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BC/EFA Annual Report 2004 - Broadway Cares/Equity Fights AIDS

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BROADWAY<br />

CARES/<br />

EQUITY<br />

FIGHTS<br />

<strong>AIDS</strong><br />

ANNUAL<br />

REPORT<br />

<strong>2004</strong>


THANK<br />

YOU!<br />

42nd STREET A FEW GOOD MEN DANCIN’ A RAISIN<br />

IN THE SUN AIDA AVENUE Q BEAUTY AND THE<br />

BEAST BECKETT/ALBEE BEYOND RECOGNITION<br />

BLUE MAN GROUP BOOBS, THE MUSICAL THE BOY<br />

FROM OZ CABARET CHICAGO DE LA GUARDA<br />

FAME FIDDLER ON THE ROOF FLOWER DRUM SONG<br />

FORBIDDEN BROADWAY THE FULL MONTY GOLDA’S<br />

BALCONY GYPSY HAIRSPRAY I AM MY OWN WIFE<br />

I LOVE YOU, YOU’RE PERFECT, NOW CHANGE<br />

JESUS CHRIST, SUPERSTAR LES MISÉRABLES THE<br />

LION KING LISTEN TO MY HEART LITTLE SHOP OF<br />

HORRORS LYPSINKA MAMMA MIA MENOPAUSE,<br />

THE MUSICAL MORE MOVIN’ OUT NAKED BOYS<br />

SINGING NINE OMINUM GATHERING THE PHANTOM<br />

OF THE OPERA THE PRODUCERS RENT THE<br />

RETREAT FROM MOSCOW SARAH, SARAH STOMP<br />

STRICTLY ACADEMIC TABOO TAKE ME OUT THE<br />

THING ABOUT MEN THOROUGHLY MODERN MILLIE<br />

TWENTIETH CENTURY URINETOWN THE VIOLET<br />

HOUR WICKED WINTERTIME WONDERFUL TOWN<br />

The Easter Bonnet from the cast of 42nd Street; Five “wild boys” present the Bonnet from Movin’ Out; Nathan Lane makes the audience appeal from the stage of The St. James<br />

as Producers’ costars Matthew Broderick and Angie Schworer look on in support; Idina Menzel sings “Help Is On the Way” to close the Bonnet Competition; Hugh Jackman,<br />

Bernadette Peters, and Harvey Fierstein present the awards at The Gypsy of the Year Competition; just a few of the boys from <strong>Broadway</strong> Bares; our own Ziegfeld girl, Doris Eaton<br />

Travis, celebrates her 100th birthday on stage at the Bonnet Competition.


oadway cares/equity fights aids<br />

ANNUAL<br />

REPORT<br />

<strong>2004</strong><br />

TABLE OF CONTENTS<br />

how a dollar makes a difference 2<br />

letter from the president Paul Libin 3<br />

letter from the executive director Tom Viola 4<br />

bc/efa grant-making 5<br />

the actors’ fund of america 6<br />

national grants program 12<br />

national grant totals by state 16<br />

international grants 31<br />

events 33<br />

national support 44<br />

thespian fundraising 45<br />

bc/efa on ebay 46<br />

retail outreach 47<br />

corporate support 48<br />

broadway delivers! 49<br />

dancers responding to aids (dra) 50<br />

classical action: performing arts against aids 52<br />

the maestro program 54<br />

the angels campaign 55<br />

major donors 57<br />

dra donors 62<br />

the colleen dewhurst society 63<br />

financial statements 64<br />

board of trustees and credits 72<br />

Producer Rosie O’Donnell joins the cast of Taboo at Gypsy of the Year; Heather Headley in concert at The New Amsterdam; The <strong>Broadway</strong> Inspirational Voices;<br />

Joey McIntyre joins his cast in selling signed posters from Wicked at The <strong>Broadway</strong> Flea Market; the divine Charles Busch as Mame and the divinest Marian Seldes as<br />

his/her sidekick Vera Charles in the reading of Auntie Mame.<br />

table of contents<br />

1


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

HOW A DOLLAR<br />

MAKES A<br />

DIFFERENCE<br />

<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> is the nation’s leading i ndustry-based, nonprofit <strong>AIDS</strong><br />

fundraising and grant-making organization. <strong>BC</strong>/<strong>EFA</strong> is the ongoing, committed response from<br />

the American theatre community to an urgent worldwide health crisis. By drawing upon the<br />

talents, resources and generosity of this community, <strong>BC</strong>/<strong>EFA</strong> raises funds for <strong>AIDS</strong>-related<br />

causes across the United States. Since its founding in 1988, <strong>BC</strong>/<strong>EFA</strong> has raised over $85<br />

million for critically needed services for people with <strong>AIDS</strong>, HIV or HIV-related illnesses, and<br />

their families.<br />

The fundraising and grant-making success of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> is the result of tens<br />

of thousands of gestures of generosity that come together as one phenomenal show of support. This is never more apparent than in<br />

the audience appeals done twice a year for two six-week periods by the <strong>Broadway</strong>, off-<strong>Broadway</strong> and national touring shows prior to<br />

the annual Gypsy of the Year and Easter Bonnet Competitions. Here is how a single dollar becomes what in <strong>2004</strong> was a record-breaking $6.7*<br />

million campaign.<br />

A theatergoer is moved by the curtain speech made by a member of the cast after the curtain call. In support of <strong>BC</strong>/<strong>EFA</strong> or<br />

simply because it was such a thrill to hear the show’s star informally talk to the audience about our work, he or she puts ONE<br />

DOLLAR into the collection buckets manned by other members of the company and <strong>BC</strong>/<strong>EFA</strong> volunteers. In an average <strong>Broadway</strong><br />

house of 1,800, this means the following:<br />

one generous gesture $ 1<br />

the amount raised at one performance $ 1,800<br />

there are 8 performances a week (x 8) $ 14,400<br />

33 other shows are making the same appeal (x 34) $ 489,600<br />

appeals are made for six weeks (x 6) $ 2,937,0600<br />

twice a year (x 2) $ 5,875,200<br />

Audience appeals are the backbone of <strong>BC</strong>/<strong>EFA</strong>’s yearly fundraising efforts. Of course, money is raised in other ways: through<br />

direct mail and major donor campaigns, corporate sponsorships, merchandise sales, CareTix and CareCards, as well as from ticket<br />

sales for one-time special events. Together all of these efforts allowed <strong>BC</strong>/<strong>EFA</strong> to raise over $13 million in FY <strong>2004</strong>. But without a<br />

doubt, the foundation of this success is built on audience appeals – or to be more specific, the thousands of times one person reaches<br />

into pocket or purse and drops $1 in a volunteer’s bucket.<br />

* Note: FY <strong>2004</strong> will forever be known as the “Year of Hugh Jackman in THE BOY FROM OZ.” During both this fiscal year’s GYPSY OF THE<br />

YEAR and EASTER BONNET Competitions, Hugh led his exuberant cast in raising $632,998 and $539,058 during these two six-week periods for a truly grand<br />

total of $1,172,056. This is certainly the most any one show has ever raised in a single year and in no small way accounts for the record-breaking success of this year’s<br />

two appeal periods.<br />

Cast members from The Producers in the lobby of the St. James Theatre; Hugh Jackman led the way as the company of The Boy from Oz raised $1,172,056<br />

for <strong>BC</strong>/<strong>EFA</strong> in just one season; scores of cast members and <strong>BC</strong>/<strong>EFA</strong> volunteers held buckets like this during two six-week appeal periods;<br />

cast members from Hairspray in the lobby of The Neil Simon.<br />

how a dollar makes a difference<br />

2


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

A LETTER<br />

FROM<br />

THE PRESIDENT<br />

MAY 2005<br />

Dear Friends,<br />

The fiscal year ending September 30, <strong>2004</strong>, was another banner year for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>. The amount of<br />

money raised in support of our cause grew by an unprecedented 27 percent over the previous year – from $10.6 million in 2003 to<br />

$13.6 million this year!<br />

This phenomenal increase in the success of our fundraising efforts solidifies <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> Aids’ position as the<br />

leading industry-based <strong>AIDS</strong> fundraising and grant-making organization in the United States. More importantly, it provides greater<br />

resources from which we are able to support major social service programs for industry professionals at The Actor’s Fund of America<br />

and distribute to direct service providers at more than 500 <strong>AIDS</strong> service organizations throughout the country through our National<br />

Grants Program.<br />

Funding cuts in federal programs across the board make the ongoing financial support of <strong>Broadway</strong> <strong>Cares</strong> more important than<br />

ever to those organizations on the front lines of providing care for those in need. We take great pride in representing the<br />

commitment of the American theatre community in addressing these needs.<br />

I remain awestruck by the incredible amount of cooperation we receive from countless individuals, corporations and industry<br />

professionals who make our success a reality. In addition to the actors making audience appeals on our behalf, we rely on the<br />

dedication and tireless efforts of stage managers, stagehands, ushers, wardrobe personnel and company managers, to name but a few.<br />

We also count on the philanthropic support of corporations and individuals as well as the continued goodwill of the ticket-buying<br />

public at large who have supported our programs this year.<br />

I want to extend my heartfelt gratitude and congratulations to the <strong>BC</strong>/<strong>EFA</strong> trustees and to the entire <strong>BC</strong>/<strong>EFA</strong> staff for all of the<br />

dedicated teamwork that went into making <strong>2004</strong> a benchmark year.<br />

We, the board, staff and volunteers of <strong>BC</strong>/<strong>EFA</strong> appreciate your taking the time to read about our accomplishments in this report.<br />

I hope you take as much pride as I do in realizing what a tremendous difference we were able to make together!<br />

Sincerely,<br />

Paul Libin<br />

President<br />

Avenue Q’s Stephanie D’Abruzzo and Kate Monster at Nothin’ Like a Dame; Mario Cantone, Billy Porter, and Julie Halston lead the opening of Gypsy of the Year;<br />

Mitchel David Federan as “a rather adult” Peter Allen during The Boy from Oz presentation at Gypsy of the Year; our banner proudly hanging in the house<br />

of the beautiful New Amsterdam Theatre, home of The Easter Bonnet Competition; cast members from The Producers outside the St. James at The <strong>Broadway</strong> Flea Market.<br />

a letter from the president<br />

3


A LETTER<br />

FROM<br />

THE EXECUTIVE DIRECTOR<br />

MAY 2005<br />

July, 2005<br />

Dear Friends:<br />

I am very happy and proud to report that FY <strong>2004</strong> (October 1, 2003 – September 30, <strong>2004</strong>) was the most successful year of<br />

fundraising and grant-making in <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>’ history. If I were an artist – I would work in collage. The staff<br />

around here laughs because soon after an event I like to find the time to put up as they say “another one of his collages” made up of<br />

dozens of event photos of all sizes and all overlapping on the cupboards in the kitchen.<br />

There is something about taking in so much at once - seeing how every piece becomes a part of the whole. How a shot of the biggest,<br />

most colorful scene, when taped next to one of an almost incidental moment (not nearly as bright), creates something new and unique<br />

when seen side-by-side. The blur of images, this smattering of colors becomes in total more than any one shot could by itself. It moves.<br />

I go on like this because, in my heart I know that <strong>BC</strong>/<strong>EFA</strong> is at its best, its strongest and its most useful – a collage.<br />

Members of every union and non-union members. Folks who have been in the business for decades, someone who just landed<br />

their first job. Major donors and corporate sponsors as well as the 13-year-old girl from Long Island who sent us a bundle of checks<br />

totaling a couple hundred bucks from her bat mitzvah and the senior citizen in Florida who forwarded a $15 check from the direct<br />

mail appeal and jots shakily on the response card, “I wish it could be more.”<br />

<strong>BC</strong>/<strong>EFA</strong> is audience appeals that raise millions from the efforts of over 50 <strong>Broadway</strong>, off-<strong>Broadway</strong>, and national touring shows<br />

and the high school drama club teacher who sends us a check for $322 donated in cash by his cast of Our Town.<br />

Stars, writers, directors, choreographers, gypsies, actors and those most dear to my heart, stage managers. All the folks working<br />

behind the scenes, front of house and in the pit who in being willing for six weeks, twice a year to leave the theatre 15 minutes later<br />

than usual make our invaluable audience appeals possible. Producers and theatre owners who “give permission”; press agents who<br />

“ask”; company managers who make it work “within a labyrinth of rules”; concessionaires who “turn a generous blind eye” and<br />

another favorite group, the doormen and women who welcome us, delivering messages, requests and all those signed posters.<br />

<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> exists, to quote a masterful writer, because of “each and every one.” It is this blur of<br />

enthusiasm, generosity, good behavior, and idiosyncrasies that is both <strong>BC</strong>/<strong>EFA</strong>’s great blessing and subtle strength. What follows are<br />

many facts and figures. Lists, charts and graphs, as well as lots of event pictures and photos of the people and organizations you’ve<br />

helped <strong>BC</strong>/<strong>EFA</strong> assist. These are our shared history. Someday, someone will call it our shared legacy.<br />

But don’t be lulled into feeling too good. These are difficult days. The fabric of our social safety net, built of over decades of<br />

bi-partisan political action, is today being deliberately frayed at the same time we find more and more individuals and families across<br />

our nation in crisis and need.<br />

I could write a second letter about those in power who choose to exclude rather than embrace, those eager to demonize others<br />

in order to ensure power from the unquestioning. Those who hoard rather than share, spin rather than tell the truth. Smirk rather<br />

than smile. But that is not for now.<br />

Now, I close simply with this: Thank you. I particularly want to express my deep appreciation to <strong>BC</strong>/<strong>EFA</strong>’s Trustees – who watch<br />

our back – and to the <strong>BC</strong>/<strong>EFA</strong> staff who make up its muscle and spine. From our major sponsors to each individual donor - for<br />

being a part of <strong>BC</strong>/<strong>EFA</strong>’s unique collage you have my heartfelt gratitude. And to more accurately quote the brilliant Charles<br />

Dickens... “God bless us; every one!”<br />

Sincerely,<br />

Tom Viola<br />

Executive Director<br />

Sandra Joseph and Hugh Panara, stars of The Phantom of the Opera, with a most adoptable star of <strong>Broadway</strong> Barks; Michael McElroy leads the <strong>Broadway</strong> Inspirational<br />

Voices; cast members from Fiddler on the Roof at The <strong>Broadway</strong> Flea Market; Christopher Sieber gets “hit on” in front of a full house at The New Amsterdam by Avenue Q’s<br />

“Rod” – with a hand from Q star John Tartaglia; Isabel Keating and Stephanie J. Block, stars of The Boy From Oz, at the celebrity table at The <strong>Broadway</strong> Flea Market.<br />

a letter from the executive director<br />

4


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE <strong>BC</strong>/<strong>EFA</strong>’S<br />

GRANT-MAKING HISTORY<br />

1987-<strong>2004</strong><br />

EQUITY FIGHTS <strong>AIDS</strong> was founded in October 1987 by the Council of Actors’ <strong>Equity</strong> Association.<br />

Money raised through the efforts of <strong>Equity</strong> theatre companies across the country was specifically earmarked for The Actors’ Fund<br />

<strong>AIDS</strong> Initiative. BROADWAY CARES was founded in February 1988 by members of The Producers’ Group. Money raised was<br />

earmarked to be awarded to <strong>AIDS</strong> service organizations across the country, including <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />

In May 1992, BROADWAY CARES and EQUITY FIGHTS <strong>AIDS</strong> merged to become BROADWAY CARES/EQUITY FIGHTS<br />

<strong>AIDS</strong>. The Board of Trustees of this newly established not-for-profit fundraising organization assumed the missions of the<br />

previously separate organizations and continues to fund the social service work of The Actors’ Fund and to award grants twice a year<br />

to <strong>AIDS</strong> and family service organizations nationwide.<br />

Unlike most other nonprofit grant-making organizations, <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> must raise every single dollar of<br />

our philanthropic budget each year in order to fulfill our grant-making mission. In turn, <strong>BC</strong>/<strong>EFA</strong> works hard to ensure that the<br />

money raised is spent carefully and wisely on programs both at The Actors’ Fund and at hundreds of social service agencies across the<br />

country where these hard-earned dollars can have maximum impact. An impressive 76 cents of every dollar raised by <strong>BC</strong>/<strong>EFA</strong> goes<br />

directly towards these causes.<br />

<strong>BC</strong>/<strong>EFA</strong>’s grant-making has two emphases. The first is The Actors’ Fund of America. <strong>BC</strong>/<strong>EFA</strong> currently supports six major<br />

programs at The Fund, each of which provides social services, case management and emergency financial assistance to entertainment<br />

industry professionals and performing artists who are in crisis or dealing with a variety of problems including HIV/<strong>AIDS</strong>. The<br />

National Grants Program is our second major grant making effort. Through this program <strong>BC</strong>/<strong>EFA</strong> makes grants to hundreds of<br />

community-based <strong>AIDS</strong> and family service organizations across the country. A detailed description of how we distribute funds and<br />

the programs we support is contained in the following pages.<br />

A HISTORY OF GIVING<br />

ACTORS’ FUND NATIONAL GRANTS TOTAL<br />

GRANTS PROGRAMS GRANTS<br />

EQUITY FIGHTS <strong>AIDS</strong> 1987-may 1992 $ 2,775,250.00 $ 2,775,250.00<br />

BROADWAY CARES 1988-may 1992 $ 1,067,000.00 $ 1,067,000.00<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

may-december 1992 $ 634,000.00 $ 771,780.00 $ 1,405,780.00<br />

1993 $ 1,654,000.00 $ 1,184,119.00 $ 2,838,119.00<br />

1994 $ 1,758,000.00 $ 676,404.00 $ 2,434,404.00<br />

1995 $ 1,791,000.00 $ 707,916.00 $ 2,498,916.00<br />

1996 $ 2,010,000.00 $ 1,400,549.00 $ 3,410,549.00<br />

1997 $ 2,247,500.00 $ 1,342,200.00 $ 3,589,700.00<br />

1998 $ 2,471,000.00 $ 1,711,819.00 $ 4,182,819.00<br />

1999 $ 2,700,000.00 $ 3,039,841.00 $ 5,739,841.00<br />

2000 $ 2,955,336.00 $ 3,033,566.00 $ 5,988,902.00<br />

2001 $ 2,829,500.00 $ 3,238,765.00 $ 6,068,265.00<br />

2002 $ 2,732,000.00 $ 2,689,676.00 $ 5,421,676.00<br />

2003 $ 3,022,500.00 $ 3,115,969.00 $ 6,138,469.00<br />

<strong>2004</strong> $ 3,360,500.00 $ 4,437,338.00 $ 7,797,838.00<br />

<strong>BC</strong>/<strong>EFA</strong> GRANT-MAKING TOTAL<br />

1987-<strong>2004</strong> $ 32,940,586.00 $ 28,416,942.00 $ 61,357,528.00<br />

the bc/efa grantmaking progam<br />

5


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE ACTORS’ FUND<br />

OF AMERICA<br />

The Actors’ Fund of America provides for the welfare of all who earn their living through employment<br />

in the entertainment industry. The stage manager, dancer or theatrical press agent with <strong>AIDS</strong> and no health insurance, the actor<br />

looking to make a transition into a second career, the retired costume designer having difficulty living on social security and unclear<br />

about his Medicaid benefits, the stage carpenter, company manager or actress facing a crisis around an issue of addiction, the<br />

musician in need of supportive housing – all are part of the entertainment industry and all can find assistance through The Actors’<br />

Fund.<br />

The Actors’ Fund continues the industry tradition of “taking care of its own,” forged more than a century ago when attitudes of<br />

prejudice against people in show business prevailed. The Actors’ Fund served as a catalyst for reducing that discrimination and<br />

integrating theatre professionals into the social, political, and economic aspects of their communities.<br />

Through its partnership with The Actors’ Fund, <strong>BC</strong>/<strong>EFA</strong> touches the lives of thousands of entertainment professionals living<br />

with HIV/<strong>AIDS</strong>, as well as those coping with a variety of other health issues and life challenges.<br />

THE <strong>AIDS</strong> INITIATIVE<br />

The collaboration between <strong>BC</strong>/<strong>EFA</strong> and The Actors’ Fund’s <strong>AIDS</strong> Initiative is a model for how an industry can respond with<br />

effectiveness and compassion to the <strong>AIDS</strong> crisis. The <strong>AIDS</strong> Initiative provides a full spectrum of essential supportive services,<br />

including emergency financial assistance (for basic necessities such as rent, food, health insurance, and non-reimbursable medical<br />

expenses); case management referrals to other sources of community and public assistance, benefits advocacy, vocational retraining,<br />

counseling, and support groups for people with HIV/<strong>AIDS</strong> and their partners, families, and caregivers.<br />

Of the $3,392,000 awarded to The Actors’ Fund by <strong>BC</strong>/<strong>EFA</strong> in <strong>2004</strong>, $1,151,335 was distributed as direct financial assistance<br />

to 552 clients living with HIV/<strong>AIDS</strong> in 22 states through Actors’ Fund offices in New York, Chicago, and Los Angeles. Of this,<br />

$484,373 (42%) was provided for rent payments and $366,293 (32%) for health insurance payments. In addition to underwriting<br />

direct financial assistance, <strong>BC</strong>/<strong>EFA</strong>’s total <strong>AIDS</strong> Initiative grant of $2,100,000 supports personnel, administrative costs, volunteer<br />

needs and other expenses associated with client case management.<br />

the actors’ fund of america<br />

6


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“MY PARTNER AND I WERE BOTH IN THE BUSINESS. WE KEPT HIS ILL-<br />

NESS A SECRET BECAUSE WE WERE SCARED. <strong>AIDS</strong> TAKES EVERYTHING<br />

FROM A PERSON – THEIR JOB, THEIR SECURITY, EVEN THEIR HOME.<br />

BUT <strong>BC</strong>/<strong>EFA</strong> HELPED TAKE THAT FEAR AWAY AND, THROUGH THE<br />

ACTORS’ FUND <strong>AIDS</strong> INITIATIVE, GAVE US IMPORTANT INFORMATION<br />

ABOUT OUR RIGHTS, BENEFITS AND OPTIONS THAT MADE DEALING<br />

WITH THE ILLNESS AND ULTIMATELY THE EMOTIONAL PAIN OF LOSING<br />

HIM POSSIBLE TO BEAR.”<br />

ACTORS’ FUND <strong>AIDS</strong> INITIATIVE CLIENT<br />

“IN MY WILDEST DREAMS, I COULD NEVER HAVE IMAGINED SUCH AN<br />

OUTSTANDING AND SUPPORTIVE PARTNERSHIP AS <strong>BC</strong>/<strong>EFA</strong> AND THE<br />

ACTORS’ FUND <strong>AIDS</strong> INITIATIVE.”<br />

ACTORS’ FUND <strong>AIDS</strong> INITIATIVE CLIENT<br />

<strong>AIDS</strong> INITIATIVE FINANCIAL ASSISTANCE BY CATEGORY<br />

RENT $ 453,302 40%<br />

HEALTH INSURANCE $ 423,603 34%<br />

UTILITIES AND $ 139,225 12%<br />

LIVING EXPENSES<br />

PSYCHOTHERAPY $ 26,630 3%<br />

ALTERNATIVE TREATMENT $ 24,464 2%<br />

DENTAL $ 16,641 1%<br />

OTHER $ 93,144 8%<br />

Changes in the <strong>AIDS</strong> environment have had a significant impact on clients. The effectiveness of protease inhibitors, available<br />

since 1996, has had major service implications as The <strong>AIDS</strong> Initiative shifts from helping people with a fatal disease to assisting those<br />

with a chronic, manageable one. In the past, The <strong>AIDS</strong> Initiative often prepared clients, even asymptomatic ones, for a more<br />

dependent level of functioning – a change that would most likely be imminent for HIV+ individuals. Advances in treatment allow<br />

many to now focus on preparing for independence by helping them build their skills and learn more about the supportive network<br />

that can help them remain highly functional.<br />

the actors’ fund of america<br />

7


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“I AM DEEPLY GRATEFUL FOR THE EMERGENCY ASSISTANCE. I HAVE<br />

SPENT MOST OF MY ADULT LIFE IN THE THEATRE AND HAVE FOUND SO<br />

MANY IN THE PROFESSION TO BE COMPASSIONATE AND CARING, EAGER<br />

TO ASSIST IN TIMES OF TROUBLE. YOUR SUPPORT HAS HELPED ME TO<br />

RESTORE MY DIGNITY.”<br />

ACTORS’ FUND <strong>AIDS</strong> INITIATIVE CLIENT<br />

This change, however, has had a profound effect on the number of clients served by The <strong>AIDS</strong> Initiative. Over the past ten years,<br />

from 1994–<strong>2004</strong>, The Actors’ Fund <strong>AIDS</strong> Initiative has experienced a dramatic decrease in the number of <strong>AIDS</strong>-related deaths,<br />

from almost 50% of its clients in 1994 to 5% in <strong>2004</strong>. While that is encouraging news, the battle is far from over. During this same<br />

time, the number of <strong>AIDS</strong> Initiative clients has more than doubled from 216 in 1994 to 552 in <strong>2004</strong>, including many new clients.<br />

<strong>BC</strong>/<strong>EFA</strong> funding represents 70% of The <strong>AIDS</strong> Initiative’s budget. <strong>BC</strong>/<strong>EFA</strong> continues to work closely with The Actors’ Fund to<br />

provide leadership, coalition building, and the fundraising necessary to keep the promise that we will “take care of our own” for as<br />

long as <strong>AIDS</strong> is with us.<br />

<strong>2004</strong> <strong>AIDS</strong> INITIATIVE CLIENT ENROLLMENT<br />

NUMBER OF CLIENTS PERCENTAGE<br />

actors’ equity* 260 47%<br />

sag* 190 34%<br />

aftra* 153 28%<br />

non-union 145 26%<br />

agma-agva 53 10%<br />

iatse 32 6%<br />

local 802 musicians 19 3%<br />

united scenic artists, wardrobe, directors’ guild,<br />

writers’ guild, dramatists’ guild, and ssd&c 27 5%<br />

total clients in <strong>2004</strong> 552<br />

*based on multiple membership<br />

COMPARISON OF 2003/<strong>2004</strong> CLIENT ENROLLMENT<br />

EASTERN WESTERN MIDWEST TOTAL<br />

2003 <strong>2004</strong> 2003 <strong>2004</strong> 2003 <strong>2004</strong> 2003 <strong>2004</strong><br />

TOTAL CLIENTS 387 382 180 151 14 19 581 552<br />

new cases 37 38 26 16 4 6 66 60<br />

GENDER<br />

male 363 363 173 143 14 17 550 523<br />

female 24 19 7 8 - 2 31 29<br />

<strong>2004</strong> FINANCIAL ASSISTANCE<br />

EASTERN WESTERN MIDWEST TOTAL<br />

$857,661 $273,918 $19,756 $1,151,335<br />

WWW.ACTORSFUND.ORG<br />

the actors’ fund of america<br />

8


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

PHYLLIS NEWMAN WOMEN’S HEALTH INITIATIVE<br />

The Actors’ Fund established the Phyllis Newman Women’s Health Initiative (PNWHI) in 1996 to provide a safety net for women<br />

in the entertainment industry coping with critical health concerns. The Women’s Health Initiative dedicates a range of resources<br />

solely to addressing the health needs and concerns specific to women, providing direct services and financial assistance to many<br />

women who are often without health insurance. In <strong>2004</strong>, the Initiative helped 356 clients confront breast, cervical and ovarian<br />

cancers, domestic violence, chemical dependency, mental health concerns, and other conditions.<br />

The comprehensive nature of the Women’s Health Initiative’s case management approach encompasses employment, economic,<br />

and other factors that impact each client’s ability to fight for her health with maximum success. Caseworkers are effective at helping<br />

women deal with difficulties triggered by medical conditions and the subsequent challenges around financial, psychological and<br />

family issues. They also stay involved with clients on an ongoing basis and provide the support and referrals they need to best cope<br />

with these pressing issues. Counselors offer vital assistance in treatment and recovery, applying for benefits, filing insurance claims,<br />

coordinating childcare, and devising financial plans.<br />

Support groups offered by PNWHI provide a place where women can come together to offer and receive support around issues<br />

ranging from managing chronic physical and mental health conditions to aging in the industry, as well as anti-violence and family<br />

issues. The Women’s HIV Outreach and Education Program offers comprehensive services for women in the entertainment industry<br />

concerned about safer sex, HIV, or other sexually transmitted diseases. In addition, the Women’s Health Initiative provides an<br />

extensive resource library, and access to a vast network of women’s healthcare providers, research studies, and other resources.<br />

In <strong>2004</strong>, PNWHI clients received social services ranging from case management to individual counseling, to assistance in<br />

applying for benefits and coordinating childcare, and were provided with $219,000 in essential financial assistance. An impressive<br />

227 mammograms and 104 gynecological exams were provided at no charge to women in “in the business” without adequate health<br />

insurance at The Actors’ Fund’s Hirschfeld Free Clinic at The Aurora on West 57th Street and Tenth Avenue. <strong>BC</strong>/<strong>EFA</strong> provided<br />

$450,000 to support the Phyllis Newman Women’s Health Initiative in fiscal year <strong>2004</strong> – up from $210,500 in 2003.<br />

“HAPPILY THE MAMMOGRAM WAS NEGATIVE. NOW THAT I AM<br />

EMPLOYED, PLEASE ACCEPT THE ENCLOSED AS A DONATION TO HELP<br />

ANOTHER WOMAN HAVE A MAMMOGRAM. THANK YOU FOR FUNDING<br />

SUCH A WONDERFUL SERVICE. NO ONE SHOULD USE LACK OF<br />

INSURANCE AS A REASON NOT TO BE EXAMINED.”<br />

ACTORS’ FUND WOMEN’S HEALTH INITIATIVE CLIENT<br />

the actors’ fund of america<br />

9


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE AL HIRSCHFELD FREE HEALTH CLINIC<br />

In a situation similar to one that took place in 1987, when The Actors’ Fund created The <strong>AIDS</strong> Initiative in concert with the<br />

establishment of funding support from <strong>Equity</strong> Fight <strong>AIDS</strong>, in 2003 The Actors’ Fund established The Al Hirschfeld Free Health<br />

Clinic with an initial grant of $300,000 from <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />

Dedicated to the memory of the famed <strong>Broadway</strong> caricaturist who died in January 2002 just short of his 100th birthday, The<br />

Hirschfeld Free Health Clinic was initially located in three small offices on the 2nd floor of The Aurora, adjacent to The Colleen<br />

Dewhurst Community Rooms.<br />

In <strong>2004</strong>, <strong>BC</strong>/<strong>EFA</strong> provided an outright grant of $325,000 to The Actors’ Fund for the operation of The Hirschfeld Clinic.<br />

In June <strong>2004</strong>, an additional one-time grant of $300,000 was made to The Fund to pay for The Clinic’s renovation and move to<br />

the 4th floor of The Aurora Residence where it now occupies a suite of offices and examination rooms taking up half the entire floor.<br />

This expansion enables Dr. Jim Spears and his staff to serve double the number of clients who otherwise would lack access to adequate<br />

medical care.<br />

The Hirschfeld Clinic was launched to address the very clear, immediate needs of members of the entertainment community<br />

who are uninsured or underinsured. People who work in the entertainment industry have a high-uninsured rate. They work in<br />

uncertain careers and may not make medical care a priority, ignoring symptoms, concealing diagnoses, and putting off treatment.<br />

With the contributed services of a corps of physician volunteers under the fulltime direction of Dr. Spears and working in<br />

collaboration with the Columbia University College of Physician and Surgeons, The Hirschfeld Clinic provides necessary medical<br />

services and works to prevent illness and emergency room visits that result from neglecting health care.<br />

The clinic provides primary and specialty care, health screenings, and patient education. Lab testing provided through the clinic<br />

is free to uninsured patients. The clinic is open five days a week and has a physician on-call even when closed. Primary care includes<br />

routine preventive medical care, ongoing management of medical problems, and urgent sick visits. A primary care doctor provides<br />

specialty care following an evaluation. Then a referral is made to a specialist – whenever possible, to a volunteer specialist at the clinic.<br />

Preventative care includes flu vaccinations, mammograms, prostate exams, breast examinations, tuberculosis and diabetes screening,<br />

blood pressure and cholesterol testing, and vision screening.<br />

At a series of annual health fairs offered in partnership with New York Presbyterian Hospital and Better Wellness and You<br />

(BWAY), the clinic provides diagnostic screenings on a broader scope, including blood glucose levels, blood pressure measurements,<br />

blood cholesterol levels, and mammograms to hundreds of health fair participants.<br />

