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BROADWAY<br />

CARES/<br />

EQUITY<br />

FIGHTS<br />

<strong>AIDS</strong><br />

ANNUAL<br />

REPORT<br />

2003


THANK<br />

YOU!<br />

42nd STREET AIDA AVENUE Q BEAUTY & THE BEAST<br />

BETTY RULES BOOK OF DAYS BLUE MAN GROUP<br />

CABARET CHICAGO CINDERELLA DANCE OF THE<br />

VAMPIRES DEBBIE DOES DALLAS DEF POETRY JAM<br />

FLOWER DRUM SONG FRANKIE & JOHNNY IN THE CLAIR<br />

DE LUNE THE FOURTH WALL THE FULL MONTY THE<br />

GOAT THE GRADUATE HAIRSPRAY HOLLYWOOD ARMS<br />

I LOVE YOU, YOU’RE PERFECT, NOW CHANGE<br />

IMAGINARY FRIENDS IN REAL LIFE INTO THE WOODS<br />

JESUS CHRIST, SUPERSTAR JOLSON AND COMPANY<br />

JUDY AND ME LA BOHÉME LES MISÉRABLES LIFE<br />

X 3 LOVE JANIS THE LION KING MA RAINEY’S BLACK<br />

BOTTOM MAMMA MIA! MAN OF LA MANCHA MENOPAUSE,<br />

THE MUSICAL METAMORPHOSES MINDFREAK MOVIN’<br />

OUT MY OLD LADY NAKED BOYS SINGING OKLAHOMA<br />

PROOF SOME LIKE IT HOT THE TALE OF THE<br />

ALLERGIST’S WIFE THE PHANTOM OF THE OPERA<br />

THE PRODUCERS RENT SATURDAY NIGHT FEVER<br />

SAY GOODNIGHT,GRACIE STOMP TAKE ME OUT THOROUGHLY<br />

MODERN MILLIE TICK, TICK…BOOM! TONY & TINA’S<br />

WEDDING URINETOWN THE VAGINA MONOLOGUES<br />

VINCENT IN BRIXTON WEST SIDE STORY ZANNA, DON’T<br />

Front Cover: (Clockwise) Current and past cast members of Les Misérables make their last appearance at a BC/EFA event and join in a grand finale at the Gypsy of the Year<br />

Competition to sing “Will You Join in Our Crusade” – this time with a red ribbon flag; Louise Pitre and cast members of the Mamma Mia! table at the Flea Market; cast members<br />

from Gypsy collecting in the lobby of the Shubert Theatre after a post-performance appeal; Hairspray’s Harvey Fierstein makes the appeal from the stage of the Neil Simon; three<br />

jumpin’ gypsies in the opening number from Gypsy of the Year; Nine’s Chita Rivera and Antonio Banderas helped present the awards at The Easter Bonnet Competition.


ANNUAL<br />

REPORT<br />

2003<br />

broadway cares/equity fights aids<br />

TABLE OF CONTENTS<br />

how a dollar makes a difference 2<br />

letter from the president Paul Libin 3<br />

letter from the executive director Tom Viola 4<br />

bc/efa grantmaking 5<br />

the actors’ fund of america 6<br />

national grants program 12<br />

national grant totals by state 16<br />

international grants 25<br />

events 27<br />

national support 38<br />

thespian fundraising 39<br />

bc/efa on e-bay 40<br />

retail outreach 41<br />

classical action: performing arts against aids 42<br />

dancers responding to aids (dra) 44<br />

corporate support 45<br />

broadway delivers! 47<br />

the angels campaign 48<br />

major donors 51<br />

the colleen dewhurst society 55<br />

financial statements 56<br />

board of trustees and credits 64<br />

Cast members from Flower Drum Song celebrate their fundraising award at the Gypsy of the Year Competition; Norm Lewis joins Jennifer Holliday<br />

on stage at Town Hall; the irrepressible Jennifer Smith and Jim Borstelmann reprise “These Boots Are Made for Walking” at The Easter Bonnet Competition; Donna Murphy<br />

and Bebe Neuwirth at the Celebrity Booth of The <strong>Broadway</strong> Flea Market; Louise Pitre helped this baby find a home at <strong>Broadway</strong> Barks.<br />

table of contents<br />

1


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

HOW A DOLLAR<br />

MAKES A DIFFERENCE<br />

The fundraising and grantmaking success of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> is the result of<br />

thousands of simple gestures of generosity and concern that come together as one phenomenal show of support for people with<br />

HIV/<strong>AIDS</strong> and their families. This is never more apparent than in the audience appeals that are done twice a year, for two six-week<br />

periods, by the <strong>Broadway</strong>, Off-<strong>Broadway</strong>, and national touring shows prior to the annual Gypsy of the Year and Easter Bonnet Competitions.<br />

Here is how a single dollar becomes what, in 2003, was a $5 million campaign.<br />

A theatregoer is moved by the curtain speech made by a member of the cast after the curtain call. In support of BC/EFA, or<br />

simply because it was such a thrill to hear the show’s star informally and enthusiastically talk to the audience about our work, he or<br />

she puts ONE DOLLAR into the collection buckets manned by other members of the company or BC/EFA volunteers. In an average<br />

<strong>Broadway</strong> house of 1,800 seats, this means the following:<br />

one generous gesture $ 1<br />

the amount raised at one performance $ 1,800<br />

there are 8 performances a week (x 8) $ 14,400<br />

30 other shows are making the same appeal (x 30) $ 432,000<br />

appeals are made for six weeks (x 6) $ 2,592,000<br />

twice a year (x 2) $ 5,184,000<br />

Audience appeals are the backbone of BC/EFA’s yearly fundraising efforts. Of course, money is raised in other ways – through<br />

direct mail, major donor campaigns, corporate sponsorships, merchandise sales, CareTix, and CareCards, as well as the tickets sales<br />

of special events. Together, all of these efforts made it possible for BC/EFA to raise over $10 million in fiscal year 2003. Yet, without<br />

a doubt, the foundation of this success is the audience appeals – to be more specific, the thousands of times one person reaches into<br />

a pocket or purse and drops $1 into a volunteer’s bucket.<br />

BC/EFA’s grants committee awarded more than $2.7 million in grants to over 450 <strong>AIDS</strong> and family service organizations in<br />

2003 to provide meals, transportation, emergency assistance, housing, case management, and other vital services to people with<br />

<strong>AIDS</strong>, as well as another $2.8 million to support six programs at The Actors’ Fund of America.<br />

ALL FROM YOUR ONE DOLLAR!<br />

One bucket of hundreds; cast members from Les Misérables in the lobby of the Imperial Theatre; La Bohéme’s director, Baz Luhrmann, signing show posters in the lobby<br />

of the <strong>Broadway</strong> Theatre; Gavin Creel leads cast members from Thoroughly Modern Millie collecting for BC/EFA in the lobby of The Marquis Theatre.<br />

how a dollar makes a difference<br />

2<br />

<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />

is the nation’s leading industrybased,<br />

nonprofit <strong>AIDS</strong> fundraising<br />

and grantmaking organization.<br />

BC/EFA is the ongoing, committed<br />

response from the American<br />

theatre community to an urgent<br />

worldwide health crisis. By<br />

drawing upon the talents, resources<br />

and generosity of this community,<br />

BC/EFA raises funds for <strong>AIDS</strong>related<br />

causes across the United<br />

States. Since its founding in 1988,<br />

BC/EFA has raised over $85 million<br />

for critically needed services for<br />

people with <strong>AIDS</strong>, HIV or HIVrelated<br />

illnesses, and their families.


A LETTER<br />

FROM<br />

THE PRESIDENT<br />

July 2004<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

Dear Friends,<br />

It is my pleasure to let <strong>you</strong> know that even in the economic uncertainty we have all faced in the past year, <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong><br />

<strong>Fights</strong> <strong>AIDS</strong> has once again increased the amount of money raised and broadened the scope of program support offered to individuals<br />

facing catastrophic health and social service concerns.<br />

BC/EFA remains one of the largest industry-based <strong>AIDS</strong> fundraising organizations in the nation. We support a myriad<br />

of additional programs offering free-of-charge services to industry insiders as well as literally hundreds of service organizations across<br />

the country. While the core mission remains centered on the <strong>AIDS</strong> crisis within the entertainment community, BC/EFA is providing<br />

health care assistance to women and all industry professionals facing catastrophic health predicaments. Additionally, funds raised by<br />

BC/EFA now reach thousands of elderly, hungry, homeless and otherwise disenfranchised individuals affected by HIV/<strong>AIDS</strong>.<br />

Of course we owe a tremendous debt of gratitude to the thousands of individuals, corporations and foundations who have<br />

contributed to our efforts. The continued dedication of <strong>Broadway</strong> cast members in our Gypsy of the Year and Easter Bonnet fundraising<br />

appeals produced remarkable totals this year. As a direct result of these increases, we were able to contribute more financial support<br />

to both the Actors’ Fund programs and our National Grants Program than ever before.<br />

There is no question that the core of our strength comes from the theatre community – the performers who generously donate<br />

their time and considerable talents as well as the theatre-going audiences who respond with enthusiasm to our onstage appeals. The<br />

generosity of this group of dedicated individuals continues to inspire not only the BC/EFA board and staff, but people in need<br />

everywhere. Never has the phrase “<strong>Broadway</strong> <strong>Cares</strong>” meant more or rung truer. As the miracle of drug therapy has gratefully extended<br />

the lives of so many, it has also made the need for an organization like BC/EFA more important than ever.<br />

I want to acknowledge the tireless efforts of my fellow BC/EFA trustees and the dedication of our staff. We are truly blessed to<br />

enjoy the ongoing support of so many who realize the complexity of the challenges being faced on a daily basis. We appreciate the<br />

time spent in reviewing the contents of this yearly report, and we hope that <strong>you</strong> take as much pride as we do in what we have been able<br />

to accomplish together.<br />

Paul Libin<br />

President<br />

The opening number of the Easter Bonnet Competition; Phylicia Rashad and members of The <strong>Broadway</strong> Inspirational Voices; Man of La Mancha’s Brian Stokes Mitchell<br />

and Mary Elizabeth Mastrantonio helped host the Easter Bonnet Competition; joyful cast members from Mamma Mia! accept their fundraising award at the<br />

Gypsy of the Year Competition; cast members from The Producers outside the St. James Theatre for the <strong>Broadway</strong> Flea Market.<br />

a letter from the president<br />

3


Dear Friends,<br />

I am very happy to report that in 2003, with <strong>you</strong>r support, BC/EFA increased total funding for both the programs of The Actors’<br />

Fund and the over 450 <strong>AIDS</strong> and family service organizations that make up the National Grants Program by $732,176, setting the<br />

organization on a path of full-fledged recovery that has continued into 2004.<br />

As to be expected following 9/11 and a general economic downturn, BC/EFA’s fundraising and grantmaking took a dip in 2002.<br />

But as the chart below details, results improved considerably in 2003:<br />

Eighteen years ago, <strong>Broadway</strong> <strong>Cares</strong> and <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> were two fledgling organizations made up of well-intentioned<br />

groups of folks eager to do something – anything – in response to the desperate needs of those combating <strong>AIDS</strong>. Even the idea of<br />

an annual report was beyond what we thought we could accomplish. But we persevered and began to accumulate many small successes<br />

that propelled our collective efforts.<br />

Today, following its successful merger in 1992, BC/EFA is a $10 million-a-year fundraising and grantmaking organization that<br />

continues to address the challenges facing people with <strong>AIDS</strong> and their families, women’s health issues, and others.<br />

Although the situations and statistics surrounding those living with <strong>AIDS</strong> have changed significantly since our earliest fundraising<br />

efforts, never has there been such a need for a continued, sustained response to those in crisis than there is right now. Politics,<br />

economic and job uncertainty for many, and the ongoing conflicts across the globe have diverted attention and limited resources away<br />

from vital social programs and services.<br />

Our support for the programs of The Actors’ Fund and for over 450 <strong>AIDS</strong> and family service organizations across the country<br />

has never been more important – because those very organizations have never had more people looking for help, advice, and support.<br />

Simply said, for all social service agencies, times are very difficult. But because of <strong>you</strong> – thousands of theatre professionals,<br />

audiences in New York and across the country, our major donors, and corporate sponsors – BC/EFA has continued to respond in a<br />

meaningful way in 2003, pledging our commitment to these continued fundraising and grantmaking efforts as I write this in 2004.<br />

Here is our “2003 yearbook” – the facts, the figures, the photos, and graphs that make up BC/EFA on paper. Whether <strong>you</strong><br />

tossed a $5 bill in a bucket in a theatre lobby, wrote a $2,500 major donor check, offered <strong>you</strong>r company’s financial or in-kind<br />

support, or simply wished us well – <strong>you</strong> are a part of BC/EFA, a unique and extraordinary fundraising and grantmaking family. For<br />

that, we <strong>thank</strong> <strong>you</strong>.<br />

Sincerely,<br />

Tom Viola<br />

Executive Director<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

A LETTER<br />

FROM<br />

THE EXECUTIVE DIRECTOR<br />

July 2004<br />

2002 2003<br />

THE ACTORS’ FUND $ 2,732,000 $ 3,037,500<br />

the aids initiative $ 2,100,000 $ 2,100,000<br />

phyllis newman women’s health initiative $ 209,500 $ 302,500<br />

physician volunteers for the arts $ 100,000 $ 15,000<br />

al hirschfeld free health clinic n/a $ 400,000<br />

the actors’ work program $ 270,000 $ 170,000<br />

the palm view (los angeles) $ 50,000 $ 50,000<br />

NATIONAL GRANTS $ 2,689,676 $ 2,957,969<br />

INTERNATIONAL GRANTS $ 105,500 $ 143,000<br />

TOTAL BC/EFA GRANTS $ 5,421,676 $ 6,138,469<br />

A parade of Easter Bonnets; Squirrel and friends hang around the Theatre District for <strong>Broadway</strong> Barks; Elizabeth Martinson, John Tartaglia, Joel Grey,<br />

and Harvey Fierstein at the <strong>Broadway</strong> Flea Market; Bryan Batt and Holly Cruikshank present one of the <strong>Broadway</strong> Bears for auction.<br />

a letter from the executive director<br />

4


THE BC/EFA<br />

GRANTMAKING<br />

PROGRAM<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> was founded in October 1987 by the Council of Actors’ <strong>Equity</strong> Association. Money<br />

raised through the efforts of <strong>Equity</strong> theatre companies across the country was specifically earmarked for The Actors’ Fund’s <strong>AIDS</strong><br />

Initiative. <strong>Broadway</strong> <strong>Cares</strong> was founded in February 1988 by members of The Producers’ Group. Money raised was earmarked to be<br />

awarded to <strong>AIDS</strong> service organizations across the country, including <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />

In May 1992, <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> and <strong>Broadway</strong> <strong>Cares</strong> merged to become <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>. The Board of<br />

Trustees of this newly established non-profit fundraising organization assumed the missions of the previously separate organizations<br />

and continues to fund the social service work of The Actors’ Fund and to award grants twice a year to <strong>AIDS</strong> service organizations<br />

nationwide.<br />

Unlike most other nonprofit grantmaking organizations, <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> must raise every single dollar of<br />

our philanthropic budget, every year, in order to fulfill our mission. In turn, BC/EFA works hard to ensure that the money we raise<br />

is spent carefully and wisely, on programs where these hard-earned funds can have the maximum possible impact.<br />

BC/EFA’s grantmaking has two emphases. The first is The Actors’ Fund of America. BC/EFA currently supports six major social<br />

service programs at the Fund, each of which provides direct assistance to entertainment industry professionals and performing artists<br />

who are dealing with a variety of problems, including HIV/<strong>AIDS</strong>. The second major grantmaking effort is the National Grants<br />

Program, through which BC/EFA makes grants to hundreds of community-based <strong>AIDS</strong> service organizations across the country. A<br />

detailed description of how we distribute our funds, and the programs we support, is contained on the following pages.<br />

A HISTORY OF GIVING<br />

ACTORS’ FUND NATIONAL GRANTS TOTAL<br />

GRANTS PROGRAMS GRANTS<br />

EQUITY FIGHTS <strong>AIDS</strong> 1987-may 1992 $ 2,775,250.00 $ 2,775,250.00<br />

BROADWAY CARES 1988-may 1992 $ 1,067,000.00 $ 1,067,000.00<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

may-december 1992 $ 634,000.00 $ 771,780.00 $ 1,405,780.00<br />

1993 $ 1,654,000.00 $ 1,184,119.00 $ 2,838,119.00<br />

1994 $ 1,758,000.00 $ 676,404.00 $ 2,434,404.00<br />

1995 $ 1,791,000.00 $ 707,916.00 $ 2,498,916.00<br />

1996 $ 2,010,000.00 $ 1,400,549.00 $ 3,410,549.00<br />

1997 $ 2,247,500.00 $ 1,342,200.00 $ 3,589,700.00<br />

1998 $ 2,471,000.00 $ 1,711,819.00 $ 4,182,819.00<br />

1999 $ 2,700,000.00 $ 3,039,841.00 $ 5,739,841.00<br />

2000 $ 2,955,336.00 $ 3,033,566.00 $ 5,988,902.00<br />

2001 $ 2,829,500.00 $ 3,238,765.00 $ 6,068,265.00<br />

2002 $ 2,732,000.00 $ 2,689,676.00 $ 5,421,676.00<br />

2003 $ 3,022,500.00 $ 3,115,969.00 $ 6,138,469.00<br />

BC/EFA GRANTMAKING TOTAL<br />

1987-2003 $ 29,580,086.00 $ 23,979,604.00 $ 53,559,690.00<br />

Faces and scenes from a few of hundreds of <strong>AIDS</strong> and family service organizations funded by BC/EFA.<br />

the bc/efa grantmaking progam<br />

5


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE ACTORS’ FUND<br />

OF AMERICA<br />

The Actors’ Fund of America provides for the welfare of all who earn their living through employment<br />

in the entertainment industry. The stage manager or dancer with <strong>AIDS</strong> and no health insurance, the actor looking to make a<br />

transition into a second career, the retired costume designer having difficulty living on social security and unclear about his<br />

Medicaid benefits, the stage carpenter or actress facing a crisis around an issue of addiction, the musician in need of supportive<br />

housing – all are part of the entertainment industry and all can find assistance through The Actors’ Fund.<br />

The Actors’ Fund continues the industry tradition of “taking care of its own,” forged more than a century ago when attitudes of<br />

prejudice against people in show business prevailed. The Actors’ Fund served as a catalyst for reducing that discrimination and<br />

integrating theatre professionals into the social, political, and economic aspects of their communities.<br />

Through its partnership with The Actors’ Fund, BC/EFA touches the lives of thousands of entertainment professionals living<br />

with HIV/<strong>AIDS</strong>, as well as those coping with a variety of other health issues and life challenges.<br />

