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Cantor Arts Center & Anderson Collection Magazine | Fall - Winter 2023

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WHAT’S NEW AT THE ANDERSON<br />

Sam Francis Centennial<br />

Through MAR. 3, 2024<br />

Born in San Mateo in 1923,<br />

Sam Francis began his painting<br />

career after a serious illness,<br />

contracted while training in<br />

the United States Army Air<br />

Corps, left him immobilized in<br />

a Northern California hospital.<br />

During his recuperation period,<br />

Francis studied with <strong>Anderson</strong><br />

<strong>Collection</strong> artist David Park,<br />

who later became a key figure<br />

of the Bay Area Figurative Movement. Painting became, for Francis, a<br />

“way back to life.” In the late 1940s, he returned to the University of<br />

California, Berkeley, to study painting and art history before moving<br />

to Paris in 1950, where he remained for 12 years. He first traveled<br />

to Japan in 1957 and subsequently spent significant periods of his<br />

life there. Throughout the 1950s and 1960s, Francis was one of his<br />

generation’s most well-known American artists in Western Europe<br />

and Japan.<br />

The exhibition highlights Francis’ multifaceted connection to Palo<br />

Alto and the <strong>Anderson</strong> family. Though he was familiar with this area as<br />

it was his birthplace, it was not until the early 1970s that Francis began<br />

making frequent trips to Palo Alto from his home in Santa Monica to<br />

create prints at 3EP Ltd., a printing press founded by gallerist Paula<br />

Kirkeby, artist Joseph Goldyne,<br />

and collector Mary Margaret<br />

“Moo” <strong>Anderson</strong>. In 1986,<br />

Francis established a studio<br />

near Stanford University in a<br />

former spray shop for cars that<br />

he transformed into a work<br />

sanctuary. Francis’ artistic<br />

output energized Palo Alto for<br />

decades, and his work became<br />

widely represented in local<br />

collections, including the <strong>Anderson</strong> family’s. Two Francis paintings<br />

were part of the original 121 works gifted to Stanford by Moo and<br />

Harry W. “Hunk” <strong>Anderson</strong> and their daughter, Mary Patricia “Putter”<br />

<strong>Anderson</strong> Pence.<br />

This exhibition is organized by the <strong>Anderson</strong> <strong>Collection</strong> at Stanford University, with research and writing by Emily Chun, PhD<br />

candidate in art history. We gratefully acknowledge the lenders and support from the Sam Francis Foundation, museum members,<br />

and the <strong>Anderson</strong> family. We thank Mitchell Johnson, Stefan Kirkeby, Nancy Mozur, Putter Pence, and John Seed for their<br />

participation. IMAGES: Sam Francis, Red in Red, 1955, oil on canvas, 2014.1.011 • Sam Francis, The Beaubourg, 1977, acrylic<br />

on canvas, 2014.1.053. Both works: <strong>Anderson</strong> <strong>Collection</strong> at Stanford University, Gift of Harry W. and Mary Margaret<br />

<strong>Anderson</strong>, and Mary Patricia <strong>Anderson</strong> Pence. © Sam Francis Foundation, California / Artists Rights Society (ARS), NY<br />

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