The Hirschfeld Clinic physicians are sensitive to these health issues and aware of the warning signs of neglect, malnutrition,<br />

substance abuse, and mental health concerns. If needed, eligible patients are also referred to The Actors’ Fund social service<br />

programs, through which they may receive individual counseling, referrals, and financial assistance toward living expenses. Many<br />

individuals who receive social services and case management at The Actors’ Fund first made contact at an initial visit to The<br />

Hirschfeld Clinic.<br />

<strong>BC</strong>/<strong>EFA</strong> considers its support for The Hirschfeld Free Health Clinic to be an important new priority in the catalogue of services<br />

offered by The Actors’ Fund.<br />

In <strong>2004</strong>, doctors at The Hirschfeld Clinic saw 951 patients, providing a total of 1,716 client visits in such areas as dermatology,<br />

family and general medicine, infectious diseases, and internal medicine.<br />

the actors’ fund of america<br />

10


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE ACTORS’ WORK PROGRAM<br />

As <strong>AIDS</strong> Initiative clients with longer life expectancies were shifting their focus from dealing with an immediate critical illness<br />

to managing a chronic condition, their needs evolved to include back-to-work issues. With this in mind, the <strong>AIDS</strong> Training and<br />

Education Project (ATEP) of The Actors’ Work Program (AWP) was created by The Actors’ Fund in 1998 to prepare <strong>AIDS</strong> Initiative<br />

clients to either return to work or participate in meaningful activity outside the home. Counselors work with clients responding well<br />

to protease/anti-viral regimens to help them deal with the important implications of suddenly increased life expectancies, including<br />

the challenge of returning to the workplace, both inside and outside the entertainment industry.<br />

Many people with <strong>AIDS</strong> considering a return to the workplace in a non-performing capacity lack the resources necessary to<br />

make such a career change. They must also consider the impact such a decision will have on issues such as health insurance and<br />

entitlements, as well as the limitations imposed by side effects of their medications. ATEP counselors work with clients to assess<br />

their health status, interests, and skills; to design individualized action plans; and to identify appropriate educational, volunteer,<br />

and employment opportunities. Counseling, tuition assistance, and referrals to community resources help ATEP clients achieve<br />

these goals. <strong>BC</strong>/<strong>EFA</strong> supported the Actors’ Work Program’s <strong>AIDS</strong> Training and Employment Project with $185,000 in <strong>2004</strong> – up<br />

from $170,000 in 2003.<br />

AFFORDABLE HOUSING INITIATIVES<br />

Recognizing that an affordable, safe, and supportive place to live is the foundation of every person’s ability to fight for and<br />

maintain his or her health, <strong>BC</strong>/<strong>EFA</strong> has been a long-time supporter of The Actors’ Fund’s affordable housing initiatives. From 1997<br />

to 2001, <strong>BC</strong>/<strong>EFA</strong> provided $750,000 of support to The Aurora Residence in New York City, a 30-story apartment building<br />

providing 178 units of supportive housing for people with HIV/<strong>AIDS</strong>, seniors, and low-income working professionals.<br />

From 1998-2002, <strong>BC</strong>/<strong>EFA</strong> provided $250,000 of support to The Palm View Residence in Los Angeles, a 40-unit garden<br />

apartment complex that provides low-cost supportive housing to people with <strong>AIDS</strong>. The Palm View, which also has an on-site<br />

resident services coordinator, is a collaborative project between The Actors’ Fund, the West Hollywood Housing Corporation,<br />

Housing for Entertainment Professionals, and funders like <strong>BC</strong>/<strong>EFA</strong>.<br />

PHYSICIAN VOLUNTEERS FOR THE ARTS<br />

Although Physician Volunteers for the Arts has not been a part of the services provided by The Actors’ Fund since 2002, <strong>BC</strong>/<strong>EFA</strong><br />

continues to provide financial assistance for its programs helping the <strong>Broadway</strong> theatre community. In <strong>2004</strong>, a $17,000 grant from<br />

<strong>BC</strong>/<strong>EFA</strong> helped Dr. Barry Kohn and PVA provide 1,500 flu shots backstage at <strong>Broadway</strong> shows, in the offices of theatre-related<br />

organizations, as well as to seniors and those with compromised health issues at Actors’ <strong>Equity</strong> for the general membership. We thank<br />

Dr. Kohn for also extending his services to The Actors’ Fund Home in Englewood, New Jersey, and to clients at New York’s Callen-<br />

Lorde Community Health Clinic.<br />

the actors’ fund of america<br />

11


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

NATIONAL GRANTS<br />

PROGRAM<br />

Active since 1987, <strong>BC</strong>/<strong>EFA</strong>’s National Grants Program has become one of the largest of its kind in the<br />

United States. A report published by Funders Concerned About <strong>AIDS</strong> showed that <strong>BC</strong>/<strong>EFA</strong> ranked sixth in the nation in terms of<br />

grant dollars disbursed for HIV/<strong>AIDS</strong>, just behind The Bill and Melinda Gates Foundation and The Ford Foundation, and ahead<br />

of such longstanding philanthropic powerhouses as the Rockefeller Foundation, The New York Community Trust, and the<br />

California Endowment, among others. This achievement is a result of the rapid growth in our fundraising, and as a result, in our<br />

grant-making, over the past several years.<br />

From the outset, <strong>BC</strong>/<strong>EFA</strong>’s grants program has been fast, simple, and efficient. A concise two-page application allows us to make<br />

disbursements twice a year to hundreds of community-based organizations, an unusual feature among top <strong>AIDS</strong> grant-makers, and<br />

one that we have learned over the years is meaningful to relatively small organizations. The majority of these grassroots organizations<br />

operate on bare-bones budgets, but still manage to have significant impact on their own communities.<br />

The National Grants Program for Community-Based Organizations (CBOs) at <strong>BC</strong>/<strong>EFA</strong> attempts to address the ongoing and<br />

unmet needs of these <strong>AIDS</strong> and family service organizations. Because <strong>AIDS</strong> is not just a single disease, but a combination of epidemics<br />

exacerbated by discrimination and poverty, our grants in this category are geared to those organizations that are providing case<br />

management, food, housing, transportation, emergency financial assistance, emotional support, and non-reimbursable and<br />

emergency medical expenses.<br />

In <strong>2004</strong>, <strong>BC</strong>/<strong>EFA</strong>’s National Grants Committee awarded grants totaling $3,235,000 to over 564 <strong>AIDS</strong> and family service<br />

organizations in 49 states, Washington, DC, and Puerto Rico. (See the list of agencies by city and state, beginning on page 16).<br />

In 2002, a subset of the National Grants Program, called simply National Grants II, was created to allow <strong>BC</strong>/<strong>EFA</strong> to support,<br />

at a higher level, organizations serving large metropolitan areas or doing advocacy work that impacts the entire network of <strong>AIDS</strong><br />

service providers, many of which have received financial support through <strong>BC</strong>/<strong>EFA</strong>’s longtime grants program for more than a decade.<br />

In <strong>2004</strong>, <strong>BC</strong>/<strong>EFA</strong> awarded an additional $340,000 to 20 nationally recognized <strong>AIDS</strong> service and advocacy organizations<br />

through National Grants II.<br />

national grants program<br />

12


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“THREE YEARS AGO A GRANT FROM <strong>BC</strong>/<strong>EFA</strong> HELPED US PURCHASE A<br />

FORD WINSTAR VAN, THE BACKBONE OF OUR TRANSPORTATION PRO-<br />

GRAM. THE RECENT GRANT FROM <strong>BC</strong>/<strong>EFA</strong> WILL COVER THE COSTS OF<br />

TRANSPORTING OUR RESIDENTS TO MEDICAL, DENTAL AND COUNSEL-<br />

ING APPOINTMENTS AND RECREATIONAL EXCURSIONS THIS YEAR.<br />

THANKS FOR RECOGNIZING THE IMPORTANCE OF ACCESS TO TRANS-<br />

PORTATION FOR CLIENTS NOT LIVING NEAR PUBLIC TRANSPORTATION.<br />

YOUR SUPPORT IS GREATLY APPRECIATED.”<br />

<strong>AIDS</strong> COMMUNITY RESIDENCE ASSOCIATION<br />

DURHAM, NC<br />

“HUGS TO ALL WHO WORK SO HARD TO MAKE OUR FUNDING<br />

POSSIBLE.”<br />

HOUSTON CHALLENGE FOUNDATION<br />

HOUSTON, TX<br />

NATIONAL GRANTS II<br />

March <strong>2004</strong>, $340,000 awarded to 121 organizations<br />

CITY NUMBER OF ORGANIZATIONS AMOUNT<br />

WASHINGTON, DC 6 $75,000<br />

<strong>AIDS</strong> Action Foundation, <strong>AIDS</strong> Alliance for Children, Youth and Family, Global Network of People with <strong>AIDS</strong> – North America,<br />

National Association of People with <strong>AIDS</strong>, National Minority <strong>AIDS</strong> Council, Whitman-Walker Clinic<br />

NEW YORK, NY 8 $135,000<br />

<strong>AIDS</strong> Vaccine Advocacy Coalition, Callen-Lorde Community Health Center, Funders Concerned About <strong>AIDS</strong>, GMHC, God’s Love We Deliver,<br />

Harlem United, Hetrick-Martin Institute, New York <strong>AIDS</strong> Coalition<br />

SAN FRANCISCO, CA 2 $50,000<br />

Project Inform, San Francisco <strong>AIDS</strong> Foundation<br />

BOSTON, MA; CHICAGO, IL; LOS ANGELES, CA; SEATTLE, WA 4 $80,000<br />

<strong>AIDS</strong> Action Committee of Massachusetts, <strong>AIDS</strong> Foundation of Chicago, <strong>AIDS</strong> Project Los Angeles, Black <strong>AIDS</strong> Institute, Lifelong <strong>AIDS</strong> Alliance<br />

TOTAL $340,000<br />

(This is an increase of $125,000 over 2003’s total of $215,000 given to 16 organizations.)<br />

Since a large portion of the money raised for <strong>BC</strong>/<strong>EFA</strong> comes directly from theatre audiences across America, not just New York,<br />

we are committed to assisting the full spectrum of communities affected by <strong>AIDS</strong>. By making grants to diverse organizations<br />

nationwide, <strong>BC</strong>/<strong>EFA</strong> is able to give back to those very communities that allow us to create a safety net for those in the entertainment<br />

industry through the services of The Actors’ Fund.<br />

Since its founding in 1988 through <strong>2004</strong>, over $25 million has been distributed by <strong>BC</strong>/<strong>EFA</strong> through its National Grants<br />

Programs.<br />

The <strong>BC</strong>/<strong>EFA</strong> Grants Committee is comprised of individuals representing a diverse range of <strong>AIDS</strong> service providers and<br />

populations affected by <strong>AIDS</strong>, as well as members of the theatrical fundraising family.<br />

national grants program<br />

13


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“WE ARE VERY GRATEFUL FOR YOUR SUPPORT AND YOUR CONFIDENCE<br />

IN OUR ABILITY TO SERVE POOR AND HOMELESS WOMEN AND<br />

CHILDREN. WHAT BEGAN AS A SIMPLE SOUP KITCHEN HAS GROWN<br />

INTO A COMMUNITY CENTER. WE OFFER A SANCTUARY WHERE<br />

VULNERABLE WOMEN FIND REFUGE, WHERE DESPAIR COLLIDES WITH<br />

HOPE AND WHERE JUSTICE CONFRONTS OPPRESSION. WITH THE<br />

HELP OF BROADWAY CARES, MIRACLES HAPPEN EVERYDAY HERE AT<br />

ROSIE’S PLACE. THANK YOU.”<br />

ROSIE’S PLACE<br />

BOSTON, MA<br />

“THANK YOU SO MUCH FOR THE $5,000 GRANT FOR OUR POSITIVE<br />

DIRECTIONS PROGRAM. YOUR CONTINUED SUPPORT ALLOWS US TO<br />

PROVIDE OUR CLIENTS WITH ACCESS TO SERVICES THAT HELP THEM<br />

IMPROVE THEIR HEALTH AND AVOID A RETURN TO THE STREETS”<br />

PETER & PAUL COMMUNITY SERVICES<br />

ST. LOUIS, MI<br />

GRANT DOLLAR AMOUNTS IN THOUSANDS (Number of organizations receiving grants)<br />

$39.5<br />

(7)<br />

$435.0<br />

(69)<br />

$64.0<br />

(11)<br />

$25<br />

(5)<br />

AK<br />

10.0<br />

(1)<br />

$13.5<br />

(3)<br />

$10.0<br />

(1) $55.0<br />

(10)<br />

$45.0<br />

(8)<br />

$10.0<br />

(2)<br />

$15.5<br />

(5)<br />

HI<br />

$10.0<br />

(1)<br />

$10.0<br />

(1)<br />

$15.0<br />

(2)<br />

$35.0<br />

(5)<br />

$186.0<br />

(28)<br />

$47.5<br />

(8)<br />

$22.5<br />

(3)<br />

$21.0<br />

(4)<br />

$88.5<br />

(14)<br />

$57.5<br />

(8)<br />

$18.5<br />

(4)<br />

$27.5<br />

(4)<br />

$82.5<br />

(15)<br />

$10.0<br />

(1)<br />

PR<br />

$45.0<br />

(6)<br />

$38.0<br />

(6)<br />

$37.5<br />

(8)<br />

$45.5 (9)<br />

$60.0<br />

(7)<br />

$62.5<br />

(8)<br />

$7.5<br />

(1)<br />

$47.5<br />

(6)<br />

$107.5<br />

(17)<br />

$22.5<br />

(5)<br />

$97.0<br />

(19)<br />

$42.0<br />

(10)<br />

$87.0<br />

(14)<br />

$263.5<br />

(43)<br />

$712.5<br />

(120)<br />

$31.5<br />

(7)<br />

VT $ 27.0 (3)<br />

NH $ 22.5 (4)<br />

MA $ 76.0 (15)<br />

RI $ 10.0 (1)<br />

CT $ 31.0 (7)<br />

NJ $105.0 (17)<br />

DE $ 10.0 (2)<br />

MD $ 50.0 (9)<br />

DC $182.5 (21)<br />

key<br />

$100,000 and above<br />

$50,000 and above<br />

$25,000 and above<br />

$10,000 and above<br />

Note: This map represents only National Grants and National Grants II (not supplemental/emergency grants, red ribbon purchases, and benefit and community relation support).<br />

national grants program<br />

14


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

<strong>BC</strong>/<strong>EFA</strong> GRANT COMMITTEE DISBURSEMENTS FISCAL YEAR <strong>2004</strong><br />

food services $ 909,000 154 28%<br />

Food banks and pantries, congregate and delivered meals<br />

direct services $ 647,000 107 20%<br />

Including case management, housing programs, personal care services and transportation<br />

programs<br />

emergency financial $ 655,000 123 20%<br />

assistance<br />

one-time expenses $ 529,000 77 16%<br />

Covers such expenses as purchase or repair of transportation van, purchase of food service<br />

equipment, renovation of kitchen space, and communication equipment upgrade<br />

substance abuse and $ 250,500 45 8%<br />

harm reduction services<br />

quality of life services $ 245,000<br />

Youth activity programs, retreats, veterinary services<br />

58 8%<br />

total $3,235,000 564 100%<br />

Note: These are only grants awarded by <strong>BC</strong>/<strong>EFA</strong>’s Grants Committee. These do not include<br />

supplemental and emergency grants approved by the senior staff.<br />

national grants program<br />

15


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

NATIONAL GRANTS<br />

BY STATE<br />

JULY 14, <strong>2004</strong><br />

STATE CITY ORGANIZATION AMOUNT<br />

ALASKA Anchorage Alaskan <strong>AIDS</strong> Assistance Association $10,000<br />

STATE TOTAL: $10,000<br />

ALABAMA Auburn East Alabama <strong>AIDS</strong> Outreach $10,000<br />

Birmingham <strong>AIDS</strong> Alabama $10,000<br />

Birmingham Birmingham <strong>AIDS</strong> Outreach $10,000<br />

Huntsville <strong>AIDS</strong> Action Coalition/Davis Clinic $5,000<br />

Mobile Mobile <strong>AIDS</strong> Support Services $5,000<br />

Montgomery Montgomery <strong>AIDS</strong> Outreach $10,000<br />

Tuscaloosa West Alabama <strong>AIDS</strong> Outreach, Inc. $10,000<br />

STATE TOTAL: $60,000<br />

ARKANSAS El Dorado South Arkansas <strong>Fights</strong> <strong>AIDS</strong> $10,000<br />

Little Rock Arkansas <strong>AIDS</strong> Foundation $10,000<br />

Little Rock Positive Voices $5,000<br />

Little Rock Ward’s of Serenity $2,500<br />

STATE TOTAL: 27,500<br />

ARIZONA Chinle Navajo <strong>AIDS</strong> Network, Inc. $5,000<br />

Phoenix Agape Network $5,000<br />

Phoenix <strong>AIDS</strong> Project Arizona $5,000<br />

Phoenix Body Positive, Inc. (Phoenix) $5,000<br />

Phoenix Joshua Tree Feeding Program $2,500<br />

Phoenix Mercy Services Corporation/Mercy Housing $2,500<br />

Phoenix Phoenix Shanti Group $10,000<br />

Tucson Southern Arizona <strong>AIDS</strong> Foundation $10,000<br />

STATE TOTAL: $45,000<br />

CALIFORNIA Camarillo Ventura County <strong>AIDS</strong> Partnership $5,000<br />

Cathedral City Working Wonders $2,500<br />

national grants program<br />

16


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“THANK YOU FOR THE RECENT AWARD. FOR AN ORGANIZATION SUCH<br />

AS OURS, YOUR $5,000 GRANT MAKES A TREMENDOUS DIFFERENCE IN<br />

OUR MEETING THE IMMEDIATE EMERGENCY NEEDS OF OUR CLIENTS<br />

THAT CANNOT BE MET BY MORE BUREAUCRATIC FUNDING SOURCES.”<br />

THE WOMEN’S COLLECTIVE<br />

WASHINGTON, D.C.<br />

STATE CITY ORGANIZATION AMOUNT<br />

CALIFORNIA Escondido Fraternity House, Inc. $4,000<br />

CONTINUED Garden Grove Gay & Lesbian Community Services Center of Orange County $10,000<br />

Guerneville Pets Are Loving Support $5,000<br />

Irvine <strong>AIDS</strong> Services Foundation Orange County (ASF) $5,000<br />

Los Angeles Asian Pacific <strong>AIDS</strong> Intervention Team $2,500<br />

Los Angeles BIENSTAR Human Services $2,500<br />

Los Angeles Camp Laurel Foundation $5,000<br />

Los Angeles Caring for Children and Families with <strong>AIDS</strong> $5,000<br />

Los Angeles Project Angel Food $5,000<br />

Monterey John XXIII <strong>AIDS</strong> Ministry $5,000<br />

North Hollywood Valley Community Clinic $5,000<br />

Palm Springs Desert <strong>AIDS</strong> Project $10,000<br />

Palmdale Sunrise HIV/<strong>AIDS</strong> Coalition $2,500<br />

Pasadena <strong>AIDS</strong> Service Center $5,000<br />

Pasadena Serra Project $10,000<br />

Redding Shasta - Trinity - Tehama HIV Food Bank $10,000<br />

Redwood City <strong>AIDS</strong> Community Research Consortium $2,500<br />

Riverside Inland <strong>AIDS</strong> Project $2,500<br />

Rohnert Park Sunburst Projects $5,000<br />

Sacramento Breaking Barriers Community Services Center $5,000<br />

San Bernardino Central City Lutheran Mission $10,000<br />

San Diego Auntie Helen’s Fluff ‘n’ Fold $10,000<br />

San Diego Being Alive San Diego $5,000<br />

San Diego Christie’s Place $5,000<br />

San Diego Hemophilia Association of San Diego County $2,000<br />

San Diego Karibu Center for Social Support and Education $10,000<br />

San Diego Mama’s Kitchen, Inc. $10,000<br />

San Diego SouthEast Abundant Resources (S.E.A.R.) $10,000<br />

San Diego Special Delivery San Diego $10,000<br />

San Diego Townspeople, Inc. $10,000<br />

San Francisco Acupuncture and Recovery Treatment Services $2,500<br />

San Francisco <strong>AIDS</strong> Emergency Fund $5,000<br />

San Francisco <strong>AIDS</strong> Legal Referral Panel $5,000<br />

San Francisco <strong>AIDS</strong>, Medicine and Miracles $1,000<br />

San Francisco Bay Area Young Positives $2,500<br />

San Francisco Black Coalition on <strong>AIDS</strong> $2,500<br />

San Francisco Continuum $10,000<br />

San Francisco Dolores Street Community Services $5,000<br />

San Francisco Healing Waters / The Tides Center $5,000<br />

San Francisco Immune Enhancement Project $10,000<br />

San Francisco Maitri $10,000<br />

San Francisco New Leaf: Services for Our Community $5,000<br />

San Francisco Project Open Hand $10,000<br />

San Francisco Quan Yin Healing Arts Center $2,500<br />

San Francisco Rita da Cascia/Positive Match $2,500<br />

San Francisco San Francisco Suicide Prevention – <strong>AIDS</strong>/HIV Nightline $5,000<br />

San Francisco Shanti $5,000<br />

San Francisco Tenderloin <strong>AIDS</strong> Resource Center $10,000<br />

San Jose Combined Addicts and Professional Services (CAPS) $5,000<br />

national grants program<br />

17


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“THANK YOU FOR THE RECENT $5,000 GRANT. IT WILL LITERALLY<br />

ENABLE US TO CONTINUE HELPING TO FEED FAMILIES LIVING WITH<br />

<strong>AIDS</strong> WITHOUT HAVING TO SAY ‘NO.’ <strong>BC</strong>/<strong>EFA</strong> GRANTS HELP US GET<br />

THROUGH THE YEAR. THEY KEEP THE PANTRY FILLED.”<br />

PROJECT RESPONSE <strong>AIDS</strong> CENTER<br />

FORT PIERCE, FL<br />

STATE CITY ORGANIZATION AMOUNT<br />

CALIFORNIA San Jose Health Connections $2,500<br />

CONTINUED San Jose Positive Resources of Santa Clara County $2,500<br />

San Luis Obispo San Luis Obispo County <strong>AIDS</strong> Support Network $10,000<br />

San Marcos North County Health Services HIV/<strong>AIDS</strong> Case Management $3,000<br />

San Rafael Marin <strong>AIDS</strong> Project $2,500<br />

San Rafael Meals of Marin (MOM) $5,000<br />

Santa Monica Westside HIV Community Center – Common Ground $5,000<br />

Santa Ana Mercy House Transitional Living Centers $5,000<br />

Santa Barbara Pacific Pride Foundation $2,500<br />

Santa Cruz Santa Cruz <strong>AIDS</strong> Project $2,500<br />

Sheep Ranch Catherine’s House $2,500<br />

West Hollywood Aid for <strong>AIDS</strong> (CA) $5,000<br />

West Hollywood Being Alive People with <strong>AIDS</strong> Action Coalition $5,000<br />

West Hollywood Pets Are Wonderful Support (PAWS/LA) $7,500<br />

STATE TOTAL: $360,000<br />

COLORADO Boulder Boulder County <strong>AIDS</strong> Project $5,000<br />

Colorado Springs Southern Colorado <strong>AIDS</strong> Project (S-CAP) $2,500<br />

Denver Colorado <strong>AIDS</strong> Project/Colorado Health Network $10,000<br />

Denver Empowerment Program $2,500<br />

Denver Howard Dental Center for HIV/<strong>AIDS</strong> Oral Health $10,000<br />

Denver Jewish Family Service of Colorado $5,000<br />

Denver Project Angel Heart $10,000<br />

Denver Women’s Lighthouse Project $5,000<br />

Fort Collins Northern Colorado <strong>AIDS</strong> Project $2,500<br />

Grand Junction Western Colorado <strong>AIDS</strong> Project (WESTCAP) $2,500<br />

STATE TOTAL: $55,000<br />

CONNECTICUT Bridgeport FSW $2,500<br />

New Haven <strong>AIDS</strong> Project New Haven, Inc. $5,000<br />

New Haven Leeway, Inc. $5,000<br />

New Haven Liberty Community Services, Inc. $5,000<br />

New London Alliance for Living $2,500<br />

Stamford Camp AmeriKids $1,000<br />

Stamford St. Luke’s LifeWorks $10,000<br />

STATE TOTAL: $31,000<br />

DISTRICT OF Washington Building Futures $2,500<br />

COLUMBIA Washington Carl Vogel Center $15,000<br />

Washington Consortium for Child Welfare/Family Ties Project $5,000<br />

Washington Food & Friends $5,000<br />

Washington Hill’s Community Residential Support Services, Inc. $10,000<br />

Washington Joseph’s House $10,000<br />

Washington Lutheran Social Services of the National Capital Area $5,000<br />

Washington Marigold Place, Inc. $10,000<br />

Washington Miriam’s House, Inc. $2,500<br />

Washington Northwest Church Family Network $2,500<br />

Washington Pediatric <strong>AIDS</strong>/HIV Care $5,000<br />

national grants program<br />

18


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

STATE CITY ORGANIZATION AMOUNT<br />

DISTRICT OF Washington PreventionWorks!, Inc. $10,000<br />

COLUMBIA Washington Safe Haven Outreach Ministry, Inc. $5,000<br />

CONTINUED Washington Sasha Bruce Youthwork $5,000<br />

Washington Women’s Collective $10,000<br />

STATE TOTAL: $102,500<br />

DELAWARE Wilmington <strong>AIDS</strong> Delaware $5,000<br />

Wilmington Delaware HIV Consortium, Inc. $5,000<br />

STATE TOTAL: $10,000<br />

FLORIDA Daytona Beach Diggs Miracle Care $7,500<br />

Daytona Beach Outreach Community Care Network $2,500<br />

Fort Lauderdale Community Healthcare Center One $2,500<br />

Fort Lauderdale Kids in Distress, Inc. $5,000<br />

Fort Lauderdale Wellness Center of South Florida $5,000<br />

Fort Myers McGregor Clinic $2,500<br />

Fort Pierce <strong>AIDS</strong> Research & Treatment Center of the Treasure Coast, Inc. $5,000<br />

Fort Pierce Project Response <strong>AIDS</strong> Center - South $10,000<br />

Gainesville F.A.I.T.H., Inc. $10,000<br />

Goulds Adult & Juvenile Educational Services, Inc. $2,500<br />

Jacksonville Northeast Florida <strong>AIDS</strong> Network $10,000<br />

Jacksonville Women’s Center of Jacksonville, Inc. $1,000<br />

Key West <strong>AIDS</strong> Help, Inc. $5,000<br />

Kissimmee Transition House, Inc. $5,000<br />

Lakeland Friends-Together, Inc. $1,000<br />

Longwood PLACE of Comfort $5,000<br />

Melbourne Project Response <strong>AIDS</strong> Center - North $6,000<br />

Miami Centro de Prevencion y Educacion Hemisferico Corazones Unidos $2,500<br />

Miami Community <strong>AIDS</strong> Resource, Inc. $2,500<br />

Miami Community Casemanagement, Inc. $5,000<br />

Miami Dade Family Counseling, Inc. $5,000<br />

Miami Empower U, Inc. $5,000<br />

Miami Food For Life Network $10,000<br />

Miami Minority Group Development, Inc. $5,000<br />

Miami United Foundation for <strong>AIDS</strong> $4,000<br />

Miami Beach South Beach <strong>AIDS</strong> Project $5,000<br />

Naples Joe Logsdon <strong>AIDS</strong> Foundation, Inc. $10,000<br />

North Miami Center for Positive Connections $7,500<br />

Orlando Haven of Hope Ministries, Inc. $10,000<br />

Pahokee Church of the Harvest’s Food Pantry $10,000<br />

Parrish Manatee County Rural Health Services, Inc. $8,000<br />

Pensacola Appetite for Life, Inc. $10,000<br />

Pensacola Escambia <strong>AIDS</strong> Services and Education, Inc. $5,000<br />

Plantation Jewish <strong>AIDS</strong> Network $5,000<br />

Port Charlotte Charlotte HIV/<strong>AIDS</strong> People Support, Inc. $10,000<br />

Sebastian River Fund, The $10,000<br />

St. Petersburg <strong>AIDS</strong> Service Association of Pinellas, Inc. $10,000<br />

Tampa Francis House, Inc. $1,000<br />

national grants program<br />

19


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

STATE CITY ORGANIZATION AMOUNT<br />

FLORIDA Tampa Greater Mt. Carmel Development $5,000<br />

CONTINUED Tampa PWA Coalition of Tampa Bay, Inc. $10,000<br />

West Palm Hope House of the Palm Beaches, Inc. $10,000<br />

Wilton Manors Poverello Center, Inc. $2,500<br />

Winter Park Hope and Help Center of Central Florida, Inc. $10,000<br />

STATE TOTAL: $263,500<br />

GEORGIA Atlanta Absolutely Positive + Inc. $5,000<br />

Atlanta Action Ministries, Inc. $2,500<br />

Atlanta AID Atlanta, Inc. $10,000<br />

Atlanta <strong>AIDS</strong> Survival Project $10,000<br />

Atlanta Atlanta Harm Reduction Center $5,000<br />

Atlanta Atlanta Interfaith <strong>AIDS</strong> Network $2,500<br />

Atlanta Emory/Grady Pediatric HIV/<strong>AIDS</strong> Program $10,000<br />

Atlanta Jerusalem House, Inc. $5,000<br />

Atlanta National <strong>AIDS</strong> Education and Services for Minorities $5,000<br />

Atlanta Positive Impact, Inc. $5,000<br />

Atlanta SisterLove, Inc. $5,000<br />

Augusta St. Stephen’s Ministry of Augusta, Inc. $2,500<br />

Carrollton Positive Response, Inc. $2,500<br />

Cartersville <strong>AIDS</strong> Alliance of Northwest Georgia, Inc. $1,000<br />

Douglasville Miracles <strong>AIDS</strong> Network. Inc. $5,000<br />

Savannah My Brothaz H.O.M.E. $2,500<br />

Savannah Project AZUKA, Inc. $10,000<br />

Thomasville Safe Haven, Inc. $6,000<br />

Valdosta South Georgia Coalition to End Homelessness $2,500<br />

STATE TOTAL: $97,000<br />

HAWAII Honolulu Save the FoodBasket, Inc. $10,000<br />

STATE TOTAL: $10,000<br />

IOWA Cedar Rapids Iowa Community <strong>AIDS</strong> Partnership $2,500<br />

Davenport <strong>AIDS</strong> Project Quad Cities, Inc. $10,000<br />

Des Moines <strong>AIDS</strong> Project of Central Iowa $3,500<br />

Iowa City Iowa Center for <strong>AIDS</strong> Resources & Education (ICARE) $5,000<br />

STATE TOTAL: $21,000<br />

ILLINOIS Carbondale Southern Illinois Regional Effort for <strong>AIDS</strong>, Inc. $5,000<br />

Champaign Greater Community <strong>AIDS</strong> Project $5,000<br />

Chicago <strong>AIDS</strong>CARE, Inc. $10,000<br />

Chicago Chicago House and Social Service Agency $10,000<br />

Chicago Heartland Rafael Center $5,000<br />

Chicago Project VIDA, Inc. $10,000<br />

Chicago South Side Help Center $2,500<br />

Chicago Test Positive Aware (TPA) Network, Inc. $5,000<br />

Chicago TransGenesis Social Services $5,000<br />

Chicago University of Chicago $1,000<br />

Chicago Vital Bridges $5,000<br />

national grants program<br />

20


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong> grants program<br />

“THANK YOU FOR YOUR GENEROUS GRANT OF $5,000. AS THE HIV/<strong>AIDS</strong><br />

EPIDEMIC IN THE BAY AREA CONTINUES TO CHANGE, WE ARE COMMIT-<br />

TED TO ADAPTING OUR PROGRAMS TO ENSURE WE PROVIDE THE HIGH-<br />

EST QUALITY SERVICES TO OUR CLIENTS. YOUR GRANT WILL ALSO<br />

ENABLE US TO EXPAND OUR MISSION TO PROVIDE MEALS FOR SENIORS<br />

AND PERSONS LIVING WITH ANY HOMEBOUND CRITICAL ILLNESS. “<br />

PROJECT OPEN HAND<br />

SAN FRANCISCO, CA<br />

STATE CITY ORGANIZATION AMOUNT<br />

ILLINOIS Peoria Central Illinois Friends of PWA, Inc. $2,500<br />

CONTINUED Rock Island DeLaCerda House $2,500<br />

STATE TOTAL: $68,500<br />

INDIANA Elkhart Elkhart County <strong>AIDS</strong> Community Action Group $2,500<br />

