Elements of Literature - Holt McDougal
Elements of Literature - Holt McDougal
Elements of Literature - Holt McDougal
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<strong>McDougal</strong> Littell<br />
corrrelated to<br />
<strong>Holt</strong><br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Grade 11<br />
8/2001<br />
2001
<strong>Holt</strong>’s <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong> © 2000<br />
<strong>McDougal</strong> Littell’s Language Network © 2001<br />
How to use this correlation<br />
GRADE 11<br />
Users <strong>of</strong> <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong> will appreciate this convenient guide to grammar, writing, and communication<br />
skills supplementary instruction in <strong>McDougal</strong> Littell’s Language Network.<br />
The correlation is organized by selection, so that as you work your way through the literature in<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong>, you know exactly where to go in Language Network for skills instruction in<br />
common grammar concepts, writing skills, vocabulary acquisition, critical thinking skills; and for help<br />
with projects such as giving speeches, creating multimedia projects, interviewing, and much more.<br />
Convenient quick reference<br />
A few regular features in <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong> can be supported with the same Language Network chapter<br />
or pages consistently throughout the program. As a convenient guide for you, these features are listed<br />
below in a quick reference, rather than listed with selections.<br />
Selection Features in <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong> Supplement with Language Network<br />
Making Meanings Evaluating Information, pp. 479–497<br />
Post-reading, critical thinking questions<br />
that follow every selection<br />
Writer’s Notebook Prewriting, pp. 292–293<br />
After selections students jot down<br />
ideas to apply later in a Writer’s<br />
Workshop<br />
1
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 1: VISIONS AND VOYAGES<br />
from Of Plymouth Plantation, p. 26<br />
Writing<br />
• Collect Ideas for Writing a Autobiographical<br />
Incident, p. 36<br />
• Write an Essay Contrasting Two Writers’<br />
Purposes and Audiences, p. 36<br />
Vocabulary<br />
• Use a Dictionary, p. 37<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Reflective Essay,<br />
pp. 382-389<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Patterns <strong>of</strong> Organization: Comparison and<br />
Contrast, p. 310<br />
Make the Transition: Comparison and Contrast,<br />
p. 315<br />
Arranging Details: Comparison and Contrast,<br />
p. 326<br />
Transitions: Show Comparison and Contrast,<br />
p. 330<br />
Organizing and Outlining: Choosing an<br />
Organizational Pattern, pp. 452-453<br />
Dictionary as a Vocabulary Source, pp. 555-557<br />
Grade 11, Collection 1 3
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
from A Narrative <strong>of</strong> the Captivity, p. 38<br />
Writing<br />
• Reflect on Personal Experiences, p. 47<br />
• Write an Essay Comparing Texts, p. 47<br />
• Research and Write a Journal Entry from a<br />
Specified Point <strong>of</strong> View, p. 47<br />
Vocabulary<br />
• Connotations, p. 46<br />
4 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Reflective Essay,<br />
pp. 382-389<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Patterns <strong>of</strong> Organization: Comparison and<br />
Contrast, p. 310<br />
Make the Transition: Comparison and Contrast,<br />
p. 315<br />
Arranging Details: Comparison and Contrast,<br />
p. 326<br />
Transitions: Show Comparison and Contrast,<br />
p. 330<br />
Organizing and Outlining: Choosing an<br />
Organizational Pattern, pp. 452-453<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Putting Connotations to Work, p. 367<br />
Choosing Appropriate Connotations, p. 378<br />
Slanted Language: Denotation and Connotation,<br />
pp. 448-449<br />
Denotation and Connotation, p. 554
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
The Southern Planters, p. 48<br />
Writing<br />
• Make a List <strong>of</strong> Descriptive Phrases Associated<br />
with an Experience, p. 55<br />
• Write an Essay Comparing and Contrasting<br />
Two Writers, p. 55<br />
• Write a Journal Entry from a Specified Point <strong>of</strong><br />
View, p. 55<br />
ENRICHING WITH<br />
Language Network<br />
Descriptive Writing, pp. 312-313<br />
Writing Workshop: Reflective Essay, pp. 382-389<br />
Writing Workshop; Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Patterns <strong>of</strong> Organization: Comparison and<br />
Contrast, p. 310<br />
Make the Transition: Comparison and Contrast,<br />
p. 315<br />
Arranging Details: Comparison and Contrast,<br />
p. 326<br />
Transitions: Show Comparison and Contrast,<br />
p. 330<br />
Organizing and Outlining: Choosing an<br />
Organizational Pattern, pp. 452-453<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Grade 11, Collection 1 5
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
from The Interesting Narrative <strong>of</strong> the<br />
Life <strong>of</strong> Olaudah Equiano, p. 57<br />
Writing<br />
• Write an Autobiographical Incident, p. 66<br />
• Write an Essay Comparing and Contrasting<br />
Two Authors’ Experiences, p. 66<br />
• Write a Children’s Book About the African<br />
American Experience, p. 66<br />
6 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Reflective Essay,<br />
pp. 382-389<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Patterns <strong>of</strong> Organization: Comparison and<br />
Contrast, p. 310<br />
Make the Transition: Comparison and Contrast,<br />
p. 315<br />
Arranging Details: Comparison and Contrast,<br />
p. 326<br />
Transitions: Show Comparison and Contrast,<br />
p. 330<br />
Organizing and Outlining: Choosing an<br />
Organizational Pattern, pp. 452-453<br />
Writing Workshop: Short Story, pp. 434-443
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 2: THE EXAMINED LIFE<br />
Here Follow Some Verses upon the<br />
Burning <strong>of</strong> Our House, July 10, 1666,<br />
p. 68<br />
Writing<br />
• Write About a “Baptism by Fire,” p. 71<br />
• Write an Essay Discussing an Author’s Attitude,<br />
p. 71<br />
Huswifery, p. 73<br />
Writing<br />
• Write an Essay Comparing Two Extended<br />
Metaphors, p. 74<br />
from Sinners in the Hands <strong>of</strong> an Angry<br />
God, p. 78<br />
Writing<br />
• Freewrite About an Autobiographical Incident,<br />
p. 83<br />
• Write an Essay Comparing Texts, p. 83<br />