THE <strong>AIDS</strong> INITIATIVE<br />

The collaboration between BC/EFA and The Actors’ Fund’s <strong>AIDS</strong> Initiative is a model for how an industry can respond with<br />

effectiveness and compassion to the <strong>AIDS</strong> crisis. The <strong>AIDS</strong> Initiative provides a full spectrum of essential supportive services,<br />

including emergency financial assistance (for basic necessities such as rent, food, health insurance, and non-reimbursable medical<br />

expenses), case management referrals to other sources of community and public assistance, benefits advocacy, vocational retraining,<br />

counseling, and support groups for people with HIV/<strong>AIDS</strong> and their partners, families, and caregivers.<br />

Of the $3,022,500 awarded to The Actors’ Fund by BC/EFA in 2003, $1,154,472 was distributed as direct financial assistance<br />

to 577 clients living with HIV/<strong>AIDS</strong> in 22 states through Actors’ Fund offices in New York, Chicago, and Los Angeles. Of this,<br />

$484,373 (41%) was provided for rent payments and $366,293 (31%) for health insurance payments. In addition to underwriting<br />

the direct financial assistance, BC/EFA’s total <strong>AIDS</strong> Initiative grant of $2,100,000 supports personnel, administrative costs,<br />

volunteer needs, and other expenses associated with client case management.<br />

Changes in the <strong>AIDS</strong> environment have had a significant impact on clients. The effectiveness of protease inhibitors, available<br />

Joseph Benincasa, Executive Director of The Actors’ Fund (second from l), accepts a $1 Million check from BC/EFA’s President, Paul Libin (second from r),<br />

and (l-r) Larry Cook, Fred Vogel, Maria Di Dia, Phil Birsh, Judy Rice, Scott Barnes, and Tom Viola. Clients of The Actors’ Fund: costume and props designer Zoe Morsette,<br />

actors Mark Hooker and David Pawley Martin, and set and costume designer Frank Boros.<br />

the actors’ fund of america<br />

6


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“I WAS SO LOST AFTER THE NEWS OF MY DIAGNOSIS. I DIDN’T KNOW<br />

WHAT TO DO ABOUT MY HIV STATUS. I COULDN’T TELL ANYONE AND<br />

WAS SO SCARED. I’VE COME A LONG WAY SINCE THEN. THE UPS AND<br />

DOWNS OF THIS ARE MORE THAN I COULD HAVE IMAGINED. I COULDN’T<br />

HAVE DONE IT WITHOUT YOUR SUPPORT. YOUR KINDNESS HELPED ME<br />

FEEL SAFE IN A SOMETIMES NOT SO SAFE WORLD. THANK YOU FOR<br />

LETTING ME FALL AND GET UP, TIME AND TIME AGAIN. I TRULY<br />

APPRECIATE EVERYTHING THE ACTORS’ FUND AND BROADWAY CARES<br />

HAS DONE FOR ME.”<br />

since 1996, has had major service implications as The <strong>AIDS</strong> Initiative shifts from helping people with a fatal disease to assisting those<br />

with a chronic, manageable one. In the past, The <strong>AIDS</strong> Initiative often focused even asymptomatic clients toward a more dependent<br />

level of functioning – a change that would most likely be imminent for HIV+ individuals. Advances in treatment allow many to now<br />

focus on preparing for independence by helping them build their skills and learn more about the supportive network that can help<br />

them remain highly functioning.<br />

This change, however, has had a profound effect on the number of clients served by The <strong>AIDS</strong> Initiative. Over the past ten years,<br />

the actors’ fund of america<br />

7<br />

<strong>AIDS</strong> INITIATIVE CLIENT<br />

“I FIRST HEARD ABOUT BROADWAY CARES WHILE WATCHING THE TONY<br />

AWARDS SEVERAL YEARS AGO. I NEVER DREAMED THAT I WOULD<br />

THANK YOU ONE DAY FOR HELPING MY SON.”<br />

<strong>AIDS</strong> INITIATIVE FINANCIAL ASSISTANCE BY CATEGORY<br />

MOTHER OF AN <strong>AIDS</strong> INITIATIVE CLIENT<br />

RENT $ 484,373 42%<br />

HEALTH INSURANCE $ 366,293 32%<br />

PSYCHOTHERAPY $ 130,451 2%<br />

OTHER $ 108,849 10%<br />

UTILITIES AND $ 25,057 11%<br />

LIVING EXPENSES<br />

ALTERNATIVE TREATMENT $ 18,261 2%<br />

DENTAL $ 11,323 1%


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“YOU CAME TO MY RESCUE, HELPING ME TO DEAL WITH THE<br />

SOCIAL, FINANCIAL AND EMOTIONAL ISSUES WHICH AROSE FROM<br />

MY DIAGNOSIS. IT IS BECAUSE OF YOU THAT I AM HERE TODAY.”<br />

“YOU HAVE MADE THIS ATHEIST BELIEVE AGAIN IN ANGELS.”<br />

from 1994–2003, The Actors’ Fund <strong>AIDS</strong> Initiative has experienced a dramatic decrease in the number of <strong>AIDS</strong>-related deaths,<br />

from almost 50% of its clients in 1994 to 5% in 2003. While that is encouraging news, the battle is far from over. During this same<br />

time, the number of <strong>AIDS</strong> Initiative clients has more than doubled from 216 in 1994 to 577 in 2003, including many new clients.<br />

BC/EFA funding represents 70% of The <strong>AIDS</strong> Initiative budget. BC/EFA continues to work closely with The Actors’ Fund to<br />

provide leadership, coalition building, and the fundraising necessary to keep the promise that we will “take care of our own” for as<br />

long as <strong>AIDS</strong> is with us.<br />

2003 CLIENT ENROLLMENT<br />

NUMBER OF CLIENTS PERCENTAGE<br />

actors’ equity* 265 45%<br />

sag* 210 36%<br />

aftra* 163 28%<br />

non-union 144 24%<br />

agma-agva 58 9%<br />

iatse 32 5%<br />

local 802 musicians<br />

united scenic artists, wardrobe, directors’ guild,<br />

19 3%<br />

writers’ guild, dramatists’ guild, and ssd&c 28 4%<br />

total clients in 2002<br />

*based on multiple membership<br />

581<br />

COMPARISON OF 2002/2003 CLIENT ENROLLMENT<br />

EASTERN WESTERN MIDWEST TOTAL<br />

2002 2003 2002 2003 2002 2003 2002 2003<br />

TOTAL CLIENTS 380 387 163 180 21 14 564 581<br />

new cases 41 37 20 26 1 4 62 66<br />

GENDER<br />

male 354 363 156 173 20 14 530 550<br />

female 26 24 7 7 1 - 34 31<br />

2003 FINANCIAL ASSISTANCE<br />

EASTERN WESTERN MIDWEST TOTAL<br />

$846,287 $287,855 $20,330 $1,154,472<br />

WWW.ACTORSFUND.ORG<br />

the actors’ fund of america<br />

8<br />

<strong>AIDS</strong> INITIATIVE CLIENT<br />

<strong>AIDS</strong> INITIATIVE CLIENT


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

PHYLLIS NEWMAN WOMEN’S HEALTH INITIATIVE<br />

The Actors’ Fund established the Phyllis Newman Women’s Health Initiative (PNWHI) in 1996 to provide a safety net for women<br />

in the entertainment industry who are coping with critical health concerns. The Women’s Health Initiative dedicates a range of<br />

resources solely to addressing the health needs and concerns specific to women, providing direct services and financial assistance to<br />

many women who are often without health insurance. In 2003, the Initiative helped 420 clients confront breast, cervical and ovarian<br />

cancers, domestic violence, chemical dependency, mental health, and other conditions.<br />

The comprehensive nature of the Women’s Health Initiative’s case management approach encompasses employment, economic,<br />

and other factors that impact each client’s ability to fight for her health with maximum success. Case workers are effective at helping<br />

women deal with difficulties triggered by medical conditions and the subsequent challenges around financial, psychological and<br />

family issues, staying involved with clients on an ongoing basis, and providing the support and referrals they need to best cope with<br />

these pressing issues. Counselors offer vital assistance in treatment and recovery, applying for benefits, filing insurance claims,<br />

coordinating childcare, and devising financial plans.<br />

Support groups offered by PNWHI provide a place where women can come together to offer and receive support around issues<br />

ranging from managing chronic physical and mental health conditions to aging in the industry and anti-violence and family issues.<br />

The Women’s HIV Outreach and Education Program offers comprehensive services for women in the entertainment industry<br />

concerned about safer sex, HIV, or other sexually transmitted diseases. In addition, the Women’s Health Initiative provides an<br />

extensive resource library and access to a vast network of women’s health care providers, research studies, and other resources.<br />

In 2003, PNWHI saw 433 clients who received social services ranging from case management, individual counseling, and<br />

assistance in applying for benefits and coordinating child care, and were provided with $223,075 in essential financial assistance.<br />

334 mammograms and 142 gynecological exams were provided at no charge to women in “the business” without adequate health<br />

insurance at The Actors’ Fund’s Hirschfeld Free Clinic at The Aurora on West 57th Street and Tenth Avenue in New York City.<br />

BC/EFA provided $210,500 in grants to support the Phyllis Newman Women’s Health Initiative in fiscal year 2003.<br />

“BECAUSE OF THE EMERGENCY FINANCIAL ASSISTANCE AVAILABLE,<br />

I WAS ABLE TO KEEP MY APARTMENT AND PAY SOME OF THE MEDICAL<br />

BILLS THAT MY INSURANCE DIDN’T COVER. WITH THIS HELP, I WAS<br />

ABLE TO FOCUS ON MY RECOVERY, KNOWING THAT MY MOST BASIC<br />

NEEDS WOULD BE MET.”<br />

WOMEN’S HEALTH INITIATIVE CLIENT<br />

Women’s Health Initiative clients: R&B music promoter and singer Maria Davis, actress/singer Nicole Bradin, stage manager Julie Charette, and opera singer Jennifer Jons.<br />

the actors’ fund of america<br />

9


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE AL HIRSCHFELD FREE HEALTH CLINIC<br />

As happened in 1987, when The Actors’ Fund created The <strong>AIDS</strong> Initiative in concert with the establishment of funding support<br />

from <strong>Equity</strong> Fight <strong>AIDS</strong>, in 2003 The Actors’ Fund established The Al Hirschfeld Free Health Clinic with an initial grant of<br />

$300,000 from <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>. Dedicated to the memory of the great <strong>Broadway</strong> caricaturist who died in<br />

January 2002 just short of his 100th birthday, The Hirschfeld Free Health Clinic is located on the 2nd floor of its Aurora Residence<br />

at 475 West 57th Street in New York City and serves members of the entertainment community who otherwise would lack access to<br />

adequate medical care.<br />

The Hirschfeld Free Health Clinic was launched to address the very clear, immediate need of members of the entertainment<br />

community who are uninsured or underinsured. People who work in the entertainment industry have a high uninsured rate. They<br />

work in uncertain careers and may not make medical care a priority, ignoring symptoms, concealing diagnoses, and putting off<br />

treatment.<br />

With the contributed services of a corps of physician volunteers under the fulltime direction of Dr. Jim Spears, and working in<br />

collaboration with Columbia University College of Physician and Surgeons, The Hirschfeld Free Health Clinic provides necessary<br />

medical services and works to prevent illness and emergency room visits that result from neglecting health care.<br />

The Hirschfeld Free Health Clinic provides primary and specialty care, health screenings, and patient education. Lab testing<br />

provided through the Clinic is free to uninsured patients. The Clinic is open five days a week and has a physician on-call even when<br />

closed. Primary care includes routine preventive medical care, ongoing management of medical problems, and urgent sick visits.<br />

Specialty care is provided following an evaluation by a primary care doctor. Then a referral is made to a specialist – whenever possible,<br />

to a volunteer specialist at the Clinic. Preventative care includes flu vaccinations, mammograms, prostate examinations, breast<br />

examinations, tuberculosis and diabetes screening, blood pressure and cholesterol testing, and vision screening.<br />

At a series of annual Health Fairs offered in partnership with New York Presbyterian Hospital and Better Wellness and You<br />

(BWAY), the Clinic provides diagnostic screenings on a broader scope including blood glucose levels, blood pressure measurements,<br />

blood cholesterol levels, and mammograms to hundreds of health fair participants.<br />

The Hirschfeld Free Health Clinic physicians are sensitive to these health issues and aware of the warning signs of neglect,<br />

malnutrition, substance abuse, and mental health concerns. If needed, eligible patients are also referred to The Actors’ Fund social<br />

service programs, through which they may receive individual counseling, referrals, and financial assistance toward living expenses.<br />

Many individuals who receive social services and case management at The Actors’ Fund first made contact at an initial visit to The<br />

Hirschfeld Free Health Clinic.<br />

BC/EFA considers its support for The Hirschfeld Free Health Clinic to be an important, new priority in the catalog of services<br />

funded at The Actors’ Fund. In 2003, doctors at The Hirschfeld Free Health Clinic saw 791 patients – 331 men and 460 women –<br />

providing a total of 1,532 client visits in such areas as dermatology, family and general medicine, infectious diseases, and internal<br />

medicine, and giving 1,795 flu shots.<br />

Just some of the many medicines and supplies available to Hirschfeld Clinic clients, Dr. Jim Spears examines a client,<br />

the front line at The Al Hirschfeld Free Health Clinic – Ruth Shin, Dr. Jim Spears, and Yossi Faber.<br />

the actors’ fund of america<br />

10


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE ACTORS’ WORK PROGRAM<br />

As <strong>AIDS</strong> Initiative clients with longer life expectancies were shifting their focus from dealing with an immediate critical illness<br />

to managing a chronic condition, their needs evolved to include back-to-work issues. With this in mind, the <strong>AIDS</strong> Training and<br />

Education Project (ATEP) of The Actors’ Work Program (AWP) was created by The Actors’ Fund in 1998 to help <strong>AIDS</strong> Initiative<br />

clients return to work or participate in meaningful activity outside the home. Counselors work with clients responding well to<br />

protease/anti-viral regimens to deal with the important implication of suddenly increased life-expectancy: the challenges of returning<br />

to the workplace, although not necessarily in the entertainment industry.<br />

Many people with <strong>AIDS</strong> considering a return to the workplace in a non-performing capacity lack the resources necessary to make<br />

such a career change. They must also consider the impact such a decision will have on issues such as health insurance and entitlements,<br />

as well as the limitations imposed by side effects of their medications. ATEP counselors work with clients to access their health status,<br />

interests, and skills; to design individualized action plans; and to identify educational, volunteer, and employment opportunities.<br />

Counseling, tuition assistance, and referrals to community resources help ATEP clients achieve these goals. BC/EFA supported the<br />

Actors’ Work Program’s <strong>AIDS</strong> Training and Education Project with $170,000 in 2003.<br />

AFFORDABLE HOUSING INITIATIVES<br />

Recognizing that an affordable, safe, and supportive place to live is the foundation of every person with <strong>AIDS</strong>’ ability to fight for<br />

and maintain his or her health, BC/EFA has been a longtime supporter of The Actors’ Fund’s affordable housing initiatives. From<br />

1997 to 2001, BC/EFA provided $750,000 to support The Aurora Residence in New York City, a 30-story apartment building<br />

providing 178 units of supportive housing for people with HIV/<strong>AIDS</strong>, seniors, and low-income working professionals. Health and<br />

social services are provided on-site at The Aurora, making it easier for people living with HIV/<strong>AIDS</strong> to follow medical protocols,<br />

maintain health and strength, and reduce their dependence on institutional-based care. In 2002, BC/EFA made its final payment<br />

fulfilling a $250,000 pledge to the Palm View Residence in Los Angeles, a 40-unit garden apartment complex with an on-site<br />

resident services coordinator, providing low-cost supportive housing to people with <strong>AIDS</strong>. The Palm View is a collaborative project<br />

between The Actors’ Fund, the West Hollywood Housing Corporation, Housing for Entertainment Professionals, and funders like<br />

BC/EFA.<br />

PHYSICIAN VOLUNTEERS FOR THE ARTS<br />

Although Physician Volunteers for the Arts is no longer part of the services provided through The Actors’ Fund, BC/EFA<br />

continues to provide financial assistance for its programs. In 2003, a $15,000 grant from BC/EFA helped Dr. Barry Kohn and PVA<br />

provide 1,400 flu shots backstage at 52 <strong>Broadway</strong> shows and in the offices of theatre-related organizations.<br />

The Actors’ Work Program’s Hannah Rodgers works with one of many ATEP (<strong>AIDS</strong> Training and Education Project) clients, two AWP clients take advantage of the computer lab,<br />

The Aurora on the corner of West 57th Street and Tenth Avenue in New York; the Palm View in West Hollywood, Los Angeles.<br />

the actors’ fund of america<br />

11


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

NATIONAL GRANTS<br />

PROGRAM<br />

Active since 1987, BC/EFA’s National Grants Program has grown to become one of the largest of its<br />

kind in the United States. A recent report published by Funders Concerned About <strong>AIDS</strong> showed that BC/EFA ranked sixth in the<br />

nation in terms of grant dollars disbursed for HIV/<strong>AIDS</strong>, just behind The Bill and Melinda Gates Foundation and the Ford<br />

Foundation, and ahead of such philanthropic powerhouses as the Rockefeller Foundation, The New York Community Trust, and<br />

the California Endowment, among others. This achievement is a result of the rapid growth in our fundraising, and as a result, in<br />

our grantmaking over the past five years.<br />

From the outset, BC/EFA’s grant program has always been fast, simple, and efficient. A concise two-page application allows us<br />

to make disbursements twice a year to hundreds of community-based organizations, an unusual feature among top <strong>AIDS</strong><br />

grantmakers, and one that we have learned over the years is meaningful to relatively small organizations. The vast majority of these<br />

grassroots organizations operate on bare-bones budgets, but manage to have a significant impact in their own communities. The<br />

National Grants Program for Community-Based Organizations (CBOs) at BC/EFA attempts to address the ongoing and unmet<br />

needs of these <strong>AIDS</strong> and family service organizations. Because <strong>AIDS</strong> is not just a single disease, but a combination of epidemics that<br />

includes discrimination and poverty, our grants in this category are geared to those organizations that are providing case<br />

management, food, housing, transportation, emergency financial assistance, emotional support, and non-reimbursable and<br />

emergency medical expenses.<br />

In 2003, BC/EFA’s National Grants Committee awarded grants totaling $2,628,500 to over 450 <strong>AIDS</strong> and family service<br />

organizations in 42 states, Washington, DC, and Puerto Rico.<br />

In 2002, a subset of the National Grants Program, called simply National Grants II, was created to allow BC/EFA to support,<br />

at a higher level, organizations serving large metropolitan areas or doing advocacy work that impacts the entire network of <strong>AIDS</strong><br />

service providers, many of which have received financial support through BC/EFA’s longtime grants program for more than a decade.<br />