Evansville Tri-State Alliance, Inc. $5,000<br />

Fishers Promised Land Foundation, Inc. $5,000<br />

Indianapolis Damien Center $10,000<br />

Indianapolis Harm Reduction Institute $2,500<br />

Jasper Patoka Valley <strong>AIDS</strong> Community Action Group $5,000<br />

Muncie Open Door Community Services, Inc. $5,000<br />

South Bend <strong>AIDS</strong> Ministries/<strong>AIDS</strong> Assist of North Indiana, Inc. $2,500<br />

STATE TOTAL: $37,500<br />

KANSAS Lawrence Douglas County <strong>AIDS</strong> Project $10,000<br />

Topeka Topeka <strong>AIDS</strong> Project, Inc. $10,000<br />

Wichita H.O.P.E., Inc./Wichita <strong>AIDS</strong> $3,500<br />

Wichita Positive Directions $9,000<br />

Wichita UKSM-W MPA HIV Program $2,500<br />

STATE TOTAL: $35,000<br />

KENTUCKY Paducah Heartland CARES, Inc. $7,500<br />

STATE TOTAL: $7,500<br />

LOUISIANA Alexandria Central Louisiana <strong>AIDS</strong> Support Services $10,000<br />

Gretna Kid’s Quarters, Inc. $5,000<br />

Houma Meadowlark, Inc. $2,500<br />

Monroe Go Care (Greater Ouachita Providing <strong>AIDS</strong> Resources and Education) $5,000<br />

New Orleans Belle Reve New Orleans $5,000<br />

New Orleans Elysian Fields Church of Christ Inner City Outreach Ministry $2,500<br />

New Orleans NO/<strong>AIDS</strong> Task Force $10,000<br />

New Orleans Project Lazarus $5,000<br />

New Orleans St. John #5 Baptist Church $5,000<br />

New Orleans Taylor’s Alliance Center, Inc. $5,000<br />

New Orleans Women With A Vision, Inc. $5,000<br />

Shreveport Philadelphia Center $10,000<br />

Thibobaux Angels of Mercy Rehabilitation Center, Inc. $5,000<br />

Thibodaux Home of the Eagle Shelter, Inc. $5,000<br />

Thibodaux New Beginning of Recovery, Inc. $2,500<br />

STATE TOTAL: $82,500<br />

MASSACHUSETTS Acushnet Association of Individuals Dedicated & Sincere (A.I.D.S., Inc.) $5,000<br />

Boston Boston Living Center $5,000<br />

Boston Pathways to Wellness, Inc. $2,500<br />

Boston Rosie’s Place $5,000<br />

Burlington Junior Chamber Family <strong>AIDS</strong> Network $10,000<br />

Cambridge Massachusetts Alliance of Portuguese Speakers (MAPS) $2,500<br />

Danvers Strongest Link <strong>AIDS</strong> Services, Inc. $1,000<br />

national grants program<br />

21


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“THANK YOU FOR THE $5,000 CONTRIBUTION. THERE IS STILL NO CURE<br />

FOR <strong>AIDS</strong> AND OVER 60,000 PEOPLE IN NEW JERSEY ALONE HAVE BEEN<br />

DIAGNOSED. INFECTION RATES HAVE NOT DECLINED SINCE 1998 AND<br />

THERE WERE OVER 2,000 NEW INFECTIONS REPORTED IN <strong>2004</strong> ALONE.<br />

YET, THE BUSH ADMINISTRATION HAS PROPOSED THE LOWEST LEVEL<br />

OF FUNDING IN FIVE YEARS. <strong>BC</strong>/<strong>EFA</strong>’S SUPPORT MEANS MORE TO US<br />

NOW THAN EVER.”<br />

HYACINTH <strong>AIDS</strong> FOUNDATION<br />

NEW BRUNSWICK, NJ<br />

STATE CITY ORGANIZATION AMOUNT<br />

MASSACHUSETTS Fall River Office of <strong>AIDS</strong> Ministry $5,000<br />

CONTINUED Framingham Metrowest <strong>AIDS</strong> Consortium $2,500<br />

Framingham MetroWest Latin American Center $5,000<br />

Provincetown Provincetown <strong>AIDS</strong> Support Group $5,000<br />

Roxbury Community Servings $10,000<br />

Springfield <strong>AIDS</strong> Foundation of Western Massachusetts, Inc. $2,500<br />

Worcester <strong>AIDS</strong> Project Worcester, Inc. $5,000<br />

STATE TOTAL: $66,000<br />

MARYLAND Baltimore <strong>AIDS</strong> Action Baltimore, Inc. $5,000<br />

Baltimore <strong>AIDS</strong> Interfaith Residential Services, Inc. $5,000<br />

Baltimore Health Education Resource Organizations, Inc. (HERO) $10,000<br />

Baltimore Moveable Feast, Inc. $10,000<br />

Baltimore New Life Fulfillment Childcare & Family Support Center $2,500<br />

Baltimore Women Accepting Responsibility $5,000<br />

Hagerstown Project <strong>AIDS</strong> $2,500<br />

Randallstown Millennium Teens Stand Against Issues, Inc. $7,500<br />

Seat Pleasant Heart to Hand, Inc. $2,500<br />

STATE TOTAL: $50,000<br />

MAINE Augusta Positively Social of New England $5,000<br />

Bangor Eastern Maine <strong>AIDS</strong> Network $2,500<br />

Belfast Coastal <strong>AIDS</strong> Network $5,000<br />

Brunswick Merrymeeting <strong>AIDS</strong> Support Services $4,000<br />

Ellsworth Down East <strong>AIDS</strong> Network $5,000<br />

Portland <strong>AIDS</strong> Lodging House $2,500<br />

Portland Frannie Peabody Center $7,500<br />

STATE TOTAL: $31,500<br />

MICHIGAN Detroit <strong>AIDS</strong> Partnership Michigan $5,000<br />

Detroit Community Health Awareness Group $10,000<br />

Grand Rapids Grand Rapids REACH, Inc. $9,500<br />

Northville Rainbow Alliance, Inc. $1,000<br />

Sylvan Lake Deaf Community Advocacy Network $2,500<br />

Ypsilanti HIV/<strong>AIDS</strong> Resource Center $10,000<br />

STATE TOTAL: $38,000<br />

MINNESOTA Minneapolis <strong>AIDS</strong> Care Partners $5,000<br />

Minneapolis Archdiocesan <strong>AIDS</strong> Ministry Program $5,000<br />

Minneapolis Minneapolis Urban League $2,500<br />

Minneapolis Minnesota <strong>AIDS</strong> Project $10,000<br />

Minneapolis Open Arms of Minnesota $10,000<br />

Moorhead Minnkota Health Project $5,000<br />

St. Paul Clare Housing $5,000<br />

Stillwater Hope House of St. Croix Valley $5,000<br />

STATE TOTAL: $47,500<br />

national grants program<br />

22


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

STATE CITY ORGANIZATION AMOUNT<br />

MISSOURI Columbia Regional <strong>AIDS</strong> Interfaith Network (RAIN-Central Missouri) $7,500<br />

Kansas City Guadalupe Center, Inc. $2,500<br />

Kansas City Hope Care Center $5,000<br />

Kansas City Kansas City Free Health Clinic $5,000<br />

St. Louis Doorways $10,000<br />

St. Louis Food Outreach, Inc. $10,000<br />

St. Louis Peter & Paul Community Services, Inc. $10,000<br />

St. Louis Saint Louis Effort for <strong>AIDS</strong> $7,500<br />

STATE TOTAL: $57,500<br />

MISSISSIPPI Hattiesburg <strong>AIDS</strong> Services Coalition $10,000<br />

STATE TOTAL: $10,000<br />

MONTANA Billings Yellowstone <strong>AIDS</strong> Project $10,000<br />

Helena Lewis and Clark <strong>AIDS</strong> Project $2,500<br />

Kalispell Flathead <strong>AIDS</strong> Council, Inc. $1,000<br />

STATE TOTAL: $13,500<br />

NORTH CAROLINA Asheville Loving Food Resources $10,000<br />

Asheville Western North Carolina HIV/<strong>AIDS</strong> Consortium $10,000<br />

Belmont House of Mercy, Inc. $8,500<br />

Charlotte House of Grace, Inc. $5,000<br />

Charlotte Regional HIV/<strong>AIDS</strong> Consortium $1,000<br />

Clayton Just Blessed Baptist Church, Inc. $2,500<br />

Dunn Community Service Network, Inc. $2,500<br />

Durham CAARE, Inc. $5,000<br />

Franklin Nantahala <strong>AIDS</strong> Consortium $10,000<br />

Henderson Agape Life Changing Ministries $2,500<br />

Lumberton Borderbelt <strong>AIDS</strong> Resources Team, Inc. $7,500<br />

Raleigh Alliance of <strong>AIDS</strong> Services – Carolina $10,000<br />

Raleigh Glory to Glory House of Refuge $7,500<br />

Wilmington Cure <strong>AIDS</strong> of Wilmington, Inc. $5,000<br />

STATE TOTAL: $87,000<br />

NEBRASKA Lincoln Camp Kindle $5,000<br />

Omaha Nebraska <strong>AIDS</strong> Project, Inc. $10,000<br />

STATE TOTAL: $15,000<br />

NEW HAMPSHIRE Concord Merrimack Valley Assistance Program $7,500<br />

Keene <strong>AIDS</strong> Services for the Monadnock Region $2,500<br />

Lebanon <strong>AIDS</strong> Community Resource Network (ACORN) $7,500<br />

Nashua Southern New Hampshire HIV/<strong>AIDS</strong> Task Force $5,000<br />

STATE TOTAL: $22,500<br />

NEW JERSEY Atlantic City South Jersey <strong>AIDS</strong> Alliance $5,000<br />

Bellmawr <strong>AIDS</strong> Coalition of Southern New Jersey $10,000<br />

Dover Catholic Social Services of Morris County/Hope House $5,000<br />

Fort Lee FRIENDS FOR LIFE/Good Shepherd Community Services, Inc. $12,500<br />

national grants program<br />

23


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

STATE CITY ORGANIZATION AMOUNT<br />

NEW JERSEY Hackensack Buddies of New Jersey, Inc. $5,000<br />

CONTINUED Jersey City Jersey City Connections, Inc. $10,000<br />

New Brunswick Hyacinth <strong>AIDS</strong> Foundation $10,000<br />

New Brunswick New Jersey Women and <strong>AIDS</strong> Network $5,000<br />

Newark <strong>AIDS</strong> Resource Center CDC of the Episcopal Diocese of Newark $5,000<br />

Newark <strong>Broadway</strong> House for Continuing Care $2,500<br />

Newark Francois-Xavier Bagnoud Center $5,000<br />

Paterson Coalition on <strong>AIDS</strong> in Passaic County, Inc. $5,000<br />

Paterson Sancta Maria House of Mercy $5,000<br />

Paterson St. Paul’s Community Development Corporation $2,500<br />

Rutherford Angelwish $5,000<br />

Trenton Mount Carmel Guild $10,000<br />

Trenton United Progress, Inc. $2,500<br />

STATE TOTAL: $105,000<br />

NEW MEXICO Albuquerque Albuquerque Health Care for the Homeless, Inc. $5,000<br />

Roswell Alianza of New Mexico $1,000<br />

Santa Fe Southwest C.A.R.E. Center $5,000<br />

Sante Fe Camp Corazones $3,500<br />

Sante Fe New Mexico POZ Coalition $1,000<br />

STATE TOTAL: $15,500<br />

NEVADA Henderson Saint Therese Center $2,500<br />

Las Vegas Golden Rainbow $10,000<br />

Reno Frontline of Northern Nevada $2,500<br />

Reno Nevada <strong>AIDS</strong> Foundation $5,000<br />

Reno Northern Nevada HOPES $5,000<br />

STATE TOTAL: $25,000<br />

NEW YORK Albany <strong>AIDS</strong> Council of Northeastern New York $5,000<br />

Bayside St. Mary’s Foundation/St. Mary’s Hosptial for Children $5,000<br />

Brentwood Brentwood Family Health Center $2,500<br />

Bronx Bronx <strong>AIDS</strong> Services, Inc. $5,000<br />

Bronx CitiWide Harm Reduction $5,000<br />

Bronx Health People: Community Preventive Health Institute $5,000<br />

Bronx Jacobi Medical Center $5,000<br />

Bronx La Familia Unida <strong>AIDS</strong> Outreach Project-Research $5,000<br />

Bronx Montefiore Medical Center/Women’s Center $10,000<br />

Bronx Montefiore Medical Center/Project BRAVO $5,000<br />

Bronx Tolentine Zeiser Community Life Center $10,000<br />

Brooklyn After Hours Project, Inc. $5,000<br />

Brooklyn Alliance for Family Education, Care and Treatment $2,500<br />

Brooklyn Association for Drug Abuse Prevention and Treatment, Inc. $5,000<br />

Brooklyn Brooklyn <strong>AIDS</strong> Task Force, Inc. $5,000<br />

Brooklyn Casa Betsaida $5,000<br />

Brooklyn Dwa Fanm $10,000<br />

Brooklyn Helping Hands Unlimited, Inc. $5,000<br />

Brooklyn Housing Matters of New York $10,000<br />

national grants program<br />

24


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“WE DEEPLY APPRECIATE YOUR VOTE OF CONFIDENCE IN THE AWARDING<br />

OF $5,000 TO PURCHASE CLOTHING FOR OUR CLIENTS. <strong>BC</strong>/<strong>EFA</strong> IS<br />

HELPING US MEET THE NEEDS OF OUR CLIENTS HEAD-ON AND IN WAYS<br />

THAT MAY BE SLIGHTLY UNCONVENTIONAL BUT NECESSARY FOR THEIR<br />

WELL-BEING. WE SHOP WISELY AND TAKE GREAT PRIDE IN WHAT WE<br />

CAN PROVIDE OUR CLIENTS WITH YOUR HELP.”<br />

<strong>AIDS</strong> NETWORK<br />

MARTINSBURG, WV<br />

STATE CITY ORGANIZATION AMOUNT<br />

NEW YORK Brooklyn Life Force: Women Fighting <strong>AIDS</strong>, Inc. $2,500<br />

CONTINUED Brooklyn Musica Against Drugs $5,000<br />

Brooklyn New York City <strong>AIDS</strong> Housing Network $10,000<br />

Brooklyn Turning Point $5,000<br />

Buffalo <strong>AIDS</strong> Community Services of Western New York, Inc. $5,000<br />

Buffalo <strong>AIDS</strong> Family Services $5,000<br />

Buffalo Faith Based Fellowship $3,500<br />

Buffalo Hispanics United of Buffalo $2,500<br />

Congers TOUCH of Rockland County, Inc. (T.O.U.C.H.) $2,500<br />

Garrison Do Not Fear To Hope $5,000<br />

Hawthorne <strong>AIDS</strong>-Related Community Services $10,000<br />

Huntington Long Island Association for <strong>AIDS</strong> Care, Inc. $10,000<br />

Ithaca <strong>AIDS</strong> WORK $5,000<br />

Ithaca Southern Tier <strong>AIDS</strong> Program/Tompkins County Prevention Point $1,000<br />

Jamaica YMCA of Greater New York - Jamaica Branch $5,000<br />

New York African Services Committee, Inc. $7,500<br />

New York AGMA Emergency Relief Fund $5,000<br />

New York Aid for <strong>AIDS</strong> (NY) $5,000<br />

New York <strong>AIDS</strong> Community Research Initiative of America (ACRIA) $5,000<br />

New York <strong>AIDS</strong> Service Center NYC $10,000<br />

New York Ali Forney Center $5,000<br />

New York Asian & Pacific Islander Coalition on HIV/<strong>AIDS</strong>, Inc. $5,000<br />

New York Bailey House, Inc. $10,000<br />

New York Betances Health Center $2,500<br />

New York Blessed Sacrament Transitional Residence for HIV+ Men $5,000<br />

New York Care for the Homeless $5,000<br />

New York Career Transition for Dancers $10,000<br />

New York Children of Parents with <strong>AIDS</strong>, Inc. (COPWA) $2,500<br />

New York Children’s Friends for Life Foundation, Inc. $2,500<br />

New York Children’s Hope Foundation $2,500<br />

New York Church of St. Luke in the Fields - The <strong>AIDS</strong> Project $5,000<br />

New York Episcopal Actors’ Guild of America, Inc. $5,000<br />

New York Exponents, Inc. $5,000<br />

New York Family Care Center - Harlem Hospital $2,500<br />

New York Family Center, Inc. $5,000<br />

New York Foundation for Research on Sexually Transmitted Disesases – FROST’D $4,000<br />

New York Fraternite Notre Dame, Inc. $5,000<br />

New York Free Arts for Abused Children of New York City $5,000<br />

New York Friends In Deed $5,000<br />

New York Gay Men of African Descent $10,000<br />

New York Hispanic <strong>AIDS</strong> Forum $5,000<br />

New York HIV Law Project, Inc. $2,500<br />

New York Housing Works, Inc. $10,000<br />

New York Identity House $7,500<br />

New York Incarnation Children’s Center/Friends of ICC $2,500<br />

New York Iris House $5,000<br />

New York Kenmore HDFC $5,000<br />

New York Lamb’s Manhattan Initiative/Gifted Hands Program $2,500<br />

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25


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“<strong>BC</strong>/<strong>EFA</strong>’S $5,000 GRANT FOR OUR CLIENT EMERGENCY FUND COMES AT<br />

A MOST CRITICAL TIME, BECAUSE WE ARE RECEIVING MORE REQUESTS<br />

FOR ASSISTANCE FROM AN EVEN LARGER CLIENT POPULATION THAN<br />

EVER BEFORE. ADVANCES IN TREATMENT HAVE HELPED PEOPLE<br />

LIVING WITH <strong>AIDS</strong> TREMENDOUSLY BUT HAVE ALSO PRESENTED NEW<br />

CHALLENGES FOR THEM AND THE ORGANIZATIONS THAT SERVE THEM.”<br />

STATEN ISLAND <strong>AIDS</strong> TASK FORCE<br />

STATEN ISLAND, NY<br />

STATE CITY ORGANIZATION AMOUNT<br />

NEW YORK New York Latino Commission on <strong>AIDS</strong> $5,000<br />

CONTINUED New York Legal Action Center $5,000<br />

New York Lesbian, Gay, Bisexual & Transgender Community Center $5,000<br />

New York Lower East Side Harm Reduction Center $2,500<br />

New York Metropolitan Community Church of New York $5,000<br />

New York Miracle House $5,000<br />

New York Momentum <strong>AIDS</strong> Project $5,000<br />

New York Narragansett Housing Development Fund Corporation $2,500<br />

New York Partnership for the Homeless $5,000<br />

New York Pediatric HIV/<strong>AIDS</strong> Program $5,000<br />

New York Positive Health Project, Inc. $5,000<br />

New York Prince George – Common Ground Community $5,000<br />

New York Project STAY $2,500<br />

New York Safe Horizon/Streetwork $5,000<br />

New York Services and Advocacy for GLBT Elders (SAGE) $5,000<br />

New York Sisterhood Mobilized for <strong>AIDS</strong>/HIV Research & Treatment $10,000<br />

New York St. Mary’s Center, Inc. $2,000<br />

New York Times Square – Common Ground Community $5,000<br />

New York Visual <strong>AIDS</strong> for the Arts, Inc. $2,500<br />

New York Volunteer Lawyers for the Arts $7,500<br />

New York Women and Children Care Center $5,000<br />

New York Women’s Prison Association $5,000<br />

Nyack Family Centered Immunotherapy Clinic $2,500<br />

Oneonta Catskill Rural <strong>AIDS</strong> Services, Inc. $5,000<br />

Patchogue South Brookhaven Family Health Center West $5,000<br />

Patchogue Thursday’s Child $2,500<br />

Pleasant Valley NETWORTH/Positive Action $5,000<br />

Port Chester Family Service of Westchester: Camp Viva $7,500<br />

Poughkeepsie Dutchess Outreach, Inc. $2,500<br />

Rego Park <strong>AIDS</strong> Center of Queens County, Inc. $5,000<br />

Richmond Hill River Fund New York, Inc. $5,000<br />

Riverhead Nassau/Suffolk Law Services David Project $5,000<br />

Rochester <strong>AIDS</strong> Rochester, Inc. $10,000<br />

Sayville Splashes of Hope $2,500<br />

Schenectady Schenectady Inner City Ministry $10,000<br />

Smithtown Options for Community Living, Inc. $3,500<br />

Staten Island Joey DiPaolo <strong>AIDS</strong> Foundation $2,500<br />

Staten Island Justin LiGreci HIV and <strong>AIDS</strong> Foundation $1,000<br />

Staten Island Project BUILD of Richmond County $5,000<br />

Staten Island Project Hospitality, Inc. $5,000<br />

Staten Island Staten Island <strong>AIDS</strong> Task Force $5,000<br />

Troy Troy Area United Ministries, Inc. $5,000<br />

Yonkers Fessenden House $10,000<br />

Yonkers Greyston Health Foundation $5,000<br />

Yonkers Sharing Community, Inc $2,500<br />

STATE TOTAL: $577,500<br />

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26


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

STATE CITY ORGANIZATION AMOUNT<br />

OHIO Akron Violet’s Cupboard $10,000<br />

Canfield Ursuline Sisters HIV/<strong>AIDS</strong> Ministry $5,000<br />

Cincinnati Caracole, Inc. $10,000<br />

Cleveland <strong>AIDS</strong> Taskforce of Greater Cleveland $10,000<br />

Columbus Columbus <strong>AIDS</strong> Task Force, Inc. $10,000<br />

Columbus Project Open Hand/Columbus $5,000<br />

Dayton <strong>AIDS</strong> Resource Center Ohio $10,000<br />

Westerville Project Compassion $2,500<br />

STATE TOTAL: $62,500<br />

OKLAHOMA Oklahoma City CarePoint, Inc. $2,500<br />

Oklahoma City Northern Lights Alternatives, Oklahoma City $1,000<br />

Oklahoma City Other Options, Inc. $5,000<br />

Oklahoma City RAIN-Oklahoma $10,000<br />

STATE TOTAL: $18,500<br />

OREGON Eugene HIV Alliance $5,000<br />

Portland Cascade <strong>AIDS</strong> Project, Inc. $10,000<br />

Portland Ecumenical Ministries of Oregon $10,000<br />

Portland For Us Northwest (FUN) $1,000<br />

Portland Friends of People with <strong>AIDS</strong> Foundation $1,000<br />

Portland Our House of Portland $10,000<br />

Portland Women’s Intercommunity <strong>AIDS</strong> Resource $2,500<br />

STATE TOTAL: $39,500<br />

PENNSYLVANIA Bethlehem <strong>AIDS</strong> Services Center - Lehigh Valley PA $2,500<br />

Clarion Northwest PA Rural <strong>AIDS</strong> Alliance $5,000<br />

Eagleville Family Services of Montgomery County/Project Hope $2,500<br />

Harrisburg Positive Opportunities $5,000<br />

Lancaster Gathering Place $10,000<br />

Lancaster Urban League of Lancaster County, Inc. $5,000<br />

Philadelphia Action<strong>AIDS</strong> $5,000<br />

Philadelphia Blacks Educating Blacks About Sexual Health Issues (BEBASHI) $5,000<br />

Philadelphia Calcutta House $5,000<br />

Philadelphia Mazzoni Center $10,000<br />

Philadelphia Metropolitan <strong>AIDS</strong> Neighborhood Nutrition Alliance (MANNA) $10,000<br />

Philadelphia Prevention Point Philadelphia $10,000<br />

Philadelphia Siloam $5,000<br />

Pittsburgh Pittsburgh <strong>AIDS</strong> Task Force $10,000<br />

Pittsburgh Prevention Point Pittsburgh $5,000<br />

Pittsburgh Shepherd Wellness Community $10,000<br />

Williamsport <strong>AIDS</strong> Resource Alliance $2,500<br />

STATE TOTAL: $107,500<br />

PUERTO RICO Aguada Programa de Apoyo y Enlace Comunitario, Inc. $12,500<br />

Arecibo Comunidad Para Envejecientes Vazquez, Inc. $5,000<br />

Arecibo Hogar Vida y Esperanza Multiservice, Inc. $10,000<br />

Arecibo Ministerio “En Jehova Seran Provitos” SIDA Pediatrico $10,000<br />

events<br />

27


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

STATE CITY ORGANIZATION AMOUNT<br />

PUERTO RICO Hatillo Centro de Intervencion e Integracion Paso a Paso $2,500<br />

CONTINUED Vega Baja Fundacion U.P.E.N.S., Inc. $5,000<br />

STATE TOTAL: $45,000<br />

RHODE ISLAND Providence <strong>AIDS</strong> Project Rhode Island $10,000<br />

STATE TOTAL: $10,000<br />

SOUTH CAROLINA Columbia Women’s Resource Center $2,500<br />

Greenville AID Upstate $5,000<br />

Greenville Project Host $5,000<br />

Myrtle Beach Careteam, Inc. $5,000<br />

Ridgeland ACCESS Network, Inc. $5,000<br />

STATE TOTAL: $22,500<br />

SOUTH DAKOTA Sioux Falls Berakhah House $10,000<br />

STATE TOTAL: $10,000<br />

TENNESSEE Brentwood Tennessee Hemophilia & Bleeding Disorders Foundation $2,000<br />

Chattanooga Chattanooga CARES <strong>AIDS</strong> Resource Center $2,500<br />

Columbia Columbia CARES, Inc. $10,000<br />

Columbia Kids Fighting <strong>AIDS</strong>, Inc. $7,500<br />

Memphis <strong>AIDS</strong> Virus Awareness Association $5,000<br />

Memphis Friends for Life Corporation $5,000<br />

Nashville Metropolitan Interdenominational Church First Response Center $1,000<br />

Nashville Nashville CARES $10,000<br />

Nashville New Hope Foundation, Inc. $2,500<br />

Nashville New Hope Foundation, Inc. $2,500<br />

STATE TOTAL: $45,500<br />

TEXAS Alvin <strong>AIDS</strong> Alliance of the Bay Area, Inc. $15,000<br />

Amarillo Panhandle <strong>AIDS</strong> Support Organization, Inc. $5,000<br />

Austin <strong>AIDS</strong> Services of Austin $10,000<br />

Austin Interfaith Care Alliance $5,000<br />

Austin Wright House Wellness Center $2,500<br />

Beaumont Triangle <strong>AIDS</strong> Network $5,000<br />

Corpus Christi Coastal Bend <strong>AIDS</strong> Foundation $5,000<br />

Corpus Christi Loving Spoonful, Inc. $5,000<br />

Dallas Bryan’s House $2,500<br />

Dallas Resource Center of Dallas, Inc. $10,000<br />

Denton <strong>AIDS</strong> Services of North Texas Inc. $5,000<br />

El Paso International <strong>AIDS</strong> Empowerment $10,000<br />

Fort Worth <strong>AIDS</strong> Outreach Center $5,000<br />

Fort Worth Tarrant Council on Alcoholism and Drug Abuse $1,000<br />

Fort Worth Tarrant County Samaritan Housing, Inc. $2,500<br />

Houston <strong>AIDS</strong> Foundation Houston, Inc. $2,500<br />

Houston <strong>AIDS</strong> Research Consortium of Houston dba The Center for <strong>AIDS</strong> $5,000<br />

Houston Assistance Fund $10,000<br />

Houston Bering Omega Community Services $2,500<br />

events<br />

28


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“WITH OVER 300 CLIENTS AND AN EVER-INCREASING DEMAND FOR<br />

SERVICES, <strong>BC</strong>/<strong>EFA</strong>’S $5,000 GRANT WILL HELP MAKE UP SOME OF THE<br />

SHORTFALL IN OUR <strong>2004</strong> BUDGET. WE WISH BROADWAY CARES AND<br />

ALL ITS THEATRICAL PROFESSIONALS ACROSS THE COUNTRY HEALTH<br />

AND SUCCESS IN THEIR DAILY ENDEAVORS. I CAN’T BEGIN TO TELL<br />

YOU HOW HELPFUL THIS GRANT WILL BE.”<br />

ARKANSAS <strong>AIDS</strong> FOUNDATION<br />

LITTLE ROCK, AR<br />

STATE CITY ORGANIZATION AMOUNT<br />

TEXAS Houston Brentwood Community Foundation $5,000<br />

CONTINUED Houston Casa de Esperanza de los Ninos, Inc. $10,000<br />

Houston Fundacion Latino Americana Contra El Sida, Inc. $5,000<br />

Houston Houston Challenge Foundation $10,000<br />

Longview Special Health Resources for Texas $10,000<br />

Nacogdoches Health Horizons of East Texas, Inc. $5,000<br />

San Angelo Educare 2001, Inc. $12,500<br />

San Angelo San Angelo <strong>AIDS</strong> Foundation $10,000<br />

Tyler Tyler <strong>AIDS</strong> Services, Inc. $10,000<br />

STATE TOTAL: $186,000<br />

UTAH Salt Lake City Utah <strong>AIDS</strong> Foundation $10,000<br />

STATE TOTAL: $10,000<br />

VIRGINIA Charlottesville <strong>AIDS</strong>/HIV Services Group, Inc. $5,000<br />

Falls Church Northern Virginia <strong>AIDS</strong> Ministry (NOVAM) $5,500<br />

Harrisonburg Valley <strong>AIDS</strong> Network $2,500<br />

Manassas Prince William Interfaith Volunteer Caregivers $5,000<br />

Norfolk CANDII, Inc. (Children’s <strong>AIDS</strong> Network Designed for Interfaith Involvement) $5,000<br />

Norfolk Full Circle <strong>AIDS</strong> Hospice Support $9,000<br />

Richmond Cross-Cultural Agencies PLUS $2,500<br />

Richmond Fan Free Clinic, Inc. $2,500<br />

Richmond Transformation Retreats, Inc. $2,500<br />

Williamsburg Williamsburg <strong>AIDS</strong> Network $2,500<br />

STATE TOTAL: $42,000<br />

VERMONT Brattleboro <strong>AIDS</strong> Project of Southern Vermont $9,500<br />

Burlington Imani Health Institute $2,500<br />

Burlington Vermont <strong>Cares</strong> $15,000<br />

STATE TOTAL: $27,000<br />

WASHINGTON Everett Catholic Community Services of Snohomish County $2,500<br />

Kennewick Tri-Cities Chaplaincy $4,000<br />

Seattle Bailey-Boushay House $5,000<br />

Seattle Downtown Emergency Service Center $5,000<br />

Seattle Rise n’ Shine $2,500<br />

Seattle Rosehedge: <strong>AIDS</strong> Housing and Health Care $7,500<br />

Spokane Spokane <strong>AIDS</strong> Network $5,000<br />

Tacoma Pierce County <strong>AIDS</strong> Foundation $5,000<br />

Walla Walla Blue Mountain Heart to Heart $5,000<br />

Yakima Care Bearers $2,500<br />

STATE TOTAL: $44,000<br />

WISCONSIN Madison <strong>AIDS</strong> Network $10,000<br />

Milwaukee <strong>AIDS</strong> Resource Center of Wisconsin, Inc. $10,000<br />

Stevens Point Central Wisconsin HIV/<strong>AIDS</strong> Ministry Project $2,500<br />

STATE TOTAL: $22,500<br />

WEST VIRGINIA Bluefield South Central Educational Development $15,000<br />

Charleston Covenant House, Inc. $5,000<br />

events<br />

29


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“THE WORK THAT <strong>BC</strong>/<strong>EFA</strong> DOES IS A TRIBUTE TO THE THOUSANDS OF<br />

PEOPLE IN THE THEATRE COMMUNITY WHOSE WORK MAKES WHAT YOU<br />

DO POSSIBLE. THE TENACITY WITH WHICH YOU ALL CONTINUE TO<br />

MEET THE CHALLENGES TO YOUR FUNDRAISING IS REFLECTIVE OF<br />

THAT COMMITMENT. PLEASE ACCEPT HEARTFELT THANKS FOR THIS<br />

SUPPORT - NOT JUST FROM US BUT FROM THE HUNDREDS OF SIMILAR<br />

ORGANIZATIONS YOU ASSIST THROUGHOUT THE COUNTRY.”<br />

PITTSBURGH <strong>AIDS</strong> TASK FORCE<br />

PITTSBURGH, PA<br />

STATE CITY ORGANIZATION AMOUNT<br />

WEST VIRGINIA Charleston West Virginia Coalition for People with HIV/<strong>AIDS</strong>, Inc. $7,500<br />

CONTINUED Martinsburg <strong>AIDS</strong> Network of the Tri-State Area $10,000<br />

