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writers in prison committee report - PEN Canada

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ison is essentially<br />

shortage of space<br />

ade up for by the surplus<br />

f time; to an <strong>in</strong>mate, both<br />

re palpable ... Prison is <strong>in</strong>deed a<br />

ranslation of your metaphysics,<br />

thics, sense of history, etc. <strong>in</strong>to the<br />

ompact terms of your daily deportment.<br />

The most effective place for that is of course<br />

olitary, with its reduction of the entire human<br />

niverse to a concrete rectangle permanently lit by<br />

he sixty-watt lum<strong>in</strong>ary of its bulb under which you revolve<br />

n pursuit of your sanity ... On the whole, poets fare better <strong>in</strong><br />

olitary conf<strong>in</strong>ement than do fiction <strong>writers</strong>, because their dependence<br />

n professional tools is marg<strong>in</strong>al: one’s recurrent back-and-forth movements<br />

nder that electric lum<strong>in</strong>ary by themselves force the lyric’s eventual comeback no matter what.<br />

urthermore, a lyric is essentially plotless and, unlike the case aga<strong>in</strong>st you, evolves accord<strong>in</strong>g to the immanent logic of l<strong>in</strong>guistic harmony.<br />

Josef brodsky

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