• Write a Script <strong>of</strong> a Conversation, p. 83<br />
Speaking and Listening<br />
• Participate in a Panel Discussion<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Reflective Essay,<br />
pp. 382-389<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Tone, pp. 371-373<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Metaphor, pp. 369<br />
Autobiographical Writing, pp. 382-389<br />
Writing Process Overview: Developing Ideas,<br />
p. 292<br />
Prewriting: Read and Reread, p. 401<br />
Prewriting: Find an Idea, p. 437<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Dramatic Scene, pp. 439-441<br />
Group Communication, pp. 507-509<br />
Group Participation Guidelines, p. 512<br />
Grade 11, Collection 2 7
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
from The Autobiography, p. 85<br />
Writing<br />
• Freewrite About a Character Trait, p. 98<br />
• Write an Essay Comparing and Contrasting<br />
Two Authors, p. 98<br />
• Create an Almanac, p. 98<br />
8 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Writing Process Overview: Developing Ideas,<br />
p. 292<br />
Prewriting: Read and Reread, p. 401<br />
Prewriting: Find an Idea, p. 437<br />
Writing Workshop: Short Story, pp. 434, 437<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Almanac, p. 344
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 3: THE AMERICAN DREAM<br />
Speech to the Virginia Convention,<br />
p. 101<br />
Writing<br />
• Write About a Personal Turning Point, p. 105<br />
• Compare and Contrast Two Speeches, p. 105<br />
from The Autobiography: The<br />
Declaration <strong>of</strong> Independence, p. 115<br />
Writing<br />
• Freewrite About the Benefits and Burdens <strong>of</strong><br />
Freedom, p. 125<br />
• Write a Summary <strong>of</strong> the Theme, p. 125<br />
The American Language:<br />
“Revolutionary” English, p. 127<br />
Speaking and Listening<br />
• Participate in a Panel Discussion, p. 125<br />
Vocabulary<br />
• Word Roots, p. 129<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Reflective Essay,<br />
pp. 382-389<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Oral Communication, pp. 499-505<br />
Writing Process Overview: Developing Ideas,<br />
p. 292<br />
Prewriting: Read and Reread, p. 401<br />
Prewriting: Find an Idea, p. 437<br />
Summary/Main idea, pp. 287<br />
Paragraphs at a Glance: Sharpen the Point,<br />
p. 314<br />
Unity Within Paragraphs: Main Idea, p. 323<br />
Unity Within a Composition: Main Idea, p. 324<br />
Effective Single Paragraphs, pp. 306-308<br />
Group Communication, pp. 507-509<br />
Group Participation Guidelines, p. 512<br />
Word Roots, pp. 548-550<br />
Grade 11, Collection 3 9
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Writer’s Workshop: Autobiographical<br />
Incident, p. 130<br />
• Write an Autobiographical Narrative,<br />
pp. 130-132<br />
Speaking and Listening<br />
• Participate in a Panel Discussion, p. 129<br />
Grammar–Language Workshop:<br />
Coordinating Conjunctions, p. 133<br />
• Revise Short, Choppy Sentences, p. 133<br />
Reading for Life: Monitoring Your<br />
Reading, p. 134<br />
Vocabulary<br />
• Context Clues, p. 134<br />
10 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Paragraphs in Longer Works, pp. 312-313<br />
Writing Workshop: Reflective Essay, pp. 382-389<br />
Writing Workshop: Eyewitness Report,<br />
pp. 390-396<br />
Writing Workshop: Short Story, pp. 434-443<br />
Group Communication, pp. 507-509<br />
Group Participation Guidelines, p. 512<br />
Coordinating Conjunctions, pp. 21<br />
Kinds <strong>of</strong> Clauses, pp. 78-79<br />
Sentence Structure, p. 88<br />
Run-On Sentences, pp. 92, 267<br />
Commas with Compound Sentences, p. 228<br />
Eliminating Comma Splices, p. 230<br />
Semicolons and Colons, p. 249<br />
Combine with Conjunctions, p. 353<br />
Revising Sentences, pp. 278-281, 352-355<br />
Sentence Combining, p. 353<br />
Context Clues, pp. 546-547<br />
Test Items: Vocabulary and Usage, p. 582
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Learning for Life: Researching the<br />
Immigrant Experience, p. 135<br />
• Research the Experiences <strong>of</strong> One or More<br />
Immigrant Groups, p. 135<br />
Speaking and Listening<br />
• Write and Present an Original Play, p. 135<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop; Research Report,<br />
pp. 444-459<br />
Writing Dramatic Scene, pp. 439-441<br />
Punctuation in Drama, pp. 258-259<br />
Grade 11, Collection 3 11
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Rip Van Winkle, p. 153<br />
Writing<br />
• Write an Essay Analyzing Conflict, p. 167<br />
• Write an Epilogue on the Story, p. 167<br />
• Write a Futuristic News Article, p. 167<br />
• Compile a Missing-Person Dossier on Rip Van<br />
Winkle, p. 167<br />
Vocabulary<br />
• Context Clues, p. 168<br />
Thanatopsis, p. 170<br />
Writing<br />
• Write a Letter <strong>of</strong> Response from the Point <strong>of</strong><br />
View <strong>of</strong> Another Author, p. 174<br />
The Tide Rises, the Tide Falls, p. 176<br />
The Cross <strong>of</strong> Snow, p. 178<br />
Writing<br />
• Write an Essay Comparing and Contrasting<br />
Two Poems, p. 180<br />
ENRICHING WITH<br />
Language Network<br />
COLLECTION 4: THE TRANSFORMING IMAGINATION<br />
12 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Short Story, pp. 434-443<br />
Options for Publishing, pp. 299-301<br />
Writing Workshop: Short Story, pp. 434, 437<br />
Context Clues, pp. 546-547<br />
Test Items: Vocabulary and Usage, p. 582<br />
Letter, pp. 234-235, 250<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Poetry, pp. 439-440
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
from Snow-Bound: A Winter Idyll,<br />
p. 182<br />
Writing<br />
• Identify Sensory Images, p. 186<br />
The Chambered Nautilus, p. 188<br />
Old Ironsides, p. 190<br />
Writing<br />
• Freewrite on the Use <strong>of</strong> Metaphor and Symbol<br />
in a Poem, p. 193<br />
• Write an Essay Discussing the Message <strong>of</strong> a<br />
Poem , p. 193<br />
• Research and Write a Historical Story for<br />
Children, p. 193<br />
• Write a Meditative Poem, p. 193<br />
The American Language: “Noah’s Ark”:<br />
Webster’s Dictionary, p. 195<br />
Vocabulary<br />
• American Spelling, p. 195<br />
• Webster’s Dictionary, p. 196<br />
ENRICHING WITH<br />
Language Network<br />
Sensory Details, pp. 338<br />
Common Types <strong>of</strong> Elaboration: Sensory Details,<br />
p. 334<br />
Elaboration at a Glance: Sensory Details, p. 344<br />
Elaboration Techniques, p. 389<br />
Writing Process Overview: Developing Ideas,<br />
p. 292<br />
