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La bohème 2023 Programme

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THE MANY FACES OF OPERA<br />

DIEGO FASCIATI<br />

EXECUTIVE DIRECTOR<br />

Welcome to Irish National Opera’s production of the perennially<br />

beloved tear-jerker that is Giacomo Puccini’s first great hit, <strong>La</strong><br />

<strong>bohème</strong>. I must admit that the first time I saw this opera, in a<br />

televised version, I was disappointed. I thought the plot boring and<br />

pointless. I was clearly too young to grasp the emotional weight<br />

of the music or empathise with the complexities of the storm of<br />

passion, jealousy and loss that is romantic love. But musical tastes<br />

and emotional awareness mature over time for most of us, and now<br />

I find myself believing that <strong>La</strong> <strong>bohème</strong> is Puccini’s masterpiece.<br />

The opera finds its origins in a series of individually-published short<br />

stories in a literary magazine in 1840s Paris, under the heading<br />

Scènes de la <strong>bohème</strong>. These were adapted into a play, <strong>La</strong> vie de la<br />

<strong>bohème</strong>. The remarkable success of the play led to publication of the<br />

stories in a single volume, a novel of sorts, titled Scènes de la vie de<br />

<strong>bohème</strong>. The Italian playwright/poet duo of Luigi Illica and Giuseppe<br />

Giacosa adapted this into an extraordinary libretto, condensing stories<br />

and characters into a work that allowed Puccini’s music to infuse<br />

them with emotion writ large. The work is a showcase of Puccini’s<br />

skills in music and theatre. He can create everything and anything<br />

through his music, from the dizzying effect of swirling crowd scenes<br />

to intimate moments calculated to break your heart.<br />

<strong>La</strong> <strong>bohème</strong> is our third production of a Puccini opera, following Tosca<br />

in 2022, with the highy-charged Sinéad Campbell-Wallace in the<br />

harrowing title role, and Madama Butterfly in 2019, which starred<br />

tonight’s Mimì, the extraordinarily affecting soprano Celine Byrne, in<br />

the title role. And it is INO’s 32nd live opera production since its birth<br />

in 2018, and that’s not counting our concerts, online events, outdoor<br />

street art operas, opera films, and award-winning VR community<br />

opera. It’s quite an achievement, I think you’ll agree, especially when<br />

you factor in the various pandemic-related lockdowns and restrictions<br />

we all endured for almost two years. We are also proud of another<br />

statistic.To date, we have presented our work in 47 different locations<br />

06

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