Atomic Time - Transposed Score

A T O M I C T I M E
James M. David
Commissioned by the Fossil Ridge High School Wind Symphony
Aaron Herman, director
© 2023, Oakdale Road Music/James M. David, ASCAP, all rights reserved

ATOMIC TIME
for symphonic band
Instrumentation:
Piccolo
2 Flutes
Oboe
Clarinet in B-flat 1
Clarinet in B-flat 2
Clarinet in B-flat 3
Bass Clarinet
2 Bassoons
Contrabassoon (optional)
Contrabass Clarinet in BB-flat (optional)
2 Alto Saxophones
Tenor Saxophone
Baritone Saxophone
3 Trumpets in B-flat
4 Horns in F
2 Trombones
Bass Trombone
Euphonium
Tuba
Timpani
Percussion 1: Xylophone, Glockenspiel, Ice Bell, Triangle, 2 Brake Drums
Percussion 2: Crotales (1 8va set), Medium Woodblock, Large Metal Coil,
Percussion 3: Vibraphone, Chimes, Tambourine, Suspended Cymbal
Percussion 4: Snare Drum, Bongos, Small Concert Tom, Metal Coil, Splash Cymbal, Crash Cymbals
Percussion 5: Medium Tam-Tam, Bass Drum, Suspended Cymbal, China Cymbal, Hi-Hat, 2 Woodblocks
Duration: ca. 5.5 minutes
Composer Biography:
Dr. James M. David (b. 1978) is an American composer and professor of music theory and composition at Colorado State University. He is particularly
known for his works involving winds and percussion. His works have been performed and recorded by many prominent ensembles including the U.S.
Air Force Band, the U.S. Army Field Band, the Des Moines Symphony Orchestra, the Showa Wind Symphony (Japan), the Osaka Shion Wind
Orchestra, and the North Texas Wind Symphony. His music has been performed at more than sixty national and international conferences including
the Midwest Clinic, the College Band Directors National Association Biennial Conference, the American Bandmasters Association Convention, and
the World Association for Symphonic Bands and Ensembles Conference. Dr. David was the winner of the 2022 William D. Revelli Composition
Contest, finalist for the 2019 Sousa-ABA Ostwald Award, winner of an ASCAP Morton Gould Award, and won national contests sponsored by the
Music Teachers National Association and the National Association of Composers (USA). Commissions include projects for the National Band
Association, the Atlantic Coast Conference Band Directors Association, Joseph Alessi (New York Philharmonic), John Bruce Yeh (Chicago
Symphony), James Markey (Boston Symphony), and hundreds of university faculty and ensembles. His works are represented on over twenty
commercially released recordings on the Naxos, Summit, Mark, Albany, Parma, MSR Classics, Bravo Music, GIA Windworks, and Luminescence
labels and are published by Murphy Music Press, C. Alan Publications, Potenza Publishing, and Excelsia Music.
As a native of southern Georgia, Dr. David began his musical training under his father Joe A. David, III, a renowned high school band director and
professor of music education in the region. This lineage can be heard in his music through the strong influence of jazz and other Southern traditional
music mixed with contemporary idioms. Dr. David received degrees in music education and music composition from the University of Georgia and
the Florida State University College of Music. He studied composition with Guggenheim recipient Ladislav Kubik, Pulitzer recipient Ellen Taaffe
Zwilich, Lewis Nielson, and Clifton Callender as well as jazz composition and arranging with Sammy Nestico.
Program Notes (program notes by the composer, August 2023):
Since 1945, the government radio station WWVB near my home in Fort Collins, Colorado has played a vital role in the lives of Americans.
Broadcasting the official US time at various frequencies to countless machines, this small station has provided the rhythm to our modern technological
nation for generations. The source of the station’s impeccable timing accuracy is the nearby NIST-F1 atomic clock located in Boulder. My composition
Atomic Time depicts this remarkable “clock radio” as an exploration of how pitch and rhythm are interrelated and a function of how the human ear
perceives time. Using a simple cipher to convert “WWVB” to musical notes, a short motif was created and manipulated into many different
permutations. A constant pulsation is maintained at 21,600 vibrations per hour – the same rate as a mechanical watch. Polyrhythms, tempo modulations,
and swirling counterpoint build from a single steady beat to a frenetic and breathless dance with strong jazz and Afro-Latin references, finally slowing
to a stop as the watch winds down. My goal is to provide listeners with an ever-building groove that, like WWVB, will connect people from coast to
coast to the nation’s beating heart in the Rocky Mountains. This work was commissioned by the Fossil Ridge High School Wind Symphony, Aaron
Herman, director of bands.

