome I. Aesthetic Register<br />

of Covert Forces series,” 2017 – ongoing. Acrylic on canvas. 25 × 21 in.<br />

Courtesy of the artist.<br />

[ 17 ]


Rhonda Mitrani $12,000<br />

With Grace<br />

For a short, experimental documentary on the life of a<br />

Cuban woman who emigrated to Miami Beach after the<br />

revolution, and uses a feminist lens to examine age and<br />

gender roles and the subtleties of machismo in Cuban-<br />

Jewish communities<br />

Johann C. Muñoz $8,000<br />

“entre el estampido de los cohetes y la música de varias<br />

bandas” (“amidst the explosion of rockets and the music of<br />

several bands”)<br />

For a transdisciplinary performance chronicling the journey<br />

of Numa Equís, an accordion player from Magdalena,<br />

Colombia, who migrated to the U.S., and her transforming<br />

relationship with musical traditions and identity<br />

William Osorio $10,000<br />

<strong>The</strong> Path to the Volcanoes<br />

For a series of large-format paintings exploring the recent<br />

mass exodus of more than 50,000 Cubans after the protests<br />

of July 2021 and the assault on civil liberties by the Cuban<br />

government<br />

[ 18 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


Jee Park $6,000<br />

Close to Home<br />

For an exhibition exploring the rise of violence against Asian-<br />

Americans based on the Suui, a traditional Korean burial<br />

garment used as a gesture of love and regard for the deceased<br />

Larissa Perez $5,000<br />

<strong>The</strong> Grove<br />

For a photograph and interview series exploring and<br />

documenting the Bahamian community in Coconut Grove<br />

as a way to share its history and cultural heritage<br />

Lee Pivnik $10,000<br />

Symbiotic House<br />

To develop a habitable shelter and art and ecology center<br />

in the Redland that is a model for a Miami facing the<br />

compounding crises of climate change, housing insecurity<br />

and income inequality<br />

Victoria Ravelo $8,000<br />

Our Inheritance / Those Who Come After<br />

For an exhibition centered on the personal and collective<br />

memories of the Latin American and Caribbean diaspora<br />

[ 19 ]


[ Above ] Anastasia Samoylova. “Controlled Burn on a Country Road,<br />

North Florida,” 2021. Courtesy of the artist.<br />

[ Next Page ] Oscar Rieveling. “Auto-mariachi” (study), 2019. Performance<br />

with Mariana Smith Studio at Mana Contemporary.<br />

Photo by Juan Matos.<br />

[ 20 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


Ema Ri $6,000<br />

Flower Columns<br />

To continue the thread of love, time and memory by creating<br />

columns made with resin and dehydrated flowers from the<br />

artwork “Here With You”<br />

Oscar Rieveling $6,000<br />

Auto-mariachi<br />

For an exploration and performance of mariachi music<br />

focused on the musicians, and answering the question: Who<br />

serenades the serenaders?<br />

Coralina Rodriguez Meyer $10,000<br />

Hachuela<br />

For an exhibition of documentary sculptures and moving<br />

images created in collaboration with reproductive health<br />

crisis survivors, allies and justice leaders as a healing<br />

sanctuary for black, brown and queer bodies<br />

Anastasia Samoylova $8,000<br />

Floridas<br />

For a photographic exhibition that explores Florida’s many<br />

contradictions — beach vs. swamp, wealth vs. poverty<br />

- and pairs Walker Evans’ photographs from 1934 with<br />

contemporary images by the artist<br />

[ 21 ]


