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AUR LitPut III Spring 2023 - From Now To Then

"When I found out about my father’s diagnosis, my first impulse was to light up,” Nalu Gruschkus writes in the opening line of Abnormal Whites and Excessive Blues, her striking piece about her father’s cancer and her own addiction to smoking. In A Bit of Extra Fun, Delaida Rodriguez is having an unpleasant lunch at a restaurant with her boozy mother. Over a chicken sandwich she has barely touched, she peers into her mother’s jade eyes only to realize with dread that she is more like her than she would care to be. Sam Geida looks back in Friday Night Dinners to the glorious family get-togethers at his grandmother’s house – now it’s only a few of them around the same table, with paper plates and the flat blue and white cardboard boxes of Gino’s Pizzeria. The stories in last year’s issue of Lit/Pub were mostly about making sense of things as we emerged from our Covid isolation. The mood is more assertive this year. Isabela Alongi’s vibrant cover design brilliantly evokes a world in movement and young people going places. It is a thread we pick up again in Josephine Dlugosz’s delicate musings (Work of Art), and in the short fiction of Scott Cameron and Raegan Peluso (A Song for Mr Solomon and Two-Faced). The poetry section is especially strong with Gina Carlo’s compassionate trilogy about love and loss and Scott Cameron’s haunting poem about his return to the bleak post-Katrina wasteland. On the lighter side, Lit/Pub spoke to Professor Bruno Montefusco about campus fashion. In the new memoir section, D.P. gives us a tender account of a childhood road trip with her father to Arizona (Snow). And students are traveling again! Emily Chow takes us with her on her intrepid solo trip to Malta. Rome, May 2023

"When I found out about my father’s diagnosis, my first impulse was to light up,” Nalu Gruschkus writes in the opening line of Abnormal Whites and Excessive Blues, her striking piece about her father’s cancer and her own addiction to smoking. In A Bit of Extra Fun, Delaida Rodriguez is
having an unpleasant lunch at a restaurant with her boozy mother. Over a chicken sandwich she has barely touched, she peers into her mother’s jade eyes only to realize with dread that she is more like her than she would care to be. Sam Geida looks back in Friday Night Dinners to the glorious family get-togethers at his grandmother’s house – now it’s only a few of them around the same table, with paper plates and the flat blue and white cardboard boxes of Gino’s Pizzeria.

The stories in last year’s issue of Lit/Pub were mostly about making sense of things as we emerged from our Covid isolation. The mood is more assertive this year. Isabela Alongi’s vibrant cover design brilliantly evokes a world in movement and young people going places. It is a thread we pick up again in Josephine Dlugosz’s delicate musings (Work of Art), and in the short fiction of Scott Cameron and Raegan Peluso (A Song for Mr Solomon and Two-Faced).

The poetry section is especially strong with Gina Carlo’s compassionate trilogy about love and loss and Scott Cameron’s haunting poem about his return to the bleak post-Katrina wasteland. On the lighter side, Lit/Pub spoke to Professor Bruno Montefusco about campus fashion. In the new memoir section, D.P. gives us a tender account of a childhood road trip with her father to Arizona (Snow). And students are traveling again! Emily Chow takes us with her on her intrepid solo trip to Malta.

Rome, May 2023

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Memoir<br />

Snow<br />

By D. P.<br />

Growing up in the flat marshlands of Florida, snow was an abstract concept. I understood<br />

every scientific and meteorological explanation of it as a state of water, but I couldn’t fathom how it<br />

might feel to hold snow in my hand or squish snow under my feet. In my imagination, influenced by<br />

Christmas movies and elementary science textbooks, snow was cold and soft and somehow supposed<br />

to be touched, a bit like Play-Doh. As a kid in Florida I never missed snow or craved the experience of<br />

it; still, the idea of it awoke in me a curiosity akin to my persistent love for digging holes in the dirt or<br />

weaving furniture from fallen pine needles.<br />

In the winter of 2008 my dad woke my sister and me with his typical booming rooster’s call.<br />

We were in the car in a matter of minutes. We always listened to Dad’s orders, but I remember the<br />

maneuver from bed to car was especially prompt that morning because I had packed everything with<br />

careful diligence the night before. My sister and I had prepared ourselves for the thirty-hour drive as if<br />

we’d done it several times before. I settled behind the front passenger’s seat so I could admire my father<br />

while he drove. We were traveling to Show Low, Arizona, to visit his mother, whom I’d never met<br />

before. Most importantly, we were driving to a settlement in the White Mountains, where, I was told,<br />

there would likely be snow.<br />

Driving through the state of Florida needs no description. Even then I could feel that the six<br />

hours we spent flying upwards through the Western half of the peninsula amounted to nothing but<br />

wasted time, significant only in that it was necessary to exit the state of Florida. Flat as flat comes and<br />

without a glimpse of the ocean, the I-75 marks the end of driving as a leisure activity and the beginning<br />

of driving as an obligation. My dad honored the weight of obligation by pushing 100mph from<br />

38

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