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of space and architecture – the way i.e.<br />

color, light or material can be combined<br />

in order to create a uniform belief around<br />

or experience of a room.<br />

susan — Deep aesthetic experiences<br />

are not about taste. Beauty is totally in the<br />

eye of the beholder. Still, we know something<br />

about the effect of, let’s say, color<br />

and tactility, on us. The research reveals<br />

how these are neuroaesthetic ingredients<br />

that artists, architects, craftsmen, designers<br />

and other professionals can put together<br />

to create something elevated, in order to<br />

serve a purpose or solve a problem.<br />

Adaptability as a tool to make our<br />

personal mark<br />

A thing to remember about personal thumbprints<br />

in aesthetics and arts is that the<br />

same thing will not work for everybody.<br />

Frequently, we are designing spaces for a<br />

group of people that might be highly diverse<br />

and interchangeable, be it a home<br />

shared with family, a bustling restaurant,<br />

or an open office accommodating a varied<br />

range of tasks. Look to adaptability and<br />

modularity, two elements that enable us to<br />

impart a sense of identity on our immediate<br />

surroundings by bringing that authentic self<br />

to a space, even for the briefest of moments.<br />

susan — If you did a study into people’s<br />

offices, you will find in every single one a piece<br />

of them – be it a pillow, plant or picture. We always<br />

bring our identity into a room, no matter<br />

how generic the space is. The more that is<br />

allowed, encouraged and honored, the more<br />

authentically whole we are, the more we<br />

bring ourselves into what we do. When it is<br />

not the case, the energy to restrain simply<br />

takes away from creativity and productivity.<br />

Light’s potential to ease, invigorate and sharpen<br />

Susan emphasizes how spaces are really about purpose,<br />

an emotional or human component that brings a tangible<br />

vibrancy to a room. It is where ‘form follows function’<br />

and ‘form follows feeling’ intersect, producing compelling<br />

results, transcendent spaces that can elevate wellbeing,<br />

work flow or learning.<br />

susan — We are doing more research on and understanding<br />

why things such as light have such an impact<br />

on us. Like, why does up-lighting make us feel awe?<br />

We know that sunrises and sunsets affect us profoundly,<br />

and that there are certain hues throughout the day<br />

or even the year that greatly influence body and mind.<br />

Bringing our natural landscapes inside helps us stay on<br />

a circadian rhythm, to follow our physiological day and<br />

ultimately, stay in sync.<br />

For instance, if you want to promote a stimulating<br />

learning environment, you might consider ways to introduce<br />

elements shown to improve focus like more exposure<br />

to daylight.<br />

56<br />

Encouraging and designing for<br />

adaptability allows us to adjust<br />

our surroundings to better express<br />

our identity. We adapt our<br />

surroundings to our needs in even<br />

the most generic space.<br />

An abundance of natural light<br />

keeps us in tune with our circadian<br />

rhythms, with the benefit<br />

of heightening our focus and<br />

learning in a space.

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