The Magic Flute Program - Annapolis Opera
Program for Annapolis Opera's production of "The Magic Flute"
Program for Annapolis Opera's production of "The Magic Flute"
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W.A. MOZART<br />
October 27 & 29, 2023 | MARYLAND HALL
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A Message from the President<br />
Welcome to the first production of our 51st<br />
season of providing quality professional<br />
opera in this region. What a joy to kick off<br />
the season with one of the greatest operas<br />
ever written, <strong>The</strong> <strong>Magic</strong> <strong>Flute</strong>. If you were<br />
able to join us at either of our Insight Series<br />
lectures, you probably left a little bit smarter<br />
than when you arrived—at least with regard<br />
to this production. This classic is so well<br />
known, and much performed, that it would<br />
be easy to think we know all about it. Yet,<br />
Artistic Director and Maestro, Craig Kier, never ceases to enthrall with<br />
historical context, character introductions, and explications of musical<br />
nuances that might otherwise be missed. <strong>The</strong> second lecture by Chris<br />
Ruli, a Masonic historian, delved into the composer’s connection to<br />
Freemasonry, examining its history, Mozart’s own experiences with the<br />
fraternity in Europe, and the Masonic symbols and elements found in<br />
this work. All of this background enhances our experience when we<br />
are transported in time to this classic story and its search for truth<br />
and reason, love and enlightenment. As we join Prince Tamino and<br />
Papageno on their quest to rescue Pamina, we get to explore our own<br />
challenges and tribulations as we pursue a deeper understanding of<br />
true love and happiness. Let’s explore and celebrate once more.<br />
Rev. Dr. Carletta Allen<br />
President<br />
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A Message from the Maestro<br />
Welcome to the start of <strong>Annapolis</strong> <strong>Opera</strong>’s<br />
51st Season! After a thrilling 50th Anniversary<br />
Season, I can think of no better way to<br />
commence this year than with this beautiful<br />
new production of Mozart’s <strong>The</strong> <strong>Magic</strong> <strong>Flute</strong>.<br />
Premiered in 1791 just two months before<br />
Mozart’s death, the composer conducted<br />
the opening alongside his librettist, Emanuel<br />
Schikaneder, who also debuted the role<br />
of Papageno. One of Mozart’s most wellknown<br />
operas, the story is told in vivid detail<br />
with a specific musical language for each<br />
character. Mozart was, once again, ahead of<br />
his time, using the orchestra as an increasingly more important part of<br />
the drama and finding every opportunity to stretch the bounds of the<br />
classical period’s musical language.<br />
This new production, directed by Corinne Hayes and designed by<br />
Christopher Brusberg and Peter Leibold, engages a team of artists who<br />
bring to life the visual wonder of this magnificent work. In addition to<br />
singers familiar to <strong>Annapolis</strong> <strong>Opera</strong> audiences, we also have several<br />
notable debuts, all of which speak to our desire to continue to connect<br />
our audience to the full breadth of today’s artists.<br />
What an honor and joy it is to lead this fine cast in our new production<br />
of <strong>The</strong> <strong>Magic</strong> <strong>Flute</strong>. I hope you enjoy the performance—we’ve surely<br />
enjoyed creating this production and have done all we can to bring<br />
Mozart’s masterful score to life for you!<br />
I invite you to join us for our entire season and look forward to seeing<br />
you throughout the year!<br />
Craig Kier<br />
Artistic and Music Director<br />
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BOARD OF TRUSTEES<br />
Rev. Dr. Carletta Allen, President<br />
Kathryn Dahl, Vice President<br />
Michael Lehr, Treasurer<br />
Paula Abernethy, Secretary<br />
Betty Austin<br />
Joy Chambers<br />
Georgianna Crosby<br />
Thomas DeKornfeld<br />
Richard Hack<br />
Richard Krimm<br />
Cary Melnyk<br />
Andrew Noel<br />
Melissa Osmond<br />
Kimberly Ross Page<br />
Lynette M. Songy<br />
William Tham<br />
Robert Young<br />
HONORARY TRUSTEES<br />
Hon. Westley Moore, Governor of Maryland<br />
Hon. Steuart Pittman, Anne Arundel County Executive<br />
Hon. Gavin Buckley, Mayor, City of <strong>Annapolis</strong><br />
Dr. Nora V. Demleitner, President, St. John’s College, <strong>Annapolis</strong><br />
Dr. Dawn Lindsay, President, Anne Arundel Community College<br />
ADVISORY TRUSTEES<br />
Anna Greenberg<br />
Leah Solat<br />
David Stern<br />
LIFT EVERY VOICE TRUSTEES<br />
Rev. Dr. Carletta Allen Patsy Blackshear<br />