Prewriting: Read and Reread, p. 401<br />
Prewriting: Find an Idea, p. 437<br />
Metaphor, pp. 369; Symbol, pp. 368<br />
Using Figurative Language, p. 285<br />
Details That Enrich Writing, pp. 338-339<br />
Figurative Language: Imagery and Symbolism,<br />
p. 368<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Short Story, pp. 434-443<br />
Writing Poetry, pp. 439-440<br />
Development <strong>of</strong> American English, pp. 565-566<br />
Dictionary as Vocabulary Source, pp. 555-557<br />
Grade 11, Collection 4 13
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Writer’s Workshop: Analyzing a Literary<br />
Work, p. 198<br />
• Write an Essay Analyzing <strong>Elements</strong> <strong>of</strong> a<br />
Literary Work, pp. 198-200<br />
Grammar–Language Workshop:<br />
Inserting Modifiers, p. 201<br />
• Combine Sentences Using Modifiers, p. 201<br />
Learning for Life: Environmental Concerns,<br />
p. 203<br />
Writing<br />
• Create an Advertising Campaign, p. 203<br />
Speaking and Listening<br />
• Make a Video Documentary, p. 203<br />
14 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Adjective and Adverbs, pp. 16-17<br />
Modifiers, pp. 180-199<br />
Sentence Combining, pp. 138-139, 352-354<br />
Varying Sentence Structure, p. 281<br />
Advertisements, p. 527<br />
Advertising Appeals, pp. 489-490<br />
Becoming Media Aware: Recognizing Media<br />
<strong>Elements</strong>, p. 516-518<br />
Identifying Persuasion in the Media, p. 520<br />
Analyzing Media Persuasion, pp. 522-523<br />
Multimedia Presentation, pp. 535-538
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 5: THE LIFE WORTH LIVING<br />
from Nature, p. 218<br />
from Self-Reliance, p. 224<br />
Writing<br />
• Write an Essay Responding to a Quotation,<br />
p. 229<br />
Vocabulary<br />
• Context Clues, p. 228<br />
from Walden, or Life in the Woods,<br />
p. 232<br />
Writing<br />
• Write an Essay Analyzing the Presence <strong>of</strong><br />
Romantic Tenets in Walden, p. 247<br />
• Write and Essay Supporting a Topic Sentence,<br />
p. 247<br />
Speaking and Listening<br />
• Research and Report on Some Nature Issues<br />
Mentioned By Thoreau, p. 247<br />
ENRICHING WITH<br />
Language Network<br />
Writing workshop: Reflective Essay, pp. 382-389<br />
Context Clues, pp. 546-547<br />
Test Items: Vocabulary and Usage, p. 582<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Topic Sentence, pp. 307, 319-320<br />
Unity Within a Composition, p. 324<br />
Reordering Paragraphs, p. 351<br />
Research Report, pp. 444-459<br />
Oral Presentation, pp. 503-506<br />
Grade 11, Collection 5 15
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
from Resistance to Civil Government,<br />
p. 248<br />
Writing<br />
• Define an Issue and Clarify Your Position,<br />
p. 258<br />
• Write a Brief Essay Supporting or Opposing an<br />
Opinion Statement, p. 258<br />
• Write an Essay Comparing and Contrasting<br />
Texts, p. 258<br />
Vocabulary<br />
• Determine Precise Meaning <strong>of</strong> Words, p. 257<br />
Speaking and Listening<br />
• Write and Perform a One Scene Play, p. 258<br />
• Research and Present an Oral Report on Some<br />
Aspect Of Civil Disobedience, p. 258<br />
16 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Persuasive Argument,<br />
pp. 424-433<br />
Writing Workshop: Persuasive Argument,<br />
pp. 424-433<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Using Precise/Specific Words, pp. 284, 361<br />
Elaboration Techniques, p. 389<br />
Shades <strong>of</strong> Meaning, pp. 554-555<br />
Dramatic Scene, pp. 439, 441<br />
Grammar in <strong>Literature</strong>: Using Punctuation in<br />
Drama, pp. 258-259<br />
Research Report, pp. 444-459; Oral Presentation,<br />
pp. 503-506
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 6: THE REALMS OF DARKNESS<br />
The Raven, p. 282<br />
Writing<br />
• Develop Details to Support a Persuasive<br />
Argument, p. 289<br />
The Minister’s Black Veil, p. 298<br />
Writing<br />
• Develop Topics for Writing, p. 309<br />
• Write an Essay Comparing and Contrasting<br />
Authors’ Points <strong>of</strong> View, p. 309<br />
• Write an Autobiographical Sketch <strong>of</strong> a<br />
Character from the First-person Point <strong>of</strong> View,<br />
p. 309<br />
• Write an Essay Interpreting the Story, p. 309<br />
Vocabulary<br />
• Use Context Clues, p. 308<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Persuasive Essay, pp. 424-433<br />
Writing Process Overview: Prewriting, p. 292<br />
Prewriting: Choosing a Topic, p. 385<br />
Reflective Essay: Idea Bank, p. 388<br />
Prewriting: Choose an Event to Write About,<br />
p. 393<br />
Eyewitness Report: Idea Bank, p. 396<br />
Literary Interpretation: Idea Bank, p. 404<br />
Comparison-and-Contrast Essay: Idea Bank,<br />
p. 412<br />
Prewriting: Find a Worthwhile Topic, p. 427<br />
Persuasive Argument: Idea Bank, p. 432<br />
Short Story: Idea Bank, p. 442<br />
Research Report: Idea Bank, p. 458<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Autobiographical Writing, pp. 382-389<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Context Clues, pp. 546-547<br />
Test Items: Vocabulary and Usage, p. 582<br />
Grade 11, Collection 6 17
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Speaking and Listening<br />
• Participate in and Report on a Group<br />
Discussion, p. 309<br />
from Moby-Dick, p. 313<br />
Writing<br />
• Write an Essay Comparing Ideas, p. 329<br />
• Write from a Character’s Point <strong>of</strong> View, p. 329<br />
Writer’s Workshop: Controversial Issues,<br />
p. 331<br />
Writing<br />
• Write an Essay Taking a Stand on a<br />
Controversial Issue, pp. 331-336<br />
Grammar–Language Workshop: Parallel<br />
Structure, p. 337<br />
• Revise Sentences to Correct Lapses in<br />
Parallelism, p. 337<br />
Reading for Life: Evaluating Credibility<br />
<strong>of</strong> Sources, p. 338<br />
Writing<br />
• Research and Report on Print and Electronic<br />
Sources, p. 338<br />
18 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Group Communication, pp. 507-509<br />
Group Participation Guidelines, p. 512<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Writing Workshop: Persuasive Essay, pp. 424-433<br />
Creating Parallelism, pp. 357-358<br />
Revising Sentences, p. 457<br />
Parallelism in Sentences, pp. 70-71<br />
Correlative Conjunctions, pp. 21, 353, 358<br />
Writing Workshop: Research Report.<br />
pp. 444-459<br />
Evaluating Information, pp. 479-497
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Learning for Life: A Model <strong>of</strong> Self -<br />
Reliance. p. 339<br />
Writing<br />