Transposed Score
21,600 Vibrations per Hour ( q = 180 )
Piccolo 3
4
Flute 1
Flute 2
Oboe
Bassoon 1-2
Clarinet in B 1
3
cresc. poco a poco
4
Clarinet in B 2
cresc. poco a poco
Clarinet in B 3
Bass Clarinet
Contrabassoon or
Contrabass Clarinet
Alto Sax 1
Alto Sax 2
Tenor Sax
Baritone Sax
Trumpet in B 1
Trumpet in B 2
Trumpet in B 3
Horn in F 1/3
Horn in F 2/4
Trombone 1-2
Bass Trombone
Euphonium
Tuba
Timpani
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
3
4
3
4
3
4
Xylo.
w/ very hard mall.
Tambourine
Sm. Woodblock
1
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
2
3
Crotales
w/ hard plastic mall.
Splash Cym.
A T O M I C T I M E
4
Snare Dr.
on rim
5
Lg. Metal Coil
© 2023, Oakdale Road Music/James M. David, ASCAP
6
7
8
solo
solo, cue cl.
9
Med. Woodblock
James M. David (2023)
10
11

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
13
tutti
tutti
21
4
4
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
4
B. Sx.
B Tpt. 1
B Tpt. 2
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
solo
St. Mute
B. Tbn.
Euph.
solo, cue tbn.
Tuba
Timp.
Perc. 1
4
Perc. 2
Perc. 3
Vibraphone
Perc. 4
Perc. 5
12
13
14
15
16
17
18
no pedal
19
20
21
22
23
A T O M I C T I M E- p. 2

Picc.
Fl. 1
4
3
4
5
4
29
3
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
4
4
4
3
4
3
4
3
4
tutti
5
4
5
4
5
4
3
4
3
4
3
4
St. Mute
St. Mute
St. Mute
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
4
St. Mute
F-B-C-E
tutti
3
4
solo
solo, cue tbn.
5
4
tutti
3
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
24
25
26
27
28
29
30
31
32
A T O M I C T I M E- p. 3

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
5
4
5
4
5
4
5
4
38
3
4
3
4
3
4
3
4
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
5
4
3
4
Perc. 2
Perc. 3
Med. Woodblock
Perc. 4
Perc. 5
33
34
35
36
China Cym.
w/ stick
37
Sus. Cym.
w/ stick
38
39
40
41
A T O M I C T I M E- p. 4

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
42
43
44
45
46
47
A T O M I C T I M E- p. 5
4
4
4
4
4
B.D.
Sus. Cym.
w/ soft mall.
stick shot
48
3
4
3
4
3
4
3
4
3
4
on rim
choke
49
C to B
B to A
Lg. Metal Coil
50
5
4
5
4
5
4
5
4
5
4

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
5
4
5
4
5
4
52
4
4
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
5
4
4
open
open
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
5
4
Crotales
51
4
Glock.
choke
52
open
Bongos
w/ sticks
53
54
55
3 3
open
open
Hi-Hat
(closed, w/ sticks)
56
57
A T O M I C T I M E- p. 6

Picc.
Fl. 1
Fl. 2
64
3
4
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
3
4
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
3
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
3
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
F to E
3
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Vibraphone
64
Splash Cym.
58
59
60
61
62
63
A T O M I C T I M E- p. 7

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
4
3
4
3
4
3
4
3
4
Crotales
65
66
Med. Woodblock
4
4
4
4
4
Snare Dr.
on rim
67
68
2 Woodblocks
69
70
71
72
A T O M I C T I M E- p. 8

Picc.
Fl. 1
Fl. 2
Ob.
3 3
3 3
3
4
5
4
79
4
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
3 3
3
3
4
3
4
5
4
5
4
4
4
B. Sx.
B Tpt. 1
B Tpt. 2
3
4
5
4
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
St. Mute
St. Mute
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
3
4
5
4
Crotales
Sus. Cym.
w/ light sticks
4
choke
Perc. 4
Perc. 5
73
74
75
76
77
78
79
80
A T O M I C T I M E- p. 9

Picc.
Fl. 1
3
4
4
3
4
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
3
4
4
3
3
3
4
4
A. Sx. 1
A. Sx. 2
3
4
4
3
3
4
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
St. Mute
St. Mute
open
open
3
4
4
3
4
4
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
open
open
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
3
4
4
Glock.
Crotales
3
4
4
Perc. 4
Perc. 5
81
82
83
84
85
86
87
88
A T O M I C T I M E- p. 10