In 2003, BC/EFA awarded an additional $227,500 to 16 nationally recognized <strong>AIDS</strong> service and advocacy organizations through<br />

National Grants II.<br />

The many faces of BC/EFA’s National Grants Program: some of the many individuals who are better able to face the challenges of <strong>AIDS</strong> because of the support BC/EFA<br />

provides to social service agencies across the country.<br />

national grants program<br />

12


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“OUR SINCERE THANKS FOR YOUR RECENT $5,000 GRANT. THIS MAKES<br />

IT POSSIBLE FOR US TO STOCK OUR ESSENTIAL NEEDS BANK FOR<br />

OUR CLIENTS. LAST YEAR, WE SERVED A TOTAL OF 465 CLIENTS IN<br />

THE SEATTLE/TACOMA AREA, AN INCREASE FROM 425 THE PREVIOUS<br />

YEAR. INCREASINGLY OUR CLIENTELE IS POORER, CONTAINS A<br />

HIGHER PERCENTAGE OF WOMEN AND PEOPLE OF COLOR, AS WELL<br />

AS INDIVIDUALS WHO ARE DOUBLE OR TRIPLY DIAGNOSED WITH<br />

HIV/<strong>AIDS</strong> AS WELL AS MENTAL ILLNESS AND CHEMICAL DEPENDENCY.<br />

IT REMAINS VERY DIFFICULT WORK AS IT BECOMES MORE DIFFICULT<br />

TO FIND ONGOING FUNDING. THANK YOU FOR YOUR CONTINUED<br />

EFFORTS ON OUR BEHALF.”<br />

NATIONAL GRANTS II<br />

March 2003, $215,000 awarded to 16 organizations<br />

CITY NUMBER OF ORGANIZATIONS AMOUNT<br />

WASHINGTON, DC 6 $62,500<br />

<strong>AIDS</strong> Action Foundation, <strong>AIDS</strong> Alliance for Children and Family, Global Network of People with <strong>AIDS</strong> – North America,<br />

National Association of People with <strong>AIDS</strong>, National Minority <strong>AIDS</strong> Council, Whitman-Walker Clinic<br />

NEW YORK, NY 4 $65,000<br />

<strong>AIDS</strong> Vaccine Advocacy Coalition, GMHC, Harlem United, New York <strong>AIDS</strong> Coalition<br />

SAN FRANCISCO 2 $40,000<br />

Project Inform, San Francisco <strong>AIDS</strong> Foundation<br />

BOSTON, MA; CHICAGO, IL; LOS ANGELES, CA; SEATTLE, WA 4 $47,500<br />

<strong>AIDS</strong> Action Committee of Massachusetts, <strong>AIDS</strong> Foundation of Chicago, <strong>AIDS</strong> Project Los Angeles, Lifelong <strong>AIDS</strong> Alliance<br />

Since a great portion of the money raised for BC/EFA comes directly from the American theatre audience, we are committed to<br />

assisting the full spectrum of communities affected by <strong>AIDS</strong>. By making grants to diverse organizations nationwide, BC/EFA is able<br />

to give back to those very communities that allow us to create a safety net for those in the entertainment industry through the services<br />

of The Actors’ Fund.<br />

Since its founding in 1988 through 2003, over $30 million has been distributed by BC/EFA through its National Grants<br />

Program.<br />

The BC/EFA Grants Committee is comprised of individuals representing a diverse range of <strong>AIDS</strong> service providers and<br />

populations affected by <strong>AIDS</strong>, as well as members of the theatrical fundraising family.<br />

A complete list of grants awarded by BC/EFA follows.<br />

national grants program<br />

13<br />

PIERCE COUNTY <strong>AIDS</strong> FOUNDATION<br />

TACOMA, WA<br />

TOTAL $215,000


$32.0<br />

(8)<br />

$5.0<br />

(5)<br />

$285.5<br />

(49)<br />

$25<br />

(3)<br />

AK 5.0 (1)<br />

$2.5<br />

(1)<br />

$5.0<br />

(1) $31.5<br />

(8)<br />

$40.0<br />

(6)<br />

$10.0<br />

(1)<br />

$2.5<br />

(4)<br />

HI $5.0 (1)<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“THANK YOU FOR YOUR GENEROUS GRANT. THIS $5,000 WILL PROVIDE<br />

GROCERY VOUCHERS TO INDIVIDUALS LIVING WITH <strong>AIDS</strong> AND THEIR<br />

FAMILIES – MOST OFTEN THEIR CHILDREN. THIS FUNDING COMES AT A<br />

MOST CRITICAL TIME, AS LOCAL RYAN WHITE TITLE 1 FUNDING FROM<br />

THE FEDERAL GOVERNMENT HAS BEEN DISCONTINUED. YOUR GRANT<br />

LITERALLY ENABLES US TO CONTINUE PROVIDING FOOD SERVICES AS<br />

WE LOOK TO REPLACE THAT SUPPORT.”<br />

FOOD FOR LIFE<br />

MIAMI, FL<br />

“YOU CAN’T IMAGINE THE JOY AND EXCITEMENT IN OUR OFFICE WHEN<br />

WE RECEIVED YOUR LETTER GRANTING OUR REQUEST FOR FUNDS.<br />

THE PURCHASE OF A VAN WILL CHANGE THE NATURE OF OUR<br />

PREVENTION EFFORTS, OUTREACH, AND CLIENT SERVICES PROGRAMS.<br />

WE ARE TRULY THANKFUL.”<br />

YELLOWSTONE <strong>AIDS</strong> PROJECT,<br />

BILLINGS, MT<br />

GRANT DOLLAR AMOUNTS IN THOUSANDS (Number of organizations receiving grants)<br />

$5.0<br />

(1)<br />

$5.0<br />

(2)<br />

$19.0<br />

(4)<br />

$114.5<br />

(27)<br />

$27.5<br />

(3)<br />

$20.0<br />

(5) $10.0<br />

(2)<br />

$10.0<br />

(3)<br />

$20.0<br />

(7)<br />

$15.0<br />

(2)<br />

$22.5<br />

(12)<br />

$116.5<br />

(17)<br />

PR $30.0 (6)<br />

$27.0<br />

(6)<br />

$15.5<br />

(6)<br />

$22.0<br />

(7)<br />

$30.0<br />

(6)<br />

$57.5<br />

(9)<br />

$15.0<br />

(2)<br />

national grants program<br />

14<br />

$27.5 6.3<br />

$63.0<br />

(15)<br />

$112.5<br />

(15)<br />

$17.5<br />

(6)<br />

(5)<br />

$77.5<br />

(14)<br />

$39.5<br />

(6)<br />

$186.5<br />

35<br />

$685.0<br />

(106)<br />

$19.0<br />

(6)<br />

VT $4.5 (2)<br />

NH $15.0 (4)<br />

MA $80.0 (15)<br />

RI $5.0 (1)<br />

CT $22.5 (5)<br />

NJ $67.5 (16)<br />

DE $10.0 (2)<br />

MD $17.5 (6)<br />

DC $92.5 (17)<br />

key<br />

$100,000 and above<br />

$50,000 and above<br />

$25,000 and above<br />

$10,000 and above<br />

$2,500 and above<br />

Note: This map represents only National Grants and National Grants II (not supplemental/emergency grants, red ribbon purchases, and benefit and community relation support).


A<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BC/EFA GRANT COMMITTEE DISBURSEMENTS FISCAL YEAR 2003<br />

food services $ 703,500 121 33%<br />

Food banks and pantries, congregate and delivered meals<br />

direct services $ 519,000 96 20%<br />

Including case management, housing programs, personal care services and transportation<br />

programs<br />

emergency financial<br />

assistance<br />

$ 438,000 112 17%<br />

one-time expenses $ 308,000 62 14%<br />

Covers such expenses as purchase or repair of transportation van, purchase of food service<br />

equipment, renovation of kitchen space, and communication equipment upgrade<br />

substance abuse and<br />

harm reduction services<br />

$ 291,500 46 10%<br />

quality of life services $ 156,000<br />

Youth activity programs, retreats, veterinary services<br />

55 6%<br />

total $2,416,000 492 100%<br />

Note: These are only grants awarded by BC/EFA’s Grants Committee. These do not include<br />

supplemental and emergency grants approved by the senior staff.<br />

national grants program<br />

15


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

NATIONAL GRANTS<br />

BY STATE<br />

July 14, 2004<br />

STATE CITY ORGANIZATION AMOUNT<br />

ALASKA Anchorage Alaskan <strong>AIDS</strong> Assistance Association $5,000<br />

STATE TOTAL: $5,000<br />

ALABAMA Atmore Escambia Allied Community Health Center $5,000<br />

Auburn East Alabama <strong>AIDS</strong> Outreach $5,000<br />

Mobile Mobile <strong>AIDS</strong> Support Services $10,000<br />

Montgomery Montgomery <strong>AIDS</strong> Outreach $5,000<br />

Tuscaloosa West Alabama <strong>AIDS</strong> Outreach, Inc. $5,000<br />

STATE TOTAL: $30,000<br />

ARKANSAS El Dorado South Arkansas <strong>Fights</strong> <strong>AIDS</strong> $5,000<br />

Little Rock Arkansas <strong>AIDS</strong> Foundation $5,000<br />

Little Rock Regional <strong>AIDS</strong> Interfaith Network (RAIN-Arkansas) $5,000<br />

STATE TOTAL: $15,000<br />

ARIZONA Phoenix Agape Network $5,000<br />

Phoenix <strong>AIDS</strong> Project Arizona $5,000<br />

Phoenix Body Positive, Inc. $10,000<br />

Phoenix Joshua Tree Feeding Program $5,000<br />

Phoenix Mercy Housing SouthWest $10,000<br />

Tucson Southern Arizona <strong>AIDS</strong> Foundation $5,000<br />

STATE TOTAL: $40,000<br />

CALIFORNIA Camarillo Ventura County <strong>AIDS</strong> Partnership $5,000<br />

Escondido Fraternity House, Inc. $4,000<br />

Fresno Fresno Center for Nonviolence $2,500<br />

Garden Grove Gay & Lesbian Community Services Center of Orange County $5,000<br />

Guerneville Pets Are Loving Support $2,500<br />

Irvine <strong>AIDS</strong> Services Foundation Orange County (ASF) $8,600<br />

Los Angeles Camp Laurel Foundation $2,500<br />

Los Angeles Caring for Children and Families with <strong>AIDS</strong> $2,500<br />

Los Angeles Project Angel Food $10,000<br />

Monterey John XXIII <strong>AIDS</strong> Ministry $2,500<br />

North Hollywood Valley Community Clinic $2,500<br />

Oakland WORLD $2,500<br />

Palm Springs <strong>AIDS</strong> Assistance Program $3,500<br />

Pasadena <strong>AIDS</strong> Service Center $10,000<br />

Pasadena Serra Project $5,000<br />

Redding Shasta - Trinity - Tehama HIV Food Bank $5,000<br />

Rohnert Park Sunburst Projects $2,500<br />

national grants program<br />

16


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“IT IS INDEED A TESTAMENT TO THE FINE WORK OF YOUR AGENCY THAT<br />

YOU HAVE FOUND WAYS TO SUPPORT A SMALL ASO IN RURAL<br />

WASHINGTON. THOUGH WALLA WALLA HAS LITTLE IN COMMON WITH<br />

BROADWAY, THE STRUGGLE WITH THIS DISEASE AND THE APPRECIA-<br />

TION OF SUPPORT IS UNIVERSAL. THANK YOU.”<br />

STATE CITY ORGANIZATION AMOUNT<br />

Sacramento Breaking Barriers Community Services Center $10,000<br />

San Bernardino Central City Lutheran Mission $5,000<br />

San Diego Auntie Helen’s Fluff ‘n’ Fold $5,000<br />

San Diego Christie’s Place $10,000<br />

San Diego Mama’s Kitchen, Inc. $5,000<br />

San Diego SouthEast Abundant Resources (S.E.A.R.) $5,000<br />

San Diego Special Delivery San Diego $5,000<br />

San Diego Townspeople, Inc. $10,000<br />

San Francisco Acupuncture and Recovery Treatment Services $2,500<br />

San Francisco <strong>AIDS</strong> Emergency Fund $10,000<br />

San Francisco Black Coalition on <strong>AIDS</strong> $2,500<br />

San Francisco Continuum $5,000<br />

San Francisco Dolores Street Community Services $10,000<br />

San Francisco Immune Enhancement Project $5,000<br />

San Francisco Maitri $5,000<br />

San Francisco New Leaf: Services for Our Community $10,000<br />

San Francisco Project Open Hand $5,000<br />

San Francisco Shanti $2,500<br />

San Francisco Tenderloin <strong>AIDS</strong> Resource Center $10,000<br />

San Luis Obispo San Luis Obispo County <strong>AIDS</strong> Support Network $5,000<br />

San Marcos North County Health Services HIV/<strong>AIDS</strong> Case Management $3,000<br />

San Rafael Meals of Marin (MOM) $5,000<br />

Santa Monica Westside HIV Community Center -- Common Ground $2,500<br />

Santa Barbara <strong>AIDS</strong> Housing Santa Barbara/ Heath House & Sarah House $5,000<br />

West Hollywood Aid for <strong>AIDS</strong> (CA) $5,000<br />

West Hollywood Being Alive People with <strong>AIDS</strong> Action Coalition $7,000<br />

West Hollywood Correct HELP - The Corrections HIV Education & Law Project $8,000<br />

West Hollywood Pets Are Wonderful Support (PAWS/LA) $2,500<br />

STATE TOTAL: $241,600<br />

COLORADO Boulder Boulder County <strong>AIDS</strong> Project $10,000<br />

Denver Colorado <strong>AIDS</strong> Project/Colorado Health Network $5,000<br />

Denver Howard Dental Center for HIV/<strong>AIDS</strong> Oral Health $5,000<br />

Denver Jewish Family Service of Colorado $2,500<br />

Denver Project Angel Heart $5,000<br />

Denver PWA Coalition Colorado $2,500<br />

Grand Junction Western Colorado <strong>AIDS</strong> Project (WESTCAP) $1,500<br />

STATE TOTAL: $31,500<br />

CONNECTICUT Bridgeport FSW $2,500<br />

New Haven <strong>AIDS</strong> Project New Haven $10,000<br />

New Haven Leeway, Inc. $2,500<br />

Stamford Camp AmeriKids $2,500<br />

Stamford St. Luke’s LifeWorks $5,000<br />

STATE TOTAL: $22,500<br />

WASHINGTON DC Washington Consortium for Child Welfare/Family Ties Project $2,500<br />

Washington Food & Friends $5,000<br />

Washington Joseph’s House $5,000<br />

Washington Pediatric <strong>AIDS</strong>/HIV Care $2,500<br />

Washington PreventionWorks!, Inc. $5,000<br />

Washington Safe Haven Outreach Ministry, Inc. $2,500<br />

Washington Sasha Bruce Youthwork $2,500<br />

Washington The Women’s Collective $5,000<br />

STATE TOTAL: $30,000<br />

DELAWARE Wilmington <strong>AIDS</strong> Delaware $10,000<br />

STATE TOTAL: $10,000<br />

FLORIDA Coral Gables Community <strong>AIDS</strong> Resource, Inc. $5,000<br />

Daytona Beach Diggs Miracle Care $10,000<br />

Fort Lauderdale Kids in Distress, Inc. $5,000<br />

Fort Lauderdale Wellness Center of South Florida $2,500<br />

Fort Myers Island Coast <strong>AIDS</strong> Network (ICAN) $10,000<br />

national grants program<br />

17<br />

BLUE MOUNTAIN HEART TO HEART<br />

WALLA WALLA, WA


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“IT IS ONLY WITH THE CONSISTENT AND GENEROUS SUPPORT OF<br />

BC/EFA THAT WE ARE ABLE TO PROVIDE ENOUGH GROCERIES FOR OUR<br />

CLIENTS AND THEIR FAMILIES SO THEIR LIMITED RESOURCES CAN BE<br />

USED FOR RENT OR TO KEEP THEIR LIGHTS ON, THE PROPANE TANK<br />

FILLED, AND WATER SUPPLY FLOWING... FAMILIES IN THIS RURAL<br />

SOUTHEASTERN CORNER OF SOUTH CAROLINA ARE EXPERIENCING A<br />

BETTER LIFE BECAUSE OF YOU AND YOUR WORK.”<br />

ACCESS NETWORK<br />

RIDGELAND, SC<br />

STATE CITY ORGANIZATION AMOUNT<br />

FLORIDA Fort Pierce Project Response <strong>AIDS</strong> Center - South $5,000<br />

Jacksonville Northeast Florida <strong>AIDS</strong> Network $5,000<br />

Key West <strong>AIDS</strong> Help, Inc. $5,000<br />

Longwood PLACE of Comfort $2,500<br />

Melbourne Project Response <strong>AIDS</strong> Center - North $5,000<br />

Miami Community Casemanagement, Inc. $5,000<br />

Miami Help from the Heart Foundation $15,000<br />

Miami Beach South Beach <strong>AIDS</strong> Project $5,000<br />

Naples Joe Logsdon <strong>AIDS</strong> Foundation, Inc. $10,000<br />

Orlando <strong>AIDS</strong> Resource Alliance, Inc. $2,500<br />

Orlando Haven of Hope Ministries, Inc. $5,000<br />

Parrish Manatee County Rural Health Services, Inc. $4,000<br />

Pensacola Appetite for Life, Inc. $5,000<br />

Pensacola Escambia <strong>AIDS</strong> Services and Education, Inc. $5,000<br />

Plantation Jewish <strong>AIDS</strong> Network $2,500<br />

Port Charlotte Charlotte HIV/<strong>AIDS</strong> People Support, Inc. $5,000<br />

Sarasota <strong>AIDS</strong> Manasota, Inc. $10,000<br />

Sebastian River Fund, The $5,000<br />

Sebring Tri-County Friendship House $10,000<br />

St. Cloud Transition House, Inc. $5,000<br />

St. Petersburg <strong>AIDS</strong> Service Association of Pinellas, Inc. $5,000<br />

Tallahassee Big Bend CARES $15,000<br />

Tampa Florida <strong>AIDS</strong> Action Foundation $2,500<br />

Tampa PWA Coalition of Tampa Bay, Inc. $5,000<br />

Wilton Manors Poverello Center, Inc. $5,000<br />

Winter Park Hope and Help Center of Central Florida, Inc. $5,000<br />

STATE TOTAL: $186,500<br />

GEORGIA Atlanta Action Ministries, Inc. $2,500<br />

Atlanta AID Atlanta, Inc. $5,000<br />

Atlanta <strong>AIDS</strong> Survival Project $5,000<br />

Atlanta Atlanta Harm Reduction Center $5,000<br />

Atlanta Emory/Grady Pediatric HIV/<strong>AIDS</strong> Program $5,000<br />

Atlanta Jerusalem House, Inc. $5,000<br />

Atlanta National <strong>AIDS</strong> Education and Services for Minorities $2,500<br />