• Write a Short Story, p. 339<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Short Story, pp. 434-443<br />
Grade 11, Collection 6 19
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
20 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
COLLECTION 7: THE LARGE HEARTS OF HEROES<br />
I Hear America Singing, p. 351<br />
from Song <strong>of</strong> Myself<br />
• 10. Alone far in the wilds…, p. 353<br />
• from 33. I understand the large hearts<br />
<strong>of</strong> heroes…,p 356<br />
• 52. The spotted hawk swoops by…,<br />
p. 359<br />
A Sight in Camp in the Daybreak Gray<br />
and Dim, p. 362<br />
Writing<br />
• Identify Points <strong>of</strong> Comparison and Contrast<br />
for Two Poets, p. 365<br />
• Write a Free-Verse Poem in the Tradition <strong>of</strong><br />
Whitman, p. 365<br />
• Write an Essay Comparing and Contrasting<br />
Two Viewpoints <strong>of</strong> Nature, p. 365<br />
• Compare and Contrast an Author’s Diction<br />
and Style in Two Genres, p. 336<br />
• Write an Essay Analyzing Whitman’s Poems,<br />
p. 366<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Writing a Poem, pp. 439-440<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Style, pp. 365-379<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Style, pp. 365-379<br />
Revising: Word Choice, pp. 294<br />
Word Choice, pp. 359-361<br />
Writing Workshop: Literacy Interpretation,<br />
pp. 398-405
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 8: TELL IT SLANT<br />
• Heart! We will forget him!, p. 374<br />
• If you were coming in the Fall, p. 376<br />
• The Soul Selects her own Society, p. 378<br />
• Some keep the Sabbath going to<br />
Church, p. 381<br />
• I taste a liquor never brewed, p. 382<br />
• Much Madness is divinest Sense, p. 383<br />
• Apparently with no surprise, p. 385<br />
• Tell all the Truth but tell it slant, p. 386<br />
• Success is counted sweetest, p. 388<br />
• Because I could not stop for Death,<br />
p. 391<br />
• I heard a Fly buzz-when I died, p. 392<br />
• I died for Beauty-but was scarce, p. 393<br />
Writing<br />
• Write a Poem Based on One <strong>of</strong> Dickinson’s<br />
Themes, p. 396<br />
• Write an Essay Analyzing the Use <strong>of</strong> Hymn<br />
Meter in Dickinson’s Poetry, p. 396<br />
Vocabulary<br />
• Multiple Meaning <strong>of</strong> Words, pp. 379, 390<br />
• Evaluate an Analogy, p. 384<br />
• Define from Context, p. 390<br />
The American Language: A Period <strong>of</strong><br />
Vocabulary Growth, p. 398<br />
Writing<br />
• Compile a Dictionary <strong>of</strong> Specialized<br />
Vocabulary, p. 400<br />
ENRICHING WITH<br />
Language Network<br />
Writing a Poem, pp. 439-440<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Shades <strong>of</strong> Meaning, pp. 554-555<br />
Analogies, pp. 493, 580-581<br />
Test-Taking Strategies: Analogy, p. 587<br />
Context Clues, pp. 546-547<br />
Test Items: Vocabulary and Usage, p. 582<br />
Using Print Resources: Reference Works, p. 466<br />
Specialized Vocabularies, pp. 556-557<br />
Grade 11, Collection 8 21
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Vocabulary<br />
• American Vernacular, p. 398<br />
• Suffixes, p. 400<br />
• Specialized Vocabulary, p. 400<br />
• Loan Words, p. 400<br />
Writer’s Workshop: Comparison-and-<br />
Contrast Essay, p. 401<br />
• Write an Essay Comparing and Contrasting<br />
Two Poems, pp. 401-402<br />
Grammar–Language Workshop: Varying<br />
Sentence Beginnings, p. 403<br />
• Revise Sentences to Vary Beginnings, p. 403<br />
Learning for Life: The Changing World<br />
<strong>of</strong> Work, p. 405<br />
Writing<br />
• Research and Report on Projected Changes in<br />
Career Fields, p. 405<br />
22 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Development <strong>of</strong> American English, pp. 565-566<br />
Recognizing Word Parts: Suffix, p. 548<br />
Suffixes, pp. 552-553<br />
Specialized Vocabulary, pp. 556-557<br />
Mutual Language Influences, pp. 566<br />
English Around the World, p. 571<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Varying Sentence Beginnings, pp. 280<br />
Writing Workshop: Research Report,<br />
pp. 444-459
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 9: SHACKLES<br />
from The Narrative <strong>of</strong> the Life <strong>of</strong><br />
Frederick Douglass, p. 425<br />
Writing<br />
• Write an Essay Comparing and Contrasting<br />
Ideas, p. 431<br />
• Write a Letter or Journal Entry from the Point<br />
<strong>of</strong> View <strong>of</strong> Frederick Douglass, p. 431<br />
Speaking and Listening<br />
• Participate in a Panel Discussion, p. 431<br />
A Pair <strong>of</strong> Silk Stockings, p. 436<br />
Writing<br />
• Brainstorm a List <strong>of</strong> Topics, p. 445<br />
• Compare and Contrast Themes, p. 445<br />
• Write a Continuation <strong>of</strong> a Story, p. 445<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Group Communication, pp. 507-509<br />
Guidelines for Group Participation, p. 512<br />
Writing Process Overview, p. 292<br />
Brainstorming, pp. 388<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Writing Workshop: Short Story, pp. 434-443<br />
Grade 11, Collection 9 23
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
from Life on the Mississippi, p. 452<br />
Writing<br />
• Develop a Research Topic, p. 464<br />
• Write an Essay Analyzing Twain’s Humor,<br />
p. 464<br />
• Research and Write a Magazine Article, p. 464<br />
An Occurrence at Owl Creek Bridge,<br />
p. 467<br />
Writing<br />
• Identify Sources <strong>of</strong> Information, p. 474<br />
• Write a Narrative, p. 474<br />
Vocabulary<br />
• Affixes/Prefixes/Root Words/Suffixes, p. 475<br />
A Mystery <strong>of</strong> Heroism, p. 485<br />
Writing<br />
• Conduct and Summarize a Survey, p. 494<br />
• Write an Essay Summarizing Crane’s Attitude<br />
Toward War, p. 494 Tone, pp. 371-373<br />
• Write a Poem Based on One <strong>of</strong> Crane’s<br />
Themes, p. 494<br />
24 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
COLLECTION 10: FROM INNOCENCE TO EXPERIENCE<br />
Prewriting for Research Report, pp. 447-453<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop; Research Report,<br />
pp. 444-459<br />
Options for Publishing, pp. 299-300<br />
Finding Information Sources, pp. 464-477<br />
Writing Workshop: Short Story, pp. 434-443<br />
Word Parts, pp. 548-553<br />
Conduct and Use a Survey, pp. 472-473, 521<br />
Polling Results, p. 521<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Write a Poem, pp. 439-440
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
To Build a Fire, p. 496<br />
Writing<br />