Martinsburg Community Networks, Inc. $5,000<br />

Morgantown Caritas House, Inc. $5,000<br />

STATE TOTAL: $47,500<br />

WYOMING Casper Wyoming <strong>AIDS</strong> Project $5,000<br />

Cheyenne Wyoming Positives for Positives $5,000<br />

STATE TOTAL: $10,000<br />

SUBTOTAL NATIONAL GRANTS: $3,235,000<br />

OTHER GRANTS National Grants II $340,000<br />

Supplemental/Emergency Grants $528,332<br />

Red Ribbons $19,030<br />

Benefit Support and Community Relations $142,476<br />

TOTAL ALL GRANTS: $4,264,838<br />

Note: This does not include <strong>BC</strong>/<strong>EFA</strong> International Grants.<br />

“EVERY DAY WE SEE PEOPLE EXPERIENCING INCREDIBLE DIFFICULTY, ESPECIALLY WHEN IT COMES TO MANAGING<br />

HIV IN THEIR LIVES. WITHOUT INSURANCE FOR LIFE-SAVING MEDICATIONS, HIV IS STILL A FATAL ILLNESS. AND THE<br />

VAST MAJORITY OF PEOPLE WE SEE HAVE NO PRIVATE COVERAGE.<br />

JUST YESTERDAY OREGON’S STATE LEGISLATURE TOLD THE DEPARTMENT OF HEALTH THAT THEY WOULD HAVE TO<br />

INITIATE CUTTING BENEFITS FOR 50% OF THE PEOPLE CURRENTLY ENROLLED ON THE STANDARD OREGON HEALTH<br />

PLAN. THERE IS SIMPLY NO MONEY. FEDERAL MONEY HAS DRIED UP AS TAXES ARE CUT AND THE DEFICIT<br />

EXPLODES. STATES HAVE TO BEAR THE BURDEN. IT’S A SAD, SAD STATE OF AFFAIRS FOR ANYONE FACING ANY KIND<br />

OF HEALTH CRISIS.<br />

LIKE <strong>AIDS</strong> SERVICE ORGANIZATIONS ACROSS THE COUNTRY, WE WORK VERY HARD TO PREVENT NEW INFECTIONS<br />

AS WE HELP INDIVIDUALS LIVING WITH <strong>AIDS</strong> AND THEIR FAMILIES. THIS HASN’T BEEN JUST A “GAY MAN’S DISEASE”<br />

FOR A LONG TIME. <strong>BC</strong>/<strong>EFA</strong>’S GRANT MEANS MORE TO US THAN YOU’LL EVER KNOW. WE LITERALLY CAN FIGHT<br />

ANOTHER DAY, ANOTHER WEEK...AND INTO A VERY INDEFINITE FUTURE.<br />

THESE DAYS WHEN SO MUCH IS BEING CUT BACK OR TRANSFERRED TO PAY FOR GOD KNOWS WHAT OVERSEAS, AT<br />

THE SAME TIME THAT THE EXTREMELY WEALTHY OR CORPORATE PLAYERS ARE ENABLED TO PAY LESS AND LESS IN<br />

TAXES, PLEASE KNOW HOW MUCH WE APPRECIATE BEING ABLE TO COUNT ON THE SUPPORT OF PEOPLE WE MAY<br />

NEVER SEE ON THE BROADWAY STAGE OR MEET AT THE OFFICES OF BROADWAY CARES. BUT WE ARE GRATEFUL TO<br />

KNOW YOU ARE PARTNERS IN THIS WORK. WE WISH THAT MORE WOULD WANT TO JOIN US WITH YOU.”<br />

GRANTS COORDINATOR / HIV ALLIANCE<br />

EUGENE, OREGON<br />

events<br />

30


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

INTERNATIONAL<br />

GRANTS<br />

Over the last few years, a number of <strong>Broadway</strong> shows originating overseas or with foreign-born actors<br />

in their casts have participated generously in <strong>BC</strong>/<strong>EFA</strong>’s six weeks of audience appeals prior to the Gypsy of the Year and Easter Bonnet<br />

Competitions.<br />

In appreciation of their enthusiastic efforts, <strong>BC</strong>/<strong>EFA</strong> grants a portion of the funds raised by these companies to <strong>AIDS</strong> service<br />

organizations in their native countries. These foreign charities are chosen and introduced to <strong>BC</strong>/<strong>EFA</strong> by the company members<br />

involved. Once their charitable status has been officially established by <strong>BC</strong>/<strong>EFA</strong>, a grant in the name of the company is wired overseas.<br />

The first of these international grants was a $5,000 donation made by <strong>BC</strong>/<strong>EFA</strong> to West End <strong>Cares</strong> (renamed Theatrecares in<br />

2002), our sister theatre-based <strong>AIDS</strong> fundraising organization in London. This grant honored the Royal Shakespeare Company’s<br />

production of A Midsummer Night’s Dream that participated in the 1996 Easter Bonnet Competition while playing an acclaimed limited<br />

engagement at <strong>Broadway</strong>’s Lunt-Fontanne Theatre.<br />

Since then, many performers from <strong>Broadway</strong> companies originating in London have very generously participated in <strong>BC</strong>/<strong>EFA</strong>’s<br />

fundraising efforts. These include: Sir Ian McKellen and Helen Mirren (The Dance of Death), Dame Judi Dench and Samantha Bond<br />

(Amy’s View), Petula Clark (the national tour of Sunset Boulevard), Sian Phillips (An Inspector Calls and Marlene), Alan Cumming and Natasha<br />

Richardson (Cabaret), Patrick Stewart (The Tempest), Elaine Page (Sunset Boulevard), Antony Sher (Stanley), as well as the companies of<br />

Closer, Swan Lake, Art, An Ideal Husband, The Chairs, and Blood Brothers. <strong>BC</strong>/<strong>EFA</strong> has also granted funds in the name of producers Bill<br />

Kenwright and Sir Cameron Mackintosh for their committed and ongoing support. Grants have also been made to The Actors’ Fund<br />

of Canada in honor of the Canadian actors in the first national touring company of Mamma Mia!, Oz Showbiz <strong>Cares</strong> in honor Hugh<br />

Jackman in The Boy from Oz and Baz Luhrmann’s <strong>Broadway</strong> production of La Bohème, and Theatrecares Crusaid in honor of Clare<br />

Higgins, Jochum Ten Haaf, and the cast of Vincent in Brixton.<br />

In <strong>2004</strong>, <strong>BC</strong>/<strong>EFA</strong> sent grants totaling $262,894.<br />

The International grant-making program has expanded over the past eight years, most notably in grants made to <strong>AIDS</strong> service<br />

organizations in South Africa in appreciation for the efforts of the South African members of the <strong>Broadway</strong> and touring productions<br />

of The Lion King.<br />

international grants<br />

31


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

INTERNATIONAL GRANTS – DISTRIBUTION OF AWARDS<br />

1996-2002<br />

In its first four years, international grants totaling $465,000 were made to such organizations as West End <strong>Cares</strong> (London),<br />

14 organizations in South Africa, 2 organizations in Canada, The Kosovo Relief Fund, 2 organizations in Dublin, Ireland; and<br />

Oz Showbiz <strong>Cares</strong> (Sydney, Australia).<br />

2003<br />

theatre cares /crusaid (london, england) $ 10,000<br />

(in honor of Clare Higgins and Vincent in Brixton)<br />

the actors’ fund of canada (toronto, canada) $ 43,585<br />

(in honor of the Canadian actors in national tour of Mamma Mia!)<br />

oz showbiz cares (sydney, australia) $ 5,000<br />

(In honor of Baz Luhrmann and <strong>Broadway</strong>’s La Bohème)<br />

artists for a new south africa (los angeles) $ 5,000<br />

bumbanani creche (greytown, south africa) $ 15,000<br />

geluksdal’s women & children’s initiative (geluksdal, south africa) $ 10,000<br />

karabo foundation (johannesburg, south africa) $ 5,000<br />

kwa-thema (springs, south africa) $ 7,500<br />

living fountain ministry (middlebirg, south africa) $ 5,000<br />

buca project (mmabatho, south africa) $ 10,000<br />

n’kosi’s haven (johannesburg, south africa) $ 10,000<br />

prayer tower centre (mpumalanga, south africa) $ 5,000<br />

thabong dominican project (brakpan, south africa) $ 5,000<br />

thembelethu beaders (johannesburg, south africa) $ 67,900<br />

treatment action campaign (johannesburg, south africa) $ 5,000<br />

umlazi child care center (durban, south africa) $ 12,500<br />

(in h.onor of the South African actors in The Lion King)<br />

<strong>2004</strong><br />

theatre cares/crusaid (london, england) $ 6,000<br />

(in honor of Eileen Atkins and Ben Chaplin in The Retreat from Moscow)<br />

the actors’ fund of canada (toronto, canada) $ 2,500<br />

(in honor of Mamma Mia!)<br />

oz showbiz cares (sydney, australia) $ 35,000<br />

(in honor of Hugh Jackman in The Boy From Oz)<br />

artists for a new south africa (los angeles) $ 10,000<br />

buca project (mmabatho, south africa) $ 12,500<br />

bumbanani creche (greytown, south africa) $ 15,000<br />

dominican counseling project (springs, south africa) $ 5,000<br />

fountain of salvation bible church (tembisa, south africa) $ 10,000<br />

geluksdal’s women & children’s initiative (geluksdal, south africa) $ 10,000<br />

karabo foundation (johannesburg, south africa) $ 5,000<br />

kwa-thema (springs, south africa) $ 10,000<br />

living fountain ministry (middlebirg, south africa) $ 5,000<br />

malawi children’s village (malawi) $ 5,000<br />

masizise hlabisa development (pinetown, south africa) $ 5,000<br />

molemong club (durban, south africa) $ 5,000<br />

n’kosi’s haven (johannesburg, south africa) $ 10,000<br />

phumelela higher primary school (johannesburg, south africa) $ 1,000<br />

prayer tower centre (mpumalanga, south africa) $ 5,000<br />

south africa development fund (boston) $ 11,500<br />

thabong dominican project (brakpan, south africa) $ 5,000<br />

thembelethu beaders (johannesburg, south africa) $ 94,394<br />

thusanang services (brakpan, south africa) $ 5,000<br />

treatment action campaign (johannesburg, south africa) $ 5,000<br />

umlazi child care center (durban, south africa) $ 10,000<br />

(In honor of the South African actors in The Lion King)<br />

total international grants (1996-<strong>2004</strong>) $ 881,479<br />

international grants<br />

32


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

EVENTS<br />

Thanks to the commitment of the celebrities and other vital members of the theatrical community<br />

who devote countless hours to our cause, <strong>BC</strong>/<strong>EFA</strong> not only raises desperately needed funds for the organizations, foundations and<br />

individuals nationwide who depend on our support, but does it in a way that’s fun for our supporters.<br />

The following pages present the highlights of a year of <strong>BC</strong>/<strong>EFA</strong> fundraising events, from October 1, 2003, through September<br />

30, <strong>2004</strong>.<br />

The Gypsy of the Year and Easter Bonnet Competitions are the mainstays of the <strong>BC</strong>/<strong>EFA</strong> event roster and together raised a record-breaking<br />

$6.7 million this year! Both events mark the culmination of an intensive six-week fundraising campaign on <strong>Broadway</strong>, off-<strong>Broadway</strong>,<br />

and by the many national touring shows traveling across the country.<br />

Three other events loom almost as large on our yearly calendar: The <strong>Broadway</strong> Flea Market and Grand Auction, The <strong>Broadway</strong> Bears Auction,<br />

and <strong>Broadway</strong> Bares. The oldest of these is the <strong>Broadway</strong> Flea Market, which began as a table sale outside the stage door of A Chorus Line in<br />

Shubert Alley in the fall of 1986. In June <strong>2004</strong>, we hosted our 14th <strong>Broadway</strong> Bares, which began as seven dancers cavorting for cash<br />

on a bar in New York’s Chelsea neighborhood and has become one of the most anticipated <strong>AIDS</strong> fundraisers – one many donors<br />

plan their summer travel schedule around. The <strong>Broadway</strong> Bears Auction may be the baby of our major events, but it has grown like a<br />

weed…or should we say…a bear. The creative enthusiasm brought to The <strong>Broadway</strong> Bears by the wardrobe and costume design<br />

community has earned it a yearly home at <strong>BC</strong>/<strong>EFA</strong> since 1998. In addition to our annual events, each year brings a collection of<br />

special fundraisers of every size and variety.<br />

The following pages also feature <strong>2004</strong>’s high-profile one-time only events: Heather Headley’s acclaimed concert at The New<br />

Amsterdam Theatre, a staged reading of Auntie Mame by Charles Busch and an all-star cast at the John Jay College Theater, and The<br />

<strong>Broadway</strong> Inspirational Voices’ Gospel Celebration. All of these events are supported by many smaller events produced every year to<br />

benefit <strong>BC</strong>/<strong>EFA</strong> by individuals in the community that are not represented on the following pages – special cabaret performances,<br />

dance presentations, club shows, concerts, and much more.<br />

Each one is an important part of our annual fundraising calendar. Whether appearing with a hundred others in a bonnet<br />

presentation at the New Amsterdam Theatre or in a solo for an audience of twenty in a quiet club on the Upper West Side, by<br />

volunteering their time and talent, these dedicated entertainment professionals make <strong>BC</strong>/<strong>EFA</strong>’s grant-making efforts possible.<br />

The casts of Fiddler on the Roof and Avenue Q came together to present “Avenue Jew” – the award-winning skit at The Easter Bonnet Competition;<br />

cast members from Mamma Mia! at The <strong>Broadway</strong> Flea Market; Avenue Q’s John Tartaglia and “Rod” in rare bare form at <strong>Broadway</strong> Bares.<br />

events<br />

33


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

14TH ANNUAL<br />

GYPSY OF THE YEAR<br />

COMPETITION<br />

DECEMBER 8 AND 9, 2003<br />

THE PALACE THEATRE BROADWAY<br />

An extremely strong <strong>Broadway</strong> season helped push the 2003 edition of our annual Gypsy of the Year Competition to a whopping grand<br />

total of $3,359,533, with 58 <strong>Broadway</strong>, off-<strong>Broadway</strong>, and touring shows participating in vigorous fundraising efforts.<br />

The Boy From Oz and its star Hugh Jackman led the charge, bringing in an all-time record-breaking $632,998, substantially more<br />

money than any other show in <strong>BC</strong>/<strong>EFA</strong> history has raised in one six-week appeal period (nearly doubling Hairspray’s record-breaking<br />

numbers from 2002).<br />

Runners-up in fundraising included Hairspray with $303,024, The Phantom of the Opera with $155,964, Gypsy with $147,366 and<br />

Mamma Mia! with $133,286. The <strong>Broadway</strong> play that raised the most money was The Retreat from Moscow with $56,291, and the off-<br />

<strong>Broadway</strong> winner was Fame on 42nd Street, which raised $18,004. The top fundraiser among touring companies was the Mamma Mia! #2<br />

tour, which brought in $154,325. Tony Award®-winner Jackman, Gypsy’s Mama Rose Bernadette Peters, and Hairspray’s original Edna,<br />

Harvey Fierstein, announced the winners.<br />

Gypsy of the Year is about more than fundraising. It’s an opportunity for <strong>Broadway</strong>’s chorus men and women – many of whom are<br />

destined for headlining roles – to step into the spotlight and strut their stuff on a single stage. The 2003 awards were hosted by the<br />

droll duo of The Violet Hour’s Mario Cantone and Gypsy’s “You Gotta Have a Gimmick” girl Julie Halston.<br />

Show highlights included the cast of Mamma Mia! in “The Winter Garden Showchoir Strikes Back”; The Producers’ Matt Loehr, who<br />

choreographed and performed an athletic solo number “Break-Through You”; the cast of Little Shop of Horrors offered James Lipton –<br />

or a hilarious impersonation by Rob Bartlett – interviewing Audrey II in a special edition of “Inside the Actors’ Studio”; the<br />

unstoppable Lypsinka gave the audience a special holiday treat with “The 12 Daze of Christmas;” and cast members from <strong>Broadway</strong>’s<br />

delightful Avenue Q presented an original number, “In Our Neighborhood.” Past and current members of the long-running off-<br />

<strong>Broadway</strong> hit Naked Boys Singing came together to sing “Dreams,” written by Stephen Bates Baltes, who had recently passed away from<br />

<strong>AIDS</strong>-related complications. Producer Rosie O’Donnell made a special appearance with her cast from Taboo.<br />

The distinguished panel of judges included Delta Burke (who had recently made her <strong>Broadway</strong> debut in Thoroughly Modern Millie),<br />

Ted Chapin of the Rodgers and Hammerstein Organization, as well as <strong>BC</strong>/<strong>EFA</strong> major donors Judy Dove, Barbara Ann Klein and<br />

Marion Duckworth-Smith. These judges, along with Jujamcyn VP and <strong>BC</strong>/<strong>EFA</strong> President Paul Libin, Priscilla Lopez (Anna in the<br />

Tropics) and Ned Walker of loyal <strong>BC</strong>/<strong>EFA</strong> corporate sponsor Continental Airlines chose a dance number by the cast of Aida as<br />

winner of the Judges’ Award for Best Presentation, with Urinetown, in its competitive swansong, a close runner-up.<br />

(clockwise) Rob Bartlett interviews Audrey II in a special edition of Inside the Actors' Studio, as brought to you by the cast of Little Shop of Horrors; the opening number –<br />

created by Christopher Gattelli, Seth Rudetsky, Matt Sklar, and Bill Ryall; The Producers’ Matt Loehr choreographed and performed an athletic solo number, “Break-Through<br />

You”; a surprise appearance by Urinetown’s Officer Lockstock and Little Sally – gentle, as ever; the cast of Mamma Mia! in “The Winter Garden Showchoir Strikes Back.”<br />

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34


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

GYPSY OF THE YEAR<br />

TOTALS THROUGH HISTORY:<br />

1989 $ 64,000<br />

1990 $ 92,000<br />

1991 $ 205,000<br />

1992 $ 445,000<br />

1993 $ 707,000<br />

1994 $ 802,000<br />

1995 $ 1,213,000<br />

1996 $ 1,262,000<br />

1997 $ 1,325,000<br />

1998 $ 1,751,000<br />

1999 $ 2,074,000<br />

2000 $ 2,056,000<br />

2001 $ 2,037,000<br />

2002 $ 2,623,000<br />

2003 $ 3,359,533<br />

TOTAL: $20,015,533<br />

MAKING HISTORY: GYPSY OF THE YEAR<br />

In the fall of 1989, the <strong>Broadway</strong> <strong>Cares</strong> “steering committee” met to discuss what new event might be jointly produced by the<br />

then two separate organizations, <strong>Broadway</strong> <strong>Cares</strong> and <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, that would capitalize on the shared success of the two<br />

groups’ most recent collaboration, that year’s <strong>Broadway</strong> Flea Market. While these two groups were three years away from a formal merger<br />

(which ultimately took place in May 1992), already it was clear that sharing revenue and resources was the future of <strong>AIDS</strong> fundraising<br />

in the theatre community.<br />

The group kept coming back to the success of the then three-year-old Easter Bonnet Competition. What would engage the <strong>Broadway</strong><br />

community in another round of competitive fundraising that could also culminate in a variety show? Ideas were tossed back and forth<br />

across the committee table, but the group kept coming back to one: an afternoon to give “gypsies” a moment in the spotlight.<br />

The very first Gypsy of the Year Competition debuted on the stage of the St. James Theatre – then home to the smash hit revival of Gypsy<br />

– on November 28, 1989. Hosted by Gypsy stars Jonathan Hadary and Tyne Daly, directed by Michael Lichtefeld and produced by<br />

Maria Di Dia for <strong>Broadway</strong> <strong>Cares</strong> and Tom Viola for <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, the show featured gypsies from A Chorus Line, Black and<br />

Blue, Cats, Grand Hotel, Gypsy, Jerome Robbins’ <strong>Broadway</strong>, Les Misérables, The Phantom of the Opera, Sweeney Todd, Threepenny Opera, as well as<br />

representatives from The Heidi Chronicles, Vampire Lesbians of Sodom, and The Lady in Question. This fledgling event raised over $64,000.<br />

Everyone was thrilled.<br />

Over the next 16 years, new choreographers emerged from the ranks, and the quality of the events continued to improve.<br />

Audiences grew and a second performance was added, as Gypsy became one of the most sought-after tickets of the season. The casts<br />

from many more shows participated, fundraising efforts doubled, tripled and increased ten-fold. By the 7th annual edition, the $1<br />

million dollar mark was broken for total fundraising – a goal unthinkable even five years before. Four years later in 1999 a sold out<br />

audience of over 1,600 people at the Palace Theatre cheered when it was announced that the $2 million fundraising total had been<br />

reached for the first time. This year’s GYPSY OF THE YEAR raised a phenomenal $3,359,533 — over 50 times more than that first<br />

edition in 1989, when we swung the doors open at the St. James, hoping and working for the best.<br />

(left to right) A “faux” Kristin Chenoweth (aka Tia Marie Zorne) made a 'surprise' appearance in the Beauty and the Beast presentation;<br />

the opening number featured four veteran gypsies – Jennifer Smith, Harvey Evans, Patty Mariano, and Dana Moore; the number’s grand final pose;<br />

Hugh Jackman and the phenomenal company of The Boy From Oz.<br />

events<br />

35


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE 18TH ANNUAL<br />

EASTER BONNET<br />

COMPETITION<br />

APRIL 19 AND 20 <strong>2004</strong><br />

The 18th <strong>Annual</strong> Easter Bonnet Competition – presented once again at Disney’s beautiful New<br />

Amsterdam Theatre – raised a record-breaking $3,439,075 for <strong>BC</strong>/<strong>EFA</strong> in six busy weeks of fundraising. A total of 44 theatrical<br />

companies participated in this fundraising success, with 23 <strong>Broadway</strong> shows bringing in a collective $2,694,372. Fourteen national<br />

tours came in with $667,821 and seven off-<strong>Broadway</strong> shows raised a total $84,986 to make the truly grand total of $3,439,075. Last<br />

year’s Bonnet competition raised $2,149,744.<br />

The top fundraising award went to The Boy From Oz, which brought in an amazing $539,058, part of an unprecedented total of<br />

$1,172,056 raised by this company for <strong>BC</strong>/<strong>EFA</strong> in just the first six months of its run. First runner-up was The Producers ($368,050),<br />

followed by Hairspray ($217,813), Wicked ($158,496), and Gypsy ($149,595). Finally, although there wasn’t a fifth runner-up award, our<br />

bonnets go off to the <strong>Broadway</strong> company of The Phantom of the Opera, which raised $123,633 through a combination of audience appeals<br />

and a labor-intensive effort of signing and selling 2,200 posters for $40 each. Additional fundraising prizes were given to the<br />

<strong>Broadway</strong> play that raised the most money, Golda’s Balcony ($78,654), the top-earning Off-<strong>Broadway</strong> production, Fame on 42nd Street<br />

($21,882), and the most successful national tour, Mamma Mia! ($151,829).<br />

This year’s opening number featured a take-off of “Come On, Get Happy,” rewritten as “Come On, Get Hatty “ by Drew Geraci<br />

and Seth Rudetsky. Choreographed by Denis Jones, directed by Geraci and with musical direction by Steve Marzullo, “Get Hatty”<br />

featured 16 of <strong>Broadway</strong>’s best dancers and (offstage) another 11 outstanding vocalists.<br />

Our very own Ziegfeld ‘girl’ – Doris Eaton Travis – made her 7th appearance for <strong>BC</strong>/<strong>EFA</strong> on stage at The New Amsterdam, where<br />

she first appeared over 80 years ago in the Ziegfeld Follies of 1918, 1919 and 1920. After joining the dancers in a conga, Doris was<br />

surprised with a special cake marking her 100th birthday in March and received a standing ovation from the cheering house in honor<br />

of her gracious heart and grand spirit.<br />

Two highlights of the show included “Funny, Fast and Flawless” – the bonnet from 42nd Street and Aida’s Deborah Cox along with<br />

several male dancers from Aida presenting their bonnet accompanied by Deborah’s remixed dance version of “Easy As Life.” A “Fab”<br />

bonnet presented by the boys from the company of Movin’ Out and the “Star Child” bonnet presented by The Phantom of the Opera were<br />

other crowd pleasers.<br />

Best bonnet presentation was awarded to Avenue Q and Fiddler on the Roof, who joined forces to present a skit entitled “Avenue Jew.”<br />

The Producers claimed second prize in this category for a skit about gay marriage, which included a parody of Stephen Sondheim’s<br />

A truly grand, record-breaking total; stars of A Raisin in the Sun Sean Combs and Audra McDonald joined Harvey Fierstein in announcing the fundraising winners;<br />

“Temptation” the bonnet from The Lion King; Still in character as the former Israeli Prime Minister, Tovah Feldshuh came by from Golda’s Balcony (her one-woman show<br />

about Golda Meir at the Helen Hayes Theatre) to offer Golda’s interpretation of “Let Me Entertain You.”<br />

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36


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

EASTER BONNET<br />

TOTALS THROUGH HISTORY<br />

1987 $ 18,740<br />

1988 $ 51,757<br />

1989 $ 137,523<br />

1990 $ 226,819<br />

1991 $ 279,000<br />

1992 $ 500,049<br />

1993 $ 848,000<br />

1994 $ 1,001,649<br />

1995 $ 1,127,000<br />

1996 $ 1,304,525<br />

1997 $ 1,474,222<br />

1998 $ 1,793,137<br />

1999 $ 2,096,862<br />

2000 $ 2,129,168<br />

2001 $ 2,275,000<br />

2002 $ 1,826,392<br />

2003 $ 2,149,744<br />

<strong>2004</strong> $ 3,439,075<br />

TOTAL $22,678,662<br />

“Getting Married Today.” Thoroughly Modern Millie won third prize in the bonnet presentation category for a moving performance<br />

entitled “Letters from Home," which incorporated “thank you” letters from Actors’ Fund clients and beneficiaries from <strong>BC</strong>/<strong>EFA</strong>’s<br />

National Grants Program.<br />

The afternoon featured guest hosts Bernadette Peters, Joel Grey, Ann Harada, Tovah Feldshuh, Randy Graff, Joe Machota,<br />

Michael Mulheren, John Tartaglia (and “Rod”), Christopher Sieber, Ron Kunene, and Tsidii Manye. Harvey Fierstein, Audra<br />

McDonald and Sean Combs announced the winners after Wicked’s Idina Menzel belted out the David Friedman anthem “Help Is On<br />

the Way.”<br />

<strong>BC</strong>/<strong>EFA</strong> is blessed to be a part of such an extraordinary theatrical family. And on behalf of the thousands of clients at The Actors’<br />

Fund and hundreds of social service agencies across the country whose essential work will be supported by the funds raised, a very<br />

special thanks to all who made and continue to make these efforts possible.<br />

ONCE UPON A BONNET: EASTER BONNET HISTORY<br />

The precursor to the first Easter Bonnet Competition was an informal show instigated by wardrobe supervisor Gayle Patton in 1986<br />

backstage at the Palace Theatre during the original <strong>Broadway</strong> run of La Cage aux Folles. La Cage cast members dressed for a contest in<br />

which they were judged in the categories “Poise,” “Personality,” and “Talent.” The company voted by stuffing dollar bills into jars<br />

marked for each contestant. $1,200 was raised and donated to the then fledging <strong>AIDS</strong> service organization Gay Men’s Health Crisis.<br />

By 1990 the Easter Bonnet Competition had become the <strong>Broadway</strong> community’s premier <strong>AIDS</strong> fundraising event with funds now<br />

going to <strong>Broadway</strong> <strong>Cares</strong>. Produced by Susanne Ishee and a host of dedicated volunteers for its first eight years, the Easter Bonnet<br />

returned to the Palace Theatre in 1995 where it was produced for the first time by <strong>BC</strong>/<strong>EFA</strong>. In 1998, the show moved to the gloriously<br />

renovated New Amsterdam Theatre, its home ever since. Eighteen years and over 380 bonnets later, <strong>BC</strong>/<strong>EFA</strong>’s Easter Bonnet Competition<br />

is one of New York City’s most popular annual events and has raised over $22,678,662 – all still based on a whole lot of “Poise,”<br />

“Personality,” and “Talent.”<br />

(clockwise) Our very own Ziegfeld ‘girl’ - Doris Eaton Travis - made her 7th appearance with us on stage at The New Amsterdam, where she first appeared<br />

in the Ziegfeld Follies of 1918, 1919 and 1920; Deborah Cox, starring as Aida, along with the boys from Aida, presented their bonnet to Deborah's remixed dance version<br />

of “Easy As Life”; the cast of Naked Boys Singing! — nearly naked and, of course, singing; the bonnet from off-<strong>Broadway</strong>’s Menopause, the Musical.<br />

events<br />

37


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY BEARS VI<br />

FEBRUARY 15, <strong>2004</strong><br />

Theater fans and teddy bear collectors came together on February 15, <strong>2004</strong>, for <strong>Broadway</strong> Bears VII:<br />

A Grand Auction – an event featuring a cuddly chorus line of 40 one-of-a-kind teddy bears, each meticulously outfitted in original,<br />

handmade costumes by <strong>Broadway</strong>’s leading costume designers and representing memorable characters from plays and musicals, past<br />

and present. Auctioned off to the highest bidders, the bears raised $127,210 for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />

Bryan Batt hosted and <strong>BC</strong>/<strong>EFA</strong> stalwart Lorna Kelly served as auctioneer for the seventh edition of this growing <strong>Broadway</strong><br />

tradition. Celebrity presenters and audience members included Lucy Arnaz, Bebe Neuwirth, Mary Bond Davis, Michael McGowan<br />

and Christine Pedi. One of the auction’s highlights was Susan Hilferty’s replica of Idina Menzel’s Elphaba from Wicked, which sold<br />

for an impressive $10,000. Featured bears inspired by the animal kingdom included a rhino from The Lion King ($2,600) and one<br />

based on Toad from Frog and Toad ($2,400). Avenue Q’s Stephanie D’Abruzzo signed her bear, which featured her holding a mini Kate<br />

Monster. Other popular bears included Carnival’s Paul Berthalet, signed by the late Jerry Orbach, which sold for $3,200, and Kiss<br />

Me, Kate’s Petruchio, signed by Brian Stokes Mitchell, which went for $3,000. An unusual creation inspired by Little Shop of Horrors –<br />

featuring Hunter Foster as Seymour Bear and a baby Audrey II – brought in $2,400.<br />

This year’s auction raised an impressive $127,000, bringing the cumulative grand total of money raised since 1998’s original<br />

auction to just under $1 million.<br />

The skill and imagination devoted to the creation of these coveted collectibles has been recognized worldwide, from The<br />

Museum of The City of New York – where 10 bear alumni reside as part of the permanent costume collection – to media acclaim<br />

as far away as England and Japan. In addition, noted designers such as Bob Mackie have created original bears for these auctions.<br />

For this year’s auction, Mackie designed Lorelei bear, based on Carol Channing’s lovable gold digger in the musical Lorelei and<br />

signed by Miss Channing.<br />

<strong>BC</strong>/<strong>EFA</strong> is very grateful to the creative and talented artists who designed, outfitted, costumed, draped, frocked, dressed, shod,<br />

hatted, painted, armored, tattooed, stuffed, “lipoed,” wigged, bejeweled and feathered the <strong>Broadway</strong> Bears – and in doing so created<br />

truly one-of-a-kind, museum-quality pieces for auction. <strong>BC</strong>/<strong>EFA</strong> is also indebted to The North American Bear Company for<br />

generously donating now hundreds of bears – each of which went out a bare bear and came back a star!<br />

Tovah Feldshuh and the Golda Meir bear created by Trevor McGinness, complete with ever-present cigarette; Carole Shelley and “Elphabear,” created by Eric Winterling;<br />

Whoopi “Goldbear” created by Arnold S. Levine; Into The Woods’ Milky White, created by Zoe Morsette; Mack’s Mabel, created Gene Barth; Miriam Carlin with her creation of<br />

the Lion from The Wiz; Hairspray’s Tracy Turnblad, created by Vita Buscemi; and Boy George as Leigh Bowery as created by Carelli Costumes, Inc.<br />

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38


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY BARES XIV<br />

JUNE 20, <strong>2004</strong><br />

<strong>Broadway</strong> Bares 14: Now Showing, the <strong>2004</strong> version of the spectacular that grins and bares it, brought<br />

in $525,000 for <strong>BC</strong>/<strong>EFA</strong>, $18,000 of which was collected in sweaty dollar bills tucked into the sparkling g-strings worn by 200 of<br />

<strong>Broadway</strong>’s hottest dancers. This success tops our total from 2003 by a whopping $75,000, and culminates in a grand total of<br />