George Sánchez-Calderón $15,000<br />

ScarFace<br />

For a marionette show based on the movie Scarface and<br />

its seminal story of Miami, immigration and the “American<br />

Dream”<br />

Carlos Sandoval De León $15,000<br />

Light Stream<br />

For a public artwork that honors migrants in search of<br />

work and is part of an initiative commemorating underrecognized<br />

narratives connected to Miami’s roots in the<br />

American south<br />

Smita Sen $8,000<br />

Geology of Longing<br />

For a series of experimental dance films where the artist<br />

traces her deceased father’s geological research across<br />

the globe, investigating the ways the human body and the<br />

planet preserve memories of life after death<br />

Dainymar Tapia $11,000<br />

In the Company of Women: At Large<br />

For an exhibition of South Florida-based women artists that<br />

provides them with the ample space to develop and display<br />

ideas they are working on<br />

[ 24 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


Robert Thiele $12,000<br />

And Elsewhere<br />

For a survey catalog documenting the artist’s body of work,<br />

allowing for a new scholarship on his achievements and<br />

contributions to Miami’s art scene<br />

Clara Toro $6,000<br />

Eight Minutes<br />

For an outdoor photo exhibition installed in open spaces<br />

in Wynwood, telling the stories of longtime residents,<br />

including a family whose home was torn down in 8 minutes<br />

Cornelius Tulloch $20,000<br />

Porch Passages<br />

For a series of artistic architectural installations in Liberty<br />

City and a digital archive that hosts a storytelling space<br />

for Black and Caribbean dialogue, history and creativity as<br />

rising tides and gentrification change the fabric of Miami’s<br />

inland minority neighborhoods<br />

[ Next Page ] Cornelius Tulloch. Rendering from the project, “Porch<br />

Passages,” <strong>2022</strong>. Courtesy of the artist.<br />

[ 25 ]


[ 27 ]


Monica Uszerowicz $5,000<br />

Dreaming as the Water Rises<br />

For a poetic essay and zine based on the dreams of Florida<br />

residents about climate change, exploring how the climate<br />

crisis is affecting people<br />

Nadia Wolff $15,000<br />

Kin<br />

For a ceremony that honors the weight of the Atlantic<br />

coastline for Afro-diasporic queer people, and includes a<br />

performance around the braiding of a person’s hair into a<br />

basket structure on the crown of their head<br />

Antonia Wright $10,000<br />

Women in Labor<br />

For a generative sound art installation that protests the<br />

changing laws around access to safe and legal abortions.<br />

Through computational algorithms, the piece sonically<br />

amplifies the increase in mileage a woman will now have to<br />

travel by state to access reproductive care<br />

[ 28 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


Ricardo Zulueta $6,000<br />

Speculative Cyberscapes<br />

For a site-specific installation comprised of textured<br />

paintings depicting technological networks and<br />

accompanied by an experimental 3D video animation<br />

engendering a liminal space of contemplation<br />

[ 29 ]


Teacher Travel Grants Winners <strong>2022</strong><br />

Jose Luis Garcia $5,000<br />

New World School of the Arts<br />

To travel to New York to visit museums and archives and<br />

attend photography workshops that will help spark his<br />

students’ interest in black and white darkroom photography<br />

and other non-digital photographic processes<br />

Juan Alejandro Landaverde $5,000<br />

Homestead Middle School<br />

To travel to Japan to study the art and history of printmaking<br />

and traditional Ukiyo-e prints to create a curriculum<br />

focused on Japanese culture and artistic practices for his<br />

students in Homestead<br />

Mark Russell $5,000<br />

Jose de Diego Middle School<br />

To travel to Europe to study art history in order to bring<br />

back new lessons to his students in Wynwood about the<br />

rich history and methods of art-making<br />

[ 31 ]


Silvana Soriano $5,000<br />

Morningside K-8 Academy<br />

To travel to a residency in Spain to learn the art of Mokulito,<br />

a Japanese lithography that uses wood instead of stone and<br />

screen printing, to complete a printmaking curriculum for<br />

fourth and fifth grade students<br />

[ Previous Page ] Jose Luis Garcia. Installation view of “Missing Pieces,”<br />

<strong>2022</strong>. Photo by Pedro Wazzan.<br />

[ Right, ] Mark Russell, “<strong>The</strong> Vessel,” <strong>2022</strong>, Marker and gold leaf.<br />

Courtesy of the artist.<br />

[ 32 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


[ 33 ]


