31.12.2012 Views

Elements of Literature - Holt McDougal

Elements of Literature - Holt McDougal

Elements of Literature - Holt McDougal

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>McDougal</strong> Littell<br />

corrrelated to<br />

<strong>Holt</strong><br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Grade 11<br />

8/2001<br />

2001


<strong>Holt</strong>’s <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong> © 2000<br />

<strong>McDougal</strong> Littell’s Language Network © 2001<br />

How to use this correlation<br />

GRADE 11<br />

Users <strong>of</strong> <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong> will appreciate this convenient guide to grammar, writing, and communication<br />

skills supplementary instruction in <strong>McDougal</strong> Littell’s Language Network.<br />

The correlation is organized by selection, so that as you work your way through the literature in<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong>, you know exactly where to go in Language Network for skills instruction in<br />

common grammar concepts, writing skills, vocabulary acquisition, critical thinking skills; and for help<br />

with projects such as giving speeches, creating multimedia projects, interviewing, and much more.<br />

Convenient quick reference<br />

A few regular features in <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong> can be supported with the same Language Network chapter<br />

or pages consistently throughout the program. As a convenient guide for you, these features are listed<br />

below in a quick reference, rather than listed with selections.<br />

Selection Features in <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong> Supplement with Language Network<br />

Making Meanings Evaluating Information, pp. 479–497<br />

Post-reading, critical thinking questions<br />

that follow every selection<br />

Writer’s Notebook Prewriting, pp. 292–293<br />

After selections students jot down<br />

ideas to apply later in a Writer’s<br />

Workshop<br />

1


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 1: VISIONS AND VOYAGES<br />

from Of Plymouth Plantation, p. 26<br />

Writing<br />

• Collect Ideas for Writing a Autobiographical<br />

Incident, p. 36<br />

• Write an Essay Contrasting Two Writers’<br />

Purposes and Audiences, p. 36<br />

Vocabulary<br />

• Use a Dictionary, p. 37<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Reflective Essay,<br />

pp. 382-389<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Patterns <strong>of</strong> Organization: Comparison and<br />

Contrast, p. 310<br />

Make the Transition: Comparison and Contrast,<br />

p. 315<br />

Arranging Details: Comparison and Contrast,<br />

p. 326<br />

Transitions: Show Comparison and Contrast,<br />

p. 330<br />

Organizing and Outlining: Choosing an<br />

Organizational Pattern, pp. 452-453<br />

Dictionary as a Vocabulary Source, pp. 555-557<br />

Grade 11, Collection 1 3


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

from A Narrative <strong>of</strong> the Captivity, p. 38<br />

Writing<br />

• Reflect on Personal Experiences, p. 47<br />

• Write an Essay Comparing Texts, p. 47<br />

• Research and Write a Journal Entry from a<br />

Specified Point <strong>of</strong> View, p. 47<br />

Vocabulary<br />

• Connotations, p. 46<br />

4 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Reflective Essay,<br />

pp. 382-389<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Patterns <strong>of</strong> Organization: Comparison and<br />

Contrast, p. 310<br />

Make the Transition: Comparison and Contrast,<br />

p. 315<br />

Arranging Details: Comparison and Contrast,<br />

p. 326<br />

Transitions: Show Comparison and Contrast,<br />

p. 330<br />

Organizing and Outlining: Choosing an<br />

Organizational Pattern, pp. 452-453<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Putting Connotations to Work, p. 367<br />

Choosing Appropriate Connotations, p. 378<br />

Slanted Language: Denotation and Connotation,<br />

pp. 448-449<br />

Denotation and Connotation, p. 554


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

The Southern Planters, p. 48<br />

Writing<br />

• Make a List <strong>of</strong> Descriptive Phrases Associated<br />

with an Experience, p. 55<br />

• Write an Essay Comparing and Contrasting<br />

Two Writers, p. 55<br />

• Write a Journal Entry from a Specified Point <strong>of</strong><br />

View, p. 55<br />

ENRICHING WITH<br />

Language Network<br />

Descriptive Writing, pp. 312-313<br />

Writing Workshop: Reflective Essay, pp. 382-389<br />

Writing Workshop; Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Patterns <strong>of</strong> Organization: Comparison and<br />

Contrast, p. 310<br />

Make the Transition: Comparison and Contrast,<br />

p. 315<br />

Arranging Details: Comparison and Contrast,<br />

p. 326<br />

Transitions: Show Comparison and Contrast,<br />

p. 330<br />

Organizing and Outlining: Choosing an<br />

Organizational Pattern, pp. 452-453<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Grade 11, Collection 1 5


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

from The Interesting Narrative <strong>of</strong> the<br />

Life <strong>of</strong> Olaudah Equiano, p. 57<br />

Writing<br />

• Write an Autobiographical Incident, p. 66<br />

• Write an Essay Comparing and Contrasting<br />

Two Authors’ Experiences, p. 66<br />

• Write a Children’s Book About the African<br />

American Experience, p. 66<br />

6 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Reflective Essay,<br />

pp. 382-389<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Patterns <strong>of</strong> Organization: Comparison and<br />

Contrast, p. 310<br />

Make the Transition: Comparison and Contrast,<br />

p. 315<br />

Arranging Details: Comparison and Contrast,<br />

p. 326<br />

Transitions: Show Comparison and Contrast,<br />

p. 330<br />

Organizing and Outlining: Choosing an<br />

Organizational Pattern, pp. 452-453<br />

Writing Workshop: Short Story, pp. 434-443


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 2: THE EXAMINED LIFE<br />

Here Follow Some Verses upon the<br />

Burning <strong>of</strong> Our House, July 10, 1666,<br />

p. 68<br />

Writing<br />

• Write About a “Baptism by Fire,” p. 71<br />

• Write an Essay Discussing an Author’s Attitude,<br />

p. 71<br />

Huswifery, p. 73<br />

Writing<br />

• Write an Essay Comparing Two Extended<br />

Metaphors, p. 74<br />

from Sinners in the Hands <strong>of</strong> an Angry<br />

God, p. 78<br />

Writing<br />

• Freewrite About an Autobiographical Incident,<br />

p. 83<br />

• Write an Essay Comparing Texts, p. 83<br />

• Write a Script <strong>of</strong> a Conversation, p. 83<br />

Speaking and Listening<br />

• Participate in a Panel Discussion<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Reflective Essay,<br />

pp. 382-389<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Tone, pp. 371-373<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Metaphor, pp. 369<br />

Autobiographical Writing, pp. 382-389<br />

Writing Process Overview: Developing Ideas,<br />

p. 292<br />

Prewriting: Read and Reread, p. 401<br />

Prewriting: Find an Idea, p. 437<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Dramatic Scene, pp. 439-441<br />

