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Program Book | December 7, 2022 | CAMA presents Hélène Grimaud, piano | Masterseries at the Lobero Theatre, Santa Barbara

WEDNESDAY, DECEMBER 7, 2022, 7:30PM HÉLÈNE GRIMAUD, piano Direct from Carnegie Hall! French pianist Hélène Grimaud is a deeply passionate and committed musical artist with an original and probing mind who takes no note for granted. Her poetic expression and peerless technical control have drawn comparisons to Martha Argerich and Jorge Bolet. Her contribution to and impact on the world of classical music were recognized by the French government with admission to the Ordre National de la Légion d’Honneur (France’s highest decoration) at the rank of Chevalier (Knight). In her role as a passionate wildlife conservationist, Grimaud established the Wolf Conservation Center in upper New York State, which offers education about wolves, their relationship to the environment, and the human role in protecting their future. PROGRAM: VALENTIN SILVESTROV: Bagatelle I CLAUDE DEBUSSY: Arabesque No.1 VALENTIN SILVESTROV: Bagatelle II ERIK SATIE: Gnossienne No.4 FRÉDÉRIC CHOPIN: Nocturne No.19 in E Minor. Op.72, No.1 ERIK SATIE: Gnossienne No.1 ERIK SATIE: Six pièces froides IV—“Danses de travers No.1: En y regardant à deux fois” CLAUDE DEBUSSY: La plus que lente FRÉDÉRIC CHOPIN: Mazurka in A Minor, Op.17, No.4 FRÉDÉRIC CHOPIN: Waltz No.3 in A Minor, Op.34, No.2 CLAUDE DEBUSSY: “Clair de lune” from Suite bergamasque CLAUDE DEBUSSY: Rêverie ERIK SATIE: Six pièces froides V—“Danses de travers No.2: Passer” ROBERT SCHUMANN: Kreisleriana, Op.16 •

WEDNESDAY, DECEMBER 7, 2022, 7:30PM

HÉLÈNE GRIMAUD, piano

Direct from Carnegie Hall!

French pianist Hélène Grimaud is a deeply passionate and committed musical artist with an original and probing mind who takes no note for granted. Her poetic expression and peerless technical control have drawn comparisons to Martha Argerich and Jorge Bolet. Her contribution to and impact on the world of classical music were recognized by the French government with admission to the Ordre National de la Légion d’Honneur (France’s highest decoration) at the rank of Chevalier (Knight). In her role as a passionate wildlife conservationist, Grimaud established the Wolf Conservation Center in upper New York State, which offers education about wolves, their relationship to the environment, and the human role in protecting their future.

PROGRAM:
VALENTIN SILVESTROV: Bagatelle I
CLAUDE DEBUSSY: Arabesque No.1
VALENTIN SILVESTROV: Bagatelle II
ERIK SATIE: Gnossienne No.4
FRÉDÉRIC CHOPIN: Nocturne No.19 in E Minor. Op.72, No.1
ERIK SATIE: Gnossienne No.1
ERIK SATIE: Six pièces froides IV—“Danses de travers No.1: En y regardant à deux fois”
CLAUDE DEBUSSY: La plus que lente
FRÉDÉRIC CHOPIN: Mazurka in A Minor, Op.17, No.4
FRÉDÉRIC CHOPIN: Waltz No.3 in A Minor, Op.34, No.2
CLAUDE DEBUSSY: “Clair de lune” from Suite bergamasque
CLAUDE DEBUSSY: Rêverie
ERIK SATIE: Six pièces froides V—“Danses de travers No.2: Passer”
ROBERT SCHUMANN: Kreisleriana, Op.16