Atlanta Project Open Hand/Atlanta $10,000<br />

Atlanta SisterLove, Inc. $5,000<br />

Columbus Columbus Wellness Center Outreach and Prevention Project $10,000<br />

Savannah My Brothaz H.O.M.E. $2,500<br />

Savannah Project AZUKA, Inc. $5,000<br />

Thomasville Safe Haven, Inc. $3,000<br />

Valdosta South Georgia Coalition to End Homelessness $2,500<br />

STATE TOTAL: $68,000<br />

HAWAII Honolulu Save the FoodBasket, Inc. $5,000<br />

STATE TOTAL: $5,000<br />

IOWA Davenport <strong>AIDS</strong> Project Quad Cities, Inc. $5,000<br />

Iowa City Iowa Center for <strong>AIDS</strong> Resources & Education (ICARE) $5,000<br />

STATE TOTAL: $10,000<br />

ILLINOIS Carbondale Southern Illinios Regional Effort for <strong>AIDS</strong>, Inc. $2,500<br />

Champaign Greater Community <strong>AIDS</strong> Project $2,500<br />

Chicago <strong>AIDS</strong>CARE, Inc. $5,000<br />

Chicago Alexian Brothers Bonaventure House, Inc. $10,000<br />

Chicago Chicago House and Social Service Agency $5,000<br />

Chicago Children’s Place Association $5,000<br />

Chicago Open Hand Chicago Inc. $5,000<br />

Chicago Project VIDA Inc. $5,000<br />

Chicago South Side Help Center $2,500<br />

Chicago Test Positive Aware (TPA) Network Inc. $5,000<br />

Chicago TransGenesis Social Services $5,000<br />

national grants program<br />

18


STATE CITY ORGANIZATION AMOUNT<br />

Elgin Open Door Clinic $5,000<br />

Evanston Better Existence with HIV (BEHIV) $15,000<br />

Peoria Central Illinois Friends of PWA, Inc. $5,000<br />

Rock Island DeLaCerda House $3,700<br />

STATE TOTAL: $81,200<br />

INDIANA Anderson Living with <strong>AIDS</strong> and Dignity, Inc. (L.A.D.) $2,500<br />

Evansville Tri-State Alliance, Inc. $2,500<br />

Indianapolis Damien Center $5,000<br />

South Bend <strong>AIDS</strong> Ministries/<strong>AIDS</strong> Assist of North Indiana, Inc. $5,000<br />

STATE TOTAL: $15,000<br />

KANSAS Lawrence Douglas County <strong>AIDS</strong> Project $5,000<br />

Topeka Topeka <strong>AIDS</strong> Project, Inc. $5,000<br />

Wichita H.O.P.E., Inc./Wichita <strong>AIDS</strong> $3,000<br />

Wichita Positive Directions $3,500<br />

Wichita UKSM-W MPA HIV Program $2,500<br />

STATE TOTAL: $19,000<br />

KENTUCKY Lexington <strong>AIDS</strong> Volunteers, Inc. $2,500<br />

Louisville Estancia Manuelida $10,000<br />

Paducah Heartland CARES, Inc. $2,500<br />

STATE TOTAL: $15,000<br />

LOUISIANA<br />

MASSACHUSETTS<br />

MARYLAND<br />

MAINE<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

Alexandria Central Louisiana <strong>AIDS</strong> Support Services $5,000<br />

Baton Rouge Friends for Life <strong>AIDS</strong> Resource Center $2,500<br />

Houma Meadowlark, Inc. $2,500<br />

New Orleans Project Lazarus $5,000<br />

Thibodaux Home of the Eagle Shelter, Inc. $7,500<br />

STATE TOTAL: $22,500<br />

Boston Rosie’s Place $2,500<br />

Burlington Junior Chamber Family <strong>AIDS</strong> Network $5,000<br />

Cambridge Cambridge <strong>Cares</strong> About <strong>AIDS</strong>, Inc. $15,000<br />

Fall River Moveable Feast, Inc. (MA) $12,500<br />

Provincetown Provincetown <strong>AIDS</strong> Support Group $5,000<br />

Roxbury Community Servings $5,000<br />

Springfield <strong>AIDS</strong> Foundation of Western Massachusetts, Inc. $5,000<br />

Worcester <strong>AIDS</strong> Project Worcester, Inc. $10,000<br />

STATE TOTAL: $60,000<br />

Baltimore <strong>AIDS</strong> Action Baltimore, Inc. $10,000<br />

Baltimore Moveable Feast Inc. $5,000<br />

Havre de Grace Susquehanna <strong>AIDS</strong> Fund for Emergencies, Inc. $2,500<br />

STATE TOTAL: $17,500<br />

Augusta Positively Social of New England $2,500<br />

Belfast Coastal <strong>AIDS</strong> Network $5,000<br />

Brunswick Merrymeeting <strong>AIDS</strong> Support Services $1,500<br />

Ellsworth Down East <strong>AIDS</strong> Network $5,000<br />

Portland <strong>AIDS</strong> Lodging House $5,000<br />

STATE TOTAL: $19,000<br />

MICHIGAN Detroit <strong>AIDS</strong> Partnership Michigan $2,500<br />

Detroit Community Health Awareness Group $10,000<br />

Grand Rapids Grand Rapids REACH, Inc. $4,500<br />

Warren FRIENDS Alliance $10,000<br />

STATE TOTAL: $27,000<br />

national grants program<br />

19


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

STATE CITY ORGANIZATION AMOUNT<br />

MINNESOTA Minneapolis Archdiocesan <strong>AIDS</strong> Ministry Program $2,500<br />

Minneapolis Minnesota <strong>AIDS</strong> Project $5,000<br />

Minneapolis Open Arms of Minnesota $5,000<br />

Moorhead Minnkota Health Project $5,000<br />

Stillwater Hope House of St. Croix Valley $2,500<br />

STATE TOTAL: $20,000<br />

MISSOURI Columbia Regional <strong>AIDS</strong> Interfaith Network (RAIN-Central Missouri) $2,500<br />

Kansas City Hope Care Center $2,500<br />

Kansas City Kansas City Free Health Clinic $2,500<br />

St. Louis Doorways $5,000<br />

St. Louis Food Outreach, Inc. $5,000<br />

St. Louis Saint Louis Effort for <strong>AIDS</strong> $2,500<br />

STATE TOTAL: $20,000<br />

MISSISSIPPI Jackson Grace House $5,000<br />

STATE TOTAL: $5,000<br />

MONTANA Helena Lewis and Clark <strong>AIDS</strong> Project $2,500<br />

STATE TOTAL: $2,500<br />

NORTH CAROLINA Asheville Loving Food Resources $5,000<br />

Asheville Western North Carolina HIV/<strong>AIDS</strong> Consortium $5,000<br />

Belmont House of Mercy, Inc. $3,500<br />

Charlotte House of Grace, Inc. $2,500<br />

Durham <strong>AIDS</strong> Community Residence Association, Inc. $10,000<br />

Durham CAARE, Inc. $6,000<br />

Henderson Agape Life Changing Ministries $5,000<br />

Hickory <strong>AIDS</strong> Leadership Foothills Area Alliance (ALFA) $12,500<br />

Lumberton Borderbelt <strong>AIDS</strong> Resources Team, Inc. $2,500<br />

Raleigh Glory to Glory House of Refuge $2,500<br />

Smithfield Community-Based Learning Alternatives Center, Inc. $7,000<br />

Smithfield Drug Awareness & Prevention Against <strong>AIDS</strong>, Inc. $3,500<br />

Wilmington Cure <strong>AIDS</strong> of Wilmington, Inc. $5,000<br />

Winston-Salem HIV Outreach Programs and Education, Inc. (HOPE) $5,000<br />

Winston-Salem Neighbors in Ministry of Winston-Salem, Inc. $2,500<br />

STATE TOTAL: $77,500<br />

NEBRASKA Omaha Nebraska <strong>AIDS</strong> Project, Inc. $5,000<br />

STATE TOTAL: $5,000<br />

NEW HAMPSHIRE Keene <strong>AIDS</strong> Services for the Monadnock Region $5,000<br />

Nashua Southern New Hampshire HIV/<strong>AIDS</strong> Task Force $5,000<br />

Portsmouth <strong>AIDS</strong> Response - Seacoast $5,000<br />

STATE TOTAL: $15,000<br />

NEW JERSEY Atlantic City South Jersey <strong>AIDS</strong> Alliance $2,500<br />

Bellmawr <strong>AIDS</strong> Coalition of Southern New Jersey $5,000<br />

Dover Catholic Social Services of Morris County / Hope House $2,500<br />

Jersey City Jersey City Connections, Inc. $5,000<br />

New Brunswick Hyacinth <strong>AIDS</strong> Foundation $5,000<br />

Newark <strong>AIDS</strong> Resource Center CDC of the Episcopal Diocese of Newark $7,500<br />

Newark <strong>Broadway</strong> House for Continuing Care $2,500<br />

Newark François-Xavier Bagnoud Center $2,500<br />

Newark North Jersey Community Research Initiative $10,000<br />

Passaic Northeast Life Skills Associates, Inc. $10,000<br />

Paterson Santa Maria House of Mercy $5,000<br />

Paterson St. Paul’s Community Development Corporation $2,500<br />

Rutherford Angelwish $2,500<br />

Trenton Mount Carmel Guild $5,000<br />

STATE TOTAL: $67,500<br />

national grants program<br />

20


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong> grants program<br />

“THANK YOU FOR THE GENEROUS $5,000 TO OUR FOOD BANK. LIKE<br />

MANY NOT-FOR-PROFITS, WE HAVE GONE THROUGH SOME EXTREMELY<br />

HARD TIMES LATELY. FEDERAL FUNDING SOURCES ARE DRYING UP<br />

AS FUNDING PRIORITIES CHANGE. AND LIKE MANY, WE HAVE<br />

RECEIVED DECREASED RYAN WHITE FUNDING THIS YEAR, AS WELL. IN<br />

THE MIDST OF ALL THESE CUTBACKS WE ARE MORE GRATEFUL THAN<br />

EVER TO BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>.”<br />

STATE CITY ORGANIZATION AMOUNT<br />

NEW MEXICO Santa Fe Challenge Group, Inc. $2,500<br />

STATE TOTAL: $2,500<br />

NEVADA Henderson Saint Therese Center $5,000<br />

Las Vegas Aid for <strong>AIDS</strong> of Nevada (AFAN) $5,000<br />

Las Vegas Golden Rainbow $5,000<br />

Reno Northern Nevada HOPES $10,000<br />

STATE TOTAL: $25,000<br />

NEW YORK Albany <strong>AIDS</strong> Council of Northeastern New York $10,000<br />

Bayside St. Mary’s Foundation/St. Mary’s Hosptial for Children $10,000<br />

Brentwood Brentwood Family Health Center $5,000<br />

Bronx Bronx <strong>AIDS</strong> Services, Inc. $10,000<br />

Bronx CitiWide Harm Reduction $10,000<br />

Bronx Health People: Community Preventive Health Institute $2,500<br />

Bronx La Familia Unida <strong>AIDS</strong> Outreach Project-Research $5,000<br />

Bronx Montefiore Medical Center / Women’s Center $5,000<br />

Brooklyn Association for Drug Abuse Prevention and Treatment, Inc. $10,000<br />

Brooklyn Brooklyn <strong>AIDS</strong> Task Force, Inc. $10,000<br />

Brooklyn Brooklyn Pediatric <strong>AIDS</strong> Network $2,500<br />

Brooklyn Brownsville Multi-Service Family Health Center $5,000<br />

Brooklyn Casa Betsaida $5,000<br />

Brooklyn Dwa Fanm $10,000<br />

Brooklyn Haitian Women’s Program $5,000<br />

Brooklyn Helping Hands Unlimited, Inc. $10,000<br />

Brooklyn Life Force: Women Fighting <strong>AIDS</strong>, Inc. $2,500<br />

Brooklyn New York City <strong>AIDS</strong> Housing Network $10,000<br />

Buffalo <strong>AIDS</strong> Community Services of Western New York, Inc. $5,000<br />

Buffalo Men of Color Awareness Project $3,000<br />

Garrison Do Not Fear To Hope $10,000<br />

Hawthorne <strong>AIDS</strong>-Related Community Services $5,000<br />

Huntington Long Island Association for <strong>AIDS</strong> Care, Inc. $5,000<br />

Ithaca <strong>AIDS</strong> WORK $4,500<br />

New York AGMA Emergency Relief Fund $10,000<br />

New York <strong>AIDS</strong> Community Research Initiative of America (ACRIA) $10,000<br />

New York <strong>AIDS</strong> Service Center of Lower Manhattan $10,000<br />

New York <strong>AIDS</strong> Theatre Project $1,500<br />

New York Ali Forney Center $5,000<br />

New York Asian & Pacific Islander Coalition on HIV/<strong>AIDS</strong>, Inc. $10,000<br />

New York Bailey House, Inc. $10,000<br />

New York Betances Health Center $5,000<br />

New York Blessed Sacrament Transitional Residence for HIV+ Men $5,000<br />

New York Body Positive, Inc. $5,000<br />

New York Callen-Lorde Community Health Center $10,000<br />

New York Care for the Homeless $5,500<br />

New York Career Transition for Dancers $5,000<br />

New York Celebrate Life Meals for People with HIV/<strong>AIDS</strong> at Middle Collegiate $2,500<br />

New York Children of Parents with <strong>AIDS</strong>, Inc. (COPWA) $7,500<br />

New York Children’s Friends for Life Foundation, Inc. $2,500<br />

New York Children’s Hope Foundation $5,000<br />

New York Church of St. Luke in the Fields - The <strong>AIDS</strong> Project $10,000<br />

New York DAAIR $5,000<br />

New York Episcopal Actors’ Guild of America, Inc. $10,000<br />

New York Exponents, Inc. $10,000<br />

New York Family Center, Inc. $2,500<br />

New York Foundation for Research on Sexually Transmitted Disesases - $4,000<br />

New York Fraternite Notre Dame, Inc. $10,000<br />

New York Free Arts for Abused Children of New York City $2,500<br />

New York Friends House in Rosehill $12,500<br />

New York Friends In Deed $10,000<br />

New York Gay Men of African Descent $5,000<br />

New York God’s Love We Deliver $10,000<br />

national grants program<br />

21<br />

BELLE REVE SHELTER RESOURCES<br />

NEW ORLEANS, LA


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

“THANK YOU TO ALL AT BROADWAY CARES FOR THE $10,000 GRANT TO<br />

REPLACE OUT OLD, WORN WINDOWS. NOT ONLY A GREAT REDUCTION<br />

IN STREET NOISE, BUT WE’VE SEEN A MAJOR DIFFERENCE OVER THE<br />

LAST YEAR IN OUR HEATING AND COOLING BILLS – NOT TO MENTION<br />

THAT CLEANING THE OLD WINDOWS MEANT TAKING YOUR LIFE IN YOUR<br />

HANDS. THANK YOU FOR MAKING OUR LIVES MORE COMFORTABLE,<br />

OUR BILLS LOWER, AND OUR BUILDING MORE BEAUTIFUL.”<br />

STATE CITY ORGANIZATION AMOUNT<br />

NEW YORK New York Harlem Congregations for Community Improvement $1,000<br />

New York Harm Reduction Coalition, Inc. $5,000<br />

New York Hetrick-Martin Institute, Inc. $10,000<br />

New York Hispanic <strong>AIDS</strong> Forum $10,000<br />

New York HIV Law Project, Inc. $2,500<br />

New York Housing Works, Inc. $5,000<br />

New York Identity House $2,500<br />

New York Incarnation Children’s Center/Friends of ICC $2,500<br />

New York Iris House $10,000<br />

New York Lamb’s Manhattan Initiative/Gifted Hands Program $1,000<br />

New York Latino Commission on <strong>AIDS</strong> $5,000<br />

New York Lesbian, Gay, Bisexual & Transgender Community Center $10,000<br />

New York Metropolitan Community Church of New York $7,500<br />

New York Minority Task Force on <strong>AIDS</strong> $10,000<br />

New York Miracle House $7,500<br />

New York Momentum <strong>AIDS</strong> Project $10,000<br />

New York Pediatric HIV/<strong>AIDS</strong> Program, Metropolitan Hospital Center $2,500<br />

New York Positive Health Project, Inc. $10,000<br />

New York Prince George -- Common Ground Community $2,500<br />

New York Project Renewal, Inc. $10,000<br />

New York Safe Horizon/Streetwork $5,000<br />

New York Services and Advocacy for GLBT Elders (SAGE) $10,000<br />

New York Sisterhood Mobilized for <strong>AIDS</strong>/HIV Research & Treatment $5,000<br />

New York Times Square -- Common Ground Community $2,500<br />

New York Treatment Action Group (TAG) $5,000<br />

New York Visual <strong>AIDS</strong> for the Arts, Inc. $2,500<br />

New York Volunteer Lawyers for the Arts $2,500<br />

New York Women and Children Care Center $2,500<br />

Oneonta Catskill Rural <strong>AIDS</strong> Services, Inc. $8,500<br />

Patchogue South Brookhaven Family Health Center West $2,500<br />

Patchogue Thursday’s Child $2,500<br />

Pleasant Valley NETWORTH/Positive Action $9,000<br />

Port Chester Family Service of Westchester: Camp Viva $10,000<br />

Rego Park <strong>AIDS</strong> Center of Queens County, Inc. $10,000<br />

Richmond Hill River Fund New York Inc. $10,000<br />

Rochester <strong>AIDS</strong> Rochester, Inc. $5,000<br />

Sayville Splashes of Hope $2,500<br />

Schenectady Schenectady Inner City Ministry $5,000<br />

Shirley Marilyn Shellabarger South Brookhaven Family Health Center East $2,500<br />

Staten Island Joey DiPaolo <strong>AIDS</strong> Foundation $5,000<br />

Staten Island Justin LiGreci HIV and <strong>AIDS</strong> Foundation $1,000<br />