Group Communication, pp. 507-509<br />

Group Participation Guidelines, p. 512<br />

Grade 11, Collection 2 7


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

from The Autobiography, p. 85<br />

Writing<br />

• Freewrite About a Character Trait, p. 98<br />

• Write an Essay Comparing and Contrasting<br />

Two Authors, p. 98<br />

• Create an Almanac, p. 98<br />

8 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Writing Process Overview: Developing Ideas,<br />

p. 292<br />

Prewriting: Read and Reread, p. 401<br />

Prewriting: Find an Idea, p. 437<br />

Writing Workshop: Short Story, pp. 434, 437<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Almanac, p. 344


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 3: THE AMERICAN DREAM<br />

Speech to the Virginia Convention,<br />

p. 101<br />

Writing<br />

• Write About a Personal Turning Point, p. 105<br />

• Compare and Contrast Two Speeches, p. 105<br />

from The Autobiography: The<br />

Declaration <strong>of</strong> Independence, p. 115<br />

Writing<br />

• Freewrite About the Benefits and Burdens <strong>of</strong><br />

Freedom, p. 125<br />

• Write a Summary <strong>of</strong> the Theme, p. 125<br />

The American Language:<br />

“Revolutionary” English, p. 127<br />

Speaking and Listening<br />

• Participate in a Panel Discussion, p. 125<br />

Vocabulary<br />

• Word Roots, p. 129<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Reflective Essay,<br />

pp. 382-389<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Oral Communication, pp. 499-505<br />

Writing Process Overview: Developing Ideas,<br />

p. 292<br />

Prewriting: Read and Reread, p. 401<br />

Prewriting: Find an Idea, p. 437<br />

Summary/Main idea, pp. 287<br />

Paragraphs at a Glance: Sharpen the Point,<br />

p. 314<br />

Unity Within Paragraphs: Main Idea, p. 323<br />

Unity Within a Composition: Main Idea, p. 324<br />

Effective Single Paragraphs, pp. 306-308<br />

Group Communication, pp. 507-509<br />

Group Participation Guidelines, p. 512<br />

Word Roots, pp. 548-550<br />

Grade 11, Collection 3 9


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Writer’s Workshop: Autobiographical<br />

Incident, p. 130<br />

• Write an Autobiographical Narrative,<br />

pp. 130-132<br />

Speaking and Listening<br />

• Participate in a Panel Discussion, p. 129<br />

Grammar–Language Workshop:<br />

Coordinating Conjunctions, p. 133<br />

• Revise Short, Choppy Sentences, p. 133<br />

Reading for Life: Monitoring Your<br />

Reading, p. 134<br />

Vocabulary<br />

• Context Clues, p. 134<br />

10 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Paragraphs in Longer Works, pp. 312-313<br />

Writing Workshop: Reflective Essay, pp. 382-389<br />

Writing Workshop: Eyewitness Report,<br />

pp. 390-396<br />

Writing Workshop: Short Story, pp. 434-443<br />

Group Communication, pp. 507-509<br />

Group Participation Guidelines, p. 512<br />

Coordinating Conjunctions, pp. 21<br />

Kinds <strong>of</strong> Clauses, pp. 78-79<br />

Sentence Structure, p. 88<br />

Run-On Sentences, pp. 92, 267<br />

Commas with Compound Sentences, p. 228<br />

Eliminating Comma Splices, p. 230<br />

Semicolons and Colons, p. 249<br />

Combine with Conjunctions, p. 353<br />

Revising Sentences, pp. 278-281, 352-355<br />

Sentence Combining, p. 353<br />

Context Clues, pp. 546-547<br />

Test Items: Vocabulary and Usage, p. 582


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Learning for Life: Researching the<br />

Immigrant Experience, p. 135<br />

• Research the Experiences <strong>of</strong> One or More<br />

Immigrant Groups, p. 135<br />

Speaking and Listening<br />

• Write and Present an Original Play, p. 135<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop; Research Report,<br />

pp. 444-459<br />

Writing Dramatic Scene, pp. 439-441<br />

Punctuation in Drama, pp. 258-259<br />

Grade 11, Collection 3 11


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Rip Van Winkle, p. 153<br />

Writing<br />

• Write an Essay Analyzing Conflict, p. 167<br />

• Write an Epilogue on the Story, p. 167<br />

• Write a Futuristic News Article, p. 167<br />

• Compile a Missing-Person Dossier on Rip Van<br />

Winkle, p. 167<br />

Vocabulary<br />

• Context Clues, p. 168<br />

Thanatopsis, p. 170<br />

Writing<br />

• Write a Letter <strong>of</strong> Response from the Point <strong>of</strong><br />

View <strong>of</strong> Another Author, p. 174<br />

The Tide Rises, the Tide Falls, p. 176<br />

The Cross <strong>of</strong> Snow, p. 178<br />

Writing<br />

• Write an Essay Comparing and Contrasting<br />

Two Poems, p. 180<br />

ENRICHING WITH<br />

Language Network<br />

COLLECTION 4: THE TRANSFORMING IMAGINATION<br />

12 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Short Story, pp. 434-443<br />

Options for Publishing, pp. 299-301<br />

Writing Workshop: Short Story, pp. 434, 437<br />

Context Clues, pp. 546-547<br />

Test Items: Vocabulary and Usage, p. 582<br />

Letter, pp. 234-235, 250<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Poetry, pp. 439-440


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

from Snow-Bound: A Winter Idyll,<br />

p. 182<br />

Writing<br />

• Identify Sensory Images, p. 186<br />

The Chambered Nautilus, p. 188<br />

Old Ironsides, p. 190<br />

Writing<br />

• Freewrite on the Use <strong>of</strong> Metaphor and Symbol<br />

in a Poem, p. 193<br />

• Write an Essay Discussing the Message <strong>of</strong> a<br />

Poem , p. 193<br />

• Research and Write a Historical Story for<br />

Children, p. 193<br />

• Write a Meditative Poem, p. 193<br />

The American Language: “Noah’s Ark”:<br />

Webster’s Dictionary, p. 195<br />

Vocabulary<br />

• American Spelling, p. 195<br />

• Webster’s Dictionary, p. 196<br />

ENRICHING WITH<br />

Language Network<br />

Sensory Details, pp. 338<br />

Common Types <strong>of</strong> Elaboration: Sensory Details,<br />

p. 334<br />

Elaboration at a Glance: Sensory Details, p. 344<br />

Elaboration Techniques, p. 389<br />

Writing Process Overview: Developing Ideas,<br />

p. 292<br />

Prewriting: Read and Reread, p. 401<br />

Prewriting: Find an Idea, p. 437<br />

Metaphor, pp. 369; Symbol, pp. 368<br />

Using Figurative Language, p. 285<br />

Details That Enrich Writing, pp. 338-339<br />

Figurative Language: Imagery and Symbolism,<br />

p. 368<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Short Story, pp. 434-443<br />

Writing Poetry, pp. 439-440<br />

Development <strong>of</strong> American English, pp. 565-566<br />

Dictionary as Vocabulary Source, pp. 555-557<br />

Grade 11, Collection 4 13


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Writer’s Workshop: Analyzing a Literary<br />

