thank you! - Broadway Cares/Equity Fights AIDS
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BROADWAY<br />
CARES/<br />
EQUITY<br />
FIGHTS<br />
<strong>AIDS</strong><br />
ANNUAL<br />
REPORT<br />
2003
THANK<br />
YOU!<br />
42nd STREET AIDA AVENUE Q BEAUTY & THE BEAST<br />
BETTY RULES BOOK OF DAYS BLUE MAN GROUP<br />
CABARET CHICAGO CINDERELLA DANCE OF THE<br />
VAMPIRES DEBBIE DOES DALLAS DEF POETRY JAM<br />
FLOWER DRUM SONG FRANKIE & JOHNNY IN THE CLAIR<br />
DE LUNE THE FOURTH WALL THE FULL MONTY THE<br />
GOAT THE GRADUATE HAIRSPRAY HOLLYWOOD ARMS<br />
I LOVE YOU, YOU’RE PERFECT, NOW CHANGE<br />
IMAGINARY FRIENDS IN REAL LIFE INTO THE WOODS<br />
JESUS CHRIST, SUPERSTAR JOLSON AND COMPANY<br />
JUDY AND ME LA BOHÉME LES MISÉRABLES LIFE<br />
X 3 LOVE JANIS THE LION KING MA RAINEY’S BLACK<br />
BOTTOM MAMMA MIA! MAN OF LA MANCHA MENOPAUSE,<br />
THE MUSICAL METAMORPHOSES MINDFREAK MOVIN’<br />
OUT MY OLD LADY NAKED BOYS SINGING OKLAHOMA<br />
PROOF SOME LIKE IT HOT THE TALE OF THE<br />
ALLERGIST’S WIFE THE PHANTOM OF THE OPERA<br />
THE PRODUCERS RENT SATURDAY NIGHT FEVER<br />
SAY GOODNIGHT,GRACIE STOMP TAKE ME OUT THOROUGHLY<br />
MODERN MILLIE TICK, TICK…BOOM! TONY & TINA’S<br />
WEDDING URINETOWN THE VAGINA MONOLOGUES<br />
VINCENT IN BRIXTON WEST SIDE STORY ZANNA, DON’T<br />
Front Cover: (Clockwise) Current and past cast members of Les Misérables make their last appearance at a BC/EFA event and join in a grand finale at the Gypsy of the Year<br />
Competition to sing “Will You Join in Our Crusade” – this time with a red ribbon flag; Louise Pitre and cast members of the Mamma Mia! table at the Flea Market; cast members<br />
from Gypsy collecting in the lobby of the Shubert Theatre after a post-performance appeal; Hairspray’s Harvey Fierstein makes the appeal from the stage of the Neil Simon; three<br />
jumpin’ gypsies in the opening number from Gypsy of the Year; Nine’s Chita Rivera and Antonio Banderas helped present the awards at The Easter Bonnet Competition.
ANNUAL<br />
REPORT<br />
2003<br />
broadway cares/equity fights aids<br />
TABLE OF CONTENTS<br />
how a dollar makes a difference 2<br />
letter from the president Paul Libin 3<br />
letter from the executive director Tom Viola 4<br />
bc/efa grantmaking 5<br />
the actors’ fund of america 6<br />
national grants program 12<br />
national grant totals by state 16<br />
international grants 25<br />
events 27<br />
national support 38<br />
thespian fundraising 39<br />
bc/efa on e-bay 40<br />
retail outreach 41<br />
classical action: performing arts against aids 42<br />
dancers responding to aids (dra) 44<br />
corporate support 45<br />
broadway delivers! 47<br />
the angels campaign 48<br />
major donors 51<br />
the colleen dewhurst society 55<br />
financial statements 56<br />
board of trustees and credits 64<br />
Cast members from Flower Drum Song celebrate their fundraising award at the Gypsy of the Year Competition; Norm Lewis joins Jennifer Holliday<br />
on stage at Town Hall; the irrepressible Jennifer Smith and Jim Borstelmann reprise “These Boots Are Made for Walking” at The Easter Bonnet Competition; Donna Murphy<br />
and Bebe Neuwirth at the Celebrity Booth of The <strong>Broadway</strong> Flea Market; Louise Pitre helped this baby find a home at <strong>Broadway</strong> Barks.<br />
table of contents<br />
1
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
HOW A DOLLAR<br />
MAKES A DIFFERENCE<br />
The fundraising and grantmaking success of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> is the result of<br />
thousands of simple gestures of generosity and concern that come together as one phenomenal show of support for people with<br />
HIV/<strong>AIDS</strong> and their families. This is never more apparent than in the audience appeals that are done twice a year, for two six-week<br />
periods, by the <strong>Broadway</strong>, Off-<strong>Broadway</strong>, and national touring shows prior to the annual Gypsy of the Year and Easter Bonnet Competitions.<br />
Here is how a single dollar becomes what, in 2003, was a $5 million campaign.<br />
A theatregoer is moved by the curtain speech made by a member of the cast after the curtain call. In support of BC/EFA, or<br />
simply because it was such a thrill to hear the show’s star informally and enthusiastically talk to the audience about our work, he or<br />
she puts ONE DOLLAR into the collection buckets manned by other members of the company or BC/EFA volunteers. In an average<br />
<strong>Broadway</strong> house of 1,800 seats, this means the following:<br />
one generous gesture $ 1<br />
the amount raised at one performance $ 1,800<br />
there are 8 performances a week (x 8) $ 14,400<br />
30 other shows are making the same appeal (x 30) $ 432,000<br />
appeals are made for six weeks (x 6) $ 2,592,000<br />
twice a year (x 2) $ 5,184,000<br />
Audience appeals are the backbone of BC/EFA’s yearly fundraising efforts. Of course, money is raised in other ways – through<br />
direct mail, major donor campaigns, corporate sponsorships, merchandise sales, CareTix, and CareCards, as well as the tickets sales<br />
of special events. Together, all of these efforts made it possible for BC/EFA to raise over $10 million in fiscal year 2003. Yet, without<br />
a doubt, the foundation of this success is the audience appeals – to be more specific, the thousands of times one person reaches into<br />
a pocket or purse and drops $1 into a volunteer’s bucket.<br />
BC/EFA’s grants committee awarded more than $2.7 million in grants to over 450 <strong>AIDS</strong> and family service organizations in<br />
2003 to provide meals, transportation, emergency assistance, housing, case management, and other vital services to people with<br />
<strong>AIDS</strong>, as well as another $2.8 million to support six programs at The Actors’ Fund of America.<br />
ALL FROM YOUR ONE DOLLAR!<br />
One bucket of hundreds; cast members from Les Misérables in the lobby of the Imperial Theatre; La Bohéme’s director, Baz Luhrmann, signing show posters in the lobby<br />
of the <strong>Broadway</strong> Theatre; Gavin Creel leads cast members from Thoroughly Modern Millie collecting for BC/EFA in the lobby of The Marquis Theatre.<br />
how a dollar makes a difference<br />
2<br />
<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />
is the nation’s leading industrybased,<br />
nonprofit <strong>AIDS</strong> fundraising<br />
and grantmaking organization.<br />
BC/EFA is the ongoing, committed<br />
response from the American<br />
theatre community to an urgent<br />
worldwide health crisis. By<br />
drawing upon the talents, resources<br />
and generosity of this community,<br />
BC/EFA raises funds for <strong>AIDS</strong>related<br />
causes across the United<br />
States. Since its founding in 1988,<br />
BC/EFA has raised over $85 million<br />
for critically needed services for<br />
people with <strong>AIDS</strong>, HIV or HIVrelated<br />
illnesses, and their families.
A LETTER<br />
FROM<br />
THE PRESIDENT<br />
July 2004<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
Dear Friends,<br />
It is my pleasure to let <strong>you</strong> know that even in the economic uncertainty we have all faced in the past year, <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong><br />
<strong>Fights</strong> <strong>AIDS</strong> has once again increased the amount of money raised and broadened the scope of program support offered to individuals<br />
facing catastrophic health and social service concerns.<br />
BC/EFA remains one of the largest industry-based <strong>AIDS</strong> fundraising organizations in the nation. We support a myriad<br />
of additional programs offering free-of-charge services to industry insiders as well as literally hundreds of service organizations across<br />
the country. While the core mission remains centered on the <strong>AIDS</strong> crisis within the entertainment community, BC/EFA is providing<br />
health care assistance to women and all industry professionals facing catastrophic health predicaments. Additionally, funds raised by<br />
BC/EFA now reach thousands of elderly, hungry, homeless and otherwise disenfranchised individuals affected by HIV/<strong>AIDS</strong>.<br />
Of course we owe a tremendous debt of gratitude to the thousands of individuals, corporations and foundations who have<br />
contributed to our efforts. The continued dedication of <strong>Broadway</strong> cast members in our Gypsy of the Year and Easter Bonnet fundraising<br />
appeals produced remarkable totals this year. As a direct result of these increases, we were able to contribute more financial support<br />
to both the Actors’ Fund programs and our National Grants Program than ever before.<br />
There is no question that the core of our strength comes from the theatre community – the performers who generously donate<br />
their time and considerable talents as well as the theatre-going audiences who respond with enthusiasm to our onstage appeals. The<br />
generosity of this group of dedicated individuals continues to inspire not only the BC/EFA board and staff, but people in need<br />
everywhere. Never has the phrase “<strong>Broadway</strong> <strong>Cares</strong>” meant more or rung truer. As the miracle of drug therapy has gratefully extended<br />
the lives of so many, it has also made the need for an organization like BC/EFA more important than ever.<br />
I want to acknowledge the tireless efforts of my fellow BC/EFA trustees and the dedication of our staff. We are truly blessed to<br />
enjoy the ongoing support of so many who realize the complexity of the challenges being faced on a daily basis. We appreciate the<br />
time spent in reviewing the contents of this yearly report, and we hope that <strong>you</strong> take as much pride as we do in what we have been able<br />
to accomplish together.<br />
Paul Libin<br />
President<br />
The opening number of the Easter Bonnet Competition; Phylicia Rashad and members of The <strong>Broadway</strong> Inspirational Voices; Man of La Mancha’s Brian Stokes Mitchell<br />
and Mary Elizabeth Mastrantonio helped host the Easter Bonnet Competition; joyful cast members from Mamma Mia! accept their fundraising award at the<br />
Gypsy of the Year Competition; cast members from The Producers outside the St. James Theatre for the <strong>Broadway</strong> Flea Market.<br />
a letter from the president<br />
3
Dear Friends,<br />
I am very happy to report that in 2003, with <strong>you</strong>r support, BC/EFA increased total funding for both the programs of The Actors’<br />
Fund and the over 450 <strong>AIDS</strong> and family service organizations that make up the National Grants Program by $732,176, setting the<br />
organization on a path of full-fledged recovery that has continued into 2004.<br />
As to be expected following 9/11 and a general economic downturn, BC/EFA’s fundraising and grantmaking took a dip in 2002.<br />
But as the chart below details, results improved considerably in 2003:<br />
Eighteen years ago, <strong>Broadway</strong> <strong>Cares</strong> and <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> were two fledgling organizations made up of well-intentioned<br />
groups of folks eager to do something – anything – in response to the desperate needs of those combating <strong>AIDS</strong>. Even the idea of<br />
an annual report was beyond what we thought we could accomplish. But we persevered and began to accumulate many small successes<br />
that propelled our collective efforts.<br />
Today, following its successful merger in 1992, BC/EFA is a $10 million-a-year fundraising and grantmaking organization that<br />
continues to address the challenges facing people with <strong>AIDS</strong> and their families, women’s health issues, and others.<br />
Although the situations and statistics surrounding those living with <strong>AIDS</strong> have changed significantly since our earliest fundraising<br />
efforts, never has there been such a need for a continued, sustained response to those in crisis than there is right now. Politics,<br />
economic and job uncertainty for many, and the ongoing conflicts across the globe have diverted attention and limited resources away<br />
from vital social programs and services.<br />
Our support for the programs of The Actors’ Fund and for over 450 <strong>AIDS</strong> and family service organizations across the country<br />
has never been more important – because those very organizations have never had more people looking for help, advice, and support.<br />
Simply said, for all social service agencies, times are very difficult. But because of <strong>you</strong> – thousands of theatre professionals,<br />
audiences in New York and across the country, our major donors, and corporate sponsors – BC/EFA has continued to respond in a<br />
meaningful way in 2003, pledging our commitment to these continued fundraising and grantmaking efforts as I write this in 2004.<br />
Here is our “2003 yearbook” – the facts, the figures, the photos, and graphs that make up BC/EFA on paper. Whether <strong>you</strong><br />
tossed a $5 bill in a bucket in a theatre lobby, wrote a $2,500 major donor check, offered <strong>you</strong>r company’s financial or in-kind<br />
support, or simply wished us well – <strong>you</strong> are a part of BC/EFA, a unique and extraordinary fundraising and grantmaking family. For<br />
that, we <strong>thank</strong> <strong>you</strong>.<br />
Sincerely,<br />
Tom Viola<br />
Executive Director<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
A LETTER<br />
FROM<br />
THE EXECUTIVE DIRECTOR<br />
July 2004<br />
2002 2003<br />
THE ACTORS’ FUND $ 2,732,000 $ 3,037,500<br />
the aids initiative $ 2,100,000 $ 2,100,000<br />
phyllis newman women’s health initiative $ 209,500 $ 302,500<br />
physician volunteers for the arts $ 100,000 $ 15,000<br />
al hirschfeld free health clinic n/a $ 400,000<br />
the actors’ work program $ 270,000 $ 170,000<br />
the palm view (los angeles) $ 50,000 $ 50,000<br />
NATIONAL GRANTS $ 2,689,676 $ 2,957,969<br />
INTERNATIONAL GRANTS $ 105,500 $ 143,000<br />
TOTAL BC/EFA GRANTS $ 5,421,676 $ 6,138,469<br />
A parade of Easter Bonnets; Squirrel and friends hang around the Theatre District for <strong>Broadway</strong> Barks; Elizabeth Martinson, John Tartaglia, Joel Grey,<br />
and Harvey Fierstein at the <strong>Broadway</strong> Flea Market; Bryan Batt and Holly Cruikshank present one of the <strong>Broadway</strong> Bears for auction.<br />
a letter from the executive director<br />
4
THE BC/EFA<br />
GRANTMAKING<br />
PROGRAM<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> was founded in October 1987 by the Council of Actors’ <strong>Equity</strong> Association. Money<br />
raised through the efforts of <strong>Equity</strong> theatre companies across the country was specifically earmarked for The Actors’ Fund’s <strong>AIDS</strong><br />
Initiative. <strong>Broadway</strong> <strong>Cares</strong> was founded in February 1988 by members of The Producers’ Group. Money raised was earmarked to be<br />
awarded to <strong>AIDS</strong> service organizations across the country, including <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />
In May 1992, <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> and <strong>Broadway</strong> <strong>Cares</strong> merged to become <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>. The Board of<br />
Trustees of this newly established non-profit fundraising organization assumed the missions of the previously separate organizations<br />
and continues to fund the social service work of The Actors’ Fund and to award grants twice a year to <strong>AIDS</strong> service organizations<br />
nationwide.<br />
Unlike most other nonprofit grantmaking organizations, <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> must raise every single dollar of<br />
our philanthropic budget, every year, in order to fulfill our mission. In turn, BC/EFA works hard to ensure that the money we raise<br />
is spent carefully and wisely, on programs where these hard-earned funds can have the maximum possible impact.<br />
BC/EFA’s grantmaking has two emphases. The first is The Actors’ Fund of America. BC/EFA currently supports six major social<br />
service programs at the Fund, each of which provides direct assistance to entertainment industry professionals and performing artists<br />
who are dealing with a variety of problems, including HIV/<strong>AIDS</strong>. The second major grantmaking effort is the National Grants<br />
Program, through which BC/EFA makes grants to hundreds of community-based <strong>AIDS</strong> service organizations across the country. A<br />
detailed description of how we distribute our funds, and the programs we support, is contained on the following pages.<br />
A HISTORY OF GIVING<br />
ACTORS’ FUND NATIONAL GRANTS TOTAL<br />
GRANTS PROGRAMS GRANTS<br />
EQUITY FIGHTS <strong>AIDS</strong> 1987-may 1992 $ 2,775,250.00 $ 2,775,250.00<br />
BROADWAY CARES 1988-may 1992 $ 1,067,000.00 $ 1,067,000.00<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
may-december 1992 $ 634,000.00 $ 771,780.00 $ 1,405,780.00<br />
1993 $ 1,654,000.00 $ 1,184,119.00 $ 2,838,119.00<br />
1994 $ 1,758,000.00 $ 676,404.00 $ 2,434,404.00<br />
1995 $ 1,791,000.00 $ 707,916.00 $ 2,498,916.00<br />
1996 $ 2,010,000.00 $ 1,400,549.00 $ 3,410,549.00<br />
1997 $ 2,247,500.00 $ 1,342,200.00 $ 3,589,700.00<br />
1998 $ 2,471,000.00 $ 1,711,819.00 $ 4,182,819.00<br />
1999 $ 2,700,000.00 $ 3,039,841.00 $ 5,739,841.00<br />
2000 $ 2,955,336.00 $ 3,033,566.00 $ 5,988,902.00<br />
2001 $ 2,829,500.00 $ 3,238,765.00 $ 6,068,265.00<br />
2002 $ 2,732,000.00 $ 2,689,676.00 $ 5,421,676.00<br />
2003 $ 3,022,500.00 $ 3,115,969.00 $ 6,138,469.00<br />
BC/EFA GRANTMAKING TOTAL<br />
1987-2003 $ 29,580,086.00 $ 23,979,604.00 $ 53,559,690.00<br />
Faces and scenes from a few of hundreds of <strong>AIDS</strong> and family service organizations funded by BC/EFA.<br />
the bc/efa grantmaking progam<br />
5
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE ACTORS’ FUND<br />
OF AMERICA<br />
The Actors’ Fund of America provides for the welfare of all who earn their living through employment<br />
in the entertainment industry. The stage manager or dancer with <strong>AIDS</strong> and no health insurance, the actor looking to make a<br />
transition into a second career, the retired costume designer having difficulty living on social security and unclear about his<br />
Medicaid benefits, the stage carpenter or actress facing a crisis around an issue of addiction, the musician in need of supportive<br />
housing – all are part of the entertainment industry and all can find assistance through The Actors’ Fund.<br />
The Actors’ Fund continues the industry tradition of “taking care of its own,” forged more than a century ago when attitudes of<br />
prejudice against people in show business prevailed. The Actors’ Fund served as a catalyst for reducing that discrimination and<br />
integrating theatre professionals into the social, political, and economic aspects of their communities.<br />
Through its partnership with The Actors’ Fund, BC/EFA touches the lives of thousands of entertainment professionals living<br />
with HIV/<strong>AIDS</strong>, as well as those coping with a variety of other health issues and life challenges.<br />
THE <strong>AIDS</strong> INITIATIVE<br />
The collaboration between BC/EFA and The Actors’ Fund’s <strong>AIDS</strong> Initiative is a model for how an industry can respond with<br />
effectiveness and compassion to the <strong>AIDS</strong> crisis. The <strong>AIDS</strong> Initiative provides a full spectrum of essential supportive services,<br />
including emergency financial assistance (for basic necessities such as rent, food, health insurance, and non-reimbursable medical<br />
expenses), case management referrals to other sources of community and public assistance, benefits advocacy, vocational retraining,<br />
counseling, and support groups for people with HIV/<strong>AIDS</strong> and their partners, families, and caregivers.<br />
Of the $3,022,500 awarded to The Actors’ Fund by BC/EFA in 2003, $1,154,472 was distributed as direct financial assistance<br />
to 577 clients living with HIV/<strong>AIDS</strong> in 22 states through Actors’ Fund offices in New York, Chicago, and Los Angeles. Of this,<br />
$484,373 (41%) was provided for rent payments and $366,293 (31%) for health insurance payments. In addition to underwriting<br />
the direct financial assistance, BC/EFA’s total <strong>AIDS</strong> Initiative grant of $2,100,000 supports personnel, administrative costs,<br />
volunteer needs, and other expenses associated with client case management.<br />
Changes in the <strong>AIDS</strong> environment have had a significant impact on clients. The effectiveness of protease inhibitors, available<br />
Joseph Benincasa, Executive Director of The Actors’ Fund (second from l), accepts a $1 Million check from BC/EFA’s President, Paul Libin (second from r),<br />
and (l-r) Larry Cook, Fred Vogel, Maria Di Dia, Phil Birsh, Judy Rice, Scott Barnes, and Tom Viola. Clients of The Actors’ Fund: costume and props designer Zoe Morsette,<br />
actors Mark Hooker and David Pawley Martin, and set and costume designer Frank Boros.<br />
the actors’ fund of america<br />
6
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“I WAS SO LOST AFTER THE NEWS OF MY DIAGNOSIS. I DIDN’T KNOW<br />
WHAT TO DO ABOUT MY HIV STATUS. I COULDN’T TELL ANYONE AND<br />
WAS SO SCARED. I’VE COME A LONG WAY SINCE THEN. THE UPS AND<br />
DOWNS OF THIS ARE MORE THAN I COULD HAVE IMAGINED. I COULDN’T<br />
HAVE DONE IT WITHOUT YOUR SUPPORT. YOUR KINDNESS HELPED ME<br />
FEEL SAFE IN A SOMETIMES NOT SO SAFE WORLD. THANK YOU FOR<br />
LETTING ME FALL AND GET UP, TIME AND TIME AGAIN. I TRULY<br />
APPRECIATE EVERYTHING THE ACTORS’ FUND AND BROADWAY CARES<br />
HAS DONE FOR ME.”<br />
since 1996, has had major service implications as The <strong>AIDS</strong> Initiative shifts from helping people with a fatal disease to assisting those<br />
with a chronic, manageable one. In the past, The <strong>AIDS</strong> Initiative often focused even asymptomatic clients toward a more dependent<br />
level of functioning – a change that would most likely be imminent for HIV+ individuals. Advances in treatment allow many to now<br />
focus on preparing for independence by helping them build their skills and learn more about the supportive network that can help<br />
them remain highly functioning.<br />
This change, however, has had a profound effect on the number of clients served by The <strong>AIDS</strong> Initiative. Over the past ten years,<br />
the actors’ fund of america<br />
7<br />
<strong>AIDS</strong> INITIATIVE CLIENT<br />
“I FIRST HEARD ABOUT BROADWAY CARES WHILE WATCHING THE TONY<br />
AWARDS SEVERAL YEARS AGO. I NEVER DREAMED THAT I WOULD<br />
THANK YOU ONE DAY FOR HELPING MY SON.”<br />
<strong>AIDS</strong> INITIATIVE FINANCIAL ASSISTANCE BY CATEGORY<br />
MOTHER OF AN <strong>AIDS</strong> INITIATIVE CLIENT<br />
RENT $ 484,373 42%<br />
HEALTH INSURANCE $ 366,293 32%<br />
PSYCHOTHERAPY $ 130,451 2%<br />
OTHER $ 108,849 10%<br />
UTILITIES AND $ 25,057 11%<br />
LIVING EXPENSES<br />
ALTERNATIVE TREATMENT $ 18,261 2%<br />
DENTAL $ 11,323 1%
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“YOU CAME TO MY RESCUE, HELPING ME TO DEAL WITH THE<br />