• Identify the Impact <strong>of</strong> Audience on Topic<br />
Development, p. 510<br />
• Write a Survival Story, p. 510<br />
• Write an Essay Identifying the Most Important<br />
Conflict in the Story, p. 510<br />
Vocabulary<br />
• Identifying Regional Dialects, pp. 513-514<br />
Writer’s Workshop: Research Paper, p. 515<br />
• Write a Research Paper on a Factual Topic,<br />
p. 510<br />
• Document Sources, p. 518<br />
Grammar–Language Workshop: Adverb<br />
and Adjective Clauses, p. 519<br />
• Adjective/Adverb Clauses, p. 519<br />
• Restrictive and Nonrestrictive Clauses, p. 519<br />
• Combine Sentences using Adverb and<br />
Adjective Clauses, p. 519<br />
ENRICHING WITH<br />
Language Network<br />
Prewriting: Identify Your Audience, p. 292<br />
Writing Workshop: Write a Story, pp. 434-443<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Regional Dialects, p. 567<br />
Writing Workshop; Research Report,<br />
pp. 444-459<br />
Documentation <strong>of</strong> Sources, pp. 455-456<br />
Making Source Cards, p. 449<br />
Incorporating Information, p. 477<br />
Adjective/Adverb Clauses, pp. 81-83, 102<br />
Essential/Nonessential Adjective Clauses,<br />
pp. 81-83, 102, 227-228<br />
Sentence Combining, pp. 352-354<br />
Varying Sentence Structure, p. 281<br />
Compound Subjects, pp. 138-139<br />
Grade 11, Collection 10 25
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Learning for Life: Monitoring the<br />
Media, p. 521<br />
Speaking and Listening<br />
• Compare and Contrast Television and Print<br />
Media Coverage, p. 521<br />
• Interview a Newscaster or Journalist, p. 521<br />
26 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Evaluating Media, pp. 526-527;<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Oral Presentation, pp. 503-506<br />
Interview, p. 513, 472
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 11: LOSS AND REDEMPTION<br />
A Wagner Matinee, p. 539<br />
Writing<br />
• Write an Essay Comparing Characters Across<br />
Texts, p. 547<br />
• Create Two Contrasting Settings, p. 547<br />
His Father’s Earth, p. 549<br />
Writing<br />
• Identify Interview Questions for an Author,<br />
p. 557<br />
• Write an Essay Comparing Whitman’s Style<br />
with Wolfe’s, p. 557<br />
• Write a Description Using a Catalog <strong>of</strong> Details,<br />
p. 557<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Common Types <strong>of</strong> Elaboration: Sensory Details,<br />
p. 334<br />
Sensory Details, pp. 338<br />
Elaboration Techniques, p. 389<br />
Prewriting, p. 393<br />
Paragraphs in Longer Works, pp. 312-313<br />
Writing Workshop: Reflective Essay, pp. 382-389<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Interview Techniques, p. 513<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Style, pp. 365-379<br />
Sensory Details, pp. 338<br />
Elaboration Techniques, p. 389<br />
Prewriting, p. 393<br />
Paragraphs in Longer Works, pp. 312-313<br />
Writing Workshop: Reflective Essay, pp. 382-389<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Grade 11, Collection 11 27
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
• Design, p. 560<br />
• Nothing Gold Can Stay, p. 562<br />
• Once by the Pacific, p. 564<br />
• Neither Out Far Nor In Deep, p. 565<br />
• Birches, p. 567<br />
• The Death <strong>of</strong> the Hired Man, p. 569<br />
Writing<br />
• Write an Essay Exploring the “Dark Conflicts”<br />
in Frost’s Poetry, p. 576<br />
• Write an Essay Comparing and Contrasting<br />
Two Poems by Different Authors, p. 576<br />
Speaking and Listening<br />
• Participate in Class Discussion <strong>of</strong> Frost’s Links<br />
to the Puritans and Romantics, p. 576<br />
28 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Group Communication, pp. 507-509<br />
Group Participation Guidelines, p. 512
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Winter Dreams, p. 586<br />
Writing<br />
• Write an Essay Interpreting a Story, p. 605<br />
Speaking and Listening<br />
• Research and Report on Some Aspect <strong>of</strong> Jazz<br />
Age Music, p. 605<br />
The Leader <strong>of</strong> the People, p. 607<br />
Writing<br />
• Write an Extension <strong>of</strong> a Story, p. 622<br />
• Write an Essay Comparing and Contrasting the<br />
Development <strong>of</strong> Theme in Two Stories, p. 622<br />
Speaking and Listening<br />
• Participate in a Panel Discussion on Heroes <strong>of</strong><br />
Today’s World, p. 622<br />
The Secret Life <strong>of</strong> Walter Mitty, p. 624<br />
Writing<br />
• Freewrite About the Causes <strong>of</strong> Walter Mitty’s<br />
Daydreaming, p. 632<br />
• Write an Essay Comparing and Contrasting<br />
Female Characters in Two Stories, p. 632<br />
• Write an Episode in “The Secret Life <strong>of</strong> Mrs.<br />
Mitty,” p. 632<br />
ENRICHING WITH<br />
Language Network<br />
COLLECTION 12: THE DREAM AND THE REALITY<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Research Report,<br />
pp. 444-459<br />
Writing Workshop: Short Story, pp. 434-443<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Group Communication, pp. 507-509<br />
Group Participation Guidelines, p. 512<br />
Writing Process Overview: Developing Ideas,<br />
p. 292<br />
Prewriting: Read and Reread, p. 401<br />
Prewriting: Find an Idea, p. 437<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Writing Workshop: Short Story, pp. 434-443<br />
Grade 11, Collection 12 29
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Speaking and Listening<br />
• Create a Short Play or Video <strong>of</strong> the Story,<br />
p. 632<br />
A Worn Path, p. 634<br />
Writing<br />
• Write an Essay Analyzing a Story, p. 642<br />
• Write a Story on a Similar Theme, p. 642<br />
30 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Dramatic Scene, pp. 439, 441; Video,<br />
pp. 532-534<br />
Selecting a Format: Video, p. 531<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Short Story, pp. 434-443
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 13: NO TIME FOR HEROES<br />
Richard Cory, p. 645<br />
Miniver Cheevy, p. 646<br />
Writing<br />
• Brainstorm Possible Causes for a Character’s<br />
Actions, p. 649<br />
• Write an Essay Comparing and Contrasting<br />
Values, p. 649<br />
Vocabulary<br />
• Connotation, p. 649<br />
Soldier’s Home, p. 652<br />
Writing<br />
• Freewrite a Speculation About a Character’s<br />
Future, p. 660<br />
• Write an Essay Interpreting a Character, p. 660<br />
• Write an Essay Analyzing an Author’s Style,<br />
p. 660<br />
ENRICHING WITH<br />
Language Network<br />
Writing Process Overview, p. 292<br />