Betty Austin<br />
Terry Eberhardt<br />
STAFF<br />
Craig Kier, Artistic and Music Director<br />
Kathy Swekel, General Director<br />
Victoria Mangum, Artistic <strong>Program</strong>s Manager<br />
Maura Dullea, <strong>Opera</strong>tions and Marketing Associate<br />
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ANNAPOLIS AREA ATTORNEYS<br />
GREENBELT OFFICE<br />
6404 Ivy Lane, Suite 820<br />
Greenbelt, Maryland 20770<br />
(301) 441-2420<br />
(301) 982-9450 (fax)<br />
ANNAPOLIS OFFICE<br />
888 Bestgate Road, Suite 402<br />
<strong>Annapolis</strong>, Maryland 21401<br />
(410) 266-9909<br />
(410) 266-8425 (fax)<br />
VIRGINA OFFICE<br />
950 N. Washington Street,<br />
Suite 210<br />
Alexandria, VA 22314<br />
(703) 270-9600<br />
www.mhlawyers.com<br />
Brent M. Ahalt<br />
Jennifer M. Alexander<br />
Garth E. Beall<br />
Michael L. Brown<br />
C. Ryan Cohill<br />
Danielle M. Cruttenden<br />
Lindsey K. Erdmann<br />
Justin P. Fasano<br />
Justin M. Ginsburg<br />
Steven L. Goldberg<br />
Christopher L. Hamlin<br />
Charles H. Henderson<br />
Gregory R. Hislop<br />
Milton D. Jernigan, II<br />
Robert J. Kim<br />
Kelly S. Kylis<br />
Andryse P. Leukeu<br />
Daniel F. Lynch, III<br />
John P. Lynch<br />
Aaron D. Neal<br />
Janet M. Nesse<br />
Craig M. Palik<br />
Christopher P. Ruyter<br />
Mark W. Schweitzer<br />
Christopher M. Shank<br />
Esther A. Streete<br />
Matthew C. Tedesco<br />
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James C. Tuomey<br />
Alexander P.R. Ward<br />
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15th Season<br />
Rigoletto<br />
Oct 20 | Oct 22<br />
<strong>Opera</strong> Baltimore Gala<br />
Feb 3<br />
Eugene Onegin<br />
Feb 28 | Mar 1 | Mar 3<br />
<strong>The</strong> Impresario<br />
Apr 10 | 12 | 14<br />
<strong>Opera</strong>Baltimore.org/tickets<br />
- 7 -
O Solar Mio!<br />
www.mccauleylyman.com<br />
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THE ENCORE SOCIETY<br />
<strong>The</strong> Encore Society acknowledges the generosity of those who have made<br />
an important commitment to leave a lasting legacy of live opera in <strong>Annapolis</strong><br />
through their estate. Planned gifts are a powerful way to make an ongoing<br />
impact on the cultural life of <strong>Annapolis</strong> and Anne Arundel County, and the<br />
<strong>Annapolis</strong> <strong>Opera</strong> is grateful for the many donors who have chosen to include<br />
us in their estate plans.<br />
Not only do members enjoy access to exclusive events, but these gifts<br />
have the potential to provide valuable tax and income benefits now and<br />
in the future.*<br />
Contact Kathy Swekel: 410.267.8135 | kswekel@annapolisopera.org<br />
*Please consult with your financial or legal advisor to determine which<br />
type of gift is best for you.<br />
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TOM CIPULLO<br />
SATURDAY & SUNDAY | JANUARY 27 & 28, 2024 at 3PM<br />
<strong>The</strong> True Story of America’s Longest-Held Prisoner of War<br />
During One of Our Nation’s Most Turbulent Eras.<br />
ANNAPOLISOPERA.ORG FOR TICKETS | MARYLAND HALL<br />
SATURDAY | FEBRUARY 10, 2024 at 11AM<br />
ENGELBERT HUMPERDINCK<br />
LIBRETTIST: LAURA FUENTES<br />
What Sweet Treats Lie Ahead in<br />
This Beloved Fairytale,<br />
With a New Twist?<br />
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Thank you to our Volunteers<br />
Thank you to the wonderful volunteers who provided housing,<br />
transportation, hospitality, and helped with this production<br />
in numerous ways!<br />
Paula Abernethy & Rick Sullivan<br />
Kathy Clatanoff<br />
Michael Datch<br />
Collot Guerard<br />
Cary Melnyk & Tim McDonough<br />
Chris Nelson<br />
Melissa & Stephen Osmond<br />
Paula Peters<br />
Colleen & Lester Prosser<br />
Martha & John Schwieters<br />
Alice Simons<br />
Margery Sinclair<br />
Lynette M. Songy<br />
Jessie Sunshine<br />
Chris & Kathy Swekel<br />
Susan & Lee Tabler<br />
Sharon Taylor<br />
William Tham<br />
Regina Todd<br />
Susan Wilkenson & Jim Lay<br />
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<strong>The</strong> Ruby Society<br />
<strong>The</strong> Ruby S<br />
<strong>The</strong> <strong>Annapolis</strong> <strong>Opera</strong> is proud to recognize the members of <strong>The</strong> Ruby<br />
Society who, through their generosity, have committed to keeping worldclass<br />
opera in <strong>Annapolis</strong>. <strong>The</strong>y are passionate about the power of great<br />
music to enrich the cultural life of our community. <strong>The</strong>y appreciate the<br />
importance of opportunities for people of all ages to experience the magic<br />
of live opera performances, and have given generously to ensure it’s future.<br />
uby Society<br />