Picc.
Fl. 1
Fl. 2
Ob.
89
4
3
3
3
3
3
4
4
3
3
3
Bsn. 1-2
B Cl. 1
B Cl. 2
4
3
3
3
4
4
3
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
4
3
3
3
4
4
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
4
3
3
4
4
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
4
Xylo.
3
3
4
4
Perc. 3
Perc. 4
Perc. 5
Sus. Cym.
w/ light sticks choke
stick shot
B.D.
89
90
3
91
3 3
92
93
3
Bongos
w/ sticks
3
94
95
A T O M I C T I M E- p. 11

Picc.
Fl. 1
Fl. 2
Ob.
3
3
3
3
3
3
3
4
100
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
3
3
3
3
3
4
3
4
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
3
3
3
4
3
4
G-B-D-F
F to F
Crotales
Perc. 3
Perc. 4
Perc. 5
3
96
3 3
97
98
3
99
100
Sm. Woodblock
Metal Coil
w/ sticks
101
102
103
A T O M I C T I M E- p. 12

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
Perc. 2
Perc. 3
Perc. 4
Perc. 5
104
105
106
on rim
107
Snare Dr.
Chimes
108
Lg. Metal Coil
109
110
111
112
113
114
A T O M I C T I M E- p. 13

Picc.
Fl. 1
116
4
3
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
4
4
3
4
3
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
4
3
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
4
3
4
Perc. 2
Med. Woodblock
Perc. 3
Perc. 4
Perc. 5
115
Tam-Tam
w/ heavy stick
116
117
118
119
120
121
122
123
124
125
126
A T O M I C T I M E- p. 14

Picc.
Fl. 1
4
132
3
4
4
3
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
4
4
3
4
3
4
3
3
4
4
3
3
3
4
3
4
3
3
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
4
4
3
4
3
4
3
3
3
4
4
3
3
3
3
4
3
4
3
3
3
Perc. 2
Perc. 3
Perc. 4
Perc. 5
127
128
129
130
131
132
133
134
135
136
A T O M I C T I M E- p. 15

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
( q = q )
3
2
3
2
3
2
3
3
3
4
3
4
3
4
3 3
3 3
3
3
3
3
3 3
3 3 3
3
3 3 3
3 3
3 3
3 3
3 3
4
4
4
3 3
3 3 3
3 3
3 3 3
3
4
3
4
3
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
3
2
3
3
3
3
4
3
3
3
4
3
4
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
3
2
3
4
4
3
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
137
138
139
140
141
142
143
A T O M I C T I M E- p. 16

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
3
4
3
4
3
4
3
4
3
4
3 3
3 3
3
3
3
3
3
3
3
3 3 3
3
3 3 3
3
3 3
3 3
3 3
3 3
3
2
3
2
3
2
3
2
3
2
3 3 3
3 3 3
3 3 3 3
3 3
3
3
4
3
4
3
4
3
4
3
4
148
F
to G
Ice Bell
Perc. 2
Perc. 3
Perc. 4
Perc. 5
144
145
146
3 3
147
Sm. Concert Tom
B.D.
148
149
150
A T O M I C T I M E- p. 17

Picc.
Fl. 1
Fl. 2
4
3
4
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
4
3
4
one player
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
4
4
3
4
3
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
one player
Tuba
Timp.
Perc. 1
4
G to F
3
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
151
152
153
154
155
156
157
158
159
160
161
162
A T O M I C T I M E- p. 18

Picc.
Fl. 1
164 Flowing ( h = 90 )
2
solo
3
3
3
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
2
n
B Cl. 3
B. Cl.
n
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
2
B. Sx.
B Tpt. 1
B Tpt. 2
2
n
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
n
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
2
Vibraphone
hold pedal down
Glock.
Crotales
Perc. 5
163
164
165
166
167
168
169
170
171
172
A T O M I C T I M E- p. 19

Picc.
Fl. 1
Fl. 2
Ob.
3
3
175
tutti
3
3
3
3
3
3
3
3
3
3
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
tutti
Perc. 1
3
Perc. 2
Perc. 3
Perc. 4
Perc. 5
173
174
175
176
177
178
179
180
181
A T O M I C T I M E- p. 20

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
cresc. poco a poco
3
3
3
3
187
tutti
3
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
cresc. poco a poco
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
cresc. poco a poco
3
3
3
3
Hn. 2/4
Tbn. 1-2
cresc. poco a poco
B. Tbn.
Euph.
cresc. poco a poco
cresc. poco a poco
Tuba
Timp.
cresc. poco a poco
Perc. 1
Triangle
Perc. 2
Perc. 3
Sus. Cym.
w/ soft mall.
Perc. 4
Perc. 5
182
183
184
185
186
Sus. Cym.
w/ stick
187
188
189
A T O M I C T I M E- p. 21

