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Frances: What do I need to forget though? What really happened! Father it's really hurting me the demon, what should I do? Father perhaps you are right. Perhaps I should leave. The pain is becoming unbearable. Father: Frances I am speaking the words of the Lord, the Lord is always right.
Scene 4: It is Friday the 15 th of July. Frances turns up to confession Peter is not there. He is selfishly gone to dinner with his family and to receive a present and is absent from his diocese and duties. Frances: Father are you here? Father! Can you hear me? I haven't gone yet, I thought I'd say goodbye. Father! Frances looks at her stomach and feels it with her hands. Frances: I think the demon is finally starting to take me over father. I am not going to allow it to. Frances leaves, but really stays on stage. She has a hang man's rope and ties it around her neck, stands on a chair (the litany of the saints is played to symbolise how Peter sacrificed her for the priesthood) and then after a few seconds steps down. She takes her own life. She thinks the demon is going to do it (the baby) and she will not let it have that control over her. Frances symbolically exits through the audience descending to heaven/the beyond, as she leaves she sings this song: "When you were born you cried, and the world rejoiced .... Live your life so that when you die the world cries and you rejoice "
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Page 3 and 4: What you could have done, you did n
Page 5 and 6: Pro/offY:_e: A lane. Warm lights co
Page 7 and 8: not that long really. I want to fin
Page 9: Peter: Frances, perhaps your sins a
Page 13 and 14: Brushstrokes by Cian Nugent McGealy
Page 15 and 16: Arthur wakes up. ARTHUR: Quarter to
Page 17 and 18: Arthur: Silence He doesn't seem to
Page 19 and 20: Arthur: Why's he looking at me. Jac
Page 21 and 22: Arthur: It's the dead of night here
Page 23 and 24: NOIR 2000 A Play by Luke Shanahan
Page 25 and 26: LUCY Get back out there and act! (L
Page 27 and 28: to entrap here (MARK walks to downs
Page 29 and 30: [Mark looks offended but in a over-
Page 31 and 32: [MARK walks backwards and puts his
Page 33 and 34: MARK {slowly} The manager, the othe
Page 35 and 36: LUCY (huge sigh whilst throws arms
Page 37 and 38: [pause] LUCY Then leave!- MARK NO!-
Page 39 and 40: LUCY Ladies and Gentlemen, well. On
Page 41 and 42: Characters: David, fifty years old,
Page 43 and 44: ELLIOT: How come? DAVID: I'm having
Page 45 and 46: DAVID: I don't remember anything. E
Page 47 and 48: DAVID: Stop. Don't go any further.
Page 49 and 50: ELLIOT: I tried to put a whole ocea
Page 51 and 52: See, I knew I was right. I'm always
Page 53 and 54: Setting: Key: (cast directions) *cr
Page 55 and 56: Scene 2 -father can show no true em
Page 57 and 58: FATHER: Call me Dad, and don't inte
Page 59 and 60: Scene 3 {Clara on phone) CLARA: Max
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Scene 5 *houselights up, very dim*
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Spiderweb by Ruairi Nicholl
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T: OK, since it appears you won't b
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(Sean glares) T: Come on Sean. That
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T: (looks out to audience in a "wha
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SC2 (Same set setup as before. Ligh
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• floorboards. (pause) Actually,
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same ... the same shame. (Therapist
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A Cuppa Tea and Papayas by Dove Cur
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Scene I. In a classroom at school.
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Darren's birthday is coming up soon
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ALEX Oh. Silence ALEX At least he a
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Possession by Sean Farrelly
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LIGHTS ARE DIMMED MARY stands stage
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MARY: JOHN: MARY: NO! They're not g
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STEPHANIE: WILLIAM: STEPHANIE: No,
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STEPHANIE: WILLIAM: STEPHANIE: WILL
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