Staten Island Seamen’s Society for Children and Families $2,500<br />

Syracuse Liberty Resources, Inc. $7,500<br />

Yonkers Fessenden House $5,000<br />

Yonkers Greyston Health Foundation $10,000<br />

STATE TOTAL: $619,000<br />

OHIO Akron Violet’s Cupboard $5,000<br />

Canfield Ursuline Sisters HIV/<strong>AIDS</strong> Ministry $10,000<br />

Cincinnati <strong>AIDS</strong> Volunteers of Cincinnati, Inc. $15,000<br />

Cincinnati Caracole, Inc. $5,000<br />

Cleveland <strong>AIDS</strong> Taskforce of Greater Cleveland $5,000<br />

Columbus Columbus <strong>AIDS</strong> Task Force, Inc. $5,000<br />

STATE CITY ORGANIZATION AMOUNT<br />

Columbus Project Compassion $2,500<br />

Columbus Project Open Hand/Columbus $5,000<br />

Dayton <strong>AIDS</strong> Resource Center Ohio $5,000<br />

STATE TOTAL: $57,500<br />

OKLAHOMA Oklahoma City CarePoint, Inc. $2,500<br />

Oklahoma City Other Options, Inc. $5,000<br />

Oklahoma City RAIN-Oklahoma $5,000<br />

national grants program<br />

22<br />

DAVID’S HOUSE<br />

TOLDEO, OH


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

Tulsa Tulsa C.A.R.E.S. $15,000<br />

STATE TOTAL: $27,500<br />

OREGON Portland Cascade <strong>AIDS</strong> Project, Inc. $5,000<br />

STATE TOTAL: $5,000<br />

PENNSYLVANIA Aliquippa Beaver County <strong>AIDS</strong> Service Organizationn $10,000<br />

Allentown <strong>AIDS</strong> Outreach, Inc. $5,000<br />

Clarion Northwest PA Rural <strong>AIDS</strong> Alliance $5,000<br />

Coatsville Chester County <strong>AIDS</strong> Support Services $5,000<br />

Harrisburg Positive Opportunities $2,500<br />

Lancaster Gathering Place $5,000<br />

Philadelphia Action<strong>AIDS</strong> $10,000<br />

Philadelphia Blacks Educating Blacks About Sexual Health Issues (BEBASHI) $10,000<br />

Philadelphia Calcutta House $10,000<br />

Philadelphia Mazzoni Center $5,000<br />

Philadelphia Metropolitan <strong>AIDS</strong> Neighborhood Nutrition Alliance (MANNA) $5,000<br />

Philadelphia Prevention Point Philadelphia $5,000<br />

Pittsburgh Pittsburgh <strong>AIDS</strong> Task Force $5,000<br />

Pittsburgh Shepherd Wellness Community $10,000<br />

Sharon Hill Delaware County <strong>AIDS</strong> Network $10,000<br />

Wilkes-Barre Northeastern Regional HIV Planning Coalition $5,000<br />

Williamsport <strong>AIDS</strong> Resource Alliance $5,000<br />

STATE TOTAL: $112,500<br />

PUERTO RICO Arecibo Comunidad Para Envejecientes Vazquez, Inc. $10,000<br />

Arecibo Hogar Vida y Esperanza Multiservice, Inc. $5,000<br />

Arecibo Ministerio “En Jehova Seran Provitos” SIDA Pediátrico $2,500<br />

Hatillo Centro de Intervención e Integración Paso a Paso $7,500<br />

Vega Baja Fundación U.P.E.N.S., Inc. $5,000<br />

STATE TOTAL: $30,000<br />

RHODE ISLAND Providence <strong>AIDS</strong> Project Rhode Island $5,000<br />

STATE TOTAL: $5,000<br />

SOUTH CAROLINA Catawba Catawba Indian Nation Health Services $10,000<br />

Columbia Palmetto <strong>AIDS</strong> Life Support Services $10,000<br />

Columbia Sue Kuhlen Camp for Kids, Inc. $2,500<br />

Greenville AID Upstate $4,500<br />

Myrtle Beach Careteam, Inc. $2,500<br />

Ridgeland ACCESS Network, Inc. $10,000<br />

STATE TOTAL: $39,500<br />

SOUTH DAKOTA Sioux Falls Berakah House $5,000<br />

STATE TOTAL: $5,000<br />

TENNESSEE Columbia Columbia CARES, Inc. $5,000<br />

Columbia Kids Fighting <strong>AIDS</strong>, Inc. $2,500<br />

Memphis Friends for Life Corporation $2,500<br />

Memphis Hope House Day Care Center, Inc. $10,000<br />

Nashville Nashville CARES $5,000<br />

STATE TOTAL: $25,000<br />

TEXAS Alvin <strong>AIDS</strong> Alliance of the Bay Area, Inc. $5,000<br />

Amarillo Panhandle <strong>AIDS</strong> Support Organizationn, Inc. $10,000<br />

Beaumont Triangle <strong>AIDS</strong> Network $2,500<br />

Corpus Christi Coastal Bend <strong>AIDS</strong> Foundation $10,000<br />

Dallas <strong>AIDS</strong> Arms, Inc. $5,600<br />

Dallas Bryan’s House $2,500<br />

Denton <strong>AIDS</strong> Services of North Texas, Inc. $5,000<br />

El Paso International <strong>AIDS</strong> Empowerment $5,000<br />

Fort Worth <strong>AIDS</strong> Outreach Center $10,000<br />

Fort Worth Tarrant County Samaritan Housing, Inc. $5,000<br />

national grants program<br />

23


STATE CITY ORGANIZATION AMOUNT<br />

TEXAS Houston <strong>AIDS</strong> Foundation Houston, Inc. $2,500<br />

Houston <strong>AIDS</strong> Research Consortium of Houston dba The Center for <strong>AIDS</strong> $6,500<br />

Houston Bering Omega Community Services $2,500<br />

Houston Casa de Esperanza de los Niños, Inc. $2,500<br />

Houston Houston Challenge Foundation $5,000<br />

Houston Montrose Clinic, Inc. $10,000<br />

Houston Scholastic Outreach Services, Inc. $5,000<br />

Longview Special Health Resources for Texas $5,000<br />

Nacogdoches Health Horizons of East Texas, Inc. $5,000<br />

Tyler Tyler <strong>AIDS</strong> Services, Inc. $10,000<br />

STATE TOTAL: $114,600<br />

VIRGINIA Arlington Northern Virginia <strong>AIDS</strong> Ministry (NOVAM) $2,500<br />

Charlottesville <strong>AIDS</strong>/HIV Services Group, Inc. $5,000<br />

Norfolk Tidewater <strong>AIDS</strong> Crisis Taskforce $10,000<br />

STATE TOTAL: $17,500<br />

VERMONT Brattleboro <strong>AIDS</strong> Project of Southern Vermont $4,500<br />

STATE TOTAL: $4,500<br />

WASHINGTON Kennewick Tri-Cities Chaplaincy $1,000<br />

Seattle <strong>AIDS</strong> Housing of Washington $5,000<br />

Seattle Bailey-Boushay House $5,000<br />

Seattle Rise n’ Shine $2,500<br />

Spokane Spokane <strong>AIDS</strong> Network $5,000<br />

Tacoma Pierce County <strong>AIDS</strong> Foundation $3,500<br />

STATE TOTAL: $22,000<br />

WISCONSIN Madison <strong>AIDS</strong> Network $5,000<br />

STATE TOTAL: $5,000<br />

WEST VIRGINIA Bluefield South Central Educational Development $5,000<br />

Charleston Covenant House, Inc. $10,000<br />

Charleston West Virginia Coalition for People with HIV/<strong>AIDS</strong>, Inc. $5,000<br />

Martinsburg Community Networks, Inc. $10,000<br />

Morgantown Caritas House, Inc. $10,000<br />

STATE TOTAL: $40,000<br />

WYOMING Cheyenne Wyoming Positives for Positives $10,000<br />

STATE TOTAL: $10,000<br />

SUBTOTAL NATIONAL GRANTS: $2,413,400<br />

OTHER GRANTS National Grants II $215,000<br />

Supplemental / Emergency Grants: $290,446<br />

Red Ribbons $19,243<br />

Benefit Support and Community Relations $54,365<br />

Note: This does not include BC/EFA International Grants.<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THANK YOU FOR THE $5,000 GRANT TO PROVIDE FOOD PANTRY<br />

SERVICES TO OUR CLIENTS. LAST YEAR, BC/EFA’S SPECIAL $10,000<br />

GRANT HELPED TO FUND THE RE-MODELING OF OUR PANTRY AND<br />

COMMON AREAS, AS WELL AS PROVIDING HANDICAPPED ACCESS. WE<br />

ARE VERY PROUD OF OUR NEW PANTRY AD THANK YOU FOR FUNDING<br />

BOTH IT COMPLETION AND CURRENT OPERATION.<br />

PASO PANHANDLE <strong>AIDS</strong> SUPPORT<br />

AMARILLO, TX<br />

national grants program<br />

24<br />

TOTAL ALL GRANTS: $2,992,454


INTERNATIONAL<br />

GRANTS<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

Over the last few years, a number of <strong>Broadway</strong> shows originating overseas or with foreign-born actors in<br />

their casts have participated generously in BC/EFA’s six weeks of audience appeals prior to the Gypsy of the Year and Easter Bonnet<br />

Competitions. In appreciation of their enthusiastic efforts, BC/EFA grants a portion of the funds raised by these companies to <strong>AIDS</strong><br />

service organizations in their native countries. These foreign charities are chosen and introduced to BC/EFA by the company<br />

members involved. Once their charitable status has been officially established by BC/EFA, a grant in the name of the company is wired<br />

overseas.<br />

The first of these international grants was a $5,000 donation made by BC/EFA to West End <strong>Cares</strong> (renamed Theatrecares in<br />

2002), our sister theatre-based <strong>AIDS</strong> fundraising organization in London, in honor of the Royal Shakespeare Company’s<br />

production of A Midsummer Night’s Dream that participated in the 1996 Easter Bonnet Competition while playing an acclaimed limited<br />

engagement at <strong>Broadway</strong>’s Lunt-Fontanne Theatre. Since then, many performers from <strong>Broadway</strong> companies originating in London<br />

have very generously participated in BC/EFA’s fundraising efforts. These include: Sir Ian McKellen and Helen Mirren (The Dance of<br />

Death), Dame Judi Dench and Samantha Bond (Amy’s View), Petula Clark (the national tour of Sunset Boulevard), Barry Humphries (Dame<br />

Edna: The Royal Tour), Sian Phillips (An Inspector Calls and Marlene), Alan Cumming and Natasha Richardson (Cabaret), Patrick Stewart<br />

(The Tempest), Elaine Page (Sunset Boulevard), Antony Sher (Stanley), as well as the companies of Closer, Swan Lake, Art, An Ideal Husband, The<br />

Chairs, and Blood Brothers. BC/EFA has also granted funds in the name of producers Bill Kenwright and Sir Cameron Mackintosh for<br />

their committed and ongoing support.<br />

The International Grantmaking program has expanded over the past eight years, most notably in grants made to <strong>AIDS</strong> service<br />

organizations in South Africa in appreciation for the efforts of the South African members of the <strong>Broadway</strong> and touring productions<br />

of The Lion King. In 2003, grants were also made to The Actors’ Fund of Canada in honor of the Canadian actors in the first<br />

national touring company of Mamma Mia!, Oz Showbiz <strong>Cares</strong> in honor of Baz Luhrmann’s <strong>Broadway</strong> production of La Bohéme, and<br />

Theatrecares/Crusaid in honor of Clare Higgins, Jochum ten Haaf, and the cast of Vincent in Brixton.<br />

BC/EFA’s International Grants – particularly those made in honor of the South African actors in the <strong>Broadway</strong> and touring productions of The Lion King –<br />

have helped improve and enrich the lives of thousands of living with <strong>AIDS</strong> in South Africa.<br />

international grants<br />

25


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

INTERNATIONAL GRANTS – DISTRIBUTION OF AWARDS<br />

1996-2000<br />

In its first four years, international grants totaling $236,500 were made to such organizations as West End <strong>Cares</strong> (London), 10<br />

organizations in South Africa, The Kosovo Relief Fund, two organizations in Dublin, Ireland; and Oz Showbiz <strong>Cares</strong> (Sydney, Australia).<br />

2001<br />

west end cares (london, england) $ 5,000<br />

12 organizations in south africa $ 87,500<br />

cairde (dublin, ireland) $ 5,000<br />

(in honor of the cast of Stones in his Pockets)<br />

2002<br />

west end cares (london, england) $ 10,000<br />

(in honor of Ian McKellen, Helen Mirren, and The Dance of Death)<br />

fife house and camfar (toronto, canada) $ 10,000<br />

(in honor of Louise Pitre, Tina Maddigan, and Mamma Mia!)<br />

13 organizations in south africa $ 111,000<br />

2003<br />

theatre cares/crusaid<br />

(in honor of Clare Higgins and Vincent in Brixton)<br />

(london, england) $ 10,000<br />

the actors’ fund of canada<br />

(in honor of the Canadian actors in national tour of Mamma Mia!)<br />

(toronto, canada) $ 43,585<br />

oz showbiz cares<br />

(In honor of Baz Luhrmann and <strong>Broadway</strong>’s La Bohéme)<br />

(sydney, australia) $ 5,000<br />

artists for a new south africa (los angeles) $ 5,000<br />

bumbanani creche (greytown, south africa) $ 15,000<br />

geluksdal’s women & children’s initiative (geluksdal, south africa) $ 10,000<br />

karabo foundation (johannesburg, south africa) $ 5,000<br />

kwa-thema (springs, south africa) $ 7,500<br />

living fountain ministry (middlebirg, south africa) $ 5,000<br />

buca project (mmabatho, south africa) $ 10,000<br />

n’kosi’s haven (johannesburg, south africa) $ 10,000<br />

prayer tower centre (mpumalanga, south africa) $ 5,000<br />

thabong dominican project (brakpan, south africa) $ 5,000<br />

thembelethu beaders (johannesburg, south africa) $ 67,900<br />

treatment action campaign (johannesburg, south africa) $ 5,000<br />

umlazi child care center<br />

(in honor of the South African actors in The Lion King)<br />

(durban, South africa) $ 12,500<br />

total international grants (1996-2003) $ 618,585<br />

Cast members from <strong>Broadway</strong>’s The Lion King, led by Ron Kunene (bottom right), proudly present replicas of checks sent to organizations in South Africa;<br />

graffiti found outside a government building in Cape Town, South Africa; cast members from the <strong>Broadway</strong> production of Vincent in Brixton proudly present<br />

a $10,000 check from BC/EFA to Theatre <strong>Cares</strong> in London.<br />

international grants<br />

26


EVENTS<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

Because of the outstanding celebrity support, theatrical expertise, and the commitment of thousands<br />

in “the industry,” BC/EFA is able to raise money in an array of exciting and innovative ways. The following pages present the<br />

highlights of a year of BC/EFA fundraising events.<br />

The Gypsy of the Year and Easter Bonnet Competitions are the mainstays of the BC/EFA event roster and together raised over $4.7<br />

million! Both events mark the culmination of an intensive six-week fundraising campaign on <strong>Broadway</strong>, Off-<strong>Broadway</strong>, and by the<br />

many national touring shows traveling across the country.<br />

Our annual calendar is completed by three additional events: The <strong>Broadway</strong> Flea Market and Grand Auction, The <strong>Broadway</strong> Bears Auction,<br />

and <strong>Broadway</strong> Bares. The oldest of these is the <strong>Broadway</strong> Flea Market, which began as a table sale outside the stage door of A Chorus Line in<br />

Shubert Alley in the fall of 1986. 2003 marked the 13th edition of <strong>Broadway</strong> Bares, which began as seven dancers cavorting for cash on<br />

a bar in New York’s Chelsea neighborhood and has since become nationally known as one of the hottest <strong>AIDS</strong> fundraisers ever. The<br />

newest of our annual events is The <strong>Broadway</strong> Bears Auction. The creative enthusiasm brought to The <strong>Broadway</strong> Bears by the wardrobe and<br />

costume design community has earned it a yearly home at BC/EFA since 1998.<br />

In addition to our annual events, each year brings a collection of special fundraisers of every size and variety. The following pages<br />

also feature 2003’s high-profile events: Jennifer Holiday at Town Hall, the reunion of Latin Rhythms at B.B. King Blues Club and<br />

Grill, and The <strong>Broadway</strong> Inspirational Voices’ Gospel Celebration, which is fast becoming an eagerly-anticipated tradition.<br />

It would be unfair, however, not to acknowledge with one grand bow the many smaller events produced every year to benefit<br />

BC/EFA by individuals in the community that are not represented on the following pages – special cabaret performances, dance<br />

presentations, club shows, concerts, and much more. Each one is an important part of our annual fundraising calendar. Whether<br />

appearing with a hundred others in a bonnet presentation at the New Amsterdam Theatre or in a solo performance for an audience<br />

of twenty in a quiet club on the Upper West Side, by volunteering their time and talent, these dedicated entertainment professionals<br />

make BC/EFA’s grantmaking possible.<br />

The bonnet from The Phantom of the Opera; Denis Jones (center) leads the men’s dancing chorus at the Gypsy of the Year Competition;<br />

a banner hung along <strong>Broadway</strong> for the Flea Market; Bryan Batt and the Suessical bear; director/choreographer Jerry Mitchell presents Jane Krakowski and the<br />

company of <strong>Broadway</strong> Bares, three event Playbills.<br />

events<br />

27


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

14TH ANNUAL<br />

GYPSY OF THE YEAR<br />

COMPETITION<br />

December 9 and 10, 2002<br />

The 14th annual Gypsy of the Year Competition was the highlight of BC/EFA’s annual holiday<br />

fundraising efforts, raising an all-time record $2,623,000. 59 <strong>Broadway</strong>, Off-<strong>Broadway</strong>, and national touring shows participated in<br />

the six weeks of fundraising efforts prior to the show, which featured 19 original, onstage presentations.<br />

Directed and choreographed by Christopher Gattelli, with musical direction by Matt Sklar and special lyrics written by Seth<br />

Rudetsky, the opening number featured the Gypsy of the Year Gypsies, 24 of <strong>Broadway</strong>’s finest dancer/singers joined by Donna<br />

McKechnie reprising of her Tony Award-winning performance of “The Music and the Mirror” from A Chorus Line.<br />

Hosts Harvey Fierstein and Harriet Harris were joined by The Goat’s Sally Field and Rent’s Joey Fatone to present this year’s<br />

Fundraising Awards. Hairspray won first place for raising a historic grand total of $375,607. Rent was first runner-up, raising<br />

$237,000; Thoroughly Modern Millie placed third with $143,000; Mamma Mia! came in fourth with $138,000, and Flower Drum Song was<br />

fifth, raising $114,000. The top fundraising award for a <strong>Broadway</strong> play went to Metamorphoses, which raised $106,000. The cast of<br />

Naked Boys Singing won the Off-<strong>Broadway</strong> Fundraising Award with their $15,500. Because of the generous participation of national<br />

touring shows in BC/EFA fundraising, this year marked the initiation of the very first National Touring Show Award, which went to<br />

Mamma Mia! II for raising $130,000.<br />

The Gypsy of the Year Award for best presentation, determined by a panel of judges including BC/EFA Trustee Cherry Jones and<br />

Swoosie Kurtz of Imaginary Friends, director/choreographer Donna Drake, and producer Hal Luftig, was given to Urinetown for their skit<br />

skewering Movin’ Out, Amour, and our friends from Actors’ <strong>Equity</strong>. Runner-up for this award was Les Misérables, which assembled 150<br />

past and present members of the <strong>Broadway</strong> company for a rousing chorus of “Will You Join in Our Crusade.” Since it opened in<br />