“We support the opera because the programs presented have enriched<br />
our lives in many ways. In addition, we want to encourage and support the<br />
community connections that are created through this art form.”<br />
– Susan Zimmerman & William Tham<br />
“We believe that supporting the opera and it’s mission to help the<br />
next generation of performers reach their potential enriches all<br />
of <strong>Annapolis</strong>.” – David and Carol Stern<br />
<strong>The</strong> Ruby Society honors those donors who support the opera with a gift<br />
of $30,000 or more over a three-year period. Ruby Society members enjoy<br />
special benefits and access to special events throughout the season.<br />
Contact Kathy Swekel at the <strong>Annapolis</strong> <strong>Opera</strong> office, 410.267.8135, for<br />
more information about <strong>The</strong> Ruby Society and how you can join.<br />
members<br />
MEMBERS<br />
ROBERT & LORRAINE<br />
VOM SAAL<br />
PETE & JANE<br />
CHAMBLISS<br />
MEMBERS<br />
COLLEEN & LESTER<br />
PROSSER<br />
THE HELENA<br />
FOUNDATION<br />
NORMAN FISHER<br />
& DORIS FISHER<br />
FOUNDATION<br />
SUSAN ZIMMERMAN<br />
& WILLIAM THAM<br />
DAVID & CAROL<br />
STERN<br />
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MARTHA & JOHN<br />
SCHWIETERS
Enjoy the show? Your ticket is where the fun begins!<br />
Grab a bite to eat after the show.<br />
15% off your next meal! 1<br />
1<br />
Your proof of purchase from the <strong>Annapolis</strong> <strong>Opera</strong> or any of our Adventure <strong>Annapolis</strong> partners<br />
gives you access to special savings at Blackwall Hitch <strong>Annapolis</strong>. Offer valid within 14 days<br />
from the date on your show ticket.<br />
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W.A. Mozart ’s<br />
CAST:<br />
Brian Wallin | TAMINO<br />
Dorothy Gal | PAMINA<br />
Emily Misch | QUEEN OF THE NIGHT<br />
Matthew Curran | SARASTRO<br />
Kyle White | PAPAGENO<br />
Amanda Densmoor | PAPAGENA<br />
Adia Evans | FIRST LADY<br />
Jazmine Olwalia | SECOND LADY<br />
Quinn Middleman | THIRD LADY<br />
Andrew Adelsberger | SPEAKER OF THE TEMPLE<br />
Nathan Hawsey | MONOSTATOS<br />
Brandon Lockhart | FIRST ARMORED MAN/PRIEST<br />
J.P. Gorski | SECOND ARMORED MAN<br />
Eunil Cho | FIRST SPIRIT<br />
Annabelle Welford-Small | SECOND SPIRIT<br />
Patricia Hengen | THIRD SPIRIT<br />
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CREATIVE TEAM:<br />
CONDUCTOR | Craig Kier<br />
DIRECTOR | Corinne Hayes<br />
PRODUCTION MANAGER,<br />
SCENERY & LIGHTING DESIGNER<br />
Chris Brusberg*<br />
SCENERY & PROJECTIONS DESIGNER<br />
Peter Leibold<br />
WIG/MAKE-UP DESIGNER | Priscilla Bruce<br />
WARDROBE SUPERVISOR | Sharlene Clinton<br />
CHORUS MASTER & PRINCIPAL COACH<br />
JoAnn Kulesza<br />
STAGE MANAGER | Dane Urban<br />
ASSISTANT STAGE MANAGER | Allison Bailey<br />
SUPERTITLE OPERATOR | Lourdes Rodriguez<br />
Orchestration reduction provided by Tony Burke<br />
at Pocket Publications<br />
*Represented by United Scenic Artists,<br />
Local USA 829 of the IATSE<br />
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Synopsis<br />
ACT I—Alone in a foreign land, Prince Tamino is attacked by a giant serpent.<br />
He faints but, when he comes to, realizes that he has been rescued—someone<br />
else has killed the monster. Papageno, the Queen of the Night’s bird-catcher,<br />
is quick to claim the credit but is soon corrected by the Queen’s Three Ladies.<br />
<strong>The</strong>y give Tamino a portrait of Pamina, the queen’s daughter, who has been<br />
abducted by the tyrant Sarastro. Tamino falls instantly in love. <strong>The</strong> Queen<br />
herself appears and promises the Prince her daughter’s hand if he can rescue<br />
her. To help him on his quest, the Ladies give him a magic flute and three<br />
magical spirits to guide him. He sets off, joined by a reluctant Papageno.<br />
Imprisoned in Sarastro’s temple, Pamina is at the mercy of the lecherous<br />
Monostatos. But his plans are interrupted by Papageno, who tells Pamina of<br />
Tamino’s love and his quest to rescue her. Arriving at the temple, Tamino is<br />
greeted by a priest, who tells him that he has been deceived by the Queen<br />
of the Night; all is not as she described. Papageno and Pamina have escaped<br />
but are pursued by Monostatos. Papageno uses his magic bells to enchant<br />
their pursuers, but just as they are once again free, they hear Sarastro and his<br />
followers approaching. Pamina tells Sarastro the truth of what happened, but<br />
Sarastro still refuses to release her. Tamino enters, captured by a triumphant<br />
Monostatos. He and Pamina meet briefly for the first time; Monostatos is<br />
punished. Tamino and Pamina are separated in order to prepare for the trials.<br />
ACT II—Sarastro persuades the priests to accept Tamino and Papageno as<br />
