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<strong>Patiala</strong> <strong>Pulse</strong><br />
for concert band<br />
Grade 4-5<br />
<strong>Shruthi</strong> <strong>Rajasekar</strong>
Level: Grade 4-5<br />
Instrumentation:<br />
Piccolo<br />
Flute 1, 2<br />
Oboe 1, 2<br />
Clarinet in Bb 1, 2, 3<br />
Bass Clarinet<br />
Bassoon 1, 2,<br />
Alto Saxophone 1, 2<br />
Tenor Saxophone<br />
Baritone Saxophone<br />
French Horn in F 1, 2, 3, 4<br />
Duration: ~4 mins<br />
Trumpet in Bb 1, 2, 3<br />
Trombone 1, 2<br />
Bass Trombone<br />
Euphonium<br />
Tuba<br />
Percussion - 5 parts:<br />
1. Xylophone & Bongos<br />
2. Marimba & Conga Drums<br />
3. Toms<br />
4. Bass Drum & Tambourine<br />
5. Drum Set<br />
Program Note:<br />
<strong>Patiala</strong> <strong>Pulse</strong> brings to life a beautiful element from the diverse world of rhythm in South Asia: a<br />
pulse that feels paradoxically relaxed and intense. This manifests in patterns that reference the<br />
Carnatic idiom (e.g. kuraippu - reduction) of South India, and the dhol (e.g. 4-beat drum pattern<br />
sometimes known as "chaal") of Punjab, the region where the city of <strong>Patiala</strong> is located. In its embrace<br />
of elasticity within a forward-driving momentum, the piece also pays a playful homage to the structure<br />
of <strong>Patiala</strong> pants. One of the classiest and comest salwars in South Asia, these famed trousers fan out<br />
and spread beyond what might seem possible before becoming sleekly tted at the very end. I nd this<br />
to be a fascinating metaphor for thinking about rhythms and more broadly, for contemplating how,<br />
within a busy, exciting life, we can aim to stretch out and cherish every single moment of our present.<br />
- <strong>Shruthi</strong> <strong>Rajasekar</strong><br />
Performance Notes:<br />
A few melodic phrases reference the Carnatic raga Khamas, albeit not traditionally so. This includes<br />
some of the material in m. 80-86. Performers are encouraged to nd and listen to recordings of this<br />
melodic raga, which is characterized by its languid and, in turn, vivacious nature.<br />
The material at Letter D is an application of the advanced Carnatic rhythmic principle of kuraippu<br />
(reducing). Often seen in the thani avarthanam (the solo exchanges between percussion instruments),<br />
the kuraippu in this piece occurs between the band's pitched forces and the percussion section. To<br />
emphasize the back-and-forth nature of this exchange, performers should strive to make their<br />
individual entrances as distinct and clear as possible. When rehearsing the unison material at Letter<br />
E, the players should sing the material in order to incorporate the vocal inections of this musical<br />
style into their playing; this will also help the grace notes to land on the beat.<br />
To incorporate the 'patiala pants' approach to rhythm– that is, to create an atmosphere that is both<br />
rhythmically relaxed and intense– players should strive to internalize the beat and music as much as<br />
possible; players are encouraged to tap their feet or nd other ways of keeping the rhythm in their<br />
bodies, as is done in many oral musical traditions in India. The 'patiala pants' metaphor (a stretch<br />
before crisply ending the pant leg) also makes its appearance in specic moments such as m. 1-4.<br />
The drum set player is encouraged to improvise as desired. All percussionists can view their parts as<br />
leading roles in the piece.<br />
Commissioned by Edina High School Band Program, directed by Paul Kile, Minnesota, USA,<br />
2022. Premiered by the Edina High School Concert Band in May 2022. Written in residence at<br />
the Anderson Center, Minnesota, USA in September 2021.
Transposed Score<br />
Commissioned by Edina High School Band Program, directed by Paul Kile. Minnesota, USA. 2022<br />
<strong>Patiala</strong> <strong>Pulse</strong><br />
<strong>Shruthi</strong> <strong>Rajasekar</strong><br />
Piccolo<br />
Flute 1<br />
Flute 2<br />
Oboe 1<br />
Oboe 2<br />
Clarinet in B♭ 1<br />
Clarinet in B♭ 2<br />
Clarinet in B♭ 3<br />
Bass Clarinet<br />
Bassoon 1<br />
Bassoon 2<br />
Alto Saxophone 1<br />
Alto Saxophone 2<br />
Tenor Saxophone<br />
Baritone Saxophone<br />
French Horn in F 1<br />
French Horn in F 2<br />
French Horn in F 3<br />
French Horn in F 4<br />
Trumpet in B♭ 1<br />
Trumpet in B♭ 2<br />
Trumpet in B♭ 3<br />
Trombone 1<br />
Trombone 2<br />
Bass Trombone<br />
Euphonium<br />
Tuba<br />
Xylophone<br />
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Marimba<br />
Toms<br />
Bass Drum<br />
Drum Set<br />
= 100–104<br />
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rallentando<br />
a tempo<br />
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Improvise as desired<br />
© <strong>Shruthi</strong> <strong>Rajasekar</strong> 2022
4 <strong>Patiala</strong> <strong>Pulse</strong><br />
Picc.<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
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F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Xyl.<br />
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Mar.<br />
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B. Dr.<br />
Dr.
<strong>Patiala</strong> <strong>Pulse</strong><br />
5<br />
Picc.<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
A. Sax. 2<br />
T. Sax.<br />
Bar. Sax.<br />
F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Xyl.<br />
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Mar.<br />
Toms<br />
18<br />
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B. Dr.<br />
Dr.