SOCIAL, FINANCIAL AND EMOTIONAL ISSUES WHICH AROSE FROM<br />
MY DIAGNOSIS. IT IS BECAUSE OF YOU THAT I AM HERE TODAY.”<br />
“YOU HAVE MADE THIS ATHEIST BELIEVE AGAIN IN ANGELS.”<br />
from 1994–2003, The Actors’ Fund <strong>AIDS</strong> Initiative has experienced a dramatic decrease in the number of <strong>AIDS</strong>-related deaths,<br />
from almost 50% of its clients in 1994 to 5% in 2003. While that is encouraging news, the battle is far from over. During this same<br />
time, the number of <strong>AIDS</strong> Initiative clients has more than doubled from 216 in 1994 to 577 in 2003, including many new clients.<br />
BC/EFA funding represents 70% of The <strong>AIDS</strong> Initiative budget. BC/EFA continues to work closely with The Actors’ Fund to<br />
provide leadership, coalition building, and the fundraising necessary to keep the promise that we will “take care of our own” for as<br />
long as <strong>AIDS</strong> is with us.<br />
2003 CLIENT ENROLLMENT<br />
NUMBER OF CLIENTS PERCENTAGE<br />
actors’ equity* 265 45%<br />
sag* 210 36%<br />
aftra* 163 28%<br />
non-union 144 24%<br />
agma-agva 58 9%<br />
iatse 32 5%<br />
local 802 musicians<br />
united scenic artists, wardrobe, directors’ guild,<br />
19 3%<br />
writers’ guild, dramatists’ guild, and ssd&c 28 4%<br />
total clients in 2002<br />
*based on multiple membership<br />
581<br />
COMPARISON OF 2002/2003 CLIENT ENROLLMENT<br />
EASTERN WESTERN MIDWEST TOTAL<br />
2002 2003 2002 2003 2002 2003 2002 2003<br />
TOTAL CLIENTS 380 387 163 180 21 14 564 581<br />
new cases 41 37 20 26 1 4 62 66<br />
GENDER<br />
male 354 363 156 173 20 14 530 550<br />
female 26 24 7 7 1 - 34 31<br />
2003 FINANCIAL ASSISTANCE<br />
EASTERN WESTERN MIDWEST TOTAL<br />
$846,287 $287,855 $20,330 $1,154,472<br />
WWW.ACTORSFUND.ORG<br />
the actors’ fund of america<br />
8<br />
<strong>AIDS</strong> INITIATIVE CLIENT<br />
<strong>AIDS</strong> INITIATIVE CLIENT
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
PHYLLIS NEWMAN WOMEN’S HEALTH INITIATIVE<br />
The Actors’ Fund established the Phyllis Newman Women’s Health Initiative (PNWHI) in 1996 to provide a safety net for women<br />
in the entertainment industry who are coping with critical health concerns. The Women’s Health Initiative dedicates a range of<br />
resources solely to addressing the health needs and concerns specific to women, providing direct services and financial assistance to<br />
many women who are often without health insurance. In 2003, the Initiative helped 420 clients confront breast, cervical and ovarian<br />
cancers, domestic violence, chemical dependency, mental health, and other conditions.<br />
The comprehensive nature of the Women’s Health Initiative’s case management approach encompasses employment, economic,<br />
and other factors that impact each client’s ability to fight for her health with maximum success. Case workers are effective at helping<br />
women deal with difficulties triggered by medical conditions and the subsequent challenges around financial, psychological and<br />
family issues, staying involved with clients on an ongoing basis, and providing the support and referrals they need to best cope with<br />
these pressing issues. Counselors offer vital assistance in treatment and recovery, applying for benefits, filing insurance claims,<br />
coordinating childcare, and devising financial plans.<br />
Support groups offered by PNWHI provide a place where women can come together to offer and receive support around issues<br />
ranging from managing chronic physical and mental health conditions to aging in the industry and anti-violence and family issues.<br />
The Women’s HIV Outreach and Education Program offers comprehensive services for women in the entertainment industry<br />
concerned about safer sex, HIV, or other sexually transmitted diseases. In addition, the Women’s Health Initiative provides an<br />
extensive resource library and access to a vast network of women’s health care providers, research studies, and other resources.<br />
In 2003, PNWHI saw 433 clients who received social services ranging from case management, individual counseling, and<br />
assistance in applying for benefits and coordinating child care, and were provided with $223,075 in essential financial assistance.<br />
334 mammograms and 142 gynecological exams were provided at no charge to women in “the business” without adequate health<br />
insurance at The Actors’ Fund’s Hirschfeld Free Clinic at The Aurora on West 57th Street and Tenth Avenue in New York City.<br />
BC/EFA provided $210,500 in grants to support the Phyllis Newman Women’s Health Initiative in fiscal year 2003.<br />
“BECAUSE OF THE EMERGENCY FINANCIAL ASSISTANCE AVAILABLE,<br />
I WAS ABLE TO KEEP MY APARTMENT AND PAY SOME OF THE MEDICAL<br />
BILLS THAT MY INSURANCE DIDN’T COVER. WITH THIS HELP, I WAS<br />
ABLE TO FOCUS ON MY RECOVERY, KNOWING THAT MY MOST BASIC<br />
NEEDS WOULD BE MET.”<br />
WOMEN’S HEALTH INITIATIVE CLIENT<br />
Women’s Health Initiative clients: R&B music promoter and singer Maria Davis, actress/singer Nicole Bradin, stage manager Julie Charette, and opera singer Jennifer Jons.<br />
the actors’ fund of america<br />
9
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE AL HIRSCHFELD FREE HEALTH CLINIC<br />
As happened in 1987, when The Actors’ Fund created The <strong>AIDS</strong> Initiative in concert with the establishment of funding support<br />
from <strong>Equity</strong> Fight <strong>AIDS</strong>, in 2003 The Actors’ Fund established The Al Hirschfeld Free Health Clinic with an initial grant of<br />
$300,000 from <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>. Dedicated to the memory of the great <strong>Broadway</strong> caricaturist who died in<br />
January 2002 just short of his 100th birthday, The Hirschfeld Free Health Clinic is located on the 2nd floor of its Aurora Residence<br />
at 475 West 57th Street in New York City and serves members of the entertainment community who otherwise would lack access to<br />
adequate medical care.<br />
The Hirschfeld Free Health Clinic was launched to address the very clear, immediate need of members of the entertainment<br />
community who are uninsured or underinsured. People who work in the entertainment industry have a high uninsured rate. They<br />
work in uncertain careers and may not make medical care a priority, ignoring symptoms, concealing diagnoses, and putting off<br />
treatment.<br />
With the contributed services of a corps of physician volunteers under the fulltime direction of Dr. Jim Spears, and working in<br />
collaboration with Columbia University College of Physician and Surgeons, The Hirschfeld Free Health Clinic provides necessary<br />
medical services and works to prevent illness and emergency room visits that result from neglecting health care.<br />
The Hirschfeld Free Health Clinic provides primary and specialty care, health screenings, and patient education. Lab testing<br />
provided through the Clinic is free to uninsured patients. The Clinic is open five days a week and has a physician on-call even when<br />
closed. Primary care includes routine preventive medical care, ongoing management of medical problems, and urgent sick visits.<br />
Specialty care is provided following an evaluation by a primary care doctor. Then a referral is made to a specialist – whenever possible,<br />
to a volunteer specialist at the Clinic. Preventative care includes flu vaccinations, mammograms, prostate examinations, breast<br />
examinations, tuberculosis and diabetes screening, blood pressure and cholesterol testing, and vision screening.<br />
At a series of annual Health Fairs offered in partnership with New York Presbyterian Hospital and Better Wellness and You<br />
(BWAY), the Clinic provides diagnostic screenings on a broader scope including blood glucose levels, blood pressure measurements,<br />
blood cholesterol levels, and mammograms to hundreds of health fair participants.<br />
The Hirschfeld Free Health Clinic physicians are sensitive to these health issues and aware of the warning signs of neglect,<br />
malnutrition, substance abuse, and mental health concerns. If needed, eligible patients are also referred to The Actors’ Fund social<br />
service programs, through which they may receive individual counseling, referrals, and financial assistance toward living expenses.<br />
Many individuals who receive social services and case management at The Actors’ Fund first made contact at an initial visit to The<br />
Hirschfeld Free Health Clinic.<br />
BC/EFA considers its support for The Hirschfeld Free Health Clinic to be an important, new priority in the catalog of services<br />
funded at The Actors’ Fund. In 2003, doctors at The Hirschfeld Free Health Clinic saw 791 patients – 331 men and 460 women –<br />
providing a total of 1,532 client visits in such areas as dermatology, family and general medicine, infectious diseases, and internal<br />
medicine, and giving 1,795 flu shots.<br />
Just some of the many medicines and supplies available to Hirschfeld Clinic clients, Dr. Jim Spears examines a client,<br />
the front line at The Al Hirschfeld Free Health Clinic – Ruth Shin, Dr. Jim Spears, and Yossi Faber.<br />
the actors’ fund of america<br />
10
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE ACTORS’ WORK PROGRAM<br />
As <strong>AIDS</strong> Initiative clients with longer life expectancies were shifting their focus from dealing with an immediate critical illness<br />
to managing a chronic condition, their needs evolved to include back-to-work issues. With this in mind, the <strong>AIDS</strong> Training and<br />
Education Project (ATEP) of The Actors’ Work Program (AWP) was created by The Actors’ Fund in 1998 to help <strong>AIDS</strong> Initiative<br />
clients return to work or participate in meaningful activity outside the home. Counselors work with clients responding well to<br />
protease/anti-viral regimens to deal with the important implication of suddenly increased life-expectancy: the challenges of returning<br />
to the workplace, although not necessarily in the entertainment industry.<br />
Many people with <strong>AIDS</strong> considering a return to the workplace in a non-performing capacity lack the resources necessary to make<br />
such a career change. They must also consider the impact such a decision will have on issues such as health insurance and entitlements,<br />
as well as the limitations imposed by side effects of their medications. ATEP counselors work with clients to access their health status,<br />
interests, and skills; to design individualized action plans; and to identify educational, volunteer, and employment opportunities.<br />
Counseling, tuition assistance, and referrals to community resources help ATEP clients achieve these goals. BC/EFA supported the<br />
Actors’ Work Program’s <strong>AIDS</strong> Training and Education Project with $170,000 in 2003.<br />
AFFORDABLE HOUSING INITIATIVES<br />
Recognizing that an affordable, safe, and supportive place to live is the foundation of every person with <strong>AIDS</strong>’ ability to fight for<br />
and maintain his or her health, BC/EFA has been a longtime supporter of The Actors’ Fund’s affordable housing initiatives. From<br />
1997 to 2001, BC/EFA provided $750,000 to support The Aurora Residence in New York City, a 30-story apartment building<br />
providing 178 units of supportive housing for people with HIV/<strong>AIDS</strong>, seniors, and low-income working professionals. Health and<br />
social services are provided on-site at The Aurora, making it easier for people living with HIV/<strong>AIDS</strong> to follow medical protocols,<br />
maintain health and strength, and reduce their dependence on institutional-based care. In 2002, BC/EFA made its final payment<br />
fulfilling a $250,000 pledge to the Palm View Residence in Los Angeles, a 40-unit garden apartment complex with an on-site<br />
resident services coordinator, providing low-cost supportive housing to people with <strong>AIDS</strong>. The Palm View is a collaborative project<br />
between The Actors’ Fund, the West Hollywood Housing Corporation, Housing for Entertainment Professionals, and funders like<br />
BC/EFA.<br />
PHYSICIAN VOLUNTEERS FOR THE ARTS<br />
Although Physician Volunteers for the Arts is no longer part of the services provided through The Actors’ Fund, BC/EFA<br />
continues to provide financial assistance for its programs. In 2003, a $15,000 grant from BC/EFA helped Dr. Barry Kohn and PVA<br />
provide 1,400 flu shots backstage at 52 <strong>Broadway</strong> shows and in the offices of theatre-related organizations.<br />
The Actors’ Work Program’s Hannah Rodgers works with one of many ATEP (<strong>AIDS</strong> Training and Education Project) clients, two AWP clients take advantage of the computer lab,<br />
The Aurora on the corner of West 57th Street and Tenth Avenue in New York; the Palm View in West Hollywood, Los Angeles.<br />
the actors’ fund of america<br />
11
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NATIONAL GRANTS<br />
PROGRAM<br />
Active since 1987, BC/EFA’s National Grants Program has grown to become one of the largest of its<br />
kind in the United States. A recent report published by Funders Concerned About <strong>AIDS</strong> showed that BC/EFA ranked sixth in the<br />
nation in terms of grant dollars disbursed for HIV/<strong>AIDS</strong>, just behind The Bill and Melinda Gates Foundation and the Ford<br />
Foundation, and ahead of such philanthropic powerhouses as the Rockefeller Foundation, The New York Community Trust, and<br />
the California Endowment, among others. This achievement is a result of the rapid growth in our fundraising, and as a result, in<br />
our grantmaking over the past five years.<br />
From the outset, BC/EFA’s grant program has always been fast, simple, and efficient. A concise two-page application allows us<br />
to make disbursements twice a year to hundreds of community-based organizations, an unusual feature among top <strong>AIDS</strong><br />
grantmakers, and one that we have learned over the years is meaningful to relatively small organizations. The vast majority of these<br />
grassroots organizations operate on bare-bones budgets, but manage to have a significant impact in their own communities. The<br />
National Grants Program for Community-Based Organizations (CBOs) at BC/EFA attempts to address the ongoing and unmet<br />
needs of these <strong>AIDS</strong> and family service organizations. Because <strong>AIDS</strong> is not just a single disease, but a combination of epidemics that<br />
includes discrimination and poverty, our grants in this category are geared to those organizations that are providing case<br />
management, food, housing, transportation, emergency financial assistance, emotional support, and non-reimbursable and<br />
emergency medical expenses.<br />
In 2003, BC/EFA’s National Grants Committee awarded grants totaling $2,628,500 to over 450 <strong>AIDS</strong> and family service<br />
organizations in 42 states, Washington, DC, and Puerto Rico.<br />
In 2002, a subset of the National Grants Program, called simply National Grants II, was created to allow BC/EFA to support,<br />
at a higher level, organizations serving large metropolitan areas or doing advocacy work that impacts the entire network of <strong>AIDS</strong><br />
service providers, many of which have received financial support through BC/EFA’s longtime grants program for more than a decade.<br />
In 2003, BC/EFA awarded an additional $227,500 to 16 nationally recognized <strong>AIDS</strong> service and advocacy organizations through<br />
National Grants II.<br />
The many faces of BC/EFA’s National Grants Program: some of the many individuals who are better able to face the challenges of <strong>AIDS</strong> because of the support BC/EFA<br />
provides to social service agencies across the country.<br />
national grants program<br />
12
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“OUR SINCERE THANKS FOR YOUR RECENT $5,000 GRANT. THIS MAKES<br />
IT POSSIBLE FOR US TO STOCK OUR ESSENTIAL NEEDS BANK FOR<br />
OUR CLIENTS. LAST YEAR, WE SERVED A TOTAL OF 465 CLIENTS IN<br />
THE SEATTLE/TACOMA AREA, AN INCREASE FROM 425 THE PREVIOUS<br />
YEAR. INCREASINGLY OUR CLIENTELE IS POORER, CONTAINS A<br />
HIGHER PERCENTAGE OF WOMEN AND PEOPLE OF COLOR, AS WELL<br />
AS INDIVIDUALS WHO ARE DOUBLE OR TRIPLY DIAGNOSED WITH<br />
HIV/<strong>AIDS</strong> AS WELL AS MENTAL ILLNESS AND CHEMICAL DEPENDENCY.<br />
IT REMAINS VERY DIFFICULT WORK AS IT BECOMES MORE DIFFICULT<br />
TO FIND ONGOING FUNDING. THANK YOU FOR YOUR CONTINUED<br />
EFFORTS ON OUR BEHALF.”<br />
NATIONAL GRANTS II<br />
March 2003, $215,000 awarded to 16 organizations<br />
CITY NUMBER OF ORGANIZATIONS AMOUNT<br />
WASHINGTON, DC 6 $62,500<br />
<strong>AIDS</strong> Action Foundation, <strong>AIDS</strong> Alliance for Children and Family, Global Network of People with <strong>AIDS</strong> – North America,<br />
National Association of People with <strong>AIDS</strong>, National Minority <strong>AIDS</strong> Council, Whitman-Walker Clinic<br />
NEW YORK, NY 4 $65,000<br />
<strong>AIDS</strong> Vaccine Advocacy Coalition, GMHC, Harlem United, New York <strong>AIDS</strong> Coalition<br />
SAN FRANCISCO 2 $40,000<br />
Project Inform, San Francisco <strong>AIDS</strong> Foundation<br />
BOSTON, MA; CHICAGO, IL; LOS ANGELES, CA; SEATTLE, WA 4 $47,500<br />
<strong>AIDS</strong> Action Committee of Massachusetts, <strong>AIDS</strong> Foundation of Chicago, <strong>AIDS</strong> Project Los Angeles, Lifelong <strong>AIDS</strong> Alliance<br />
Since a great portion of the money raised for BC/EFA comes directly from the American theatre audience, we are committed to<br />
assisting the full spectrum of communities affected by <strong>AIDS</strong>. By making grants to diverse organizations nationwide, BC/EFA is able<br />
to give back to those very communities that allow us to create a safety net for those in the entertainment industry through the services<br />
of The Actors’ Fund.<br />
Since its founding in 1988 through 2003, over $30 million has been distributed by BC/EFA through its National Grants<br />
Program.<br />
The BC/EFA Grants Committee is comprised of individuals representing a diverse range of <strong>AIDS</strong> service providers and<br />
populations affected by <strong>AIDS</strong>, as well as members of the theatrical fundraising family.<br />
A complete list of grants awarded by BC/EFA follows.<br />
national grants program<br />
13<br />
PIERCE COUNTY <strong>AIDS</strong> FOUNDATION<br />
TACOMA, WA<br />
TOTAL $215,000
$32.0<br />
(8)<br />
$5.0<br />
(5)<br />
$285.5<br />
(49)<br />
$25<br />
(3)<br />
AK 5.0 (1)<br />
$2.5<br />
(1)<br />
$5.0<br />
(1) $31.5<br />
(8)<br />
$40.0<br />
(6)<br />
$10.0<br />
(1)<br />
$2.5<br />
(4)<br />
HI $5.0 (1)<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“THANK YOU FOR YOUR GENEROUS GRANT. THIS $5,000 WILL PROVIDE<br />
GROCERY VOUCHERS TO INDIVIDUALS LIVING WITH <strong>AIDS</strong> AND THEIR<br />
FAMILIES – MOST OFTEN THEIR CHILDREN. THIS FUNDING COMES AT A<br />
MOST CRITICAL TIME, AS LOCAL RYAN WHITE TITLE 1 FUNDING FROM<br />
THE FEDERAL GOVERNMENT HAS BEEN DISCONTINUED. YOUR GRANT<br />
LITERALLY ENABLES US TO CONTINUE PROVIDING FOOD SERVICES AS<br />
WE LOOK TO REPLACE THAT SUPPORT.”<br />
FOOD FOR LIFE<br />
MIAMI, FL<br />
“YOU CAN’T IMAGINE THE JOY AND EXCITEMENT IN OUR OFFICE WHEN<br />
WE RECEIVED YOUR LETTER GRANTING OUR REQUEST FOR FUNDS.<br />
THE PURCHASE OF A VAN WILL CHANGE THE NATURE OF OUR<br />
PREVENTION EFFORTS, OUTREACH, AND CLIENT SERVICES PROGRAMS.<br />
WE ARE TRULY THANKFUL.”<br />
YELLOWSTONE <strong>AIDS</strong> PROJECT,<br />
BILLINGS, MT<br />
GRANT DOLLAR AMOUNTS IN THOUSANDS (Number of organizations receiving grants)<br />
$5.0<br />
(1)<br />
$5.0<br />
(2)<br />
$19.0<br />
(4)<br />
$114.5<br />
(27)<br />
$27.5<br />
(3)<br />
$20.0<br />
(5) $10.0<br />
(2)<br />
$10.0<br />
(3)<br />
$20.0<br />
(7)<br />
$15.0<br />
(2)<br />
$22.5<br />
(12)<br />
$116.5<br />
(17)<br />
PR $30.0 (6)<br />
$27.0<br />
(6)<br />
$15.5<br />
(6)<br />
$22.0<br />
(7)<br />
$30.0<br />
(6)<br />
$57.5<br />
(9)<br />
$15.0<br />
(2)<br />
national grants program<br />
14<br />
$27.5 6.3<br />
$63.0<br />
(15)<br />
$112.5<br />
(15)<br />
$17.5<br />
(6)<br />
(5)<br />
$77.5<br />
(14)<br />
$39.5<br />
(6)<br />
$186.5<br />
35<br />
$685.0<br />
(106)<br />
$19.0<br />
(6)<br />
VT $4.5 (2)<br />
NH $15.0 (4)<br />
MA $80.0 (15)<br />
RI $5.0 (1)<br />
CT $22.5 (5)<br />
NJ $67.5 (16)<br />
DE $10.0 (2)<br />
MD $17.5 (6)<br />
DC $92.5 (17)<br />
key<br />
$100,000 and above<br />
$50,000 and above<br />
$25,000 and above<br />
$10,000 and above<br />
$2,500 and above<br />
Note: This map represents only National Grants and National Grants II (not supplemental/emergency grants, red ribbon purchases, and benefit and community relation support).
A<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BC/EFA GRANT COMMITTEE DISBURSEMENTS FISCAL YEAR 2003<br />
food services $ 703,500 121 33%<br />
Food banks and pantries, congregate and delivered meals<br />
direct services $ 519,000 96 20%<br />
Including case management, housing programs, personal care services and transportation<br />
programs<br />
emergency financial<br />
assistance<br />
$ 438,000 112 17%<br />
one-time expenses $ 308,000 62 14%<br />
Covers such expenses as purchase or repair of transportation van, purchase of food service<br />
equipment, renovation of kitchen space, and communication equipment upgrade<br />
substance abuse and<br />
harm reduction services<br />
$ 291,500 46 10%<br />
quality of life services $ 156,000<br />
Youth activity programs, retreats, veterinary services<br />
55 6%<br />
total $2,416,000 492 100%<br />
Note: These are only grants awarded by BC/EFA’s Grants Committee. These do not include<br />
supplemental and emergency grants approved by the senior staff.<br />
national grants program<br />
15
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NATIONAL GRANTS<br />
BY STATE<br />
July 14, 2004<br />
STATE CITY ORGANIZATION AMOUNT<br />
ALASKA Anchorage Alaskan <strong>AIDS</strong> Assistance Association $5,000<br />
STATE TOTAL: $5,000<br />
ALABAMA Atmore Escambia Allied Community Health Center $5,000<br />
Auburn East Alabama <strong>AIDS</strong> Outreach $5,000<br />
Mobile Mobile <strong>AIDS</strong> Support Services $10,000<br />
Montgomery Montgomery <strong>AIDS</strong> Outreach $5,000<br />
Tuscaloosa West Alabama <strong>AIDS</strong> Outreach, Inc. $5,000<br />
STATE TOTAL: $30,000<br />
ARKANSAS El Dorado South Arkansas <strong>Fights</strong> <strong>AIDS</strong> $5,000<br />
Little Rock Arkansas <strong>AIDS</strong> Foundation $5,000<br />
Little Rock Regional <strong>AIDS</strong> Interfaith Network (RAIN-Arkansas) $5,000<br />
STATE TOTAL: $15,000<br />
ARIZONA Phoenix Agape Network $5,000<br />
Phoenix <strong>AIDS</strong> Project Arizona $5,000<br />
Phoenix Body Positive, Inc. $10,000<br />
Phoenix Joshua Tree Feeding Program $5,000<br />
Phoenix Mercy Housing SouthWest $10,000<br />
Tucson Southern Arizona <strong>AIDS</strong> Foundation $5,000<br />
STATE TOTAL: $40,000<br />
CALIFORNIA Camarillo Ventura County <strong>AIDS</strong> Partnership $5,000<br />
Escondido Fraternity House, Inc. $4,000<br />
Fresno Fresno Center for Nonviolence $2,500<br />
Garden Grove Gay & Lesbian Community Services Center of Orange County $5,000<br />