1987, the <strong>Broadway</strong> and national tour companies of Les Miz have raised over $2.1 million for our cause, for which we are<br />

extraordinarily grateful.<br />

Special recognition must go to director and BC/EFA Trustee Sam Ellis, production supervisor Paul J. Smith and the entire stage<br />

management team, crew and company of Aida. Many <strong>thank</strong>s to Palace Theatre owners Stewart Lane and BC/EFA Trustee Nick<br />

Scandalios of Nederlander Productions, and the hundreds of volunteer actors, stage managers, wardrobe and hair personnel, ushers<br />

and front of house staff, technicians, stagehands and musicians, producers, company managers, and concessionaires, all of whom<br />

contributed to Gypsy of the Year’s success.<br />

Seth Rudetsky – as “Fran” and chorus – in the opening number of the Gypsy of the Year Competition, our hosts Harriet Harris and Harvey Fierstein,<br />

cast members from Rent accept their fundraising award, Harvey congratulates his cast as they accept their award for top fundraisers, cast members from Urinetown.<br />

events<br />

28


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

MAKING HISTORY: GYPSY OF THE YEAR<br />

In fall 1989, the <strong>Broadway</strong> <strong>Cares</strong> “steering committee” met to discuss what new event might be jointly produced by the two thenseparate<br />

organizations, <strong>Broadway</strong> <strong>Cares</strong> and <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, that would capitalize on the shared success of that year’s recent<br />

<strong>Broadway</strong> Flea Market. While these two parallel organizations were three years away from a formalized merger, already sharing revenue<br />

and resources was clearly the future of <strong>AIDS</strong> fundraising in the theatre community.<br />

The group kept coming back to the success of the Easter Bonnet Competition. What would engage the <strong>Broadway</strong> community in<br />

another round of competitive fundraising that could also culminate in a variety show? They decided to give <strong>Broadway</strong> gypsies an<br />

afternoon in the spotlight. The very first Gypsy of the Year Competition debuted at the St. James Theatre on November 28, 1989, then<br />

home to the <strong>Broadway</strong> revival of Gypsy. Hosted by Gypsy stars Jonathan Hadary and Tyne Daly, directed by Michael Lichtefeld, and<br />

produced by Maria Di Dia and Tom Viola, the show featured gypsies from A Chorus Line, Black and Blue, Cats, Grand Hotel, Gypsy, Jerome<br />

Robbins’ <strong>Broadway</strong>, Les Misérables, The Phantom of the Opera, Sweeney Todd, The Heidi Chronicles, Three Penny Opera, and Vampire Lesbians of Sodom/The Lady<br />

in Question. The fledgling event raised over $64,000. We were thrilled.<br />

Over the next 15 years, more casts participated, new choreographers emerged from the ranks, and the show simply got better and<br />

better, growing to be one of the most sought-after tickets of the season.<br />

After her featured appearance in the show’s opening number, Donna McKechnie accepts roses and applause from her fellow dancers; Aida’s Felicia Finley<br />

in one of the legendary Gyspy Robes; Carol Burnett, co-author of Hollywood Arms, congratulates her show’s <strong>you</strong>ngest cast members, who appear as classic characters<br />

from TV’s The Carol Burnett Show.<br />

events<br />

29<br />

GYPSY OF THE YEAR<br />

TOTALS THROUGH HISTORY:<br />

1989 $ 64,000<br />

1990 $ 92,000<br />

1991 $ 205,000<br />

1992 $ 445,000<br />

1993 $ 707,000<br />

1994 $ 802,000<br />

1995 $ 1,213,000<br />

1996 $ 1,262,000<br />

1997 $ 1,325,000<br />

1998 $ 1,751,000<br />

1999 $ 2,074,000<br />

2000 $ 2,056,000<br />

2001 $ 2,037,000<br />

2002 $ 2,623,000<br />

TOTAL: $ 16,656,000


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE 17TH ANNUAL<br />

EASTER BONNET<br />

COMPETITION<br />

April 21 and 22, 2003<br />

The 17th annual Easter Bonnet Competition concluded with cheers when Chita Rivera, Antonio<br />

Banderas,and Harvey Fierstein announced that 54 participating <strong>Broadway</strong>, Off-<strong>Broadway</strong> and national touring companies had raised<br />

a grand total of $2,149,744. This is a $300,000 jump above last year’s total, especially significant in what is a very difficult time for<br />

fundraising organizations and social service agencies.<br />

The Easter Bonnet Competition, presented for the sixth year in the New Amsterdam Theatre, was the grand finale of six weeks of<br />

intensive fundraising efforts by participating <strong>Broadway</strong>, Off-<strong>Broadway</strong> and national touring shows. Awards were presented to the<br />

competition’s top fundraisers: Hairspray won the Grand Fundraising Award for raising a total of $191,000; Thoroughly Modern Millie was<br />

first runner-up with $122,2000; Mamma Mia! took second runner-up with $117,800; Les Misérables was third runner-up with<br />

$87,700; and Man of La Mancha and Baz Luhrman’s La Bohéme tied for fourth runner-up, bringing in $81,500 each. Antonio Banderas<br />

became a bonus prize – as each winning company received their award, they also claimed a kiss from the star of the revival of Nine.<br />

The top fundraising award for a play went to Ma Rainey’s Black Bottom, which raised an astonishing $77,400 in just four weeks of<br />

fundraising. The Off-<strong>Broadway</strong> fundraising award was presented to the company of Zanna, Don’t, which brought in $20,000. The top<br />

fundraiser among national tours was Mamma Mia! II. A special tip of the bonnet to all 16 national tours that participated in Bonnet<br />

fundraising. Their extraordinary efforts this year easily account for the $300,000 jump in the event’s proceeds from last year, and<br />

we <strong>thank</strong> them for their generous support.<br />

Presented on April 21 and 22, the Easter Bonnet Competition featured original performances, skits, and creative bonnets from the<br />

companies of 19 <strong>Broadway</strong> and Off-<strong>Broadway</strong> shows. The national tours of 42nd Street, Saturday Night Fever, and The Lion King got in on<br />

the act as well, sending bonnets for presentation from out on the road. Over 250 members of the participating companies joined<br />

hosts Sutton Foster, Anne B. Nathan, Elizabeth Parkinson, John Selya, Mariette Hartley, Tom Bosley, Ron Kunene, Clare Higgins,<br />

Jochum ten Haff, Jackie Hoffman, Dick Latessa, Matthew Morrison, Mary Elizabeth Mastrantonio, and Brian Stokes Mitchell onstage<br />

at the New Amsterdam.<br />

Performance highlights began with 99-year-<strong>you</strong>ng Ziegfeld girl Doris Eaton Travis returning to the same stage where she first<br />

appeared in The Ziegfeld Follies of 1918. Ms. Eaton Travis taught the Black Bottom dance from the ‘20s to Thoroughly Modern Millie star,<br />

Sutton Foster – a duet <strong>you</strong> just wouldn’t see anywhere else! The opening number, “It’s Easter Bonnet Time” (borrowed from the<br />

classic “It’s Turkey Lurkey Time”), with musical direction and new lyrics by Seth Rudetsky and choreography by Devanand Janki and<br />

Cast members from Urinetown, Thoroughly Modern Millie star Sutton Foster joins 99 year-old Ziegfeld girl Doris Eaton Travis in “the Black Bottom”<br />

onstage at the New Amsterdam Theatre, where Doris first danced it in 1918; Jane Krakowski models a bonnet in the opening number; the cast of Movin’ Out.<br />

events<br />

30


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

Robert Tataad, culminated in a surprise appearance by Nine’s Tony Award-winning Jane Krakowski. Another Tony-winner, Donna<br />

Murphy, brought the show to a rousing finale with her rendition of Cole Porter’s “I Happen to Like New York.”<br />

Companies compete not only in fundraising and presentation, but also with their handcrafted Easter bonnets, created especially<br />

for the occasion. A panel of judges, including BC/EFA Trustee Kathleen Chalfant, Jen Colella, Linda Hart, and Jane Powell, gave a<br />

special award for bonnet design to The Producers. The “Fabulous Bonnet Presentation Award” was presented to Mamma Mia!. The “Even<br />

More Fabulous Bonnet Presentation Award” went to 42nd Street, and the definitive”Most Fabulous Bonnet Presentation Award” was<br />

won by the <strong>Broadway</strong> company of La Bohéme.<br />

As always, the Eastern Bonnet Competition would not have been possible without the assistance of hundreds of volunteer actors and<br />

stage managers, wardrobe and hair personnel, ushers and front of house staff, technicians, stagehands and musicians, producers,<br />

company managers and concessionaires.<br />

Special recognition must also go to director and BC/EFA Trustee Sam Ellis, production stage manager Kristin Newhouse, and<br />

the management team, crew and company of The Lion King.<br />

ONCE UPON A BONNET: EASTER BONNET HISTORY<br />

The precursor to the Easter Bonnet Competition was an informal show instigated by wardrobe supervisor Gayle Patton in 1986<br />

backstage at the Palace Theater during the <strong>Broadway</strong> run of La Cage aux Folles. La Cage cast members dressed for a contest in which they<br />

were judged on the categories “Poise,” “Personality,” and “Talent.” The company voted by stuffing dollar bills into jars marked for<br />

each contestant. $1,200 was raised and donated to Gay Men’s Health Crisis. By 1990 the Easter Bonnet Competition had become the<br />

<strong>Broadway</strong> community’s premier <strong>AIDS</strong> fundraising event. Produced by Suzanne Ishee and a host of dedicated volunteers for its first<br />

eight years, the Easter Bonnet returned to the Palace Theatre in 1995, where it was produced for the first time by BC/EFA. In 1998,<br />

the show moved to glorious The New Amsterdam Theatre where it has played since. 17 years and over 365 bonnets later, the Easter<br />

Bonnet Competition has raised over $19 million – all still on “Poise,” “Personality,” and “Talent.”<br />

A grand total; Gregory Treco wears the bonnet from Zanna, Don’t; just a part of the final Bonnet tableau; cast members with the bonnet from La Bohéme.<br />

events<br />

31<br />

HEADLINE<br />

1987 $ 18,740<br />

1988 $ 51,757<br />

1989 $ 137,523<br />

1990 $ 226,819<br />

1991 $ 279,000<br />

1992 $ 500,049<br />

1993 $ 848,000<br />

1994 $ 1,001,649<br />

1995 $ 1,127,000<br />

1996 $ 1,304,525<br />

1997 $ 1,474,222<br />

1998 $ 1,793,137<br />

1999 $ 2,096,862<br />

2000 $ 2,129,168<br />

2001 $ 2,275,000<br />

2002 $ 1,826,392<br />

2003 $ 2,149,744<br />

TOTAL $ 19,239,587


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY BEARS VI<br />

March 24, 2003<br />

One is all about dressing up. The other is all about taking it off. The names may sound alike, but these<br />

two successful BC/EFA events couldn’t be more different.<br />

As Teddy Bear and Friends magazine put it, “This is the event that put the ‘awe’ in auction.” On March 24,<br />

The <strong>Broadway</strong> Bears VI: A Grand Auction featured a chorus line of 40 one-of-a-kind teddy bears, each meticulously outfitted in original,<br />

handmade costumes by <strong>Broadway</strong>’s leading costume designers representing the theatre world’s most legendary characters. The cuddly<br />

collectibles were auctioned off to the highest bidders, raising $116,495 for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />

<strong>Broadway</strong> lovers and teddy bear collectors came together for this 6th annual <strong>Broadway</strong> Bears auction at B.B. King Blues Club &<br />

Grill, hosted by Bryan Batt, with Lorna Kelly reprising her role as auctioneer. This year’s top bid for a bear was an astonishing<br />

$10,000 for the recreation of The Lion King’s villainous Scar, signed by the original Scar, John Vickery, and introduced onstage by<br />

Derek Smith who currently plays the role on <strong>Broadway</strong>. The event featured some of <strong>Broadway</strong>’s biggest names, including B.D. Wong,<br />

who introduced the bear modeled after his character in M. Butterfly, and Mary Bond Davis, who helped introduce the Edna Turnblad<br />

bear from Hairspray. Marian Seldes (Tony Award-winner and BC/EFA Trustee) not only introduced the Rayleen bear from 45 Seconds<br />

from <strong>Broadway</strong>, but also modeled the exact costume she – and her ursine counterpart – wore in the show. The auction heated up as the<br />

stakes were raised: Thoroughly Modern Millie’s Harriet Harris even promised the auction winner of the Mrs. Meers bear a Chinese take<br />

out dinner with herself and host Bryan Batt (her former co-star in the film, Jeffrey).<br />

To date, <strong>Broadway</strong> Bears’ six auctions have raised a beary grand total of $883,307 for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />

As always, BC/EFA is very grateful to the creative and talented artists who designed, outfitted, costumed, draped, frocked,<br />

dressed, shod, hatted, painted, armored, tattooed, stuffed, lipoed, wigged, bejeweled, and feathered the <strong>Broadway</strong> Bears. We are also<br />

indebted to the North American Bear Company for generously donating the bears, each of which went out there a bare bear, and<br />

came back a star.<br />

Marian Seldes presents her bear from 45 Seconds from <strong>Broadway</strong>, which wears an exact duplicate of the original costume worn by her character, Rayleen;<br />

The Phantom of the Opera bear, costume designer Martin Paklindenaz with his Mrs. Meers bear from Thoroughly Modern Millie,<br />

an outstanding bear – Scar from The Lion King.<br />

events<br />

32


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

BROADWAY BARES XIII<br />

June 15, 2003<br />

<strong>Broadway</strong> Bares XIII: Burlesque Is Back raised more than eyebrows: the 2003 version of the spectacular that<br />

grins and bares it brought in $450,000 for BC/EFA, $14,000 of which was collected in sweaty dollar bills tucked into the sparkling<br />

g-strings of over 200 of <strong>Broadway</strong>’s hottest dancers. This grand total tops last year’s success by a whopping $50,000, proving that<br />

burlesque is indeed back!<br />

Every year for 13 years, <strong>Broadway</strong> Bares’ creator, director, and choreographer, Jerry Mitchell, has convinced a group of <strong>Broadway</strong><br />

professionals to take it off for a good cause. This year’s <strong>Broadway</strong> Bares, which took over Roseland Ballroom on June 15, featured<br />

Hairspray Tony Award-winners Harvey Fierstein and Marissa Jaret Winoker as hosts, with over 200 performers strutting their stuff.<br />

Highlights included a surprise appearance by Nine’s Tony Award-winning Jane Krakowski (flying above the crowd wrapped in her<br />

signature sheet), Gypsy’s “Gotta Get A Gimmick” girls – Kate Buddeke, Julie Halston, and Heather Lee – joining her in an original<br />

opening number composed for the show by Andrew Lippa, the legendary Eartha Kitt singing “Love for Sale,” Jennifer Cody as<br />

Christina Aguilera, and Deborah Gibson as <strong>you</strong>’ve never seen her before. Perennial favorite Las Vegas aerial troupe The Living Art<br />

of Armando returned in an acrobatic feat akin to a four-person, very sexy, Cirque de Soleil.<br />

The show’s finale was capped by the presentation by John Dempsey, CEO of MAC Cosmetics and The MAC <strong>AIDS</strong> Fund, of a<br />

generous check for $75,000 to BC/EFA. <strong>Broadway</strong> Bares has raised over $2.2 million dollars for BC/EFA since its humble beginnings<br />

in 1991, when Mitchell (who was then dancing nearly naked on a drum in The Will Rogers Follies) encouraged six of his fellow <strong>Broadway</strong><br />

gypsies to dance atop a New York bar for tips, which were donated to BC/EFA. The annual event keeps performing to sell out<br />

crowdsand the last 13 editions of <strong>Broadway</strong> Bares have raised a cumulative total of $2,252,000 for BC/EFA.<br />

Denis Jones and Rachelle Rak in “Let’s Misbehave;” Tim Curry and Julio Augustin, a nearly naked “Two Man Band;” a long line of male beauties,<br />

the divine Eartha Kitt is nuzzled by Bares men, Russell Warfield and Todd Hunter; It’s not just hot men – here are Jill Nicklaus and Michelle Kittrell, two lovely ladies.<br />

events<br />

33


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

17TH ANNUAL<br />

BROADWAY FLEA MARKET<br />

AND GRAND AUCTION<br />

September 21, 2003<br />

The 17th annual <strong>Broadway</strong> Flea Market and Grand Auction set an all-time record in 2003, raising an<br />

unprecedented $512,000 on one of the most beautiful, sunny Sunday afternoons Shubert Alley had seen in a long time. 59 tables,<br />

69 Silent Auction items, 71 Grand Auction lots, and a celebrity booth packed with nearly 70 stars added up to this year’s success.<br />

The street was abuzz with theatre fans and tourists buying everything from show tickets, autographed posters and Playbills, props<br />

and costumes, homemade cookies and, of course, our favorite, “Privilege to Pee” toilet paper from the company of Urinetown. 59<br />

merchandise tables from <strong>Broadway</strong> and Off-<strong>Broadway</strong> shows and theatre-related unions and guilds raised $209,000. The highest<br />

grossing show table was Gypsy, which raised $10,059 selling its wares.<br />

The ever-popular Celebrity Booth swarmed with stars of <strong>Broadway</strong> and daytime television posing for photographs and signing<br />

autographs in exchange for donations to BC/EFA. Among those lending their signatures and faces to our photo booth were Delta<br />

Burke, Nathan Lane, Audra McDonald, Chita Rivera, Hunter Foster, Ann Harada, Bernadette Peters, Elizabeth Parkinson, John<br />

Tartaglia, Joel Grey, Harvey Fierstein, Denis O’Hare, Donna McKechnie, Roger Rees, Donna Murphy, Andrea McArdle and Bebe<br />

Neuwirth.<br />

The Silent Auction fueled the excitement in the alley when Michael Crawford’s signed red boots from Dance of the Vampires sold<br />

for a winning bid of $4,200. Other signed items that sent autograph-hunters emptying their pockets were a poster of Long Day’s Journey<br />

Into Night, which brought in $1,200, and a framed musical signature by Jerry Bock and Sheldon Harnick which sold for $1,000.<br />

The Grand Auction lasted over two hours, keeping the alley crowd cheering for once-in-a-lifetime auction packages like a walk-on<br />

role on TV’s “Friends,” which brought in a whopping $30,000! The “Phantom of the Opera Experience” also sent the crowd into a<br />

frenzy, with a winning $25,000 bid. Other stand-outs included an $11,000 walk-on role in Rent, a $9,500 walk-on appearance in<br />

Mamma Mia!, a $9,250 Tony Award package, and two VIP tickets to Nathan Lane and Matthew Broderick’s first performance back in<br />