Reflective Essay: Idea Bank, p. 388<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Putting Connotations to Work, p. 367<br />
Choosing Appropriate Connotations, p. 378<br />
Slanted Language: Denotation and Connotation,<br />
pp. 448-449<br />
Denotation and Connotation, p. 554<br />
Writing Process Overview: Developing Ideas,<br />
p. 292<br />
Prewriting: Read and Reread, p. 401<br />
Prewriting: Find an Idea, p. 437<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Style, pp. 365-379<br />
Grade 11, Collection 13 31
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
The Love Song <strong>of</strong> J. Alfred Prufrock,<br />
p. 663<br />
Writing<br />
• Write an Essay Comparing Characters in Two<br />
Poems, p. 671<br />
• Write a Dramatic Monologue, p. 671<br />
• Write an Essay Comparing and Contrasting<br />
Three Characters, p. 671<br />
The Life You Save May Be Your Own,<br />
p. 673<br />
Writing<br />
• Brainstorm Ideas for an Analysis <strong>of</strong> Causes and<br />
Effects, p. 684<br />
• Write an Essay Analyzing a Story, p. 684<br />
• Write a Sequel to the Story, p. 684<br />
Vocabulary<br />
• Connotations, p. 683<br />
Writer’s Workshop: Analyzing Causes<br />
and Effects, p. 685<br />
• Write an Essay Analyzing the Causes and/or<br />
the Effects <strong>of</strong> an Event, Situation, or Trend,<br />
pp. 685-688<br />
32 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Tips for Writing a Dramatic Scene, p. 441<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Writing Process Overview, p. 292<br />
Arranging Details: Cause-and-Effect Order,<br />
p. 326<br />
Transitions: Cause-and-Effect, p. 330<br />
Reflective Essay: Idea Bank, p. 388<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Short Story, pp. 434-443<br />
Putting Connotations to Work, p. 367<br />
Choosing Appropriate Connotations, p. 378<br />
Slanted Language: Denotation and Connotation,<br />
pp. 448-449<br />
Denotation and Connotation, p. 554<br />
Arranging Details: Cause-and-Effect Order,<br />
p. 326<br />
Transitions: Cause-and-Effect, p. 330
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Grammar–Language Workshop: Using<br />
Subordinating Conjunctions, p. 689<br />
• Revise Sentences Using Subordinate<br />
Conjunctions to Show Relationships, p. 689<br />
Reading for Life: Interpreting and<br />
Constructing a Graphic Organizer, p. 690<br />
ENRICHING WITH<br />
Language Network<br />
Sentence Revision, pp. 278-281; Fluency,<br />
pp. 352-355<br />
Subordinate Conjunctions. pp. 22, 78-79, 86<br />
Adverb Clauses: Subordinating Conjunctions,<br />
p. 82<br />
Graphics for Organizing Information,<br />
p. 329<br />
Writing Prompt: Drafting, p. 393<br />
Grade 11, Collection 13 33
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 14: SHADOWS OF THE PAST<br />
• Richard Bone, p. 692<br />
• “Butch” Weldy, p. 694<br />
• Fiddler Jones, p. 694<br />
• Petit, the Poet, p. 695<br />
• Mrs. George Reece, p. 695<br />
Writing<br />
• Identify the Author’s Attitude Toward His<br />
Subjects, p. 692<br />
• Write an Essay Analyzing the Poems as a<br />
Reflection <strong>of</strong> American Life, p. 696<br />
Recuerdo, p. 698<br />
Writing<br />
• Write an Essay Comparing and Contrasting the<br />
Poems <strong>of</strong> Two Authors, p. 701<br />
• Write a Poem Based on Quickwrite, p. 701<br />
Vocabulary<br />
• Synonyms, p. 726<br />
• Thesaurus, p. 726<br />
• Connotation/Denotation, p. 726<br />
34 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Attitude/Tone, pp. 371-373<br />
Tips for Writing a Poem, p. 440<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Write a Poem, pp. 439-440<br />
Types <strong>of</strong> Context Clues: Synonym, p. 546<br />
Shades <strong>of</strong> Meaning: Choosing the Right<br />
Synonym, pp. 554-555<br />
Vocabulary Items: Format, p. 582<br />
Thesaurus, p. 555<br />
Substitute Synonyms for Repetitive Words,<br />
p. 360<br />
Putting Connotations to Work, p. 367<br />
Choosing Appropriate Connotations, p. 378<br />
Slanted Language: Denotation and Connotation,<br />
pp. 448-449<br />
Denotation and Connotation, p. 554
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
The Jilting <strong>of</strong> Granny Weatherall,<br />
p. 703<br />
Writing<br />
• Write an Essay Reconstructing Granny<br />
Weatherall’s Life, p. 712<br />
• Write a Monologue Using Stream <strong>of</strong><br />
Consciousness from the Point <strong>of</strong> View <strong>of</strong><br />
George, p. 712<br />
A Rose for Emily, p. 715<br />
Writing<br />
• Analyze a Character, p. 725<br />
• Write an Essay Analyzing Plot Sequence,<br />
p. 725<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Tips for Writing a Dramatic Scene, p. 441<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Short Story, pp. 434, 437<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Grade 11, Collection 14 35
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Go Down, Death, p. 737<br />
Writing<br />
• Compare and Contrast Attitudes Toward Death<br />
in Two Poems, p. 742<br />
• Compare and Contrast Two Sermons, p. 742<br />
America, p. 744<br />
Writing<br />
• Compare Two Poems, p. 745<br />
• Tableau, p. 747<br />
• Incident, p. 748<br />
Writing<br />
• Compare and Contrast the Diction and<br />
Sentence Structure in Two Poems, p. 749<br />
• Write a Conversation Among Three Characters,<br />
p. 749<br />
from Dust Tracks on a Road, p. 751<br />
Writing<br />
• Write an Essay Comparing Two<br />
Autobiographies, p. 759<br />
Speaking and Listening<br />
• Dramatize and Perform an Excerpt from “Dust<br />
Tracks on a Road,” p, 759<br />
ENRICHING WITH<br />
Language Network<br />
COLLECTION 15: I, TOO, SING AMERICA: THE HARLEM RENAISSANCE<br />
36 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Style, pp. 365-379<br />
Dramatic Scene, pp. 439, 441, 258-259<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Autobiographical Writing, pp. 382-389<br />
Dramatic Scene, pp. 439, 441, 258-259
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
• The Weary Blues, p. 761<br />
• Harlem, p. 764<br />
Writing<br />
• Compare and Contrast the Attitudes <strong>of</strong> the<br />
Speakers in Two Poems, p. 768<br />
• Write an Essay Comparing and Contrasting<br />
Two Poems by Different Authors, p. 768<br />
• Write an Opening Paragraph for a Newspaper<br />
Article About Harlem, p. 768<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Attitude/Tone, pp. 371-373<br />
Tips for Writing a Poem, p. 440<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Newspaper Writing, pp. 299-300<br />
Grade 11, Collection 15 37
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 16: MAKE IT NEW!<br />
