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BC/EFA Annual Report 2004 - Broadway Cares/Equity Fights AIDS

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BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY BARES XIV<br />

JUNE 20, <strong>2004</strong><br />

<strong>Broadway</strong> Bares 14: Now Showing, the <strong>2004</strong> version of the spectacular that grins and bares it, brought<br />

in $525,000 for <strong>BC</strong>/<strong>EFA</strong>, $18,000 of which was collected in sweaty dollar bills tucked into the sparkling g-strings worn by 200 of<br />

<strong>Broadway</strong>’s hottest dancers. This success tops our total from 2003 by a whopping $75,000, and culminates in a grand total of<br />

$2,825,000 raised since the event’s first edition in 1991.<br />

Every year for 14 years, <strong>Broadway</strong> Bares’ creator and original director/choreographer, Jerry Mitchell, has convinced a group of<br />

<strong>Broadway</strong> professionals to take it off for a good cause.<br />

Titillating titles from past years included The Barest Show on Earth, Peep Show, Calendar Girl, A Comic Strip, 2001: A Strip Odyssey, and Knock,<br />

Knock: Who’s Bare. <strong>Broadway</strong> Bares 14, which took over Roseland Ballroom on June 20, was directed by Mitchell’s protégé, Jodi Moccia,<br />

and choreographed by Moccia and a stellar dance team.<br />

<strong>Broadway</strong> Bares 14 took on the movies, featuring dance sequences inspired by Flashdance, Rocky, James Bond, Chariots of Fire, and<br />

even a moment from Whatever Happened to Baby Jane?<br />

Antigravity performed a skit based on Crouching Tiger, Hidden Dragon – appropriately renamed ‘”Crotching’ Tiger, Hidden Dragon”<br />

– featuring an acrobatic appearance by gymnast and dancer Matthew Cusick. Hollywood’s golden days were honored in “Going<br />

Bananas,” which blended the comedy of the Marx Brothers with outrageous costumes and dance moves inspired by Carmen Miranda.<br />

Special guests included Into the Woods’ Christopher Sieber and Queer Eye for the Straight Guy’s Jai Rodriguez, Swoosie Kurtz, Patrick<br />

Cassidy, Shirley Jones, and Paige Davis of Trading Spaces and Chicago plus, Avenue Q’s John Tartaglia and “Rod” in a cameo from Scream.<br />

Las Vegas-based aerial troupe The Living Art of Armando – an audience favorite – pulled off a sexy acrobatic feat, spinning from<br />

a sphere in midair as their costumes appeared to melt away, while Aaron Vexler and Mike Moran of the Las Vegas troupe Axiom<br />

presented a specialty number “For the Boys.”<br />

Following the finale came a reminder of what all the glitz and gaiety was for: a generous check for $75,000 from The MAC <strong>AIDS</strong><br />

Fund and MAC Viva Glam presented by MAC CEO John Demsey to <strong>Broadway</strong> <strong>Cares</strong>. With the support of MAC, our sold-out crowd,<br />

and our volunteers and volunteer dancers, we’ve created a unique way to raise money to help people living with <strong>AIDS</strong> and their<br />

families that now has become an annual “rite of spring” for over 5,000 aficionados of <strong>Broadway</strong>, dance, the flash of well-toned<br />

muscle and a bit of booty. All, of course, for a good cause.<br />

(left to right) A highlight of the evening was the appearance of special guests Aaron Vexler and Mike Moran of 'Axiom’;<br />

“Going Bananas” featured Brad Aspel, James Leo Ryan and Denis Jones as Chico, Harpo and Groucho; “Yo Adrian” featured Keith Kuhl; this year’s Bares poster boy,<br />

Eric Otte showed a side we've never seen of “Bond, James Bond.”<br />

events<br />

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