Guerneville Pets Are Loving Support $2,500<br />
Irvine <strong>AIDS</strong> Services Foundation Orange County (ASF) $8,600<br />
Los Angeles Camp Laurel Foundation $2,500<br />
Los Angeles Caring for Children and Families with <strong>AIDS</strong> $2,500<br />
Los Angeles Project Angel Food $10,000<br />
Monterey John XXIII <strong>AIDS</strong> Ministry $2,500<br />
North Hollywood Valley Community Clinic $2,500<br />
Oakland WORLD $2,500<br />
Palm Springs <strong>AIDS</strong> Assistance Program $3,500<br />
Pasadena <strong>AIDS</strong> Service Center $10,000<br />
Pasadena Serra Project $5,000<br />
Redding Shasta - Trinity - Tehama HIV Food Bank $5,000<br />
Rohnert Park Sunburst Projects $2,500<br />
national grants program<br />
16
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“IT IS INDEED A TESTAMENT TO THE FINE WORK OF YOUR AGENCY THAT<br />
YOU HAVE FOUND WAYS TO SUPPORT A SMALL ASO IN RURAL<br />
WASHINGTON. THOUGH WALLA WALLA HAS LITTLE IN COMMON WITH<br />
BROADWAY, THE STRUGGLE WITH THIS DISEASE AND THE APPRECIA-<br />
TION OF SUPPORT IS UNIVERSAL. THANK YOU.”<br />
STATE CITY ORGANIZATION AMOUNT<br />
Sacramento Breaking Barriers Community Services Center $10,000<br />
San Bernardino Central City Lutheran Mission $5,000<br />
San Diego Auntie Helen’s Fluff ‘n’ Fold $5,000<br />
San Diego Christie’s Place $10,000<br />
San Diego Mama’s Kitchen, Inc. $5,000<br />
San Diego SouthEast Abundant Resources (S.E.A.R.) $5,000<br />
San Diego Special Delivery San Diego $5,000<br />
San Diego Townspeople, Inc. $10,000<br />
San Francisco Acupuncture and Recovery Treatment Services $2,500<br />
San Francisco <strong>AIDS</strong> Emergency Fund $10,000<br />
San Francisco Black Coalition on <strong>AIDS</strong> $2,500<br />
San Francisco Continuum $5,000<br />
San Francisco Dolores Street Community Services $10,000<br />
San Francisco Immune Enhancement Project $5,000<br />
San Francisco Maitri $5,000<br />
San Francisco New Leaf: Services for Our Community $10,000<br />
San Francisco Project Open Hand $5,000<br />
San Francisco Shanti $2,500<br />
San Francisco Tenderloin <strong>AIDS</strong> Resource Center $10,000<br />
San Luis Obispo San Luis Obispo County <strong>AIDS</strong> Support Network $5,000<br />
San Marcos North County Health Services HIV/<strong>AIDS</strong> Case Management $3,000<br />
San Rafael Meals of Marin (MOM) $5,000<br />
Santa Monica Westside HIV Community Center -- Common Ground $2,500<br />
Santa Barbara <strong>AIDS</strong> Housing Santa Barbara/ Heath House & Sarah House $5,000<br />
West Hollywood Aid for <strong>AIDS</strong> (CA) $5,000<br />
West Hollywood Being Alive People with <strong>AIDS</strong> Action Coalition $7,000<br />
West Hollywood Correct HELP - The Corrections HIV Education & Law Project $8,000<br />
West Hollywood Pets Are Wonderful Support (PAWS/LA) $2,500<br />
STATE TOTAL: $241,600<br />
COLORADO Boulder Boulder County <strong>AIDS</strong> Project $10,000<br />
Denver Colorado <strong>AIDS</strong> Project/Colorado Health Network $5,000<br />
Denver Howard Dental Center for HIV/<strong>AIDS</strong> Oral Health $5,000<br />
Denver Jewish Family Service of Colorado $2,500<br />
Denver Project Angel Heart $5,000<br />
Denver PWA Coalition Colorado $2,500<br />
Grand Junction Western Colorado <strong>AIDS</strong> Project (WESTCAP) $1,500<br />
STATE TOTAL: $31,500<br />
CONNECTICUT Bridgeport FSW $2,500<br />
New Haven <strong>AIDS</strong> Project New Haven $10,000<br />
New Haven Leeway, Inc. $2,500<br />
Stamford Camp AmeriKids $2,500<br />
Stamford St. Luke’s LifeWorks $5,000<br />
STATE TOTAL: $22,500<br />
WASHINGTON DC Washington Consortium for Child Welfare/Family Ties Project $2,500<br />
Washington Food & Friends $5,000<br />
Washington Joseph’s House $5,000<br />
Washington Pediatric <strong>AIDS</strong>/HIV Care $2,500<br />
Washington PreventionWorks!, Inc. $5,000<br />
Washington Safe Haven Outreach Ministry, Inc. $2,500<br />
Washington Sasha Bruce Youthwork $2,500<br />
Washington The Women’s Collective $5,000<br />
STATE TOTAL: $30,000<br />
DELAWARE Wilmington <strong>AIDS</strong> Delaware $10,000<br />
STATE TOTAL: $10,000<br />
FLORIDA Coral Gables Community <strong>AIDS</strong> Resource, Inc. $5,000<br />
Daytona Beach Diggs Miracle Care $10,000<br />
Fort Lauderdale Kids in Distress, Inc. $5,000<br />
Fort Lauderdale Wellness Center of South Florida $2,500<br />
Fort Myers Island Coast <strong>AIDS</strong> Network (ICAN) $10,000<br />
national grants program<br />
17<br />
BLUE MOUNTAIN HEART TO HEART<br />
WALLA WALLA, WA
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“IT IS ONLY WITH THE CONSISTENT AND GENEROUS SUPPORT OF<br />
BC/EFA THAT WE ARE ABLE TO PROVIDE ENOUGH GROCERIES FOR OUR<br />
CLIENTS AND THEIR FAMILIES SO THEIR LIMITED RESOURCES CAN BE<br />
USED FOR RENT OR TO KEEP THEIR LIGHTS ON, THE PROPANE TANK<br />
FILLED, AND WATER SUPPLY FLOWING... FAMILIES IN THIS RURAL<br />
SOUTHEASTERN CORNER OF SOUTH CAROLINA ARE EXPERIENCING A<br />
BETTER LIFE BECAUSE OF YOU AND YOUR WORK.”<br />
ACCESS NETWORK<br />
RIDGELAND, SC<br />
STATE CITY ORGANIZATION AMOUNT<br />
FLORIDA Fort Pierce Project Response <strong>AIDS</strong> Center - South $5,000<br />
Jacksonville Northeast Florida <strong>AIDS</strong> Network $5,000<br />
Key West <strong>AIDS</strong> Help, Inc. $5,000<br />
Longwood PLACE of Comfort $2,500<br />
Melbourne Project Response <strong>AIDS</strong> Center - North $5,000<br />
Miami Community Casemanagement, Inc. $5,000<br />
Miami Help from the Heart Foundation $15,000<br />
Miami Beach South Beach <strong>AIDS</strong> Project $5,000<br />
Naples Joe Logsdon <strong>AIDS</strong> Foundation, Inc. $10,000<br />
Orlando <strong>AIDS</strong> Resource Alliance, Inc. $2,500<br />
Orlando Haven of Hope Ministries, Inc. $5,000<br />
Parrish Manatee County Rural Health Services, Inc. $4,000<br />
Pensacola Appetite for Life, Inc. $5,000<br />
Pensacola Escambia <strong>AIDS</strong> Services and Education, Inc. $5,000<br />
Plantation Jewish <strong>AIDS</strong> Network $2,500<br />
Port Charlotte Charlotte HIV/<strong>AIDS</strong> People Support, Inc. $5,000<br />
Sarasota <strong>AIDS</strong> Manasota, Inc. $10,000<br />
Sebastian River Fund, The $5,000<br />
Sebring Tri-County Friendship House $10,000<br />
St. Cloud Transition House, Inc. $5,000<br />
St. Petersburg <strong>AIDS</strong> Service Association of Pinellas, Inc. $5,000<br />
Tallahassee Big Bend CARES $15,000<br />
Tampa Florida <strong>AIDS</strong> Action Foundation $2,500<br />
Tampa PWA Coalition of Tampa Bay, Inc. $5,000<br />
Wilton Manors Poverello Center, Inc. $5,000<br />
Winter Park Hope and Help Center of Central Florida, Inc. $5,000<br />
STATE TOTAL: $186,500<br />
GEORGIA Atlanta Action Ministries, Inc. $2,500<br />
Atlanta AID Atlanta, Inc. $5,000<br />
Atlanta <strong>AIDS</strong> Survival Project $5,000<br />
Atlanta Atlanta Harm Reduction Center $5,000<br />
Atlanta Emory/Grady Pediatric HIV/<strong>AIDS</strong> Program $5,000<br />
Atlanta Jerusalem House, Inc. $5,000<br />
Atlanta National <strong>AIDS</strong> Education and Services for Minorities $2,500<br />
Atlanta Project Open Hand/Atlanta $10,000<br />
Atlanta SisterLove, Inc. $5,000<br />
Columbus Columbus Wellness Center Outreach and Prevention Project $10,000<br />
Savannah My Brothaz H.O.M.E. $2,500<br />
Savannah Project AZUKA, Inc. $5,000<br />
Thomasville Safe Haven, Inc. $3,000<br />
Valdosta South Georgia Coalition to End Homelessness $2,500<br />
STATE TOTAL: $68,000<br />
HAWAII Honolulu Save the FoodBasket, Inc. $5,000<br />
STATE TOTAL: $5,000<br />
IOWA Davenport <strong>AIDS</strong> Project Quad Cities, Inc. $5,000<br />
Iowa City Iowa Center for <strong>AIDS</strong> Resources & Education (ICARE) $5,000<br />
STATE TOTAL: $10,000<br />
ILLINOIS Carbondale Southern Illinios Regional Effort for <strong>AIDS</strong>, Inc. $2,500<br />
Champaign Greater Community <strong>AIDS</strong> Project $2,500<br />
Chicago <strong>AIDS</strong>CARE, Inc. $5,000<br />
Chicago Alexian Brothers Bonaventure House, Inc. $10,000<br />
Chicago Chicago House and Social Service Agency $5,000<br />
Chicago Children’s Place Association $5,000<br />
Chicago Open Hand Chicago Inc. $5,000<br />
Chicago Project VIDA Inc. $5,000<br />
Chicago South Side Help Center $2,500<br />
Chicago Test Positive Aware (TPA) Network Inc. $5,000<br />
Chicago TransGenesis Social Services $5,000<br />
national grants program<br />
18
STATE CITY ORGANIZATION AMOUNT<br />
Elgin Open Door Clinic $5,000<br />
Evanston Better Existence with HIV (BEHIV) $15,000<br />
Peoria Central Illinois Friends of PWA, Inc. $5,000<br />
Rock Island DeLaCerda House $3,700<br />
STATE TOTAL: $81,200<br />
INDIANA Anderson Living with <strong>AIDS</strong> and Dignity, Inc. (L.A.D.) $2,500<br />
Evansville Tri-State Alliance, Inc. $2,500<br />
Indianapolis Damien Center $5,000<br />
South Bend <strong>AIDS</strong> Ministries/<strong>AIDS</strong> Assist of North Indiana, Inc. $5,000<br />
STATE TOTAL: $15,000<br />
KANSAS Lawrence Douglas County <strong>AIDS</strong> Project $5,000<br />
Topeka Topeka <strong>AIDS</strong> Project, Inc. $5,000<br />
Wichita H.O.P.E., Inc./Wichita <strong>AIDS</strong> $3,000<br />
Wichita Positive Directions $3,500<br />
Wichita UKSM-W MPA HIV Program $2,500<br />
STATE TOTAL: $19,000<br />
KENTUCKY Lexington <strong>AIDS</strong> Volunteers, Inc. $2,500<br />
Louisville Estancia Manuelida $10,000<br />
Paducah Heartland CARES, Inc. $2,500<br />
STATE TOTAL: $15,000<br />
LOUISIANA<br />
MASSACHUSETTS<br />
MARYLAND<br />
MAINE<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
Alexandria Central Louisiana <strong>AIDS</strong> Support Services $5,000<br />
Baton Rouge Friends for Life <strong>AIDS</strong> Resource Center $2,500<br />
Houma Meadowlark, Inc. $2,500<br />
New Orleans Project Lazarus $5,000<br />
Thibodaux Home of the Eagle Shelter, Inc. $7,500<br />
STATE TOTAL: $22,500<br />
Boston Rosie’s Place $2,500<br />
Burlington Junior Chamber Family <strong>AIDS</strong> Network $5,000<br />
Cambridge Cambridge <strong>Cares</strong> About <strong>AIDS</strong>, Inc. $15,000<br />
Fall River Moveable Feast, Inc. (MA) $12,500<br />
Provincetown Provincetown <strong>AIDS</strong> Support Group $5,000<br />
Roxbury Community Servings $5,000<br />
Springfield <strong>AIDS</strong> Foundation of Western Massachusetts, Inc. $5,000<br />
Worcester <strong>AIDS</strong> Project Worcester, Inc. $10,000<br />
STATE TOTAL: $60,000<br />
Baltimore <strong>AIDS</strong> Action Baltimore, Inc. $10,000<br />
Baltimore Moveable Feast Inc. $5,000<br />
Havre de Grace Susquehanna <strong>AIDS</strong> Fund for Emergencies, Inc. $2,500<br />
STATE TOTAL: $17,500<br />
Augusta Positively Social of New England $2,500<br />
Belfast Coastal <strong>AIDS</strong> Network $5,000<br />
Brunswick Merrymeeting <strong>AIDS</strong> Support Services $1,500<br />
Ellsworth Down East <strong>AIDS</strong> Network $5,000<br />
Portland <strong>AIDS</strong> Lodging House $5,000<br />
STATE TOTAL: $19,000<br />
MICHIGAN Detroit <strong>AIDS</strong> Partnership Michigan $2,500<br />
Detroit Community Health Awareness Group $10,000<br />
Grand Rapids Grand Rapids REACH, Inc. $4,500<br />
Warren FRIENDS Alliance $10,000<br />
STATE TOTAL: $27,000<br />
national grants program<br />
19
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
STATE CITY ORGANIZATION AMOUNT<br />
MINNESOTA Minneapolis Archdiocesan <strong>AIDS</strong> Ministry Program $2,500<br />
Minneapolis Minnesota <strong>AIDS</strong> Project $5,000<br />
Minneapolis Open Arms of Minnesota $5,000<br />
Moorhead Minnkota Health Project $5,000<br />
Stillwater Hope House of St. Croix Valley $2,500<br />
STATE TOTAL: $20,000<br />
MISSOURI Columbia Regional <strong>AIDS</strong> Interfaith Network (RAIN-Central Missouri) $2,500<br />
Kansas City Hope Care Center $2,500<br />
Kansas City Kansas City Free Health Clinic $2,500<br />
St. Louis Doorways $5,000<br />
St. Louis Food Outreach, Inc. $5,000<br />
St. Louis Saint Louis Effort for <strong>AIDS</strong> $2,500<br />
STATE TOTAL: $20,000<br />
MISSISSIPPI Jackson Grace House $5,000<br />
STATE TOTAL: $5,000<br />
MONTANA Helena Lewis and Clark <strong>AIDS</strong> Project $2,500<br />
STATE TOTAL: $2,500<br />
NORTH CAROLINA Asheville Loving Food Resources $5,000<br />
Asheville Western North Carolina HIV/<strong>AIDS</strong> Consortium $5,000<br />
Belmont House of Mercy, Inc. $3,500<br />
Charlotte House of Grace, Inc. $2,500<br />
Durham <strong>AIDS</strong> Community Residence Association, Inc. $10,000<br />
Durham CAARE, Inc. $6,000<br />
Henderson Agape Life Changing Ministries $5,000<br />
Hickory <strong>AIDS</strong> Leadership Foothills Area Alliance (ALFA) $12,500<br />
Lumberton Borderbelt <strong>AIDS</strong> Resources Team, Inc. $2,500<br />
Raleigh Glory to Glory House of Refuge $2,500<br />
Smithfield Community-Based Learning Alternatives Center, Inc. $7,000<br />
Smithfield Drug Awareness & Prevention Against <strong>AIDS</strong>, Inc. $3,500<br />
Wilmington Cure <strong>AIDS</strong> of Wilmington, Inc. $5,000<br />
Winston-Salem HIV Outreach Programs and Education, Inc. (HOPE) $5,000<br />
Winston-Salem Neighbors in Ministry of Winston-Salem, Inc. $2,500<br />
STATE TOTAL: $77,500<br />
NEBRASKA Omaha Nebraska <strong>AIDS</strong> Project, Inc. $5,000<br />
STATE TOTAL: $5,000<br />
NEW HAMPSHIRE Keene <strong>AIDS</strong> Services for the Monadnock Region $5,000<br />
Nashua Southern New Hampshire HIV/<strong>AIDS</strong> Task Force $5,000<br />
Portsmouth <strong>AIDS</strong> Response - Seacoast $5,000<br />
STATE TOTAL: $15,000<br />
NEW JERSEY Atlantic City South Jersey <strong>AIDS</strong> Alliance $2,500<br />
Bellmawr <strong>AIDS</strong> Coalition of Southern New Jersey $5,000<br />
Dover Catholic Social Services of Morris County / Hope House $2,500<br />
Jersey City Jersey City Connections, Inc. $5,000<br />
New Brunswick Hyacinth <strong>AIDS</strong> Foundation $5,000<br />
Newark <strong>AIDS</strong> Resource Center CDC of the Episcopal Diocese of Newark $7,500<br />
Newark <strong>Broadway</strong> House for Continuing Care $2,500<br />
Newark François-Xavier Bagnoud Center $2,500<br />
Newark North Jersey Community Research Initiative $10,000<br />
Passaic Northeast Life Skills Associates, Inc. $10,000<br />
Paterson Santa Maria House of Mercy $5,000<br />
Paterson St. Paul’s Community Development Corporation $2,500<br />
Rutherford Angelwish $2,500<br />
Trenton Mount Carmel Guild $5,000<br />
STATE TOTAL: $67,500<br />
national grants program<br />
20
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong> grants program<br />
“THANK YOU FOR THE GENEROUS $5,000 TO OUR FOOD BANK. LIKE<br />
MANY NOT-FOR-PROFITS, WE HAVE GONE THROUGH SOME EXTREMELY<br />
HARD TIMES LATELY. FEDERAL FUNDING SOURCES ARE DRYING UP<br />
AS FUNDING PRIORITIES CHANGE. AND LIKE MANY, WE HAVE<br />
RECEIVED DECREASED RYAN WHITE FUNDING THIS YEAR, AS WELL. IN<br />
THE MIDST OF ALL THESE CUTBACKS WE ARE MORE GRATEFUL THAN<br />
EVER TO BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>.”<br />
STATE CITY ORGANIZATION AMOUNT<br />
NEW MEXICO Santa Fe Challenge Group, Inc. $2,500<br />
STATE TOTAL: $2,500<br />
NEVADA Henderson Saint Therese Center $5,000<br />
Las Vegas Aid for <strong>AIDS</strong> of Nevada (AFAN) $5,000<br />
Las Vegas Golden Rainbow $5,000<br />
Reno Northern Nevada HOPES $10,000<br />
STATE TOTAL: $25,000<br />
NEW YORK Albany <strong>AIDS</strong> Council of Northeastern New York $10,000<br />
Bayside St. Mary’s Foundation/St. Mary’s Hosptial for Children $10,000<br />
Brentwood Brentwood Family Health Center $5,000<br />
Bronx Bronx <strong>AIDS</strong> Services, Inc. $10,000<br />
Bronx CitiWide Harm Reduction $10,000<br />
Bronx Health People: Community Preventive Health Institute $2,500<br />
Bronx La Familia Unida <strong>AIDS</strong> Outreach Project-Research $5,000<br />
Bronx Montefiore Medical Center / Women’s Center $5,000<br />
Brooklyn Association for Drug Abuse Prevention and Treatment, Inc. $10,000<br />
Brooklyn Brooklyn <strong>AIDS</strong> Task Force, Inc. $10,000<br />
Brooklyn Brooklyn Pediatric <strong>AIDS</strong> Network $2,500<br />
Brooklyn Brownsville Multi-Service Family Health Center $5,000<br />
Brooklyn Casa Betsaida $5,000<br />
Brooklyn Dwa Fanm $10,000<br />
Brooklyn Haitian Women’s Program $5,000<br />
Brooklyn Helping Hands Unlimited, Inc. $10,000<br />
Brooklyn Life Force: Women Fighting <strong>AIDS</strong>, Inc. $2,500<br />
Brooklyn New York City <strong>AIDS</strong> Housing Network $10,000<br />
Buffalo <strong>AIDS</strong> Community Services of Western New York, Inc. $5,000<br />
Buffalo Men of Color Awareness Project $3,000<br />
Garrison Do Not Fear To Hope $10,000<br />
Hawthorne <strong>AIDS</strong>-Related Community Services $5,000<br />
Huntington Long Island Association for <strong>AIDS</strong> Care, Inc. $5,000<br />
Ithaca <strong>AIDS</strong> WORK $4,500<br />
New York AGMA Emergency Relief Fund $10,000<br />
New York <strong>AIDS</strong> Community Research Initiative of America (ACRIA) $10,000<br />
New York <strong>AIDS</strong> Service Center of Lower Manhattan $10,000<br />
New York <strong>AIDS</strong> Theatre Project $1,500<br />
New York Ali Forney Center $5,000<br />
New York Asian & Pacific Islander Coalition on HIV/<strong>AIDS</strong>, Inc. $10,000<br />
New York Bailey House, Inc. $10,000<br />
New York Betances Health Center $5,000<br />
New York Blessed Sacrament Transitional Residence for HIV+ Men $5,000<br />
New York Body Positive, Inc. $5,000<br />
New York Callen-Lorde Community Health Center $10,000<br />
New York Care for the Homeless $5,500<br />
New York Career Transition for Dancers $5,000<br />
New York Celebrate Life Meals for People with HIV/<strong>AIDS</strong> at Middle Collegiate $2,500<br />
New York Children of Parents with <strong>AIDS</strong>, Inc. (COPWA) $7,500<br />
New York Children’s Friends for Life Foundation, Inc. $2,500<br />
New York Children’s Hope Foundation $5,000<br />
New York Church of St. Luke in the Fields - The <strong>AIDS</strong> Project $10,000<br />
New York DAAIR $5,000<br />
New York Episcopal Actors’ Guild of America, Inc. $10,000<br />
New York Exponents, Inc. $10,000<br />
New York Family Center, Inc. $2,500<br />
New York Foundation for Research on Sexually Transmitted Disesases - $4,000<br />
New York Fraternite Notre Dame, Inc. $10,000<br />
New York Free Arts for Abused Children of New York City $2,500<br />
New York Friends House in Rosehill $12,500<br />
New York Friends In Deed $10,000<br />
New York Gay Men of African Descent $5,000<br />
New York God’s Love We Deliver $10,000<br />
national grants program<br />
21<br />
BELLE REVE SHELTER RESOURCES<br />
NEW ORLEANS, LA
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“THANK YOU TO ALL AT BROADWAY CARES FOR THE $10,000 GRANT TO<br />
REPLACE OUT OLD, WORN WINDOWS. NOT ONLY A GREAT REDUCTION<br />
IN STREET NOISE, BUT WE’VE SEEN A MAJOR DIFFERENCE OVER THE<br />
LAST YEAR IN OUR HEATING AND COOLING BILLS – NOT TO MENTION<br />
THAT CLEANING THE OLD WINDOWS MEANT TAKING YOUR LIFE IN YOUR<br />
HANDS. THANK YOU FOR MAKING OUR LIVES MORE COMFORTABLE,<br />
OUR BILLS LOWER, AND OUR BUILDING MORE BEAUTIFUL.”<br />
STATE CITY ORGANIZATION AMOUNT<br />
NEW YORK New York Harlem Congregations for Community Improvement $1,000<br />
New York Harm Reduction Coalition, Inc. $5,000<br />
New York Hetrick-Martin Institute, Inc. $10,000<br />
New York Hispanic <strong>AIDS</strong> Forum $10,000<br />
New York HIV Law Project, Inc. $2,500<br />
New York Housing Works, Inc. $5,000<br />
New York Identity House $2,500<br />
New York Incarnation Children’s Center/Friends of ICC $2,500<br />
New York Iris House $10,000<br />
New York Lamb’s Manhattan Initiative/Gifted Hands Program $1,000<br />
New York Latino Commission on <strong>AIDS</strong> $5,000<br />
New York Lesbian, Gay, Bisexual & Transgender Community Center $10,000<br />
New York Metropolitan Community Church of New York $7,500<br />
New York Minority Task Force on <strong>AIDS</strong> $10,000<br />
New York Miracle House $7,500<br />
New York Momentum <strong>AIDS</strong> Project $10,000<br />
New York Pediatric HIV/<strong>AIDS</strong> Program, Metropolitan Hospital Center $2,500<br />
New York Positive Health Project, Inc. $10,000<br />
New York Prince George -- Common Ground Community $2,500<br />
New York Project Renewal, Inc. $10,000<br />
New York Safe Horizon/Streetwork $5,000<br />
New York Services and Advocacy for GLBT Elders (SAGE) $10,000<br />
New York Sisterhood Mobilized for <strong>AIDS</strong>/HIV Research & Treatment $5,000<br />
New York Times Square -- Common Ground Community $2,500<br />
New York Treatment Action Group (TAG) $5,000<br />
New York Visual <strong>AIDS</strong> for the Arts, Inc. $2,500<br />
New York Volunteer Lawyers for the Arts $2,500<br />
New York Women and Children Care Center $2,500<br />
Oneonta Catskill Rural <strong>AIDS</strong> Services, Inc. $8,500<br />
Patchogue South Brookhaven Family Health Center West $2,500<br />
Patchogue Thursday’s Child $2,500<br />
Pleasant Valley NETWORTH/Positive Action $9,000<br />
Port Chester Family Service of Westchester: Camp Viva $10,000<br />
Rego Park <strong>AIDS</strong> Center of Queens County, Inc. $10,000<br />
Richmond Hill River Fund New York Inc. $10,000<br />
Rochester <strong>AIDS</strong> Rochester, Inc. $5,000<br />
Sayville Splashes of Hope $2,500<br />
Schenectady Schenectady Inner City Ministry $5,000<br />
Shirley Marilyn Shellabarger South Brookhaven Family Health Center East $2,500<br />
Staten Island Joey DiPaolo <strong>AIDS</strong> Foundation $5,000<br />
Staten Island Justin LiGreci HIV and <strong>AIDS</strong> Foundation $1,000<br />
Staten Island Seamen’s Society for Children and Families $2,500<br />
Syracuse Liberty Resources, Inc. $7,500<br />
Yonkers Fessenden House $5,000<br />
Yonkers Greyston Health Foundation $10,000<br />
STATE TOTAL: $619,000<br />
OHIO Akron Violet’s Cupboard $5,000<br />
Canfield Ursuline Sisters HIV/<strong>AIDS</strong> Ministry $10,000<br />
Cincinnati <strong>AIDS</strong> Volunteers of Cincinnati, Inc. $15,000<br />
Cincinnati Caracole, Inc. $5,000<br />
Cleveland <strong>AIDS</strong> Taskforce of Greater Cleveland $5,000<br />
Columbus Columbus <strong>AIDS</strong> Task Force, Inc. $5,000<br />
STATE CITY ORGANIZATION AMOUNT<br />
Columbus Project Compassion $2,500<br />
Columbus Project Open Hand/Columbus $5,000<br />
Dayton <strong>AIDS</strong> Resource Center Ohio $5,000<br />
STATE TOTAL: $57,500<br />
OKLAHOMA Oklahoma City CarePoint, Inc. $2,500<br />
Oklahoma City Other Options, Inc. $5,000<br />
Oklahoma City RAIN-Oklahoma $5,000<br />
national grants program<br />
22<br />
DAVID’S HOUSE<br />
TOLDEO, OH
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
Tulsa Tulsa C.A.R.E.S. $15,000<br />
STATE TOTAL: $27,500<br />
OREGON Portland Cascade <strong>AIDS</strong> Project, Inc. $5,000<br />
STATE TOTAL: $5,000<br />
PENNSYLVANIA Aliquippa Beaver County <strong>AIDS</strong> Service Organizationn $10,000<br />
Allentown <strong>AIDS</strong> Outreach, Inc. $5,000<br />
Clarion Northwest PA Rural <strong>AIDS</strong> Alliance $5,000<br />
Coatsville Chester County <strong>AIDS</strong> Support Services $5,000<br />
Harrisburg Positive Opportunities $2,500<br />
Lancaster Gathering Place $5,000<br />
Philadelphia Action<strong>AIDS</strong> $10,000<br />