Work, p. 198<br />

• Write an Essay Analyzing <strong>Elements</strong> <strong>of</strong> a<br />

Literary Work, pp. 198-200<br />

Grammar–Language Workshop:<br />

Inserting Modifiers, p. 201<br />

• Combine Sentences Using Modifiers, p. 201<br />

Learning for Life: Environmental Concerns,<br />

p. 203<br />

Writing<br />

• Create an Advertising Campaign, p. 203<br />

Speaking and Listening<br />

• Make a Video Documentary, p. 203<br />

14 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Adjective and Adverbs, pp. 16-17<br />

Modifiers, pp. 180-199<br />

Sentence Combining, pp. 138-139, 352-354<br />

Varying Sentence Structure, p. 281<br />

Advertisements, p. 527<br />

Advertising Appeals, pp. 489-490<br />

Becoming Media Aware: Recognizing Media<br />

<strong>Elements</strong>, p. 516-518<br />

Identifying Persuasion in the Media, p. 520<br />

Analyzing Media Persuasion, pp. 522-523<br />

Multimedia Presentation, pp. 535-538


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 5: THE LIFE WORTH LIVING<br />

from Nature, p. 218<br />

from Self-Reliance, p. 224<br />

Writing<br />

• Write an Essay Responding to a Quotation,<br />

p. 229<br />

Vocabulary<br />

• Context Clues, p. 228<br />

from Walden, or Life in the Woods,<br />

p. 232<br />

Writing<br />

• Write an Essay Analyzing the Presence <strong>of</strong><br />

Romantic Tenets in Walden, p. 247<br />

• Write and Essay Supporting a Topic Sentence,<br />

p. 247<br />

Speaking and Listening<br />

• Research and Report on Some Nature Issues<br />

Mentioned By Thoreau, p. 247<br />

ENRICHING WITH<br />

Language Network<br />

Writing workshop: Reflective Essay, pp. 382-389<br />

Context Clues, pp. 546-547<br />

Test Items: Vocabulary and Usage, p. 582<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Topic Sentence, pp. 307, 319-320<br />

Unity Within a Composition, p. 324<br />

Reordering Paragraphs, p. 351<br />

Research Report, pp. 444-459<br />

Oral Presentation, pp. 503-506<br />

Grade 11, Collection 5 15


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

from Resistance to Civil Government,<br />

p. 248<br />

Writing<br />

• Define an Issue and Clarify Your Position,<br />

p. 258<br />

• Write a Brief Essay Supporting or Opposing an<br />

Opinion Statement, p. 258<br />

• Write an Essay Comparing and Contrasting<br />

Texts, p. 258<br />

Vocabulary<br />

• Determine Precise Meaning <strong>of</strong> Words, p. 257<br />

Speaking and Listening<br />

• Write and Perform a One Scene Play, p. 258<br />

• Research and Present an Oral Report on Some<br />

Aspect Of Civil Disobedience, p. 258<br />

16 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Persuasive Argument,<br />

pp. 424-433<br />

Writing Workshop: Persuasive Argument,<br />

pp. 424-433<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Using Precise/Specific Words, pp. 284, 361<br />

Elaboration Techniques, p. 389<br />

Shades <strong>of</strong> Meaning, pp. 554-555<br />

Dramatic Scene, pp. 439, 441<br />

Grammar in <strong>Literature</strong>: Using Punctuation in<br />

Drama, pp. 258-259<br />

Research Report, pp. 444-459; Oral Presentation,<br />

pp. 503-506


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 6: THE REALMS OF DARKNESS<br />

The Raven, p. 282<br />

Writing<br />

• Develop Details to Support a Persuasive<br />

Argument, p. 289<br />

The Minister’s Black Veil, p. 298<br />

Writing<br />

• Develop Topics for Writing, p. 309<br />

• Write an Essay Comparing and Contrasting<br />

Authors’ Points <strong>of</strong> View, p. 309<br />

• Write an Autobiographical Sketch <strong>of</strong> a<br />

Character from the First-person Point <strong>of</strong> View,<br />

p. 309<br />

• Write an Essay Interpreting the Story, p. 309<br />

Vocabulary<br />

• Use Context Clues, p. 308<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Persuasive Essay, pp. 424-433<br />

Writing Process Overview: Prewriting, p. 292<br />

Prewriting: Choosing a Topic, p. 385<br />

Reflective Essay: Idea Bank, p. 388<br />

Prewriting: Choose an Event to Write About,<br />

p. 393<br />

Eyewitness Report: Idea Bank, p. 396<br />

Literary Interpretation: Idea Bank, p. 404<br />

Comparison-and-Contrast Essay: Idea Bank,<br />

p. 412<br />

Prewriting: Find a Worthwhile Topic, p. 427<br />

Persuasive Argument: Idea Bank, p. 432<br />

Short Story: Idea Bank, p. 442<br />

Research Report: Idea Bank, p. 458<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Autobiographical Writing, pp. 382-389<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Context Clues, pp. 546-547<br />

Test Items: Vocabulary and Usage, p. 582<br />

Grade 11, Collection 6 17


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Speaking and Listening<br />

• Participate in and Report on a Group<br />

Discussion, p. 309<br />

from Moby-Dick, p. 313<br />

Writing<br />

• Write an Essay Comparing Ideas, p. 329<br />

• Write from a Character’s Point <strong>of</strong> View, p. 329<br />

Writer’s Workshop: Controversial Issues,<br />

p. 331<br />

Writing<br />

• Write an Essay Taking a Stand on a<br />

Controversial Issue, pp. 331-336<br />

Grammar–Language Workshop: Parallel<br />

Structure, p. 337<br />

• Revise Sentences to Correct Lapses in<br />

Parallelism, p. 337<br />

Reading for Life: Evaluating Credibility<br />

<strong>of</strong> Sources, p. 338<br />

Writing<br />

• Research and Report on Print and Electronic<br />

Sources, p. 338<br />

18 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Group Communication, pp. 507-509<br />

Group Participation Guidelines, p. 512<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Writing Workshop: Persuasive Essay, pp. 424-433<br />

Creating Parallelism, pp. 357-358<br />

Revising Sentences, p. 457<br />

Parallelism in Sentences, pp. 70-71<br />

Correlative Conjunctions, pp. 21, 353, 358<br />

Writing Workshop: Research Report.<br />

pp. 444-459<br />

Evaluating Information, pp. 479-497


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Learning for Life: A Model <strong>of</strong> Self -<br />

Reliance. p. 339<br />

Writing<br />

• Write a Short Story, p. 339<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Short Story, pp. 434-443<br />

