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La bohème 2023 Programme

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GYULA NAGY<br />

BARITONE<br />

SCHAUNARD<br />

Gyula Nagy is a Hungarian baritone<br />

based in Wicklow. His Irish<br />

performances include his INO stage<br />

debut as Leuchthold and also in the<br />

title role of Rossini’s William Tell,<br />

Valentin in Gounod’s Faust, Karen<br />

Power’s Touch for INO’s critically acclaimed 20 Shots<br />

of Opera, Pizarro in Beethoven’s Fidelio for Lyric<br />

Opera Productions, and the title role in Monteverdi’s<br />

The Return of Ulysses for Opera Collective Ireland.<br />

Recent international appearances include Schaunard<br />

in Puccini’s <strong>La</strong> <strong>bohème</strong> and Sharpless in Puccini’s<br />

Madama Butterfly for The Royal Opera, London, and<br />

the Gipsy in Mussorgsky’s The Fair at Sorochyntsi<br />

for Komische Oper Berlin. He trained at London’s<br />

National Opera Studio and joined the Jette Parker<br />

Young Artists <strong>Programme</strong> at Covent Garden. His<br />

Royal Opera roles include Escamillo in Peter Brook’s<br />

<strong>La</strong> tragédie de Carmen, Moralès in Bizet’s Carmen,<br />

Fiorello in Rossini’s Il barbiere di Siviglia, Filotete<br />

in Handel’s Oreste, Konrad Nachtigal in Wagner’s<br />

Die Meistersinger von Nürnberg, Baron Douphol in<br />

Verdi’s <strong>La</strong> traviata, as well as Paul in Philip Glass’s Les<br />

enfants terribles for the Royal Ballet. He appeared as<br />

Escamillo in Bizet’s Carmen for Opera North, made<br />

his role debut in the title role of Verdi’s Rigoletto<br />

at the Auditorio Nacional de Música, Madrid,<br />

and sang Lescaut in Puccini’s Manon Lescaut for<br />

Dorset Opera. Future engagements include Urok in<br />

Paderewski’s Manru for Opéra national de Lorraine,<br />

Alfio in Mascagni’s Cavalleria rusticana and Tonio<br />

in Leoncavallo’s Pagliacci with the Cambridge<br />

Philharmonic Orchestra, and Leuthold in Rossini’s<br />

Guillaume Tell for Nouvel Opéra Fribourg.<br />

LUKAS JAKOBSKI<br />

BASS<br />

COLLINE<br />

Born in Poland, Lukas Jakobski<br />

studied at the Royal College of<br />

Music, and was a member of<br />

the Jette Parker Young Artist<br />

<strong>Programme</strong> at the Royal Opera<br />

House, Covent Garden. His<br />

engagements have included Apprentice in Berg’s<br />

Wozzeck, Peter Quince in Britten’s A Midsummer<br />

Night’s Dream and Hobson in Britten’s Peter Grimes<br />

at the Theater an der Wien; Abbot in Britten’s Curlew<br />

River, Voice of Neptune in Mozart’s Idomeneo and<br />

Pietro in Verdi’s Simon Boccanegra at the Opéra de<br />

Lyon; Hobson in Peter Grimes at the Palau de les<br />

Arts Reina Sofía, Valencia; Zuniga in Bizet’s Carmen<br />

and Colline in Puccini’s <strong>La</strong> <strong>bohème</strong> for Glyndebourne<br />

On Tour, Nettuno/Antinoo/Tempo in Monteverdi’s<br />

Il ritorno d’Ulisse in patria at Drottningholm, The<br />

Commendatore in Mozart’s Don Giovanni for the<br />

Nederlandse Reisopera; Don Cassandro in Mozart’s<br />

<strong>La</strong> finta semplice for Classical Opera; Truffaldino<br />

in Strauss’s Ariadne auf Naxos for the Warsaw<br />

Philharmonic. For Dutch National Opera, he has<br />

sung the Captain in Puccini’s Manon Lescaut, Tall<br />

Englishman in Shostakovich’s The Gambler, the<br />

Cook in Prokofiev The Love for Three Oranges and<br />

the Doctor in Verdi’s Macbeth. Recent engagements<br />

have included Melchtal and Walter Furst in Rossini’s<br />

Guillaume Tell for Irish National Opera, Pistola in<br />

Verdi’s Falstaff for Grange Park Opera, Enrico in<br />

Donizetti’s Anna Bolena and the Commendatore<br />

in Mozart’s Don Giovanni for Longborough Festival<br />

Opera, Dziemba in Moniuszko’s Halka at the Theater<br />

an der Wien, Penderecki’s St Luke Passion and<br />

Hobson in Peter Grimes for Polish National Opera<br />

and Opéra de Lyon.<br />

39

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