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determin<strong>at</strong>ion to open an environmental<br />

educ<strong>at</strong>ion center. “To be involved in direct<br />

conserv<strong>at</strong>ion and being able to put animals<br />

back where <strong>the</strong>y belong,” she says, “<strong>the</strong>re’s<br />

just nothing more fulfilling.” But Grimaud’s<br />

engagement doesn’t end <strong>the</strong>re: she is also<br />

a member of <strong>the</strong> organiz<strong>at</strong>ion Musicians<br />

for Human Rights, a worldwide network of<br />

musicians and people working in <strong>the</strong> field<br />

of music to promote a culture of human<br />

rights and social change.<br />

For a number of years she also<br />

found time to pursue a writing career,<br />

publishing three books th<strong>at</strong> have appeared<br />

in various languages. Her first, Vari<strong>at</strong>ions<br />

Sauvages, appeared in 2003. It was followed<br />

in 2005 by Leçons particulières,<br />

and in 2013 by Retour à Salem, both semiautobiographical<br />

novels.<br />

It is, however, through her thoughtful<br />

and tenderly expressive music-making<br />

th<strong>at</strong> Hélène Grimaud most deeply touches<br />

<strong>the</strong> emotions of audiences. Fortun<strong>at</strong>ely,<br />

<strong>the</strong>y have been able to enjoy her concerts<br />

worldwide, thanks to <strong>the</strong> extensive tours<br />

she undertakes as a soloist and recitalist.<br />

A committed chamber musician, she has<br />

also performed <strong>at</strong> <strong>the</strong> most prestigious<br />

festivals and cultural events with a wide<br />

range of musical collabor<strong>at</strong>ors, including<br />

Sol Gabetta, Rolando Villazón, Jan Vogler,<br />

Truls Mørk, Clemens Hagen, Gidon Kremer,<br />

Gil Shaham and <strong>the</strong> Capuçon bro<strong>the</strong>rs. Her<br />

prodigious contribution to and impact on<br />

<strong>the</strong> world of classical music were recognised<br />

by <strong>the</strong> French government when she<br />

was admitted into <strong>the</strong> Ordre N<strong>at</strong>ional de la<br />

Légion d’Honneur (France’s highest decor<strong>at</strong>ion)<br />

<strong>at</strong> <strong>the</strong> rank of Chevalier (Knight).<br />

Hélène Grimaud has been an exclusive<br />

Deutsche Grammophon artist since 2002.<br />

Her recordings have been critically acclaimed<br />

and awarded numerous accolades,<br />

among <strong>the</strong>m <strong>the</strong> Cannes Classical Recording<br />

of <strong>the</strong> Year, Choc du Monde de la musique,<br />

Diapason d’or, Grand Prix du disque,<br />

Record Academy Prize (Tokyo), Midem<br />

Classic Award and <strong>the</strong> Echo Klassik Award.<br />

Her early recordings include Credo and<br />

Reflection (both of which fe<strong>at</strong>ure a number<br />

of <strong>the</strong>m<strong>at</strong>ically linked works); a Chopin and<br />

Rachmaninov Son<strong>at</strong>as disc; a Bartók CD on<br />

which she plays <strong>the</strong> Third Piano Concerto<br />

with <strong>the</strong> London Symphony Orchestra and<br />

Pierre Boulez; a Beethoven disc with <strong>the</strong><br />

Sta<strong>at</strong>skapelle Dresden and Vladimir Jurowski<br />

which was chosen as one of history’s<br />

gre<strong>at</strong>est classical music albums in<br />

<strong>the</strong> iTunes “Classical Essentials” series;<br />

a selection of Bach’s solo and concerto<br />

works, in which she directed <strong>the</strong> Deutsche<br />

Kammerphilharmonie Bremen from <strong>the</strong> piano;<br />

and a DVD release of Rachmaninov’s<br />

Second Piano Concerto with <strong>the</strong> Lucerne<br />

Festival Orchestra and Claudio Abbado.<br />

In 2010 Grimaud recorded <strong>the</strong> solo recital<br />

album Resonances, showcasing music<br />

by Mozart, Berg, Liszt and Bartók. This<br />

was followed in 2011 by a disc fe<strong>at</strong>uring<br />

her readings of Mozart’s Piano Concertos<br />

Nos.19 and 23 as well as a collabor<strong>at</strong>ion<br />

with singer Mojca Erdmann in <strong>the</strong><br />

same composer’s Ch’io mi scordi di te?.<br />

Her next release, Duo, recorded with cel-<br />

<strong>CAMA</strong> AT THE LOBERO THEATRE • HÉLÈNE GRIMAUD<br />

11

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