Philadelphia Blacks Educating Blacks About Sexual Health Issues (BEBASHI) $10,000<br />
Philadelphia Calcutta House $10,000<br />
Philadelphia Mazzoni Center $5,000<br />
Philadelphia Metropolitan <strong>AIDS</strong> Neighborhood Nutrition Alliance (MANNA) $5,000<br />
Philadelphia Prevention Point Philadelphia $5,000<br />
Pittsburgh Pittsburgh <strong>AIDS</strong> Task Force $5,000<br />
Pittsburgh Shepherd Wellness Community $10,000<br />
Sharon Hill Delaware County <strong>AIDS</strong> Network $10,000<br />
Wilkes-Barre Northeastern Regional HIV Planning Coalition $5,000<br />
Williamsport <strong>AIDS</strong> Resource Alliance $5,000<br />
STATE TOTAL: $112,500<br />
PUERTO RICO Arecibo Comunidad Para Envejecientes Vazquez, Inc. $10,000<br />
Arecibo Hogar Vida y Esperanza Multiservice, Inc. $5,000<br />
Arecibo Ministerio “En Jehova Seran Provitos” SIDA Pediátrico $2,500<br />
Hatillo Centro de Intervención e Integración Paso a Paso $7,500<br />
Vega Baja Fundación U.P.E.N.S., Inc. $5,000<br />
STATE TOTAL: $30,000<br />
RHODE ISLAND Providence <strong>AIDS</strong> Project Rhode Island $5,000<br />
STATE TOTAL: $5,000<br />
SOUTH CAROLINA Catawba Catawba Indian Nation Health Services $10,000<br />
Columbia Palmetto <strong>AIDS</strong> Life Support Services $10,000<br />
Columbia Sue Kuhlen Camp for Kids, Inc. $2,500<br />
Greenville AID Upstate $4,500<br />
Myrtle Beach Careteam, Inc. $2,500<br />
Ridgeland ACCESS Network, Inc. $10,000<br />
STATE TOTAL: $39,500<br />
SOUTH DAKOTA Sioux Falls Berakah House $5,000<br />
STATE TOTAL: $5,000<br />
TENNESSEE Columbia Columbia CARES, Inc. $5,000<br />
Columbia Kids Fighting <strong>AIDS</strong>, Inc. $2,500<br />
Memphis Friends for Life Corporation $2,500<br />
Memphis Hope House Day Care Center, Inc. $10,000<br />
Nashville Nashville CARES $5,000<br />
STATE TOTAL: $25,000<br />
TEXAS Alvin <strong>AIDS</strong> Alliance of the Bay Area, Inc. $5,000<br />
Amarillo Panhandle <strong>AIDS</strong> Support Organizationn, Inc. $10,000<br />
Beaumont Triangle <strong>AIDS</strong> Network $2,500<br />
Corpus Christi Coastal Bend <strong>AIDS</strong> Foundation $10,000<br />
Dallas <strong>AIDS</strong> Arms, Inc. $5,600<br />
Dallas Bryan’s House $2,500<br />
Denton <strong>AIDS</strong> Services of North Texas, Inc. $5,000<br />
El Paso International <strong>AIDS</strong> Empowerment $5,000<br />
Fort Worth <strong>AIDS</strong> Outreach Center $10,000<br />
Fort Worth Tarrant County Samaritan Housing, Inc. $5,000<br />
national grants program<br />
23
STATE CITY ORGANIZATION AMOUNT<br />
TEXAS Houston <strong>AIDS</strong> Foundation Houston, Inc. $2,500<br />
Houston <strong>AIDS</strong> Research Consortium of Houston dba The Center for <strong>AIDS</strong> $6,500<br />
Houston Bering Omega Community Services $2,500<br />
Houston Casa de Esperanza de los Niños, Inc. $2,500<br />
Houston Houston Challenge Foundation $5,000<br />
Houston Montrose Clinic, Inc. $10,000<br />
Houston Scholastic Outreach Services, Inc. $5,000<br />
Longview Special Health Resources for Texas $5,000<br />
Nacogdoches Health Horizons of East Texas, Inc. $5,000<br />
Tyler Tyler <strong>AIDS</strong> Services, Inc. $10,000<br />
STATE TOTAL: $114,600<br />
VIRGINIA Arlington Northern Virginia <strong>AIDS</strong> Ministry (NOVAM) $2,500<br />
Charlottesville <strong>AIDS</strong>/HIV Services Group, Inc. $5,000<br />
Norfolk Tidewater <strong>AIDS</strong> Crisis Taskforce $10,000<br />
STATE TOTAL: $17,500<br />
VERMONT Brattleboro <strong>AIDS</strong> Project of Southern Vermont $4,500<br />
STATE TOTAL: $4,500<br />
WASHINGTON Kennewick Tri-Cities Chaplaincy $1,000<br />
Seattle <strong>AIDS</strong> Housing of Washington $5,000<br />
Seattle Bailey-Boushay House $5,000<br />
Seattle Rise n’ Shine $2,500<br />
Spokane Spokane <strong>AIDS</strong> Network $5,000<br />
Tacoma Pierce County <strong>AIDS</strong> Foundation $3,500<br />
STATE TOTAL: $22,000<br />
WISCONSIN Madison <strong>AIDS</strong> Network $5,000<br />
STATE TOTAL: $5,000<br />
WEST VIRGINIA Bluefield South Central Educational Development $5,000<br />
Charleston Covenant House, Inc. $10,000<br />
Charleston West Virginia Coalition for People with HIV/<strong>AIDS</strong>, Inc. $5,000<br />
Martinsburg Community Networks, Inc. $10,000<br />
Morgantown Caritas House, Inc. $10,000<br />
STATE TOTAL: $40,000<br />
WYOMING Cheyenne Wyoming Positives for Positives $10,000<br />
STATE TOTAL: $10,000<br />
SUBTOTAL NATIONAL GRANTS: $2,413,400<br />
OTHER GRANTS National Grants II $215,000<br />
Supplemental / Emergency Grants: $290,446<br />
Red Ribbons $19,243<br />
Benefit Support and Community Relations $54,365<br />
Note: This does not include BC/EFA International Grants.<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THANK YOU FOR THE $5,000 GRANT TO PROVIDE FOOD PANTRY<br />
SERVICES TO OUR CLIENTS. LAST YEAR, BC/EFA’S SPECIAL $10,000<br />
GRANT HELPED TO FUND THE RE-MODELING OF OUR PANTRY AND<br />
COMMON AREAS, AS WELL AS PROVIDING HANDICAPPED ACCESS. WE<br />
ARE VERY PROUD OF OUR NEW PANTRY AD THANK YOU FOR FUNDING<br />
BOTH IT COMPLETION AND CURRENT OPERATION.<br />
PASO PANHANDLE <strong>AIDS</strong> SUPPORT<br />
AMARILLO, TX<br />
national grants program<br />
24<br />
TOTAL ALL GRANTS: $2,992,454
INTERNATIONAL<br />
GRANTS<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
Over the last few years, a number of <strong>Broadway</strong> shows originating overseas or with foreign-born actors in<br />
their casts have participated generously in BC/EFA’s six weeks of audience appeals prior to the Gypsy of the Year and Easter Bonnet<br />
Competitions. In appreciation of their enthusiastic efforts, BC/EFA grants a portion of the funds raised by these companies to <strong>AIDS</strong><br />
service organizations in their native countries. These foreign charities are chosen and introduced to BC/EFA by the company<br />
members involved. Once their charitable status has been officially established by BC/EFA, a grant in the name of the company is wired<br />
overseas.<br />
The first of these international grants was a $5,000 donation made by BC/EFA to West End <strong>Cares</strong> (renamed Theatrecares in<br />
2002), our sister theatre-based <strong>AIDS</strong> fundraising organization in London, in honor of the Royal Shakespeare Company’s<br />
production of A Midsummer Night’s Dream that participated in the 1996 Easter Bonnet Competition while playing an acclaimed limited<br />
engagement at <strong>Broadway</strong>’s Lunt-Fontanne Theatre. Since then, many performers from <strong>Broadway</strong> companies originating in London<br />
have very generously participated in BC/EFA’s fundraising efforts. These include: Sir Ian McKellen and Helen Mirren (The Dance of<br />
Death), Dame Judi Dench and Samantha Bond (Amy’s View), Petula Clark (the national tour of Sunset Boulevard), Barry Humphries (Dame<br />
Edna: The Royal Tour), Sian Phillips (An Inspector Calls and Marlene), Alan Cumming and Natasha Richardson (Cabaret), Patrick Stewart<br />
(The Tempest), Elaine Page (Sunset Boulevard), Antony Sher (Stanley), as well as the companies of Closer, Swan Lake, Art, An Ideal Husband, The<br />
Chairs, and Blood Brothers. BC/EFA has also granted funds in the name of producers Bill Kenwright and Sir Cameron Mackintosh for<br />
their committed and ongoing support.<br />
The International Grantmaking program has expanded over the past eight years, most notably in grants made to <strong>AIDS</strong> service<br />
organizations in South Africa in appreciation for the efforts of the South African members of the <strong>Broadway</strong> and touring productions<br />
of The Lion King. In 2003, grants were also made to The Actors’ Fund of Canada in honor of the Canadian actors in the first<br />
national touring company of Mamma Mia!, Oz Showbiz <strong>Cares</strong> in honor of Baz Luhrmann’s <strong>Broadway</strong> production of La Bohéme, and<br />
Theatrecares/Crusaid in honor of Clare Higgins, Jochum ten Haaf, and the cast of Vincent in Brixton.<br />
BC/EFA’s International Grants – particularly those made in honor of the South African actors in the <strong>Broadway</strong> and touring productions of The Lion King –<br />
have helped improve and enrich the lives of thousands of living with <strong>AIDS</strong> in South Africa.<br />
international grants<br />
25
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
INTERNATIONAL GRANTS – DISTRIBUTION OF AWARDS<br />
1996-2000<br />
In its first four years, international grants totaling $236,500 were made to such organizations as West End <strong>Cares</strong> (London), 10<br />
organizations in South Africa, The Kosovo Relief Fund, two organizations in Dublin, Ireland; and Oz Showbiz <strong>Cares</strong> (Sydney, Australia).<br />
2001<br />
west end cares (london, england) $ 5,000<br />
12 organizations in south africa $ 87,500<br />
cairde (dublin, ireland) $ 5,000<br />
(in honor of the cast of Stones in his Pockets)<br />
2002<br />
west end cares (london, england) $ 10,000<br />
(in honor of Ian McKellen, Helen Mirren, and The Dance of Death)<br />
fife house and camfar (toronto, canada) $ 10,000<br />
(in honor of Louise Pitre, Tina Maddigan, and Mamma Mia!)<br />
13 organizations in south africa $ 111,000<br />
2003<br />
theatre cares/crusaid<br />
(in honor of Clare Higgins and Vincent in Brixton)<br />
(london, england) $ 10,000<br />
the actors’ fund of canada<br />
(in honor of the Canadian actors in national tour of Mamma Mia!)<br />
(toronto, canada) $ 43,585<br />
oz showbiz cares<br />
(In honor of Baz Luhrmann and <strong>Broadway</strong>’s La Bohéme)<br />
(sydney, australia) $ 5,000<br />
artists for a new south africa (los angeles) $ 5,000<br />
bumbanani creche (greytown, south africa) $ 15,000<br />
geluksdal’s women & children’s initiative (geluksdal, south africa) $ 10,000<br />
karabo foundation (johannesburg, south africa) $ 5,000<br />
kwa-thema (springs, south africa) $ 7,500<br />
living fountain ministry (middlebirg, south africa) $ 5,000<br />
buca project (mmabatho, south africa) $ 10,000<br />
n’kosi’s haven (johannesburg, south africa) $ 10,000<br />
prayer tower centre (mpumalanga, south africa) $ 5,000<br />
thabong dominican project (brakpan, south africa) $ 5,000<br />
thembelethu beaders (johannesburg, south africa) $ 67,900<br />
treatment action campaign (johannesburg, south africa) $ 5,000<br />
umlazi child care center<br />
(in honor of the South African actors in The Lion King)<br />
(durban, South africa) $ 12,500<br />
total international grants (1996-2003) $ 618,585<br />
Cast members from <strong>Broadway</strong>’s The Lion King, led by Ron Kunene (bottom right), proudly present replicas of checks sent to organizations in South Africa;<br />
graffiti found outside a government building in Cape Town, South Africa; cast members from the <strong>Broadway</strong> production of Vincent in Brixton proudly present<br />
a $10,000 check from BC/EFA to Theatre <strong>Cares</strong> in London.<br />
international grants<br />
26
EVENTS<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
Because of the outstanding celebrity support, theatrical expertise, and the commitment of thousands<br />
in “the industry,” BC/EFA is able to raise money in an array of exciting and innovative ways. The following pages present the<br />
highlights of a year of BC/EFA fundraising events.<br />
The Gypsy of the Year and Easter Bonnet Competitions are the mainstays of the BC/EFA event roster and together raised over $4.7<br />
million! Both events mark the culmination of an intensive six-week fundraising campaign on <strong>Broadway</strong>, Off-<strong>Broadway</strong>, and by the<br />
many national touring shows traveling across the country.<br />
Our annual calendar is completed by three additional events: The <strong>Broadway</strong> Flea Market and Grand Auction, The <strong>Broadway</strong> Bears Auction,<br />
and <strong>Broadway</strong> Bares. The oldest of these is the <strong>Broadway</strong> Flea Market, which began as a table sale outside the stage door of A Chorus Line in<br />
Shubert Alley in the fall of 1986. 2003 marked the 13th edition of <strong>Broadway</strong> Bares, which began as seven dancers cavorting for cash on<br />
a bar in New York’s Chelsea neighborhood and has since become nationally known as one of the hottest <strong>AIDS</strong> fundraisers ever. The<br />
newest of our annual events is The <strong>Broadway</strong> Bears Auction. The creative enthusiasm brought to The <strong>Broadway</strong> Bears by the wardrobe and<br />
costume design community has earned it a yearly home at BC/EFA since 1998.<br />
In addition to our annual events, each year brings a collection of special fundraisers of every size and variety. The following pages<br />
also feature 2003’s high-profile events: Jennifer Holiday at Town Hall, the reunion of Latin Rhythms at B.B. King Blues Club and<br />
Grill, and The <strong>Broadway</strong> Inspirational Voices’ Gospel Celebration, which is fast becoming an eagerly-anticipated tradition.<br />
It would be unfair, however, not to acknowledge with one grand bow the many smaller events produced every year to benefit<br />
BC/EFA by individuals in the community that are not represented on the following pages – special cabaret performances, dance<br />
presentations, club shows, concerts, and much more. Each one is an important part of our annual fundraising calendar. Whether<br />
appearing with a hundred others in a bonnet presentation at the New Amsterdam Theatre or in a solo performance for an audience<br />
of twenty in a quiet club on the Upper West Side, by volunteering their time and talent, these dedicated entertainment professionals<br />
make BC/EFA’s grantmaking possible.<br />
The bonnet from The Phantom of the Opera; Denis Jones (center) leads the men’s dancing chorus at the Gypsy of the Year Competition;<br />
a banner hung along <strong>Broadway</strong> for the Flea Market; Bryan Batt and the Suessical bear; director/choreographer Jerry Mitchell presents Jane Krakowski and the<br />
company of <strong>Broadway</strong> Bares, three event Playbills.<br />
events<br />
27
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
14TH ANNUAL<br />
GYPSY OF THE YEAR<br />
COMPETITION<br />
December 9 and 10, 2002<br />
The 14th annual Gypsy of the Year Competition was the highlight of BC/EFA’s annual holiday<br />
fundraising efforts, raising an all-time record $2,623,000. 59 <strong>Broadway</strong>, Off-<strong>Broadway</strong>, and national touring shows participated in<br />
the six weeks of fundraising efforts prior to the show, which featured 19 original, onstage presentations.<br />
Directed and choreographed by Christopher Gattelli, with musical direction by Matt Sklar and special lyrics written by Seth<br />
Rudetsky, the opening number featured the Gypsy of the Year Gypsies, 24 of <strong>Broadway</strong>’s finest dancer/singers joined by Donna<br />
McKechnie reprising of her Tony Award-winning performance of “The Music and the Mirror” from A Chorus Line.<br />
Hosts Harvey Fierstein and Harriet Harris were joined by The Goat’s Sally Field and Rent’s Joey Fatone to present this year’s<br />
Fundraising Awards. Hairspray won first place for raising a historic grand total of $375,607. Rent was first runner-up, raising<br />
$237,000; Thoroughly Modern Millie placed third with $143,000; Mamma Mia! came in fourth with $138,000, and Flower Drum Song was<br />
fifth, raising $114,000. The top fundraising award for a <strong>Broadway</strong> play went to Metamorphoses, which raised $106,000. The cast of<br />
Naked Boys Singing won the Off-<strong>Broadway</strong> Fundraising Award with their $15,500. Because of the generous participation of national<br />
touring shows in BC/EFA fundraising, this year marked the initiation of the very first National Touring Show Award, which went to<br />
Mamma Mia! II for raising $130,000.<br />
The Gypsy of the Year Award for best presentation, determined by a panel of judges including BC/EFA Trustee Cherry Jones and<br />
Swoosie Kurtz of Imaginary Friends, director/choreographer Donna Drake, and producer Hal Luftig, was given to Urinetown for their skit<br />
skewering Movin’ Out, Amour, and our friends from Actors’ <strong>Equity</strong>. Runner-up for this award was Les Misérables, which assembled 150<br />
past and present members of the <strong>Broadway</strong> company for a rousing chorus of “Will You Join in Our Crusade.” Since it opened in<br />
1987, the <strong>Broadway</strong> and national tour companies of Les Miz have raised over $2.1 million for our cause, for which we are<br />
extraordinarily grateful.<br />
Special recognition must go to director and BC/EFA Trustee Sam Ellis, production supervisor Paul J. Smith and the entire stage<br />
management team, crew and company of Aida. Many <strong>thank</strong>s to Palace Theatre owners Stewart Lane and BC/EFA Trustee Nick<br />
Scandalios of Nederlander Productions, and the hundreds of volunteer actors, stage managers, wardrobe and hair personnel, ushers<br />
and front of house staff, technicians, stagehands and musicians, producers, company managers, and concessionaires, all of whom<br />
contributed to Gypsy of the Year’s success.<br />
Seth Rudetsky – as “Fran” and chorus – in the opening number of the Gypsy of the Year Competition, our hosts Harriet Harris and Harvey Fierstein,<br />
cast members from Rent accept their fundraising award, Harvey congratulates his cast as they accept their award for top fundraisers, cast members from Urinetown.<br />
events<br />
28
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
MAKING HISTORY: GYPSY OF THE YEAR<br />
In fall 1989, the <strong>Broadway</strong> <strong>Cares</strong> “steering committee” met to discuss what new event might be jointly produced by the two thenseparate<br />
organizations, <strong>Broadway</strong> <strong>Cares</strong> and <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, that would capitalize on the shared success of that year’s recent<br />
<strong>Broadway</strong> Flea Market. While these two parallel organizations were three years away from a formalized merger, already sharing revenue<br />
and resources was clearly the future of <strong>AIDS</strong> fundraising in the theatre community.<br />
The group kept coming back to the success of the Easter Bonnet Competition. What would engage the <strong>Broadway</strong> community in<br />
another round of competitive fundraising that could also culminate in a variety show? They decided to give <strong>Broadway</strong> gypsies an<br />
afternoon in the spotlight. The very first Gypsy of the Year Competition debuted at the St. James Theatre on November 28, 1989, then<br />
home to the <strong>Broadway</strong> revival of Gypsy. Hosted by Gypsy stars Jonathan Hadary and Tyne Daly, directed by Michael Lichtefeld, and<br />
produced by Maria Di Dia and Tom Viola, the show featured gypsies from A Chorus Line, Black and Blue, Cats, Grand Hotel, Gypsy, Jerome<br />
Robbins’ <strong>Broadway</strong>, Les Misérables, The Phantom of the Opera, Sweeney Todd, The Heidi Chronicles, Three Penny Opera, and Vampire Lesbians of Sodom/The Lady<br />
in Question. The fledgling event raised over $64,000. We were thrilled.<br />
Over the next 15 years, more casts participated, new choreographers emerged from the ranks, and the show simply got better and<br />
better, growing to be one of the most sought-after tickets of the season.<br />
After her featured appearance in the show’s opening number, Donna McKechnie accepts roses and applause from her fellow dancers; Aida’s Felicia Finley<br />
in one of the legendary Gyspy Robes; Carol Burnett, co-author of Hollywood Arms, congratulates her show’s <strong>you</strong>ngest cast members, who appear as classic characters<br />
from TV’s The Carol Burnett Show.<br />
events<br />
29<br />
GYPSY OF THE YEAR<br />
TOTALS THROUGH HISTORY:<br />
1989 $ 64,000<br />
1990 $ 92,000<br />
1991 $ 205,000<br />
1992 $ 445,000<br />
1993 $ 707,000<br />
1994 $ 802,000<br />
1995 $ 1,213,000<br />
1996 $ 1,262,000<br />
1997 $ 1,325,000<br />
1998 $ 1,751,000<br />
1999 $ 2,074,000<br />
2000 $ 2,056,000<br />
2001 $ 2,037,000<br />
2002 $ 2,623,000<br />
TOTAL: $ 16,656,000
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE 17TH ANNUAL<br />
EASTER BONNET<br />
COMPETITION<br />
April 21 and 22, 2003<br />
The 17th annual Easter Bonnet Competition concluded with cheers when Chita Rivera, Antonio<br />
Banderas,and Harvey Fierstein announced that 54 participating <strong>Broadway</strong>, Off-<strong>Broadway</strong> and national touring companies had raised<br />
a grand total of $2,149,744. This is a $300,000 jump above last year’s total, especially significant in what is a very difficult time for<br />
fundraising organizations and social service agencies.<br />
The Easter Bonnet Competition, presented for the sixth year in the New Amsterdam Theatre, was the grand finale of six weeks of<br />
intensive fundraising efforts by participating <strong>Broadway</strong>, Off-<strong>Broadway</strong> and national touring shows. Awards were presented to the<br />
competition’s top fundraisers: Hairspray won the Grand Fundraising Award for raising a total of $191,000; Thoroughly Modern Millie was<br />
first runner-up with $122,2000; Mamma Mia! took second runner-up with $117,800; Les Misérables was third runner-up with<br />
$87,700; and Man of La Mancha and Baz Luhrman’s La Bohéme tied for fourth runner-up, bringing in $81,500 each. Antonio Banderas<br />
became a bonus prize – as each winning company received their award, they also claimed a kiss from the star of the revival of Nine.<br />
The top fundraising award for a play went to Ma Rainey’s Black Bottom, which raised an astonishing $77,400 in just four weeks of<br />
fundraising. The Off-<strong>Broadway</strong> fundraising award was presented to the company of Zanna, Don’t, which brought in $20,000. The top<br />
fundraiser among national tours was Mamma Mia! II. A special tip of the bonnet to all 16 national tours that participated in Bonnet<br />
fundraising. Their extraordinary efforts this year easily account for the $300,000 jump in the event’s proceeds from last year, and<br />
we <strong>thank</strong> them for their generous support.<br />
Presented on April 21 and 22, the Easter Bonnet Competition featured original performances, skits, and creative bonnets from the<br />
companies of 19 <strong>Broadway</strong> and Off-<strong>Broadway</strong> shows. The national tours of 42nd Street, Saturday Night Fever, and The Lion King got in on<br />
the act as well, sending bonnets for presentation from out on the road. Over 250 members of the participating companies joined<br />
hosts Sutton Foster, Anne B. Nathan, Elizabeth Parkinson, John Selya, Mariette Hartley, Tom Bosley, Ron Kunene, Clare Higgins,<br />
Jochum ten Haff, Jackie Hoffman, Dick Latessa, Matthew Morrison, Mary Elizabeth Mastrantonio, and Brian Stokes Mitchell onstage<br />
at the New Amsterdam.<br />
Performance highlights began with 99-year-<strong>you</strong>ng Ziegfeld girl Doris Eaton Travis returning to the same stage where she first<br />
appeared in The Ziegfeld Follies of 1918. Ms. Eaton Travis taught the Black Bottom dance from the ‘20s to Thoroughly Modern Millie star,<br />
Sutton Foster – a duet <strong>you</strong> just wouldn’t see anywhere else! The opening number, “It’s Easter Bonnet Time” (borrowed from the<br />