Grade 11, Collection 6 19


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

20 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

COLLECTION 7: THE LARGE HEARTS OF HEROES<br />

I Hear America Singing, p. 351<br />

from Song <strong>of</strong> Myself<br />

• 10. Alone far in the wilds…, p. 353<br />

• from 33. I understand the large hearts<br />

<strong>of</strong> heroes…,p 356<br />

• 52. The spotted hawk swoops by…,<br />

p. 359<br />

A Sight in Camp in the Daybreak Gray<br />

and Dim, p. 362<br />

Writing<br />

• Identify Points <strong>of</strong> Comparison and Contrast<br />

for Two Poets, p. 365<br />

• Write a Free-Verse Poem in the Tradition <strong>of</strong><br />

Whitman, p. 365<br />

• Write an Essay Comparing and Contrasting<br />

Two Viewpoints <strong>of</strong> Nature, p. 365<br />

• Compare and Contrast an Author’s Diction<br />

and Style in Two Genres, p. 336<br />

• Write an Essay Analyzing Whitman’s Poems,<br />

p. 366<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Writing a Poem, pp. 439-440<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Style, pp. 365-379<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Style, pp. 365-379<br />

Revising: Word Choice, pp. 294<br />

Word Choice, pp. 359-361<br />

Writing Workshop: Literacy Interpretation,<br />

pp. 398-405


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 8: TELL IT SLANT<br />

• Heart! We will forget him!, p. 374<br />

• If you were coming in the Fall, p. 376<br />

• The Soul Selects her own Society, p. 378<br />

• Some keep the Sabbath going to<br />

Church, p. 381<br />

• I taste a liquor never brewed, p. 382<br />

• Much Madness is divinest Sense, p. 383<br />

• Apparently with no surprise, p. 385<br />

• Tell all the Truth but tell it slant, p. 386<br />

• Success is counted sweetest, p. 388<br />

• Because I could not stop for Death,<br />

p. 391<br />

• I heard a Fly buzz-when I died, p. 392<br />

• I died for Beauty-but was scarce, p. 393<br />

Writing<br />

• Write a Poem Based on One <strong>of</strong> Dickinson’s<br />

Themes, p. 396<br />

• Write an Essay Analyzing the Use <strong>of</strong> Hymn<br />

Meter in Dickinson’s Poetry, p. 396<br />

Vocabulary<br />

• Multiple Meaning <strong>of</strong> Words, pp. 379, 390<br />

• Evaluate an Analogy, p. 384<br />

• Define from Context, p. 390<br />

The American Language: A Period <strong>of</strong><br />

Vocabulary Growth, p. 398<br />

Writing<br />

• Compile a Dictionary <strong>of</strong> Specialized<br />

Vocabulary, p. 400<br />

ENRICHING WITH<br />

Language Network<br />

Writing a Poem, pp. 439-440<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Shades <strong>of</strong> Meaning, pp. 554-555<br />

Analogies, pp. 493, 580-581<br />

Test-Taking Strategies: Analogy, p. 587<br />

Context Clues, pp. 546-547<br />

Test Items: Vocabulary and Usage, p. 582<br />

Using Print Resources: Reference Works, p. 466<br />

Specialized Vocabularies, pp. 556-557<br />

Grade 11, Collection 8 21


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Vocabulary<br />

• American Vernacular, p. 398<br />

• Suffixes, p. 400<br />

• Specialized Vocabulary, p. 400<br />

• Loan Words, p. 400<br />

Writer’s Workshop: Comparison-and-<br />

Contrast Essay, p. 401<br />

• Write an Essay Comparing and Contrasting<br />

Two Poems, pp. 401-402<br />

Grammar–Language Workshop: Varying<br />

Sentence Beginnings, p. 403<br />

• Revise Sentences to Vary Beginnings, p. 403<br />

Learning for Life: The Changing World<br />

<strong>of</strong> Work, p. 405<br />

Writing<br />

• Research and Report on Projected Changes in<br />

Career Fields, p. 405<br />

22 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Development <strong>of</strong> American English, pp. 565-566<br />

Recognizing Word Parts: Suffix, p. 548<br />

Suffixes, pp. 552-553<br />

Specialized Vocabulary, pp. 556-557<br />

Mutual Language Influences, pp. 566<br />

English Around the World, p. 571<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Varying Sentence Beginnings, pp. 280<br />

Writing Workshop: Research Report,<br />

pp. 444-459


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 9: SHACKLES<br />

from The Narrative <strong>of</strong> the Life <strong>of</strong><br />

Frederick Douglass, p. 425<br />

Writing<br />

• Write an Essay Comparing and Contrasting<br />

Ideas, p. 431<br />

• Write a Letter or Journal Entry from the Point<br />

<strong>of</strong> View <strong>of</strong> Frederick Douglass, p. 431<br />

Speaking and Listening<br />

• Participate in a Panel Discussion, p. 431<br />

A Pair <strong>of</strong> Silk Stockings, p. 436<br />

Writing<br />

• Brainstorm a List <strong>of</strong> Topics, p. 445<br />

• Compare and Contrast Themes, p. 445<br />

• Write a Continuation <strong>of</strong> a Story, p. 445<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Group Communication, pp. 507-509<br />

Guidelines for Group Participation, p. 512<br />

Writing Process Overview, p. 292<br />

Brainstorming, pp. 388<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Writing Workshop: Short Story, pp. 434-443<br />

Grade 11, Collection 9 23


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

from Life on the Mississippi, p. 452<br />

Writing<br />

• Develop a Research Topic, p. 464<br />

• Write an Essay Analyzing Twain’s Humor,<br />

p. 464<br />

• Research and Write a Magazine Article, p. 464<br />

An Occurrence at Owl Creek Bridge,<br />

p. 467<br />

Writing<br />

• Identify Sources <strong>of</strong> Information, p. 474<br />

• Write a Narrative, p. 474<br />

Vocabulary<br />

• Affixes/Prefixes/Root Words/Suffixes, p. 475<br />

A Mystery <strong>of</strong> Heroism, p. 485<br />

Writing<br />

• Conduct and Summarize a Survey, p. 494<br />

• Write an Essay Summarizing Crane’s Attitude<br />

Toward War, p. 494 Tone, pp. 371-373<br />

• Write a Poem Based on One <strong>of</strong> Crane’s<br />

Themes, p. 494<br />

24 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

COLLECTION 10: FROM INNOCENCE TO EXPERIENCE<br />

Prewriting for Research Report, pp. 447-453<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop; Research Report,<br />

pp. 444-459<br />

Options for Publishing, pp. 299-300<br />

Finding Information Sources, pp. 464-477<br />

Writing Workshop: Short Story, pp. 434-443<br />

Word Parts, pp. 548-553<br />

Conduct and Use a Survey, pp. 472-473, 521<br />

Polling Results, p. 521<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Write a Poem, pp. 439-440


