thank you! - Broadway Cares/Equity Fights AIDS
thank you! - Broadway Cares/Equity Fights AIDS
thank you! - Broadway Cares/Equity Fights AIDS
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BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NATIONAL SUPPORT<br />
A strong commitment to BC/EFA extends far beyond New York City. In regional, stock, and dinner<br />
theatres across the country, as well as in cities that play host to <strong>Broadway</strong>’s national touring shows, casts come together as they do in<br />
New York to raise funds continually for BC/EFA.<br />
<strong>Broadway</strong>’s national tours are BC/EFA’s ambassadors on the road. Without the added administrative expense of official chapters<br />
in cities across the country, BC/EFA is able to raise funds through these traveling autographed poster sales and curtain speeches.<br />
These efforts raise hundreds of thousands of dollars each year and are an important piece of the financial support BC/EFA provides<br />
through the National Grants Program to many <strong>AIDS</strong> service organizations in the very cities visited by the national tours as they wind<br />
their way across the country. These special appeals have been made by such touring shows as 42nd Street, Aida, Beauty and the Beast, Blue<br />
Man Group, Cinderella, Contact, The Full Monty, Jesus Christ, Superstar; Les Misérables, The Lion King, Mamma Mia!, The Phantom of the Opera, The<br />
Producers, Saturday Night Fever, The Tale of the Allergist’s Wife, tick, tick, BOOM!; and West Side Story.<br />
Cast members from many tours go to the added effort of presenting special cabaret evenings in a local club or theatre, the<br />
proceeds of which are then shared with a local <strong>AIDS</strong> organization and BC/EFA. However <strong>you</strong> measure it, the generous efforts of our<br />
friends on the road amount to hundreds of thousands of dollars that come back through BC/EFA to local <strong>AIDS</strong> service organizations<br />
nationwide. 14 years ago, the first “<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Week” was declared. What was then the <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Committee sent<br />
letters to every <strong>Equity</strong> theatre asking that an appeal be made during Thanksgiving Week. That first year brought in over $70,000 from<br />
a few dozen theatres. Over the years, more local theatres joined in what became annual efforts, and in 1992, EFA Week became<br />
BC/EFA Week, which continues to this day. More importantly, over time, many regional theatres became allied with their local <strong>AIDS</strong><br />
service organizations, raising funds for them as the national tours do for BC/EFA. Some theatres continue to do both. The Actors’<br />
Playhouse at the Miracle Theatre in Coral Gables, FL; The Alliance Theatre in Atlanta, GA; Cincinnati’s Playhouse in the Park;<br />
Florida Repertory Theatre; Fulton Opera House in Lancaster, PA; Connecticut’s Goodspeed Opera House; San Francisco’s<br />
American Conservatory Theatre; Mill Mountain Theatre in Roanoke, VA; North Shore Music Theatre in Beverly, MA; Portland<br />
Center Stage; Syracuse Stage; The Shakespeare Theatre in Washington, DC, and The Carousel Dinner Theatre in Akron, Ohio are<br />
just a few of our most stalwart out-of-town supporters. For all these collective efforts, we are most grateful.<br />
More than 90 regional theatre, summer stock, and dinner theatre productions across the country pitched in to raise funds through audience appeals and special cabaret<br />
performances. These included the Syracuse Stage production of The Wizard of Oz; one of our most stalwart supporters, The Carousel Dinner Theatre in Akron, Ohio,<br />
where the casts of The Music Man and Smokey Joe’s Cafe raised $11,600 and $7,983; the cast of The Media Theatre’s production of The Secret Garden<br />
in Pennsylvania raised $2,670 from audience appeals; the cast of Jacques Brel at the Second Stage Theatre in Boston raised $1,033.<br />
national support<br />
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