ons stival . - California Film Institute
ons stival . - California Film Institute
ons stival . - California Film Institute
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
108<br />
MVFF T u r n i n g 3 0<br />
world cinema<br />
us cinema<br />
world cinema<br />
world cinema<br />
Uranya GReece 2006 95 MINS<br />
Saturday, October 6 11:45 am URAN06R Rafael<br />
Saturday, October 13 2:45 pm URAN13S Sequoia<br />
Director/Screenwriter Costas Kapakas Producers Haris Padouvas, Despoina Mouzaki Cinematographer Stefano Kapakas<br />
Editor Giorgos Mavropsaridis Print Source Cinegram S.A.<br />
In Greek with English subtitles • In this charming coming-of-age story from Greece, a boy, Achilles, longs to<br />
escape his village, his bickering parents and the unbearable destiny of being a blacksmith’s son. It’s 1969, and the<br />
town, you see, doesn’t have a television. The problem distresses everyone, but particularly Achilles, who dreams<br />
of being an astronaut and wants to watch the Apollo 11 lunar landing. The genre’s amusing tropes provide good<br />
slapstick comedy—gossiping wives, bumbling authority figures and the eternal adolescent quest to lose one’s<br />
virginity—while the film evokes its historical moment so distinctly, and Achilles exudes such a poignant lightness of<br />
being, that we are transported with him above the fray. Getting a television means cutting through a Gordian knot<br />
of challenges political, familial, financial, and Achilles’ only tool is his determination. But, desire can work miracles,<br />
the film proposes, perhaps none more astonishing than putting a man on the moon itself. North American Premiere<br />
—Jeff Campbell<br />
• • •Sp<strong>ons</strong>ored by Raymond Vineyards<br />
Used US 2007 84 MINS<br />
Saturday, October 13 7:15 pm USED13R Rafael<br />
Director/Producer/Screenwriter Rob Nilsson Cinematographer Chikara Motomura Editor Rob Lee Cast Robert Viharo,<br />
Paige Olson, Edwin Johnson, Johnny Tidwell, Kieron McCartney, Rob Nilsson Print Source Citizen Cinema<br />
Rob Nilsson (Opening, Pan, MVFF 2006) returns with the second chapter in the 9@Night series. 9@Night resident<br />
antihero, Malafide, departs his part-time lover Tracey’s restful digs for the streets. After a mental breakdown, he<br />
develops a strong bond with a homeless man as they embark on a journey to bring a “mystical man,” named People,<br />
“to his spiritual place.” Tracey enlists the help of her underworld, coke-addicted nephew to help pay off a debt<br />
to “Uncle Kenny.” Nilsson explores his signature themes with gritty, dynamic characters, portraying the socially<br />
marginalized as honorable, dignified, even spiritually gifted, and illuminating indefinable connecti<strong>ons</strong> between human<br />
beings. Used distinguishes itself among the 9@Night films with its stark landscape photography, in which the<br />
desolate beauty of the Nevada desert mirrors the characters’ own. The series draws to a close at MVFF with the<br />
final installment, Go Together (see page 92). World Premiere<br />
Warchild (Stille Sehnsucht- warchild) GeRMANy/SLOveNIA 2006 103 MINS<br />
Saturday, October 6 3:00 pm WARC06S Sequoia<br />
Sunday, October 7 9:15 pm WARC07R Rafael<br />
Director Christian Wagner Producers Christian Wagner, Dunja Klemenc Screenwriters Edin Hadzimahivic, Stefan Daehnert<br />
Cinematographer Thomas Mauch Editor Jens Klüber Cast Labina Mitevska, Katrin Sass, Senad Basic, Otto Kukla, Crescentia<br />
Dünesser, Miranda Leonhardt Print Source Christian Wagner <strong>Film</strong><br />
FOCUS: GERMANY • In German, Serbian, Bosnian and Croatian with English subtitles • The frantic ache of<br />
a displaced loved one carried off to safety elsewhere during wartime haunts the striking heroine of the second<br />
installment in Christian Wagner’s Balkan Blues Trilogy. Labina Mitevska (Before the Rain) stars as Senada, a young<br />
mother whose only daughter Aida was removed from Bosnia-Herzegovina during the worst years of the war and<br />
presumably adopted into a Western European family. Searching for her after the war, Senada follows her intuition;<br />
eventually she enters illegally into Germany, where she discovers through a UNICEF worker (played by Katrin Sass,<br />
so memorable as the frazzled mother in Wolfgang Becker’s Good Bye, Lenin!) the harsh truth of postwar adoption:<br />
Aida is alive and well and living happily with a German family. Dark secrets then emerge, leaving no one unscathed<br />
in this expertly crafted, superbly performed drama. —Andy Bailey<br />
• • • Presented in association with the Goethe <strong>Institute</strong> San Francisco<br />
• • •Sp<strong>ons</strong>ored by Blithedale Terrace<br />
The Way I Spent the End of the World (Cum mi-am petrecut sfarsitul lumii) ROMANIA 2006 110 MINS<br />
Tuesday, October 9 4:30 pm WAY09S Sequoia<br />
Sunday, October 14 11:30 am WAY14R Rafael<br />
Director Catalin Mitulescu Producers Catalin Mitulescu, Daniel Mitulescu and David Thion Screenwriters Catalin Mitulescu,<br />
Andreea Valean Cinematographer Marius Panduru Editor Cristina Ionescu Cast Dorteea Petre, Timotei Duma, Cristian Vararu,<br />
Ionut Becheru Print Source <strong>Film</strong> Movement<br />
FOCUS: ROMANIA • In Romanian with English subtitles • Most recent exports from Romania’s extraordinary new<br />
wave have focused on the aftermath of former president Nicolae Ceausescu’s reign of terror, but Catalin Mitulescu’s<br />
drama unflinchingly looks at life under the stranglehold of communist rule. The country’s “Christmas revolution”<br />
is still several months away, and the teenage Eva (Doroteea Petre, winner of the 2006 Un Certain Regard best<br />
actress award at Cannes) is struggling under the yoke of frustrated parents and suffocating under her high school’s<br />
stifling rules. After her boyfriend accidentally breaks a bust of their Beloved Leader and lets her take the rap, Eva is<br />
transferred to an even stricter reformatory school. And what’s with their rebellious new neighbor and his mysterious<br />
scheme? Filled with tenderness and tart with humor, this coming-of-age story filters a nation’s turbulent history<br />
through an adolescent’s awakening. —David Fear<br />
• • • Presented in association with the Romanian Cultural <strong>Institute</strong> New York<br />
2007 MVFF TICKETS | 877.874.MVFF (6833)