BC/EFA Annual Report 2004 - Broadway Cares/Equity Fights AIDS
BC/EFA Annual Report 2004 - Broadway Cares/Equity Fights AIDS
BC/EFA Annual Report 2004 - Broadway Cares/Equity Fights AIDS
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BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NATIONAL SUPPORT<br />
A strong commitment to <strong>BC</strong>/<strong>EFA</strong> extends far beyond New York City. In regional, stock, and dinner<br />
theatres across the country, as well as in cities that play host to <strong>Broadway</strong>’s national touring shows, casts come together as they do in<br />
New York to raise funds continually for <strong>BC</strong>/<strong>EFA</strong>.<br />
<strong>Broadway</strong>’s national tours are <strong>BC</strong>/<strong>EFA</strong>’s ambassadors on the road. Without the added administrative expense of official chapters<br />
in cities across the country, <strong>BC</strong>/<strong>EFA</strong> is able to raise funds through autographed poster sales and curtain speeches as companies travel.<br />
These efforts raise hundreds of thousands of dollars each year and are an important piece of the financial support <strong>BC</strong>/<strong>EFA</strong> provides<br />
through the National Grants Program to many <strong>AIDS</strong> service organizations in the very cities visited by the national tours as they wind<br />
their way across the country. These special appeals have been made by such touring shows as 42nd Street, A Few Good Men Dancin’, Aida,<br />
Beauty and the Beast, Blue Man Group, Chicago, Flower Drum Song, Hairspray, Jesus Christ, Superstar, Les Misérables, Mamma Mia!, Movin’ Out, The Phantom<br />
of the Opera, The Lion King, Thoroughly Modern Millie and Urinetown.<br />
Cast members from many tours go to the added effort of presenting special cabaret evenings in local clubs of theatres, the<br />
proceeds of which are then shared with local <strong>AIDS</strong> organizations and <strong>BC</strong>/<strong>EFA</strong>. However you measure it, the generous efforts of our<br />
friends on the road amount to hundreds of thousands of dollars that go back through <strong>BC</strong>/<strong>EFA</strong> to local <strong>AIDS</strong> service organizations<br />
nationwide.<br />
Fourteen years ago, the first “<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Week” was declared. What was then the <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Committee sent<br />
letters to every equity theatre asking that an appeal be made during Thanksgiving Week. That first year brought in over $70,000 from<br />
a few dozen theatres. Over the years, more local theatres joined in what turned into annual efforts, and in 1992, <strong>EFA</strong> Week became<br />
<strong>BC</strong>/<strong>EFA</strong> Week, a fundraising tradition which continues to this day. More importantly, over time, many regional theatres became<br />
allied with their local <strong>AIDS</strong> service organizations, raising funds for them as the national tours do for <strong>BC</strong>/<strong>EFA</strong>. Some theatres<br />
continue to do both. The Actors’ Playhouse at The Miracle Theatre in Coral Gables, FL; the Sacramento Theatre Company, CA;<br />
the Lyric Stage Company of Boston, MA; Portland Center Stage, OR; Syracuse Stage, NY; Actor’s Theater of Louisville, KY;<br />
Cincinnati’s Playhouse in the Park, OH; Fulton Opera House in Lancaster, PA; Walnut Street Theatre in Philadelphia, PA; North<br />
Shore Music Theatre in Beverly, MA; Connecticut’s Goodspeed Opera House, Charlotte Repertory Theatre, NC; Arena Stage in<br />
Washington, DC; Alliance Theatre Company in Atlanta, GA; New Jersey’s Papermill Playhouse, and Hartford Stage, CT are just a<br />
few of <strong>BC</strong>/<strong>EFA</strong>’s stalwart supporters across the country. Our thanks go out to each and all.<br />
One of <strong>BC</strong>/<strong>EFA</strong>’s greatest ongoing national supporters is the Carousel Dinner Theatre in Akron, Ohio. In <strong>2004</strong>, seven of its musical productions raised over $41,000!<br />
(Miss Saigon is pictured); The Merry Go-Round Theatre’s production of Show Boat in Auburn, New York raised $1,535; the smash hit production of<br />
Smokey Joe’s Café at the Oqunquit Playhouse in Maine raised over $14,000 during the course of its summer run. Jacques Brel at the Stuart Street Playhouse<br />
in Boston raised more than $1,000.<br />
national support<br />
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