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

To Build a Fire, p. 496<br />

Writing<br />

• Identify the Impact <strong>of</strong> Audience on Topic<br />

Development, p. 510<br />

• Write a Survival Story, p. 510<br />

• Write an Essay Identifying the Most Important<br />

Conflict in the Story, p. 510<br />

Vocabulary<br />

• Identifying Regional Dialects, pp. 513-514<br />

Writer’s Workshop: Research Paper, p. 515<br />

• Write a Research Paper on a Factual Topic,<br />

p. 510<br />

• Document Sources, p. 518<br />

Grammar–Language Workshop: Adverb<br />

and Adjective Clauses, p. 519<br />

• Adjective/Adverb Clauses, p. 519<br />

• Restrictive and Nonrestrictive Clauses, p. 519<br />

• Combine Sentences using Adverb and<br />

Adjective Clauses, p. 519<br />

ENRICHING WITH<br />

Language Network<br />

Prewriting: Identify Your Audience, p. 292<br />

Writing Workshop: Write a Story, pp. 434-443<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Regional Dialects, p. 567<br />

Writing Workshop; Research Report,<br />

pp. 444-459<br />

Documentation <strong>of</strong> Sources, pp. 455-456<br />

Making Source Cards, p. 449<br />

Incorporating Information, p. 477<br />

Adjective/Adverb Clauses, pp. 81-83, 102<br />

Essential/Nonessential Adjective Clauses,<br />

pp. 81-83, 102, 227-228<br />

Sentence Combining, pp. 352-354<br />

Varying Sentence Structure, p. 281<br />

Compound Subjects, pp. 138-139<br />

Grade 11, Collection 10 25


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Learning for Life: Monitoring the<br />

Media, p. 521<br />

Speaking and Listening<br />

• Compare and Contrast Television and Print<br />

Media Coverage, p. 521<br />

• Interview a Newscaster or Journalist, p. 521<br />

26 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Evaluating Media, pp. 526-527;<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Oral Presentation, pp. 503-506<br />

Interview, p. 513, 472


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 11: LOSS AND REDEMPTION<br />

A Wagner Matinee, p. 539<br />

Writing<br />

• Write an Essay Comparing Characters Across<br />

Texts, p. 547<br />

• Create Two Contrasting Settings, p. 547<br />

His Father’s Earth, p. 549<br />

Writing<br />

• Identify Interview Questions for an Author,<br />

p. 557<br />

• Write an Essay Comparing Whitman’s Style<br />

with Wolfe’s, p. 557<br />

• Write a Description Using a Catalog <strong>of</strong> Details,<br />

p. 557<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Common Types <strong>of</strong> Elaboration: Sensory Details,<br />

p. 334<br />

Sensory Details, pp. 338<br />

Elaboration Techniques, p. 389<br />

Prewriting, p. 393<br />

Paragraphs in Longer Works, pp. 312-313<br />

Writing Workshop: Reflective Essay, pp. 382-389<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Interview Techniques, p. 513<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Style, pp. 365-379<br />

Sensory Details, pp. 338<br />

Elaboration Techniques, p. 389<br />

Prewriting, p. 393<br />

Paragraphs in Longer Works, pp. 312-313<br />

Writing Workshop: Reflective Essay, pp. 382-389<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Grade 11, Collection 11 27


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

• Design, p. 560<br />

• Nothing Gold Can Stay, p. 562<br />

• Once by the Pacific, p. 564<br />

• Neither Out Far Nor In Deep, p. 565<br />

• Birches, p. 567<br />

• The Death <strong>of</strong> the Hired Man, p. 569<br />

Writing<br />

• Write an Essay Exploring the “Dark Conflicts”<br />

in Frost’s Poetry, p. 576<br />

• Write an Essay Comparing and Contrasting<br />

Two Poems by Different Authors, p. 576<br />

Speaking and Listening<br />

• Participate in Class Discussion <strong>of</strong> Frost’s Links<br />

to the Puritans and Romantics, p. 576<br />

28 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Group Communication, pp. 507-509<br />

Group Participation Guidelines, p. 512


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Winter Dreams, p. 586<br />

Writing<br />

• Write an Essay Interpreting a Story, p. 605<br />

Speaking and Listening<br />

• Research and Report on Some Aspect <strong>of</strong> Jazz<br />

Age Music, p. 605<br />

The Leader <strong>of</strong> the People, p. 607<br />

Writing<br />

• Write an Extension <strong>of</strong> a Story, p. 622<br />

• Write an Essay Comparing and Contrasting the<br />

Development <strong>of</strong> Theme in Two Stories, p. 622<br />

Speaking and Listening<br />

• Participate in a Panel Discussion on Heroes <strong>of</strong><br />

Today’s World, p. 622<br />

The Secret Life <strong>of</strong> Walter Mitty, p. 624<br />

Writing<br />

• Freewrite About the Causes <strong>of</strong> Walter Mitty’s<br />

Daydreaming, p. 632<br />

• Write an Essay Comparing and Contrasting<br />

Female Characters in Two Stories, p. 632<br />

• Write an Episode in “The Secret Life <strong>of</strong> Mrs.<br />

Mitty,” p. 632<br />

ENRICHING WITH<br />

Language Network<br />

COLLECTION 12: THE DREAM AND THE REALITY<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Research Report,<br />

pp. 444-459<br />

Writing Workshop: Short Story, pp. 434-443<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Group Communication, pp. 507-509<br />

Group Participation Guidelines, p. 512<br />

Writing Process Overview: Developing Ideas,<br />

p. 292<br />

Prewriting: Read and Reread, p. 401<br />

Prewriting: Find an Idea, p. 437<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Writing Workshop: Short Story, pp. 434-443<br />

Grade 11, Collection 12 29


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Speaking and Listening<br />

• Create a Short Play or Video <strong>of</strong> the Story,<br />

p. 632<br />

A Worn Path, p. 634<br />

Writing<br />

• Write an Essay Analyzing a Story, p. 642<br />

• Write a Story on a Similar Theme, p. 642<br />

30 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Dramatic Scene, pp. 439, 441; Video,<br />

pp. 532-534<br />

Selecting a Format: Video, p. 531<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Short Story, pp. 434-443


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 13: NO TIME FOR HEROES<br />

Richard Cory, p. 645<br />

Miniver Cheevy, p. 646<br />

Writing<br />

• Brainstorm Possible Causes for a Character’s<br />

Actions, p. 649<br />

• Write an Essay Comparing and Contrasting<br />

Values, p. 649<br />

Vocabulary<br />

• Connotation, p. 649<br />

Soldier’s Home, p. 652<br />

Writing<br />

• Freewrite a Speculation About a Character’s<br />

Future, p. 660<br />

• Write an Essay Interpreting a Character, p. 660<br />

• Write an Essay Analyzing an Author’s Style,<br />

p. 660<br />

ENRICHING WITH<br />

Language Network<br />

Writing Process Overview, p. 292<br />

Reflective Essay: Idea Bank, p. 388<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Putting Connotations to Work, p. 367<br />