<strong>The</strong> Michael Richards Award is a nominationbased<br />

award, given to a Miami-Dade artist who<br />

has created a recognized body of original, highquality<br />

works of art over a sustained period of time<br />

and who, through their practice, is achieving the<br />

highest levels of professional distinction in visual<br />

arts. This artist is someone who has established<br />

and sustained their practice in Miami and has given<br />

back to the community throughout their career in<br />

a variety of ways. <strong>The</strong> award supports the selected<br />

artist’s practice and creative growth through a<br />

stipend of $75,000 over a two-year period, and the<br />

opportunity to be commissioned by Oolite Arts in<br />

collaboration with <strong>The</strong> Bass, to create a work to be<br />

exhibited at the museum.<br />

Michael Richards (1963 – 2001), to whom this<br />

award pays tribute, was an incisive, provocative,<br />

and poetic artist whose body of work primarily<br />

addresses racial inequity and social injustice.<br />

Richards, an Oolite Arts alum, passed away<br />

tragically in his art studio in the World Trade<br />

Center during the terrorist attacks on Sept. 11,<br />

2001. A jury of national and local curators and<br />

experts nominated candidates and selected<br />

the award winner.<br />

[ 34 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


Michael Richards Award<br />

Winner: Robert McKnight<br />

Robert McKnight was born in Kingstree, South Carolina. He<br />

moved to Miami with his family in 1953 and later received a<br />

bachelor’s of fine arts in painting from Syracuse University.<br />

As a member of <strong>The</strong> Miami Black Artist Workshop and<br />

KUUMBA Artist Association, McKnight has worked to<br />

generate opportunities for greater professional visibility for<br />

African-American and African artists. He has had numerous<br />

solo shows at the Art Gallery of Florida Atlantic University,<br />

Gallery Antigua, Amdalozi Gallery and Bakehouse Art<br />

Complex, among other places.<br />

[ 35 ]


[ Left ] Robert McKnight. “Competing Spaces #3,” 2005. Courtesy<br />

of the artist.<br />

[ Above ] Robert McKnight. “Midnight’s Order,” 2005. Courtesy of<br />

the artist.<br />

[ 37 ]


<strong>The</strong> <strong>Ellies</strong> Social Justice Award<br />

honors a visual artist who has made a<br />

commitment to working for equality in<br />

their daily lives and artistic practice.<br />

This award supports the selected<br />

artist’s practice and creative growth<br />

through a stipend of $25,000. A jury<br />

of artists and social justice leaders<br />

nominated the candidates and<br />

selected the award winner.<br />

[ 38 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


Social Justice Award<br />

Winner: Rev. Houston R. Cypress<br />

Rev. Houston R. Cypress (He /<strong>The</strong>y) is a Two-Spirit poet,<br />

artist and activist from the Otter Clan of the Miccosukee<br />

Tribe of Indians of Florida. Through his artistic practice,<br />

Houston explores and articulates Queer Ecological<br />

Knowledge through community-based artistic, mystical and<br />

shamanistic techniques, including deep listening, ceremony,<br />

pilgrimage and service. Houston is also inspired by the<br />

dialectic between sovereignty and boundary dissolution,<br />

the biological and technological, and how languages can<br />

evoke states of consciousness. His marks appear on paper,<br />

on-screen, and on the land itself through experimental<br />

conservation initiatives. Poetry as a way of life. Enacting<br />

protocols of joy. Love = Action.<br />

[ 39 ]


[ 40 ] #<strong>The</strong><strong>Ellies</strong> | <strong>The</strong><strong>Ellies</strong>.org


[ Above ] Rev. Houston R. Cypress. Still frame from the video work<br />

entitled: “...what endures...,” 2021, a Digital Commission for the Institute<br />

of Contemporary Art, Miami.<br />

[ 41 ]


Oolite Arts<br />

Board of Directors<br />

Eric Rodriguez<br />

Chair<br />

Marie Elena Angulo<br />

Vice Chair<br />

Maricarmen Martinez<br />

Secretary<br />

Kim Kovel<br />

Treasurer & Chair<br />

Emeritus<br />

Chloe Berkowitz<br />

Edouard Duval-Carrié<br />

Alessandro Ferretti<br />

Lilia Garcia<br />

Jane Goodman<br />

Thomas F. Knapp<br />

Jeff Krinsky<br />

Lin Lougheed<br />

Reagan Pace<br />

Deborah Slott<br />

Staff<br />

Dennis Scholl<br />

President and CEO<br />

Anais Alvarez<br />

Communications<br />

& Development<br />

Sr. Manager<br />

Danielle Bender<br />

Cinematic Arts Sr.<br />

Manager<br />

Amanda Bradley<br />

Programming Sr.<br />

Manager<br />

David Correa<br />

Programs Coordinator<br />

Cherese Crockett<br />

Development Sr.<br />

Manager<br />

Maylin Enamorado-<br />

Pinheiro<br />

Digital<br />

Communications<br />

Coordinator<br />

Aaron Feinberg<br />

Chief Financial Officer<br />

Samantha Ganter<br />

Programs Coordinator<br />

Esther Park<br />

Vice President of<br />

Programming<br />

Hansel Porras Garcia<br />

Executive Assistant<br />

Dan Weitendorf<br />

Facilities Manager<br />

Melissa Gabriel<br />

Art Classes Manager


924 Lincoln Road, Miami Beach, FL 33139<br />

OoliteArts.org | @OoliteArts

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