members if they pass the order’s tests of initiation. Tamino and Papageno<br />
face the first trial: silence. Papageno fails almost immediately, but Tamino<br />
holds firm. <strong>The</strong> Queen of the Night, still seeking revenge, orders Pamina to<br />
kill Sarastro. Monostatos overhears and threatens to expose the plot unless<br />
Pamina surrenders to his desires. But Sarastro discovers his scheme, banishes<br />
Monostatos and forgives Pamina. Papageno and Tamino are still sworn to<br />
silence. Papageno once again fails by talking to an old woman. Tamino plays<br />
his magic flute, which calls Pamina to him. She speaks but he cannot reply,<br />
forcing her to believe that he no longer loves her. Papageno expresses his<br />
wish for a wife of his own and is rewarded by the return of the old lady. But the<br />
instant he reluctantly agrees to marry her she is transformed into his perfect<br />
Papagena, only to be immediately whisked away: he is not yet worthy of her.<br />
Convinced Tamino no longer loves her, Pamina prepares to take her own life,<br />
but is prevented by the Three Spirits, who reassure her of his devotion. Two<br />
men in armor help Tamino prepare for his final trials. Free now to speak, he<br />
is reunited with Pamina who vows to undergo the trials of fire and water<br />
alongside him. Devastated by the loss of Papagena, Papageno prepares to<br />
hang himself. But once again the Three Spirits intervene, telling him to use the<br />
magic bells to summon her back. <strong>The</strong> lovers are joyfully reunited.<br />
<strong>The</strong> Queen of the Night, Monostatos and the Three Ladies make one final<br />
attempt to overthrow Sarastro but fail. Tamino and Pamina take their first<br />
steps into a new era of wisdom.<br />
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A Message from the Stage Director<br />
“A hero ventures forth from the world of common day into a region of<br />
supernatural wonder: fabulous forces are there encountered, and a decisive<br />
victory is won: the hero comes back from this mysterious adventure with<br />
the power to bestow boons on his fellow man.”—“<strong>The</strong> Hero with a Thousand<br />
Faces,” Joseph Campbell<br />
“<strong>The</strong> hero journey is a symbol that binds, in the original sense of the word,<br />
two distant ideas, the spiritual quest of the ancients with the modern search<br />
for identity.”—“<strong>The</strong> Hero’s Journey: Joseph Campbell on His Life & Work,”<br />
Joseph Campbell<br />
<strong>The</strong> hero’s journey, in Joseph Campbell’s telling, is not the journey of a hero<br />
—it’s a journey that creates a hero. But in Mozart’s late fairytale/Masonic<br />
ritual/morality play we know as <strong>The</strong> <strong>Magic</strong> <strong>Flute</strong>, who is called to travel this<br />
path? In a world that celebrates threes—three Ladies, three Spirits, three<br />
knocks at the temple door—I ask that we consider three heroes. Tamino’s<br />
journey through the opera is clearly made of hero stuff, especially where<br />
Campbell is concerned: His journey begins with a supernatural threat, he<br />
encounters many gifts and obstacles along the way, and ultimately, he gains<br />
wisdom and status in reward for his bravery and tenacity. Tamino is a rule<br />
follower: He listens well to counsel, he shows courage when faced with the<br />
unknown, he “becomes” in front of our eyes. Pamina, Tamino’s intended,<br />
is a rule breaker: Asking why, challenging expectations, asserting her own<br />
agency in a decidedly un-damsel-in-distress sort of way. She proves herself<br />
worthy of the hero’s mantle, independent of Tamino—moreover, she is<br />
essential to Tamino’s own rise to heroism, leading them both through the<br />
final, elemental trial. To once again borrow from Campbell: In undergoing<br />
the spiritual quest, Pamina and Tamino discover their own identities.<br />
By this point, however, Papageno seems to have washed out; he’s not willing<br />
or able to meet the tasks set by the priests. Papageno is a rule rejector;<br />
unlike the young lovers, Papageno knows himself rather well. His needs are<br />
simple and relatable—food, wine, and companionship are all he needs to be<br />
satisfied. Without his consent (and frequently at his objection), Papageno is<br />
launched into the hero’s journey; instead of the ritualistic trials of Pamina<br />
and Tamino, Papageno navigates a series of quotidian trials of his own,<br />
challenging his inherent goodness; Papageno, removed from the fantastical<br />
trappings of the story, is just trying to live a good and simple life. His rewards<br />
are such that many of us can connect with—a partner, a family, a home.<br />
<strong>The</strong>re we have it: A trio of heroes, each with their own strengths and<br />
