Art manual

Traveling through detail

I N T R O D U C T I O N
To travel through detail is to find beauty in places through the detail that
makes them different. It is a journey that narrates the passing of time and
the transition from a nucleus that gives rise to everything to the magnificence
of the created, the tangible and everything that is perceived. It is a
narrative of the lived where each part accumulates to give way to a new
vision of what we are and the traces we will leave.
F E R E N C E S
Traveling through detail
Andrea Zabala - Laura Zamudio
2018

I N D E X
R E F E R E N C E S
The Weft of the Living Beat..............................................................................................................4
Tangible Communication-................................................................................................................6
Harmonious Dance........................................................................................................................8
Prestigious Heritage.....................................................................................................................10
References.................................................................................................................................13

It is to understand that when objects decompose they show their most fundamental
part, where the essence itself is found within the detail that composes
it. The appearance of a base that sustains everything, a center that gives
origin and explains how we are the result of an endless number of ribs that
have been spreading and adapting. A delicate system of small parts that
lead through each thread, experiences, stories, events, etc.
T H E W EFT OF T H E
(purity
of material)
L I V I N G B E A T
4

C O M M U N I C A T I O N
T A N G I B L E
"Incluso en la etapa de principiante, el tacto de la fibra y la forma en
que reaccionan entre sí transmiten un mensaje del dedo al cerebro
que nunca se olvida". - Angela Thompson -
It is the understanding of the world from the material. It is to
translate the sensitive into something concrete and physical that
erases the line between touch and understanding of what
surrounds us.
6

H A R M O N I O U S D A N C
E(Dialogue
From the communication between the elements of the composition, this
begins to leave the physical plane to give way to the understanding of the
essence of the work that is observed through the orientation, distance and the
overlapping present between the elements. It becomes a harmonious dance
where each element within the composition acquires a weight according to
its meaning through the scale, volume and perspective of each one achieving
the creation of new narratives.
between elements)
8

P R E S T I G I O U S
H E R I T A G
E(Timelessness)
The existence of narratives that become omnipresent where
simultaneity and the transcendence of time acquire a tangible
dimension. It is the capacity of a narrative to endure in time.

T H E W E L F O F T H E L I V I N G B E A T
1
3
2
I N T R O D U C T I O N
5
4
R E F E R E N C E S
1
L. N. (n.d.). Cryptocoryne [Digital image]. Recuperada el 10 de Abril, 2018, de https://i.pinimg.com/originals/90/9c/e9/909ce9d37daa0729f9c88d81cd0659bf.jpg
2 Beginning of a String [Digital image]. (n.d.). Recuperada el 10 de Abril, 2018, de https://i.pinimg.com/originals/2c/61/8d/2c618db9f93458c7f2a20799b6e2c733.jpg
3 [Macro photography macro]. (n.d.). Recuperada el 11 de Abril, 2018, de https://i.pinimg.com/originals/1b/30/e6/1b30e621c31ad7e6086e46a3f773b0cb.jpg
4 L. H. (2017). Geology [Digital image]. Recuperada el 11 de Abril, 2018, de https://pro2-bar-s3-cdn-cf3.myportfolio.com/32a42d6c13365e6943fe67016fb56ee2/e126d8b07c9db7bf3d385abe_rw_1920.jpg?h=73061febb7f28d3db
697865321716ef6
5
One Love One Life. (n.d.). Recuperado Abril 14, 2018, de http://onelovemorelifes.tumblr.com/post/61835056977
13

