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La bohème 2023 Programme

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A LONG AND WINDING<br />

ROAD<br />

FERGUS SHEIL<br />

ARTISTIC DIRECTOR<br />

Four years ago this month Irish National Opera produced Rossini’s <strong>La</strong><br />

Cenerentola here at the Bord Gáis Energy Theatre with Tara Erraught<br />

in the title role. It was a truly captivating production directed by Orpha<br />

Phelan and designed by Nicky Shaw. It opened to rave reviews, and later<br />

became the first opera production to be nominated in the wider best<br />

production category in The Irish Times Irish Theatre Awards. Within a<br />

few days of the opening, I asked Orpha and Nicky to work their magic<br />

on Puccini’s <strong>La</strong> <strong>bohème</strong>, for a production to open in March 2021.<br />

It has been a long and winding road since then, and I’m excited that<br />

we can finally bring this production to the stage. During the dark<br />

days of lockdowns, we managed to give a live streamed concert<br />

performance from the the Bord Gáis Energy Theatre stage. We also<br />

made a CD recording for Signum Classics, which you can purchase<br />

in the foyer tonight, or listen to and download online.<br />

We even explored the possibility of making a film of the opera. But<br />

the circumstances were too unpredictable and risky. Instead, we<br />

resolved to bring the production to the opera stage as soon as we<br />

possibly could. So, here we are! And we are excited about having<br />

added a new co-production partner, Opéra Orchestre National<br />

Montpellier, who will present this production in 2024; and we also<br />

hope to see it go on to other companies in Europe.<br />

The Russian writer Anton Chekhov is said to have repeatedly<br />

advised young playwrights not to put a gun on stage unless you<br />

are prepared to use it. The same can be said of coughs in opera.<br />

A single cough in an opera production can be enough to lead<br />

to a fatal outcome. We have not one, but two doomed sopranos<br />

in our <strong>2023</strong>–24 season, both from extraordinary Italian operas<br />

(<strong>La</strong> <strong>bohème</strong> and Verdi’s <strong>La</strong> traviata) which are set in Paris. The<br />

two leading ladies suffer from tuberculosis, and each is in a<br />

complicated relationship with a tenor.<br />

04

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