Choosing Appropriate Connotations, p. 378<br />

Slanted Language: Denotation and Connotation,<br />

pp. 448-449<br />

Denotation and Connotation, p. 554<br />

Writing Process Overview: Developing Ideas,<br />

p. 292<br />

Prewriting: Read and Reread, p. 401<br />

Prewriting: Find an Idea, p. 437<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Style, pp. 365-379<br />

Grade 11, Collection 13 31


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

The Love Song <strong>of</strong> J. Alfred Prufrock,<br />

p. 663<br />

Writing<br />

• Write an Essay Comparing Characters in Two<br />

Poems, p. 671<br />

• Write a Dramatic Monologue, p. 671<br />

• Write an Essay Comparing and Contrasting<br />

Three Characters, p. 671<br />

The Life You Save May Be Your Own,<br />

p. 673<br />

Writing<br />

• Brainstorm Ideas for an Analysis <strong>of</strong> Causes and<br />

Effects, p. 684<br />

• Write an Essay Analyzing a Story, p. 684<br />

• Write a Sequel to the Story, p. 684<br />

Vocabulary<br />

• Connotations, p. 683<br />

Writer’s Workshop: Analyzing Causes<br />

and Effects, p. 685<br />

• Write an Essay Analyzing the Causes and/or<br />

the Effects <strong>of</strong> an Event, Situation, or Trend,<br />

pp. 685-688<br />

32 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Tips for Writing a Dramatic Scene, p. 441<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Writing Process Overview, p. 292<br />

Arranging Details: Cause-and-Effect Order,<br />

p. 326<br />

Transitions: Cause-and-Effect, p. 330<br />

Reflective Essay: Idea Bank, p. 388<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Short Story, pp. 434-443<br />

Putting Connotations to Work, p. 367<br />

Choosing Appropriate Connotations, p. 378<br />

Slanted Language: Denotation and Connotation,<br />

pp. 448-449<br />

Denotation and Connotation, p. 554<br />

Arranging Details: Cause-and-Effect Order,<br />

p. 326<br />

Transitions: Cause-and-Effect, p. 330


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Grammar–Language Workshop: Using<br />

Subordinating Conjunctions, p. 689<br />

• Revise Sentences Using Subordinate<br />

Conjunctions to Show Relationships, p. 689<br />

Reading for Life: Interpreting and<br />

Constructing a Graphic Organizer, p. 690<br />

ENRICHING WITH<br />

Language Network<br />

Sentence Revision, pp. 278-281; Fluency,<br />

pp. 352-355<br />

Subordinate Conjunctions. pp. 22, 78-79, 86<br />

Adverb Clauses: Subordinating Conjunctions,<br />

p. 82<br />

Graphics for Organizing Information,<br />

p. 329<br />

Writing Prompt: Drafting, p. 393<br />

Grade 11, Collection 13 33


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 14: SHADOWS OF THE PAST<br />

• Richard Bone, p. 692<br />

• “Butch” Weldy, p. 694<br />

• Fiddler Jones, p. 694<br />

• Petit, the Poet, p. 695<br />

• Mrs. George Reece, p. 695<br />

Writing<br />

• Identify the Author’s Attitude Toward His<br />

Subjects, p. 692<br />

• Write an Essay Analyzing the Poems as a<br />

Reflection <strong>of</strong> American Life, p. 696<br />

Recuerdo, p. 698<br />

Writing<br />

• Write an Essay Comparing and Contrasting the<br />

Poems <strong>of</strong> Two Authors, p. 701<br />

• Write a Poem Based on Quickwrite, p. 701<br />

Vocabulary<br />

• Synonyms, p. 726<br />

• Thesaurus, p. 726<br />

• Connotation/Denotation, p. 726<br />

34 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Attitude/Tone, pp. 371-373<br />

Tips for Writing a Poem, p. 440<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Write a Poem, pp. 439-440<br />

Types <strong>of</strong> Context Clues: Synonym, p. 546<br />

Shades <strong>of</strong> Meaning: Choosing the Right<br />

Synonym, pp. 554-555<br />

Vocabulary Items: Format, p. 582<br />

Thesaurus, p. 555<br />

Substitute Synonyms for Repetitive Words,<br />

p. 360<br />

Putting Connotations to Work, p. 367<br />

Choosing Appropriate Connotations, p. 378<br />

Slanted Language: Denotation and Connotation,<br />

pp. 448-449<br />

Denotation and Connotation, p. 554


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

The Jilting <strong>of</strong> Granny Weatherall,<br />

p. 703<br />

Writing<br />

• Write an Essay Reconstructing Granny<br />

Weatherall’s Life, p. 712<br />

• Write a Monologue Using Stream <strong>of</strong><br />

Consciousness from the Point <strong>of</strong> View <strong>of</strong><br />

George, p. 712<br />

A Rose for Emily, p. 715<br />

Writing<br />

• Analyze a Character, p. 725<br />

• Write an Essay Analyzing Plot Sequence,<br />

p. 725<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Tips for Writing a Dramatic Scene, p. 441<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Short Story, pp. 434, 437<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Grade 11, Collection 14 35


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Go Down, Death, p. 737<br />

Writing<br />

• Compare and Contrast Attitudes Toward Death<br />

in Two Poems, p. 742<br />

• Compare and Contrast Two Sermons, p. 742<br />

America, p. 744<br />

Writing<br />

• Compare Two Poems, p. 745<br />

• Tableau, p. 747<br />

• Incident, p. 748<br />

Writing<br />

• Compare and Contrast the Diction and<br />

Sentence Structure in Two Poems, p. 749<br />

• Write a Conversation Among Three Characters,<br />

p. 749<br />

from Dust Tracks on a Road, p. 751<br />

Writing<br />

• Write an Essay Comparing Two<br />

Autobiographies, p. 759<br />

Speaking and Listening<br />

• Dramatize and Perform an Excerpt from “Dust<br />

Tracks on a Road,” p, 759<br />

ENRICHING WITH<br />

Language Network<br />

COLLECTION 15: I, TOO, SING AMERICA: THE HARLEM RENAISSANCE<br />

36 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Style, pp. 365-379<br />

Dramatic Scene, pp. 439, 441, 258-259<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Autobiographical Writing, pp. 382-389<br />

Dramatic Scene, pp. 439, 441, 258-259


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

• The Weary Blues, p. 761<br />

• Harlem, p. 764<br />

Writing<br />

• Compare and Contrast the Attitudes <strong>of</strong> the<br />

Speakers in Two Poems, p. 768<br />

• Write an Essay Comparing and Contrasting<br />

Two Poems by Different Authors, p. 768<br />

• Write an Opening Paragraph for a Newspaper<br />

Article About Harlem, p. 768<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Attitude/Tone, pp. 371-373<br />

Tips for Writing a Poem, p. 440<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Newspaper Writing, pp. 299-300<br />

