Cantor Arts Center & Anderson Collection Magazine | Fall - Winter 2023
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
WHAT’S NEW AT THE ANDERSON<br />
Sam Francis Centennial<br />
Through MAR. 3, 2024<br />
Born in San Mateo in 1923,<br />
Sam Francis began his painting<br />
career after a serious illness,<br />
contracted while training in<br />
the United States Army Air<br />
Corps, left him immobilized in<br />
a Northern California hospital.<br />
During his recuperation period,<br />
Francis studied with <strong>Anderson</strong><br />
<strong>Collection</strong> artist David Park,<br />
who later became a key figure<br />
of the Bay Area Figurative Movement. Painting became, for Francis, a<br />
“way back to life.” In the late 1940s, he returned to the University of<br />
California, Berkeley, to study painting and art history before moving<br />
to Paris in 1950, where he remained for 12 years. He first traveled<br />
to Japan in 1957 and subsequently spent significant periods of his<br />
life there. Throughout the 1950s and 1960s, Francis was one of his<br />
generation’s most well-known American artists in Western Europe<br />
and Japan.<br />
The exhibition highlights Francis’ multifaceted connection to Palo<br />
Alto and the <strong>Anderson</strong> family. Though he was familiar with this area as<br />
it was his birthplace, it was not until the early 1970s that Francis began<br />
making frequent trips to Palo Alto from his home in Santa Monica to<br />
create prints at 3EP Ltd., a printing press founded by gallerist Paula<br />
Kirkeby, artist Joseph Goldyne,<br />
and collector Mary Margaret<br />
“Moo” <strong>Anderson</strong>. In 1986,<br />
Francis established a studio<br />
near Stanford University in a<br />
former spray shop for cars that<br />
he transformed into a work<br />
sanctuary. Francis’ artistic<br />
output energized Palo Alto for<br />
decades, and his work became<br />
widely represented in local<br />
collections, including the <strong>Anderson</strong> family’s. Two Francis paintings<br />
were part of the original 121 works gifted to Stanford by Moo and<br />
Harry W. “Hunk” <strong>Anderson</strong> and their daughter, Mary Patricia “Putter”<br />
<strong>Anderson</strong> Pence.<br />
This exhibition is organized by the <strong>Anderson</strong> <strong>Collection</strong> at Stanford University, with research and writing by Emily Chun, PhD<br />
candidate in art history. We gratefully acknowledge the lenders and support from the Sam Francis Foundation, museum members,<br />
and the <strong>Anderson</strong> family. We thank Mitchell Johnson, Stefan Kirkeby, Nancy Mozur, Putter Pence, and John Seed for their<br />
participation. IMAGES: Sam Francis, Red in Red, 1955, oil on canvas, 2014.1.011 • Sam Francis, The Beaubourg, 1977, acrylic<br />
on canvas, 2014.1.053. Both works: <strong>Anderson</strong> <strong>Collection</strong> at Stanford University, Gift of Harry W. and Mary Margaret<br />
<strong>Anderson</strong>, and Mary Patricia <strong>Anderson</strong> Pence. © Sam Francis Foundation, California / Artists Rights Society (ARS), NY<br />
8