classic “It’s Turkey Lurkey Time”), with musical direction and new lyrics by Seth Rudetsky and choreography by Devanand Janki and<br />
Cast members from Urinetown, Thoroughly Modern Millie star Sutton Foster joins 99 year-old Ziegfeld girl Doris Eaton Travis in “the Black Bottom”<br />
onstage at the New Amsterdam Theatre, where Doris first danced it in 1918; Jane Krakowski models a bonnet in the opening number; the cast of Movin’ Out.<br />
events<br />
30
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
Robert Tataad, culminated in a surprise appearance by Nine’s Tony Award-winning Jane Krakowski. Another Tony-winner, Donna<br />
Murphy, brought the show to a rousing finale with her rendition of Cole Porter’s “I Happen to Like New York.”<br />
Companies compete not only in fundraising and presentation, but also with their handcrafted Easter bonnets, created especially<br />
for the occasion. A panel of judges, including BC/EFA Trustee Kathleen Chalfant, Jen Colella, Linda Hart, and Jane Powell, gave a<br />
special award for bonnet design to The Producers. The “Fabulous Bonnet Presentation Award” was presented to Mamma Mia!. The “Even<br />
More Fabulous Bonnet Presentation Award” went to 42nd Street, and the definitive”Most Fabulous Bonnet Presentation Award” was<br />
won by the <strong>Broadway</strong> company of La Bohéme.<br />
As always, the Eastern Bonnet Competition would not have been possible without the assistance of hundreds of volunteer actors and<br />
stage managers, wardrobe and hair personnel, ushers and front of house staff, technicians, stagehands and musicians, producers,<br />
company managers and concessionaires.<br />
Special recognition must also go to director and BC/EFA Trustee Sam Ellis, production stage manager Kristin Newhouse, and<br />
the management team, crew and company of The Lion King.<br />
ONCE UPON A BONNET: EASTER BONNET HISTORY<br />
The precursor to the Easter Bonnet Competition was an informal show instigated by wardrobe supervisor Gayle Patton in 1986<br />
backstage at the Palace Theater during the <strong>Broadway</strong> run of La Cage aux Folles. La Cage cast members dressed for a contest in which they<br />
were judged on the categories “Poise,” “Personality,” and “Talent.” The company voted by stuffing dollar bills into jars marked for<br />
each contestant. $1,200 was raised and donated to Gay Men’s Health Crisis. By 1990 the Easter Bonnet Competition had become the<br />
<strong>Broadway</strong> community’s premier <strong>AIDS</strong> fundraising event. Produced by Suzanne Ishee and a host of dedicated volunteers for its first<br />
eight years, the Easter Bonnet returned to the Palace Theatre in 1995, where it was produced for the first time by BC/EFA. In 1998,<br />
the show moved to glorious The New Amsterdam Theatre where it has played since. 17 years and over 365 bonnets later, the Easter<br />
Bonnet Competition has raised over $19 million – all still on “Poise,” “Personality,” and “Talent.”<br />
A grand total; Gregory Treco wears the bonnet from Zanna, Don’t; just a part of the final Bonnet tableau; cast members with the bonnet from La Bohéme.<br />
events<br />
31<br />
HEADLINE<br />
1987 $ 18,740<br />
1988 $ 51,757<br />
1989 $ 137,523<br />
1990 $ 226,819<br />
1991 $ 279,000<br />
1992 $ 500,049<br />
1993 $ 848,000<br />
1994 $ 1,001,649<br />
1995 $ 1,127,000<br />
1996 $ 1,304,525<br />
1997 $ 1,474,222<br />
1998 $ 1,793,137<br />
1999 $ 2,096,862<br />
2000 $ 2,129,168<br />
2001 $ 2,275,000<br />
2002 $ 1,826,392<br />
2003 $ 2,149,744<br />
TOTAL $ 19,239,587
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY BEARS VI<br />
March 24, 2003<br />
One is all about dressing up. The other is all about taking it off. The names may sound alike, but these<br />
two successful BC/EFA events couldn’t be more different.<br />
As Teddy Bear and Friends magazine put it, “This is the event that put the ‘awe’ in auction.” On March 24,<br />
The <strong>Broadway</strong> Bears VI: A Grand Auction featured a chorus line of 40 one-of-a-kind teddy bears, each meticulously outfitted in original,<br />
handmade costumes by <strong>Broadway</strong>’s leading costume designers representing the theatre world’s most legendary characters. The cuddly<br />
collectibles were auctioned off to the highest bidders, raising $116,495 for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />
<strong>Broadway</strong> lovers and teddy bear collectors came together for this 6th annual <strong>Broadway</strong> Bears auction at B.B. King Blues Club &<br />
Grill, hosted by Bryan Batt, with Lorna Kelly reprising her role as auctioneer. This year’s top bid for a bear was an astonishing<br />
$10,000 for the recreation of The Lion King’s villainous Scar, signed by the original Scar, John Vickery, and introduced onstage by<br />
Derek Smith who currently plays the role on <strong>Broadway</strong>. The event featured some of <strong>Broadway</strong>’s biggest names, including B.D. Wong,<br />
who introduced the bear modeled after his character in M. Butterfly, and Mary Bond Davis, who helped introduce the Edna Turnblad<br />
bear from Hairspray. Marian Seldes (Tony Award-winner and BC/EFA Trustee) not only introduced the Rayleen bear from 45 Seconds<br />
from <strong>Broadway</strong>, but also modeled the exact costume she – and her ursine counterpart – wore in the show. The auction heated up as the<br />
stakes were raised: Thoroughly Modern Millie’s Harriet Harris even promised the auction winner of the Mrs. Meers bear a Chinese take<br />
out dinner with herself and host Bryan Batt (her former co-star in the film, Jeffrey).<br />
To date, <strong>Broadway</strong> Bears’ six auctions have raised a beary grand total of $883,307 for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />
As always, BC/EFA is very grateful to the creative and talented artists who designed, outfitted, costumed, draped, frocked,<br />
dressed, shod, hatted, painted, armored, tattooed, stuffed, lipoed, wigged, bejeweled, and feathered the <strong>Broadway</strong> Bears. We are also<br />
indebted to the North American Bear Company for generously donating the bears, each of which went out there a bare bear, and<br />
came back a star.<br />
Marian Seldes presents her bear from 45 Seconds from <strong>Broadway</strong>, which wears an exact duplicate of the original costume worn by her character, Rayleen;<br />
The Phantom of the Opera bear, costume designer Martin Paklindenaz with his Mrs. Meers bear from Thoroughly Modern Millie,<br />
an outstanding bear – Scar from The Lion King.<br />
events<br />
32
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY BARES XIII<br />
June 15, 2003<br />
<strong>Broadway</strong> Bares XIII: Burlesque Is Back raised more than eyebrows: the 2003 version of the spectacular that<br />
grins and bares it brought in $450,000 for BC/EFA, $14,000 of which was collected in sweaty dollar bills tucked into the sparkling<br />
g-strings of over 200 of <strong>Broadway</strong>’s hottest dancers. This grand total tops last year’s success by a whopping $50,000, proving that<br />
burlesque is indeed back!<br />
Every year for 13 years, <strong>Broadway</strong> Bares’ creator, director, and choreographer, Jerry Mitchell, has convinced a group of <strong>Broadway</strong><br />
professionals to take it off for a good cause. This year’s <strong>Broadway</strong> Bares, which took over Roseland Ballroom on June 15, featured<br />
Hairspray Tony Award-winners Harvey Fierstein and Marissa Jaret Winoker as hosts, with over 200 performers strutting their stuff.<br />
Highlights included a surprise appearance by Nine’s Tony Award-winning Jane Krakowski (flying above the crowd wrapped in her<br />
signature sheet), Gypsy’s “Gotta Get A Gimmick” girls – Kate Buddeke, Julie Halston, and Heather Lee – joining her in an original<br />
opening number composed for the show by Andrew Lippa, the legendary Eartha Kitt singing “Love for Sale,” Jennifer Cody as<br />
Christina Aguilera, and Deborah Gibson as <strong>you</strong>’ve never seen her before. Perennial favorite Las Vegas aerial troupe The Living Art<br />
of Armando returned in an acrobatic feat akin to a four-person, very sexy, Cirque de Soleil.<br />
The show’s finale was capped by the presentation by John Dempsey, CEO of MAC Cosmetics and The MAC <strong>AIDS</strong> Fund, of a<br />
generous check for $75,000 to BC/EFA. <strong>Broadway</strong> Bares has raised over $2.2 million dollars for BC/EFA since its humble beginnings<br />
in 1991, when Mitchell (who was then dancing nearly naked on a drum in The Will Rogers Follies) encouraged six of his fellow <strong>Broadway</strong><br />
gypsies to dance atop a New York bar for tips, which were donated to BC/EFA. The annual event keeps performing to sell out<br />
crowdsand the last 13 editions of <strong>Broadway</strong> Bares have raised a cumulative total of $2,252,000 for BC/EFA.<br />
Denis Jones and Rachelle Rak in “Let’s Misbehave;” Tim Curry and Julio Augustin, a nearly naked “Two Man Band;” a long line of male beauties,<br />
the divine Eartha Kitt is nuzzled by Bares men, Russell Warfield and Todd Hunter; It’s not just hot men – here are Jill Nicklaus and Michelle Kittrell, two lovely ladies.<br />
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BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
17TH ANNUAL<br />
BROADWAY FLEA MARKET<br />
AND GRAND AUCTION<br />
September 21, 2003<br />
The 17th annual <strong>Broadway</strong> Flea Market and Grand Auction set an all-time record in 2003, raising an<br />
unprecedented $512,000 on one of the most beautiful, sunny Sunday afternoons Shubert Alley had seen in a long time. 59 tables,<br />
69 Silent Auction items, 71 Grand Auction lots, and a celebrity booth packed with nearly 70 stars added up to this year’s success.<br />
The street was abuzz with theatre fans and tourists buying everything from show tickets, autographed posters and Playbills, props<br />
and costumes, homemade cookies and, of course, our favorite, “Privilege to Pee” toilet paper from the company of Urinetown. 59<br />
merchandise tables from <strong>Broadway</strong> and Off-<strong>Broadway</strong> shows and theatre-related unions and guilds raised $209,000. The highest<br />
grossing show table was Gypsy, which raised $10,059 selling its wares.<br />
The ever-popular Celebrity Booth swarmed with stars of <strong>Broadway</strong> and daytime television posing for photographs and signing<br />
autographs in exchange for donations to BC/EFA. Among those lending their signatures and faces to our photo booth were Delta<br />
Burke, Nathan Lane, Audra McDonald, Chita Rivera, Hunter Foster, Ann Harada, Bernadette Peters, Elizabeth Parkinson, John<br />
Tartaglia, Joel Grey, Harvey Fierstein, Denis O’Hare, Donna McKechnie, Roger Rees, Donna Murphy, Andrea McArdle and Bebe<br />
Neuwirth.<br />
The Silent Auction fueled the excitement in the alley when Michael Crawford’s signed red boots from Dance of the Vampires sold<br />
for a winning bid of $4,200. Other signed items that sent autograph-hunters emptying their pockets were a poster of Long Day’s Journey<br />
Into Night, which brought in $1,200, and a framed musical signature by Jerry Bock and Sheldon Harnick which sold for $1,000.<br />
The Grand Auction lasted over two hours, keeping the alley crowd cheering for once-in-a-lifetime auction packages like a walk-on<br />
role on TV’s “Friends,” which brought in a whopping $30,000! The “Phantom of the Opera Experience” also sent the crowd into a<br />
frenzy, with a winning $25,000 bid. Other stand-outs included an $11,000 walk-on role in Rent, a $9,500 walk-on appearance in<br />
Mamma Mia!, a $9,250 Tony Award package, and two VIP tickets to Nathan Lane and Matthew Broderick’s first performance back in<br />
The Producers on New Year’s Eve, which sold for $6,250. Of course, it didn’t hurt that Nathan Lane, a BC/EFA Trustee, was there on<br />
hand to promise a backstage visit and a post-show glass of champagne. All of these items sold twice, doubling their totals!<br />
Shubert Alley on the day of the <strong>Broadway</strong> Flea Market, company members from 42nd Street; the Grand Auction display, Avenue Q’s Ann Harada and<br />
Urinetown’s Hunter Foster were two of dozens of <strong>Broadway</strong> stars at the Celebrity Table.<br />
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HOW IT ALL BEGAN<br />
Now unofficially recognized as <strong>Broadway</strong>’s annual “company<br />
picnic,” the <strong>Broadway</strong> Flea Market had an inauspicious start. In<br />
1987, the event debuted as two tables presented by the company<br />
of A Chorus Line outside their stage door in Shubert Alley as a part<br />
of the first <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Week, raising what thought to be<br />
an astonishing $7,000. Over the next four years, under the<br />
leadership of Ethel Bayer, Stephen Falat, Arne Gundersen, and<br />
Larry Hansen, the Flea Market grew, with tables from more shows,<br />
theatre-related offices, unions, and guilds– everyone recognizing<br />
a good cause and a great chance to clean house. In 1988, an<br />
auction of eight lots was created, but with no experienced<br />
auctioneer, sputtered to its finish. In 1989, Sotheby’s Lorna<br />
Kelly came on board as our official auctioneer and with her<br />
expertise, a truly “grand” auction was born. Today the <strong>Broadway</strong><br />
Flea Market and Grand Auction brings thousands from the theatre<br />
community and audiences to Shubert Alley and along West 44th<br />
Street. As they say, from little acorns…or more specifically, over<br />
16 years from 1987 to 2003, this event has raised over $5 million,<br />
and we’re still signing posters, gathering swag, and cleaning<br />
closets for the cause.<br />
Nathan Lane signs posters from The Producers at the Celebrity Table,<br />
Rosie O’Donnell sold her own Taboo paintings; cast members from The Lion King<br />
were among more than 20 <strong>Broadway</strong> shows that had tables in Shubert Alley<br />
and on West 44th Street.<br />
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BROADWAY<br />
BARKS 5<br />
July 12, 2003<br />
<strong>Broadway</strong> went to the dogs, or rather, the dogs went<br />
to <strong>Broadway</strong>, when <strong>Broadway</strong> Barks returned to Shubert Alley with<br />
the coolest canines and most fabulous felines up for adoption.<br />
More than 45 adorable dogs and cats found new homes as the<br />
<strong>Broadway</strong> community came together, joining <strong>Broadway</strong> Barks<br />
founders, Bernadette Peters and Mary Tyler Moore, and special<br />
guest host, Harvey Fierstein. Celebrity pet presenters Joel Grey,<br />
Bebe Neuwirth, Laura Benanti, Mary Stuart Masterson, Tammy<br />
Blanchard, Kate Buddeke, John Dossett, Julie Halston, Heather<br />
Lee, David Burtka, Linda Emond, Edie Falco, Louise Pitre,<br />
Linda Hart, Dick Latessa, Clarke Thorell, Sutton Foster, Leslie<br />
Uggams, Marc Kudish, Frenchie Davis, Jon Secada, Jayne<br />
Atkinson, Jane Adams, Marin Mazzie, Brian Stokes Mitchell,<br />
Ernie Sabella, Tom Wopat, and the entire cast of Gypsy joined<br />
volunteers and 23 local shelters eager to help find homes for a<br />
wonderful collection of critters. In addition to the over three<br />
dozen animals adopted that afternoon, theatre-goers walked away<br />
with information about pet neutering and the benefits of shelter<br />
adoption. Best of all, the company of Gypsy raised $50,000 for<br />
participating shelters by selling autographed memorabilia outside<br />
their stage door in Shubert Alley during the weeks prior to the<br />
event. A doggone good time was had by all.<br />
Edie Falco was just one of dozens of <strong>Broadway</strong> stars who appeared at<br />
<strong>Broadway</strong> Barks, one of dozens of adorable animals to find a good home,<br />
<strong>Broadway</strong> Barks founders Mary Tyler Moore and Bernadette Peters<br />
are joined by Brian Stokes Mitchell and a pal.
JENNIFER<br />
HOLLIDAY<br />
IN CONCERT<br />
October 28, 2003<br />
Tony Award-winner Jennifer Holliday returned to<br />
the New York stage for “one night only” at Town Hall on October<br />
28 with her concert, Romance in the Dark, presented by BC/EFA.<br />
Directed by Donna Drake, the show was a celebration of love<br />
songs from the canon of great black <strong>Broadway</strong> musicals including<br />
Purlie, Bubbling Brown Sugar, and, of course, Dreamgirls, as well as the<br />
work of music legends Fats Waller and Duke Ellington.<br />
Highlights included a gorgeous rendition of “A Sleepin’ Bee”<br />
from the Truman Capote/Harold Arlen classic House of Flowers,<br />
under the musical direction of Daryl Waters, and the eagerly<br />
anticipated “And I’m Telling You I’m Not Going.” Proceeds<br />
from the evening were shared by <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong><br />
<strong>AIDS</strong> and the Harlem United Community <strong>AIDS</strong> Center. On<br />
hand to sing with Jennifer were The Heritage Ensemble, Jason<br />
Samuels Smith of Bring in Da Noise, Bring in Da Funk; Keith David of<br />
Jelly’s Last Jam, and Norm Lewis of Sideshow and Amour. In addition<br />
to the sold-out concert, the evening was a celebration of the<br />
Dreamgirls’ star’s birthday. After the concert, Planet Hollywood in<br />
Times Square rolled out the purple carpet for Jennifer, her<br />
friends, family, and VIP guests.<br />
Bring In da Noise, Bring in da Funk star Jason Samuels joined Jennifer Holliday<br />
in a “song and tap” duet; Jennifer was joined by Keith David in a medley of<br />
Duke Ellington’s best, Jennifer reprised her signature song from Dreamgirls,<br />
“And I’m Telling You I’m Not Going.”<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
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NOTHING<br />
LIKE A DAME<br />
March 13, 2003<br />
The 8th annual Nothing Like a Dame, billed as “the<br />
thinking woman’s vaudeville,” was presented by BC/EFA at the St.<br />
James Theatre on March 13, raising $200,000 for The Actors’<br />
Fund’s Phyllis Newman Women’s Health Initiative. Highlights of<br />
the 2003 edition included Bebe Neuwirth performing her<br />
signature version of “All That Jazz”, The Producers’ Cady Huffman<br />
assuring us that “Life Is Just a Bowl of Cherries,” La Bohéme’s<br />
Jessica Comeau reprising her stunning rendition of “Musetta’s<br />
Waltz;” and electrifying performances by Georgia Me and Mayda<br />
del Valle from from Russell Simmon’s Def Poetry Jam on <strong>Broadway</strong>.<br />
Kate Mulgrew took her night off from Off <strong>Broadway</strong>’s TeaatFive<br />
to make sure Katherine Hepburn could drop by for a chat. Rosie<br />
Perez made an appearance, fresh from The Vagina Monologues. A<br />
tribute medley to Tony Award-winning lyricist Adolph Green –<br />
husband of PNWHI founder, Phyllis Newman – was performed<br />
by Sutton Foster, Mary Bond Davis, and Judy Kaye. One of this<br />
year’s Honorary Dames, Harvey Fierstein, (Edna Turnblad in<br />
Hairspray) appeared as himself, singing Jerry Herman’s, “I<br />
Am What I Am.” After the performance, the evening’s stars,<br />
volunteers, sponsors, and major donors joined the BC/EFA and<br />
Actors’ Fund staff for a party generously donated by John’s Pizza.<br />
The 2003 Dames included Kamilah Martin, Shayna Steele, and Judine Richard,<br />
“the Dynamites” from Hairspray; Kate Mulgrew as Katharine Hepburn,<br />
Women’s Health Initiative client Zazel O’Garra; and diva Dames Ann Richards, former<br />
governor of Texas, and gossip columnist Liz Smith in a one-time-only “Texas Duet.”
LATIN<br />
RHYTHMS<br />
May 19, 2003<br />
The worlds of Latin music and <strong>Broadway</strong> united<br />
on May 19th when some of Latin music’s biggest stars shared the<br />
stage with some of <strong>Broadway</strong>’s biggest names for An Evening of Latin<br />
Rhythms to benefit BC/EFA and its affiliate, Dancers Responding<br />
to <strong>AIDS</strong>, at B.B. King Blues Club and Grill. <strong>Broadway</strong> legend<br />
Chita Rivera hosted the show, which was conceived and<br />
choreographed by Richard Amaro. Performances featured<br />
surprise guest Jon Secada and such red-hot <strong>Broadway</strong> talent as<br />
Daphne Rubin-Vega (Rent), Raúl Esparza (Cabaret and tick, tick...<br />
BOOM!), Natalie Toro (Les Misérables and the national tour of<br />
Evita), Sandra Santiago (Nine), and Andrea Burns (The Phantom of<br />
the Opera), among others. Grammy Award-winner Ray Santos<br />
conducted and orchestrated the evening’s music, featuring guest<br />
stars like Dave Valentin, Jimmy Bosch, and Andy Gonzalez.<br />
Following the show, the performers weaved through the audience<br />
in a live conga to kick off a festive night of dancing. The event<br />
captured the heart and vitality of Latin music, but it was more<br />
than just a good time. Latin Rhythms was also about building<br />
community: Latinos helping Latinos, as some of the<br />
entertainment industry’s finest Hispanic performers came out in<br />
support of their own. Bronx Borough President, Adolfo<br />
Carrion, <strong>thank</strong>ed those in attendance for standing up and<br />
making a difference in underserved communities, but perhaps<br />
actress and activist Rosie Perez put it best, saying, simply, “It’s<br />
nice to see my people.”<br />
Two of the Latin Rhythms dancers perform “Mambo Gallego,”<br />
Daphne Rubin-Vega sings '”Sabor a Mi” and Raul Esparza performs, “El Mansiero.”<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
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THE NINTH<br />
ANNUAL<br />
GOSPEL<br />
CELEBRATION<br />
The <strong>Broadway</strong> Inspirational Voices returned to Times<br />
Square and sang out in praise with sold-out, thrilling<br />
performances in the sanctuary of the beautifully restored Church<br />
of St. Mary the Virgin. Founded and directed by actor and<br />
BC/EFA Trustee Michael McElroy, this ensemble includes more<br />
than 40 performers from such shows as The Producers, Aida, Rent,<br />
Thoroughly Modern Millie, Hairspray, The Lion King, Cabaret, and Beauty<br />
and the Beast. As The New York Times has noted, “The <strong>Broadway</strong><br />
Inspirational Voices has developed a national reputation and is<br />
booked year round.” The choir has appeared at Rockefeller<br />
Center for the arrival of the Olympic Flame, Yankee Stadium for<br />
Mayor Rudolph Giuliani’s “Gathering of Remembrance”<br />
following 9/11, Carnegie Hall for “My Favorite <strong>Broadway</strong>,” the<br />
Tony Awards, and aboard the USS John F. Kennedy aircraft<br />
carrier for President and Mrs. Clinton as part of OpSail 2000.<br />
This year, The Inspirational Voices kicked off BC/EFA’s fiscal<br />
year in a powerful, spirited performance featuring special guests<br />
Stephanie Mills and Inaya Day alongside choir soloists Marva<br />
Hicks, Clarke Thorell, Virginia Woodruff, Jason Paige, Darius de<br />
Haas, and Billy Porter, who brought the entire church to its feet<br />
with his electrifying solo ‘When Sunday Comes.” Guests of<br />
honor included former New York City Mayor David M. Dinkins<br />
and Star Jones.<br />
The <strong>Broadway</strong> Inspirational Voices in full voice; the evening’s special guest,<br />
Stephanie Mills; Voices founder and musical director, Michael McElroy.