$2,825,000 raised since the event’s first edition in 1991.<br />

Every year for 14 years, <strong>Broadway</strong> Bares’ creator and original director/choreographer, Jerry Mitchell, has convinced a group of<br />

<strong>Broadway</strong> professionals to take it off for a good cause.<br />

Titillating titles from past years included The Barest Show on Earth, Peep Show, Calendar Girl, A Comic Strip, 2001: A Strip Odyssey, and Knock,<br />

Knock: Who’s Bare. <strong>Broadway</strong> Bares 14, which took over Roseland Ballroom on June 20, was directed by Mitchell’s protégé, Jodi Moccia,<br />

and choreographed by Moccia and a stellar dance team.<br />

<strong>Broadway</strong> Bares 14 took on the movies, featuring dance sequences inspired by Flashdance, Rocky, James Bond, Chariots of Fire, and<br />

even a moment from Whatever Happened to Baby Jane?<br />

Antigravity performed a skit based on Crouching Tiger, Hidden Dragon – appropriately renamed ‘”Crotching’ Tiger, Hidden Dragon”<br />

– featuring an acrobatic appearance by gymnast and dancer Matthew Cusick. Hollywood’s golden days were honored in “Going<br />

Bananas,” which blended the comedy of the Marx Brothers with outrageous costumes and dance moves inspired by Carmen Miranda.<br />

Special guests included Into the Woods’ Christopher Sieber and Queer Eye for the Straight Guy’s Jai Rodriguez, Swoosie Kurtz, Patrick<br />

Cassidy, Shirley Jones, and Paige Davis of Trading Spaces and Chicago plus, Avenue Q’s John Tartaglia and “Rod” in a cameo from Scream.<br />

Las Vegas-based aerial troupe The Living Art of Armando – an audience favorite – pulled off a sexy acrobatic feat, spinning from<br />

a sphere in midair as their costumes appeared to melt away, while Aaron Vexler and Mike Moran of the Las Vegas troupe Axiom<br />

presented a specialty number “For the Boys.”<br />

Following the finale came a reminder of what all the glitz and gaiety was for: a generous check for $75,000 from The MAC <strong>AIDS</strong><br />

Fund and MAC Viva Glam presented by MAC CEO John Demsey to <strong>Broadway</strong> <strong>Cares</strong>. With the support of MAC, our sold-out crowd,<br />

and our volunteers and volunteer dancers, we’ve created a unique way to raise money to help people living with <strong>AIDS</strong> and their<br />

families that now has become an annual “rite of spring” for over 5,000 aficionados of <strong>Broadway</strong>, dance, the flash of well-toned<br />

muscle and a bit of booty. All, of course, for a good cause.<br />

(left to right) A highlight of the evening was the appearance of special guests Aaron Vexler and Mike Moran of 'Axiom’;<br />

“Going Bananas” featured Brad Aspel, James Leo Ryan and Denis Jones as Chico, Harpo and Groucho; “Yo Adrian” featured Keith Kuhl; this year’s Bares poster boy,<br />

Eric Otte showed a side we've never seen of “Bond, James Bond.”<br />

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39


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

18TH ANNUAL<br />

BROADWAY FLEA MARKET<br />

AND GRAND AUCTION<br />

SEPTEMBER 19, <strong>2004</strong><br />

We escaped the remnants of Hurricane Ivan and Sunday morning skies cleared for the 18th edition of<br />

what some have come to call “<strong>Broadway</strong>’s <strong>Annual</strong> Company Picnic." Over 30,000 enthusiastic theatre fans shopped, schmoozed and<br />

gawked their way through Shubert Alley as the best of NYC’s theatrical community united to make our last major fundraising event<br />

of fiscal year <strong>2004</strong> a rousing success.<br />

Fifty-three tables representing <strong>Broadway</strong> and off-<strong>Broadway</strong> shows, unions, management offices and theatre-related businesses<br />

all pitched in, selling everything from signed memorabilia, Playbills, posters, baked goods and one-of-a-kind handmade items,<br />

raising a total of $192,064. Top performers included: United Scenic Artists ($16,923), Wicked ($12,788), Avenue Q ($11,944),<br />

<strong>Broadway</strong> Beat ($14,022), <strong>Broadway</strong>.com ($9,022), The Phantom of the Opera ($6,076), and The Producers ($5,443).<br />

Over $12,000 was raised at the Celebrity Table and Photo Booth where stars from <strong>Broadway</strong> and daytime television signed<br />

everything imaginable for their fans. <strong>Broadway</strong>’s Bernadette Peters, Brian Stokes Mitchell, Bebe Neuwirth, Richard Thomas, Tonya<br />

Pinkins, Mario Cantone, Isabel Keating, Stephanie J. Block, Beth Fowler, Gary Beach, Joey McIntyre, Roger Rees, Tom Hewitt,<br />

Marian Seldes, Carole Shelley, Tovah Feldshuh, Joe Machota, Peter Scolari, Michael McKeon, John Tartaglia, Andrea McArdle and<br />

Tony Roberts were among the more than 90 stars who dropped by for an hour to meet and greet.<br />

The Silent Auction – which featured 73 items sold over a five-hour period – raised $35,000. Bidding was led by a Hirschfeld<br />

drawing of Gwen Verdon ($2,700). Two musical phrases from Avenue Q - written by Robert Lopez and Jeff Marx - also received high<br />

bids, earning $2,200 and $1,800. Mel Brooks’ handwritten musical phrase “When You Got It, Flaunt It," from The Producers, sold<br />

for $1,600.<br />

As has become tradition, The Grand Auction closed the day’s festivities. Auctioneer Lorna Kelly led the charge as another $172,400<br />

was raised from such items as: a walk-on in The Phantom of the Opera ($8,500); two VIP tickets and a backstage visit to Bette Midler’s<br />

show at Radio City ($7,500); additional walk-ons in Rent ($6,800), Fiddler on the Roof ($6,000) and 42nd Street ($4,500), as well as two<br />

VIP tickets to the opening night performance and party for La Cage aux Folles.<br />

Continental Airlines, The New York Times, and Ford Motor Company were this year’s major corporate sponsors. As always, we are<br />

grateful to the hundreds of theatrical professionals who joined forces to make this day possible and the tens of thousands of theatre<br />

fans who in turn made it fun and profitable for <strong>BC</strong>/<strong>EFA</strong>.<br />

(clockwise) The crowd in front of the annual Celebrity Table on W. 45th Street and Shubert Alley; cast members from The Lion King selling special memorabilia; another table<br />

loaded with wares for sale from 42nd Street; <strong>BC</strong>/<strong>EFA</strong> Trustee Maria Di Dia and Bebe Neuwirth, the star of Maria’s off-<strong>Broadway</strong> musical hit Here Lies Jenny; Neil Shastri from<br />

Bombay Dreams auctioned off his own drawing of the stars of Bombay Dreams with the help of auctioneer Lorna Kelly.<br />

events<br />

40


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY<br />

BARKS 6<br />

JULY 10, <strong>2004</strong><br />

HOW IT ALL BEGAN<br />

The <strong>Broadway</strong> Flea Market had an inauspicious start. In 1987,<br />

the event debuted as two tables presented by the company of A<br />

Chorus Line outside their stage door in Shubert Alley as a part of the<br />

first <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> week, raising what was thought to be an<br />

astonishing $7,000. Over the next four years, under the<br />

leadership of Ethel Bayer, Stephen Falat, Arne Gundresen and<br />

Larry Hansen, the Flea Market grew, adding tables from more<br />

shows, theatre-related offices, unions, and guilds – everyone<br />

recognizing a good cause and a great chance to clean house. In<br />

1988, the organizers added an auction of eight lots, but without<br />

an experienced auctioneer on hand, the event sputtered to a<br />

finish. In 1989, Sotheby’s Lorna Kelly came on board as our<br />

official auctioneer and, by adding her expertise, a truly “grand”<br />

auction was born. Today the <strong>Broadway</strong> Flea Market and Grand Auction<br />

draws thousands of devoted theatre fans and members of the<br />

theatre community to Shubert Alley and the adjoining area along<br />

44th Street. As they say, from little acorns…Specifically, over 16<br />

years (1987-<strong>2004</strong>), this event has raised nearly $6 million! And<br />

we’re still signing posters, gathering swag, and cleaning closets<br />

and auctioning one-of-a-kind theatrical experiences for a good<br />

cause.<br />

<strong>BC</strong>/<strong>EFA</strong>’s great friend, <strong>Broadway</strong>’s David Masenheimer, stands proudly in front<br />

of his extraordinary display representing the day's Grand Auction;<br />

two from the celebrity table, Brian Stokes Mitchell and Bernadette Peters.<br />

The <strong>Broadway</strong> community came together between<br />

performances on a midsummer Saturday afternoon, finding<br />

homes for more than three dozen animals and raising an<br />

impressive $70,000 for 25 participating shelters around New<br />

York City.<br />

Hosted by founders Bernadette Peters and Mary Tyler<br />

Moore and special guest host Julie Halston, <strong>2004</strong>’s lineup of<br />

celebrity pet presenters – who all came by Shubert Alley eager to<br />

help find homes for a wonderful collection of critters – and their<br />

shows, included: Jennifer Barnhart, Jordan Gelber, John<br />

Tartaglia and Natalie Venetia Belcon (Avenue Q); Gary Beach,<br />

Brad Oscar and Angie Schworer (The Producers); Michael Cerveris,<br />

Mario Cantone, Denis O’Hare and Neil Patrick Harris (Assassins);<br />

Tonya Pinkins and Veanne Cox (Caroline, or Change); Sandra<br />

Joseph and Hugh Panaro (The Phantom of the Opera); Shirley Jones<br />

and Patrick Cassidy (42nd Street); Christy Carlson Romano (Beauty<br />

and the Beast); Isabel Keating, Michael Mulheren, Beth Fowler and<br />

Stephanie J. Block (The Boy from Oz); Paige Davis and Chris Sieber<br />

(Chicago); Micky Dolenz (Aida); Rachel York, Elizabeth Berkeley<br />

and Eric Stoltz (Sly Fox); Kristin Chenoweth (Wicked); Laura<br />

Linney (Sight Unseen); Swoosie Kurtz (Frozen); Donna Murphy and<br />

Jennifer Westfeldt (Wonderful Town); Audra McDonald (A Raisin in<br />

the Sun); Patrick Page (The Lion King) and the legendary Eartha Kitt.<br />

And a doggone good time was had by all.<br />

www.broadwaybarks.org<br />

One of the many dogs who found loving homes at <strong>Broadway</strong> Barks;<br />

Kristin Chenoweth had instant rapport with this cute little one; Eartha Kitt, <strong>Broadway</strong><br />

star and the infamous “cat woman” of Batman fame…with what else, a kitty!<br />

events<br />

41


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE ANNUAL<br />

GOSPEL<br />

CELEBRATION<br />

OCTOBER 19, 2003<br />

AUNTIE MAME:<br />

THE READING<br />

NOVEMBER 24, 2003<br />

The <strong>BC</strong>/<strong>EFA</strong> fiscal year begins on October 1. On<br />

that day, every year, the “fundraising odometer” rolls back to zero<br />

and we start again. It seems somehow fitting that our first major<br />

event of the fiscal year was The <strong>Broadway</strong> Inspirational Voices<br />

special 10th Anniversary Concert of gospel music at New York’s<br />

historic Town Hall.<br />

Star Jones hosted and our special guest, the legendary Patti<br />

LaBelle, joined the Voices in a grand finale. The <strong>Broadway</strong><br />

Inspirational Voices is a gospel ensemble founded and musically<br />

directed by Michael McElroy, a well-known <strong>Broadway</strong> performer<br />

and <strong>BC</strong>/<strong>EFA</strong> Trustee. The Inspirational Voices is comprised of<br />

an impressive roster of singers from current and recent <strong>Broadway</strong><br />

shows such as Aida, Beauty & the Beast, Cabaret, Hairspray, The Lion King,<br />

Mamma Mia!, The Producers, Thoroughly Modern Millie, Rent, Man of<br />

La Mancha, Jesus Christ Superstar, Kiss Me, Kate, Jekyll & Hyde, Smokey<br />

Joe’s Cafe and The Music Man. For the last ten years, The Gospel<br />

Celebration has helped its audience to feel strength in our<br />

common humanity, as people of all faiths and backgrounds come<br />

together to celebrate as a community a higher power that<br />

underlines every faith. Over 50 voices strong, The <strong>Broadway</strong><br />

Inspirational Voices sold out Town Hall and filled the hearts of<br />

those in attendance with a light-hearted and joyous enthusiasm,<br />

as it marked the beginning of the <strong>BC</strong>/<strong>EFA</strong> fundraising season<br />

The <strong>Broadway</strong> Inspirational Voices at Town Hall; Without a doubt,<br />

the highlight of the evening was the legendary Patti LaBelle's appearance as guest<br />

artist, joining the Voices on their performance of “Shake Yourself Loose”;<br />

Aisha de Haas brings it home with “Go Tell It.”<br />

Actor/playwright Charles Busch met a larger-thanlife<br />

challenge when he took on the part of Auntie Mame, the title<br />

role in Jerome Lawrence and Robert E. Lee’s 1956 play, and one<br />

long-identified with the legendary Rosalind Russell.<br />

Based on the bestseller by Patrick Dennis, our Auntie Mame<br />

dream cast, led by Mr. Busch and directed by Richard Sabellico,<br />

featured Marian Seldes as Vera Charles, Swoosie Kurtz as Agnes<br />

Gooch, Anthony Edwards as Beauregard Burnside, Rue<br />

McClanahan as Mother Burnside, Christopher Sieber as Older<br />

Patrick, T.J. Larke as Young Patrick, and Valerie Harper as the<br />

Master of Ceremonies. Also participating in this incredible<br />

evening were Alan Aisenberg, Lucie Arnaz, Dylan Baker, Michael<br />

Berresse, Glory Crampton, Ray DeMattis, Alison Fraser, Hans<br />

Frederichs, Diane Findlay, Beth Howland, Charles Kimbrough,<br />

Douglas Sills, Sarah Uriarte Berry, and B.D. Wong. In a special<br />

guest appearance, veteran actor Cris Alexander recreated his<br />

performances from the original 1956 <strong>Broadway</strong> production, as<br />

Cousin Jeff and Mr. Loomis (Mame’s manager at Macy’s). It was<br />

a delight to meet Mr. Alexander – who also created the roles of<br />

Chip and Frank Lippincott in the original <strong>Broadway</strong> productions<br />

of On the Town and Wonderful Town.<br />

Special thanks for making the evening possible go out to<br />

Deborah Robison and Janet Waldo Lee for the generous permission<br />

on behalf of the Jerome Lawrence and Robert E. Lee estates.<br />

Mame's pals – played by Douglas Sills, Marian Seldes, Michael Beresse and<br />

Christopher Sieber – meet Gloria Upson, played by Sarah Uriate Berry; Special guest<br />

and legendary <strong>Broadway</strong> star Cris Alexander recreating his 1956 performance as<br />

Mr. Loomis with a <strong>2004</strong> version of Sally Cato, played by Lucie Arnaz; TJ Larke<br />

and Charles Busch as Young Patrick and his Auntie Mame.<br />

events<br />

42


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

NOTHIN’ LIKE<br />

A DAME<br />

MARCH 1, <strong>2004</strong><br />

HEATHER<br />

HEADLEY IN<br />

CONCERT<br />

MAY 27, <strong>2004</strong><br />

There’s nothing like Nothing Like a Dame. Presented<br />

by <strong>BC</strong>/<strong>EFA</strong> on March 1, at the St. James Theatre, the popular<br />

event raised $250,000 for The Phyllis Newman Women’s Health<br />

Initiative of The Actors’ Fund. Cynthia Nixon, Alfre Woodard,<br />

and Tovah Feldshuh were among the celebrity hosts for this 9th<br />

annual production. Laura Benanti, Kathy Brier, Carolee<br />

Carmello, Kathleen Chalfant, Victoria Clark, Kate Clinton,<br />

Stephanie D’Abruzzo, Christine Ebersole, Lauren Flanigan,<br />

Bebe Neuwirth, Julie Halston, Ann Harada, Amanda Green, Dee<br />

Hoty, Kate Monster, Christine Pedi, Tonya Pinkins, Chita<br />

Rivera, Camille Saviola, Liz Smith, and Gay Willis were also on<br />

the roster of luminaries appearing at the event.<br />

Chase Brock and Rob Berman conceived this year’s opening<br />

number, with Brock providing choreography and Berman the<br />

arrangement and orchestration. Mary-Mitchell Campbell<br />

conducted and provided musical direction ffor the number,<br />

which featured a dancing chorus of red-gloved Dames and four<br />

singing and dancing soloists: Sutton Foster, Nancy Lemenager,<br />

Mamie Duncan Gibbs and Karen Ziemba. Among the many<br />

highlights was a recurring comic bit by legendary leading lady and<br />

Tony Award ® winner Zoe Caldwell (playing a stagehand!) and<br />

audience favorite Idina Menzel, closing the first act with her<br />

show-stopping song “The Wizard and I” from Wicked.<br />

The opening number of Nothin’ Like A Dame featured a dazzling collection of<br />

<strong>Broadway</strong>’s loveliest; Camille Saviola and Chita Rivera regret the lack of<br />

“Class”; opera star Lauren Flanagan and Kathleen Chalfant perform a duet<br />

from Tosca, in song and word, accompanied by Miriam Charney;<br />

Phyllis Newman is gently encouraged to move through her remarks by our<br />

special stagehand, legendary actress Zoe Caldwell.<br />

<strong>Broadway</strong> and pop star Heather Headley – a longtime<br />

friend of <strong>BC</strong>/<strong>EFA</strong>, best known to New York audiences for<br />

her performance as Nala in The Lion King and her Tony Award® -<br />

winning work in Aida – returned to the city of her earlier<br />

triumphs for a one-night-only concert event entitled “Home."<br />

Before a full house, the curtain came up on Heather in<br />

silhouette in front of musical director Rob Mathes and an 18-<br />

piece orchestra. The star’s assured handling of the evening’s<br />

signature song, “Home” from The Wiz, let the audience know that<br />

in the three years since she played her last performance in Aida,<br />

she had lost none of the shimmering sound that had made her a<br />

<strong>Broadway</strong> favorite. The first act continued with Headley’s superb<br />

versions of such <strong>Broadway</strong> favorites as “Nothing," “My Heart<br />

Belongs to Daddy” and “His Is the Only Music That Makes Me<br />

Dance.” Clay Aiken, fellow RCA recording artist and American<br />

Idol contestant, brought the act to a close with the duet “Can You<br />

Feel the Love Tonight” from The Lion King.<br />

The second act broke out of the <strong>Broadway</strong> mold and opened<br />

with a smoking version of Aretha Franklin’s “Chain of Fools” and<br />

featured four numbers from Heather’s Grammy-nominated gold<br />

CD “This is Who I Am.” Michael McElroy and The <strong>Broadway</strong><br />

Inspirational Voices joined Heather on the rousing gospel<br />

numbers “Someway, Somehow” and “Never Leave Me Alone.”<br />

Heather closed the show with a very emotional encore of “If It<br />

Wasn’t for Your Love” from her CD.<br />

Tony Award ® winning star Heather Headley; fellow RCA recording artist<br />

and American Idol runner-up Clay Aiken joined Heather and brought down the house<br />

with The Lion King's “Can You Feel the Love Tonight.” Aida co-star Adam Pascal<br />

joined Heather on one of their duets from the show, “Written in the Stars.”<br />

events<br />

43


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

NATIONAL SUPPORT<br />

A strong commitment to <strong>BC</strong>/<strong>EFA</strong> extends far beyond New York City. In regional, stock, and dinner<br />

theatres across the country, as well as in cities that play host to <strong>Broadway</strong>’s national touring shows, casts come together as they do in<br />

New York to raise funds continually for <strong>BC</strong>/<strong>EFA</strong>.<br />

<strong>Broadway</strong>’s national tours are <strong>BC</strong>/<strong>EFA</strong>’s ambassadors on the road. Without the added administrative expense of official chapters<br />

in cities across the country, <strong>BC</strong>/<strong>EFA</strong> is able to raise funds through autographed poster sales and curtain speeches as companies travel.<br />

These efforts raise hundreds of thousands of dollars each year and are an important piece of the financial support <strong>BC</strong>/<strong>EFA</strong> provides<br />

through the National Grants Program to many <strong>AIDS</strong> service organizations in the very cities visited by the national tours as they wind<br />

their way across the country. These special appeals have been made by such touring shows as 42nd Street, A Few Good Men Dancin’, Aida,<br />

Beauty and the Beast, Blue Man Group, Chicago, Flower Drum Song, Hairspray, Jesus Christ, Superstar, Les Misérables, Mamma Mia!, Movin’ Out, The Phantom<br />

of the Opera, The Lion King, Thoroughly Modern Millie and Urinetown.<br />

Cast members from many tours go to the added effort of presenting special cabaret evenings in local clubs of theatres, the<br />

proceeds of which are then shared with local <strong>AIDS</strong> organizations and <strong>BC</strong>/<strong>EFA</strong>. However you measure it, the generous efforts of our<br />

friends on the road amount to hundreds of thousands of dollars that go back through <strong>BC</strong>/<strong>EFA</strong> to local <strong>AIDS</strong> service organizations<br />

nationwide.<br />

Fourteen years ago, the first “<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Week” was declared. What was then the <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Committee sent<br />

letters to every equity theatre asking that an appeal be made during Thanksgiving Week. That first year brought in over $70,000 from<br />

a few dozen theatres. Over the years, more local theatres joined in what turned into annual efforts, and in 1992, <strong>EFA</strong> Week became<br />

<strong>BC</strong>/<strong>EFA</strong> Week, a fundraising tradition which continues to this day. More importantly, over time, many regional theatres became<br />

allied with their local <strong>AIDS</strong> service organizations, raising funds for them as the national tours do for <strong>BC</strong>/<strong>EFA</strong>. Some theatres<br />

continue to do both. The Actors’ Playhouse at The Miracle Theatre in Coral Gables, FL; the Sacramento Theatre Company, CA;<br />

the Lyric Stage Company of Boston, MA; Portland Center Stage, OR; Syracuse Stage, NY; Actor’s Theater of Louisville, KY;<br />

Cincinnati’s Playhouse in the Park, OH; Fulton Opera House in Lancaster, PA; Walnut Street Theatre in Philadelphia, PA; North<br />

Shore Music Theatre in Beverly, MA; Connecticut’s Goodspeed Opera House, Charlotte Repertory Theatre, NC; Arena Stage in<br />

Washington, DC; Alliance Theatre Company in Atlanta, GA; New Jersey’s Papermill Playhouse, and Hartford Stage, CT are just a<br />

few of <strong>BC</strong>/<strong>EFA</strong>’s stalwart supporters across the country. Our thanks go out to each and all.<br />

One of <strong>BC</strong>/<strong>EFA</strong>’s greatest ongoing national supporters is the Carousel Dinner Theatre in Akron, Ohio. In <strong>2004</strong>, seven of its musical productions raised over $41,000!<br />

(Miss Saigon is pictured); The Merry Go-Round Theatre’s production of Show Boat in Auburn, New York raised $1,535; the smash hit production of<br />

Smokey Joe’s Café at the Oqunquit Playhouse in Maine raised over $14,000 during the course of its summer run. Jacques Brel at the Stuart Street Playhouse<br />

in Boston raised more than $1,000.<br />

national support<br />

44


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

SCHOOLS OUTREACH<br />

PROGRAM:<br />

THESPIAN FUNDRAISING<br />

In <strong>2004</strong>, the money raised through our <strong>BC</strong>/<strong>EFA</strong> Schools Outreach Program almost doubled – from<br />

$46,000 to $83,000 – as did our opportunities to inspire theatre departments in middle schools, high schools and colleges across<br />

the country to take on active roles in HIV prevention education.<br />

Nearly all theatre students love <strong>Broadway</strong>, so it’s no surprise to us that they would want to get involved in what the professional<br />

community does to support us. Many school groups attend shows during our Easter Bonnet and Gypsy of the Year campaigns, where they<br />

contribute to the donation buckets, stay for question and answer sessions with the casts, and buy autographed posters. So when we<br />

suggest that they undertake similar projects on our behalf during their own production seasons, most readily agree. In fact, they often<br />

go the extra step to come up with their own production concepts and fundraising campaigns. Some schools have written and designed<br />

their own shows about <strong>AIDS</strong>, while others have taken the opportunity to turn their “<strong>AIDS</strong> benefits” into week-long awareness<br />

campaigns involving the <strong>AIDS</strong> Quilt, guest speakers from our office and from their local organizations (many of which are <strong>BC</strong>/<strong>EFA</strong><br />

grantees), and even live auctions and donation drives for <strong>BC</strong>/<strong>EFA</strong>.<br />

Teacher and parent response continues to be positive. These projects help students develop self-respect and social advocacy skills<br />

while learning compassion and increasing their own awareness of HIV. Our outreach efforts help spread the word about <strong>BC</strong>/<strong>EFA</strong> in<br />

both rural and urban areas across the country. To date, we have registered schools from Maine to California that contribute anywhere<br />

from hundreds to thousands of dollars apiece. We’ve been invited to theatre festivals and school conferences to present workshops<br />

on the work that we do here, and to speak about the local <strong>AIDS</strong> organizations that we support in their respective cities and towns.<br />

On top of the work they do for us on their own stages, many students from nearby schools visit New York to volunteer for<br />

<strong>BC</strong>/<strong>EFA</strong>’s regular calendar events. High school troupes (and their families) from all over the tri-state area have traveled to Shubert<br />

Alley to help at the <strong>Annual</strong> <strong>Broadway</strong> Flea Market each September, while New York City college students lend production and fundraising<br />

support throughout the year. This new generation of volunteers is essential to <strong>BC</strong>/<strong>EFA</strong> and to the <strong>Broadway</strong> community as well. Many<br />

hope to make a life for themselves here in the theatre after they graduate. They’re learning early in their careers that theatre is about<br />

so much more than just performing – it’s about coming together as a community.<br />

We are proud to recognize the International Thespian Society and the Educational Theatre Association, as our strongest and<br />

largest supporters in high schools across the nation. We are also grateful to have both the New York State Theatre Education<br />

Association (NYSTEA), and Alpha/Delta Psi Omega – the national theatre college fraternity/sorority – as our new partners in the<br />

fight against <strong>AIDS</strong>.<br />

Students hold a benefit concert at their school for <strong>BC</strong>/<strong>EFA</strong>; International Thespian Society student officers work the <strong>Broadway</strong> <strong>Cares</strong> Flea Market in Shubert Alley;<br />

Indian River students promote <strong>AIDS</strong> Awareness and raise funds for <strong>BC</strong>/<strong>EFA</strong> at the annual NYSTEA conference in upstate New York.<br />

schools outreach program<br />

45


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY<br />

ON EBAY<br />

Our eBay auctions began as a way of making lemonade out of a fundraising lemon. It rained during<br />

the 2001 <strong>Broadway</strong> Flea Market, drying out most of the buying and bidding action at that day’s auction. Rather than store our<br />

merchandise for another year, we put various objects up for auction on eBay to see how they’d sell. They sold and they’ve continued<br />

selling ever since. From that lucky bit of bad luck, a successful new <strong>BC</strong>/<strong>EFA</strong> fundraising initiative was born: <strong>Broadway</strong> <strong>Cares</strong> Auctions<br />

on eBay. Since then, these auctions have become a uniquely lucrative fundraising initiative – a profitable endeavor we stumbled on<br />

in an unexpected way. In <strong>2004</strong>, 818 items sold for a collective $104,565, an increase over 2003’s total of $92,000.<br />

Autographed playbills and posters as well as props, costume pieces, exclusive opening night gifts, and one-of-a-kind theatrical<br />

memorabilia have all contributed to this very successful campaign. Stand-out items from fiscal year <strong>2004</strong> included a signed poster<br />

from Stephen Sondheim’s Assassins, which sold for $657; a conductor’s score from Fiddler on the Roof, which went for $585, and one of our<br />

most successful auction items ever – tickets and party passes to the closing night of Hugh Jackman in The Boy From Oz, which sold for an<br />

amazing $15,567. Other items included signed posters from Wicked ($320) and The Producers ($392); a “goody bag” from the Tony<br />

Awards® ($300); and a festive piñata decorated in the image of Harvey Fierstein as Edna Turnblad in Hairspray ($182). Obviously, other<br />

items went for less, but all added up to a very profitable year for <strong>BC</strong>/<strong>EFA</strong> on eBay.<br />

SIGNING FOR A CAUSE: BROADWAY SHOW POSTERS<br />

In addition to the direct financial support <strong>BC</strong>/<strong>EFA</strong> provides to hundreds of <strong>AIDS</strong> and family service organizations, we regularly<br />

receive requests for signed <strong>Broadway</strong> show posters that can be included in fundraising auctions and raffles across the country. Last<br />

year, over 620 signed show posters were sent in packages of 6-10 to 64 <strong>AIDS</strong> service providers to enhance their ability to raise funds<br />

in their local communities.<br />

It is no small favor to ask the casts of <strong>Broadway</strong> shows to sign dozens of posters, month after month, year after year. In addition<br />

to thousands sold for <strong>BC</strong>/<strong>EFA</strong> in theatres and by <strong>BC</strong>/<strong>EFA</strong> on eBay, hundreds more are sent by <strong>BC</strong>/<strong>EFA</strong> to agencies that would<br />

otherwise never have this kind of unique fundraising resource.<br />

Consider this: 620 signed posters at $100 each (and many are auctioned for much more) add up to $62,000 in additional<br />

revenue to dozens of grassroots organizations across the country. Our sincere thanks to everyone in any show who has ever taken pen<br />

to poster and signed their name once, twice, a dozen times, or until their hands hurt.<br />

(clockwise) Just a few of the one-of-a-kind (ok, maybe two) theatrical memorabilia sold on eBay by <strong>BC</strong>/<strong>EFA</strong>: an original crystal from the chandelier in<br />

The Phantom of the Opera; a <strong>Broadway</strong> Flea Market poster signed by over 50 celebrities in attendance; the wooden stake and mallet used to dispatch the “undead” in<br />

Frank Wildhorn’s Dracula; signed posters from Avenue Q and The Boy from Oz; and a hand-written phrase of “I Am My Own Best Friend”<br />

signed by Chicago’s composer John Kander and lyricist Fred Ebb.<br />

broadway on ebay<br />

46


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

RETAIL<br />

OUTREACH<br />

THE CATALOG OF GIVING AND THE BROADWAY CARES COLLECTION<br />

The primary goal of the Retail Outreach Program is to promote <strong>AIDS</strong> awareness and visibility for <strong>BC</strong>/<strong>EFA</strong>. In pursuit of this<br />

goal, <strong>BC</strong>/<strong>EFA</strong> makes the classic Red Ribbon available for free or at cost to <strong>AIDS</strong> service organizations and individuals nationwide.<br />

The retail Catalog of Giving (in print and online at www.broadwaycares.org) appeals to <strong>Broadway</strong> enthusiasts and collectors across<br />

the country, presenting an impressive array of <strong>Broadway</strong>-related goods and paraphernalia, such as autographed theatre-related books,<br />

compact discs, videos on VHS and DVD, opening night gifts, and exclusive red ribbon gift ideas for the holidays and year-round<br />

occasions.<br />

Posters and T-shirts from <strong>BC</strong>/<strong>EFA</strong> events continue to be popular with those supporters around the country who can’t actually<br />

be here in person. One of our biggest successes is The <strong>Broadway</strong> <strong>Cares</strong> Collection – featuring one-of-a-kind collector items created<br />

especially for <strong>BC</strong>/<strong>EFA</strong> with over twenty <strong>Broadway</strong> musical logos adorning an ornament, tote bag, coffee mug, beach towel, throw<br />

blanket, charm bracelet, collector’s plate, mouse pad and T-shirt. The most popular item continues to be the <strong>Broadway</strong> <strong>Cares</strong> snow<br />

globe, again featuring <strong>Broadway</strong> musical logos, which has collectors anticipating each year’s new original design. In fiscal year <strong>2004</strong>,<br />

The Catalog of Giving generated $545,801 in sales, topping 2003’s total of $494,000 by over $50,000.<br />

The Retail Outreach Program also forges relationships with other <strong>AIDS</strong> service and fundraising organizations by agreeing to<br />

include their products in the <strong>BC</strong>/<strong>EFA</strong> catalog. All silkscreen printing of <strong>BC</strong>/<strong>EFA</strong> merchandise, such as our popular T-shirts, is by<br />

Night Sweats & T-Cells, an Ohio based shop owned and operated by people living with HIV/<strong>AIDS</strong>. Many of the handcrafted items<br />

offered in the catalog come from The Alpha Workshops in Manhattan, where all artisans and trainees are people living with HIV/<strong>AIDS</strong>.<br />