6 <strong>Patiala</strong> <strong>Pulse</strong><br />
Picc.<br />
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=<br />
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Fl. 1<br />
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Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
A. Sax. 2<br />
T. Sax.<br />
Bar. Sax.<br />
F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
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Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Xyl.<br />
Toms<br />
B. Dr.<br />
Dr.
<strong>Patiala</strong> <strong>Pulse</strong><br />
7<br />
Picc.<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
A. Sax. 2<br />
T. Sax.<br />
Bar. Sax.<br />
F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Xyl.<br />
34<br />
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cresc. poco a poco<br />
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cresc. poco a poco<br />
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cresc. poco a poco<br />
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cresc. poco a poco<br />
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cresc. poco a poco<br />
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cresc.<br />
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C<br />
To Bon.<br />
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Mar.<br />
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Toms<br />
B. Dr.<br />
Dr.<br />
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To Tamb.
8 <strong>Patiala</strong> <strong>Pulse</strong><br />
Picc.<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
A. Sax. 2<br />
T. Sax.<br />
Bar. Sax.<br />
F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
D<br />
42<br />
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Tba<br />
Bon. 1<br />
Bon. 2<br />
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Mar.<br />
Toms<br />
Tamb.<br />
Dr.<br />
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Bon.<br />
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Con.<br />
To Con.<br />
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Tamb.
<strong>Patiala</strong> <strong>Pulse</strong><br />
9<br />
Picc.<br />
<br />
49<br />
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Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
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Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
A. Sax. 2<br />
T. Sax.<br />
Bar. Sax.<br />
F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Bon. 1<br />
Bon. 2<br />
Con. 1<br />
Con. 2<br />
Toms<br />
Tamb.<br />
Dr.<br />
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All grace<br />
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All grace note on beat
10 <strong>Patiala</strong> <strong>Pulse</strong><br />
Picc.<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
A. Sax. 2<br />
T. Sax.<br />
Bar. Sax.<br />
F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Bon. 1<br />
Bon. 2<br />
Con. 1<br />
Con. 2<br />
Toms<br />
Tamb.<br />
Dr.<br />
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56<br />
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All grace notes on beat<br />
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All grace notes on beat<br />
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All grace notes on beat<br />
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All grace notes on beat
<strong>Patiala</strong> <strong>Pulse</strong><br />
11<br />
Picc.<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
A. Sax. 2<br />
T. Sax.<br />
Bar. Sax.<br />
F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Bon. 1<br />
Bon. 2<br />
Con. 1<br />
Con. 2<br />
Toms<br />
B. Dr.<br />
Dr.<br />
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62<br />
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All grace notes on beat<br />
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All grace<br />
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notes on beat<br />
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All grace<br />
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notes on beat<br />
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All<br />
grace notes on beat<br />
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All<br />
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grace notes on beat<br />
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To B. Dr.<br />
B. Dr.
12 <strong>Patiala</strong> <strong>Pulse</strong><br />
Picc.<br />
Fl. 1<br />
Fl. 2<br />
<br />
69<br />
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<br />
Ob. 1<br />
Ob. 2<br />
Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
A. Sax. 2<br />
T. Sax.<br />
Bar. Sax.<br />
F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Bon. 1<br />
Bon. 2<br />
Con. 1<br />
Con. 2<br />
Toms<br />
B. Dr.<br />
Dr.
<strong>Patiala</strong> <strong>Pulse</strong><br />
13<br />
Picc.<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
A. Sax. 2<br />
T. Sax.<br />
Bar. Sax.<br />
F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Bon. 1<br />
Bon. 2<br />
Con. 1<br />
Con. 2<br />
Toms<br />
B. Dr.<br />
Dr.<br />
<br />
75<br />
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F Relax tempo slightly = 96–100<br />
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soulful<br />
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To Xyl.<br />
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To Mar.
14 <strong>Patiala</strong> <strong>Pulse</strong><br />
Picc.<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
A. Sax. 2<br />
T. Sax.<br />
Bar. Sax.<br />
F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Xyl.<br />
81<br />
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gentle<br />
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poco cresc.<br />
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Mar.<br />
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Toms<br />
B. Dr.<br />
Dr.
<strong>Patiala</strong> <strong>Pulse</strong><br />
15<br />
Picc.<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
89<br />
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G<br />
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Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
Bsn 2<br />
A. Sax. 1<br />
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A. Sax. 2<br />
T. Sax.<br />
Bar. Sax.<br />
F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Xyl.<br />
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Mar.<br />
Toms<br />
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gentle <br />
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Mar.<br />
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slowly get softer<br />
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B. Dr.<br />
Dr.
16 <strong>Patiala</strong> <strong>Pulse</strong><br />
Picc.<br />
97<br />
<br />
<br />
<br />
Fl. 1<br />
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Fl. 2<br />
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Ob. 1<br />
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Ob. 2<br />
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Cl. in B♭ 1<br />
Cl. in B♭ 2<br />
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trio<br />
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solo<br />
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Cl. in B♭ 3<br />
B. Cl.<br />
Bsn 1<br />
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Bsn 2<br />
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A. Sax. 1<br />
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A. Sax. 2<br />
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T. Sax.<br />
Bar. Sax.<br />
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F. Hn in F 1<br />
F. Hn in F 2<br />
F. Hn in F 3<br />
F. Hn in F 4<br />
Tpt in B♭ 1<br />
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Tpt in B♭ 2<br />
Tpt in B♭ 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Euph.<br />
Tba<br />
Xyl.<br />
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Mar.<br />
Toms<br />
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B. Dr.<br />
Dr.
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