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Panels & Furniture Asia January/February 2023

Panels & Furniture Asia (PFA) is a leading regional trade magazine dedicated to the woodbased panel, furniture and flooring processing industry. Published bi-monthly since 2000, PFA delivers authentic journalism to cover the latest news, technology, machinery, projects, products and trade events throughout the sector. With a hardcopy and digital readership comprising manufacturers, designers and specifiers, among others, PFA is the platform of choice for connecting brands across the global woodworking landscape.

Panels & Furniture Asia (PFA) is a leading regional trade magazine dedicated to the woodbased panel, furniture and flooring processing industry. Published bi-monthly since 2000, PFA delivers authentic journalism to cover the latest news, technology, machinery, projects, products and trade events throughout the sector. With a hardcopy and digital readership comprising manufacturers, designers and specifiers, among others, PFA is the platform of choice for connecting brands across the global woodworking landscape.

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PRODUCT HIGHLIGHT<br />

intumescent finishes have been<br />

added to the boards to prevent fire<br />

outbreaks. Interior wood cladding,<br />

combined with other insulation<br />

solutions, can also meet acoustic<br />

needs. Chastagnier noted this for<br />

ceiling applications: “What brings this<br />

acoustic aspect is the combination<br />

of insulation with cladding. The air<br />

gaps let the sound escape into the<br />

sound insulation. The rooms sound<br />

different, with less resonance and the<br />

impression of a relaxing space.”<br />

Ducerf also reported that the Bard<br />

107 Texture is easy to install on<br />

wooden battens. It is possible to<br />

hand over finished spaces to a<br />

client more quickly than with, for<br />

example, traditional plasterboard,<br />

where there are more stages in the<br />

implementation. The prefabricated<br />

aspect and faster speed of execution<br />

of Bard 107 would therefore be<br />

appealing to architects and project<br />

managers. For indoors, wood cladding<br />

requires minimal maintenance.<br />

MEETING SUSTAINABILITY<br />

REQUIREMENTS<br />

The rising demand for wood in interior<br />

design or as a construction material<br />

in France can also be attributed<br />

to the introduction of the new<br />

environmental regulation, RE 2020.<br />

Generally speaking, RE 2020 aims to<br />

reduce the carbon footprint of new<br />

buildings over their lifecycle, since<br />

the construction industry is one of<br />

the most carbon-intensive industry.<br />

As such, it encourages constructing<br />

with more environmentally friendly<br />

materials.<br />

Debize elaborated: “All of our<br />

hardwood products benefit from the<br />

dynamics of RE 2020. There is a real<br />

trend towards natural, ecological<br />

and bio-based materials. With<br />

wood, projects gain in coherence<br />

by associating aesthetics and<br />

environmental approach. Today, it is a<br />

strong trend in the development and<br />

architecture markets.”<br />

Additionally, Ducerf uses wood that<br />

is certified by the Programme for the<br />

Endorsement of Forest Certification<br />

(PEFC), and is sourced from local<br />

forests to produce Bard 107. This<br />

not only promotes the local timber<br />

industry, but also lowers the carbon<br />

footprint of the manufacturing<br />

stage — the transportation of wood<br />

is often carbon-intensive, and can be<br />

mitigated by using locally harvested<br />

timber and avoiding importation of<br />

raw materials.<br />

MEETING CUSTOMISATION<br />

REQUIREMENTS<br />

Ducerf can tailor their production<br />

of Bard 107 to various project<br />

requirements with different board<br />

widths and lengths. For instance,<br />

a solid oak ceiling cladding<br />

had to be made without visible<br />

fixings for a high school, and the<br />

cladding needed to be removable.<br />

Chastagnier recalled that “the<br />

design office proposed a layout<br />

with invisible fixings”.<br />

This customisation is possible<br />

since Ducerf used a new moulding<br />

machine to develop Bard 107.<br />

According to the company, the<br />

moulder allows for rapid changes of<br />

series and pointing, thus profiling<br />

the undulations onto the board<br />

surfaces. Notched knives have<br />

been developed to produce the<br />

pattern and a unique surface finish.<br />

There are also knives to plane and<br />

calibrate the material, and knives<br />

to also oscillate to structure the<br />

surface. The moulder can also<br />

be used to profile decking and<br />

cladding boards, and a cutting<br />

option has been added. The<br />

cladding can be processed in<br />

continuous boards or finger-jointed<br />

boards, of lengths up to 6m. P<br />

Legend<br />

1 The relief texture<br />

of Bard 107<br />

plays with light<br />

and shadow,<br />

enhancing the<br />

atmosphere of an<br />

interior<br />

2 Ducerf uses solid<br />

oak or THT ash<br />

and poplar to<br />

produce Bard 107<br />

1 2<br />

<strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> | <strong>January</strong> / <strong>February</strong> <strong>2023</strong> 31

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