The River Merchant’s Wife: A Letter,<br />
p. 774<br />
Writing<br />
• Compare Two Poems, p. 777<br />
• Write a Paragraph Using a Single Concrete<br />
Image to Suggest a Feeling, p. 777<br />
• The Red Wheelbarrow, p. 779<br />
• The Great Figure, p. 780<br />
• Spring and All, p. 781<br />
Writing<br />
• Write an Imagist Poem, p. 782<br />
• Write a Poem Based on Images in a Painting <strong>of</strong><br />
Photograph, p. 782<br />
• Anecdote <strong>of</strong> the Jar, p. 784<br />
• Disillusionment <strong>of</strong> Ten O’clock, p. 784<br />
Writing<br />
• Freewrite an Explanation <strong>of</strong> How the <strong>Elements</strong><br />
<strong>of</strong> <strong>Literature</strong> Work Together in a Particular<br />
Poem, p. 786<br />
38 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Image in Reflective Essay, p. 386<br />
Writing a Poem, pp. 439-440<br />
Writing a Poem, pp. 439-440; Imagery, p. 368,<br />
Writing Process Overview: Developing Ideas,<br />
p. 292<br />
Prewriting: Read and Reread, p. 401<br />
Prewriting: Find an Idea, p. 437<br />
Poetry, pp. 439-440
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Poetry, p. 787<br />
Writing<br />
• Write a Letter to a Poet, p. 791<br />
• Write a Poem Based on a Nature Article,<br />
p. 791<br />
Chicago, p. 792<br />
Writing<br />
• Compare and Contrast Two Poems by<br />
Different Authors, p. 795<br />
• what if a much <strong>of</strong> a which <strong>of</strong> a wind,<br />
p. 797<br />
• somewhere I have never travelled,<br />
gladly beyond, p. 798<br />
Writing<br />
• Paraphrase a Poem by Cummings, p. 799<br />
• Write an Essay Comparing Poems by Two<br />
Authors, p. 799<br />
Vocabulary<br />
• Slang, p. 801<br />
• Standard English, p. 802<br />
Writer’s Workshop: Interpretive Essay,<br />
p. 804<br />
• Write an Essay Interpreting a Work <strong>of</strong><br />
<strong>Literature</strong>, a Movie, or a Work <strong>of</strong> Visual Art,<br />
pp. 804-806<br />
ENRICHING WITH<br />
Language Network<br />
Letter, pp. 234-235; Colons, p. 250<br />
Writing a Poem, pp. 439-440<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Paraphrase, pp. 450, 474<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Slang, pp. 366, 283, 386<br />
Standard English, p. 366<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Grade 11, Collection 16 39
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Grammar–Language Workshop: Using<br />
the Literary Present, p. 807<br />
• Revise Sentences to Make Verb Tenses<br />
Consistent, p. 807<br />
Reading for Life: Obtaining<br />
Information from an Internet Database,<br />
p. 808<br />
Writing<br />
• Research a Topic on the Internet and Write a<br />
Report, p. 808<br />
40 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Verb Tenses (Avoiding Shifts), pp. 121, 274<br />
Editing and Pro<strong>of</strong>reading, p. 430<br />
Writing Workshop: Research Report,<br />
pp. 444-459<br />
World Wide Web, pp. 469-470, 476
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 17: THE BREAKING OF CHARITY<br />
The Crucible, p. 828<br />
Writing<br />
• Write an Essay Analyzing a Character from the<br />
Play, p. 889<br />
• Write an Essay Comparing the Real Salem<br />
Witch Trials with The Crucible, p. 889<br />
• Research the Historical Context <strong>of</strong> the Play’s<br />
Creation, p. 889<br />
Vocabulary - Doing Analogies, p. 890<br />
• Write an Example for Each <strong>of</strong> the Analogy<br />
Relationships, p. 890<br />
Writer’s Workshop: Problem-Solution<br />
Essay, p. 895<br />
• Write a Problem-Solution Essay, pp. 895-898<br />
Grammar–Language Workshop: Using<br />
Transitional Expressions, p. 899<br />
• Revise Sentences to Improve Coherence, p. 899<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Writing Workshop: Research Report,<br />
pp. 444-459<br />
Writing Workshop: Research Report,<br />
pp. 444-459<br />
Analogies, pp. 493, 580-581<br />
Test-Taking Strategies: Analogy, p. 587<br />
Arranging the Details: Problem-Solution Order,<br />
p. 326<br />
Coherence, pp. 309-311, 325<br />
Transitional Words and Phrases, pp. 315, 330<br />
Drafting: Transitions, p. 409<br />
Revising: Paragraphing and Transitions, p. 410<br />
Paragraphs at a Glance, p. 314<br />
Grade 11, Collection 17 41
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 18: THE WAGES OF WAR<br />
from Night, p. 921<br />
Writing<br />
• Make a Judgement and Support It with<br />
Evidence from the Text, p. 931<br />
The Death <strong>of</strong> the Ball Turret Gunner,<br />
p. 932<br />
Writing<br />
• Write a Paragraph <strong>of</strong> a Poem from a Specific<br />
Point <strong>of</strong> View, p. 934<br />
A Noiseless Flash from Hiroshima,<br />
p. 936<br />
Writing<br />
• Write an Essay Explaining Hersey’s Techniques<br />
for Creating Suspense, p. 947<br />
• Research and Report on the Decision to Use<br />
the Atomic bomb, p. 947<br />
• Write an Essay Discussing Hersey’s Techniques,<br />
p. 947<br />
Vocabulary<br />
• Context Clues, p. 947<br />
42 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Persuasive Argument,<br />
pp. 424-433<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Research Report,<br />
pp. 444-459<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Style, pp. 365-379<br />
Context Clues, pp. 546-547<br />
Test Items: Vocabulary and Usage, p. 582
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
For the Union Dead, p. 949<br />
Writing<br />
• Write an Essay Comparing and Contrasting<br />
Two Poems by Different Authors, p. 954<br />
Game, p. 956<br />
Writing<br />
• Write an Essay Comparing Texts, p. 963<br />
Vocabulary<br />
• Connotation, p. 956<br />
Speaking <strong>of</strong> Courage, p. 965<br />
Writing<br />
• Write an Essay Comparing and Contrasting<br />
Stories, p. 973<br />
Speaking and Listening<br />
• Write and Direct a Television Interview with a<br />
Character, p. 973<br />
Monsoon Season, p. 975<br />
Writing<br />
• Write an Essay Evaluating the Use <strong>of</strong> Symbols,<br />
p. 978<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Putting Connotations to Work, p. 367<br />
Choosing Appropriate Connotations, p. 378<br />
Slanted Language: Denotation and Connotation,<br />
pp. 448-449<br />
Denotation and Connotation, p. 554<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Interview, p. 513; Dramatic Script, pp. 439, 441,<br />
258-259<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Using Language Creatively: Imagery and<br />
Symbolism, p. 368<br />
Grade 11, Collection 18 43
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