T A N T G A N I B G L E I B C L E O C M O U M N U I C N A I T C I A O T N I O N
H A H R M A R O M N O I O N U I O S U D S A D N A C N E C E
1
1
2
3
3
2
4
5
6
5
4
1
[Cuerda anudada]. (n.d.). Recuperada el 11 de Abril, 2018, de https://i.pin -
img.com/564x/ed/68/28/ed68289e2e8c56c84b3bd97e97320f05.jpg
2 K. (n.d.). Bisti Badlands Wood [Digital image]. Recuperado el 10 de Abril, 2018, de https://i.pinimg.com/originals/20/f1/cd/20f1cdff3c8ee8aff9424be973ba1ba4.jpg
3 Fungi Texture. (n.d.). Recuperado Abril 14, 2018, de https://i.pinimg.com/originals -
/74/66/af/7466afad8975096184e016f5be42fa38.jpg
4 Gelety, N. (n.d.). Leaves. Recuperado el 14 de Abril, 2018, de https://co.pinimg.com/pin/381961612132408197/
-
5 L. H. (2017). [Tejido en hilos de cobre]. Recuperada el 11 de Abril, 2018, de https://pro2-bar-s3-cdn-cf3.myportfo
lio.com/32a42d6c13365e6943fe67016fb56ee2/e126d8b07c9db7bf3d385abe_rw_1920.jpg?h=73061febb7f28d3db
-
697865321716ef6
1
[Tapiz en telar]. (n.d.). Recuperado el 11 de Abril, 2018, de https://img.ifun01.com/images/2017/12/20/23/3533_IaZsYj_3yhRf9.jpeg!r800x0.jpg
2 . W. (n.d.). [Superficie de textile]. Recuperado el 10 de Abril, 2018, de https://i.pinimg.com/236x/8f/2e/8d/8f2e8dc15ae7a9705253a010cc67c61f--little-stitch-textile-design.jpg
3 O. D. (n.d.). Joyas a la vista [Digital image]. Recuperado el 11 de Abril, 2018, de https://i.pinimg.com/564x/2b/51/5a/2b515a2c171eaa0ac64b6ef16d5df53b--feuille-dor-the-louise.jpg
4 L. H. (n.d.). [Explorocacion textile]. Recuperado el 10 de Abril, 2018, de https://pro2-bar-s3-cdn-cf3.myportfolio.com/32a42d6c13365e6943fe67016fb56ee2/e126d8b07c9db7bf3d385abe_rw_1920.jpg?h=73061febb7f28d3db
697865321716ef6
5 O. D. (n.d.). [Tapis]. Recuperado el 11 de Abril, 2018, de https://i.pinimg.com/736x/2a/c4/fa/2ac4-
fa1e539367d22b4b00d7fd82e00f.jpg
6 R. K. (n.d.). [Tapis]. Recuoerado el 10 de Abril, 2018, de https://i.pinimg.com/736x/a2/7c/d1/a27cd1ee5cc24dc35c71741659494fbd--textile-texture-art-textile.jpg

P R E S T I G I O U S H E R I T A G E
1
2
4
3
7
9
5
6
8
10
11
1
Sierra Nevada de Santa Marta [NASA]. (n.d.). Recuperado el 11 de Abril, 2018, de https://mork.nyugat.hu/Scopes/nyugat2015/var//improxy/NyugatWXGAPicture/52/03/520384_sierra_nevada_de_santa_marta_eszak_kolumbia.jpg
2 Alarcón, L. B. (2015, May 03). Dos ecosistemas [Digital image]. Recuperado el 10 de Abril, 2018, de http://www.eltiempo.com/contenido///estilo-de-vida/ciencia/IMAGEN/IMAGEN-16185315-2.png
3 [Close up de un tejido]. (n.d.). Recuperado el 11 de Abril, 2018, de https://d2gg9evh47fn9z.cloudfront.net/800px_COL-
OURBOX20235465.jpg
4 C. (n.d.). [Paisaje montaña]. Recuperado el 10 de Abril, 2018, de https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcSF9hXV1KziElBoPZMgKh_dUmM5zIyr-gLgJt-0xbIc5-oRfqA
5 Mica with distressed plaster [Digital image]. (n.d.). Recuperado el 11 de Abril, 2018, de https://i.pinimg.com/originals/d2/d3/94/d2d3945895c0c48883404aa5e439d9ab.jpg
6 S. H. (n.d.). Cabo de la Vela [Photograph].
7
S. B. (n.d.). La botica en la huerta [Digital image]. Recuperado el 10 de Abril, 2018, de https://www.saviabotanica.com/wp-content/uploads/2017/11/Andina-alta2.jpg
8 [Corteza natural]. (n.d.). Recuperado el 11 de Abril, 2018, de https://pbs.twimg.com/media/CnMJVPBWAAAcHGP.jpg
9 [Fotografía aerea]. (n.d.). Recuperado el 10 de Abril, 2018, de https://s-media-cache-ak0.pinimg.com/originals/1a/83/5f/1a835f3723a8a8060f822035f5456ec2.jpg
10 J. M. (n.d.). Flor de la Sierra [Photograph]. La Sierra Nevada de Santa Marta.
11 Flora y Fauna de la Sierra [Digital image]. (n.d.). Recuoerado el 11 de Abril, 2018, de http://www.viajandox.com.co/uploads/Frailejones_2.jpg
Traveling through detail
2018