Grade 11, Collection 15 37


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 16: MAKE IT NEW!<br />

The River Merchant’s Wife: A Letter,<br />

p. 774<br />

Writing<br />

• Compare Two Poems, p. 777<br />

• Write a Paragraph Using a Single Concrete<br />

Image to Suggest a Feeling, p. 777<br />

• The Red Wheelbarrow, p. 779<br />

• The Great Figure, p. 780<br />

• Spring and All, p. 781<br />

Writing<br />

• Write an Imagist Poem, p. 782<br />

• Write a Poem Based on Images in a Painting <strong>of</strong><br />

Photograph, p. 782<br />

• Anecdote <strong>of</strong> the Jar, p. 784<br />

• Disillusionment <strong>of</strong> Ten O’clock, p. 784<br />

Writing<br />

• Freewrite an Explanation <strong>of</strong> How the <strong>Elements</strong><br />

<strong>of</strong> <strong>Literature</strong> Work Together in a Particular<br />

Poem, p. 786<br />

38 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Image in Reflective Essay, p. 386<br />

Writing a Poem, pp. 439-440<br />

Writing a Poem, pp. 439-440; Imagery, p. 368,<br />

Writing Process Overview: Developing Ideas,<br />

p. 292<br />

Prewriting: Read and Reread, p. 401<br />

Prewriting: Find an Idea, p. 437<br />

Poetry, pp. 439-440


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Poetry, p. 787<br />

Writing<br />

• Write a Letter to a Poet, p. 791<br />

• Write a Poem Based on a Nature Article,<br />

p. 791<br />

Chicago, p. 792<br />

Writing<br />

• Compare and Contrast Two Poems by<br />

Different Authors, p. 795<br />

• what if a much <strong>of</strong> a which <strong>of</strong> a wind,<br />

p. 797<br />

• somewhere I have never travelled,<br />

gladly beyond, p. 798<br />

Writing<br />

• Paraphrase a Poem by Cummings, p. 799<br />

• Write an Essay Comparing Poems by Two<br />

Authors, p. 799<br />

Vocabulary<br />

• Slang, p. 801<br />

• Standard English, p. 802<br />

Writer’s Workshop: Interpretive Essay,<br />

p. 804<br />

• Write an Essay Interpreting a Work <strong>of</strong><br />

<strong>Literature</strong>, a Movie, or a Work <strong>of</strong> Visual Art,<br />

pp. 804-806<br />

ENRICHING WITH<br />

Language Network<br />

Letter, pp. 234-235; Colons, p. 250<br />

Writing a Poem, pp. 439-440<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Paraphrase, pp. 450, 474<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Slang, pp. 366, 283, 386<br />

Standard English, p. 366<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Grade 11, Collection 16 39


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Grammar–Language Workshop: Using<br />

the Literary Present, p. 807<br />

• Revise Sentences to Make Verb Tenses<br />

Consistent, p. 807<br />

Reading for Life: Obtaining<br />

Information from an Internet Database,<br />

p. 808<br />

Writing<br />

• Research a Topic on the Internet and Write a<br />

Report, p. 808<br />

40 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Verb Tenses (Avoiding Shifts), pp. 121, 274<br />

Editing and Pro<strong>of</strong>reading, p. 430<br />

Writing Workshop: Research Report,<br />

pp. 444-459<br />

World Wide Web, pp. 469-470, 476


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 17: THE BREAKING OF CHARITY<br />

The Crucible, p. 828<br />

Writing<br />

• Write an Essay Analyzing a Character from the<br />

Play, p. 889<br />

• Write an Essay Comparing the Real Salem<br />

Witch Trials with The Crucible, p. 889<br />

• Research the Historical Context <strong>of</strong> the Play’s<br />

Creation, p. 889<br />

Vocabulary - Doing Analogies, p. 890<br />

• Write an Example for Each <strong>of</strong> the Analogy<br />

Relationships, p. 890<br />

Writer’s Workshop: Problem-Solution<br />

Essay, p. 895<br />

• Write a Problem-Solution Essay, pp. 895-898<br />

Grammar–Language Workshop: Using<br />

Transitional Expressions, p. 899<br />

• Revise Sentences to Improve Coherence, p. 899<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Writing Workshop: Research Report,<br />

pp. 444-459<br />

Writing Workshop: Research Report,<br />

pp. 444-459<br />

Analogies, pp. 493, 580-581<br />

Test-Taking Strategies: Analogy, p. 587<br />

Arranging the Details: Problem-Solution Order,<br />

p. 326<br />

Coherence, pp. 309-311, 325<br />

Transitional Words and Phrases, pp. 315, 330<br />

Drafting: Transitions, p. 409<br />

Revising: Paragraphing and Transitions, p. 410<br />

Paragraphs at a Glance, p. 314<br />

Grade 11, Collection 17 41


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 18: THE WAGES OF WAR<br />

from Night, p. 921<br />

Writing<br />

• Make a Judgement and Support It with<br />

Evidence from the Text, p. 931<br />

The Death <strong>of</strong> the Ball Turret Gunner,<br />

p. 932<br />

Writing<br />

• Write a Paragraph <strong>of</strong> a Poem from a Specific<br />

Point <strong>of</strong> View, p. 934<br />

A Noiseless Flash from Hiroshima,<br />

p. 936<br />

Writing<br />

• Write an Essay Explaining Hersey’s Techniques<br />

for Creating Suspense, p. 947<br />

• Research and Report on the Decision to Use<br />

the Atomic bomb, p. 947<br />

• Write an Essay Discussing Hersey’s Techniques,<br />

p. 947<br />

Vocabulary<br />

• Context Clues, p. 947<br />

42 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Persuasive Argument,<br />

pp. 424-433<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Research Report,<br />

pp. 444-459<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Style, pp. 365-379<br />

Context Clues, pp. 546-547<br />

Test Items: Vocabulary and Usage, p. 582


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

For the Union Dead, p. 949<br />

Writing<br />

• Write an Essay Comparing and Contrasting<br />

Two Poems by Different Authors, p. 954<br />

Game, p. 956<br />

Writing<br />

• Write an Essay Comparing Texts, p. 963<br />

Vocabulary<br />

• Connotation, p. 956<br />

Speaking <strong>of</strong> Courage, p. 965<br />

Writing<br />

• Write an Essay Comparing and Contrasting<br />

Stories, p. 973<br />

Speaking and Listening<br />

• Write and Direct a Television Interview with a<br />

Character, p. 973<br />

Monsoon Season, p. 975<br />

Writing<br />

• Write an Essay Evaluating the Use <strong>of</strong> Symbols,<br />

p. 978<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Putting Connotations to Work, p. 367<br />

Choosing Appropriate Connotations, p. 378<br />

Slanted Language: Denotation and Connotation,<br />

pp. 448-449<br />

Denotation and Connotation, p. 554<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Interview, p. 513; Dramatic Script, pp. 439, 441,<br />

258-259<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Using Language Creatively: Imagery and<br />