• Elegy for Jane, p. 1002<br />
• Night Journey, p. 1003<br />
Writing<br />
• Write an Essay Comparing and Contrasting<br />
Two Poems by Different Authors, p. 1004<br />
• The Beautiful Changes, p. 1006<br />
• Boy at the Window, p. 1007<br />
Writing<br />
• Write an Essay Explaining the “Motive for<br />
Metaphor,” p. 1008<br />
Everything Stuck to Him, p. 1027<br />
Writing<br />
• Write an Essay Stating and Defending an<br />
Opinion, p. 1033<br />
• Write a Monologue from the Point <strong>of</strong> View <strong>of</strong><br />
a Character, p. 1033<br />
Speaking and Listening<br />
• Interview Class members and Record Their<br />
Opinions, p. 1033<br />
ENRICHING WITH<br />
Language Network<br />
COLLECTION 19: DISCOVERIES AND AWAKENINGS<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Metaphor, p. 369<br />
Using Figurative Language, p. 285<br />
Details That Enrich Writing, pp. 338-339<br />
Writing Workshop: Persuasive Argument,<br />
pp. 424-433<br />
Tips for Writing a Dramatic Scene, p. 441<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Interview, p. 472<br />
44 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong>
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
The Fish, p. 1035<br />
Writing<br />
• Write a Short Poem from the Fish’s Point <strong>of</strong><br />
View, p. 1038<br />
Remember, p. 1040<br />
Writing<br />
• Write a “Remember” Poem, p. 1042<br />
The Girl Who Wouldn’t Talk from The<br />
Woman Warrior, p. 1044<br />
Writing<br />
• Write an Essay Discussing the Character <strong>of</strong> the<br />
Narrator, p. 1053<br />
• Write a Story Explaining Unexplained Events,<br />
p. 1053<br />
from Blue Highways, p. 1054<br />
Writing<br />
• Compare and Contrast Texts, p. 1066<br />
• Write an Essay Describing your Neighborhood<br />
or Community, p. 1066<br />
ENRICHING WITH<br />
Language Network<br />
Write a Poem, pp. 439, 440<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Write a Poem, pp. 439, 440<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Short Story, pp. 434-443<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Paragraphs in Longer Works, pp. 312-313<br />
Writing Workshop: Reflective Essay, pp. 382-389<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-443<br />
Grade 11, Collection 19 45
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Son, p. 1069<br />
Writing<br />
• Write an Essay Interpreting the Theme <strong>of</strong> a<br />
Story, p. 1075<br />
• Write Episodes <strong>of</strong> a “Daughter” Story, p. 1075<br />
Daughter <strong>of</strong> Invention, p. 1077<br />
Writing<br />
• Identify Conflicts in a Story, p. 1087<br />
• The Bells, p. 1089<br />
• Young, p. 1090<br />
Writing<br />
• Write an Essay Analyzing the Sound Structure<br />
<strong>of</strong> Sexton’s Poems, p. 1091<br />
from The Way to Rainy Mountain,<br />
p. 1093<br />
Writing<br />
• Write a Description <strong>of</strong> a Childhood Refuge,<br />
p. 1100<br />
ENRICHING WITH<br />
Language Network<br />
COLLECTION 20: FROM GENERATION TO GENERATION<br />
46 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Short Story, pp. 434-443<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Paragraphs in Longer Works, pp. 312-313<br />
Writing Workshop: Reflective Essay, pp. 382-389<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Common Types <strong>of</strong> Elaboration: Sensory Details,<br />
p. 334<br />
Elaboration at a Glance: Sensory Details, p. 344<br />
Elaboration Techniques, p. 389
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
from In Search <strong>of</strong> Our Mothers’<br />
Garden, p. 1102<br />
Writing<br />
• Write a Character Sketch, p. 1108<br />
Vocabulary<br />
• Base Words/Roots, p. 1120<br />
• Word Families, p. 1120<br />
• Prefixes/Suffixes, p. 1120<br />
What For, p. 1122<br />
Writing<br />
• Compare the Styles <strong>of</strong> Two poets, p. 1126<br />
• Write a Poem from the Point <strong>of</strong> View <strong>of</strong> the<br />
Father, p. 1126<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Short Story, pp. 434, 437<br />
Roots, pp. 548-550<br />
Word Families, p. 548<br />
Prefixes/Suffixes, pp. 551-553<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Style, pp. 365-379, 665<br />
Write a Poem, pp. 439-440<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Grade 11, Collection 20 47
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
COLLECTION 21: THE CREATED SELF<br />
New Africa, p. 1129<br />
Writing<br />
• Write an Essay Describing a Character, p. 1140<br />
• Write a First-Person Narrative, p. 1140<br />
Autobiographical Notes, p. 1142<br />
Writing<br />
• Write an Essay Comparing the Diction and<br />
Tone <strong>of</strong> Two Authors, p. 1147<br />
• Write an Essay Analyzing Baldwin’s Diction,<br />
p. 1147<br />
• Mirror, p. 1149<br />
• Mushrooms, p. 1149<br />
Writing<br />
• Draft the Opening Paragraph <strong>of</strong> an Essay,<br />
p. 1151<br />
• Write an Essay Comparing and Contrasting<br />
Texts, p. 1151<br />
• Write a Poem from a Specified Point <strong>of</strong> View,<br />
p. 1151<br />
48 Correlation <strong>of</strong> Language Network to <strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Short Story, pp. 434, 437<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Word Choice, pp. 359-363; Tone, pp. 440,<br />
371-373<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Word Choice, pp. 359-363<br />
Introduction, p. 330<br />
Basic Structure: Introduction, p. 318<br />
Compositions at a Glance: Introduction, p. 330<br />
Revision at a Glance, p. 362<br />
Literary Interpretation: Introduction, p. 398<br />
Drafting: Introduction, p. 401<br />
Writing Workshop: Comparison-and-Contrast<br />
Essay, pp. 406-413<br />
Write a Poem, pp. 439-440;<br />
Point <strong>of</strong> View, pp. 374-376<br />
Drafting: Point <strong>of</strong> View, p. 437
BEGINNING WITH<br />
<strong>Elements</strong> <strong>of</strong> <strong>Literature</strong><br />
The Lifeguard, p. 1156<br />
Writer’s Workshop: Evaluation, p. 1181<br />
Writing<br />
• Write an Essay Evaluating a Short Story, Essay,<br />
or Poem, pp. 1181-1184<br />
Grammar–Language Workshop: Using<br />
Effective Diction, p. 1185<br />
• Revise Sentences to Improve Diction, p. 1185<br />
Learning for Life: Celebrating Cultural<br />
Diversity, p. 1187<br />
Writing<br />
• Write a Feature Article on Culturally Diverse<br />
Art, p. 1187<br />
ENRICHING WITH<br />
Language Network<br />
Writing Workshop: Literary Interpretation,<br />
pp. 398-405<br />
Sentence Revision (Word Choice), pp. 359-363<br />
Options for Publishing, pp. 299-300<br />
Grade 11, Collection 21 49