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AUR LitPut III Spring 2023 - From Now To Then

"When I found out about my father’s diagnosis, my first impulse was to light up,” Nalu Gruschkus writes in the opening line of Abnormal Whites and Excessive Blues, her striking piece about her father’s cancer and her own addiction to smoking. In A Bit of Extra Fun, Delaida Rodriguez is having an unpleasant lunch at a restaurant with her boozy mother. Over a chicken sandwich she has barely touched, she peers into her mother’s jade eyes only to realize with dread that she is more like her than she would care to be. Sam Geida looks back in Friday Night Dinners to the glorious family get-togethers at his grandmother’s house – now it’s only a few of them around the same table, with paper plates and the flat blue and white cardboard boxes of Gino’s Pizzeria. The stories in last year’s issue of Lit/Pub were mostly about making sense of things as we emerged from our Covid isolation. The mood is more assertive this year. Isabela Alongi’s vibrant cover design brilliantly evokes a world in movement and young people going places. It is a thread we pick up again in Josephine Dlugosz’s delicate musings (Work of Art), and in the short fiction of Scott Cameron and Raegan Peluso (A Song for Mr Solomon and Two-Faced). The poetry section is especially strong with Gina Carlo’s compassionate trilogy about love and loss and Scott Cameron’s haunting poem about his return to the bleak post-Katrina wasteland. On the lighter side, Lit/Pub spoke to Professor Bruno Montefusco about campus fashion. In the new memoir section, D.P. gives us a tender account of a childhood road trip with her father to Arizona (Snow). And students are traveling again! Emily Chow takes us with her on her intrepid solo trip to Malta. Rome, May 2023

"When I found out about my father’s diagnosis, my first impulse was to light up,” Nalu Gruschkus writes in the opening line of Abnormal Whites and Excessive Blues, her striking piece about her father’s cancer and her own addiction to smoking. In A Bit of Extra Fun, Delaida Rodriguez is
having an unpleasant lunch at a restaurant with her boozy mother. Over a chicken sandwich she has barely touched, she peers into her mother’s jade eyes only to realize with dread that she is more like her than she would care to be. Sam Geida looks back in Friday Night Dinners to the glorious family get-togethers at his grandmother’s house – now it’s only a few of them around the same table, with paper plates and the flat blue and white cardboard boxes of Gino’s Pizzeria.

The stories in last year’s issue of Lit/Pub were mostly about making sense of things as we emerged from our Covid isolation. The mood is more assertive this year. Isabela Alongi’s vibrant cover design brilliantly evokes a world in movement and young people going places. It is a thread we pick up again in Josephine Dlugosz’s delicate musings (Work of Art), and in the short fiction of Scott Cameron and Raegan Peluso (A Song for Mr Solomon and Two-Faced).

The poetry section is especially strong with Gina Carlo’s compassionate trilogy about love and loss and Scott Cameron’s haunting poem about his return to the bleak post-Katrina wasteland. On the lighter side, Lit/Pub spoke to Professor Bruno Montefusco about campus fashion. In the new memoir section, D.P. gives us a tender account of a childhood road trip with her father to Arizona (Snow). And students are traveling again! Emily Chow takes us with her on her intrepid solo trip to Malta.

Rome, May 2023

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Memoir<br />

lived in a residential neighborhood in the small settlement with a large garden than led into backwoods.<br />

Her house reminded me of the Lincoln Logs I’d played with years earlier, a classic cabin made<br />

of linked cylinders of russet oak. In the last five minutes of the 30-hour drive, my tired father had<br />

instructed my sister and me to hide in the backseat. He hadn’t told my grandmother that we’d be coming<br />

with him. When she emerged from the backdoor it didn’t take long for her to see us. Her reaction<br />

was underwhelming. She cursed my father while clearly struggling to conjure a semblance of hospitality<br />

for her unfamiliar grandchildren.<br />

Our first night in Show Low, my sister and I whispered at eachother as we lay in the dark on<br />

reclining Lazy-Boys. We weren’t sure how we should call our grandmother, who seemed no more a<br />

grandma than she did a stranger. “Grandma” seemed immediately off-limits, and we were afraid that<br />

Mrs. McCormick might remind her of the recent loss of her husband. The trip I’d so warmly anticipated<br />

now seemed a bust to me. Dad had received a ticket and at age eleven I couldn’t fathom how<br />

he’d pay for it; my grandma was visibly disappointed to meet my sister and me; and I’d become the<br />

butt of relentless badger after I’d told my dad’s girlfriend earlier that day that he would never love her<br />

as much as he loved me. I forced myself into an angry, anxious, and uncomfortable sleep.<br />

The house was still when I stirred at seven the next morning. The sun was lacerating the room<br />

through slits in the blinds. I rose from the Lazy-Boy. My grandma’s dog, Princess, was at my feet. It<br />

was cold – so much colder than my Floridian imagination could have predicted. The dog followed me<br />

to the kitchen where I’d seen my grandma let her outside via the backdoor the night before. I figured<br />

she wanted to go outside, and I hoped my dad was already awake preparing coffee. Instead, my grandma<br />

sat at a stool near the bar watching the news from an old portable television. I mustered a good<br />

morning that startled her. She said good morning and offered me a cup of coffee and a seat at the stool<br />

next to hers. I accepted. It made me mildly uncomfortable the way she began to comment on my small<br />

size as she poured from the carafe into a mug.<br />

“Maybe I was cursed with your genes.” I felt the words slip out of my mouth like a bar of soap<br />

in oily hands and land upon her petite, feeble frame. The silent gaze that followed will stay with me for<br />

the rest of my life.<br />

“You’ll die out here if you don’t layer up. Have you ever shot a gun?”<br />

I had.<br />

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