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NATIONAL SUPPORT<br />
A strong commitment to BC/EFA extends far beyond New York City. In regional, stock, and dinner<br />
theatres across the country, as well as in cities that play host to <strong>Broadway</strong>’s national touring shows, casts come together as they do in<br />
New York to raise funds continually for BC/EFA.<br />
<strong>Broadway</strong>’s national tours are BC/EFA’s ambassadors on the road. Without the added administrative expense of official chapters<br />
in cities across the country, BC/EFA is able to raise funds through these traveling autographed poster sales and curtain speeches.<br />
These efforts raise hundreds of thousands of dollars each year and are an important piece of the financial support BC/EFA provides<br />
through the National Grants Program to many <strong>AIDS</strong> service organizations in the very cities visited by the national tours as they wind<br />
their way across the country. These special appeals have been made by such touring shows as 42nd Street, Aida, Beauty and the Beast, Blue<br />
Man Group, Cinderella, Contact, The Full Monty, Jesus Christ, Superstar; Les Misérables, The Lion King, Mamma Mia!, The Phantom of the Opera, The<br />
Producers, Saturday Night Fever, The Tale of the Allergist’s Wife, tick, tick, BOOM!; and West Side Story.<br />
Cast members from many tours go to the added effort of presenting special cabaret evenings in a local club or theatre, the<br />
proceeds of which are then shared with a local <strong>AIDS</strong> organization and BC/EFA. However <strong>you</strong> measure it, the generous efforts of our<br />
friends on the road amount to hundreds of thousands of dollars that come back through BC/EFA to local <strong>AIDS</strong> service organizations<br />
nationwide. 14 years ago, the first “<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Week” was declared. What was then the <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Committee sent<br />
letters to every <strong>Equity</strong> theatre asking that an appeal be made during Thanksgiving Week. That first year brought in over $70,000 from<br />
a few dozen theatres. Over the years, more local theatres joined in what became annual efforts, and in 1992, EFA Week became<br />
BC/EFA Week, which continues to this day. More importantly, over time, many regional theatres became allied with their local <strong>AIDS</strong><br />
service organizations, raising funds for them as the national tours do for BC/EFA. Some theatres continue to do both. The Actors’<br />
Playhouse at the Miracle Theatre in Coral Gables, FL; The Alliance Theatre in Atlanta, GA; Cincinnati’s Playhouse in the Park;<br />
Florida Repertory Theatre; Fulton Opera House in Lancaster, PA; Connecticut’s Goodspeed Opera House; San Francisco’s<br />
American Conservatory Theatre; Mill Mountain Theatre in Roanoke, VA; North Shore Music Theatre in Beverly, MA; Portland<br />
Center Stage; Syracuse Stage; The Shakespeare Theatre in Washington, DC, and The Carousel Dinner Theatre in Akron, Ohio are<br />
just a few of our most stalwart out-of-town supporters. For all these collective efforts, we are most grateful.<br />
More than 90 regional theatre, summer stock, and dinner theatre productions across the country pitched in to raise funds through audience appeals and special cabaret<br />
performances. These included the Syracuse Stage production of The Wizard of Oz; one of our most stalwart supporters, The Carousel Dinner Theatre in Akron, Ohio,<br />
where the casts of The Music Man and Smokey Joe’s Cafe raised $11,600 and $7,983; the cast of The Media Theatre’s production of The Secret Garden<br />
in Pennsylvania raised $2,670 from audience appeals; the cast of Jacques Brel at the Second Stage Theatre in Boston raised $1,033.<br />
national support<br />
38
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
SCHOOLS OUTREACH<br />
PROGRAM:<br />
THESPIAN FUNDRAISING<br />
BC/EFA has been successful in raising awareness about HIV/<strong>AIDS</strong> among adolescents and <strong>you</strong>ng adults<br />
through our new initiative, the Schools Outreach Program. By reaching out to theatre departments in middle schools, high schools,<br />
and colleges across the country, we’ve established a whole new fundraising leg, while taking an active role in HIV-prevention education.<br />
Currently, there are schools participating in fundraising for BC/EFA in 25 of the 50 states.<br />
Theatre students love <strong>Broadway</strong>, so it’s no surprise that they want to get involved in what the professional community does to<br />
support us. Many school groups attend shows during our Easter Bonnet and Gypsy of the Year campaigns, where they contribute to the<br />
donation buckets, stay for cast question and answer sessions, and buy autographed posters, so when we suggest that they do similar<br />
things on our behalf during their own production seasons, they readily agree. In fact, some schools have also written their own shows<br />
about <strong>AIDS</strong>, turned their <strong>AIDS</strong> benefits into week-long awareness campaigns involving the <strong>AIDS</strong> Quilt, guest speakers from our<br />
office and from their local organizations and initiated live auctions and donation drives for BC/EFA. These outreach efforts help us<br />
to spread the word about BC/EFA in rural and urban areas across the country. To date, schools from Maine to California contribute<br />
hundreds and thousands of dollars apiece. In addition to the work they do for us on their own stages, many nearby schools also visit<br />
us to volunteer for our calendar events. High school troupes from all over the tri-state area travel to Shubert Alley to help set-up<br />
and run the <strong>Broadway</strong> Flea Market in September, while college students here in the city show up to lend production and fundraising<br />
support throughout the year. This is important to us, and to the <strong>Broadway</strong> community, as well: many of these students hope to make<br />
a life for themselves here after they graduate. Now, they already know that theatre is about so much more than just performing; it’s<br />
about coming together as a community.<br />
The Schools Outreach Program raised $48,638 in fiscal year 2003. BC/EFA is proud to recognize the International Thespian<br />
Society, the national theatre honor society and all its chapters, as our strongest and largest supporter in schools. We are also grateful<br />
to have the Educational Theatre Association (EdTA), as well as New York State Theatre Education Association, and Alpha Psi Omega,<br />
the national theatre college fraternity, as our new partners in the fight against <strong>AIDS</strong>.<br />
The International Thespian Society regional officers at the <strong>Broadway</strong> Flea Market; <strong>Broadway</strong>’s Jennifer Ehle and Howard McGillin present a student body president<br />
with a BC/EFA Award of Merit; high school students from Milburn, New Jersey, host a cabaret night for BC/EFA; students from Shenandoah University<br />
make audience appeals following performances of The Baker’s Wife; students fundraise at the New York State Theatre Education Conference<br />
wearing T-shirts they made to sell for BC/EFA.<br />
schools outreach program<br />
39
BROADWAY<br />
ON EBAY<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
It rained during the 2001 <strong>Broadway</strong> Flea Market, essentially knocking out the day’s silent auction. Rather<br />
than toss in the towel until the following year, we decided to put the various unsold objects on eBay to see how they’d sell. Well, they<br />
sold, and they sold great! From that lucky bit of bad luck, a successful, new BC/EFA fundraising initiative was born: <strong>Broadway</strong> <strong>Cares</strong><br />
Auction on eBay. Two years later, we’ve seen our efforts on eBay grow into a new and uniquely profitable fundraising initiative,<br />
proving that behind every dark cloud there is indeed a silver lining. In 2003, 686 items sold for $92,372.<br />
Autographed Playbills and posters as well as props, costume pieces, exclusive opening night gifts, and one-of-a-kind theatrical<br />
memorabilia have all contributed to this very successful campaign. Stand-out items from 2003 included a Les Misérables show jacket<br />
that sold for $475 just before the show’s last performance; Hugh Jackman’s 2003 Tony Awards script, which sold for $752, and his<br />
signed cowboy hat from the London production of Oklahoma, which went for $1,027; a Hairspray martini pitcher, which sold for $640;<br />
a signed cue card from The Late Show with David Letterman that went for $334 (and that was just one joke!); signed boxer shorts from The<br />
Full Monty, which sold for $375; a Siamese cat costume from <strong>Broadway</strong>’s Cats, which made someone very happy at Halloween for $525;<br />
and much more – some for much less, but all very appreciated.<br />
SIGNING FOR A CAUSE: BROADWAY SHOW POSTERS<br />
In addition to the direct financial support BC/EFA provides to hundreds of <strong>AIDS</strong> and family service organizations, we regularly<br />
receive requests for signed <strong>Broadway</strong> show posters that can be included in fundraising auctions and raffles across the country. Last<br />
year, over 570 signed show posters were sent to 64 <strong>AIDS</strong> service providers to enhance their ability to raise funds in their local<br />
communities.<br />
It is no small favor to ask the casts of <strong>Broadway</strong> shows to sign dozens of posters, month after month, year after year. In addition<br />
to thousands sold for BC/EFA in theatres and by BC/EFA on eBay, hundreds more are sent by BC/EFA to agencies that would<br />
otherwise never have this kind of unique fundraising resource.<br />
Consider this: 570 signed posters at $100 each (and many are auctioned for much more) equals $57,000 in additional revenue<br />
to dozens of grassroots organizations across the country. Our sincere <strong>thank</strong>s to everyone in any show who has ever taken pen to poster<br />
and signed their name once, twice, a dozen times, or until their hand hurt.<br />
Just of a few of the signed items and one-of-a-kind theatrical memorabilia sold on eBay by BC/EFA: original crystal from the chandelier in The Phantom of the Opera;<br />
the original cast posters of Nine, Hairspray, and the revival of Our Town, starring Paul Newman; a musical signature The Producers by Mel Brooks,<br />
and a drum skin signed by the company of Movin’ Out.<br />
broadway on ebay<br />
40
RETAIL<br />
OUTREACH<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE CATALOG OF GIVING AND THE BROADWAY CARES COLLECTION<br />
The Retail Outreach Program promotes <strong>AIDS</strong> awareness and visibility for BC/EFA, and makes the classic Red Ribbon available<br />
for free or at cost to <strong>AIDS</strong> service organizations and individuals nationwide. The retail Catalog of Giving (in print and online at<br />
www.broadwaycares.org) appeals to <strong>Broadway</strong> enthusiasts across the country, presenting an impressive array of <strong>Broadway</strong>-related<br />
paraphernalia such as autographed theatre-related books, compact discs, videos on VHS and DVD, and exclusive red ribbon gift ideas<br />
for the holidays and year-round occasions. Posters and t-shirts from BC/EFA events continue to be popular with those supporters<br />
around the country who couldn’t actually be there in person. The <strong>Broadway</strong> <strong>Cares</strong> Collection features one of a kind collector items<br />
created especially for BC/EFA with logos of 12 <strong>Broadway</strong> musicals on an ornament, tote bag, coffee mug, beach towel, and t-shirt.<br />
In fiscal year 2003, The Catalog of Giving generated $494,336 in sales.<br />
The Retail Outreach Program also forges relationships with other <strong>AIDS</strong> service and fundraising organizations by agreeing to<br />
include their products in the BC/EFA catalog. Organizations such as the Until There’s a Cure Foundation and The North Shore<br />
University <strong>AIDS</strong> Awareness Committee provide us with a stock of their merchandise to sell, and BC/EFA receives back from these<br />
organization a reciprocal grant of 25% of the sales. All silk-screen printing of BC/EFA merchandise, such as our popular T-shirts,<br />
is by Night Sweats & T-Cells, an Ohio based shop owned and operated by people living with HIV/<strong>AIDS</strong>. Many of the hand-crafted<br />
items offered in the catalog come from The Alpha Workshops in Manhattan, where all artisans and trainees are people living with<br />
HIV/<strong>AIDS</strong>. South Africa-based Naledi Ya Afrika provides all hand-beaded items that are made by women living with HIV/<strong>AIDS</strong>.<br />
CARETIX<br />
The CareTix program offers BC/EFA supporters access to the best seats in the house for <strong>Broadway</strong>, Off-<strong>Broadway</strong>, The<br />
Metropolitan Opera, concerts, and national touring shows in exchange for a charitable donation equal to the face value of the ticket<br />
price. CareTix tickets are house seats normally reserved for entertainment industry insiders, which means that CareTix buyers get<br />
the best seats in the house to shows that are often already sold out to the public. Since 1988, CareTix has raised more than $9.2<br />
million with $1,717,388 in fiscal year 2003.<br />
CARECARDS<br />
For a tax-deductible gift of $10 or more per card, BC/EFA creates and addresses beautifully designed Carecards with <strong>you</strong>r<br />
personal greetings, indicating that a generous contribution has been made to BC/EFA in the recipient’s honor. CareCards can be<br />
sent to everyone on <strong>you</strong>r holiday card list, individually signed, sealed and delivered. Cards for any occasion can also be accompanied<br />
by Opening Night gifts, including Veuve Clicquot champagne. In 2003, the CareCard program raised $127,340 for BC/EFA.<br />
retail outreach<br />
41
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
CLASSICAL ACTION:<br />
PERFORMING ARTS<br />
AGAINST <strong>AIDS</strong><br />
Classical Action: Performing Arts Against <strong>AIDS</strong> merged with BC/EFA in October of 1997. Founded<br />
in 1993 using BC/EFA as its model, Classical Action draws on the talents, resources, and generosity of the performing arts community<br />
nationwide, with an emphasis on the classical and jazz music communities, to raise funds for <strong>AIDS</strong> services. These funds are<br />
distributed through The Actors’ Fund of America (see page 6), and through BC/EFA’s National Grants Program (see page 12). Classical<br />
Action maintains its own identity and conducts its own fundraising endeavors, while BC/EFA assumes most administrative<br />
responsibilities, allowing Classical Action to devote maximum energies to events and merchandising projects.<br />
CHARITY BEGINS AT HOME: CLASSICAL ACTION HOUSE CONCERTS<br />
One of Classical Action’s most successful fundraising endeavors is the production of private house concerts. Supporters host<br />
concerts in their homes featuring some of the most prominent artists in music today, who generously donate their time and talent.<br />
2003 saw house concerts featuring pianist José Feghali and cellist Daniel Gaisford, and pianist Jean-Yves Thibaudet. These intimate<br />
events are held in New York City, Los Angeles, and across the country. When Classical Action takes its show on the road, it often<br />
collaborates and shares proceeds with local <strong>AIDS</strong> organizations, such as this year’s concert with Houston, TX’s Center for <strong>AIDS</strong>.<br />
DEBORAH VOIGT ON BROADWAY: OPERA’S LEADING LADY MEETS BROADWAY’S LEADING MEN<br />
On November 11, 2002, opera star Deborah Voigt appeared with some of <strong>Broadway</strong>’s most celebrated artists at the Ford Center<br />
for the Performing Arts in a collaborative benefit for Classical Action and BC/EFA. Deborah Voigt on <strong>Broadway</strong>: Opera’s Leading Lady Meets<br />
<strong>Broadway</strong>’s Leading Men marked the 10-year anniversary of Classical Action, and the 5th anniversary of the merger of Classical Action<br />
with BC/EFA. The evening’s leading men: Malcolm Gets from the season’s Amour, Howard McGillin of The Phantom of the Opera, Adam<br />
Pascal of Aida, Patrick Wilson of Oklahoma!, and Tom Wopat of 42nd Street. Host Dick Cavett literally ran across the street from another<br />
benefit. Conductor Eric Stern, director John DeLuca, and the Orchestra of St. Luke’s also donated their time and talent. Ms. Voigt<br />
capitalized on the meeting of the genres of opera and <strong>Broadway</strong> with a medley including “By Strauss” (Gershwin) and “Do I Hear a<br />
Waltz?” (Sondheim). She sang Puccini and Wagner arias for the opera purists in attendance, and delighted the crowd with songs<br />
outside her usual repertoire, such as “Ice Cream” from She Loves Me. It was some enchanted evening, made possible in part by event<br />
sponsors including WQXR 96.3-FM, Champagne Veuve Clicquot, Continental Airlines, The New York Times and NYTimes.com,<br />
ViceVersa Restaurant, Attitude New York Chauffeured Transportation, Westin Hotels, and Hugo Boss.<br />
Clockwise from top left: Pianist Jean-Yves Thibaudet performs a solo house concert; Pianist/composer Fred Hersch and soprano Renée Fleming in their first collaboration;<br />
Up Our Alley participants "Bowl Canto" from Orchestra of St. Luke's; At home, cellist Daniel Gaisford and pianist José Feghali;<br />
Soprano Deborah Voigt accepts a bouquet at event's end.<br />
classical action<br />
42
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
CONCERTMASTER<br />
$25,000 and above<br />
Judy and Steven Gluckstern<br />
Michael Palm Foundation<br />
STRINGS<br />
$10,000 - $24,999<br />
Annalee Newman Fund<br />
John and Sophie Bilezikian,<br />
in loving memory of Sara Bilezikian<br />
Jay M. Furman<br />
Gail Furman<br />
Kevin and Karen Kennedy<br />
Terry K. Watanabe<br />
William H. Wright II<br />
Anonymous<br />
WOODWINDS<br />
$5,000 - $9,999<br />
Steve and Connie Grabow<br />
Irene Diamond Fund<br />
J. R. Nites, Ltd.<br />
Universal Classics Group<br />
Wheelock Whitney III<br />
Simon Yates<br />
BRASS<br />
$2,500 - $4,999<br />
Mildred Abelson<br />
Josh Aronson<br />
Helen Bodian and Roger Alcaly<br />
Mrs. Catherine G. Curran<br />
Elizabeth and Stephen Eisenmann,<br />
in memory of Michael Palm<br />
The Fan Fox and Leslie R. Samuels Foundation<br />
Bruce Kovner<br />
Jim and Ellen Marcus<br />
Howard P. Milstein<br />
Linda and Stuart Nelson<br />
Mr. and Mrs. Samuel P. Peabody<br />
San Francisco Performances<br />
Ted Snowden<br />
Jeffrey Sosnick and Albert A. Carucci<br />
Frank Spring,<br />
in memory of Malcolm Hoare<br />
THE MICHAEL PALM SERIES<br />
In fiscal year 2003, Classical Action was the recipient of a generous $200,000 grant from the Michael Palm Foundation. This<br />
grant, payable over the next five years, underwrites Classical Action’s new Michael Palm Series. Michael Palm, a lover of classical music<br />
and supporter of a wide range of performing arts and HIV/<strong>AIDS</strong> organizations, spearheaded the concept of Classical Action house<br />
concerts, and hosted many of them in his own penthouse apartment high above Lincoln Center. He passed away in 1998, but his<br />
memory thrives in the spirit and name of the Series. The inaugural concert of the series on June 12 featured soprano Renée Fleming<br />
and pianist Fred Hersch, two of Classical Action’s most ardent supporters, appearing together for the first time. Despite their<br />
respective reknown in the genres of opera and jazz, Ms. Fleming and Mr. Hersch seemed to have been born from the same musical<br />
genes when it came to interpretation, color and understanding of music ranging from Cole Porter and Antonio Carlos Jobim to Stevie<br />
Wonder and Joni Mitchell. Their premier collaboration marked an evening of many fine firsts in Steven and Judy Gluckstern’s home.<br />
UP OUR ALLEY V: CLASSICAL ACTION’S FIFTH ANNUAL BENEFIT BOWLING BONANZA<br />
More than 300 friends from the performing arts industry and beyond had a ball at Bowlmor Lanes in Manhattan on June 9,<br />
bowling for big bucks at Up Our Alley V. Organizations like the New York Philharmonic, Eos Orchestra, and Steinway & Sons formed<br />
bowling teams to raise a whopping $69,533 for people living with HIV/<strong>AIDS</strong>. The party continued at Bowlmor’s swanky lounge,<br />
Pressure, where prizes were awarded for the most money raised by an individual (<strong>thank</strong> <strong>you</strong>, Norman Ryan!) and by a team (<strong>thank</strong><br />
<strong>you</strong> “Micro-tones” from Microsoft!), as well as for best team name (“Ligeti Split,” “Madame Gutterfly,” and “Royal<br />
Concertgebowl”), best costume, and even perkiest hair. We are most grateful for the energy, enthusiasm, and yes, money, that teams<br />
bring to Bowlmor each year for this event that puts the fun into fundraising.<br />
THE MAESTRO PROGRAM<br />
The Maestro Program is Classical Action’s major donor program, whose contributors make gifts totaling $1,000 or more during our<br />
fiscal year. In appreciation of this vital support, Classical Action hosts an annual Maestro Appreciation Concert exclusively for<br />
members of the Program. On March 14, Maestros were treated to a mesmerizing performance of Brahms sonatas by pianist José Feghali<br />
and cellist Daniel Gaisford. The list above reflects Maestro gifts received from October 1, 2002 through September 30, 2003. A<br />
tip of the baton to Classical Action’s Maestros!<br />
Support from the entire classical music industry at a Classical Action house concert (l to r): cellist Daniel Gaisford, pianist André Watts, pianist/composer Fred Hersch,<br />
Classical Action Founding Director Charles Hamlen, flutist Eugenia Zukerman, pianist Jean-Yves Thibaudet, and violinist Leila Josefowicz.<br />
classical action<br />
43<br />
Ted and Vada Stanley,<br />
in memory of Michael Palm<br />
Dawn Upshaw<br />
PERCUSSION<br />
$1,000 - $2,499<br />
Andrew Tobias Fund of Stonewall<br />
Community Foundation<br />
ARC Group<br />
Arts Management Group<br />
Gerard F. Bell<br />
Dr. Carl Berg<br />
Betty R. Sheffer Foundation<br />
Charles J. Bourgeois<br />
Walter Broughton III<br />
Gary Burton<br />
Edward F. and Christine A. Carye<br />
Raymond A. and Barbara F. Carye<br />
Dr. Oscar Chamudes<br />
Guy Christie<br />
Sylvie and Gary Crum<br />
Charles Dimston<br />
William J. III and Carol Drawe<br />
Jan and Milton Finegold<br />
Brandon Fradd<br />
Future Fabrics International<br />
Rita and Herbert Z. Gold<br />
Stan Herman<br />
Florette Hoffheimer<br />
David Jackson<br />
Josephine Bay Paul and<br />
C. Michael Paul Foundation,<br />
in memory of Daniel A. Demarest<br />
Leslie Kandell<br />
Constance Keene<br />
Christopher Kennedy,<br />
in memory of Jim Ricketts<br />
Kenneth Rosenberg Foundation<br />
Kirshbaum Demler & Associates<br />
Sydny Kirshnit<br />
Alice Kornhauser<br />
Stephanie and Edgar Larsen<br />
Carl Levine<br />
Rochelle and Max Levit,<br />
in memory of Duane Hanzelka<br />
Bert Melnick and Carl Moore<br />
Metropolitan Lumber Hardware<br />
Microsoft Corporation<br />
Scott W. Morgan<br />
John C. Mueller<br />
Robert L. Naparsteck<br />
Garrick Ohlsson<br />
Ted T. Porter<br />
Dana and Doug Ramos<br />
Carol A. Rennie,<br />
in memory of Michael D. Palm<br />
Susan and Elihu Rose<br />
Harriet & Edwin A. Rosenberg<br />
Dale and Peter Ryan<br />
Rosita Sarnoff and Beth Sapery<br />
Mr. and Mrs. Henry Schacht<br />
Dr. Howard Scheiner<br />
The Seaberg Foundation<br />
Harold Shaw<br />
Shirley and Sid Singer<br />
Daniel Stroup and Paul Huang<br />
Lee Tannen and Tom Wells<br />
Sandra Wagenfeld and Francine Goldstein,<br />
in memory of Robert Wagenfeld<br />
David and Patti Watkins<br />
Peter S. Wilson<br />
The Wise Family Charitable Foundation<br />
Anonymous<br />
IN-KIND<br />
MAJOR DONORS<br />
Attitude New York Chauffeured Transportation<br />
Daryl Bornstein<br />
Philip Claps<br />
Cohn Davis Bigar Communications<br />
Continental Airlines<br />
Fred Hersch<br />
Musical America & MusicalAmerica.com<br />
Playbill Magazine<br />
Steve J. Sherman Photography<br />
Steinway & Sons<br />
Represents gifts made during our 2003<br />
fiscal year, October 1, 2002 –<br />
September 30, 2003.
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
DANCERS<br />
RESPONDING TO <strong>AIDS</strong><br />
(DRA)<br />
Dancers Responding to <strong>AIDS</strong> is the American dance community’s ongoing response to the health crisis.<br />
DRA mobilizes the dance world to raise money to provide direct assistance to dance professionals living with HIV/<strong>AIDS</strong>, as well as to<br />
<strong>AIDS</strong> service organizations nationwide. These funds are distributed through The Actors’ Fund of America (see page 6), and through<br />
BC/EFA’s National Grants Program (see page 12). Following are DRA’s signature events during fiscal year 2003.<br />
THE 9TH ANNUAL FIRE ISLAND DANCE FESTIVAL<br />
Hailed by Out magazine as “summer’s hottest charity event,” the 9th annual Fire Island Dance Festival returned to the Pines for another<br />
smash weekend July 19th and 20th at the beautiful bayfront home of Frank Stark, raising over $106,000 for Dancers Responding to<br />
<strong>AIDS</strong>. Set on a custom-built, illuminated stage against the dramatic backdrop of the Great South Bay, the Festival featured stellar performances<br />
from 11 dance companies, including Alvin Ailey American Dance Theater, Battleworks, and Paul Taylor Dance Company,<br />
all of which volunteered their time and talent. Christopher Sieber of the sit-com It’s All Relative, served as emcee, and we welcomed<br />
back synchronized swimming’s 2002 National Duet Champions, Bill May and Olympian Kristina Lum, who performed in the stagefront<br />
pool. As appears to have become tradition, the Fire Island Dance Festival culminated in a standing ovation, another great time for<br />
a great cause.<br />
DANCING FOR LIFE: NEW YORK CITY FESTIVAL OF DANCE<br />
DRA hosted three weeks of dance activities ranging from benefit performances, audience appeals, and celebrity performance workshops<br />
to the Danskin ® Masterclass series. The New York City Festival of Dance kicked off with Dancing for Life!, in August in Bryant<br />
Park where companies like Martha Graham Dance Company, Pilobolus, and Dance Theatre of Harlem performed free for the public,<br />
alongside the <strong>you</strong>ng winners of DRA’s Studio of the Year Competition. The Festival also offered celebrity performance workshops<br />
with Ann Reinking, John Selya (Movin’ Out), Kraig Patterson (Mark Morris Dance Group), and Jeff Amsden (A Few Good Men…<br />
Dancin’); and Speak Out, a symposium addressing health issues specific to dancers.<br />
Rebecca Stenn’s Perks-Dance-Music Theatre performing at Dancing for Life! at Bryant Park in New York City, one of the dancers from Spotlight Dance Center in London,<br />
Alvin Ailey American Dance Theater performing at the 9th annual Fire Island Dance Festival.<br />
dancers responding to aids<br />
44
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE STUDIO OF THE YEAR CAMPAIGN AND NEW YORK CITY DANCE ALLIANCE GOES TO LONDON<br />
The nationwide Studio of the Year fundraising competition, raises more than money: it raises awareness about HIV/<strong>AIDS</strong><br />
among kids, giving them an opportunity to become involved and a way to help people living with <strong>AIDS</strong>. Dance studios across the<br />