Symbolism, p. 368<br />

Grade 11, Collection 18 43


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

• Elegy for Jane, p. 1002<br />

• Night Journey, p. 1003<br />

Writing<br />

• Write an Essay Comparing and Contrasting<br />

Two Poems by Different Authors, p. 1004<br />

• The Beautiful Changes, p. 1006<br />

• Boy at the Window, p. 1007<br />

Writing<br />

• Write an Essay Explaining the “Motive for<br />

Metaphor,” p. 1008<br />

Everything Stuck to Him, p. 1027<br />

Writing<br />

• Write an Essay Stating and Defending an<br />

Opinion, p. 1033<br />

• Write a Monologue from the Point <strong>of</strong> View <strong>of</strong><br />

a Character, p. 1033<br />

Speaking and Listening<br />

• Interview Class members and Record Their<br />

Opinions, p. 1033<br />

ENRICHING WITH<br />

Language Network<br />

COLLECTION 19: DISCOVERIES AND AWAKENINGS<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Metaphor, p. 369<br />

Using Figurative Language, p. 285<br />

Details That Enrich Writing, pp. 338-339<br />

Writing Workshop: Persuasive Argument,<br />

pp. 424-433<br />

Tips for Writing a Dramatic Scene, p. 441<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Interview, p. 472<br />

44 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong>


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

The Fish, p. 1035<br />

Writing<br />

• Write a Short Poem from the Fish’s Point <strong>of</strong><br />

View, p. 1038<br />

Remember, p. 1040<br />

Writing<br />

• Write a “Remember” Poem, p. 1042<br />

The Girl Who Wouldn’t Talk from The<br />

Woman Warrior, p. 1044<br />

Writing<br />

• Write an Essay Discussing the Character <strong>of</strong> the<br />

Narrator, p. 1053<br />

• Write a Story Explaining Unexplained Events,<br />

p. 1053<br />

from Blue Highways, p. 1054<br />

Writing<br />

• Compare and Contrast Texts, p. 1066<br />

• Write an Essay Describing your Neighborhood<br />

or Community, p. 1066<br />

ENRICHING WITH<br />

Language Network<br />

Write a Poem, pp. 439, 440<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Write a Poem, pp. 439, 440<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Short Story, pp. 434-443<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Paragraphs in Longer Works, pp. 312-313<br />

Writing Workshop: Reflective Essay, pp. 382-389<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-443<br />

Grade 11, Collection 19 45


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Son, p. 1069<br />

Writing<br />

• Write an Essay Interpreting the Theme <strong>of</strong> a<br />

Story, p. 1075<br />

• Write Episodes <strong>of</strong> a “Daughter” Story, p. 1075<br />

Daughter <strong>of</strong> Invention, p. 1077<br />

Writing<br />

• Identify Conflicts in a Story, p. 1087<br />

• The Bells, p. 1089<br />

• Young, p. 1090<br />

Writing<br />

• Write an Essay Analyzing the Sound Structure<br />

<strong>of</strong> Sexton’s Poems, p. 1091<br />

from The Way to Rainy Mountain,<br />

p. 1093<br />

Writing<br />

• Write a Description <strong>of</strong> a Childhood Refuge,<br />

p. 1100<br />

ENRICHING WITH<br />

Language Network<br />

COLLECTION 20: FROM GENERATION TO GENERATION<br />

46 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Short Story, pp. 434-443<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Paragraphs in Longer Works, pp. 312-313<br />

Writing Workshop: Reflective Essay, pp. 382-389<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Common Types <strong>of</strong> Elaboration: Sensory Details,<br />

p. 334<br />

Elaboration at a Glance: Sensory Details, p. 344<br />

Elaboration Techniques, p. 389


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

from In Search <strong>of</strong> Our Mothers’<br />

Garden, p. 1102<br />

Writing<br />

• Write a Character Sketch, p. 1108<br />

Vocabulary<br />

• Base Words/Roots, p. 1120<br />

• Word Families, p. 1120<br />

• Prefixes/Suffixes, p. 1120<br />

What For, p. 1122<br />

Writing<br />

• Compare the Styles <strong>of</strong> Two poets, p. 1126<br />

• Write a Poem from the Point <strong>of</strong> View <strong>of</strong> the<br />

Father, p. 1126<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Short Story, pp. 434, 437<br />

Roots, pp. 548-550<br />

Word Families, p. 548<br />

Prefixes/Suffixes, pp. 551-553<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Style, pp. 365-379, 665<br />

Write a Poem, pp. 439-440<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Grade 11, Collection 20 47


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

COLLECTION 21: THE CREATED SELF<br />

New Africa, p. 1129<br />

Writing<br />

• Write an Essay Describing a Character, p. 1140<br />

• Write a First-Person Narrative, p. 1140<br />

Autobiographical Notes, p. 1142<br />

Writing<br />

• Write an Essay Comparing the Diction and<br />

Tone <strong>of</strong> Two Authors, p. 1147<br />

• Write an Essay Analyzing Baldwin’s Diction,<br />

p. 1147<br />

• Mirror, p. 1149<br />

• Mushrooms, p. 1149<br />

Writing<br />

• Draft the Opening Paragraph <strong>of</strong> an Essay,<br />

p. 1151<br />

• Write an Essay Comparing and Contrasting<br />

Texts, p. 1151<br />

• Write a Poem from a Specified Point <strong>of</strong> View,<br />

p. 1151<br />

48 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Short Story, pp. 434, 437<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Word Choice, pp. 359-363; Tone, pp. 440,<br />

371-373<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Word Choice, pp. 359-363<br />

Introduction, p. 330<br />

Basic Structure: Introduction, p. 318<br />

Compositions at a Glance: Introduction, p. 330<br />

Revision at a Glance, p. 362<br />

Literary Interpretation: Introduction, p. 398<br />

Drafting: Introduction, p. 401<br />

Writing Workshop: Comparison-and-Contrast<br />

Essay, pp. 406-413<br />

Write a Poem, pp. 439-440;<br />

Point <strong>of</strong> View, pp. 374-376<br />

Drafting: Point <strong>of</strong> View, p. 437


BEGINNING WITH<br />

<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />

The Lifeguard, p. 1156<br />

Writer’s Workshop: Evaluation, p. 1181<br />

Writing<br />

• Write an Essay Evaluating a Short Story, Essay,<br />

or Poem, pp. 1181-1184<br />

Grammar–Language Workshop: Using<br />

Effective Diction, p. 1185<br />

• Revise Sentences to Improve Diction, p. 1185<br />

Learning for Life: Celebrating Cultural<br />

Diversity, p. 1187<br />

Writing<br />

• Write a Feature Article on Culturally Diverse<br />

Art, p. 1187<br />

ENRICHING WITH<br />

Language Network<br />

Writing Workshop: Literary Interpretation,<br />

pp. 398-405<br />

Sentence Revision (Word Choice), pp. 359-363<br />

Options for Publishing, pp. 299-300<br />

Grade 11, Collection 21 49

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!