South Africa-based Thembalethu Beaders provides all hand-beaded items that are made by women living with HIV/<strong>AIDS</strong>.<br />

CARETIX<br />

The CareTix program offers <strong>BC</strong>/<strong>EFA</strong> supporters access to the best seats in the house for <strong>Broadway</strong>, off-<strong>Broadway</strong>, Radio City<br />

Music Hall, The Metropolitan Opera, Lincoln Center, Carnegie Hall, and national touring company shows in exchange for a<br />

charitable donation equal to the face value of the ticket price. CareTix tickets are house seats, normally reserved for entertainment<br />

industry insiders, which means that CareTix buyers get the very best seats in the house to shows that are often already sold out to the<br />

general public. Since 1988, CareTix has raised more than $10.9 million, generating $1,718,729 in fiscal year <strong>2004</strong> alone.<br />

The <strong>Broadway</strong> <strong>Cares</strong> mug, the <strong>2004</strong> <strong>Broadway</strong> Bares calendar, the annual Carols for a Cure holiday CD; Christmas balls from “The <strong>Broadway</strong> <strong>Cares</strong> Collection”;<br />

African holiday ornaments handmade by women from The Thebelethu Beaders in Johannesburg, South Africa.<br />

retail outreach<br />

47


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

CORPORATE<br />

SUPPORT<br />

<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> was fortunate to have the continued support of a broad range of<br />

corporate donors in <strong>2004</strong>. As one of the largest charities representing <strong>Broadway</strong> and the American Theatre, <strong>Broadway</strong> <strong>Cares</strong> is able<br />

to connect major corporate brands with some of the nation’s foremost creative industries. We are also able to ensure that a<br />

corporation’s support reaches into nearly every community in the country through our National Grants Program, and our corporate<br />

partners are able to build brand loyalty among the millions of people who are in some way associated with <strong>Broadway</strong>, be it on tour,<br />

onstage, backstage, or in the audience.<br />

Companies can partner with <strong>BC</strong>/<strong>EFA</strong> on a broad range of projects, including one-time event sponsorship, annual sponsorship<br />

packages covering a series of events, cash and in-kind donations that directly support our programs, and specialized cause-related<br />

marketing initiatives.<br />

With the creation of <strong>Broadway</strong> Delivers! in 2001 (see opposite page), a new way for <strong>Broadway</strong> <strong>Cares</strong> and corporations to work<br />

together was born. Many of the events that <strong>BC</strong>/<strong>EFA</strong> produced through <strong>Broadway</strong> Delivers! were originally produced for existing<br />

corporate clients such as Anheuser-Busch and Target, but this program has also provided a great way to bring new corporations into<br />

the <strong>Broadway</strong> <strong>Cares</strong> family.<br />

We salute the generous companies that provided major support of our programs in <strong>2004</strong>.<br />

The official airline of <strong>Broadway</strong> and <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />

The official print media sponsor of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />

Viva Glam<br />

The official web partner of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />

John Demsey, Chairman of MAC Cosmetics and President of the MAC <strong>AIDS</strong> Fund presents Jerry Mitchell and 42nd Street stars Patrick Cassidy and Shirley Jones<br />

with a check for $75,000 for <strong>Broadway</strong> Bares (MAC also provided all the makeup and 50 MAC pro-team makeup artists); Ford Motor Company joined <strong>BC</strong>/<strong>EFA</strong>’s largest annual<br />

sponsors, Continental and The New York Times, in sponsoring the <strong>Broadway</strong> Flea Market; Anheuser-Busch’s Michelob Light presented $50,000 to <strong>BC</strong>/<strong>EFA</strong><br />

as part of its sponsorship for the <strong>Broadway</strong> Show League.<br />

corporate support<br />

48


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY<br />

DELIVERS!<br />

CUSTOM CORPORATE ENTERTAINMENT<br />

<strong>Broadway</strong> Delivers! is a fundraising initiative of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> created in 2001<br />

to provide customized <strong>Broadway</strong>-style entertainment for a wide variety of corporate functions. This year’s events included a movie<br />

premiere, a restaurant opening, a fashion show, a product launch, and book festivals across the country.<br />

<strong>BC</strong>/<strong>EFA</strong>’s production expertise and access to the deep well of talent both on and off-<strong>Broadway</strong> has resulted in our being able to<br />

successfully provide entertainment whenever and wherever a corporation needs it. <strong>Broadway</strong> Delivers! draws on the phenomenal<br />

commitment of the theatre community to <strong>Broadway</strong> <strong>Cares</strong>, offering the guaranteed magic of “Live <strong>Broadway</strong>,” along with the<br />

marketing and production expertise associated with the best of the “Great White Way.”<br />

A corporation makes a contribution to <strong>BC</strong>/<strong>EFA</strong>, and <strong>BC</strong>/<strong>EFA</strong> recruits and rehearses celebrities and <strong>Broadway</strong> performers,<br />

accompanists, and stage managers, customizing an official <strong>Broadway</strong> revue to match the company’s needs. <strong>BC</strong>/<strong>EFA</strong> supplies<br />

everything from one singer to an entire evening’s entertainment, and tailors the performance to the company’s event and theme.<br />

In fiscal year <strong>2004</strong>, <strong>BC</strong>/<strong>EFA</strong> was able to bring a touch of <strong>Broadway</strong> to the following events around New York and across the<br />

country. In November 2003, we partnered with HBO to present a <strong>Broadway</strong> insiders’ premiere screening of Angels In America. Two days<br />

later we were downtown at the Accessories Council ACE Awards where we “delivered” Tom Wopat as MC and several leading ladies –<br />

including performers from Mamma Mia!, Nine, Hairspray, and Aida – to accept an award. That same evening we celebrated the opening of<br />

Applebee’s Restaurant in the theatre district with stars from neighboring musicals like Little Shop of Horrors, Mamma Mia! and Avenue Q.<br />

February brought the Tonner Doll Fashion Show and an appearance by Cabaret’s Kate Shindle to accept a check on our behalf.<br />

In March, to promote Swoops, its latest snack food, the Hershey’s Store unveiled the newest addition to its Times Square sign, and<br />

we produced an encore <strong>Broadway</strong> Delivers!, bringing out the “Swoops Dancers” to celebrate the event. Bebe Neuwirth, along with<br />

Kathy Brier and “The Dynamites” from Hairspray, joined in the festivities.<br />

Also in <strong>2004</strong>, Anheuser-Busch renewed its annual commitment to <strong>Broadway</strong> <strong>Cares</strong> and The <strong>Broadway</strong> Show League. <strong>Broadway</strong><br />

Delivers! helped celebrate by bringing out celebrities to the Opening Day of the show league, with stars singing the National Anthem<br />

and throwing out the first pitch. Successful events with long-term corporate partner Target included The LA Times Festival of Books,<br />

Chicago Tribune Printers’ Row Book Fair, The Boston Globe Book Festival, and New York is Book Country. These festivals start in the spring<br />

and continue through the fall, giving <strong>Broadway</strong> <strong>Cares</strong> a chance to reach into communities nationwide.<br />

"Schoolhouse Rock" presented on the Target Stage at the LA Times Festival of Books; Hairspray's "The Dynamites" sing "Welcome to the 60's" as they welcome Hershey's<br />

Swoops to Times Square; Eartha Kitt and Jamie Lynn DiScala at The Accessories Council ACE Awards; Kate Shindle at The Tonner Doll Fashion Show.<br />

broadway delivers!<br />

49


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

DANCERS<br />

RESPONDING TO <strong>AIDS</strong><br />

(DRA)<br />

Dancers Responding to <strong>AIDS</strong> is the American dance community’s ongoing response to the health crisis,<br />

rallying the dance world to raise money to provide direct assistance to dance professionals living with HIV/<strong>AIDS</strong>, as well as to <strong>AIDS</strong><br />

service organizations nationwide. These funds are distributed through The Actors’ Fund of America (see page 6), and through<br />

<strong>BC</strong>/<strong>EFA</strong>’s National Grants Program (see page 12). The following are DRA’s signature events during fiscal year <strong>2004</strong>:<br />

THE REMEMBER PROJECT 2003<br />

The Remember Project, a remembrance to those lost and living with HIV/<strong>AIDS</strong>, returned to Danspace at St. Mark’s Church on<br />

December 6, 2003. More than 200 performers participated in this 12-hour vigil-in-motion, which lasted from noon to midnight.<br />

Dance groups represented included Susan Marshall & Company, The Erick Hawkins Dance Company, Dance Theatre of Harlem,<br />

Elisa Monte Dance, Joyce Trisler Danscompany, Pilobolus, American Ballet Theatre, Les Ballets Jazz de Montreal, Chinese Folk<br />

Dance Company, Battleworks, Hubbard Street Dance Chicago, and Lawrence Goldhuber.<br />

An unforgettable highlight was one of the final performances by Homer Avila, a dancer/choreographer who lost his right leg and<br />

hip to a rare form of cancer. Avila passed away just a few months later on April 25, <strong>2004</strong>. An inspiration to so many in the dance<br />

community, he continues to be missed.<br />

JOINING FORCES WITH THE FUTURE OF DANCE<br />

DRA is thrilled that young dancers across the country are joining professionals in their fundraising efforts. In <strong>2004</strong>, more than<br />

$160,000 was raised through bake sales, special dance classes and audience appeals through our Studio of the Year program. With<br />

assistance from dance organizations like the New York City Dance Alliance and Tremaine Dance Convention, dance studios raise<br />

money for the opportunity to win trips to London or Los Angeles. During the summer of <strong>2004</strong>, Marietta, GA’s Rhythm Dance<br />

Center (which raised almost $25,000) earned a trip to London to perform at Sadler’s Wells, while Topeka, KS’s Dance Factory<br />

(which raised $7,000) learned it would be traveling to Los Angeles to perform at a premier dance gala.<br />

The DRA Dance Invitational with special guest, <strong>Broadway</strong>’s Christopher Sieber, and over 100 dancers from seven studios across Los Angeles;<br />

Cedar Lake Dance Ensemble perform in DECADE at The Fire Island Dance Festival; enthusiastic audience members outdoors at Danskin’s Ballroom in Bryant Park<br />

spontaneously joined in the finale.<br />

dancers responding to aids<br />

50


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

DECADE: 10 YEARS OF THE FIRE ISLAND DANCE FESTIVAL<br />

In July of <strong>2004</strong>, Dancers Responding to <strong>AIDS</strong> presented DECADE, the tenth year of the Fire Island Dance Festival, a tremendously<br />

successful event that raised more than $160,000. During the past decade, we’ve seen this critically praised celebration of dance<br />

become one of the most anticipated social events of the Pines’ summer season. Alan Cumming emceed the three performances at this<br />

year’s Festival, held at the bay-front home of Beau Clarke. Performers included classical and modern dancers from the Martha<br />

Graham Dance Company, Limón Dance Company, Paul Taylor Dance Company, Bill T. Jones/Arnie Zane Dance Company, and<br />

American Ballet Theatre. The weekend of festivities began on Friday night with a Hawaiian VIP leadership cocktail party at the<br />

beautiful home of William Hayden and Ron Perkov. A highlight of Friday’s event was the appearance of a troupe of hula dancers and<br />

slack-keyed guitar players who entered from the bay via canoe!<br />

NEW YORK CITY FESTIVAL OF DANCE<br />

July 19 through August 6 marked Dancers Responding to <strong>AIDS</strong>’ New York City Festival of Dance. Activities ranged from benefit<br />

performances to master classes.<br />

Artists of all ages and from all spheres of the dance world – from <strong>Broadway</strong> to the concert stage – came together to perform in<br />

the main stage performances of Dancing for Life! in Bryant Park. The free outdoor performances showcased such troupes as<br />

Buglisi/Foreman Dance and ballet star Julio Bocca and his Ballet Argentino. Two New Jersey dance studios, The Art of Dance and<br />

Denise Daniele Dance Studio, who tirelessly raised money for DRA throughout the year, performed along with Dance Masters’ Mr.<br />

and Miss Dance of America. On August 5, in conjunction with 106.7 LITE FM, DRA presented <strong>Broadway</strong> Dances, which featured<br />

dancers from 42nd Street, Bombay Dreams, The Lion King and Movin’ Out. A highlight was Wicked’s Idina Menzel singing her own<br />

composition. Also that evening, Danskin sponsored Ballroom in Bryant Park, featuring performances by Dance Times Square, Stepping<br />

Out Studios, American Ballroom Theatre, and Blackpool competitors Christian Barens and Kristina Staykova.<br />

Homer Avila appeared in over half a dozen editions of The Remember Project. Avila died in April <strong>2004</strong>. We remember him fondly;<br />

American Ballet Theatre’s Danny Tidwell dances across the waters at The Fire Island Dance Festival; dance students from Topeka Kansas won a trip to Los Angeles from<br />

The Tremaine Dance Experience. <strong>Broadway</strong>’s Felicia Finley leads the dancers in Joe Lanteri’s “Hit Me With a Hot Note” at <strong>Broadway</strong> Dances in Bryant Park<br />

dancers responding to aids<br />

51


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

CLASSICAL ACTION:<br />

PERFORMING ARTS<br />

AGAINST <strong>AIDS</strong><br />

Classical Action: Performing Arts Against <strong>AIDS</strong> merged with <strong>BC</strong>/<strong>EFA</strong> in October of 1997. Founded<br />

in 1993 using <strong>BC</strong>/<strong>EFA</strong> as a model, Classical Action draws on the talents, resources, and generosity of the performing arts community<br />

nationwide, with an emphasis on the classical, jazz, and opera communities, to raise funds for <strong>AIDS</strong> services. These funds are<br />

distributed primarily through The Actors’ Fund of America (see page 6) and <strong>BC</strong><strong>EFA</strong>’s National Grants Program (see page 12).<br />

Classical Action maintains its own identity and conducts its own fundraising endeavors, while <strong>BC</strong>/<strong>EFA</strong> assumes most administrative<br />

responsibilities, allowing Classical Action to devote maximum energies to its events and other fundraising activities.<br />

THE MICHAEL PALM SERIES<br />

The inaugural Michael Palm Series matched in financial success what it achieved in artistic excellence, raising more than<br />

$250,000. Underwritten by The Michael Palm Foundation, the series was established in memory of Michael Palm and in honor of<br />

his support of the arts and HIV/<strong>AIDS</strong> causes nationwide during his life. Classical Action is fortunate to be the beneficiary of a fiveyear<br />

grant to support the series, which consists of four annual concerts: three in New York City, all at the home of Judy and Steven<br />

Gluckstern, and one in a city outside New York.<br />

The opening concert of the 2003-04 season featured charismatic superstar pianist André Watts on November 16, 2003<br />

performing a program of Schubert, Chopin and Debussy. On March 8, <strong>2004</strong>, violinist Joshua Bell and pianist Simon Mulligan<br />

once again donated their services for a Classical Action benefit, giving the audience a preview of their imminent nationwide recital<br />

tour. The lovely Deborah Voigt, one of opera’s most beloved sopranos, performed with pianist Brian Zeger on April 1, <strong>2004</strong> with<br />

a program ranging from Schubert and Tchaikovsky to Ives and Sondheim.<br />

The “out-of-town” Michael Palm Series concert took place this season with a Texas-native performing in front of a Texas crowd.<br />

April 15, <strong>2004</strong> marked the third and most successful collaboration between Classical Action and Houston’s Center for <strong>AIDS</strong> with a<br />

concert featuring Tony Award®-winner Betty Buckley. Ms. Buckley’s cabaret-style program, with accompaniment by pianist Kenny<br />

Werner, brought the attraction of a glamorous nightspot to the living room of hosts Mike and Becky Cemo’s River Oaks home.<br />

UP OUR ALLEY VI: CLASSICAL ACTION’S SIXTH ANNUAL BENEFIT BOWLING BONANZA<br />

The heart and soul of wacky fundraising party Up Our Alley is the performing arts community – from artist managers to orchestra<br />

members to record companies – who formed 36 bowling/fundraising teams this year to raise a record $77,000 for people living with<br />

Isn’t she lovely?.. Deborah Voigt had us in the palm of her hand; Violinist Leila Josefowicz and pianist John Novacek share an intense musical moment; Larry Lovins and<br />

Center for <strong>AIDS</strong> Board Member Steve Loden were instrumental in the production of Betty Buckley’s benefit house concert in Houston.<br />

classical action<br />

52


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

HIV/<strong>AIDS</strong>. After three hours of bowling at New York City’s Bowlmor Lanes, the party continued at their upstairs party space,<br />

“Pressure.” Prizes were awarded in fundraising categories to Downtown NYC River to River Festival’s “Bowling Greens” and G.<br />

Schirmer’s “Bowllet mécanique,” among others. In more inventive categories, Best Team Name honors were given to “Shabbat<br />

Shabowl” (Tisch Center for the Arts) and “The Anna Bowlenas” (Opera News), and the Best Team Costume was proudly donned by<br />

Orchestra of St. Luke’s team members “Britney Spares.” Sponsors of Up Our Alley 6 included WQXR 96.3 FM and ViceVersa<br />

Restaurant, with the participation of Izze Beverage Company.<br />

CHARITY BEGINS AT HOME: CLASSICAL ACTION HOUSE CONCERTS<br />

One of Classical Action’s most successful fundraising endeavors is the production of private house concerts. Supporters host<br />

concerts in their homes featuring some of the most prominent artists in music today, who generously agree to donate their time and<br />

talent. These events are not always initiated by Classical Action. This past fiscal year, jazz singer Audrey Silver spearheaded a house<br />

concert in New York City in May; Aaron Mendelsohn offered his Santa Monica, CA home for a house concert in November 2003<br />

by pianist Emanuel Ax; and a trio comprised of violinist Anne-Sophie Mutter, pianist/conductor André Previn, and cellist Lynn<br />

Harrell performed in the elegant Upper East Side (NYC) home of Steve Hellman and Katharine Hsu. Our <strong>Annual</strong> Appreciation<br />

Concert, exclusively for Classical Action Maestros (major donors), took place in May at the home of Judy and Steven Gluckstern and<br />

featured a dynamic performance by violinist Leila Josefowicz and pianist John Novacek.<br />

SUMMER IN THE CITY: ADDITIONAL CLASSICAL ACTION COLLABORATIONS<br />

Six events provided additional support for Classical Action during the summer months in <strong>2004</strong> through the generosity of our<br />

friends in the presenting community. The River to River Festival & Pace University, in association with Classical Action, presented<br />

Summer Stars, a 5-week concert series featuring some of today’s most exciting young artists in classical music. These free performances,<br />

which took place at the Michael Schimmel Center for the Arts at Pace University, showcased the talents of pianists Kit Armstrong and<br />

Natasha Paremski and the Imani Winds Quintet, among others. On August 20, <strong>2004</strong>, further uptown, the Mostly Mozart Festival<br />

and Lincoln Center for the Performing Arts donated a portion of each ticket sold to that concert to Classical Action. The evening’s<br />

performers themselves, from orchestra members to soloist Joshua Bell and conductor Louis Langrée, made contributions in support<br />

of our work.<br />

Bellisimo – violinist Joshua Bell appears on The Michael Palm Series; “The Britney Spares” from Orchestra of St. Luke’s show off their winning team costume<br />

at Up Our Alley 6; Pianist André Watts shakes hands with 12-year-old “colleague” Kit Armstrong, who performed the opening concert for Summer Stars;<br />

Audience members were seated just feet from the Mutter-Previn-Harrell Trio during the performance.<br />

classical action<br />

53


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE MAESTRO<br />

PROGRAM<br />

The Maestro Program, Classical Action: Performing Arts Against <strong>AIDS</strong>’s annual giving program for major<br />

donors, pays tribute to individuals who invest $1,000 or more in the work we do on behalf of HIV/<strong>AIDS</strong> service organizations and<br />

programs nationwide. Every great Maestro knows that each section of the orchestra, whether strings, woodwinds, brass or percussion,<br />

plays an important role in creating an overall sound. Similarly, those who contribute to The Maestro Program know that whatever giving<br />

category they choose, their contribution helps orchestrate the success of Classical Action, thus ensuring the future of <strong>AIDS</strong> services<br />

across the country.<br />

CONCERTMASTERS<br />

($25,000 and above)<br />

American Express Company<br />

Judy and Steven Gluckstern<br />

Michael Palm Foundation<br />

STRINGS<br />

($10,000 - $24,999)<br />

Annalee Newman Fund<br />

John and Sophie Bilezikian<br />

in loving memory of Sara Bilezikian<br />

Downtown NYC River to River<br />

Festival<br />

Elizabeth and Stephen Eisenmann<br />

in memory of Michael Palm<br />

Jay M. Furman<br />

Gail Furman<br />

Jim and Ellen Marcus<br />

Paul L. Newman<br />

Sandra Wagenfeld and<br />

Francine Goldstein<br />

in memory of Robert Wagenfeld<br />

Simon Yates and Kevin Roon<br />

WOODWINDS<br />

($5,000 - $9,999)<br />

Helen Bodian and Roger Alcaly<br />

Michael and Rebecca Cemo<br />

Foundation<br />

Scott Dunn and Robbie Moray<br />

Brandon Fradd<br />

Steve Hellman and Katharine Hsu<br />

The Irene Diamond Fund<br />

Lincoln Center for the<br />

Performing Arts<br />

Friedrike Merck<br />

Mr. and Mrs. Samuel P. Peabody<br />

Kenneth Rosenberg Foundation<br />

in memory of Frank A. Imperato<br />

Dr. Howard Scheiner<br />

Frank Spring<br />

in memory of Malcolm Hoare<br />

Wheelock Whitney III<br />

WQXR – 96.3 FM<br />

William H. Wright II<br />

George R. Zuber and Guy Avni<br />

Anonymous<br />

BRASS<br />

($2,500 - $4,999)<br />

Josh Aronson<br />

Raymond A. and Barbara F. Carye<br />

Columbia Artists Management,<br />

Inc.<br />

Mrs. Catherine G. Curran<br />

Eva and Brendan Dillon<br />

Charles Dimston<br />

Fan Fox and Leslie R. Samuels<br />

Foundation<br />

Jeffrey and Helen Friedman<br />

Mary Rodgers and Henry Guettel<br />

Mark M. Levin<br />

Jean E. Merrill<br />

Adam Mizel and<br />

Taunya Van Der Steen-Mizel<br />

in memory of Michael Palm<br />

Linda and Stuart Nelson<br />

Veronica G. Ogden<br />

Josephine Bay Paul and C.<br />

Michael Paul Foundation<br />

in memory of Daniel A. Demarest<br />

Carol A. Rennie<br />

in memory of Michael Palm<br />

Jane Scovell<br />

in memory of Peter Ansin<br />

Ted Snowdon<br />

Ted and Vada Stanley<br />

in memory of Michael Palm<br />

Universal Classics<br />

ViceVersa Restaurant<br />

Sara Wolfensohn<br />

PERCUSSION<br />

($1,000 - $2,499)<br />

Jerome and Fanchon Apfel<br />

Richard P. Baks<br />

Mrs. Nancy Pierce Brumback<br />

Mr. and Mrs. Edward F. Carye<br />

Dr. Oscar Chamudes<br />

Michael Cohen<br />

Sylvie and Gary Crum<br />

William J. III and Carol Drawe<br />

Mary Lou Falcone and<br />

Nicholas Zann<br />

José Feghali<br />

David Finckel and Wu Han<br />

Jan and Milton Finegold<br />

Rita and Herbert Z. Gold<br />

Maria and Noah Gottdiener<br />

Kathy Griffin<br />

Kevin Guyer<br />

The Hargrove Pierce Foundation<br />

in honor of Charles Hamlen<br />

Harry Hjardemaal and<br />

Philip Claps<br />

Florette Hoffheimer<br />

Suzanne C. Hoyt<br />

George and Eileen Hricik<br />

Rockwood Jenkins<br />

Christopher Kennedy<br />

in memory of Jim Ricketts<br />

Alice Kornhauser<br />

Louis Langrée<br />

Stephanie and Edgar Larsen<br />

LHW – Leading Hotels of the<br />

World / Frosch International<br />

Travel<br />

Harvey Lichtenstein<br />

Steve Loden and Larry Lovins<br />

Kay H. Logan<br />

Bert Melnick and Carl Moore<br />

Geoffrey and Sophie Menin<br />

Ginni and Richard Mithoff<br />

Barney and Ann Mizel<br />

Shelly and Jerome Mulanax<br />

John Vlahoplus and<br />

Uma Muthu<br />

Cherrie L. Nanninga<br />

Bob Naparsteck<br />

Sheila Porter<br />

Dana and Doug Ramos<br />

Carol Relihan and John Arthur<br />

Conrad Riggs<br />

Susan and Elihu Rose<br />

Dale and Peter Ryan<br />

San Francisco Performances<br />

András Schiff<br />

The Seaberg Foundation<br />

Harold Shaw<br />

Howard Solomon<br />

Fran Sorin<br />

Jeffrey Sosnick and<br />

Albert A. Carucci<br />

Stevens/Bandes Graphics<br />

Lee Tannen and Tom Wells<br />

Ellen Thrower<br />

Cindy Booth Van Schaack<br />

Shelby White<br />

The Wise Family Charitable<br />

Foundation<br />

IN-KIND<br />

MAJOR DONORS<br />

Attitude New York Chauffeured<br />

Transportation<br />

Bösendorfer New York<br />

Cohn Davis Communications<br />

Jackson Hicks<br />

Merrill Corporation<br />

Fred Patella<br />

Playbill Magazine / Playbill.com<br />

Steve J. Sherman Photography<br />

Steinway & Sons<br />

Represents donations made in our <strong>2004</strong><br />

fiscal year, October 1, 2003 – September<br />

30, <strong>2004</strong>.<br />

the maestro program<br />

54


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE ANGELS<br />

CAMPAIGN<br />

Angels are supporters who make total annual donations of $1,000 or more to support the vital work<br />

of <strong>BC</strong>/<strong>EFA</strong>. These gifts are especially important, as they provide us with a dependable core of donors whose gifts are not related to<br />

the purchase of merchandise and/or event tickets. These funds go directly into our pool of grant-making dollars, which are in turn<br />

distributed to HIV/<strong>AIDS</strong> service organizations nationwide, as well as to the numerous social service and housing programs of The<br />

Actors’ Fund of America.<br />

In <strong>Broadway</strong> lingo, an “angel” is an investor in a theatre production. In exchange for that financial investment, angels are<br />

traditionally guaranteed the best seats in the house for the shows their dollars make possible. The Angels Campaign creates a similar<br />

tradition for its supporters, granting <strong>BC</strong>/<strong>EFA</strong> Angels VIP status, along with a host of associated benefits.<br />

<strong>2004</strong> ANGELS CAMPAIGN<br />

The following individuals, family foundations, and corporations made contributions to The Angels Campaign in our fiscal year<br />

<strong>2004</strong> between October 1, 2003 and September 30, <strong>2004</strong>. Names in bold indicate <strong>BC</strong>/<strong>EFA</strong> Archangels, angel donors who increased<br />

their unrestricted giving by 25% or more over the past year.<br />

PRODUCER<br />

(gifts of $25,000 and up)<br />

Laura M. Boedeker<br />

Cable Positive, Inc.<br />

H. Van Ameringen Foundation<br />

Anita Jaffe<br />

The Richmond/Ermet <strong>AIDS</strong><br />

Foundation - San Francisco<br />

The Shubert Foundation<br />

HOUSE SEATS<br />

(gifts from $10,000 to $24,999)<br />

The Edgar Foster Daniels<br />

Foundation<br />

Gary Gunas and Bill Rosenfield<br />

Anne Hathaway<br />

Paul Libin and<br />

Florence Rowe Libin<br />

Joe Masteroff<br />

Paul L. Newman/Newman’s Own<br />

Rosie O’Donnell<br />

in honor of George O’Dowd, Chris<br />

Renshaw, Jeff Calhoun, John<br />

McDaniel, and Mark Dendy<br />

Thomas Schumacher and<br />

Matthew White<br />

Bradshaw Smith/<strong>Broadway</strong> Beat<br />

State Farm Insurance<br />

Companies<br />

The Hargrove Pierce Foundation<br />

The League of American Theatres<br />

and Producers<br />

The Ted Snowdon Foundation<br />

in memory of Lori Schmidt<br />

William Morris Agency<br />

Anonymous<br />

in honor of Kristin Chenoweth<br />

ORCHESTRA SEATS<br />

(gifts from $5,000 to $9,999)<br />

Roger Berlind<br />

Bertsch Family Charitable<br />

Foundation<br />

in honor and in memory of<br />

“Wagon Wheelies”<br />

Aron Bromberg – Aron<br />

Bromberg/Abe Raskin<br />

Partners Fund<br />

The Edith Meiser Foundation<br />

William W. Donnell<br />

Dr. Gerald J. & Dorothy R.<br />

Friedman Foundation<br />

Aaron Frankel<br />

in loving memory of<br />

Abetha Aayer Frankel<br />

Freddie and Myrna Gershon<br />

Harriet and<br />

Terry Guin-Kittner<br />

Jerome S. Glazer, Inc.<br />

Ronald and Patricia Lee<br />

Stephanie and<br />

Carter McClelland<br />

Paul L. and Marion J. Ross<br />

Sean L. Sunkel<br />

The Barrington Foundation, Inc.<br />

Doris Eaton Travis<br />

W New York - The Court<br />

Wexner Family Fund<br />

BOX SEATS<br />

(gifts from $2,500 to $4,999)<br />

Sam Altman<br />

in memory of Murray Schapiro<br />

Frank Argiro<br />

in loving memory of Robert Argiro<br />

Steven Schnepp and Mark Basile<br />

in memory of Paul Penfield and<br />

John Heppenstall<br />

Melvin Bernhardt and Jeff<br />

Woodman<br />

Briggs, Inc.<br />

William Ludel and Tracy Cohen<br />

Ellora deCarlo and<br />

Gary J. Cooper<br />

William Craver<br />

Mark and Susan Dalton<br />

Merle Debuskey & Pearl Somner<br />

James W. Dennis<br />

Jamie deRoy<br />

in memory of Rod Hausen<br />

Maggie Flanigan and Richard Dow<br />

Edward and Lori Forstein<br />

JP Morgan Chase<br />

Marianne Ganzer<br />

in memory of John Ganzer<br />

Tim Gill<br />

Louise Guthman<br />

William S. Hoover, MD<br />

James C. Hormel<br />

Carl Jacobs<br />

George M. Jacobstein -<br />

Rose Brand<br />

Billy and Kate Joel<br />

in honor of Manny & Lani Azenberg,<br />

the “Movin’ Out” NYC and Tour<br />

Company, Cast & Crew, Hal Luftig,<br />

Terry Allen Kramer, Andy Snyder,<br />

Donald Trump & Melania Knauss,<br />

Jann Wenner & Matt Nye, Bob<br />

White, and Walter Yetnikoff<br />

Joelson Foundation<br />

Michael A. Leppen<br />

Kevin R. Lyle<br />

Jerry Mitchell<br />

Phyllis Newman<br />

in memory of Adolph Green<br />

Gilbert Parker<br />

in memory of Richard Bauman<br />

Ruso D. Perkins<br />

Charles L. Ross<br />

in memory of David Carroll<br />

Amy Sherman-Palladino<br />

Margaret (Peg) Small<br />

in memory of Erik<br />

Society of Stage Directors and<br />

Choreographers<br />

The Cooper Family Foundation<br />

The Students of the Stella Adler<br />

Studio of Acting<br />

in memory of Casey Kizziah<br />

The Kaufmann Family<br />

Foundation<br />

The Ziegfeld Club<br />

Tina and Jeffrey Bolton<br />

Family Fund<br />

Jay Laudato and Tom Watson<br />

Whittier & Associates, Inc.<br />

FRONT MEZZANINE<br />

(gifts from $1,000 to $2,499)<br />

Joe Allen Restaurant<br />

David G. Armstrong and<br />

Jeffrey Miller<br />

in honor of Todd Coroliuc<br />

Jerry Arrow<br />

Scott Barnes<br />

honoring the second half century for<br />

CCM grads of 1976<br />

William J. Behan<br />

the angels campaign<br />

55


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE ANGELS CAMPAIGN (continued)<br />