The Producers on New Year’s Eve, which sold for $6,250. Of course, it didn’t hurt that Nathan Lane, a BC/EFA Trustee, was there on<br />

hand to promise a backstage visit and a post-show glass of champagne. All of these items sold twice, doubling their totals!<br />

Shubert Alley on the day of the <strong>Broadway</strong> Flea Market, company members from 42nd Street; the Grand Auction display, Avenue Q’s Ann Harada and<br />

Urinetown’s Hunter Foster were two of dozens of <strong>Broadway</strong> stars at the Celebrity Table.<br />

events<br />

34


HOW IT ALL BEGAN<br />

Now unofficially recognized as <strong>Broadway</strong>’s annual “company<br />

picnic,” the <strong>Broadway</strong> Flea Market had an inauspicious start. In<br />

1987, the event debuted as two tables presented by the company<br />

of A Chorus Line outside their stage door in Shubert Alley as a part<br />

of the first <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Week, raising what thought to be<br />

an astonishing $7,000. Over the next four years, under the<br />

leadership of Ethel Bayer, Stephen Falat, Arne Gundersen, and<br />

Larry Hansen, the Flea Market grew, with tables from more shows,<br />

theatre-related offices, unions, and guilds– everyone recognizing<br />

a good cause and a great chance to clean house. In 1988, an<br />

auction of eight lots was created, but with no experienced<br />

auctioneer, sputtered to its finish. In 1989, Sotheby’s Lorna<br />

Kelly came on board as our official auctioneer and with her<br />

expertise, a truly “grand” auction was born. Today the <strong>Broadway</strong><br />

Flea Market and Grand Auction brings thousands from the theatre<br />

community and audiences to Shubert Alley and along West 44th<br />

Street. As they say, from little acorns…or more specifically, over<br />

16 years from 1987 to 2003, this event has raised over $5 million,<br />

and we’re still signing posters, gathering swag, and cleaning<br />

closets for the cause.<br />

Nathan Lane signs posters from The Producers at the Celebrity Table,<br />

Rosie O’Donnell sold her own Taboo paintings; cast members from The Lion King<br />

were among more than 20 <strong>Broadway</strong> shows that had tables in Shubert Alley<br />

and on West 44th Street.<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

events<br />

35<br />

BROADWAY<br />

BARKS 5<br />

July 12, 2003<br />

<strong>Broadway</strong> went to the dogs, or rather, the dogs went<br />

to <strong>Broadway</strong>, when <strong>Broadway</strong> Barks returned to Shubert Alley with<br />

the coolest canines and most fabulous felines up for adoption.<br />

More than 45 adorable dogs and cats found new homes as the<br />

<strong>Broadway</strong> community came together, joining <strong>Broadway</strong> Barks<br />

founders, Bernadette Peters and Mary Tyler Moore, and special<br />

guest host, Harvey Fierstein. Celebrity pet presenters Joel Grey,<br />

Bebe Neuwirth, Laura Benanti, Mary Stuart Masterson, Tammy<br />

Blanchard, Kate Buddeke, John Dossett, Julie Halston, Heather<br />

Lee, David Burtka, Linda Emond, Edie Falco, Louise Pitre,<br />

Linda Hart, Dick Latessa, Clarke Thorell, Sutton Foster, Leslie<br />

Uggams, Marc Kudish, Frenchie Davis, Jon Secada, Jayne<br />

Atkinson, Jane Adams, Marin Mazzie, Brian Stokes Mitchell,<br />

Ernie Sabella, Tom Wopat, and the entire cast of Gypsy joined<br />

volunteers and 23 local shelters eager to help find homes for a<br />

wonderful collection of critters. In addition to the over three<br />

dozen animals adopted that afternoon, theatre-goers walked away<br />

with information about pet neutering and the benefits of shelter<br />

adoption. Best of all, the company of Gypsy raised $50,000 for<br />

participating shelters by selling autographed memorabilia outside<br />

their stage door in Shubert Alley during the weeks prior to the<br />

event. A doggone good time was had by all.<br />

Edie Falco was just one of dozens of <strong>Broadway</strong> stars who appeared at<br />

<strong>Broadway</strong> Barks, one of dozens of adorable animals to find a good home,<br />

<strong>Broadway</strong> Barks founders Mary Tyler Moore and Bernadette Peters<br />

are joined by Brian Stokes Mitchell and a pal.


JENNIFER<br />

HOLLIDAY<br />

IN CONCERT<br />

October 28, 2003<br />

Tony Award-winner Jennifer Holliday returned to<br />

the New York stage for “one night only” at Town Hall on October<br />

28 with her concert, Romance in the Dark, presented by BC/EFA.<br />

Directed by Donna Drake, the show was a celebration of love<br />

songs from the canon of great black <strong>Broadway</strong> musicals including<br />

Purlie, Bubbling Brown Sugar, and, of course, Dreamgirls, as well as the<br />

work of music legends Fats Waller and Duke Ellington.<br />

Highlights included a gorgeous rendition of “A Sleepin’ Bee”<br />

from the Truman Capote/Harold Arlen classic House of Flowers,<br />

under the musical direction of Daryl Waters, and the eagerly<br />

anticipated “And I’m Telling You I’m Not Going.” Proceeds<br />

from the evening were shared by <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong><br />

<strong>AIDS</strong> and the Harlem United Community <strong>AIDS</strong> Center. On<br />

hand to sing with Jennifer were The Heritage Ensemble, Jason<br />

Samuels Smith of Bring in Da Noise, Bring in Da Funk; Keith David of<br />

Jelly’s Last Jam, and Norm Lewis of Sideshow and Amour. In addition<br />

to the sold-out concert, the evening was a celebration of the<br />

Dreamgirls’ star’s birthday. After the concert, Planet Hollywood in<br />

Times Square rolled out the purple carpet for Jennifer, her<br />

friends, family, and VIP guests.<br />

Bring In da Noise, Bring in da Funk star Jason Samuels joined Jennifer Holliday<br />

in a “song and tap” duet; Jennifer was joined by Keith David in a medley of<br />

Duke Ellington’s best, Jennifer reprised her signature song from Dreamgirls,<br />

“And I’m Telling You I’m Not Going.”<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

events<br />

36<br />

NOTHING<br />

LIKE A DAME<br />

March 13, 2003<br />

The 8th annual Nothing Like a Dame, billed as “the<br />

thinking woman’s vaudeville,” was presented by BC/EFA at the St.<br />

James Theatre on March 13, raising $200,000 for The Actors’<br />

Fund’s Phyllis Newman Women’s Health Initiative. Highlights of<br />

the 2003 edition included Bebe Neuwirth performing her<br />

signature version of “All That Jazz”, The Producers’ Cady Huffman<br />

assuring us that “Life Is Just a Bowl of Cherries,” La Bohéme’s<br />

Jessica Comeau reprising her stunning rendition of “Musetta’s<br />

Waltz;” and electrifying performances by Georgia Me and Mayda<br />

del Valle from from Russell Simmon’s Def Poetry Jam on <strong>Broadway</strong>.<br />

Kate Mulgrew took her night off from Off <strong>Broadway</strong>’s TeaatFive<br />

to make sure Katherine Hepburn could drop by for a chat. Rosie<br />

Perez made an appearance, fresh from The Vagina Monologues. A<br />

tribute medley to Tony Award-winning lyricist Adolph Green –<br />

husband of PNWHI founder, Phyllis Newman – was performed<br />

by Sutton Foster, Mary Bond Davis, and Judy Kaye. One of this<br />

year’s Honorary Dames, Harvey Fierstein, (Edna Turnblad in<br />

Hairspray) appeared as himself, singing Jerry Herman’s, “I<br />

Am What I Am.” After the performance, the evening’s stars,<br />

volunteers, sponsors, and major donors joined the BC/EFA and<br />

Actors’ Fund staff for a party generously donated by John’s Pizza.<br />

The 2003 Dames included Kamilah Martin, Shayna Steele, and Judine Richard,<br />

“the Dynamites” from Hairspray; Kate Mulgrew as Katharine Hepburn,<br />

Women’s Health Initiative client Zazel O’Garra; and diva Dames Ann Richards, former<br />

governor of Texas, and gossip columnist Liz Smith in a one-time-only “Texas Duet.”


LATIN<br />

RHYTHMS<br />

May 19, 2003<br />

The worlds of Latin music and <strong>Broadway</strong> united<br />

on May 19th when some of Latin music’s biggest stars shared the<br />

stage with some of <strong>Broadway</strong>’s biggest names for An Evening of Latin<br />

Rhythms to benefit BC/EFA and its affiliate, Dancers Responding<br />

to <strong>AIDS</strong>, at B.B. King Blues Club and Grill. <strong>Broadway</strong> legend<br />

Chita Rivera hosted the show, which was conceived and<br />

choreographed by Richard Amaro. Performances featured<br />

surprise guest Jon Secada and such red-hot <strong>Broadway</strong> talent as<br />

Daphne Rubin-Vega (Rent), Raúl Esparza (Cabaret and tick, tick...<br />

BOOM!), Natalie Toro (Les Misérables and the national tour of<br />

Evita), Sandra Santiago (Nine), and Andrea Burns (The Phantom of<br />

the Opera), among others. Grammy Award-winner Ray Santos<br />

conducted and orchestrated the evening’s music, featuring guest<br />

stars like Dave Valentin, Jimmy Bosch, and Andy Gonzalez.<br />

Following the show, the performers weaved through the audience<br />

in a live conga to kick off a festive night of dancing. The event<br />

captured the heart and vitality of Latin music, but it was more<br />

than just a good time. Latin Rhythms was also about building<br />

community: Latinos helping Latinos, as some of the<br />

entertainment industry’s finest Hispanic performers came out in<br />

support of their own. Bronx Borough President, Adolfo<br />

Carrion, <strong>thank</strong>ed those in attendance for standing up and<br />

making a difference in underserved communities, but perhaps<br />

actress and activist Rosie Perez put it best, saying, simply, “It’s<br />

nice to see my people.”<br />

Two of the Latin Rhythms dancers perform “Mambo Gallego,”<br />

Daphne Rubin-Vega sings '”Sabor a Mi” and Raul Esparza performs, “El Mansiero.”<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

events<br />

37<br />

THE NINTH<br />

ANNUAL<br />

GOSPEL<br />

CELEBRATION<br />

The <strong>Broadway</strong> Inspirational Voices returned to Times<br />

Square and sang out in praise with sold-out, thrilling<br />

performances in the sanctuary of the beautifully restored Church<br />

of St. Mary the Virgin. Founded and directed by actor and<br />

BC/EFA Trustee Michael McElroy, this ensemble includes more<br />

than 40 performers from such shows as The Producers, Aida, Rent,<br />

Thoroughly Modern Millie, Hairspray, The Lion King, Cabaret, and Beauty<br />

and the Beast. As The New York Times has noted, “The <strong>Broadway</strong><br />

Inspirational Voices has developed a national reputation and is<br />

booked year round.” The choir has appeared at Rockefeller<br />

Center for the arrival of the Olympic Flame, Yankee Stadium for<br />

Mayor Rudolph Giuliani’s “Gathering of Remembrance”<br />

following 9/11, Carnegie Hall for “My Favorite <strong>Broadway</strong>,” the<br />

Tony Awards, and aboard the USS John F. Kennedy aircraft<br />

carrier for President and Mrs. Clinton as part of OpSail 2000.<br />

This year, The Inspirational Voices kicked off BC/EFA’s fiscal<br />

year in a powerful, spirited performance featuring special guests<br />

Stephanie Mills and Inaya Day alongside choir soloists Marva<br />

Hicks, Clarke Thorell, Virginia Woodruff, Jason Paige, Darius de<br />

Haas, and Billy Porter, who brought the entire church to its feet<br />

with his electrifying solo ‘When Sunday Comes.” Guests of<br />

honor included former New York City Mayor David M. Dinkins<br />

and Star Jones.<br />

The <strong>Broadway</strong> Inspirational Voices in full voice; the evening’s special guest,<br />

Stephanie Mills; Voices founder and musical director, Michael McElroy.


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

NATIONAL SUPPORT<br />

A strong commitment to BC/EFA extends far beyond New York City. In regional, stock, and dinner<br />

theatres across the country, as well as in cities that play host to <strong>Broadway</strong>’s national touring shows, casts come together as they do in<br />

New York to raise funds continually for BC/EFA.<br />

<strong>Broadway</strong>’s national tours are BC/EFA’s ambassadors on the road. Without the added administrative expense of official chapters<br />

in cities across the country, BC/EFA is able to raise funds through these traveling autographed poster sales and curtain speeches.<br />

These efforts raise hundreds of thousands of dollars each year and are an important piece of the financial support BC/EFA provides<br />

through the National Grants Program to many <strong>AIDS</strong> service organizations in the very cities visited by the national tours as they wind<br />

their way across the country. These special appeals have been made by such touring shows as 42nd Street, Aida, Beauty and the Beast, Blue<br />

Man Group, Cinderella, Contact, The Full Monty, Jesus Christ, Superstar; Les Misérables, The Lion King, Mamma Mia!, The Phantom of the Opera, The<br />

Producers, Saturday Night Fever, The Tale of the Allergist’s Wife, tick, tick, BOOM!; and West Side Story.<br />

Cast members from many tours go to the added effort of presenting special cabaret evenings in a local club or theatre, the<br />

proceeds of which are then shared with a local <strong>AIDS</strong> organization and BC/EFA. However <strong>you</strong> measure it, the generous efforts of our<br />

friends on the road amount to hundreds of thousands of dollars that come back through BC/EFA to local <strong>AIDS</strong> service organizations<br />

nationwide. 14 years ago, the first “<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Week” was declared. What was then the <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Committee sent<br />

letters to every <strong>Equity</strong> theatre asking that an appeal be made during Thanksgiving Week. That first year brought in over $70,000 from<br />

a few dozen theatres. Over the years, more local theatres joined in what became annual efforts, and in 1992, EFA Week became<br />

BC/EFA Week, which continues to this day. More importantly, over time, many regional theatres became allied with their local <strong>AIDS</strong><br />

service organizations, raising funds for them as the national tours do for BC/EFA. Some theatres continue to do both. The Actors’<br />

Playhouse at the Miracle Theatre in Coral Gables, FL; The Alliance Theatre in Atlanta, GA; Cincinnati’s Playhouse in the Park;<br />

Florida Repertory Theatre; Fulton Opera House in Lancaster, PA; Connecticut’s Goodspeed Opera House; San Francisco’s<br />

American Conservatory Theatre; Mill Mountain Theatre in Roanoke, VA; North Shore Music Theatre in Beverly, MA; Portland<br />

Center Stage; Syracuse Stage; The Shakespeare Theatre in Washington, DC, and The Carousel Dinner Theatre in Akron, Ohio are<br />

just a few of our most stalwart out-of-town supporters. For all these collective efforts, we are most grateful.<br />

More than 90 regional theatre, summer stock, and dinner theatre productions across the country pitched in to raise funds through audience appeals and special cabaret<br />

performances. These included the Syracuse Stage production of The Wizard of Oz; one of our most stalwart supporters, The Carousel Dinner Theatre in Akron, Ohio,<br />

where the casts of The Music Man and Smokey Joe’s Cafe raised $11,600 and $7,983; the cast of The Media Theatre’s production of The Secret Garden<br />

in Pennsylvania raised $2,670 from audience appeals; the cast of Jacques Brel at the Second Stage Theatre in Boston raised $1,033.<br />

national support<br />

38


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

SCHOOLS OUTREACH<br />

PROGRAM:<br />

THESPIAN FUNDRAISING<br />

BC/EFA has been successful in raising awareness about HIV/<strong>AIDS</strong> among adolescents and <strong>you</strong>ng adults<br />

through our new initiative, the Schools Outreach Program. By reaching out to theatre departments in middle schools, high schools,<br />

and colleges across the country, we’ve established a whole new fundraising leg, while taking an active role in HIV-prevention education.<br />

Currently, there are schools participating in fundraising for BC/EFA in 25 of the 50 states.<br />

Theatre students love <strong>Broadway</strong>, so it’s no surprise that they want to get involved in what the professional community does to<br />

support us. Many school groups attend shows during our Easter Bonnet and Gypsy of the Year campaigns, where they contribute to the<br />

donation buckets, stay for cast question and answer sessions, and buy autographed posters, so when we suggest that they do similar<br />

things on our behalf during their own production seasons, they readily agree. In fact, some schools have also written their own shows<br />

about <strong>AIDS</strong>, turned their <strong>AIDS</strong> benefits into week-long awareness campaigns involving the <strong>AIDS</strong> Quilt, guest speakers from our<br />

office and from their local organizations and initiated live auctions and donation drives for BC/EFA. These outreach efforts help us<br />

to spread the word about BC/EFA in rural and urban areas across the country. To date, schools from Maine to California contribute<br />

hundreds and thousands of dollars apiece. In addition to the work they do for us on their own stages, many nearby schools also visit<br />

us to volunteer for our calendar events. High school troupes from all over the tri-state area travel to Shubert Alley to help set-up<br />

and run the <strong>Broadway</strong> Flea Market in September, while college students here in the city show up to lend production and fundraising<br />

support throughout the year. This is important to us, and to the <strong>Broadway</strong> community, as well: many of these students hope to make<br />

a life for themselves here after they graduate. Now, they already know that theatre is about so much more than just performing; it’s<br />

about coming together as a community.<br />

The Schools Outreach Program raised $48,638 in fiscal year 2003. BC/EFA is proud to recognize the International Thespian<br />

Society, the national theatre honor society and all its chapters, as our strongest and largest supporter in schools. We are also grateful<br />

to have the Educational Theatre Association (EdTA), as well as New York State Theatre Education Association, and Alpha Psi Omega,<br />

the national theatre college fraternity, as our new partners in the fight against <strong>AIDS</strong>.<br />

The International Thespian Society regional officers at the <strong>Broadway</strong> Flea Market; <strong>Broadway</strong>’s Jennifer Ehle and Howard McGillin present a student body president<br />

with a BC/EFA Award of Merit; high school students from Milburn, New Jersey, host a cabaret night for BC/EFA; students from Shenandoah University<br />

make audience appeals following performances of The Baker’s Wife; students fundraise at the New York State Theatre Education Conference<br />

wearing T-shirts they made to sell for BC/EFA.<br />

schools outreach program<br />

39


BROADWAY<br />

ON EBAY<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

It rained during the 2001 <strong>Broadway</strong> Flea Market, essentially knocking out the day’s silent auction. Rather<br />

than toss in the towel until the following year, we decided to put the various unsold objects on eBay to see how they’d sell. Well, they<br />

sold, and they sold great! From that lucky bit of bad luck, a successful, new BC/EFA fundraising initiative was born: <strong>Broadway</strong> <strong>Cares</strong><br />

Auction on eBay. Two years later, we’ve seen our efforts on eBay grow into a new and uniquely profitable fundraising initiative,<br />

proving that behind every dark cloud there is indeed a silver lining. In 2003, 686 items sold for $92,372.<br />

