13.03.2023 Views

The Salopian no. 160 - Summer 2017

  • No tags were found...

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

OLD SALOPIAN NEWS 87<br />

Michael Wood (M 2000-05)<br />

Heiner Müller’s Democratic <strong>The</strong>ater: <strong>The</strong> politics of<br />

making the audience work<br />

Boydell & Brewer<br />

ISBN-13: 978-1571139986<br />

Heiner Müller’s Democratic <strong>The</strong>ater is the outcome<br />

of the research Michael Wood conducted for his<br />

PhD, albeit revised and repackaged to <strong>no</strong> small<br />

degree. In it, he studies a selection of works by the<br />

German playwright Heiner Müller (1929-95), who is<br />

widely ack<strong>no</strong>wledged as one of the most important<br />

playwrights of the latter part of the twentieth<br />

century and certainly one of the most influential<br />

since Bertolt Brecht; indeed, Müller’s 1977 text <strong>The</strong><br />

Hamletmachine, consisting of eight pages of almost<br />

utterly unstageable carnage, remains a firm favourite<br />

on university syllabuses in English, modern languages,<br />

drama, theatre, history, and politics departments<br />

across the world (and, like Müller’s other ‘plays’, is<br />

well worth a read!).<br />

Heiner Müller’s work takes the baton from Brecht in<br />

looking for ways in which to make theatre audiences<br />

active, thinking participants that might change their<br />

own political, social and eco<strong>no</strong>mic reality. With one<br />

eye on the historical contexts in which Müller’s plays<br />

were written and staged and a<strong>no</strong>ther on the details<br />

of the texts and the audiences for whom they were<br />

written, this book hopes to demonstrate that Müller’s<br />

works point to how theatre can be a productive<br />

political force in times of historical upheaval.<br />

Heiner Müller’s Democratic <strong>The</strong>ater is also written to<br />

be readable for and of interest to people who aren’t<br />

academics or university students. So, the author<br />

hopes, it might just tickle the fancy of the general<br />

reader with an interest in European history, politics,<br />

literature, and/or theatre…<br />

Hardback copies can be ordered online from the<br />

publisher Boydell & Brewer and via Amazon. Old <strong>Salopian</strong>s<br />

are warmly invited to order their copy through the publisher’s<br />

website (www.boydellandbrewer.com) and quote BB130 at<br />

the checkout. Doing so shaves a tidy 30% off the price.<br />

Selby Martin (Master 1973-93)<br />

From Communism to Community<br />

YouCaxton Publications<br />

Review by Martin K<strong>no</strong>x<br />

Selby Martin came late to teaching and such as has been his<br />

modesty over the years that his many friends in the <strong>Salopian</strong><br />

community k<strong>no</strong>w little of his earlier career in the Diplomatic<br />

Service. No-one could be less given to name-dropping or the<br />

pursuit of reflected glory. Seldom indeed did we hear the<br />

intervention, “When I was in the Foreign Office…” though<br />

given that he was serving in the Moscow embassy at the<br />

height of the Cold War, at a time when the Iron Curtain was<br />

about to take physical shape, the temptation must have been<br />

strong. It is <strong>no</strong>t that Selby was secretive about his past, for he<br />

would answer questions to satisfy curiosity, but only <strong>no</strong>w,<br />

well into his eighties, does he step into the limelight with a<br />

comprehensive account of his life and times.<br />

<strong>The</strong> cover of this splendid volume might mislead the casual<br />

observer. Where does Communism come in? Could this be<br />

the story of a double agent, a<strong>no</strong>ther Cambridge spy? Nothing<br />

could be further removed, for the author is the very type of<br />

an English gentleman, who, for all his scholarly curiosity,<br />

is never in the least danger of “going native”, still less of<br />

changing sides. In his account of the Moscow years and of a<br />

later posting to Bulgaria, Selby depicts a world of frustrating,<br />

and at times frightening, suspicion and tension. That he does<br />

so in a matter-of-fact narrative, rather than a rhetorical rant is<br />

all the more telling. In this and other sections, he combines<br />

personal experience with history, geography, and a very wellinformed<br />

presentation of the social and political context. He<br />

is helped in his researches by the fact that his mother kept<br />

his letters home (he was an assiduous correspondent), added<br />

to which is the full diary of record that he kept, <strong>no</strong> mere<br />

jottings, but a literate and lucid narrative, in keeping with the<br />

rest of the text. It is clear that he responded sensitively to his<br />

surroundings and, starting with an affectionate description of<br />

the family home, he is always alert to his environment, with a<br />

strong preference for the outdoor life.<br />

With that in mind, it emerges that war-time evacuation to<br />

Scotland proved to be more congenial to him than it would<br />

have been to a confirmed city-dweller. We also discovery<br />

early on his passion for fishing, a hobby which he practises

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!