Joe and Nancy Benincasa<br />

Phil and Mary Beuth<br />

Robert Billig<br />

Mr. Walter Bobbie<br />

Robert Bouchard<br />

J. Arthur Brost<br />

Caffe Cielo<br />

Buck Henry Charitable Fund<br />

Robert Callely<br />

Frank Carucci<br />

in honor of Maria Di Dia<br />

Stockard Channing<br />

Paula and David Chase<br />

Edward A. Chernoff<br />

Karen Christofferson<br />

Michael Clowers and<br />

Clay Chaffin<br />

Jo Ann Albano Cohen and<br />

James A. Cohen<br />

Thomas Cott<br />

in memory of Philip Carlson<br />

Peggy Cowles<br />

Cunningham - Escott - Dipene<br />

& Associates, Inc.<br />

Scott Dainton<br />

in honor of Laura Mantell<br />

Hermine Douglas<br />

Roy and Shirley Durst<br />

Charitable Fund<br />

Ellen M. Violett and Mary P.R.<br />

Thomas Foundation, Inc.<br />

in memory of Murray Schapiro<br />

Don Ellwood and Sandra<br />

Johnigan<br />

Peter Entin and<br />

Barbara Janowitz<br />

William Eppel<br />

Angelina Fiordellisi<br />

Jules Fisher<br />

Mary Fogarty<br />

David A. Friedman<br />

in memory of my mother<br />

Shirley Friedman<br />

John Garcia’s “The Column”<br />

Theatre Awards<br />

Neal C. Garelik<br />

Jay Garner<br />

Contemporary Theatre<br />

Steven Gartner<br />

Bruce Geismar<br />

Roger Alan Gindi<br />

Dale and Ellyn Glasser<br />

in memory of Steven Glasser<br />

Angela Goldberg<br />

Robert D. Gonzales<br />

in memory of Cameron L. Mason<br />

and Charles H. Falls<br />

Michael Greif<br />

in honor of the “Rent” Company<br />

Benjamin M. Hammer and<br />

Rachel Hammer<br />

Harry Winston, Inc.<br />

in honor of Jefferson Mays<br />

Jeffrey Hayenga and<br />

Michael Belanger<br />

Mr. and Mrs. Harry Henshel<br />

Jerry Herman<br />

Robert C. Hickman<br />

Craig Horowitz<br />

Theatrical Stage Employees<br />

Local One/IATSE<br />

Jill Goodson Family<br />

Foundation<br />

Jason Kantrowitz<br />

Elaine Kend<br />

Robert Kilgore and<br />

Edward Richmond<br />

in loving memory of Dee Kilgore<br />

Caryn B. Klein-Cohen<br />

Nathan Lane<br />

Norma Langworthy<br />

Mr. and Mrs. Jeffrey Lasdon<br />

Leftfield Productions<br />

Lindy Linder<br />

in memory of Robert Farber and<br />

Christine Swann<br />

Janine and Peter Lowy<br />

William Ludel and<br />

Tracy Cohen<br />

John J. Mackerey<br />

Macy’s East Inc.<br />

J. Patrick Mahoney and<br />

Martin Hicks<br />

Arif and Latife Mardin<br />

Marsh Inc.<br />

Kathy Keneally and Tom Marshall<br />

Max M. and Marjorie S. Fisher<br />

Foundation, Inc.<br />

Marin Mazzie and Jason<br />

Danieley<br />

in memory of Gary Bonasorte<br />

John McDaniel<br />

Bill Melamed, Jr.<br />

The Janis and Alan Menken<br />

Foundation<br />

Keith Miller<br />

Michael S. Mills<br />

Ira Mont and Jill Cordle Mont<br />

Mrs. Claire Mooers<br />

in memory of Ruth Hoefgen<br />

NAC Enterprises Ltd.<br />

Judith A. Nelson<br />

in memory of Wayne McCarthy<br />

Michael F. O’Donnell<br />

One World Incentives, Inc.<br />

Sally Ann Parsons -<br />

Parsons-Meares, Ltd.<br />

in memory of Lee Danser<br />

Ralph L. Pellecchio and<br />

Dr. James C. Wernz<br />

Heinz Poll<br />

in memory of Thomas R. Skelton<br />

L. Glenn, Jeffrey, Alex & Marc<br />

Poppleton Finn<br />

Judy Rasmuson and<br />

Ronald Wallace<br />

Richard E. Rauh<br />

Long Beach Longriders<br />

in honor of Bill “Uncle Bill” Sapsis<br />

and in memory of Victoria “Tory”<br />

Odum-Reed<br />

Richard F. Walsh/Alfred W. Di<br />

Tolla/Harold P. Spivak<br />

Foundation<br />

Drs. Carlos and Jayne Rivera<br />

Mickey Rolfe<br />

Rosalind and Eugene J. Glaser<br />

Foundation<br />

Amy Rosenthal<br />

Lori Rubinstein and John<br />

McGraw<br />

Bikram Yoga<br />

Samuel L. Phillips Family<br />

Foundation<br />

Nick Scandalios<br />

Serino/Coyne<br />

Angela Shaw<br />

Jeffrey B. Soref<br />

Meryl Streep<br />

Charles H. Svensson<br />

Beech Street Foundation<br />

The McGaw Foundation<br />

The Eisner Foundation<br />

The Lodestar Foundation<br />

The Ritter Foundation, Inc.<br />

David and Deborah Trainer<br />

Video Industry <strong>AIDS</strong> Action<br />

Committee<br />

Orso Restaurant<br />

Phil and Merle Wahl<br />

Joan Melber Warburg<br />

Arthur E. Webster, Esq.<br />

Mr. and Mrs. Herbert L. Wilson<br />

Margo Wintersteen<br />

Terrence J. Witter<br />

Anonymous<br />

in honor of Bill “Uncle Bill” Sapsis<br />

Anonymous<br />

in memory of Martin Worman<br />

Anonymous (6)<br />

the angels campaign<br />

56


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

MAJOR<br />

DONORS<br />

In addition to The Angels Campaign, significant funds are generated through various <strong>BC</strong>/<strong>EFA</strong> annual<br />

and one-time special events, such as The Easter Bonnet Competition, Gypsy of the Year, The <strong>Broadway</strong> Flea Market, and <strong>Broadway</strong> Bares. Considerable<br />

financial support also comes to us through our CareTix and CareCard programs. Contributions from all these sources are among<br />

the most vital to <strong>BC</strong>/<strong>EFA</strong>.<br />

The following pages list the names of those who have supported these events and programs with contributions of $1,000 or more<br />

during our fiscal year <strong>2004</strong> from October 1, 2003 to September 30, <strong>2004</strong>. Amounts listed are the tax-deductible portion of the<br />

donation, the total gift amount minus any fair market value for goods received.<br />