country compete to raise the most funds for Dancers Responding to <strong>AIDS</strong>, and the winning studio gets a spot in the New York City<br />
Festival of Dance to perform with <strong>Broadway</strong> dancers in the mainstage show. The 2003 winners, making their New York dance debut,<br />
were the students of Rhythm Dance Center from Marietta, GA, who raised over $19,000 for DRA.<br />
Also in 2003, New York City Dance Alliance (NYCDA), with the support of Executive Director Joe Lanteri and the participating<br />
studios, raised almost $80,000 for DRA. The studio that raised the most money – this year, Spotlight Dance Center from<br />
Willoughby Hills, OH, which raised over $21,000 and was named Grand Marshal at the Cleveland <strong>AIDS</strong> Walk because of their<br />
fundraising efforts on behalf of DRA – won a free trip to London and the opportunity to perform at the world-famous Sadler’s Wells<br />
Theatre.<br />
THE REMEMBER PROJECT<br />
The Remember Project, a remembrance to those lost to and living with HIV/<strong>AIDS</strong>, returned to Danspace at St. Mark’s Church on<br />
December 7, 2002. The 12-hour vigil in motion offered dance performances from noon to midnight, from emerging artists to<br />
major companies like Martha Graham Dance Company, Bill T. Jones/Arnie Zane Dance, Mark Morris Dance Group, Merce<br />
Cunningham Dance Company and Susan Marshall & Co. Tony-nominated choreographer Jerry Mitchell and former ABT principal<br />
dancer Susan Jaffe were among the celebrity emcees. Nowhere else could so many different performances be seen together in one<br />
space, making this Remember Project truly a night to remember.<br />
The Peridance Ensemble performing at The Remember Project at historic St. Mark's Church in the East Village, Matt Kent and Emily Kent from Pilobolus at Dancing for Life!,<br />
the DRA Studio of the Year winners from Rhythm Dance Center in Marietta, GA; Joe Lanteri's "New York City Dance Alliance Goes to London" winners –<br />
Spotlight Dance Center from Willoughby Hills, OH, before seeing Chitty, Chitty Bang Bang in the West End.<br />
dancers responding to aids<br />
45
CORPORATE<br />
SUPPORT<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> was fortunate to have the continued support of a broad range of<br />
corporate donors in 2003. As one of the premiere charities representing <strong>Broadway</strong> and the American Theatre, <strong>Broadway</strong> <strong>Cares</strong> is<br />
able to connect major corporate brands with one to the nation’s foremost creative industries. Further, <strong>Broadway</strong> <strong>Cares</strong> is able to<br />
ensure that a corporation’s support reaches into every community in the country through its philanthropic programs. In turn, our<br />
corporate partners are able to build brand loyalty among the millions of people who are in some way associated with <strong>Broadway</strong>, be<br />
it onstage, backstage, or in the audience.<br />
Companies can form partnerships with BC/EFA on a wide range of projects, including one-time event sponsorship, annual<br />
sponsorship packages covering a series of events, cash and in-kind donations that directly support our programs, and specialized<br />
cause-related marketing initiatives.<br />
With the creation of <strong>Broadway</strong> Delivers! in 2001 (see opposite page), a new way for <strong>Broadway</strong> <strong>Cares</strong> and corporations to work<br />
together was born. Many of the events that BC/EFA produced through <strong>Broadway</strong> Delivers! were originally produced for existing<br />
corporate clients such as Anheuser-Busch and Target, but this program has also provided a great way to bring new corporations into<br />
the <strong>Broadway</strong> <strong>Cares</strong> family.<br />
We salute the generous companies that provided major support of our programs in 2003.<br />
A banner from BC/EFA’s two grand sponsors, The New York TImes and Continental Airlines, hangs proudly at the <strong>Broadway</strong> Flea Market and all 2003 BC/EFA events;<br />
Denis O’Hare, Felicia Finley, Tom Wopat, and other <strong>Broadway</strong> stars prepare to throw the first ball at the opening day of The <strong>Broadway</strong> Show League,<br />
sponsored by Anheuser Busch with $50,000 to BC/EFA; Jerry Mitchell <strong>thank</strong>s John Dempsey, President of MAC Cosmetics and Chairman of MAC <strong>AIDS</strong> Fund,<br />
for the $75,000 sponsorship of <strong>Broadway</strong> Bares.<br />
corporate support<br />
46
BROADWAY<br />
DELIVERS!<br />
Custom Corporate Entertainment<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
<strong>Broadway</strong> Delivers! is a fundraising initiative of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, created in 2001<br />
to provide customized <strong>Broadway</strong>-style entertainment for a wide variety of corporate functions, including ground-breakings, store<br />
openings, annual meetings, product launches, conventions, conferences, and more. BC/EFA’s production expertise and access to<br />
the deep well of talent both on and off-<strong>Broadway</strong> has resulted in our being able to successfully provide entertainment whenever and<br />
wherever a corporation needs it. Over the last few years, BC/EFA has received numerous requests, to provide a touch of the cachet<br />
and excitement of <strong>Broadway</strong> to corporate events in and outside of the theatre district. With the help of our friends at The League of<br />
American Theatres and Producers and at Playbill, we have been able to “deliver” on these requests.<br />
<strong>Broadway</strong> Delivers! draws on the phenomenal commitment of the theatre community to <strong>Broadway</strong> <strong>Cares</strong>, offering the<br />
guaranteed magic of “Live <strong>Broadway</strong>,” the <strong>Broadway</strong> brand, as well as the marketing and production expertise associated with the best<br />
of the “Great White Way.” A corporation makes a contribution to BC/EFA, and BC/EFA recruits and rehearses celebrities and<br />
<strong>Broadway</strong> performers, accompanists, and stage managers, customizing an official <strong>Broadway</strong> revue to match the company’s needs.<br />
In 2003, BC/EFA brought a touch of <strong>Broadway</strong> to many events and corporations: The <strong>Broadway</strong> Inspirational Voices helped to<br />
open the new Westin Times Square and The Phantom of the Opera’s Davis Gaines and Miss Saigon’s Margaret Ann Gates performed at<br />
Union Station in Chicago for Glaxo Smith Kline’s physician meeting. Events with our corporate sponsor Target included the Target<br />
Holiday Boat, The Los Angeles Times Festival of Books, and New York is Book Country. When the Hershey’s Store opened in Times<br />
Square, Joey Fatone from Rent and Christopher Sieber from Into The Woods were on hand with the <strong>Broadway</strong> Kids to help unveil the<br />
new sign. The cast of Baz Lurhmann’s La Bohéme appeared at the Bruno Magli store on Fifth Avenue, and Mamma Mia!’s Joe Machota<br />
and Tina Maddigan helped promote The Ford Motor Company’s West Side showroom. When Modell’s opened their newest store<br />
in Times Square, Aida’s Felicia Finley was there to sing for them, as well as at the <strong>Broadway</strong> Show League Opening Day sponsored by<br />
Anheuser Busch. When Bristol Myers Squibb’s launched their newest HIV drug, Reyataz, Annie’s Andrea McArdle, The Phantom of the<br />
Opera’s Davis Gaines and Teri Bibb, and The Lion King’s Chris Jackson entertained at their meeting in Palm Springs. When Red Lobster<br />
opened in Times Square, <strong>Broadway</strong> Delivers was there with the cast of Rent and Frenchie Davis, of “American Idol” fame.<br />
Mamma Mia!’s Joe Machota and Jenny Fellner join Avenue Q’s John Tartaglia (and Rod) at the opening of Applebee’s new restaurant in the theatre district;,<br />
some of the ladies of <strong>Broadway</strong> pose with George Schaeffer, CEO of OPI Products; Andrea McArdle performs for Bristol Myers Squibb,<br />
cast members of Movin’ Out were featured in the 2003 Dooney & Bourke catalog.<br />
broadway delivers!<br />
47
THE ANGELS<br />
CAMPAIGN<br />
PRODUCER<br />
(gifts of $25,000 and up)<br />
Laura M. Boedeker<br />
Anita Jaffe<br />
The Shubert Foundation<br />
THE RICHMOND/ERMET <strong>AIDS</strong> FOUNDATION - SAN FRANCISCO<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
Angels are supporters who make an annual unrestricted contribution of $1,000 or more to support<br />
the vital work of BC/EFA. These gifts are particularly important, as they provide us with a dependable core of donors whose gifts are not related<br />
to the purchase of merchandise and/or event tickets. These funds go directly into our pool of grantmaking dollars, which are in turn distributed<br />
to HIV/<strong>AIDS</strong> services nationwide, and to the myriad of social service and housing programs of The Actors’ Fund of America.<br />
In <strong>Broadway</strong> lingo, an “angel” is an investor in a theatre production; in exchange for that financial investment, angels are traditionally guaranteed<br />
the best seats in the house for the show their dollars have made possible. The Angels Campaign creates a similar tradition for its supporters,<br />
granting BC/EFA Angels VIP status, along with a host of associated benefits.<br />
2003 ANGELS CAMPAIGN<br />
The following individuals, family foundations, and corporations made a contribution to The Angels Campaign in our fiscal year 2003, between<br />
October 1, 2002 and September 30, 2003. Names in bold indicate BC/EFA Archangels, donors who have increased their gift by 25% or more<br />
over the last year.<br />
HOUSE SEATS<br />
(gifts from $10,000 to $24,999)<br />
Paul G. De Vido<br />
Ford Motor Company<br />
Gary Gunas and Bill Rosenfield<br />
The Hargrove Pierce Foundation<br />
Anne Hathaway<br />
The League of American Theatres and Producers<br />
Joe Masteroff<br />
Paul L. Newman/ Newman’s Own<br />
Thomas Schumacher and Matthew White<br />
Bradshaw Smith/<strong>Broadway</strong> Beat<br />
The Ted Snowdon Foundation<br />
in memory of Lori Schmidt<br />
William Morris Agency<br />
ORCHESTRA SEATS<br />
(gifts from $5,000 to $9,999)<br />
Darren Bagert<br />
in memory of Ronnie Brooks<br />
The Barbara and William Rosenthal Family Foundation<br />
the angels campaign<br />
48<br />
The Barrington Foundation, Inc.<br />
Bertsch Family Charitable Foundation<br />
in honor of “Wagon Wheelies”<br />
Aron Bromberg/Abe Raskin Partners Fund<br />
William W. Donnell<br />
The Edith Meiser Foundation<br />
Aaron Frankel<br />
in loving memory of Abetha Aayer Frankel<br />
Jerome S. Glazer, Inc.<br />
Amy Irving<br />
Barbara Ann Klein<br />
in tribute to my city, New York<br />
Paul Libin and Florence Rowe Libin<br />
Suzanne Mados<br />
in honor of my dear friend, Marty Richards<br />
Stephanie and Carter McClelland<br />
Thomas Schumacher and Matthew White<br />
Mr. Telly Zachariades<br />
Anonymous (2)<br />
BOX SEATS<br />
(gifts from $2,500 to $4,999)<br />
Frank Argiro<br />
in loving memory of Robert Argiro<br />
Melvin Bernhardt and Jeff Woodman<br />
Briggs Red Carpet Associates<br />
Chip Deffaa Productions<br />
Mark and Susan Dalton
James W. Dennis<br />
Jamie deRoy<br />
in memory of Rod Hausen<br />
Edward and Lori Forstein<br />
Marianne Ganzer<br />
in memory of John Ganzer<br />
Martin and Perry Granoff<br />
Louise Guthman<br />
William S. Hoover, MD<br />
James C. Hormel<br />
Carl Jacobs<br />
George M. Jacobstein - Rose Brand<br />
Joelson Foundation<br />
The Kaufmann Family Foundation<br />
Barry and Brina Kohn<br />
Jay Laudato and Tom Watson<br />
Paul A. Martino<br />
James L. Nederlander<br />
Phyllis Newman<br />
in honor of Adolph Green<br />
Gilbert Parker<br />
in memory of Richard Bauman<br />
Ruso D. Perkins<br />
Charles L. Ross<br />
in memory of David Carroll<br />
Paul L. and Marion J. Ross<br />
Amy Sherman-Palladino<br />
Margaret (Peg) Small<br />
in memory of Erik<br />
Robin Strasser<br />
in honor of Ed Richmond and Robert Kilgore<br />
The Ziegfeld Club<br />
FRONT MEZZANINE<br />
(gifts from $1,000 to $2,499)<br />
David G. Armstrong and Jeffrey Miller<br />
in memory of Stuart Bailey<br />
The AYCO Charitable Foundation<br />
William R. Bartle<br />
Beech Street Foundation<br />
The Bessie Ratner Foundation<br />
Phil and Mary Beuth<br />
Robert Billig<br />
Mr. Walter Bobbie<br />
Buck Henry Charitable Fund<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
the angels campaign<br />
49<br />
Sidney J. Burgoyne<br />
in memory of the Brubach Boys of Castle Shannon<br />
The Capital Group Companies Charitable Foundation<br />
in honor of Steve Rubin<br />
Frank Carucci<br />
in honor of Maria Di Dia<br />
Stockard Channing<br />
Paula and David Chase<br />
Mr. Thom Christopher and Ms. Judith Leverone<br />
in memory of Thomas Skelton<br />
Michael Clowers and Clay Chaffin<br />
Jo Ann Albano Cohen and James A. Cohen<br />
Thomas Cott<br />
in memory of Philip Carlson<br />
William Craver<br />
Cunningham - Escott - Dipene & Associates, Inc.<br />
Scott Dainton<br />
in honor of Laura Mantell<br />
Tyne Daly<br />
Christopher Durang<br />
Ellen Violett and Mary Thomas Foundation<br />
in memory of Murray Schapiro<br />
Don Ellwood and Sandra Johnigan<br />
Peter Entin and Barbara Janowitz<br />
Angelina Fiordellisi<br />
Jules Fisher<br />
Maggie Flanigan and Richard Dow<br />
Mary Fogarty<br />
The Francesca Ronnie Primus Fund<br />
David Friedman<br />
in memory of Shirley Friedman<br />
Randall Friese<br />
in honor of Robert C. Crandell’s 60th birthday<br />
Jay Garner<br />
Bruce Geismar<br />
Roger Alan Gindi<br />
Dale and Ellyn Glasser<br />
in memory of Steven Glasser<br />
Angela Goldberg<br />
Robert D. Gonzales<br />
in memory of Cameron L. Mason and Charles H. Falls<br />
Michael Greif<br />
in honor of the Rent Company<br />
Harriet and Terry Guin-Kittner<br />
Benjamin M. Hammer
THE ANGELS CAMPAIGN (continued)<br />
Rachel Hammer<br />
Mr. and Mrs. Harry Henshel<br />
Jerry Herman<br />
Ralf D. Hillesland<br />
Craig Horowitz<br />
The Janis and Alan Menken Foundation<br />
Jill Goodson Family Foundation<br />
Joe Allen Restaurant<br />
John Garcia’s “The Column” Theatre Awards<br />
Jason Kantrowitz<br />
Elaine Kend<br />
Kathy Keneally and Tom Marshall<br />
Kite Family Foundation<br />
Norma Langworthy<br />
Mr. and Mrs. Jeffrey Lasdon<br />
Alexander Laslo in memory of Mary Laslo<br />
Lawrence J. Pollock and<br />
Carol A. Pollock Family Foundation<br />
Lindy Linder<br />
in memory of Robert Farber and Christine Swann<br />
Tom Lombardi<br />
William Ludel and Tracy Cohen<br />
Lorna Luft<br />
Larry Luing<br />
Kevin R. Lyle<br />
Manhattan Passport, Ltd.<br />
Arif and Latife Mardin<br />
Marin Mazzie and Jason Danieley<br />
in memory of Gary Bonasorte<br />
John McDaniel<br />
The McGaw Foundation<br />
Keith Miller<br />
Michael Mills and Douglas Loftus<br />
Ira Mont and Jill Cordle Mont<br />
in memory of Bob Borod<br />
Mrs. Claire Mooers<br />
in memory of Ruth Hoefgen<br />
Eric Nederlander<br />
Judith A. Nelson<br />
in memory of Wayne McCarthy<br />
Albert Nocciolino<br />
Alice E. Norris<br />
Michael F. O’Donnell<br />
Orso Restaurant<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
the angels campaign<br />
50<br />
Sally Ann Parsons - Parsons-Meares, Ltd.<br />
in memory of Lee Danser<br />
Wendy Patten<br />
J. Brent Pawlecki, MD<br />
Ralph L. Pellecchio<br />
Pookie Products, Inc.<br />
L. Glenn, Jeffrey, Alex & Marc Poppleton Finn<br />
Richard E. Rauh<br />
Richard F. Walsh/Alfred W. Di Tolla/<br />
Harold P. Spivak Foundation<br />
The Ritter Foundation, Inc.<br />
Dr. Carlos J. Rivera and Dr. Jayne F. Rivera<br />
The Robert K. Scripps Family Foundation<br />
Mickey Rolfe<br />
Amy Rosenthal<br />
Seth Rubenstein<br />
Lori Rubinstein and John McGraw<br />
Samuel L. Phillips Family Foundation<br />
Nick Scandalios<br />
Anthony P. Scheinman<br />
Peter Schneider<br />
Steven Schnepp and Mark Basile<br />
in memory of Paul Penfield and John Heppenstall<br />
Jeffrey Seller<br />
Serino/Coyne<br />
Sh-K-Boom Records<br />
Meryl Streep<br />
Holland V. Taylor<br />
Theatrical Stage Employees Local One/IATSE<br />
David and Deborah Trainer<br />
Troika Entertainment<br />
William and Helen Van Syckle<br />
Joan Melber Warburg<br />
Arthur E. Webster, Esq.<br />
Whittier & Associates, Inc.<br />
Margo Wintersteen<br />
Terrence J. Witter<br />
Carol A. Woods<br />
George R. Zuber<br />
Anonymous (6)<br />
in memory of Martin Worman
MAJOR<br />
DONORS<br />
In addition to The Angels Campaign, significant funds are generated through various BC/EFA annual<br />
and one-time special events, such as The Easter Bonnet Competition, Gypsy of the Year, The <strong>Broadway</strong> Flea Market, and <strong>Broadway</strong> Bares.<br />
Considerable financial support also comes to us through our CareTix and CareCard programs. Contributions from all these sources are among<br />
the most vital to BC/EFA.<br />
The following pages list the names of those who have supported these events and programs with contributions of $1,000 or more<br />
during our fiscal year 2003, from October 1, 2002 to September 30, 2003. Amounts listed are the tax-deductible portion of the<br />
donation, the total gift amount minus any fair market value for goods received.<br />
GIFTS OF $50,000 AND ABOVE<br />
Laurie J. Levinberg<br />
The League of American Theatres and Producers<br />
M.A.C. <strong>AIDS</strong> Fund<br />
Target Stores<br />
GIFTS FROM $25,000 TO $49,999<br />
Bristol-Myers Squibb<br />
Challenge for the Children<br />
James W. Dennis<br />
Dooney & Bourke, Inc.<br />
Dream Team Hotel Association<br />
Federated Department Stores Foundation<br />
GlaxoSmithKline<br />
Hershey’s<br />
Macy’s East Inc.<br />
Adam R. Rose<br />
Anthony P. Scheinman<br />
GIFTS FROM $5,000 TO $9,999<br />
Abbas Abdulaziz<br />
The Absolut Spirits Company<br />
Accesories Council<br />
Kent Allin<br />
Rhonda Baker<br />
Jimmy Buffett<br />
Chaplin Entertainment/Zion Rose Ltd.<br />
Paul Driscoll<br />
Enterprise Events Group Inc.<br />
Estee Lauder Inc.<br />
Brandon Fradd<br />
Michael Gallagher<br />
Mr. Thomas M. Garguilo<br />
Todd Graff<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
Michael G. Gregory<br />
Mickey Zale Heller<br />
Jewish Communal Fund<br />
Mr. Robert Karp<br />
David DonHowe Kean<br />
in loving memory of Norman and<br />
Gwyda DonHowe Kean<br />
David Lai<br />
Harvey Mackay<br />
Dennis and Amy Dolan Malaney<br />
Stephanie and Carter McClelland<br />
Ari H. Moses<br />
Phyllis Newman<br />
in honor of Adolph Green<br />
major donors<br />
51<br />
GIFTS FROM $10,000 TO $24,999<br />
Capezio<br />
Danskin, Inc.<br />
Tim and Judy Dove<br />
Debra Elovitz<br />
GMRI, Inc.<br />
William Goldman - The Fezzik Foundation, Shapiro & Lobel<br />
The Imperial Court of N. Y., Inc.<br />
The Independent Film Channel, LLC<br />
Anita Jaffe<br />
Learning on Location<br />
Connie Nicoud<br />
Quadra Productions, Inc.<br />
Schaeffer Family Foundation<br />
Ted Snowdon<br />
in memory of Carol Levine<br />
Anonymous<br />
P. Gerard Nowicki<br />
Rosie O’Donnell<br />
Anne P. Pinhas<br />
The Pointer Foundation<br />
Craig Re<br />
Ms. Maryetta Saccomano<br />
Shamrock Games<br />
Michael M. Smith<br />
Starbucks Coffee Company<br />
Times Square B.I.D.<br />
Anonymous
MAJOR DONORS (continued)<br />
GIFTS FROM $2,500 TO $4,999<br />
Alan Wasser Associates<br />
The Barbara Walters Charitable Trust<br />
Gail Becker<br />
Benefitnation, Inc.<br />
Jason E. Bernard<br />
The Bessie Rattner Foundation<br />
Lili Bosse<br />
Brian Hilton Bradley<br />
Elizabeth Breslow<br />
Beth Brody<br />
Richard T. Byrnes<br />
Grace M. Cahan<br />
Mr. and Mrs. David Canary<br />
Charles M. Carr<br />
Lewis F. Center<br />
Charley Dog Inc.<br />
Patricia Conway<br />
Gary J. Cooper<br />
Brett Cormier<br />
Gail Covette<br />
Bridget Crudo<br />
Julie F. Cummings<br />
Peter David<br />
DIFFA/National<br />
Stephanie Eisenberg<br />
Don Ellwood and Sandra Johnigan<br />
Cheryl L. Endelson<br />
The Evelyn Sharp Foundation<br />
Feeda My Soul<br />
William B. Fetterman<br />
Don M. Gandy<br />
Michael Gluck<br />
Kathy Speer and Terry Grossman<br />
Mr. and Mrs. Fred Halpern<br />
David A. Harris<br />
Laura and J. M. Hartstein<br />
James C. Hormel<br />
Sally Huxley<br />
Patricia Hyduke<br />
Junior Bus Tours, Inc.<br />
David G. Kabiller<br />
Sandra Kallenberg<br />
Michael S. Kaufman<br />
Michael H. Kerr<br />
Mr. Douglas Warren Kesten<br />
Barbara Ann Klein<br />
in tribute to my city, New York<br />
Dale E. Leff<br />
Mrs. Frances Lewis<br />
Irv H. Lichtenwald<br />
Jeffrey Loria<br />
David C. Ludwigson<br />
Marsh, Inc.<br />
David and Mariana Meyerson<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
Microsmart Corporation<br />
N.M. Leff Foundation, Inc.<br />
Richard Nacht<br />
Oz Sings LLC<br />
The Peter K. Loeb Foundation<br />
Prato Verde Inc.<br />
The Producing Office<br />
Qualified Plan Consultants<br />
Caroline Rhea<br />
The Richmond/Ermet <strong>AIDS</strong> Foundation -<br />
San Francisco<br />
Frances W. Risser<br />
Stanley Roth<br />
Mitchell E. Savage<br />
Dr. Howard Scheiner<br />
Peter Schneider<br />
Janice Schwarz<br />
Jean E. Scott<br />
Mr. Marc Shaiman<br />
Stephen B. Siegel<br />
Mr. Barry Skovgaard and Mr. Marc Wolinsky<br />
SPI Marketing, LLC<br />
Marianne T. Stegeland<br />
Ms. Kathryn L. Stettner<br />
Phil and Merle Wahl<br />
Bernice J. Washington<br />
Robert Welsch<br />
Patricia S. Whitman<br />
Anonymous (2)<br />
GIFTS FROM $1,000 TO $2,499<br />
Sylvia Ablon<br />
Dianne M. Abruzzo<br />
John R. Alchin<br />
All Stars Project, Inc.<br />
K.F. Allen<br />
Henry A. Alpert<br />
Sam Altman<br />
in memory of Murray Schapiro<br />
American Dairy Association &<br />
Dairy Council, Inc.<br />
Michele W. Andelson and Arlen Andelson Esq.<br />
Stanley Anderson<br />
The Andrew Tobias Fund<br />
Toby Ansin<br />
Arielle Tepper Charitable Foundation<br />
Laura S. Armitage<br />
The Arthur Loeb Foundation<br />
Ronald J. Avis<br />
Darren Bagert<br />
in memory of Ronnie Brooks<br />
D. J. Baker<br />
Jamie Baldinger<br />
Bar Imports Corp.<br />
Scott Barasch<br />
major donors<br />
52<br />
Barnes Group Foundation, Inc.<br />
William R. Bartle<br />
Anne Bauknight<br />
Jeffrey Bauman<br />
Edith Beatty<br />
Bonnie L. Becker<br />
William A. Begal<br />
Mr. Brig Berney<br />
Jed W. Bernstein<br />
Marc J. Beshany<br />
Alex Binstock<br />
Blue Angel Inc.<br />
Body Beautiful Spa, Inc.<br />
Sabrina J. Bolus<br />
Bradley L. Booke<br />
Christine Booth<br />
Melissa Boxer<br />
Ann W. Boyer<br />
Jeanne Brodeur<br />
Aron Bromberg - Aron Bromberg/<br />
Abe Raskin Partners Fund<br />
Buena Vista Theatrical Merchandise<br />
James E. Burrows<br />
Joel Busel<br />
Ralph Caccipuoti<br />
Camp <strong>Broadway</strong>, LLC<br />
Heidi Canarelli<br />
David Cantor<br />
Care For Aging Parents, Inc.<br />
Margaret G. Carr<br />
Mary K. Carrington<br />
Alexander W. Casdin<br />
Ronni J. Casty<br />
Ms. Deborah Cavalier<br />
Centaur Entertainment Inc.<br />
Central Park Dance Studio<br />
Charles M. Holmes Foundation<br />
The Chase Manhattan Bank<br />
Jerome S. Clark<br />
J. Kerry Clayton<br />
Stephen M. Clement<br />
Mildred Clinton<br />
Mr. William Alan Coats<br />
Elliott Cohen<br />
Gala Cohen<br />
June Cohen<br />
Lois Cohn<br />
Commerce Bank<br />
Michele I. Conte<br />
Robin Cook-Ferraris<br />
Scott H. Cooper<br />
in honor of Ann Torre Grant<br />
Ms. Tracy Corn<br />
Gail Corvette<br />
Course 43, Ltd.
MAJOR DONORS (continued)<br />
Ralph G. Cranmer<br />
Pam Crutchfield<br />
Mark and Susan Dalton<br />
Tyne Daly<br />
The Dynamic Dance Company<br />
Norberto De La Rosa<br />
Lilian M. De Mauser<br />
Jacqueline E. Dibella<br />
Ms. Patty Dinner<br />
Barbara Dobkin<br />
Helen G. Doppelt<br />
Douglas, Gorman, Rothacker &<br />
Wilhelm Talent Agency<br />
Hermine Douglas<br />
Judith Drasner<br />
Marion Duckworth Smith & Michael M. Smith<br />
Carl Eckman<br />
Edward Sulzberger Foundation, Inc.<br />
Elliott F. Einhorn<br />
Richard Elion<br />
Robert N. Elliott<br />
Shawn Elliott<br />
The Emerging Artists Dance Project<br />
Norman Engelke<br />
Ronald Evans<br />
Barry Fefferman<br />
Ben Feigenbaum<br />
Ms. Joan Feinsod<br />
Maura A. Feldman<br />
Ms. Beth Waters Finston<br />
Angelina Fiordellisi<br />
Maggie Flanigan<br />
Richard Frankel<br />
Lauri Freedman<br />
Randall S. Friese<br />
George Fryhofer<br />
Jay and Gail Furman<br />
Susan and Russell Garrett<br />
Holly Gersh<br />
Edward C. Getty<br />
Julie Gillespie<br />
Gindi Theatrical Management Inc.<br />
Laurie Girsky<br />
Cecile Glass<br />
The Glickman Family Foundation<br />
Elva M. Gonzalez<br />
David and Amy Gorenstein<br />
Mindy Gray<br />
Ken Gray<br />
Michael Graziano<br />
Raymond E. Graziotto<br />
Green Curtain Productions<br />
Michael S. Greenly<br />
The Greenspun Family Foundation<br />
Mr. Dean R. Greer<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
Michael Greif<br />
in honor of the Rent Company<br />
Richard Grey<br />
Michael Gross<br />
Nancy T. Grumbacher<br />
Denis Guidone<br />
Aliza Guren<br />
Richard V. Hamilton<br />
Erma Handel<br />
Mark Hankin<br />
Jeffrey E. Hanson<br />
Elisabeth S. Harding<br />
Harriet Harris<br />
Harrison Dance Studio Inc.<br />
Harter Woo Associates, Inc.<br />
Wendy Hashmall<br />
Lucy Haskell<br />
Alan E. Hassell<br />
Elizabeth Held<br />
Jerry Herman<br />
Patricia G. Hibschman<br />
Ms. Gloria Hicks<br />
Ralf D. Hillesland<br />
Fred P. Hochberg<br />
Sandy Hooper<br />
Craig Horowitz<br />
Byron P. Howard<br />
Mary E. Howard<br />
Richard H. Hoyt<br />
Intimode Canada, Inc.<br />
J.C. Crystal Inc.<br />
Keith Jackson<br />
Craig G. Jacobs<br />
David L. Jacobs<br />
Jim Beam Brands Co.<br />
Stephen Jones<br />
Joseph Kaiser<br />
Karl Kemp & Associates, Ltd.<br />
Karma Foundation<br />
Mel Katz<br />
Aron Katzman<br />
Bill Kelly<br />
Patricia Keneally<br />
Robert Kilgore and Edward Richmond<br />
in loving memory of Dee Kilgore<br />
John J. Klein<br />
Edgar A. Knudson<br />
Bruce and Billy Kolber-Stuart<br />
Kristine Krol<br />
Robert LaBarre<br />
Chad Labenz<br />
Labrador Entertainment<br />
Charles D. Lang<br />
Mary Laslo<br />
Lois K. Lawrence<br />
major donors<br />
53<br />
Alan Leavitt<br />
Michelle Lee<br />
Ronald and Patricia Lee<br />
Mark Leemon<br />
Ms. Wendy LeGum<br />
Albert R. Lepage<br />
Lois Lerner<br />
Bruce Levenson<br />
William S. Levine<br />
Sheri Levine<br />
Carl Levine<br />
Edward S. Lewis<br />
Paul Libin and Florence Rowe Libin<br />
Steven Lichtman<br />
Lighting Components<br />
Lincoln Center for the Performing Arts<br />
Stephen Lindenmuth<br />
Cindy Livengood<br />
Carl D. Lobell<br />
Bruce Loch<br />
Leonard L. Long<br />
Ms. Carolyn A. Lowen<br />
Janine and Peter Lowy<br />
William Ludel and Tracy Cohen<br />
Gregory J. Mack<br />
Richard H. Maidman and Gail Lowe Maidman<br />
Marc Shaiman, Inc.<br />
Stephen Marcus<br />
Evan Marks<br />
Mr. Robert D. Marotta<br />
Glenn Marsh<br />
Karen L. Martinelli<br />
Cathy Maslan<br />
Munehiko Matsuyama<br />
Kimberly Matthews<br />
Kelly McConnaughey<br />
Laurie McFarlin<br />
Paula G. McInerney<br />
Anthony G. McLean<br />
Daniel Meloy<br />
Judd Meltzer<br />
Jordan S. Mersky<br />
Monroe R. Meyerson<br />
Michael Howard Studios<br />
Michigan Jewish <strong>AIDS</strong> Coalition<br />
Microsoft Matching Gifts Program<br />
Steven L. Miller<br />
C. E. Miller<br />
James T. Mitchell<br />
Mark A. Modano<br />
Teresa Reyes and Martin Monas<br />
Michelle Montalbaro<br />
Scott W. Morgan<br />
Mr. Steven E. Motto<br />
MSI Management Services, Inc.
