Cantor Arts Center & Anderson Collection Magazine | Spring - Summer 2023
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REALITY<br />
MAKES THEM<br />
DREAM<br />
AMERICAN PHOTOGRAPHY, 1929–1941<br />
MAR. 29–JUL. 30, <strong>2023</strong><br />
Freidenrich Family Gallery—221<br />
In the fall of 1930, Stanford<br />
biology professor Laurence Bass-<br />
Becking used a curious phrase<br />
to describe the photography<br />
of his friend Edward Weston:<br />
“Reality makes him dream.” In<br />
typical usage, the words “reality”<br />
and “dream” convey opposite<br />
meanings; the former does not readily lead to the latter. Few people<br />
today would associate dreaminess with this period of US history,<br />
yet Bass-Becking penned this statement one year into the economic<br />
turmoil that would last until the nation’s entry into World War II in<br />
December 1941.<br />
Nearly a century later, the time<br />
is ripe for a fresh look at the<br />
photography made in the crucible<br />
of the Great Depression. This<br />
exhibition presents more than<br />
100 photographs, periodicals,<br />
and photobooks made across<br />
the United States in the 1930s.<br />
Five photographers featured in<br />
the Capital Group Foundation<br />
Photography <strong>Collection</strong> at the <strong>Cantor</strong> <strong>Arts</strong> <strong>Center</strong>—Ansel Adams,<br />
John Gutmann, Helen Levitt, Wright Morris, and Edward Weston—are<br />
highlighted alongside a diverse selection of photographs by<br />
their contemporaries.<br />
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