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ons stival . - California Film Institute

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Margot at the Wedding US 2007 93 MINS<br />

Saturday, October 13 6:30 pm SPOT13R Rafael $25<br />

Director/Screenwriter Noah Baumbach Producer Scott Rudin Cinematographer Harris Savides Editor Carol Littleton Cast<br />

Nicole Kidman, Jennifer Jason Leigh, Jack Black, John Turturro Print Source Paramount Vantage<br />

SPOTLIGHT ON JENNIFER JASON LEIGH • In a truly inspired feat of casting, Nicole Kidman and Jennifer<br />

Jason Leigh are estranged sisters with more in common than they’d care to admit. Simultaneously self-righteous<br />

and self-loathing, Margot (Kidman) and Pauline (Leigh) bring a wickedly wry humor and a mass of insecurities to a<br />

turbulent relati<strong>ons</strong>hip that turns on a dime. After years apart, Margot decides to visit Pauline for Pauline’s impending<br />

wedding to Malcolm (Jack Black, in fine disheveled form), an unemployed artist and musician of whom Margot<br />

clearly disapproves. As the sisters spar and personal secrets unravel, a storybook wedding seems an unlikely<br />

prospect. It doesn’t help that the nasty next-door neighbors demand they chop down the old tree under which they<br />

plan to marry. As with The Squid and the Whale (MVFF 2005), writer-director Noah Baumbach paints an authentic,<br />

sardonic portrait of a family falling apart and fighting to put itself back together again. —Joanne Parsont<br />

• • • For Spotlight event information, see page 57.<br />

• • •Sp<strong>ons</strong>ored by Kerner Optical<br />

Michael Clayton US 2007 120 MINS<br />

Wednesday, October 10 7:00 pm MICH10S Sequoia<br />

Director/Screenwriter Tony Gilroy Producers Sydney Pollack, Steven Samuels Cinematographer Robert Elswit Editor John<br />

Gilroy Cast George Clooney, Tom Wilkinson, Tilda Swinton, Sydney Pollack Print Source Warner Bros<br />

Michael Clayton (George Clooney) is an in-house “fixer” at one of the largest corporate law firms in New York. At<br />

the behest of the firm’s co-founder Marty Bach (Sydney Pollack), Clayton, a former prosecutor from a family of cops,<br />

takes care of Kenner, Bach & Ledeen’s dirtiest work, cleaning up clients’ messes, from hit-and-runs and damaging<br />

stories in the press to shoplifting wives and crooked politicians. At the agrochemical company U/North, the career<br />

of in-house chief counsel Karen Crowder (Tilda Swinton) rests on the settlement of the suit that Kenner, Bach &<br />

Ledeen is leading to a seemingly successful conclusion. When Kenner’s top litigator, the brilliant Arthur Edens (Tom<br />

Wilkinson), has an apparent breakdown and tries to sabotage the entire case, Bach sends Clayton to tackle this<br />

unprecedented disaster and, in doing so, Clayton comes face to face with the reality of who he has become.<br />

• • •Sp<strong>ons</strong>ored by Maroevich, O’Shea & Coghlan<br />

Mind the Gap (Se upp för därarna) SwedeN 2007 102 MINS<br />

Thursday, October 11 9:30 pm MIND11R Rafael<br />

Saturday, October 13 3:00 pm MIND13S Sequoia<br />

Director Helena Bergström Producer Colin Nutley Screenwriters Helena Bergström, Denize Karabuda Cinematographer Olof<br />

Johnson Editor Perry Schaffer Cast Rakel Wärmländer, Nina Zanjani Print Source Swedish <strong>Film</strong> <strong>Institute</strong><br />

In Swedish with English subtitles • A charming story about knowing yourself, knowing where you came from<br />

and taking opportunities because you deserve them, Mind the Gap concerns two young women from different<br />

backgrounds who become friends while training at the Swedish Police Academy. The rebellious daughter of a<br />

famous criminologist, Elin has something to prove; Yasmín, a thoughtful Turkish immigrant whose family is falling<br />

apart, is idealistic. As the two struggle to make the cut, their dreams, fears and lives become intertwined. Yasmín’s<br />

father, a respected surgeon in his home country, can now only find work as a subway driver. Yasmín’s devotion to<br />

her family simultaneously keeps her from and pushes her toward true maturity. Elin’s bold nature serves as a shield,<br />

so that she doesn’t have to trust anyone. Together, they learn to mind the gaps along the path toward independence<br />

and self-discovery. North American Premiere —Kristine Kolton<br />

• • • Presented in association with the C<strong>ons</strong>ulate General of Sweden of San Francisco<br />

• • •Sp<strong>ons</strong>ored by A Party Center<br />

Miss Universe 1929 AUSTRIA/NeTheRLANdS 2006 70 MINS<br />

Friday, October 5 6:30 pm MISS05T 142 Throckmorton<br />

Saturday, October 6 6:00 pm MISS06R Rafael<br />

Director/Screenwriter Péter Forgács Producers Cesar Messemaker, Georg Misch, Ralph Wieser Cinematographers Archiv<br />

Material, Péter Forgács Editor Péter Sass Print Source Mischief-films<br />

In English and Hungarian with English subtitles • Master of found-footage filmmaking Péter Forgács (El Perro<br />

Negro, MVFF 2005) uses rare archival material and home movies to craft an intimate look at one woman’s journey<br />

from fräulein to famous beauty. Lisl Goldarbeiter was just another pretty girl growing up in early 20th-century Vienna.<br />

Her cousin, Marci Tenczer, had two interests: the cinema, and Lisl. After obsessively filming his objet d’amour,<br />

the amateur auteur sent her photo to a beauty pageant committee; Lisl ended up being crowned Miss Universe,<br />

the most gorgeous woman in the world. She also attracted the interest of Hollywood’s elite, married a gamblingaddicted<br />

heir to a European necktie empire and subsequently watched war destroy almost everything she held dear.<br />

In Forgács hands, Lisl’s story is a time capsule of the 20th century, a testament to the power of the seventh art and<br />

a chronicle of infatuation with an unlikely happily-ever-after ending. —David Fear<br />

online | mvff.com<br />

us cinema<br />

us cinema<br />

world cinema<br />

valley of the docs<br />

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