The Salopian no. 160 - Summer 2017
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SCHOOL NEWS<br />
21<br />
Traditionally, the <strong>Salopian</strong> New<br />
Year Calendar has begun<br />
with our annual visit to Emmanuel<br />
Church, Didsbury, where some of<br />
Shrewsbury’s most talented musicians<br />
have performed a programme of<br />
Chamber and Solo repertoire as<br />
part of a highly successful and longstanding<br />
Coffee Concert series. This<br />
always attracts a large and discerning<br />
audience, used to students from the<br />
Royal Northern College of Music, and<br />
young professionals performing for<br />
them. <strong>The</strong> fact that we are invited<br />
back year after year to perform<br />
is testament to the quality of the<br />
music here at Shrewsbury, and the<br />
professionalism which they display in<br />
public performance. This year, as ever,<br />
there was much to enjoy, including<br />
movements from Stravinsky’s ‘Soldier’s<br />
Tale’. Hindemith’s Trumpet Sonata, ‘<strong>The</strong><br />
Shepherd on the Rock’ by Schubert,<br />
beautifully sung by Sophia Price, and<br />
much more.<br />
Later in January saw the return of<br />
one of Shrewsbury’s most recently<br />
departed and talented musicians, Henry<br />
Kennedy, in concert with his Tyburn<br />
Trio. In this he was partnered by Milly<br />
MUSIC<br />
Forrest, sopra<strong>no</strong> and Andrei Illushkin<br />
on pia<strong>no</strong>. All three are currently<br />
studying at the Royal Academy of<br />
Music, and all three are making names<br />
for themselves there as outstanding<br />
performers. Henry showed what a very<br />
fine Clarinettist he has become, and the<br />
sizeable and appreciative audience in<br />
the Maidment were evidently entranced<br />
by the virtuosity and musicianship of all<br />
three performers. This was the first of<br />
four major school-led events involving<br />
Old <strong>Salopian</strong> Musicians, and the link<br />
between the School and our Musical<br />
Alumni is something that I hope we<br />
can really foster in the years ahead.<br />
<strong>The</strong> inspired evening devised by James<br />
Fraser-Andrews which celebrated<br />
the town’s links with the WW1<br />
poet, Wilfred Owen, is reported on<br />
elsewhere in the magazine, but suffice<br />
to say this was a wonderful evening of<br />
poetry and music, the one informing<br />
the other, and at times a truly moving<br />
Elegy to those “Doomed youth” of<br />
Owen’s generation. Especially poignant<br />
was the setting composed by Dan<br />
Powell of Owen’s poem “<strong>The</strong> Letter”,<br />
in which a young soldier in the British<br />
Expeditionary Force writes home to<br />
his wife, desperately trying to shield<br />
her from the horrors of war unfolding<br />
around him as he writes. This was sung<br />
by Dan himself.<br />
<strong>The</strong>n it was off to the Barber Institute<br />
of Fine Arts at Birmingham University<br />
for a<strong>no</strong>ther wonderful performance<br />
of Chamber and Solo repertoire in a<br />
concert featuring again some of those<br />
musicians who had performed earlier in<br />
the term at Didsbury in Manchester.<br />
<strong>The</strong> Barber concert hall is one of the<br />
finest Chamber venues in the UK, and<br />
the building, which dates from the<br />
1930s, is a wonderful example of pure,<br />
untouched Art Deco. <strong>The</strong> acoustics<br />
sparkle, and it was lovely to be able<br />
to hold a reception beforehand in<br />
these terrific surroundings; something<br />
definitely to be repeated a<strong>no</strong>ther year<br />
with hopefully even more <strong>Salopian</strong><br />
parents and friends able to attend.<br />
It has been a tradition <strong>no</strong>w for many<br />
years for there to be at least one major<br />
pia<strong>no</strong> recital given by a distinguished<br />
professional pianist as part of our<br />
Season of the Arts at Shrewsbury. This<br />
has been made possible in recent years<br />
by the extraordinary generosity of the