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ons stival . - California Film Institute

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Opening Night<br />

In honor of the Fe<strong>stival</strong>’s 30th birthday, we return<br />

to the downtown Mill Valley plaza for our Opening<br />

Night Gala. Join us for wine, fine food and song,<br />

with jazzsters Con Alma and deejayed tunes, and<br />

hors d’oeuvres from Ora, E&O Trading Co., Robin<br />

Scott Catering, Pizza Antica and Cocina Poblana.<br />

With a glass of Raymond or Peter Paul wine in one<br />

Lust, caution | CHINA/US 2007 158 MINS<br />

Thursday, October 4, 6:30 pm<br />

Christopher B. Smith Rafael <strong>Film</strong> Center<br />

invited Guests: ang Lee, james schamus, joan chen, tang Wei<br />

6:30 PM FILM AND GALA $125 LUST04P<br />

6:30 PM FILM ONLY $25 LUST04R<br />

Director Ang Lee Producers Bill Kong, Ang Lee, James Schamus Screenwriters Wang Hui<br />

Ling, James Schamus Cinematographer Rodrigo Prieto Editor Tim Squyres Cast Joan Chen,<br />

Tony Leung, Tang Wei, Wang Lee Hom Print Source Focus Features<br />

Oscar ® -winning director Ang Lee (Brokeback Mountain; The Ice Storm,<br />

MVFF 1997) proves once again that his filmmaking excels in any genre; this<br />

time he has chosen the erotic espionage thriller. Loyalties are spread thin in<br />

Shanghai during World War II, as political tension mounts between Chinese<br />

Nationalists and Japanese occupiers. For a young stage actress, Wong<br />

(Tang Wei in an explosive debut performance), this tension comes to a boil<br />

when she finds herself in a deadly game of espionage and sexual intrigue<br />

with Mr. Yee (Tony Leung), a powerful political figure and Japanese<br />

collaborator. Wong goes deep undercover to expose Yee, quickly earning<br />

the trust of his neglected wife (Joan Chen)—while becoming the man’s<br />

mistress. Based on a short story by acclaimed Chinese novelist Eileen<br />

Chang, Lust, Caution smolders on the screen, revealing layers of emotion<br />

and sexual desire in a thrilling tale that resonates deep within the human<br />

heart. —Josh Moore<br />

Note: This film is rated NC-17 and contains explicit sexual content. No<br />

one under 18 admitted.<br />

online | mvff.com<br />

hand and something from Marin French Cheese<br />

Company or Judy’s Breadsticks in the other . . . or<br />

try some of the chocolate-covered fruit from “Take<br />

a Dip” Fondue Fountains and Edible Arrangements.<br />

Opening Night will please all your senses and set<br />

the mood for the next ten days!<br />

openinG niGht GaLa<br />

Thursday, October 4, 9:30 pm–12:00 am<br />

Lytton Plaza, Mill Valley<br />

SEE BELOW FOR TICKET OPTIONS<br />

the savaGes | US 2007 113 MINS<br />

Thursday, October 4, 6:45 pm and 7:00 pm<br />

CinéArts@Sequoia<br />

invited Guests: Laura Linney, tamara jenkins<br />

6:45 PM FILM AND GALA $125 SAVA04P<br />

6:45 PM FILM ONLY $25 SAVA04S<br />

7:00 PM FILM AND GALA $125 SAV204P<br />

7:00 PM FILM ONLY $25 SAV204S<br />

Director/Screenwriter Tamara Jenkins Producers Ted Hope, Anne Carey Cinematographer Mott<br />

Hupfel Editor Brian A. Kates Cast Laura Linney, Philip Seymour Hoffman, Philip Bosco<br />

Print Source Fox Searchlight<br />

Two exceptional actors navigate the bumpy terrain of shifting familial<br />

resp<strong>ons</strong>ibility. Weighed down by family dysfunction and sibling rivalry, adult<br />

siblings Wendy Savage (Laura Linney, MVFF Spotlight 2004) and her<br />

brother, John (Philip Seymour Hoffman), become reluctant caretakers for<br />

a man neither has spoken to for years, when their estranged father is<br />

suddenly in need of long-term care. Opti<strong>ons</strong> are limited, so John, a fortysomething<br />

unmarried professor with a paunch and a passion for Bertolt<br />

Brecht, checks their parent into a nursing home. Wendy, a neurotic<br />

aspiring playwright who’s also single but sleeping with her older married<br />

neighbor, is guilt-ridden over institutionalizing Dad—even if they are taking<br />

better care of him than he ever did of them. From The Slums of Beverly<br />

Hills to the nursing homes of Buffalo, director Tamara Jenkins’ films dwell<br />

in the hot spots of family dramedy, where irony lives side by side with<br />

misery. —Joanne Parsont<br />

21

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