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Angelus News | March 22, 2024 | Vol. 9 No. 6

On the cover: To cap off a nearly five-decades-long career working in Church communications, Francis X. Maier had an ambitious book idea: a ‘snapshot’ of the Church in America at this time in history that captured both its strengths and its sicknesses. On Page 10, Maier shares what he took away from hearing more than 100 “confessions”’ with American Catholic leaders for the project. On Page 20, John L. Allen Jr. offers his own diagnosis of the uneasy relationship between U.S. Catholics and Rome during the Pope Francis pontificate.

On the cover: To cap off a nearly five-decades-long career working in Church communications, Francis X. Maier had an ambitious book idea: a ‘snapshot’ of the Church in America at this time in history that captured both its strengths and its sicknesses. On Page 10, Maier shares what he took away from hearing more than 100 “confessions”’ with American Catholic leaders for the project. On Page 20, John L. Allen Jr. offers his own diagnosis of the uneasy relationship between U.S. Catholics and Rome during the Pope Francis pontificate.

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NOW PLAYING DUNE: PART II<br />

A TRAGIC MAHDI-FICATION<br />

The box office hit has plenty to get excited about,<br />

but makes a lazy, weak argument against religion.<br />

Timothée Chalamet as Paul<br />

Atreides in “Dune: Part II.”<br />

| IMDB<br />

BY MSGR. RICHARD ANTALL<br />

What’s not to like about<br />

“Dune: Part II”?<br />

The sequel to Denis Villeneuve’s<br />

2021 box office hit features<br />

special effects that would have amazed<br />

us only a few years ago, set in a complicated,<br />

not-so-brave world created by<br />

the visionary late science fiction writer<br />

Frank Herbert, author of the “Dune”<br />

novels. The story weaves a tapestry<br />

of themes and references to history,<br />

religion, technology, political intrigue,<br />

ecology, and even, ironically, mystical<br />

powers.<br />

It is sometimes alleged that popular<br />

culture has a tendency toward the<br />

simplest and away from the complicated,<br />

but “Dune,” with its generations of<br />

fans, is a counterexample.<br />

Herbert himself admitted allusions to<br />

Arthurian tales in his personal “Dune”<br />

universe. But others include the<br />

feudal civilization of the Holy Roman<br />

Empire, colonialism as it played out in<br />

Islamic countries (think Lawrence of<br />

Arabia), a world economy dependent<br />

on unevenly distributed energy sources,<br />

a religious caste of women with<br />

unusual powers who represent a kind<br />

of deep state power behind the thrones<br />

of the great families that, in unceasing<br />

rivalry, play games with the balance of<br />

cosmic power.<br />

Like the first installment, this year’s<br />

sequel is mostly set in Arrakis, a desert<br />

planet rich with a precious natural<br />

resource: “Spice” not only powers<br />

space travel but can also open human<br />

consciousness to knowledge of the past<br />

and future. The planet’s indigenous<br />

have taken refuge from their colonizing<br />

oppressors in its cliffs and caves,<br />

while finding ways to survive without<br />

virtually any water.<br />

The movie plays down some of the<br />

Islamic references (the book talked<br />

about jihad and mujahidin, but moviegoers<br />

probably have enough uncomfortable<br />

memories of Afghanistan) but<br />

Paul Atreides (played by Timothée<br />

Chalamet) is still recognized as the<br />

“Mahdi,” the same word for the messianic<br />

savior traditionally awaited by<br />

Shiite Muslims.<br />

28 • ANGELUS • <strong>March</strong> <strong>22</strong>, <strong>2024</strong>

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