shortcomings, each necessary to and dependent upon the other—a trio, a<br />
triangle, that most sacred geometry.<br />
Corinne Hayes<br />
Stage Director<br />
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About the Performers<br />
ANDREW ADELSBERGER | Speaker of the Temple<br />
HOMETOWN: Kensington, MD<br />
PREVIOUS: Dr. Bartolo, Le nozze di Figaro; Judge/<br />
Ensemble, Lost in the Stars; Benoit/Alcindoro,<br />
La bohème; Sacristan, Tosca (<strong>Annapolis</strong> <strong>Opera</strong>),<br />
Dulcamara, L’elisir d’amore (Permian Basin <strong>Opera</strong>);<br />
Don Magnifico, La Cenerentola (<strong>Opera</strong> Fort Collins);<br />
Major General Stanley, <strong>The</strong> Pirates of Penzance (Young<br />
Victorian <strong>The</strong>ater); Gianni Schicchi, Gianni Schicchi<br />
(Hubbard Hall <strong>Opera</strong> <strong>The</strong>ater), Charles Guiteau, Assassins (NextStop<br />
<strong>The</strong>ater); Death, <strong>The</strong> Emperor of Atlantis (InSeries); Dr. Bartolo, Il<br />
barbiere di Siviglia (<strong>Opera</strong> Fort Collins, Ashlawn <strong>Opera</strong>, Maryland<br />
<strong>Opera</strong> Studio)<br />
UPCOMING: Soloist/Ensemble, Viva Verdi (InSeries)<br />
EUNIL CHO | First Spirit<br />
HOMETOWN: Seoul, South Korea (Republic of Korea)<br />
PREVIOUS: La Fée, Cendrillon; A Lady with a Hand<br />
Mirror, Postcard from Morocco (Peabody <strong>Opera</strong> <strong>The</strong>atre);<br />
Pamina, Die Zauberflöte (Staatsoper Hannover);<br />
Violetta, La traviata; Cherubino, Le Nozze di Figaro<br />
(Yonsei University <strong>Opera</strong>)<br />
UPCOMING: To Be Announced<br />
MATTHEW CURRAN | Sarastro<br />
HOMETOWN: New York, NY<br />
PREVIOUS: Colline, La bohème (Atlanta <strong>Opera</strong>);<br />
Sparafucile, Rigoletto (<strong>Opera</strong> Carolina); Ramfis, Aida<br />
(<strong>Opera</strong> Southwest); Timur, Turandot (St. Petersburg<br />
<strong>Opera</strong>); Daland, Der Fliegende Holländer (<strong>Opera</strong><br />
Roanoke); Terry, Breaking <strong>The</strong> Waves (Beth<br />
Morrison Projects)<br />
UPCOMING: Bass Soloist, <strong>The</strong> Messiah (Modus<br />
<strong>Opera</strong>ndi Orchestra)<br />
AMANDA DENSMOOR | Papagena<br />
HOMETOWN: Bogor, Indonesia<br />
PREVIOUS: Bridesmaid, Le nozze di Figaro (<strong>Annapolis</strong><br />
<strong>Opera</strong>); Meera, This Is Not That Dawn (Catalyst New<br />
Music); Valentina Scarcella, Later the Same Evening;<br />
Queen of the Night, Die Zauberflöte (Maryland <strong>Opera</strong><br />
Studio); Servilia, La clemenza di Tito (<strong>Opera</strong> Steamboat)<br />
UPCOMING: Soprano Soloist, Carmina Burana (Voce<br />
Chamber Singers)<br />
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ADIA EVANS | First Lady<br />
HOMETOWN: Baltimore, MD<br />
PREVIOUS: Soprano Soloist, Mahler IV (Avanti<br />
Orchestra); High Priestess, Aida; Mother, Amahl and<br />
the Night Visitors (Fort Worth <strong>Opera</strong>); First Lady, Die<br />
Zauberflöte (Merola <strong>Opera</strong> <strong>Program</strong>)<br />
UPCOMING: Mimi, La bohème (Borderland Arts<br />
Foundation)<br />
DOROTHY GAL | Pamina<br />
HOMETOWN: Cocoa Beach, FL<br />
PREVIOUS: Zerlina, Don Giovanni; High Priestess, Aida<br />
(Houston Grand <strong>Opera</strong>); Ruth Bader-Ginsburg, Slanted:<br />
An American Rock <strong>Opera</strong> (<strong>Opera</strong> <strong>The</strong>atre St. Louis);<br />
Anne Egerman, A Little Night Music (Aspen <strong>Opera</strong><br />
Center)<br />
UPCOMING: Soprano Soloist, “An Early American<br />
Christmas” (Mercury Chamber Orchestra)<br />
J.P. GORSKI | Second Armored Man<br />
HOMETOWN: Richmond, VA<br />
PREVIOUS: Somarone, Béatrice et Bénédict; <strong>The</strong> Page,<br />
Amahl and <strong>The</strong> Night Visitors; Iago, Otello (Shakespeare<br />
<strong>Opera</strong> <strong>The</strong>atre); Rigoletto, Rigoletto; Figaro, Il barbiere<br />
di Siviglia; Count Almaviva, Le Nozze di Figaro; Don<br />
Giovanni, Don Giovanni; Don Alfonso, Così fan tutte;<br />
Masetto, Don Giovanni (Bel Canto in Tuscany); Le<br />
Dancaïre, Carmen; Victome Cadasca, <strong>The</strong> Merry Widow;<br />
Gabriel Von Eisentein, Die Fledermaus (Sarasota <strong>Opera</strong>); Spirit, Dido & Aeneas;<br />
Count Danilo Danilovitsch, <strong>The</strong> Merry Widow; Papageno, <strong>The</strong> <strong>Magic</strong> <strong>Flute</strong><br />
(Stafford <strong>Opera</strong> Troupe)<br />
UPCOMING: Ensemble, Elixir of Love (<strong>Annapolis</strong> <strong>Opera</strong>)<br />
NATHAN HAWSEY | Monostatos<br />
HOMETOWN: Abingdon, VA<br />
PREVIOUS: Prunier, La Rondine; Dorvil, La scala di<br />
seta (Peabody <strong>Opera</strong> <strong>The</strong>atre); Tenor Soloist, Some<br />