GIFTS OF<br />

$50,000 AND ABOVE<br />

Estée Lauder Inc.<br />

Target Stores<br />

The League of American Theatres<br />

and Producers<br />

GIFTS FROM<br />

$10,000 TO $49,999<br />

Terry Abernathy<br />

Meridee Alter<br />

James Bashor<br />

Ronald Black<br />

BMG Bertelsmann<br />

Celebrity Blackjack<br />

The Cooper Family Foundation<br />

Danskin, Inc.<br />

James W. Dennis<br />

done and dusted@radical, llc<br />

Tim and Judy Dove<br />

Edelman Public Relations<br />

Worldwide<br />

Federated Department Stores<br />

Foundation<br />

Ford Motor Company<br />

Brandon Fradd<br />

Mr. Neal C. Garelik<br />

Gill Foundation<br />

Charles and Heather Golden<br />

Diane L. Gott<br />

Mr. and Mrs. Fred Halpern<br />

HBO<br />

HS<strong>BC</strong> Bank USA, Inc.<br />

Hugh Jackman<br />

Anita Jaffe<br />

Joe Lanteri<br />

Learning on Location<br />

Connie Nicoud<br />

Schaeffer Family Foundation<br />

Noriko Takigawa<br />

The Adam R. Rose<br />

Foundation<br />

William Goldman - The Fezzik<br />

Foundation, Shapiro & Lobel<br />

The Grosevnor Foundation, Inc.<br />

Theatre Vendors, Inc.<br />

Tonner Doll Company<br />

Trackdown Productions, Inc.<br />

Twentieth Century Fox Home<br />

Entertainment<br />

Heloise Waislitz<br />

Robert M. Wallach<br />

Washington Drama Society, Inc.<br />

Weil Foundation<br />

Anonymous<br />

GIFTS FROM<br />

$5,000 TO $9,999<br />

Accesories Council<br />

Allco Finance Corp.<br />

Apple-Metro, Inc.<br />

Michael and Maureen Benton<br />

Lawrence A. Bock<br />

Elizabeth Breslow<br />

Beth Brody<br />

Ellora deCarlo and Gary J.<br />

Cooper<br />

Gail Corvette<br />

Creative Artists Agency<br />

Thomas Dimercurio<br />

Jean Doede<br />

Marianne Dorfman<br />

Paul Driscoll<br />

Steven G. Einhorn<br />

Debra Faiello<br />

Patricia Geoghegan<br />

Linda Hammer<br />

David A. Harris<br />

Laura and J. M. Hartstein<br />

Mickey Z. Heller<br />

Regina Y. Hicks<br />

Sally Huxley<br />

Jim Beam Brands Co.<br />

John Johnson<br />

Sandra Kallenberg<br />

Robert Karp<br />

David DonHowe Kean<br />

in loving memory of Norman and<br />

Gwyda DonHowe Kean<br />

Maureen E. Kershaw<br />

Susan L. Kruger<br />

David Lai<br />

Las Vegas Academy of<br />

International Studies<br />

Lawrence H. Levy<br />

Lord & Taylor<br />

Carolyn Lowen<br />

Dennis Malaney<br />

Merck Partnership for Giving<br />

Richard Nacht<br />

National Association of Insurance<br />

Commissioners<br />

Paul L. Newman/Newman’s Own<br />

Carole W. Nussbaum<br />

On & Off <strong>Broadway</strong><br />

Joseph Palumbo<br />

Mary A. Papagjika<br />

Dean Piearson<br />

Anthony T. Ponturo<br />

David S. Pottruck<br />

Donald Puryear<br />

Ronald B. Reck<br />

Rockwell Architecture,<br />

Planning & Design, PC<br />

William J. Ruehle<br />

Maryetta Saccomano<br />

Susan J. Sampliner<br />

Dr. Howard Scheiner<br />

Anthony P. Scheinman<br />

Howard Schwartz<br />

Mr. Barry Skovgaard and<br />

Mr. Marc Wolinsky<br />

The Ted Snowdon Foundation<br />

Colleen D. Sorensen<br />

R.W. Soria<br />

SPI Marketing, LLC<br />

Mr. and Mrs. Thomas Stretton Jr.<br />

The Dance Factory<br />

The Imperial Court of N.Y., Inc.<br />

The J.P. Morgan Chase Foundation<br />

Matching Gift Program<br />

The New York Hairspray Co., LP<br />

Times Square Alliance<br />

John Travolta<br />

Union Station Foundation<br />

Phil and Merle Wahl<br />

Scott Wittman<br />

Anonymous<br />

GIFTS FROM<br />

$2,500 TO $4,999<br />

Albert & Pearl Ginsberg<br />

Foundation, Inc.<br />

Christie L. Alexander<br />

Association Of Nurses In <strong>AIDS</strong><br />

Care<br />

Michael C. Baldwin<br />

Carol Bayer Sager<br />

Douglas W. Bloss<br />

Carolyn P. Blum<br />

Sara L. Boles<br />

Kyle Bowker<br />

Katherine B. Bradley<br />

David Braver<br />

Alan Braverman<br />

Briggs, Inc.<br />

May L. Briggs<br />

Beverly Burch<br />

Patrick J. Callahan<br />

Mr. and Mrs. David Canary<br />

Chelsea Fund, Inc.<br />

Todd Ciccarone<br />

Sandra K. Cohen<br />

Mary Collins<br />

Computer Associates<br />

James J. Conway<br />

Suzanne E. Corso<br />

Bridget Crudo<br />

major donors<br />

57


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

MAJOR DONORS (continued)<br />

Diana Cuca<br />

Peter David<br />

Debra M. Davis<br />

Roseanne Delaglio<br />

Leonard L. Destefano<br />

Shari Douglas<br />

Judith Drasner<br />

Patrick S. Durkin<br />

Empire Force Events, Inc.<br />

Ronald Falcon<br />

Charles A. Ferrell<br />

Elisabeth A. Finley<br />

Beth Waters Finston<br />

Frances J. Frawley<br />

Izumi Furukawa<br />

Melinda A. Gartzman<br />

Suzanne Gawron<br />

Paula Gerber<br />

Freddie and Myrna Gershon<br />

Michael Gluck<br />

Julie Goldsmith<br />

Michael C. Goodell<br />

Nancy K. Goodman<br />

Joan Gotti<br />

Todd Graff<br />

Monica Graham<br />

Joan M. Grande<br />

Andrew J. Greenhut<br />

Michael S. Greenly<br />

Joseph M. Gregory<br />

Richard Grey<br />

Michael Gross<br />

Nancy T. Grumbacher<br />

Richard V. Hamilton<br />

Wendy Hashmall<br />

William Haskell<br />

Melissa Heider<br />

Tanya Henneman<br />

Janet M. Illiano<br />

Karen L. Issokson-Silver<br />

Joseph M. Jacobs<br />

Jammy Productions, Inc.<br />

Jewish Communal Fund<br />

Curtis Johnson<br />

Junior Bus Tours, Inc.<br />

Michael S. Kaufman<br />

Douglas Warren Kesten<br />

Cynthia C. Kimmel<br />

Barbara Ann Klein<br />

in tribute to my city, New York<br />

Miryam L. Knutson<br />

Beth R. Kryger<br />

Rhonda P. Kyong<br />

Ilona D. Lardis<br />

Albert R. Lepage<br />

Diane Lippert<br />

Jessica G. Liu<br />

Katherine W. Lum<br />

Craig Martone<br />

Peter W. May<br />

Casey L. McClellan<br />

Anthony G. McLean<br />

Sandra T. McManus<br />

C. E. Miller<br />

Chase Mishkin<br />

Robert A. Nectow<br />

Claire Parr<br />

Kathryn H. Penske<br />

Katherina A. Perry<br />

Judy Lynn Prince<br />

Pro Musica Tours, Inc.<br />

Samuel A. Ramirez<br />

Mr. G. Remak Ramsay<br />

Lori J. Raymond<br />

Madeline Reed<br />

Amy M. Reid<br />

Grace M. Renna<br />

Susan Romano<br />

Philip D. Ryan<br />

Helen L. Ryu<br />

Junko Sasaki<br />

Barbara C. Schneider<br />

Julie R. Schneider<br />

Lynda Schuler<br />

Thomas Schumacher and<br />

Matthew White<br />

Jean E. Scott<br />

Elizabeth A. Sechrest<br />

Serino Coyne Advertising, Inc.<br />

Sigma Alpha Iota<br />

William S. Skowronnek<br />

Marion D. Smith<br />

Jerry Sokolow<br />

Alan Spen<br />

Annette C. Steiner<br />

Ray Sterling<br />

Kathryn L. Stettner<br />

Stonewall Community Foundation<br />

Arielle Tepper<br />

The Bessie Ratner Foundation<br />

The Shubert Organization, Inc.<br />

The Ziegfeld Club<br />

George H. Turner<br />

Sherri L. Tuso<br />

United Way of New York City<br />

Margret E. Valenti<br />

Vinton A. Vickers<br />

Doug Weinstein<br />

Ann Weiss<br />

Deborah Williams<br />

Wisdom Digital Media, LLC<br />

Gretchen G. Wood<br />

Young Presidents Houston<br />

Chapter<br />

Anonymous<br />

in honor of Kristin Chenoweth<br />

Anonymous<br />

GIFTS FROM<br />

$1,000 TO $2,499<br />

Dianne M. Abruzzo<br />

Mark C. Adams<br />

Adolph & Ruth Schnurmacher<br />

Foundation, Inc.<br />

John L. Albanese<br />

Kate Aldinger<br />

Kenneth Alpert<br />

Nancy Alpert and Gwen Marcus<br />

Alpha Psi Omega<br />

Sam Altman<br />

in memory of Murray Schapiro<br />

Michele W. Andelson &<br />

Arlen Andelson Esq.<br />

Jennifer Ander<br />

Esperanza R. Andrade<br />

Madeleine Andress<br />

Anheuser-Busch, Inc.<br />

Laura S. Armitage<br />

Robert W. Armstrong<br />

Richard M. Aronstein<br />

Jerry Arrow<br />

Salah Bachir<br />

Melissa Bakalis-Milbank<br />

D. J. Baker<br />

Alta S. Baker<br />

Benjamin L. Balkind<br />

Dolores V. Ballintyn<br />

Jean Banks<br />

Matthew Barbara<br />

Peter Bardach<br />

Julia Barr<br />

Brett Barrett<br />

Lisbeth R. Barron<br />

Harlan Batrus<br />

Kimberly A. Baumgartner<br />

Bay Street Theatre Festival, Inc.<br />

J. M. Bayless<br />

Edith Beatty<br />

Beautiful Tulip Inc.<br />

Carol Becker<br />

Bonnie L. Becker<br />

William J. Behan<br />

Valerie Belcher<br />

Andrew Benedict<br />

Renee Berger<br />

Carol Berman<br />

Jed W. Bernstein<br />

Michael J. Berry<br />

Alex Binstock<br />

Laurie Black<br />

Michele B. Bloch<br />

Joyce F. Bluestone<br />

Karen C. Bockenkamp<br />

Donna M. Boekley<br />

Anne N. Bonner<br />

Rex Bonomelli<br />

Ann Boon<br />

Melissa Boxer<br />

Janice E. Boyd<br />

Patrick A. Bradford<br />

Brian Hilton Bradley<br />

Brandon Associates<br />

Jodi F. Brandt<br />

<strong>Broadway</strong> Inspirational Voices, LLC<br />

Alan Brockman<br />

Aron Bromberg/Abe Raskin<br />

Partners Fund<br />

J. Arthur Brost<br />

Mary T. Browne<br />

Andrew C. Brummer<br />

M. T. Brust<br />

Christine K. Buchanan<br />

J. P. Buckeridge<br />

Errol Buntuyan<br />

Cheryl A. Burdumy<br />

David Burris<br />

James E. Burrows<br />

Bonna S. Burtt-Greenberg<br />

Derrick Bushman<br />

Michelle L. Butler<br />

Glen M. Butrick<br />

Ralph Caccipuoti<br />

Cahill, Gordon, & Reindell, LLP<br />

Luigi Caiola<br />

major donors<br />

58


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

MAJOR DONORS (continued)<br />

Patricia H. Callahan<br />

Camp <strong>Broadway</strong>, LLC<br />

David Cantor<br />

Albert Cantu<br />

Todd Caplan<br />

Jeferey E. Cappo<br />

Christopher V. Cara<br />

Linda R. Carlozzi<br />

Bertram F. Carr<br />

Joseph Carretta<br />

Wes Carroll<br />

Amy Casale<br />

Greg Casciato<br />

Holli Cash<br />

Doug & Rhonda Cassity<br />

Nellie Castan<br />

Joanna Cayot<br />

Matthew Celebuski<br />

Lewis F. Center<br />

Central Park Dance Studio<br />

Debora P. Champa<br />

Charles & Mildred Schnurmacher<br />

Foundation, Inc.<br />

Glen Charlow<br />

Rosanna L. Chenette<br />

Robert W. Chernick<br />

Edward A. Chernoff<br />

Chicago Title Insurance Company<br />

Nini Chow<br />

Karen Christofferson<br />

Cirque du Soleil (US), Inc.<br />

Jerome S. Clark<br />

Kevin Clash<br />

Clear Channel Management<br />

Services, LP-Radio<br />

William Alan Coats<br />

Toni Cobb<br />

Gladys G. Cofrin<br />

Larry Cohen<br />

College of Santa Fe<br />

Topher Collier<br />

Mary Beth B. Collins<br />

Erin Collins<br />

Lynn J. Colyer<br />

Connecticut College Student<br />

Organizations Fund Office<br />

Glenn Connolly<br />

Tony L. Conway<br />

Linda G. Cooper<br />

Tracy Corn<br />

Howard B. Cowan<br />

Michael Cowing<br />

Kevin Coyle<br />

Michael Crahan<br />

Jeremy Cramer<br />

Palma Crooks<br />

Cross Company/<br />

Hanover Show Biz Kids<br />

Mel Crystal<br />

Yolanda Culler<br />

Cumberland College<br />

Frederick P. Cummings<br />

Brandon M. Currie<br />

CW Plaza, LLC<br />

Stephen T. Dacek<br />

Stephen Dahlem<br />

Deborah Dakin<br />

John T. Daley<br />

Dalton School Parent Teacher<br />

Association<br />

Dance Attitudes<br />

Dance Dynamix – MCPA<br />

Maria D’Angelo<br />

Daniel Rosenblum Family<br />

Foundation<br />

The Edgar Foster Daniels<br />

Foundation<br />

Peter DaPuzzo<br />

Peggy W. Dassatti<br />

Robert Davenport<br />

David S. Steiner and Sylvia Steiner<br />

Charitable Trust<br />

Keith C. David<br />

Kathleen David<br />

Michael Davidson<br />

Linda De Cerbo<br />

Kathleen L. Deadrick<br />

Carmel Dean<br />

Kevin Dehler<br />

Joseph Deitch<br />

Sandra E. Delbridge<br />

Jeff DeSalvo<br />

Allison DeTemple<br />

Jacqueline E. Dibella<br />

Victor DiMonda<br />

Charles P. Dinino<br />

Benjamin Doller<br />

Karen W. Dopher<br />

Roy and Shirley Durst<br />

Charitable Fund<br />

Thomas J. Dwyer<br />

Holly Dyer<br />

Edward Sulzberger Foundation, Inc.<br />

Elliott F. Einhorn<br />

Eisner, LLP<br />

Shawn Elliott<br />

Sam Ellis<br />

in memory of Valerie Silver Ellis<br />

Abraham Encarnacion<br />

Cheryl L. Endelson<br />

Norman Engelke<br />

Christina Enriquez-Bolobo<br />

A. J. Epstein<br />

Lawrence H. Estrin<br />

David B. Farer<br />

Kathleen S. Faries<br />

Jerald Farley<br />

Jennifer M. Farrell<br />

Philip Feiner<br />

Mr. Bennett F. Feintuch<br />

Kirsten Felix<br />

Jan Felshin<br />

Robert Fenstersheib<br />

Anthony J. Ferrante<br />

Ken Field<br />

David Fields<br />

Arthur L. Finn<br />

Fire Island Pines Art Project<br />

Elizabeth S. Fishback<br />

Tammy Fisher<br />

Stuart R. Fishman<br />

Maggie Flanigan and Richard Dow<br />

Randy Florence<br />

Food Outreach, Inc.<br />

Christine E. Ford<br />

Linda Forrey<br />

Joann Forte<br />

Elizabeth A. Fox<br />

Mark A. Fox<br />

Richard Frankel<br />

Warren M. Fraser<br />

Jane L. Frenkel<br />

Paula Friedman<br />

Tony Frieze<br />

Laura Froelich<br />

Howard Froman and Scott Briggs<br />

Delwin D. Fullen<br />

Arthur P. Gaffin<br />

Simone L. Galletta<br />

Don M. Gandy<br />

Martin A. Geiger<br />

Bruce Geismar<br />

Paul Gemignani<br />

Chris Genry<br />

April D. Gentile<br />

Edward J. Gernon<br />

Leslie Getto<br />

Edward C. Getty<br />

B. L. Giddings<br />

D. C. Gila<br />

Fred Gilbert<br />

Gindi Theatrical Management,<br />

Inc.<br />

Laurie Girsky<br />

Cecile Glass<br />

Dale A. Glasser<br />

Thom Goff<br />

Joseph F. Goldberg<br />

Angela Goldberg<br />

Seymour L. Goldblatt<br />

Sylvia & Wayne Golden<br />

Katja Goldman<br />

Rona Goldstein<br />

Tony Golmon<br />

Nichole Gonsalves<br />

Kathryn Goodman<br />

David Gorenstein<br />

John R. Gossard<br />

Robert Gottesman<br />

Fran Grabow<br />

Marcy Granata<br />

Sheryl S. Grant<br />

Heather L. Gray<br />

Michael Graziano<br />

Robert L. Green<br />

Greenberg Traurig, LLP<br />

Patricia Greenstein<br />

Mr. Dean R. Greer<br />

Michael G. Gregory<br />

Norman Greif<br />

Mark Grigalunas<br />

Lissa C. Grubbs<br />

Elizabeth A. Guez<br />

Frances I. Haacke<br />

Susan Haber<br />

Robin M. Haight<br />

Helen Hakimian<br />

Nils Hanson<br />

Jeffrey E. Hanson<br />

Elisabeth S. Harding<br />

Pamela K. Haron<br />

Diann E. Harrell<br />

Elizabeth E. Harris<br />

Susan M. Hart<br />

major donors<br />

59


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

MAJOR DONORS (continued)<br />

Harter Woo Associates, Inc.<br />

Alan E. Hassell<br />

Sarah Hassell<br />

Hal H. Hayes<br />

Barbara Heil<br />

Elizabeth Held<br />

Jill K. Heller<br />

Cheryl Hendershot<br />

Henderson-Hogan Agency, Inc.<br />

Julianne Hendren<br />

Jean E. Henry<br />

Joan Henshall<br />

Ronald Hermann<br />

John Heyman<br />

Alan J. Hilburg<br />

Cathleen W. Hoadley<br />

Iva Hochstim<br />

Jeffrey S. Hoffman<br />

Mari Hoffman<br />

Robin Hoffman<br />

Janice L. Hofstetter<br />

Mildred Holland<br />

Patricia Holtzman<br />

Eugene M. Holtzman<br />

Robert A. Horne<br />

Mayo Hosoda<br />

Mary E. Howard<br />

Shephard Summers &<br />

Byron Howard<br />

Tonya Hughes<br />

William M. Humfreville<br />

Steve Hyduke<br />

James Indorato<br />

Interep National Radio Sales<br />

Intimode Canada, Inc.<br />

Irma & Arthur Miller Family<br />

Foundation<br />

Island Properties of the Pines, Inc.<br />

Jamie A. Jackette<br />

Keith Jackson<br />

Benjamin U. Jackson<br />

Ron Jacobs<br />

Craig G. Jacobs<br />

JAM Dance & Fitness Center<br />

Gary Javitch<br />

Russell A. Jay<br />

Nancy F. Johnson<br />

Brenda L. Johnson<br />

Joan M. Johnston<br />

Christine Jones<br />

Tracey L. Jones<br />

Aradean F. Jordan<br />

Jujamcyn Theatres<br />

Lewis Kaden<br />

Victoria Kalligeros<br />

Joseph E. Kaminkow<br />

Gregg Kaminsky<br />

Gregory Kammerer<br />

Mannon Kaplan<br />

Denise Katzman<br />

Moises Kaufman<br />

Ashley Keiter<br />

William E. Kelly<br />

Karl H. Kemp<br />

Robert Kempler<br />

Susie L. Kennedy<br />

Judy L. Kent<br />

James D. Kern<br />

Steven Kerper<br />

D’Shawn Kerrins<br />

Karen K. Kessler<br />

Susan D. Kiely<br />

Robert Kilgore and<br />

Edward Richmond<br />

in loving memory of Dee Kilgore<br />

Manny Kladitis<br />

Marilyn F. Klaus<br />

Lesley M. Klein<br />

Caryn B. Klein-Cohen<br />

Toba S. Knobel<br />

Peter Knobel<br />

Susan R. Knox<br />

Edgar A. Knudson<br />

Jeffrey A. Kolsrud<br />

Ronald S. Konecky<br />

Karl W. Koon<br />

Koppelman Family Foundation<br />

Kevin M. Korney<br />

Kenneth Kowalski<br />

Stephanie Kozak-Allen<br />

Carrie Krumtum<br />

Diane B. Kulbacki<br />

Karen L. Kuster<br />

Alexander A. Lach<br />

Lindsay & John Landes<br />

Norma Langworthy<br />

Michael T. Lappen<br />

Michael J. Lassell<br />

Arthur Laurents<br />

Lois K. Lawrence<br />

Leawood Appraisal<br />

Joel and Mindy Lefkowitz<br />

Leftfield Productions<br />

Alan Leibman<br />

David LeMieux<br />

Harriet Leve<br />

Alan Levey<br />

William S. Levine<br />

Hildy Levitt<br />

Standard Folding Cartons<br />

Franklin H. Levy<br />

Mrs. Frances Lewis<br />

Edward S. Lewis<br />

Warren Liang<br />

Martha A. Lichter<br />

Steven Lichtman<br />

Marc Lieberson<br />

Jessica W. Lim<br />

Lisa Lobiondo<br />

The Arthur Loeb Foundation<br />

Chris P. Longobucco<br />

Douglas Love<br />

Kim A. Lucchesi<br />

Larry Luing<br />

Lukaslandinc<br />

Anna M. Lupo<br />

Kevin R. Lyle<br />

Maureen A. Macfadden<br />

John J. Mackerey<br />

Macy’s East, Inc.<br />

Gary A. Maffei<br />

Saul H. Magram<br />

Richard H. Maidman and<br />

Gail Lowe Maidman<br />

Scott R. Mallalieu<br />

Sheldon Mallan<br />

John-John C. Manlutac<br />

Judith Mann<br />

Virginia M. Marantz<br />

Marc Routh Productions, Inc.<br />

Paul Marchesiani<br />

Frederick K. Marek<br />

Tony A. Martin<br />

Gwendolyn K. Marx<br />

Melanie L. Marzano<br />

Paul E. Mast<br />

Rani N. Mathura<br />

Helen Mattin<br />

Harold B. Matzner<br />

Michael Mayer<br />

Susan McCart<br />

Kathryn McCoy<br />

Robert McDowall<br />

Laurie McFarlin<br />

Bob McGarity<br />

Wallace N. Mcleod<br />

Carolyn C. Meehan<br />

Bill Melamed, Jr.<br />

Daniel Meloy<br />

Neil Messinger<br />

Michael Meyers<br />

David & Mariana Meyerson<br />

Steven L. Miller<br />

Hy Miller<br />

C. P. Mirarchi<br />

Ivy Mitchell<br />

Adrianne Mittentag<br />

Teresa Reyes and Martin Monas<br />

Monterey Fund, Inc.<br />

Ann K. Monton<br />

Kenneth Moore<br />

Sharon Y. Moore<br />

Jenny Morales<br />

Sally C. Morse<br />

Steven E. Motto<br />

Vanette L. Mrachek<br />

Michael W. Mulheren<br />

Daniel A. Murray<br />

Patrick Murray<br />

Cindy H. Muth<br />

Nobuko C. Narita<br />

National Association of<br />

Home Builders<br />

Agnes G. Neider<br />

Mary E. Neill<br />

Bebe Neuwirth<br />

New Horizons Tour and Travel, Inc.<br />

New York State Theatre Education<br />

Association<br />

NewDance, Inc.<br />

Kristin Nieuwenhuis<br />

Daniel J. Nilsen<br />

Robert Nolan<br />

in memory of Kevin Patterson<br />

Jack O’Brien<br />

Nancy O’Connor<br />

Michael F. O’Donnell<br />

Stanley Olan<br />

Darcy L. O’Loughlin<br />

Sheila M. O’Neil<br />

Kenneth Ortega<br />

Larry D. Ottaway<br />

Kile Ozier<br />

Martin Pakledinaz<br />

major donors<br />

60


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

MAJOR DONORS (continued)<br />

Joseph Palazzolo<br />

Donna Palumbo<br />

Patricia E. Palumbo<br />

Robert Pangia<br />

Alex A. Pappas<br />

Kathryn M. Parsons<br />

Joanne Pascoe<br />

Ellen Paternoster<br />

Nancy H. Paulson<br />

Brian Pawlowski<br />

Rachel N. Payne<br />

Brook S. Payner<br />

William Pencer<br />

Fred M. Penn<br />

Allison M. Percy<br />

Perlman Family Foundation, Inc.<br />

Larry Phillips<br />

Barbara M. Phillips<br />

Anthony M. Picciano<br />

Thomas J. Podiak<br />

Cori M. Poff<br />

Jerald S. Politzer<br />

Pamela S. Pollack<br />

Harvey Polly<br />

Frannie Pope<br />

Wayde Porrevecchio<br />

Linda Potash<br />

Patricia Preis<br />

Elyse Pressner<br />

Virginia L. Price<br />

Margaret Primiano<br />

Robert Protheroe<br />

Risa Y. Pulver<br />

R. Family Vacations<br />

Kristin M. Ramey<br />

Stephen E. Raphael<br />

Phylicia Rashad<br />

Taffin W. Ray<br />

Thomas B. Ray<br />

Craig Re<br />

Nicholas C. Reale<br />

David Reale<br />

Long Beach Longriders<br />

in honor of Bill “Uncle Bill” Sapsis<br />

Roger J. Rees<br />

Michael A. Reid<br />

Eric M. Reinitz<br />

Earl Reiss<br />

Paula Resnick<br />

Laura Reynolds<br />

Alison J. Rhodes<br />

John F. Richardson<br />

Elan Rieser<br />

Jo A. Rinallo<br />

Stacy J. Ritter<br />

Drs. Carlos and Jayne Rivera<br />

Peter Robinsohn<br />

Katherine L. Robinson<br />

Janice Rogak<br />

Juanito A. Rohan<br />

Yolanda Ronda<br />

Michele Rosen<br />

Maury L. Rosenberg<br />

David Rosenberg<br />

Maxine B. Rosenthal<br />

James Rosenthal<br />

Mr. & Mrs. Martin Rosenthal<br />

Richard Rosenthal<br />

Michael Rosenzweig<br />

Thomas A. Rosin<br />

Lynn Rotando<br />

Fred M. Rotondaro<br />

Neal Ruchman<br />

Robert W. Rudderow<br />

John Rudey<br />

Katherine L. Rudin<br />

Samuel D. Rudy<br />

Beverly J. Russell<br />

Kimberly P. Russell<br />

Linda Safir<br />

Erven R. Samsel<br />

Mary Savage<br />

Rudy Saviano<br />

Melanie Schaffran<br />

Jolie Schaffzin<br />

Micki Schildkraut<br />

Rocky Schmidt<br />

Steven Schmidt<br />

Robert Schmier<br />

Robert P. Schneider<br />

Ivan Schneider<br />

Kevin D. Schon<br />

Maury D. Schott<br />

Nancy Schradoff<br />

Ira Schreck<br />

Betty J. Schultz<br />

Sophfronia Scott<br />

Ivy Scricco<br />

Susan J. Sehring<br />

Lori Seid<br />

Peggy J. Sella<br />

Paul E. Shapiro<br />

Angela Shaw<br />

John C. Shaw<br />

Kathleen E. Sheehan<br />

Jonathan A. Shevelew<br />

Arthur Shorin<br />

Gretchen Shugart<br />

Richard S. Shulman<br />

Sidney R. Rosenau Foundation<br />

Christopher L. Sieber<br />

Laurie Simowitz<br />

Bryan J. Singer<br />

Joseph F. Sinisi<br />

Sirius Satellite Radio<br />

Robin Skye<br />

Henry F. Smeal<br />

Scott R. Smith<br />

Wayne Smith<br />

Yeardley Smith<br />

Sarah T. Smith<br />

Robert J. Smolin<br />

Rebecca L. Snead<br />

Brian S. Snyder<br />

Suzanne Snyder<br />

Society of Stage Directors and<br />

Choreographers<br />

Sandra Soeda<br />

Sony Music Entertainment, Inc.<br />

Louise Soowal<br />

Robert H. Sorbanelli<br />

Rosemarie Stack<br />

Eugene A. Stallings<br />

Kenneth I. Starr<br />

Marianne T. Stegeland<br />

Charles Steinberg<br />

Michael F. Steward<br />

Seymour Stewart<br />

Victor E. Stewart<br />

Geraldine Stutz<br />

Charles H. Svensson<br />

Steven Sweet<br />

Caryn M. Szpigiel<br />

Michael Taragan<br />

James Tarleton<br />

Sherry Taylor<br />

Margaret Taylor<br />

Jane Taylor<br />

in honor of Betty Buckley<br />

Temple Emanuel of Great Neck<br />

Susan Tenney<br />

David Terveen<br />

Rosemary Testa-Mack<br />

The Capital Group Companies<br />

Charitable Foundation<br />

in honor of Steve Rubin<br />

The Dance Zone<br />

The Dorothy Strelsin Foundation, Inc.<br />

The Inquirer and Mirror, Inc.<br />

The Jill Handelsman Foundation<br />

The Joelson Foundation<br />

The Joyce and Seward Johnson<br />

Foundation, Inc.<br />

The L and R Donner Foundation<br />

The Lapin Foundation, Inc.<br />

The New York London Project<br />

The Perry & Martin Granoff<br />

Family Foundation, Inc.<br />

The Segal Company (Eastern<br />

States), Inc.<br />

Theatre Direct, Inc.<br />

Judith M. Thiel<br />

Thomas Travel<br />

Jo-Anne S. Thomas<br />

Joseph M. Thomas<br />

James E. Thomas<br />

Charles Thorne<br />

Teresa M. Throenle<br />

The Andrew Tobias Fund<br />

of Stonewall Community<br />

Foundation<br />

Joseph P. Torre<br />

Doriann Traina<br />

Trec Corporation<br />

Daniel E. Trimbach<br />

Joseph F. Tringali<br />

A. S. Truesdale<br />

Dana D. Tyler<br />

United Way Metro Chicago<br />

Unity Church of New York<br />

Uptown Dance Academy<br />

Neal F. Vallins<br />

Reginald Van Lee<br />

Dennis P. Vaux<br />

Visiting Nurse Service of<br />

New York<br />

Margarita Volftsun<br />

Peter H. Von Mayrhauser<br />

Joshua Walden<br />

Suzyn Waldman<br />

in memory of Michael Hartig<br />

Honey Waldman<br />

Jamie Walker<br />

Michel Wallerstein<br />

events<br />

61


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

MAJOR DONORS (continued)<br />

Wallin, Simon and Black<br />

Anita Walts<br />

Kendall D. Ward<br />

Terry K. Watanabe<br />

Melinda M. Waters<br />

Samuel A. Waterston<br />

Phyllis Wayne<br />

Larry Weinberg<br />

Sheila A. Weinberg<br />

Scott A. Weiner<br />

H. S. Weingarten<br />

Cynthia Weinman<br />

Louis E. Weiss<br />

Barbara M. Weltsek<br />

John Wendell<br />

Mr. William Wenger<br />

Bryce West<br />

White & Case, LLP<br />

Brenda D. Whitney<br />

Kathie L. Willett<br />

William D. Rollnick Nancy Ellison<br />

Rollnick Foundation<br />

Ellen D. Williams<br />

P. E. Williams-Hawkes<br />

Peter S. Wilson<br />

Sally F. Windsor<br />

Anita K. Wolkowitz<br />

Honey Wolosoff<br />

Nabeel Youakim<br />

Lois Yuen<br />

Richard E. Zacharoff<br />

Frank Zeccola<br />

Anthony Zelig<br />

Alan J. Zimmermann<br />

Anonymous<br />

in honor of Bill “Uncle Bill” Sapsis<br />

Anonymous<br />

DRA<br />

DONORS<br />

DRA would like to thank the following major corporate and individual donors who gave $1,000 or more to support our programs:<br />

H. Thomas Axt & Alan E. Hassell<br />

Alan Brockman<br />

David Cantor & Peter Schamel<br />

Capezio<br />

Cirque du Soleil (US), Inc.<br />

Beau Clarke<br />

Dance Master of America<br />

Danskin<br />

Neil & Vera Esposito<br />

Jan Felshin & Edrie Ferdun<br />

Fire Island Pines Art Project<br />

Brandon Fradd<br />

Don M. Gandy<br />

Mark Grigalunas<br />

Laura & J.M. Hartstein<br />

William Hayden & Ron Perkov<br />

The J.P. Morgan Chase<br />

Foundation Matching<br />

Gift Program<br />

Karl H. Kemp<br />

Bruce & Billy Kolber-Stuart<br />

Alexander A. Lach<br />

Albert R. Lepage<br />

Edward S. Lewis & Glen J. Wielgus<br />

Chris P. Longobucco<br />

Saul H. Magram<br />

P.J. McAteer<br />

Bob McGarity<br />

Michael Meyers & Chad LaBenz<br />

New York City Dance Alliance<br />

Kile Ozier<br />

Eric M. Reinitz & Marc Blackwell<br />

Sidney R. Rosenau Foundation<br />

Kate Rudin & Nancy DeLieto<br />

The Sayville Inn<br />

Maury D. Schott<br />

Adolph and Ruth Schnurmacher<br />

Foundations, Inc.<br />

Charles & Mildred Schnurmacher<br />

Foundations, Inc.<br />

Sirius Satellite Radio<br />

SPI Marketing, LLC<br />

Frank Stark<br />

Stonewall Community Foundation<br />

Tremaine Dance Conventions<br />

Andrew Tobias & Charles Nolan<br />

Bruce Tracy & Mickey Rolfe<br />

Jon Wilner/Island Properties<br />

The following dance companies and venues have contributed $500 or more to the efforts of DRA through audience appeals following<br />

performances. We thank each of them for their generous support!<br />

Alvin Ailey American Dance<br />

Theater<br />

Aaron Davis Hall<br />

American Ballet Theatre<br />

American Dance Festival<br />

Bill T. Jones/Arnie Zane Dance<br />

Company<br />

Brooklyn Academy of Music<br />

BodyVox<br />

Buglisi/Foreman Dance<br />

City Center<br />

Clarke Studio Theatre<br />

The Cunningham Studio<br />

Dance Theater Workshop<br />

Dancelab Theater - Purchase<br />

Danspace Project<br />

David Parker and the Bang Group<br />

Doug Varone and Dancers<br />

The Duke on 42nd Street<br />

Elisa Monte Dance<br />

Fugate/Bahiri Ballet NY<br />

Horses Mouth<br />

International Dance Festival<br />

Jacob’s Pillow Dance Festival<br />

Johannes Wieland<br />

John Jay Theatre<br />

Joyce SoHo<br />

The Joyce Theater<br />

The Kitchen<br />

Limón Dance Company<br />

Mark Morris Dance Group<br />

Martha Graham Dance Company<br />

Merce Cunningham Dance<br />

Company<br />

MOMIX<br />

Nikolais Dance Theatre<br />

Pascal Rioult<br />

Peter Boal<br />

Philadanco<br />

Pilobolus<br />

P.S. 122<br />

Puffin Room Gallery<br />

Ron Brown/Evidence<br />

Skirball Center<br />

Smuin Ballets/SF<br />

Stephen Petronio Company<br />

Symphony Space<br />

Tere O’Connor<br />

Tribeca Arts Canter<br />

Zvi Gotheiner<br />

events<br />

62


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE<br />

COLLEEN DEWHURST<br />

SOCIETY<br />

“I’M SO PROUD OF WHAT WE DO FOR EACH OTHER. THERE ARE<br />

SO MANY PEOPLE WHO THOUGHT THIS THING WOULD NEVER GO,<br />

THAT IT COULDN’T BE DONE. BUT IT HAPPENED ANYWAY BECAUSE<br />

SO MANY PEOPLE CAME FORWARD AND, IN MANY DIFFERENT WAYS,<br />

MADE IT HAPPEN. AND TO THIS VERY DAY, I LOVE YOU ALL FOR THAT.”<br />

COLLEEN DEWHURST<br />

JUNE 1991<br />

PLANNING FOR YOUR FUTURE AND OURS<br />

Gifts made by bequest are a growing source of income for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>. Founded in 1988 and named for<br />

Colleen Dewhurst, the late Actors’ <strong>Equity</strong> Association President who spearheaded the formation of the <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />

Committee (which merged with <strong>Broadway</strong> <strong>Cares</strong> in 1992), The Colleen Dewhurst Society is the planned giving program of <strong>BC</strong>/<strong>EFA</strong><br />

that honors those individuals who have generously included <strong>BC</strong>/<strong>EFA</strong> in their will and estate plans.<br />

the following people have provided for an estate or other planned gifts to <strong>BC</strong>/<strong>EFA</strong>:<br />

Samuel G. Altman<br />

Melvin Bernhardt and<br />

Jeff Woodman<br />

Katherine Brader<br />

Oscar Chamudes<br />

Elizabeth B. Cole<br />

Frank P. Conway<br />

Dennis J. Cooney<br />

Erick Devine<br />

Kirsten Felix<br />

Cecelia H. Fink<br />

Aaron Frankel<br />

F. Kenneth Freedman<br />

Ken Glass<br />

Robert Dean Gonzales<br />

Christopher C. Harrison<br />

Michael F. Hartig<br />

Melody R. Henshaw<br />

George K. Jones<br />

Henry Kaplan<br />

Constance Keene<br />

Robert W. Kilgore and<br />

Edward Richmond<br />

Ronald Kollen<br />

Belinda J. Kotin<br />

Dorothy Loudon<br />

Michael T. Marino<br />

Gilbert Parker<br />

Sheila Porter<br />

Julie Ann Richardson<br />

Amy Rosenthal<br />

Paul L. Ross<br />

Stuart H. Ross<br />

Margaret L. Small<br />

Frank E. Spring<br />

Cheryl Lee Toth<br />

Jay Laudato and<br />

Thomas G. Watson<br />

Terrence James Witter<br />

Carolyn Zaput<br />

gifts to bc/efa have been received from the following estates:<br />

Estate of Louise Alexander<br />

Estate of Walter Alford<br />

Estate of Eva Sully Block<br />

Estate of Robert L. Borod<br />

Estate of Thomas Boyd<br />

Estate of Aron Bromberg<br />

Estate of Alice C. Brown<br />

Estate of Dennis J. Cooney<br />

Estate of Dolores Gray<br />

Crevolin<br />

Estate of Alvin C. Davis<br />

Estate of Fred Ebb<br />

Estate of Joan Houseman<br />

Estate of Mary L. Laslo<br />

Estate of Richard Lerner<br />

Estate of Paul R. Lipson<br />

Estate of Murray H. Schapiro<br />

Estate of Eileen R. Shields<br />

Estate of<br />

Milton Joseph Tatelman<br />

Estate of David P. Taylor<br />

Estate of John Wylie Thomas<br />

Estate of Gwen Verdon<br />

Estate of Julius Wittman<br />

the colleen dewhurst society<br />

63


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

FINANCIAL<br />

STATEMENTS<br />

SEPTEMBER 30, <strong>2004</strong> AND 2003<br />

INDEPENDENT AUDITORS’ REPORT<br />

Board of Directors<br />

<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc.<br />

New York, New York<br />

Eisner LLP<br />

Accountants and Advisors<br />

750 Third Avenue<br />

New York, NY 10017-2703<br />

Tel 212.949.8700 Fax 212.891.4100<br />

www.eisnerllp.com<br />

We have audited the accompanying statements of financial position of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. as of September<br />

30, <strong>2004</strong> and 2003, and the related statements of activities, functional expenses, and cash flows for the years then ended. These<br />

financial statements are the responsibility of the Organization's management. Our responsibility is to express an opinion on these<br />

financial statements based on our audits.<br />

We conducted our audits in accordance with auditing standards generally accepted in the United States of America. Those<br />

standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free<br />

of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the<br />

financial statements. An audit also includes assessing the accounting principles used and significant estimates made by<br />

management, as well as evaluating the overall financial statement presentation. We believe that our audits provide a reasonable<br />

basis for our opinion.<br />

In our opinion, the financial statements enumerated above present fairly, in all material respects, the financial position of<br />

<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. as of September 30, <strong>2004</strong> and 2003, and the changes in its net assets and its cash flows<br />

for the years then ended, in conformity with accounting principles generally accepted in the United States of America.<br />

New York, New York<br />

January 14, 2005<br />

financial statements<br />

64


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

STATEMENTS OF FINANCIAL POSITION<br />

year ended september 30,<br />

<strong>2004</strong> 2003<br />

ASSETS<br />

cash and cash equivalents $ 1,465,940 $ 1,696,817<br />

accounts receivable 22,150 47,149<br />

prepaid expenses and other current assets 141,673 77,613<br />

inventory 253,827 169,143<br />

property and equipment, net 91,464 86,893<br />

security deposit 17,656 12,918<br />

$ 1,992,710 $ 2,090,533<br />

LIABILITIES AND NET ASSETS<br />

accounts payable and accrued expenses $ 141,129 $ 196,601<br />

deferred revenue 25,000 40,465<br />

grants payable 705,000 1,294,200<br />

total liabilities $ 1,531,266<br />

commitments (note d)<br />

net assets - unrestricted $ 1,121,581 $ 559,267<br />

$ 1,992,710 $ 2,090,533<br />

See notes to financial statements.<br />

financial statements<br />

65


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

STATEMENTS OF ACTIVITIES<br />

YEAR ENDED SEPTEMBER 30,<br />

<strong>2004</strong> 2003<br />

public support and revenue:<br />

contributions $ 11,256,252 $ 9,066,859<br />

special events, net of direct benefit to donors of $390,492 in 2003<br />

and $318,605 in 2002 1,436,856 954,063<br />

merchandise sales 565,341 494,336<br />

donated goods and services 368,450 265,000<br />

interest and other income 13,975 11,571<br />

total public support and revenue $ 13,640,874 $ 10,791,829<br />

expenses:<br />

program services:<br />

grants 7,797,838 6,138,469<br />

other program services 1,881,095 1,753,575<br />

total program services $ 9,678,933 $ 7,892,044<br />

ssupporting services:<br />

management and general 1,298,713 1,257,695<br />

fund-raising 2,100,914 1,591,854<br />

total supporting services $ 3,399,627 $ 2,849,549<br />

total expenses $ 13,078,560 $ 10,741,593<br />

INCREASE IN NET ASSETS 562,314 50,236<br />

unrestricted net assets - october 1 559,267 509,031<br />

UNRESTRICTED NET ASSETS - SEPTEMBER 30 $ 1,121,581 $ 559,267<br />

See notes to financial statements.<br />

financial statements<br />

66


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

STATEMENTS OF CASH FLOWS<br />

YEAR ENDED SEPTEMBER 30,<br />

<strong>2004</strong> 2003<br />

CASH FLOWS FROM OPERATING ACTIVITIES:<br />

increase in net assets $ 562,314 $ 50,236<br />

adjustments to reconcile increase in net assets to net cash provided by<br />

operating activities:<br />

depreciation and amortization 41,147 40,294<br />

donated investments (33,281) (5,378)<br />

changes in:<br />

receivables 24,999 (15,298)<br />

prepaid expenses and other current assets (64,060) 24,476<br />

inventory (84,684) (27,216)<br />

security deposits (4,738) (1,200)<br />

accounts payable and accrued expenses (55,472) 97,702<br />

deferred revenue (15,465) (14,725)<br />

grants payable (589,200) 719,200<br />

net cash provided by operating activities (218,440) 868,091<br />

CASH FLOWS FROM INVESTING ACTIVITIES:<br />

proceeds from sale of investment 33,281 5,378<br />

purchases of property and equipment (45,718) (45,226)<br />

net cash used in investing activities (12,437) (39,848)<br />

net change in cash and cash equivalents (230,877) 828,243<br />

cash and cash equivalents - october 1 1,696,817 868,574<br />

CASH AND CASH EQUIVALENTS - SEPTEMBER 1 $ 1,465,940 $ 1,696,817<br />

SUPPLEMENTAL DISCLOSURE OF CASH FLOW INFORMATION<br />

noncash donation of goods and services $ 270,000 $ 265,000<br />

See notes to financial statements.<br />

financial statements<br />

67


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

NOTES TO<br />

FINANCIAL<br />

STATEMENTS<br />

SEPTEMBER 30, <strong>2004</strong> AND 2003<br />

NOTE A - ORGANIZATION AND SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES<br />

[1] ORGANIZATION:<br />

<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. (the "Organization") is a not-for-profit entity that raises money to provide grants to<br />

organizations providing assistance for health care to individuals in the entertainment industry (particularly HIV/<strong>AIDS</strong> and<br />

related womens' health issues) and to organizations and programs nationwide and internationally that provide care and<br />

services to people living with HIV/<strong>AIDS</strong>. Occasionally, the Organization also facilitates the fund-raising capabilities of the<br />

entertainment industry to address an urgent crisis or need, as directed by the Board of Directors.<br />

The Organization is exempt from federal income taxes under Section 501(c)(3) of the U.S. Internal Revenue Code, and from<br />

state and local taxes under comparable laws.<br />

[2] FINANCIAL REPORTING:<br />

(a) Basis of accounting:<br />

The accompanying financial statements of the Organization have been prepared on the accrual basis of accounting and<br />

conform to accounting principles generally accepted in the United States of America as applicable to not-for-profit<br />

entities.<br />

(b) Cash equivalents:<br />

For financial-presentation purposes, cash and cash equivalents include cash invested in highly liquid money-market<br />

accounts.<br />

(c)<br />

Functional allocation of expenses:<br />

The cost of providing the various programs and supporting services has been summarized on a functional basis in the<br />

accompanying statements of activities. Accordingly, certain costs have been allocated among the programs and supporting<br />

services in reasonable ratios determined by management.<br />

(d) Use of estimates:<br />

The preparation of financial statements in conformity with generally accepted accounting principles requires<br />

management to make estimates and assumptions that affect the reported amount of assets, liabilities, revenues and<br />

expenses. Actual results could differ from those estimates.<br />

(e) Net assets:<br />

Unrestricted net assets represent those resources for which there are no donor restrictions as to their use. Temporarily<br />

restricted contributions, the requirements of which are met in the year of donation, are reported as unrestricted.<br />

[3] REVENUE RECOGNITION:<br />

Contributions:<br />

Contributions are recorded as revenue upon receipt of cash or unconditional pledges. Contributions are considered<br />

available for unrestricted use unless specifically restricted by the donor. It is the Organization’s policy to sell donated<br />

investments upon receipt.<br />

financial statements<br />

68


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

NOTES TO FINANCIAL STATEMENTS<br />

SEPTEMBER 30, <strong>2004</strong> AND 2003<br />

NOTE A - ORGANIZATION AND SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES<br />

(CONTINUED)<br />

Volunteers:<br />

A substantial number of unpaid volunteers have made significant contributions of their time to the Organization. The<br />

value of this contributed time does not meet the criteria for recognition of contributed services required under generally<br />

accepted accounting principles and accordingly, is not included in the accompanying financial statements.<br />

Special events:<br />

The Organization conducts special events for which the use of the theater may be donated and the performers and support<br />

staff donate their time. A portion of the gross proceeds paid by the attendees represents payment for the direct cost of the<br />

benefits received by the attendees at the event. Unless a verifiable, objective means exists to demonstrate otherwise, the fair<br />

value of entertainment provided at these special events is measured at the cost to the Organization. The special event<br />

income is reported net of the direct costs of the event that are attributable to the benefit that the donor receives.<br />

Merchandise sales:<br />

The Organization operates a retail outreach program that sells <strong>AIDS</strong>-awareness red-ribbon items; items crafted by<br />

workshops sheltered for people living with <strong>AIDS</strong>; and general <strong>Broadway</strong>-show-related memorabilia. Sales are conducted<br />

via a printed catalog and on-line through the Organization’s website.<br />

[4] PROPERTY AND EQUIPMENT:<br />

Property and equipment are reported at their costs at the dates of acquisition or at their fair values at the dates of donation.<br />

Depreciation of furniture and equipment is provided using the straight-line method over estimated useful lives of five years,<br />

and leasehold improvements are amortized using the straight-line method over the term of the underlying lease.<br />

[5] INVENTORY:<br />

Inventory consists of merchandise available for sale and is valued at the lower of cost or market value. Certain items have been<br />

contributed to inventory and have been recorded at their approximate fair values at the dates of contribution. Included in<br />

inventory are original, one-of-a-kind toy bears, each of which is a designer-costumed, collectible "<strong>Broadway</strong> Bear" that is to<br />

be offered at auction during the next fiscal year.<br />

[6] DEFERRED REVENUE:<br />

The revenue from advance ticket sales related to a future year's event is deferred and recognized as income in the year in which<br />

the performance is held.<br />

[7] GRANTS PAYABLE:<br />

Grant expenses are considered to be incurred at the time of approval for payment by the Board of Directors. Grants<br />

outstanding at the end of each fiscal year are expected to be paid in the following fiscal year.<br />

financial statements<br />

69


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

NOTES TO FINANCIAL STATEMENTS<br />

SEPTEMBER 30, <strong>2004</strong> AND 2003<br />

NOTE B - PROPERTY AND EQUIPMENT<br />

At each fiscal year-end, property and equipment consisted of the following:<br />

YEAR ENDED SEPTEMBER 30,<br />

<strong>2004</strong> 2002<br />

office furniture and fixtures $ 99,049 $ 115,280<br />

equipment 105,392 145,825<br />

leasehold improvements 59,730 61,755<br />

264,171 322,860<br />

less accumulated depreciation (172,707) (235,967)<br />

During fiscal-year <strong>2004</strong>, fully depreciated furniture and equipment of $104,407 were written-off.<br />

$ 91,464 $ 86,893<br />

NOTE C - COMMITMENTS<br />

[1] LEASE AGREEMENT:<br />

The Organization rents office space under an operating lease agreement that expires on June 30, 2008. The lease requires<br />

minimum lease payments plus escalation charges. Rent expense for each of the fiscal-years <strong>2004</strong> and 2003 was approximately<br />

$248,000 and $236,000, respectively. The minimum annual future obligations under this lease are as follows:<br />

YEAR ENDED SEPTEMBER 30,<br />

2005 212,396<br />

2006 218,767<br />

2007 225,328<br />

2008 172,770<br />

$ 829,261<br />

[2] CONSULTING AGREEMENT:<br />

On October 1, <strong>2004</strong>, the Organization entered into a consulting agreement for direct mailing services. The agreement expires on<br />

September 30, 2006. The minimum fee is expected to be $27,000 for fiscal-year 2005 and $27,000 for fiscal-year 2006.<br />

notes to financial statements<br />

70


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

NOTES TO FINANCIAL STATEMENTS<br />

SEPTEMBER 30, <strong>2004</strong> AND 2003<br />

NOTE D - DONATED GOODS AND SERVICES<br />

Contributed goods are recognized at their fair market values at the dates of donation. Contributions of services are recognized<br />

when they are received, if the services (a) create or enhance nonfinancial assets or (b) require specialized skills, are provided by<br />

individuals possessing those skills, and would typically need to be purchased if not donated.<br />

During fiscal-year <strong>2004</strong>, the Organization received $62,850 of donated airfare and $35,600 of donated security. In addition,<br />

the Organization received (i) donated toy bears of $100,000 and $90,000 in fiscal-years <strong>2004</strong> and 2003, respectively, and (ii)<br />

an in-kind contribution in the form of donated advertising which was valued at $170,000 and $175,000 in fiscal-years <strong>2004</strong> and<br />

2003, respectively.<br />

NOTE E - RELATED PARTY TRANSACTION<br />

A director of the Organization is a principal owner of the press agency used by the Organization. Fees paid for services and<br />

expense reimbursements to the press agency were $32,741 and $27,538 for fiscal-years <strong>2004</strong> and 2003, respectively.<br />

For the fiscal-years <strong>2004</strong> and 2003, grants of $3,360,500 and $2,972,500, respectively, were paid to the Actors Fund of<br />

America, a not-for-profit organization that has several board members in common with the Organization.<br />

NOTE F - CONTRIBUTIONS TO RELIEF EFFORTS<br />

As a result of the terrorist attacks in 2001, various <strong>Broadway</strong> shows collected donations for the relief efforts and submitted these<br />

contributions to the Organization. The Organization in turn distributed these funds, which amounted to approximately<br />

$215,000 in the fiscal year ending September 30, 2002, to appropriate recipients.<br />

NOTE H - RETIREMENT BENEFITS<br />

The Organization has a defined-contribution pension plan formed under U.S. Internal Revenue Code Section 401(k) that covers<br />

all employees who meet certain length-of-service requirements. Participants' contributions are fully vested at all times, and vesting<br />

of the Organization's contributions is phased-in over a six-year period. There were no employer contributions made in fiscalyears<br />

<strong>2004</strong> and 2003. It is the Organization's policy to fund pension costs currently.<br />

NOTE I - CONCENTRATION OF CREDIT RISK<br />

The Organization deposits its cash in accounts with major banking institutions. At times, such amounts may be in excess of federal<br />

insurance limits. Management believes that the Organization has no significant risk of loss on these accounts due to the failure of<br />

the institutions.<br />

notes to financial statements<br />

71


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

CREDITS<br />

Prepared by the <strong>BC</strong>/<strong>EFA</strong><br />

senior staff<br />

Tom Viola<br />

Executive Director<br />

Larry Cook<br />

Director of Finance and<br />

Administration<br />

Michael Graziano<br />

Producing Director<br />

Frank Sonntag<br />

Director of Development<br />

and<br />

Andy Smith<br />

Associate Director of Development<br />

and Communications<br />

editor<br />

Tom Viola<br />

photo editor<br />

Carol Ingram<br />

design<br />

Design 158, NYC<br />

photography<br />

Jay Brady Photography,<br />

Kenneth Blauvelt/<br />

Studio 66<br />

Rivka Katvan<br />

Moody Pics<br />

Christopher Economakos<br />

The Actors’ Fund of<br />

America and candid photos<br />

donated by <strong>BC</strong>/<strong>EFA</strong><br />

volunteers<br />

printing<br />

Arista Printing and<br />

Computer Graphics<br />

BOARD OF DIRECTORS<br />

Paul Libin, President<br />

Alan Eisenberg, Vice-President<br />

Patrick Quinn, Second Vice-President<br />

Maria Di Dia, Third Vice-President<br />

Philip Birsh, Tresurer<br />

Judith Rice, Secretary<br />

BOARD OF TRUSTEES<br />

Cornelius Baker Gary Gunas<br />

Scott Barnes Charles Hamlen<br />

Joseph Benincasa ex officio<br />

Jed Bernstein Craig Jacobs<br />

Chris Boneau Richard Jay-<br />

Barry Brown Alexander<br />

Kate Burton Cherry Jones<br />

Robert Callely Nathan Lane<br />

Kathleen Chalfant Jay Laudato<br />

Thom Christopher Scott Mauro<br />

Sherry Cohen Michael McElroy<br />

Alan Cumming Terrence McNally<br />

Gavin Darraugh Jerry Mitchell<br />

Michael David Ira Mont<br />

Merle Debuskey Bernadette Peters<br />

Paul DiDonato Martin Richards<br />

Sam Ellis<br />

Chita Rivera<br />

Neal Garelik Jordan Roth<br />

Nick Scandalios<br />

Peter Schneider<br />

Thomas<br />

Schumacher<br />

Marian Seldes<br />

Matthew Serino<br />

Philip J. Smith<br />

Stuart Thompson<br />

Tim Tompkins<br />

Fred Vogel<br />

Beth Williams<br />

George C. Wolfe<br />

as of October 1, <strong>2004</strong><br />

credits<br />

72


42nd STREET<br />

A FEW GOOD MEN DANCIN’<br />

A RAISIN IN THE SUN AIDA AVENUE Q BEAUTY AND<br />

THE BEAST BECKETT/ALBEE BEYOND RECOGNITION<br />

BLUE MAN GROUP BOOBS, THE MUSICAL THE BOY<br />

FROM OZ CABARET CHICAGO DE LA GUARDA<br />

FAME FIDDLER ON THE ROOF FLOWER DRUM SONG<br />

FORBIDDEN BROADWAY THE FULL MONTY GOLDA’S<br />

BALCONY GYPSY HAIRSPRAY I AM MY OWN WIFE<br />

I LOVE YOU, YOU’RE PERFECT, NOW CHANGE<br />

JESUS CHRIST, SUPERSTAR LES MISÉRABLES THE<br />

LION KING LISTEN TO MY HEART LITTLE SHOP OF<br />

HORRORS LYPSINKA MAMMA MIA MENOPAUSE,<br />

THE MUSICAL MORE MOVIN’ OUT NAKED BOYS<br />

SINGING NINE OMINUM GATHERING THE PHANTOM<br />

OF THE OPERA THE PRODUCERS RENT THE<br />

RETREAT FROM MOSCOW SARAH, SARAH STOMP<br />

STRICTLY ACADEMIC TABOO TAKE ME OUT THE<br />

THANK<br />

YOU!<br />

THING ABOUT MEN THOROUGHLY MODERN MILLIE<br />

TWENTIETH CENTURY URINETOWN THE VIOLET<br />

HOUR WICKED WINTERTIME WONDERFUL TOWN<br />

Company members from Avenue Q at the <strong>Broadway</strong> Flea Market; this says it all – the “rotation” at <strong>Broadway</strong> Bares; Leslie Gore and Richard Thomas at the Celebrity Photo Booth<br />

during The <strong>Broadway</strong> Flea Market; the kids from the musical Gypsy accept their fundraising award at The Gypsy of the Year Competition; two <strong>BC</strong>/<strong>EFA</strong> champions, Christopher<br />

Sieber and Harvey Fierstein; the star of Take Me Out, Daniel Sunjata, with his very own Take Me Out bear – fully clothed. The irrepressible Charles Busch as Auntie Mame.


BROADWAY CARES/<br />

EQUITY FIGHTS <strong>AIDS</strong><br />

165 West 46th Street, Suite 1300<br />

New York, NY 10036<br />

T.212.840.0770<br />

F.212.840.0551<br />

www.broadwaycares.org

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