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Cantor Arts Center & Anderson Collection Magazine | Spring - Summer 2023

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REALITY<br />

MAKES THEM<br />

DREAM<br />

AMERICAN PHOTOGRAPHY, 1929–1941<br />

MAR. 29–JUL. 30, <strong>2023</strong><br />

Freidenrich Family Gallery—221<br />

In the fall of 1930, Stanford<br />

biology professor Laurence Bass-<br />

Becking used a curious phrase<br />

to describe the photography<br />

of his friend Edward Weston:<br />

“Reality makes him dream.” In<br />

typical usage, the words “reality”<br />

and “dream” convey opposite<br />

meanings; the former does not readily lead to the latter. Few people<br />

today would associate dreaminess with this period of US history,<br />

yet Bass-Becking penned this statement one year into the economic<br />

turmoil that would last until the nation’s entry into World War II in<br />

December 1941.<br />

Nearly a century later, the time<br />

is ripe for a fresh look at the<br />

photography made in the crucible<br />

of the Great Depression. This<br />

exhibition presents more than<br />

100 photographs, periodicals,<br />

and photobooks made across<br />

the United States in the 1930s.<br />

Five photographers featured in<br />

the Capital Group Foundation<br />

Photography <strong>Collection</strong> at the <strong>Cantor</strong> <strong>Arts</strong> <strong>Center</strong>—Ansel Adams,<br />

John Gutmann, Helen Levitt, Wright Morris, and Edward Weston—are<br />

highlighted alongside a diverse selection of photographs by<br />

their contemporaries.<br />

6

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