Enchanted Evening Music (Trinity Chamber Orchestra)<br />
UPCOMING: Tenor Soloist, <strong>Opera</strong> Extravaganza (Trinity<br />
Chamber Orchestra)<br />
- 19 -
About the Performers<br />
PATRICIA HENGEN | Third Spirit<br />
HOMETOWN: Baltimore, MD<br />
PREVIOUS: Florinda, Into the Woods; Annina, La<br />
traviata (<strong>Annapolis</strong> <strong>Opera</strong>); Alto Soloist, Mendelssohn’s<br />
Elijah (Baltimore Choral Arts Society); Alto Soloist<br />
(Harford Chorale); Participant - North Carolina District<br />
(Metropolitan <strong>Opera</strong> Laffont Competition); Soloist,<br />
Holiday Spectacular (Baltimore Symphony Orchestra);<br />
Dreite Knabe, Die Zauberflöte (<strong>Opera</strong> AACC)<br />
UPCOMING: Vocal Fellow (Baltimore Choral Arts Society); Aunt Dee<br />
(Drosselmeyer), <strong>The</strong> Nutcracker (Baltimore School for the Arts)<br />
BRANDON LOCKHART | First Armored Man/Priest<br />
HOMETOWN: Louisville, KY<br />
PREVIOUS: Moses (Understudy), <strong>The</strong> Ordering of<br />
Moses (InSeries); Spoletta, Tosca; Mario Cavaradossi<br />
(Understudy), Tosca (Indianapolis <strong>Opera</strong>); Parpignol, La<br />
bohème; Rapunzel’s Prince, Into the Woods<br />
(<strong>Annapolis</strong> <strong>Opera</strong>)<br />
UPCOMING: To Be Announced<br />
QUINN MIDDLEMAN | Third Lady<br />
HOMETOWN: Vancouver, WA<br />
PREVIOUS: Nunzia, La liberazione di Ruggiero<br />
(Haymarket <strong>Opera</strong>); Geneviève (cover), Pelleas et<br />
Melisande; Ninfa (cover), Orfeo (Santa Fe <strong>Opera</strong>);<br />
Ariodante (cover), Ariodante (Pittsburgh <strong>Opera</strong>); <strong>The</strong><br />
Witch, Hansel and Gretel (<strong>Opera</strong> Birmingham); <strong>The</strong><br />
Page, Salome; Alisa, Lucia di Lammermoor (Madison<br />
<strong>Opera</strong>); Countess (cover), Pikovaya Dama (Des Moines<br />
Metro <strong>Opera</strong>); Flora, La traviata; Madeleine, Silent Night (Utah <strong>Opera</strong>)<br />
UPCOMING: Ježibaba, Rusalka (<strong>Opera</strong> Ithaca); Podtochina/Countess, <strong>The</strong> Nose<br />
(Chicago <strong>Opera</strong> <strong>The</strong>ater)<br />
EMILY MISCH | Queen of the Night<br />
HOMETOWN: Santa Monica, CA<br />
PREVIOUS: <strong>The</strong> Queen of the Night, Die Zauberflöte<br />
(Arizona <strong>Opera</strong>); Soprano Soloist, Carmina Burana<br />
(Cincinnati Ballet & Cincinnati Symphony Orchestra);<br />
Musetta, La bohème (Newport Classical); Soprano<br />
Soloist, Handel’s Messiah (Naples Philharmonic);<br />
Madame Goldentrill, <strong>The</strong> Impresario (Syracuse <strong>Opera</strong>)<br />
UPCOMING: To Be Announced<br />
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JAZMINE OLWALIA | Second Lady<br />
HOMETOWN: Fort Worth, TX<br />
PREVIOUS: Sarah, Ragtime (Union Avenue <strong>Opera</strong>);<br />
Girl, Denis and Katya; Cherubino, Le nozze di Figaro<br />
(Pittsburgh <strong>Opera</strong>); Mercedes, Carmen (<strong>Opera</strong> <strong>The</strong>atre<br />
of St. Louis)<br />
UPCOMING: Phoebe, <strong>The</strong> Passion of Mary Cardwell;<br />
Littler Daughter, Proving Up (Pittsburgh <strong>Opera</strong>)<br />
BRIAN WALLIN | Tamino<br />
HOMETOWN: New Brighton, MN<br />
PREVIOUS: Younger Thompson, Glory Denied (Permian<br />
Basin <strong>Opera</strong>); Frederic, <strong>The</strong> Pirates of Penzance (Pacific<br />
<strong>Opera</strong> Project); Basilio/Don Curzio, Le nozze di Figaro<br />
(<strong>Annapolis</strong> <strong>Opera</strong>); Brighella, Ariadne auf Naxos<br />
(Arizona <strong>Opera</strong>); Tamino, <strong>The</strong> <strong>Magic</strong> <strong>Flute</strong> (Opéra de<br />
Montréal)<br />
UPCOMING: Count Almaviva, Il barbiere di Siviglia<br />
(Arizona <strong>Opera</strong>); Nemorino, L’elisir d’amore (<strong>Annapolis</strong> <strong>Opera</strong>); Tenor Soloist,<br />
Carmina Burana (Duluth Superior Symphony Orchestra)<br />
ANNABELLE WELFORD-SMALL | Second Spirit<br />
HOMETOWN: Hillsborough, NC<br />
PREVIOUS: Flora, Turn of the Screw (Peabody <strong>Opera</strong><br />
<strong>The</strong>ater), Suor Dolcina, Suor Angelica (Bel Canto<br />
in Tuscany), Soprano Soloist, Elijah (Georgetown<br />
Chorale), Jury Member, Trial by Jury (A.J. Fletcher<br />
<strong>Opera</strong> Institute)<br />
UPCOMING: Senior Recital<br />
KYLE WHITE | Papageno<br />
HOMETOWN: Louisville, KY<br />
PREVIOUS: Valentin, Faust (Wolf Trap <strong>Opera</strong>); Germont,<br />
La traviata (Virginia <strong>Opera</strong>); Figaro, Il barbiere di Siviglia<br />
(<strong>Opera</strong> NEO)<br />
UPCOMING: To Be Announced<br />
Joshua P. Bates<br />
Alex Blenman<br />
Scott Andrew Boggs<br />
Taylor Boykins<br />
James Carpenter<br />
Sophie Michelle Clarke<br />
David Hancock<br />
Kaley Harman<br />
CHORUS<br />
Rebecca Hollerbach<br />