MAJOR DONORS (continued)<br />
Todd Murray<br />
Steven W. Neckman<br />
Scott E. Nederlander<br />
The Nederlander Organization<br />
Sheila Nevins<br />
Ms. Kristin Nieuwenhuis<br />
Robert Nolan<br />
in memory of Kevin Patterson<br />
Tina-Marie Ochoa<br />
Susan Olesky<br />
Frank E. Olszewski<br />
Mr. Jack Orben<br />
Marsha Orloff<br />
Owen Cheatham Foundation<br />
P.O.P.S., Inc.<br />
Karen Pack<br />
Alan G. Parke<br />
Ellen Paternoster<br />
Richard Pazereckas<br />
Thomas J. Pehle<br />
Fred M. Penn<br />
Ms. Mona Penner<br />
A. J. J. Pocock<br />
Cori M. Poff<br />
Patricia A. Polacco<br />
Jerald S. Politzer<br />
Robert A. Prenner<br />
John R. Price<br />
Judy Lynn Prince<br />
Carol A. Prugh<br />
Christopher Radko<br />
Robert Raiff<br />
Susan B. Ramey<br />
Kristin M. Ramey<br />
Mr. G. Remak Ramsay<br />
H. Ken Ranftle<br />
Julie Reyburn<br />
Tina-Corinna Ritz<br />
RMP Restaurant Marketing Plus, Inc.<br />
RMP Travel<br />
Joshua Roberts<br />
Mae Robertson<br />
Peter H. Robinsohn<br />
Diane Romano<br />
Yolanda Ronda<br />
Abby Rosenfeld<br />
Maxine B. Rosenthal<br />
Gloria Rouse<br />
Roy and Shirley Durst Charitable Fund<br />
Richard W. Roycroft<br />
Seth Rubenstein<br />
Audrey H. Rubin<br />
Katherine L. Rudin<br />
Deborah H. Ruppert<br />
Beverly Russell<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
Kimberly P. Russell<br />
Adam Samuels<br />
Harry Sassaman<br />
Dick Scanlan and Alan Effron<br />
Renee S. Schaeffer<br />
Richard Schapiro<br />
Bambi H. Schatz<br />
Steven Schmidt<br />
Robert P. Schneider<br />
Steven Schnepp and Mark Basile<br />
in memory of Paul Penfield and John Heppenstall<br />
Robert Schnipper<br />
Maury D. Schott<br />
Deborah Schultz<br />
Roslyn Schwartz<br />
Lise Scott<br />
Phyllis Scott<br />
The Segal Company (Eastern States), Inc.<br />
Serino Coyne Advertising Inc.<br />
Kimberly S. Sherron<br />
Nobuhiro Shimogori<br />
Arthur Shorin<br />
Bobby Short<br />
Mr. Howard J. Siegel<br />
Harry Silber<br />
Douglas H. Sills<br />
Karen A. Smith<br />
Liz Smith<br />
Robert J. Smolin<br />
Society Of Stage Directors and<br />
Choreographers<br />
Mr. Jerry Sokolow<br />
Jeffrey B. Soref<br />
Edward Stan<br />
Stanton Drama Boosters Club<br />
Ira Statfeld<br />
Mr. and Mrs. David Steiner<br />
Judith S. Steir<br />
Mitchell Stern<br />
Stewart F. Lane & Bonnie Comley Foundation<br />
Seymour Stewart<br />
Stewart-Johnson Dancing Academy<br />
Marvin H. Stockel<br />
Robin Strasser<br />
in honor of Ed Richmond and Robert Kilgore<br />
Joseph Stribula<br />
Patricia R. Strobel<br />
Geraldine Stutz<br />
Shephard Summers & Byron Howard<br />
Steven Sweet<br />
Allen Swerdlick<br />
Tams-Witmark<br />
Theatermania Corp<br />
Theatre of the Stars<br />
Theatrical Stage Employees Local One/IATSE<br />
major donors<br />
54<br />
Thomas Travel<br />
Roger Thomas<br />
Stuart Thompson<br />
Tiger Baron Foundation<br />
Paul R. Trapani<br />
Travel Insites, Inc.<br />
Mr. Joseph F. Tringali<br />
Janice M. Tufo<br />
Mr. and Mrs. Edward Turen<br />
Andrew W. Turner<br />
Glynn D. Turner<br />
Beth M. Uffner<br />
United States Trust Company of New York<br />
United Way of New York City<br />
United Way of Tri-State, Inc.<br />
Sarah Uriarte<br />
V.I.P. Tours of New York<br />
Henry Van Ameringen<br />
Margaret G. Van Sciver<br />
William and Helen Van Syckle<br />
Felicia Velasco<br />
Voxcorp, Inc.<br />
Mr. Eli Wachtel<br />
Honey Waldman<br />
Ric Wanetik<br />
Ms. Bethe Ward<br />
Pam Watanabe-Gerdes<br />
Susan Waterfall<br />
Phyllis Wayne<br />
Cynthia Weinman<br />
Carol Weinstein<br />
Weintraub Family Trust<br />
Louis E. Weiss<br />
Steadman H. Westergaard<br />
Nancy A. Wheeler<br />
Cindy White<br />
Gregg Whitney<br />
Joanne Wiesner<br />
Sterling Wilson<br />
Terrence J. Witter<br />
Scott Wittman<br />
Robert Wu<br />
Lori A. Yaspan<br />
Anne S. Zagorin<br />
Robin Zagorski<br />
Anthony Zelig<br />
Judy Zickler<br />
Joseph R. Zimmel<br />
Mr. Alan J. Zimmermann<br />
Anonymous
PLANNING FOR YOUR FUTURE AND OURS<br />
Gifts made by bequest are a growing source of income for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>. Founded in 1988 and named for<br />
Colleen Dewhurst, the late Actors’ <strong>Equity</strong> Association President who spearheaded the formation of the <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />
Committee (which merged with <strong>Broadway</strong> <strong>Cares</strong> in 1992), The Colleen Dewhurst Society is the planned giving program of<br />
BC/EFA which honors those individuals who have generously included BC/EFA in their will and estate plans.<br />
the following people have provided for an estate<br />
or other planned gift to BC/EFA:<br />
Sam Altman<br />
Melvin Bernhardt and<br />
Jeff Woodman<br />
Katherine Brader<br />
Aron Bromberg<br />
Elizabeth B. Cole<br />
Frank Conway<br />
Erick Devine<br />
Kirsten Felix<br />
Cecelia H. Fink<br />
Ken Glass<br />
Robert D. Gonzales<br />
Christopher C. Harrison<br />
Michael F. Hartig<br />
Melody Henshaw<br />
George K. Jones<br />
Henry Kaplan<br />
Constance Keene<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE<br />
COLLEEN DEWHURST<br />
SOCIETY<br />
“I’M SO PROUD OF WHAT WE DO FOR EACH OTHER. THERE ARE<br />
SO MANY PEOPLE WHO THOUGHT THIS THING WOULD NEVER GO,<br />
THAT IT COULDN’T BE DONE. BUT IT HAPPENED ANYWAY BECAUSE<br />
SO MANY PEOPLE CAME FORWARD AND, IN MANY DIFFERENT WAYS,<br />
MADE IT HAPPEN. AND TO THIS VERY DAY, I LOVE YOU ALL FOR THAT.”<br />
Robert Kilgore and<br />
Edward Richmond<br />
Ron Kollen<br />
Belinda J. Kotin<br />
Dorothy Loudon<br />
Michael T. Marino<br />
Gilbert Parker<br />
Julie Ann Richardson<br />
Amy Rosenthal<br />
Paul L. and Marion J. Ross<br />
Stuart Ross<br />
Cheryl Lee Toth<br />
Jay Laudato and Tom Watson<br />
Carolyn Zaput<br />
gifts to bc/efa have been received from<br />
the following estates:<br />
Estate of Louise Alexander<br />
Estate of Walter Alford<br />
Estate of Eva Sully Block<br />
Estate of Robert L. Borod<br />
Estate of Thomas Boyd<br />
Estate of Alice C. Brown<br />
Estate of Dennis Cooney<br />
Estate of<br />
Dolores Gray Crevolin<br />
Estate of Alvin C. Davis<br />
Estate of Joan Houseman<br />
The Estate of Mary L. Laslo<br />
Estate of Richard Lerner<br />
Estate of Paul R. Lipson<br />
Estate of Murray H. Schapiro<br />
Estate of Eileen R. Shields<br />
Estate of<br />
Milton Joseph Tatelman<br />
the colleen dewhurst society<br />
55<br />
COLLEEN DEWHURST<br />
JUNE 1991<br />
Estate of David P. Taylor<br />
Estate of Gwen Verdon
FINANCIAL<br />
STATEMENTS<br />
September 30, 2003 and 2002<br />
INDEPENDENT AUDITORS’ REPORT<br />
Board of Directors<br />
<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc.<br />
New York, New York<br />
Eisner LLP<br />
Accountants and Advisors<br />
750 Third Avenue<br />
New York, NY 10017-2703<br />
Tel 212.949.8700 Fax 212.891.4100<br />
www.eisnerllp.com<br />
We have audited the accompanying statements of financial position of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. as of September<br />
30, 2003 and 2002, and the related statements of activities, functional expenses, and cash flows for the years then ended. These<br />
financial statements are the responsibility of the Organization’s management. Our responsibility is to express an opinion on these<br />
financial statements based on our audits.<br />
We conducted our audits in accordance with auditing standards generally accepted in the United States of America. Those<br />
standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free<br />
of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the<br />
financial statements. An audit also includes assessing the accounting principles used and significant estimates made by<br />
management, as well as evaluating the overall financial statement presentation. We believe that our audits provide a reasonable<br />
basis for our opinion.<br />
In our opinion, the financial statements enumerated above present fairly, in all material respects, the financial position of<br />
<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. as of September 30, 2003 and 2002, and the changes in its net assets and its cash flows<br />
for the years then ended, in conformity with accounting principles generally accepted in the United States of America.<br />
New York, New York<br />
January 9, 2004<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
financial statements<br />
56
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
STATEMENTS OF FINANCIAL POSITION<br />
year ended september 30,<br />
2003 2002<br />
ASSETS<br />
cash and cash equivalents $ 1,696,817 $ 868,574<br />
accounts receivable 47,149 31,851<br />
prepaid expenses and other current assets 77,613 102,089<br />
inventory 169,143 141,927<br />
property and equipment, net 86,893 81,961<br />
security deposit 12,918 11,718<br />
$ 2,090,533 $ 1,238,120<br />
LIABILITIES AND NET ASSETS<br />
accounts payable and accrued expenses $ 196,601 $ 98,899<br />
deferred revenue 40,465 55,190<br />
grants payable 1,294,200 575,000<br />
total liabilities 1,531,266 729,089<br />
commitments (note d)<br />
net assets - unrestricted 559,267 509,031<br />
See notes to financial statements.<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
financial statements<br />
57<br />
$ 2,090,533 $ 1,238,120
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
STATEMENTS OF ACTIVITIES<br />
YEAR ENDED SEPTEMBER 30,<br />
2003 2002<br />
public support and revenue:<br />
contributions $ 9,066,859 $ 7,935,264<br />
special events, net of direct benefit to donors of $390,492 in 2003<br />
and $318,605 in 2002 954,063 930,656<br />
merchandise sales 494,336 423,247<br />
donated goods and services 265,000 80,000<br />
interest and other income 11,571 18,270<br />
total public support and revenue 10,791,829 9,387,437<br />
expenses:<br />
program services:<br />
grants 6,138,469 5,421,676<br />
other program services 1,753,575 1,454,671<br />
total program services 7,892,044 6,876,347<br />
ssupporting services:<br />
management and general 1,257,695 1,124,225<br />
fund-raising 1,591,854 1,337,645<br />
total supporting services 2,849,549 2,461,870<br />
total expenses 10,741,593 9,338,217<br />
INCREASE IN NET ASSETS 50,236 49,220<br />
unrestricted net assets - october 1 509,031 459,811<br />
UNRESTRICTED NET ASSETS - SEPTEMBER 30 $ 559,267 $ 509,031<br />
See notes to financial statements.<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
financial statements<br />
58
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
STATEMENTS OF CASH FLOWS<br />
YEAR ENDED SEPTEMBER 30,<br />
2003 2002<br />
CASH FLOWS FROM OPERATING ACTIVITIES:<br />
increase in net assets $ 50,236 $ 49,220<br />
adjustments to reconcile increase in net assets to net cash provided by<br />
operating activities:<br />
depreciation and amortization 40,294 35,863<br />
donated investments (5,378) (16,503)<br />
changes in:<br />
receivables (15,298) 291,988<br />
prepaid expenses and other current assets 24,476 (40,193)<br />
inventory (27,216) 19,811<br />
security deposits (1,200)<br />
accounts payable and accrued expenses 97,702 43,752<br />
deferred revenue (14,725) 16,278<br />
grants payable 719,200 (125,000)<br />
net cash provided by operating activities 868,091 275,216<br />
CASH FLOWS FROM INVESTING ACTIVITIES:<br />
proceeds from sale of investment 5,378 16,503<br />
purchases of property and equipment (45,226) (16,845)<br />
net cash used in investing activities (39,848) (342)<br />
net change in cash and cash equivalents 828,243 274,874<br />
cash and cash equivalents - october 1 868,574 593,700<br />
CASH AND CASH EQUIVALENTS - SEPTEMBER 1 $ 1,696,817 $ 868,574<br />
SUPPLEMENTAL DISCLOSURE OF CASH FLOW INFORMATION<br />
noncash donation of goods and services $ 265,000 $ 80,000<br />
See notes to financial statements.<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
financial statements<br />
59
NOTES TO<br />
FINANCIAL<br />
STATEMENTS<br />
September 30, 2003 and 2002<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NOTE A - ORGANIZATION AND SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES<br />
[1] ORGANIZATION:<br />
<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. (the “Organization”) is a not-for-profit entity that raises money to provide grants to<br />
organizations providing assistance for health care to individuals in the entertainment industry (particularly HIV/<strong>AIDS</strong> and<br />
related womens’ health issues) and to organizations and programs nationwide and internationally that provide care and<br />
services to people living with HIV/<strong>AIDS</strong>. Occasionally, the Organization also facilitates the fund-raising capabilities of the<br />
entertainment industry to address an urgent crisis or need, as directed by the Board of Directors.<br />
The Organization is exempt from federal income taxes under Section 501(c)(3) of the U.S. Internal Revenue Code, and from<br />
state and local taxes under comparable laws.<br />
[2] FINANCIAL REPORTING:<br />
(a) Accrual basis of accounting:<br />
The accompanying financial statements of the Organization have been prepared on the accrual basis of accounting and<br />
conform to accounting principles generally accepted in the United States of America as applicable to not-for-profit<br />
entities.<br />
(b) Cash equivalents:<br />
For financial-presentation purposes, cash and cash equivalents include cash invested in highly liquid money-market<br />
accounts.<br />
(c) Functional allocation of expenses:<br />
The cost of providing the various programs and supporting services has been summarized on a functional basis in the<br />
accompanying statements of activities. Accordingly, certain costs have been allocated among the programs and supporting<br />
services in reasonable ratios determined by management.<br />
(d) Use of estimates:<br />
The preparation of financial statements in conformity with generally accepted accounting principles requires<br />
management to make estimates and assumptions that affect the reported amount of assets, liabilities, revenues and<br />
expenses. Actual results could differ from those estimates.<br />
(e) Net assets:<br />
The net assets of the Organization are reported as unrestricted, as there are no donor restrictions on the use of these<br />
assets.<br />
financial statements<br />
60
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
NOTES TO FINANCIAL STATEMENTS<br />
September 30, 2003 and 2002<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NOTE A - ORGANIZATION AND SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES<br />
(CONTINUED)<br />
[3] REVENUE RECOGNITION:<br />
Contributions:<br />
Contributions are recorded as revenue upon receipt of cash or unconditional pledges. Contributions are considered<br />
available for unrestricted use unless specifically restricted by the donor.<br />
Volunteers:<br />
A substantial number of unpaid volunteers have made significant contributions of their time to the Organization. The<br />
value of this contributed time does not meet the criteria for recognition of contributed services required under generally<br />
accepted accounting principles and accordingly, is not included in the accompanying financial statements.<br />
Special events:<br />
The Organization conducts special events for which the use of the theater may be donated and the performers and<br />
support staff donate their time. A portion of the gross proceeds paid by the attendees represents payment for the direct<br />
cost of the benefits received by the attendees at the event. Unless a verifiable, objective means exists to demonstrate<br />
otherwise, the fair value of entertainment provided at these special events is measured at the cost to the Organization.<br />
The special event income is reported net of the direct costs of the event that are attributable to the benefit that the donor<br />
receives.<br />
Merchandise sales:<br />
The Organization operates a website that sells <strong>Broadway</strong> show related memorabilia.<br />
[4] PROPERTY AND EQUIPMENT:<br />
Property and equipment are reported at their costs at the dates of acquisition or at their fair values at the dates of donation.<br />
Depreciation of furniture and equipment is provided using the straight-line method over estimated useful lives of five years,<br />
and leasehold improvements are amortized using the straight-line method over the term of the underlying lease.<br />
[5] INVENTORY:<br />
Inventory consists of merchandise available for sale and is valued at the lower of cost or market value. Certain items have been<br />
contributed to inventory and have been recorded at their approximate fair values at the dates of contribution. Included in<br />
inventory are original, one-of-a-kind toy bears, each of which is a designer-costumed, collectible “<strong>Broadway</strong> Bear” that is to<br />
be offered at auction during the next fiscal year.<br />
[6] DEFERRED REVENUE:<br />
The revenue from advance ticket sales related to a future year’s event is deferred and recognized as income in the year in which<br />
the performance is held.<br />
financial statements<br />
61
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
NOTES TO FINANCIAL STATEMENTS<br />
September 30, 2003 and 2002<br />
NOTE B - PROPERTY AND EQUIPMENT<br />
At each fiscal year-end, property and equipment consisted of the following:<br />
YEAR ENDED SEPTEMBER 30,<br />
2003 2002<br />
office furniture and fixtures $ 115,280 $ 101,662<br />
equipment 145,825 132,982<br />
leasehold improvements 61,755 42,990<br />
322,860 277,634<br />
less accumulated depreciation (235,967) (195,673)<br />
$ 86,893 $ 81,961<br />
NOTE C - GRANTS PAYABLE<br />
At the end of fiscal-years 2003 and 2002, grants were payable to general grantees in the amounts of $769,200 and $0, respectively,<br />
and to the Actors Fund of America in the amounts of $525,000 and $575,000, respectively. Grants outstanding at the end of each<br />
fiscal-year are expected to be paid in the following fiscal year.<br />
NOTE D - COMMITMENTS<br />
[1] LEASE AGREEMENT:<br />
The Organization rents office space under an operating lease agreement that expires on June 30, 2008. The lease requires<br />
minimum lease payments plus escalation charges. Rent expense for each of the fiscal years ended September 30, 2003 and<br />
2002 was approximately $236,000 and $225,000, respectively. The minimum annual future obligations under this lease are<br />
as follows:<br />
YEAR ENDED SEPTEMBER 30,<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
2004 $ 184,771<br />
2005 190,315<br />
2006 196,024<br />
2007 201,905<br />
2008 154,810<br />
$ 927,825<br />
[2] CONSULTING AGREEMENT:<br />
On October 1, 2002, the Organization entered into a consulting agreement for direct mailing services. The agreement<br />
expires on September 30, 2004. The minimum fee for fiscal-year 2004 is expected to be $27,000.<br />
notes to financial statements<br />
62
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
NOTES TO FINANCIAL STATEMENTS<br />
September 30, 2003 and 2002<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NOTE E - DONATED GOODS AND SERVICES<br />
Contributed goods are recognized at their fair market values at the dates of donation. Contributions of services are recognized<br />
when they are received, if the services (a) create or enhance nonfinancial assets or (b) require specialized skills, are provided by<br />
individuals possessing those skills, and would typically need to be purchased if not donated.<br />
The Organization received donated toy bears of $90,000 and $80,000 in fiscal-years 2003 and 2002, respectively. The<br />
Organization also received an in-kind contribution in the form of donated advertising which was valued at $175,000 in the fiscal<br />
year ending September 30, 2003.<br />
NOTE F - RELATED PARTY TRANSACTION<br />
A director of the Organization is a principal owner of the press agency used by the Organization. Fees paid for services and<br />
expense reimbursements to the press agency were $27,538 and $24,312 for the years ended September 30, 2003 and 2002,<br />
respectively.<br />
For the fiscal-years ended September 30, 2003 and 2002, grants of $525,000 and $575,000, respectively, were paid to the<br />
Actors Fund of America, a not-for-profit organization that has several common board members with the Organization.<br />
NOTE G - CONTRIBUTIONS TO RELIEF EFFORTS<br />
As a result of the terrorist attacks in 2001, various <strong>Broadway</strong> shows collected donations for the relief efforts and submitted these<br />
contributions to the Organization. The Organization in turn distributed these funds, which amounted to approximately<br />
$215,000 in the fiscal year ending September 30, 2002, to appropriate recipients.<br />
NOTE H - RETIREMENT BENEFITS<br />
The Organization has a defined-contribution pension plan formed under U.S. Internal Revenue Code Section 401(k) that covers<br />
all employees who meet certain length-of-service requirements. Participants’ contributions are fully vested at all times, and vesting<br />
of the Organization’s contributions is phased-in over a six-year period. There were no employer contributions made in fiscalyears<br />
2003 and 2002. It is the Organization’s policy to fund pension costs currently.<br />
NOTE I - CONCENTRATION OF CREDIT RISK<br />
The Organization deposits its cash in accounts with major banking institutions. At times, such amounts may be in excess of federal<br />
insurance limits. Management believes that the Organization has no significant risk of loss on these accounts due to the failure of<br />
the institutions.<br />
notes to financial statements<br />
63
CREDITS<br />
Prepared by the BC/EFA<br />
senior staff<br />
Tom Viola<br />
Executive Director<br />
Larry Cook<br />
Director of Finance and<br />
Administration<br />
Michael Graziano<br />
Producing Director<br />
Skip Mooney<br />
Director of Development<br />
through June 2004<br />
Frank Sonntag<br />
Director of Development<br />
as of July 2004<br />
and<br />
Bree Coven<br />
Associate Director of<br />
Development and<br />
Communications<br />
design<br />
Design 158, NYC<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
photography<br />
Jay Brady Photography,<br />
Inc.; Kenneth A.<br />
Blauvelt/Studio 66, Rivka<br />
Katvan, J. Henry Fair,<br />
Steve J. Sherman, Joe<br />
Lanteri, Moody Pics.,<br />
Anthony Crickmay,<br />
Chadwick Studios, Howard<br />
T. Cash, Eric Bandiero,<br />
Christopher Economakos,<br />
The Actors’ Fund of<br />
America, and a wealth of<br />
candid photos donated by<br />
BC/EFA volunteers.<br />
printing<br />
Arista Printing &<br />
Computer Graphics<br />
credits<br />
64<br />
BOARD OF DIRECTORS<br />
Paul Libin, President<br />
Alan Eisenberg, Vice President<br />
Patrick Quinn, Second Vice President<br />
Maria Di Dia, Third Vice President<br />
Philip Birsh, Treasurer<br />
Judith Rice, Secretary<br />
BOARD OF TRUSTEES<br />
Cornelius Baker<br />
Scott Barnes<br />
Joseph Benincasa<br />
Jed Bernstein<br />
Chris Boneau<br />
Barry Brown<br />
Kate Burton<br />
Robert Callely<br />
Kathleen Chalfant<br />
Thom Christopher<br />
Sherry Cohen<br />
Alan Cumming<br />
Michael David<br />
B. Merle Debuskey<br />
Paul DiDonato<br />
Sam Ellis<br />
Neal Garelik<br />
Gary Gunas<br />
Charles Hamlen,<br />
ex-officio<br />
Craig Jacobs<br />
Richard Jay-<br />
Alexander<br />
Cherry Jones<br />
Barry Kohn, MD<br />
Nathan Lane<br />
Jay Laudato<br />
Scott Mauro<br />
Michael McElroy<br />
Terrence McNally<br />
Jerry Mitchell<br />
Ira Mont<br />
Bernadette Peters<br />
Martin Richards<br />
Chita Rivera<br />
Jordan Roth<br />
Nick Scandalios<br />
Peter Schneider<br />
Thomas<br />
Schumacher<br />
Marian Seldes<br />
Matthew Serino<br />
Philip Smith<br />
Paul Stevens<br />
Stuart Thompson<br />
Tim Tompkins<br />
Tom Viola,<br />
ex-officio<br />
Fred Vogel<br />
Beth Williams<br />
George C. Wolfe<br />
as of October 1, 2003
42nd STREET AIDA AVENUE Q BEAUTY & THE BEAST<br />
BETTY RULES BOOK OF DAYS BLUE MAN GROUP<br />
CABARET CHICAGO CINDERELLA DANCE OF THE<br />
VAMPIRES DEBBIE DOES DALLAS DEF POETRY JAM<br />
FLOWER DRUM SONG FRANKIE & JOHNNY IN THE CLAIR<br />
DE LUNE THE FOURTH WALL THE FULL MONTY THE<br />
GOAT THE GRADUATE HAIRSPRAY HOLLYWOOD ARMS<br />
I LOVE YOU, YOU’RE PERFECT, NOW CHANGE<br />
IMAGINARY FRIENDS IN REAL LIFE INTO THE WOODS<br />
JESUS CHRIST, SUPERSTAR JOLSON AND COMPANY<br />
JUDY AND ME LA BOHÉME LES MISÉRABLES LIFE<br />
X 3 LOVE JANIS THE LION KING MA RAINEY’S BLACK<br />
BOTTOM MAMMA MIA! MAN OF LA MANCHA MENOPAUSE,<br />
THE MUSICAL METAMORPHOSES MINDFREAK MOVIN’<br />
OUT MY OLD LADY NAKED BOYS SINGING OKLAHOMA<br />
PROOF SOME LIKE IT HOT THE TALE OF THE<br />
ALLERGIST’S WIFE THE PHANTOM OF THE OPERA<br />
THE PRODUCERS RENT SATURDAY NIGHT FEVER<br />
SAY GOODNIGHT,GRACIE STOMP TAKE ME OUT THOROUGHLY<br />
MODERN MILLIE TICK, TICK…BOOM! TONY & TINA’S<br />
WEDDING URINETOWN THE VAGINA MONOLOGUES<br />
VINCENT IN BRIXTON WEST SIDE STORY ZANNA, DON’T<br />
THANK<br />
YOU!<br />
Naked Boys Singing’s George Livengood nearly undressed for the Easter Bonnet Competition, Tina Maddigan and her bear from Mamma Mia!; cast members from 42nd Street<br />
perform at the Gypsy of the Year Competition, Donna Murphy sings “I Happen to Like New York” to close the 2003 Easter Bonnet Competition, cast members from La Bohéme<br />
accept the Best Bonnet Presentation Award, BC/EFA auctioneer extraordinaire, Lorna Kelly.
BROADWAY CARES/<br />
EQUITY FIGHTS <strong>AIDS</strong><br />
165 West 46th Street, Suite 1300<br />
New York, NY 10036<br />
T.212.840.0770<br />
F.212.840.0551<br />
www.broadwaycares.org