Picc.
Fl. 1
3
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
3
4
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
3
4
3
4
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
190
191
192
193
China Cym.
w/ soft mall.
D-A-D-E
194
3
3
4
Chimes
Snare Dr.
on rim
195
Lg. Metal Coil
196
197
198
Xylo.
199
A T O M I C T I M E- p. 22

Picc.
Fl. 1
203
2
4
3
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
200
201
202
203
A to B
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
204
205
Splash Cym.
206
choke
207
Sm. Woodblock
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
208
209
2
4
2
4
2
4
2
4
Sus. Cym.
w/ soft mall.
Crotales
210
3
4
3
4
3
4
3
4
A T O M I C T I M E- p. 23

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
3
4
3
4
216
solo, cue cl.
solo
tutti
tutti
5
4
5
4
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
3
4
5
4
B Tpt. 1
B Tpt. 2
3
4
5
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
solo St. Mute
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
4
Splash Cym.
211
Snare Dr.
on rim
212
Lg. Metal Coil
213
214
215
216
Med. Woodblock
217
solo, cue tbn.
Vibraphone
no pedal
218
219
220
221
222
5
4
A T O M I C T I M E- p. 24

Picc.
Fl. 1
Fl. 2
Ob.
5
4
224
3
4
5
4
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
5
4
5
4
5
4
3
4
3
4
3
4
St. Mute
St. Mute
St. Mute
5
4
5
4
5
4
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
5
4
tutti
3
4
5
4
Perc. 2
Perc. 3
Med. Woodblock
Perc. 4
Perc. 5
223
224
225
226
227
Sus. Cym.
w/ soft mall.
228
choke
229
230
231
A T O M I C T I M E- p. 25

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
5
4
5
4
5
4
5
4
5
4
A-B-C-E
China Cym.
w/ stick
232
233
3
4
3
4
3
4
3
4
3
4
233
Sus. Cym.
w/ stick
234
235
236
237
4
4
4
4
4
B.D.
Sus. Cym.
w/ soft mall.
stick shot
238
3
4
3
4
3
4
3
4
3
4
on rim
choke
239
A T O M I C T I M E- p. 26

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Lg. Metal Coil
240
5
4
5
4
5
4
5
4
5
4
Crotales
241
242
4
4
4
4
4
Glock.
choke
Bongos
w/ sticks
242
open
open
3 3 3 3
3 3 3
243
3 3 3 3
3 3 3 3
Tambourine
Sus. Cym.
w/ soft mall.
244
3 3 3 3
3 3 3 3
3 3
245
3 3 3 3
open
open
open
3 3 3 3
A-B-D-F
246
A T O M I C T I M E- p. 27

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
3
3
Perc. 2
Perc. 3
Perc. 4
Perc. 5
247
248
249
250
251
Sus. Cym.
w/ soft mall.
252
253
A T O M I C T I M E- p. 28

Picc.
Fl. 1
Fl. 2
Ob.
3 3
3 3
3 3
3 3
3 3 3
3 3
3 3
3
3 3 3
3 3 3
258
3 3 3
3 3
3 3 3
3
4
Bsn. 1-2
B Cl. 1
B Cl. 2
3 3 3
3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3
4
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
3
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
3
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
3
Crotales
3
3
3
3
3
3 3
3
3
3
4
Lg. Metal Coil
Perc. 4
Perc. 5
B.D.
Crash Cym.'s
254
255
Crash Cym.'s
256
257
258
259
Sm. Concert Tom
260
261
A T O M I C T I M E- p. 29

Picc.
Fl. 1
Fl. 2
5
4
4
3
3
3 3 3
3
4
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Xylo.
5
4
5
4
5
4
5
4
4
4
4
4
B to C
3
3 3
3 3 3
3 3 3
3
3 3
3
4
3
4
3
4
3
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
262
263
264
265
266
267
Sus. Cym.
w/ soft mall.
268
A T O M I C T I M E- p. 30

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
269
3
4
3
4
3
3
3
3
3
3
3
3
3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
3
4
3
4
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
4
C to B
stick shot
Crotales
on rim
choke
269
Glock.
Lg. Metal Coil
270
271
272
273
274
275
A T O M I C T I M E- p. 31

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
3
molto rall.
3
3
3
3
3
Heavy ( q = 60 )
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Timp.
Perc. 1
Perc. 2
2 Brake Drums
dampen
Perc. 3
Perc. 4
Perc. 5
276
277
China Cym.
w/ soft mall.
278
279
B.D.
Sm. Concert Tom
280
281
A T O M I C T I M E- p. 32