Henry Hubbard<br />
James Huchla<br />
Danielle Jellerette<br />
Kellen Johnson<br />
Frank Lyman<br />
Brandon Shaw McKnight<br />
- 21 -<br />
Lachlan Miller<br />
Carol Lord Openhym<br />
Katie Procell<br />
Taylor Rawlings<br />
Ben Ross<br />
Mairin A. Srygley<br />
Nicole Stover<br />
Donna Tatro
About the Artistic Staff<br />
CRAIG KIER | Artistic Director & Conductor<br />
American Conductor Craig Kier has received high<br />
praise for his “Tesla-like intensity” and “impeccable<br />
orchestral support” while leading performances<br />
throughout the United States and on international<br />
stages. Since becoming the Director of the Maryland<br />
<strong>Opera</strong> Studio (MOS) at the University of Maryland, Kier<br />
has expanded the footprint of the program’s activities,<br />
connecting the MOS curriculum and programming to<br />
areas across campus and beyond.<br />
In 2020, Kier was named Artistic and Music Director of <strong>Annapolis</strong><br />
<strong>Opera</strong> where this season, he leads performances of <strong>The</strong> <strong>Magic</strong> <strong>Flute</strong>,<br />
Glory Denied, and <strong>The</strong> Elixir of Love. In 2023, he joined the College<br />
of Art and Humanities Dean’s office as Director of the Presidential<br />
initiative, Arts for All, and currently serves as Advisor for the<br />
Maryland <strong>Opera</strong> Studio.<br />
Recent conducting highlights for Kier include productions with<br />
San Francisco <strong>Opera</strong>’s Merola <strong>Opera</strong> <strong>Program</strong>, Wolf Trap <strong>Opera</strong>,<br />
Arizona <strong>Opera</strong>, Houston Ballet, the Brevard Music Center’s Janiec<br />
<strong>Opera</strong> Company, Anchorage <strong>Opera</strong>, Indianapolis <strong>Opera</strong>, and <strong>Opera</strong><br />
Saratoga. From 2010-2013, he was Associate Conductor at Houston<br />
Grand <strong>Opera</strong>. During his time with the company, he led dozens of<br />
performances including Madama Butterfly, Il barbiere di Siviglia, Die<br />
Fledermaus, Trial by Jury and the world premiere of Huang Ruo’s<br />
Bound. Additional guest engagements for Kier include appearances<br />
with Lyric <strong>Opera</strong> of Kansas City, Atlanta <strong>Opera</strong>, Atlanta Ballet, the<br />
Glimmerglass Festival, Central City <strong>Opera</strong>, <strong>Opera</strong> Birmingham, <strong>Opera</strong><br />
Santa Barbara, and the Royal <strong>Opera</strong> House Muscat, Oman.<br />
Kier began his career as part of Seattle <strong>Opera</strong>’s music staff, serving in<br />
a variety of roles including Assistant Conductor, Coach/Accompanist,<br />
and Chorus Master. He also served on the music staff of <strong>The</strong> Santa<br />
Fe <strong>Opera</strong>, Cincinnati <strong>Opera</strong>, Atlanta <strong>Opera</strong>, <strong>Opera</strong> Colorado and Des<br />
Moines Metro <strong>Opera</strong>.<br />
CORINNE HAYES | Stage Director<br />
HOMETOWN: Fairfax, VA & St. Louis, MO<br />
PREVIOUS: Director, Le nozze di Figaro (Miami Music<br />
Festival); Director, TWA (Maryland <strong>Opera</strong> Studio);<br />
Director, La rondine (Miami Music Festival); Director,<br />
Carmen (Shreveport <strong>Opera</strong>); Director, Rigoletto (<strong>Opera</strong><br />
Mississippi); Assistant Director, Candide (Washington<br />
National <strong>Opera</strong>); Assistant Director, <strong>The</strong> Little Prince<br />
(Washington National <strong>Opera</strong>)<br />
UPCOMING: Director, Don Giovanni (Maryland <strong>Opera</strong> Studio); Director,<br />
L’incoronazione di Poppea (Miami Music Festival)<br />
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CHRISTOPHER BRUSBERG | Production Manager, Scenery & Lighting Designer<br />
HOMETOWN: New York, NY<br />
PREVIOUS: Lighting Design Credits: <strong>The</strong> Marriage of Figaro (<strong>Annapolis</strong> <strong>Opera</strong>);<br />
<strong>The</strong> Marriage of Figaro (Tri-Cities <strong>Opera</strong> & Syracuse <strong>Opera</strong>); Idomeneo (NYU<br />
Steinhardt); Léandre et Héro/Io (<strong>Opera</strong> Lafayette); <strong>The</strong> Boy Who Kissed the Sky<br />
(Company One)<br />
UPCOMING: Elixir of Love (<strong>Annapolis</strong> <strong>Opera</strong>); EMERGE125 NYC Fall Showing &<br />
Spring Season<br />
DANE URBAN | Stage Manager<br />
HOMETOWN: Medina, OH<br />
PREVIOUS: Don Giovanni (Heartbeat <strong>Opera</strong>); Don Giovanni (Gulfshore <strong>Opera</strong>);<br />
Hansel and Gretel (Kentucky <strong>Opera</strong>); La bohème (Baldwin Wallace University);<br />
Charlie and the Chocolate Factory; It Shoulda Been You; In Transit; Waitress;<br />
<strong>The</strong> Bridges of Madison County (Broadway); <strong>The</strong> Curious Incident of the Dog in<br />
