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The Salopian no. 160 - Summer 2017

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SCHOOL NEWS<br />

23<br />

Fergus Macleod), and part of the Choir<br />

becoming the English Haydn Festival<br />

Chorus, giving annual performances<br />

of choral music by Haydn, Mozart<br />

and others in St Leonard’s Church,<br />

Bridg<strong>no</strong>rth accompanied by some<br />

of the UK’s finest period instrument<br />

players and working with soloists of<br />

international standing.<br />

This April the choir gave a terrific<br />

account of the St John Passion in<br />

Shrewsbury Abbey, with Henrike<br />

Legner (OS) singing the sopra<strong>no</strong> solos,<br />

and Alex Mason and David Joyce<br />

being very much key players in the<br />

accompanying ensemble. Next year we<br />

will return once more to Birmingham<br />

Town Hall for a joint concert with<br />

school musicians and choristers. It<br />

should be <strong>no</strong>ted that the Community<br />

Choir are also the most loyal supporters<br />

of concerts involving pupils performing<br />

during the year, and we are hugely<br />

grateful to them for that very supportive<br />

role that they play every term.<br />

No report on Music since the start of<br />

the year can ig<strong>no</strong>re the return visit<br />

to the School of yet a<strong>no</strong>ther great<br />

Old <strong>Salopian</strong> musician, pianist Galin<br />

Ganchev. James Fraser-Andrews’<br />

eloquent review, published on<br />

the School website, describes this<br />

beautifully and in detail. Suffice to say<br />

that Galin has lost <strong>no</strong>ne of his youthful<br />

power and musical charisma and<br />

magic. Indeed it has all come on even<br />

further during his first year and a half at<br />

the Royal Academy of Music, where he<br />

is studying with Professor Ian Fountain.<br />

He can fill the Alington Hall with both<br />

an audience and the most ravishing<br />

sounds, and if fate is kind and there are<br />

just rewards for the years of hard work<br />

that he has put in and will, I am sure,<br />

continue to do in the future, then a<br />

great career lies ahead for him. He is a<br />

musician with much to say, and one to<br />

whom it is well worth listening.<br />

An important feature of music at<br />

Shrewsbury is the breadth of styles<br />

both on offer to and performed by<br />

pupils. A few years ago we were lucky<br />

e<strong>no</strong>ugh to have a terrific group of Sixth<br />

Form musicians including Rob and Alex<br />

Collins, Cal Winwood and Sam Wilson,<br />

who led a jazz outfit named Blasé.<br />

<strong>The</strong>y seemed to be in high demand to<br />

play at every function in the diary and<br />

would also play concerts in town and<br />

further afield, including the Edinburgh<br />

Festival Fringe. Recently we were lucky<br />

e<strong>no</strong>ugh to be able to invite OS Sam<br />

Wilson (M) back to the School with<br />

his current band, Sifaka, who hail from<br />

Leeds, where Sam was a student. Sam<br />

is a wonderful songwriter and jazz<br />

musician, who also k<strong>no</strong>ws and loves<br />

his rock and African-tinged repertoire,<br />

which run through the veins of Sifaka’s<br />

music. It was a great evening, enjoyed<br />

by a good-sized audience of townsfolk,<br />

staff who remembered Sam from his<br />

days here, and pupils. He, like other<br />

OS singer/songwriters such as Charlie<br />

Straw and Luke Lloyd-Jones amongst<br />

many others, is really a name to look<br />

out for, and Sifaka are well worth<br />

more than a second listen. Sam plays<br />

keyboard, flugelhorn and shares the<br />

lead vocals with Mared, a fabulous<br />

singer from Wales, who fronts the band<br />

with her amazing vocal range.<br />

We were also so lucky to be able<br />

to offer current pupil Arthur Yu (SH<br />

UVI) a full evening pia<strong>no</strong> recital by<br />

himself this term. This took place in<br />

the Maidment Building, where we <strong>no</strong>w<br />

have a second wonderful Model D<br />

Steinway, <strong>no</strong>w looking pristine having<br />

had its casework recently completely<br />

refurbished in Poland, and with much<br />

restoration work having already been<br />

done last year. It is a magnificent<br />

instrument, and one to which Arthur<br />

brought his own brand of pianistic<br />

magic. A more fullsome review of<br />

his recital has been published on the<br />

School website.<br />

Like Galin before him, Arthur is a<br />

wonderful pianist and thoroughly<br />

deserving of his scholarship to the<br />

Royal Northern College of Music, where<br />

he takes up a place later this year. To<br />

hear a pupil play both the mighty B<br />

Mi<strong>no</strong>r Sonata by Liszt and Chopin’s<br />

C Sharp Mi<strong>no</strong>r Scherzo in the same<br />

programme, alongside many other<br />

substantial pieces of repertoire, and all<br />

from memory, was simply wonderful.<br />

And finally, with the quite literally<br />

dying last <strong>no</strong>tes of Purcell’s masterpiece<br />

Dido and Aeneas ringing in our ears,<br />

so wonderfully sung in May by Sophia<br />

Price and a talented cast of singing<br />

students, all pupils of Jonathan May and<br />

Kathryn Turpin, I can bring this musical<br />

ramble to an end. It has been quite a<br />

journey since the start of the year, and<br />

there are more musical tales to tell that<br />

must, for reasons of editorial space,<br />

go untold, but that have also played a<br />

part in keeping the musical life of the<br />

School buoyant and fulfilling for all<br />

those involved, either as performers<br />

or audience. Above all, much of this<br />

musical achievement has only been<br />

possible through the hard work,<br />

training and inspirational teaching of<br />

the wonderfully talented team of music<br />

teachers that we are lucky e<strong>no</strong>ugh<br />

to have working for us at the School,<br />

and also the huge efforts of the pupils<br />

themselves, who give tirelessly of their<br />

time in what must be one of busiest<br />

school environments in the country.<br />

Floreat Salopia<br />

John Moore

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