the Night-Time (First National Tour)<br />
Upcoming: To Be Announced<br />
PETER LEIBOLD | Scenery & Projections Designer<br />
HOMETOWN: New York, NY<br />
PREVIOUS: Projection Designer, Lost in the Stars (<strong>Annapolis</strong> <strong>Opera</strong>), Assistant<br />
Lighting Designer, Così fan tutte; Lighting Designer, Falstaff (Palm Beach <strong>Opera</strong>);<br />
Lighting Designer, Street Scene; <strong>The</strong> Rape of Lucretia (Maryland <strong>Opera</strong> Studio)<br />
UPCOMING: Lighting Designer, Christmas Revels (Lisner Auditorium, DC);<br />
Lighting Designer, Gypsy (Educational <strong>The</strong>atre Collaborative); Lighting and<br />
Systems Designer, A&I (Orange Grove Dance)<br />
ALLISON BAILEY | Assistant Stage Manager<br />
HOMETOWN: Webster City, IA<br />
PREVIOUS: ASM, La bohème (Berkshire <strong>Opera</strong> Festival); SM, <strong>The</strong> <strong>Magic</strong> <strong>Flute</strong><br />
(Alexandria Summer Nights); PSM, Don Giovanni (Maryland <strong>Opera</strong> Studio); PA,<br />
Elektra (Washington National <strong>Opera</strong>); ASM, Falstaff (Aspen Music Festival and<br />
School)<br />
UPCOMING: Glory Denied (<strong>Annapolis</strong> <strong>Opera</strong>)<br />
Production Staff<br />
MAURA DULLEA<br />
<strong>Opera</strong>tions and Marketing Associate<br />
VICTORIA MANGUM<br />
Artistic Assistant<br />
DRESSERS<br />
Vera Heath<br />
Lorraine vom Saal<br />
Juliet Shore<br />
Christina Stigler-Brisco<br />
Carol Tabak<br />
- 23 -<br />
SET CONSTRUCTION<br />
Michael Sheehan, Mid Atlantic Sets<br />
PRODUCTION SUPPORT<br />
Antonio Adams, Lighting <strong>Opera</strong>tor<br />
Rachel Buxton, Graphic Design<br />
Alana Hill, Assistant Wig/<br />
Makeup Designer<br />
Maryland Hall Staff
<strong>Annapolis</strong> Symphony Orchestra<br />
VIOLIN I<br />
Nicholas Currie, Acting Concertmaster<br />
Hanbing Jia, Acting Associate<br />
Concertmaster<br />
Rachael Stockton, Acting Assistant<br />
Concertmaster<br />
Qian Zhong<br />
VIOLIN II<br />
Kristin Bakkegard, Acting Principal<br />
Karin Kelleher, Acting Associate Principal<br />
Megan Gray<br />
Abby Armbruster<br />
VIOLA<br />
Sarah Hart, Principal<br />
Derek Smith, Associate Principal<br />
Rachel Holaday<br />
CELLO<br />
Todd Thiel, Principal<br />
Pei Lu, Associate Principal<br />
BASS<br />
Benjamin Crofut, Acting Principal<br />
FLUTE<br />
Kimberly Valerio, Principal<br />
OBOE<br />
Fatma Daglar, Principal<br />
CLARINET<br />
Robert DiLutis, Principal<br />
David Drosinos<br />
BASSOON<br />
Patricia Morgan, Acting Principal<br />
Marat Rakhmatullaev<br />
HORN<br />
Alex Kovling, Principal<br />
Anthony Valerio<br />
TRUMPET<br />
Andrew Fremder Acting<br />
Principal<br />
TIMPANI<br />
Glenn Paulson, Acting Principal<br />
CELESTE<br />
JoAnn Kulesza+<br />
MIRIAM FOGEL<br />
Director of Artistic <strong>Opera</strong>tions<br />
OLIVIA REN<br />
Orchestra Librarian<br />
+<strong>Annapolis</strong> <strong>Opera</strong><br />
JOSÉ-LUIS NOVO<br />
Artistic Director & Conductor<br />
With a 62-year history of artistic excellence, the <strong>Annapolis</strong> Symphony Orchestra<br />
is recognized as the largest and most distinguished performing arts organization<br />
in Maryland’s capital city. Under the direction of José-Luis Novo, the Symphony<br />
continues to rise in excellence and national reputation, performing Masterworks,<br />
Pops, Family Concerts and special events. <strong>The</strong> Symphony reaches thousands<br />
annually with its free Pops in the Park concert, performances in partnership with<br />
the United States Naval Academy and the <strong>Annapolis</strong> <strong>Opera</strong>, and collaborative<br />
projects with other arts organizations and touring headliners. Additionally,<br />
we sponsor award-winning education concerts and outreach programs in<br />
community schools, sharing the joy of music-making with thousands of school<br />
children, including through the <strong>Annapolis</strong> Symphony Academy.<br />
- 24 -
Thank you to our Sponsors<br />
SYLVIA AND JAMES EARL<br />
NORMAN AND DORIS FISHER<br />
FOUNDATION<br />
<strong>The</strong> Ruby Society<br />
POST-PERFORMANCE CONVERSATION<br />
We invite you to join <strong>Annapolis</strong> <strong>Opera</strong>’s Artistic and Music Director,<br />
Craig Kier, with members of the cast for a brief conversation following<br />
the Sunday matinee performance. This conversation will commence<br />
shortly after the performance concludes. Guests are encouraged to<br />
move downstage to the front of the theater where the Q & A will be<br />
held. We look forward to seeing many of you after the performance!<br />
- 25 -
<strong>Annapolis</strong> <strong>Opera</strong> gratefully acknowledges<br />
our members and supporters.<br />
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