Autographed Playbills and posters as well as props, costume pieces, exclusive opening night gifts, and one-of-a-kind theatrical<br />

memorabilia have all contributed to this very successful campaign. Stand-out items from 2003 included a Les Misérables show jacket<br />

that sold for $475 just before the show’s last performance; Hugh Jackman’s 2003 Tony Awards script, which sold for $752, and his<br />

signed cowboy hat from the London production of Oklahoma, which went for $1,027; a Hairspray martini pitcher, which sold for $640;<br />

a signed cue card from The Late Show with David Letterman that went for $334 (and that was just one joke!); signed boxer shorts from The<br />

Full Monty, which sold for $375; a Siamese cat costume from <strong>Broadway</strong>’s Cats, which made someone very happy at Halloween for $525;<br />

and much more – some for much less, but all very appreciated.<br />

SIGNING FOR A CAUSE: BROADWAY SHOW POSTERS<br />

In addition to the direct financial support BC/EFA provides to hundreds of <strong>AIDS</strong> and family service organizations, we regularly<br />

receive requests for signed <strong>Broadway</strong> show posters that can be included in fundraising auctions and raffles across the country. Last<br />

year, over 570 signed show posters were sent to 64 <strong>AIDS</strong> service providers to enhance their ability to raise funds in their local<br />

communities.<br />

It is no small favor to ask the casts of <strong>Broadway</strong> shows to sign dozens of posters, month after month, year after year. In addition<br />

to thousands sold for BC/EFA in theatres and by BC/EFA on eBay, hundreds more are sent by BC/EFA to agencies that would<br />

otherwise never have this kind of unique fundraising resource.<br />

Consider this: 570 signed posters at $100 each (and many are auctioned for much more) equals $57,000 in additional revenue<br />

to dozens of grassroots organizations across the country. Our sincere <strong>thank</strong>s to everyone in any show who has ever taken pen to poster<br />

and signed their name once, twice, a dozen times, or until their hand hurt.<br />

Just of a few of the signed items and one-of-a-kind theatrical memorabilia sold on eBay by BC/EFA: original crystal from the chandelier in The Phantom of the Opera;<br />

the original cast posters of Nine, Hairspray, and the revival of Our Town, starring Paul Newman; a musical signature The Producers by Mel Brooks,<br />

and a drum skin signed by the company of Movin’ Out.<br />

broadway on ebay<br />

40


RETAIL<br />

OUTREACH<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE CATALOG OF GIVING AND THE BROADWAY CARES COLLECTION<br />

The Retail Outreach Program promotes <strong>AIDS</strong> awareness and visibility for BC/EFA, and makes the classic Red Ribbon available<br />

for free or at cost to <strong>AIDS</strong> service organizations and individuals nationwide. The retail Catalog of Giving (in print and online at<br />

www.broadwaycares.org) appeals to <strong>Broadway</strong> enthusiasts across the country, presenting an impressive array of <strong>Broadway</strong>-related<br />

paraphernalia such as autographed theatre-related books, compact discs, videos on VHS and DVD, and exclusive red ribbon gift ideas<br />

for the holidays and year-round occasions. Posters and t-shirts from BC/EFA events continue to be popular with those supporters<br />

around the country who couldn’t actually be there in person. The <strong>Broadway</strong> <strong>Cares</strong> Collection features one of a kind collector items<br />

created especially for BC/EFA with logos of 12 <strong>Broadway</strong> musicals on an ornament, tote bag, coffee mug, beach towel, and t-shirt.<br />

In fiscal year 2003, The Catalog of Giving generated $494,336 in sales.<br />

The Retail Outreach Program also forges relationships with other <strong>AIDS</strong> service and fundraising organizations by agreeing to<br />

include their products in the BC/EFA catalog. Organizations such as the Until There’s a Cure Foundation and The North Shore<br />

University <strong>AIDS</strong> Awareness Committee provide us with a stock of their merchandise to sell, and BC/EFA receives back from these<br />

organization a reciprocal grant of 25% of the sales. All silk-screen printing of BC/EFA merchandise, such as our popular T-shirts,<br />

is by Night Sweats & T-Cells, an Ohio based shop owned and operated by people living with HIV/<strong>AIDS</strong>. Many of the hand-crafted<br />

items offered in the catalog come from The Alpha Workshops in Manhattan, where all artisans and trainees are people living with<br />

HIV/<strong>AIDS</strong>. South Africa-based Naledi Ya Afrika provides all hand-beaded items that are made by women living with HIV/<strong>AIDS</strong>.<br />

CARETIX<br />

The CareTix program offers BC/EFA supporters access to the best seats in the house for <strong>Broadway</strong>, Off-<strong>Broadway</strong>, The<br />

Metropolitan Opera, concerts, and national touring shows in exchange for a charitable donation equal to the face value of the ticket<br />

price. CareTix tickets are house seats normally reserved for entertainment industry insiders, which means that CareTix buyers get<br />

the best seats in the house to shows that are often already sold out to the public. Since 1988, CareTix has raised more than $9.2<br />

million with $1,717,388 in fiscal year 2003.<br />

CARECARDS<br />

For a tax-deductible gift of $10 or more per card, BC/EFA creates and addresses beautifully designed Carecards with <strong>you</strong>r<br />

personal greetings, indicating that a generous contribution has been made to BC/EFA in the recipient’s honor. CareCards can be<br />

sent to everyone on <strong>you</strong>r holiday card list, individually signed, sealed and delivered. Cards for any occasion can also be accompanied<br />

by Opening Night gifts, including Veuve Clicquot champagne. In 2003, the CareCard program raised $127,340 for BC/EFA.<br />

retail outreach<br />

41


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

CLASSICAL ACTION:<br />

PERFORMING ARTS<br />

AGAINST <strong>AIDS</strong><br />

Classical Action: Performing Arts Against <strong>AIDS</strong> merged with BC/EFA in October of 1997. Founded<br />

in 1993 using BC/EFA as its model, Classical Action draws on the talents, resources, and generosity of the performing arts community<br />

nationwide, with an emphasis on the classical and jazz music communities, to raise funds for <strong>AIDS</strong> services. These funds are<br />

distributed through The Actors’ Fund of America (see page 6), and through BC/EFA’s National Grants Program (see page 12). Classical<br />

Action maintains its own identity and conducts its own fundraising endeavors, while BC/EFA assumes most administrative<br />

responsibilities, allowing Classical Action to devote maximum energies to events and merchandising projects.<br />

CHARITY BEGINS AT HOME: CLASSICAL ACTION HOUSE CONCERTS<br />

One of Classical Action’s most successful fundraising endeavors is the production of private house concerts. Supporters host<br />

concerts in their homes featuring some of the most prominent artists in music today, who generously donate their time and talent.<br />

2003 saw house concerts featuring pianist José Feghali and cellist Daniel Gaisford, and pianist Jean-Yves Thibaudet. These intimate<br />

events are held in New York City, Los Angeles, and across the country. When Classical Action takes its show on the road, it often<br />

collaborates and shares proceeds with local <strong>AIDS</strong> organizations, such as this year’s concert with Houston, TX’s Center for <strong>AIDS</strong>.<br />

DEBORAH VOIGT ON BROADWAY: OPERA’S LEADING LADY MEETS BROADWAY’S LEADING MEN<br />

On November 11, 2002, opera star Deborah Voigt appeared with some of <strong>Broadway</strong>’s most celebrated artists at the Ford Center<br />

for the Performing Arts in a collaborative benefit for Classical Action and BC/EFA. Deborah Voigt on <strong>Broadway</strong>: Opera’s Leading Lady Meets<br />

<strong>Broadway</strong>’s Leading Men marked the 10-year anniversary of Classical Action, and the 5th anniversary of the merger of Classical Action<br />

with BC/EFA. The evening’s leading men: Malcolm Gets from the season’s Amour, Howard McGillin of The Phantom of the Opera, Adam<br />

Pascal of Aida, Patrick Wilson of Oklahoma!, and Tom Wopat of 42nd Street. Host Dick Cavett literally ran across the street from another<br />

benefit. Conductor Eric Stern, director John DeLuca, and the Orchestra of St. Luke’s also donated their time and talent. Ms. Voigt<br />

capitalized on the meeting of the genres of opera and <strong>Broadway</strong> with a medley including “By Strauss” (Gershwin) and “Do I Hear a<br />

Waltz?” (Sondheim). She sang Puccini and Wagner arias for the opera purists in attendance, and delighted the crowd with songs<br />

outside her usual repertoire, such as “Ice Cream” from She Loves Me. It was some enchanted evening, made possible in part by event<br />

sponsors including WQXR 96.3-FM, Champagne Veuve Clicquot, Continental Airlines, The New York Times and NYTimes.com,<br />

ViceVersa Restaurant, Attitude New York Chauffeured Transportation, Westin Hotels, and Hugo Boss.<br />

Clockwise from top left: Pianist Jean-Yves Thibaudet performs a solo house concert; Pianist/composer Fred Hersch and soprano Renée Fleming in their first collaboration;<br />

Up Our Alley participants "Bowl Canto" from Orchestra of St. Luke's; At home, cellist Daniel Gaisford and pianist José Feghali;<br />

Soprano Deborah Voigt accepts a bouquet at event's end.<br />

classical action<br />

42


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

CONCERTMASTER<br />

$25,000 and above<br />

Judy and Steven Gluckstern<br />

Michael Palm Foundation<br />

STRINGS<br />

$10,000 - $24,999<br />

Annalee Newman Fund<br />

John and Sophie Bilezikian,<br />

in loving memory of Sara Bilezikian<br />

Jay M. Furman<br />

Gail Furman<br />

Kevin and Karen Kennedy<br />

Terry K. Watanabe<br />

William H. Wright II<br />

Anonymous<br />

WOODWINDS<br />

$5,000 - $9,999<br />

Steve and Connie Grabow<br />

Irene Diamond Fund<br />

J. R. Nites, Ltd.<br />

Universal Classics Group<br />

Wheelock Whitney III<br />

Simon Yates<br />

BRASS<br />

$2,500 - $4,999<br />

Mildred Abelson<br />

Josh Aronson<br />

Helen Bodian and Roger Alcaly<br />

Mrs. Catherine G. Curran<br />

Elizabeth and Stephen Eisenmann,<br />

in memory of Michael Palm<br />

The Fan Fox and Leslie R. Samuels Foundation<br />

Bruce Kovner<br />

Jim and Ellen Marcus<br />

Howard P. Milstein<br />

Linda and Stuart Nelson<br />

Mr. and Mrs. Samuel P. Peabody<br />

San Francisco Performances<br />

Ted Snowden<br />

Jeffrey Sosnick and Albert A. Carucci<br />

Frank Spring,<br />

in memory of Malcolm Hoare<br />

THE MICHAEL PALM SERIES<br />

In fiscal year 2003, Classical Action was the recipient of a generous $200,000 grant from the Michael Palm Foundation. This<br />

grant, payable over the next five years, underwrites Classical Action’s new Michael Palm Series. Michael Palm, a lover of classical music<br />

and supporter of a wide range of performing arts and HIV/<strong>AIDS</strong> organizations, spearheaded the concept of Classical Action house<br />

concerts, and hosted many of them in his own penthouse apartment high above Lincoln Center. He passed away in 1998, but his<br />

memory thrives in the spirit and name of the Series. The inaugural concert of the series on June 12 featured soprano Renée Fleming<br />

and pianist Fred Hersch, two of Classical Action’s most ardent supporters, appearing together for the first time. Despite their<br />

respective reknown in the genres of opera and jazz, Ms. Fleming and Mr. Hersch seemed to have been born from the same musical<br />

genes when it came to interpretation, color and understanding of music ranging from Cole Porter and Antonio Carlos Jobim to Stevie<br />

Wonder and Joni Mitchell. Their premier collaboration marked an evening of many fine firsts in Steven and Judy Gluckstern’s home.<br />

UP OUR ALLEY V: CLASSICAL ACTION’S FIFTH ANNUAL BENEFIT BOWLING BONANZA<br />

More than 300 friends from the performing arts industry and beyond had a ball at Bowlmor Lanes in Manhattan on June 9,<br />

bowling for big bucks at Up Our Alley V. Organizations like the New York Philharmonic, Eos Orchestra, and Steinway & Sons formed<br />

bowling teams to raise a whopping $69,533 for people living with HIV/<strong>AIDS</strong>. The party continued at Bowlmor’s swanky lounge,<br />

Pressure, where prizes were awarded for the most money raised by an individual (<strong>thank</strong> <strong>you</strong>, Norman Ryan!) and by a team (<strong>thank</strong><br />

<strong>you</strong> “Micro-tones” from Microsoft!), as well as for best team name (“Ligeti Split,” “Madame Gutterfly,” and “Royal<br />

Concertgebowl”), best costume, and even perkiest hair. We are most grateful for the energy, enthusiasm, and yes, money, that teams<br />

bring to Bowlmor each year for this event that puts the fun into fundraising.<br />

THE MAESTRO PROGRAM<br />

The Maestro Program is Classical Action’s major donor program, whose contributors make gifts totaling $1,000 or more during our<br />

fiscal year. In appreciation of this vital support, Classical Action hosts an annual Maestro Appreciation Concert exclusively for<br />

members of the Program. On March 14, Maestros were treated to a mesmerizing performance of Brahms sonatas by pianist José Feghali<br />

and cellist Daniel Gaisford. The list above reflects Maestro gifts received from October 1, 2002 through September 30, 2003. A<br />

tip of the baton to Classical Action’s Maestros!<br />

Support from the entire classical music industry at a Classical Action house concert (l to r): cellist Daniel Gaisford, pianist André Watts, pianist/composer Fred Hersch,<br />

Classical Action Founding Director Charles Hamlen, flutist Eugenia Zukerman, pianist Jean-Yves Thibaudet, and violinist Leila Josefowicz.<br />

classical action<br />

43<br />

Ted and Vada Stanley,<br />

in memory of Michael Palm<br />

Dawn Upshaw<br />

PERCUSSION<br />

$1,000 - $2,499<br />

Andrew Tobias Fund of Stonewall<br />

Community Foundation<br />

ARC Group<br />

Arts Management Group<br />

Gerard F. Bell<br />

Dr. Carl Berg<br />

Betty R. Sheffer Foundation<br />

Charles J. Bourgeois<br />

Walter Broughton III<br />

Gary Burton<br />

Edward F. and Christine A. Carye<br />

Raymond A. and Barbara F. Carye<br />

Dr. Oscar Chamudes<br />

Guy Christie<br />

Sylvie and Gary Crum<br />

Charles Dimston<br />

William J. III and Carol Drawe<br />

Jan and Milton Finegold<br />

Brandon Fradd<br />

Future Fabrics International<br />

Rita and Herbert Z. Gold<br />

Stan Herman<br />

Florette Hoffheimer<br />

David Jackson<br />

Josephine Bay Paul and<br />

C. Michael Paul Foundation,<br />

in memory of Daniel A. Demarest<br />

Leslie Kandell<br />

Constance Keene<br />

Christopher Kennedy,<br />

in memory of Jim Ricketts<br />

Kenneth Rosenberg Foundation<br />

Kirshbaum Demler & Associates<br />

Sydny Kirshnit<br />

Alice Kornhauser<br />

Stephanie and Edgar Larsen<br />

Carl Levine<br />

Rochelle and Max Levit,<br />

in memory of Duane Hanzelka<br />

Bert Melnick and Carl Moore<br />

Metropolitan Lumber Hardware<br />

Microsoft Corporation<br />

Scott W. Morgan<br />

John C. Mueller<br />

Robert L. Naparsteck<br />

Garrick Ohlsson<br />

Ted T. Porter<br />

Dana and Doug Ramos<br />

Carol A. Rennie,<br />

in memory of Michael D. Palm<br />

Susan and Elihu Rose<br />

Harriet & Edwin A. Rosenberg<br />

Dale and Peter Ryan<br />

Rosita Sarnoff and Beth Sapery<br />

Mr. and Mrs. Henry Schacht<br />

Dr. Howard Scheiner<br />

The Seaberg Foundation<br />

Harold Shaw<br />

Shirley and Sid Singer<br />

Daniel Stroup and Paul Huang<br />

Lee Tannen and Tom Wells<br />

Sandra Wagenfeld and Francine Goldstein,<br />

in memory of Robert Wagenfeld<br />

David and Patti Watkins<br />

Peter S. Wilson<br />

The Wise Family Charitable Foundation<br />

Anonymous<br />

IN-KIND<br />

MAJOR DONORS<br />

Attitude New York Chauffeured Transportation<br />

Daryl Bornstein<br />

Philip Claps<br />

Cohn Davis Bigar Communications<br />

Continental Airlines<br />

Fred Hersch<br />

Musical America & MusicalAmerica.com<br />

Playbill Magazine<br />

Steve J. Sherman Photography<br />

Steinway & Sons<br />

Represents gifts made during our 2003<br />

fiscal year, October 1, 2002 –<br />

September 30, 2003.


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

DANCERS<br />

RESPONDING TO <strong>AIDS</strong><br />

(DRA)<br />

Dancers Responding to <strong>AIDS</strong> is the American dance community’s ongoing response to the health crisis.<br />

DRA mobilizes the dance world to raise money to provide direct assistance to dance professionals living with HIV/<strong>AIDS</strong>, as well as to<br />

<strong>AIDS</strong> service organizations nationwide. These funds are distributed through The Actors’ Fund of America (see page 6), and through<br />

BC/EFA’s National Grants Program (see page 12). Following are DRA’s signature events during fiscal year 2003.<br />

THE 9TH ANNUAL FIRE ISLAND DANCE FESTIVAL<br />

Hailed by Out magazine as “summer’s hottest charity event,” the 9th annual Fire Island Dance Festival returned to the Pines for another<br />

smash weekend July 19th and 20th at the beautiful bayfront home of Frank Stark, raising over $106,000 for Dancers Responding to<br />

<strong>AIDS</strong>. Set on a custom-built, illuminated stage against the dramatic backdrop of the Great South Bay, the Festival featured stellar performances<br />

from 11 dance companies, including Alvin Ailey American Dance Theater, Battleworks, and Paul Taylor Dance Company,<br />

all of which volunteered their time and talent. Christopher Sieber of the sit-com It’s All Relative, served as emcee, and we welcomed<br />

back synchronized swimming’s 2002 National Duet Champions, Bill May and Olympian Kristina Lum, who performed in the stagefront<br />

pool. As appears to have become tradition, the Fire Island Dance Festival culminated in a standing ovation, another great time for<br />

a great cause.<br />

DANCING FOR LIFE: NEW YORK CITY FESTIVAL OF DANCE<br />

DRA hosted three weeks of dance activities ranging from benefit performances, audience appeals, and celebrity performance workshops<br />

to the Danskin ® Masterclass series. The New York City Festival of Dance kicked off with Dancing for Life!, in August in Bryant<br />

Park where companies like Martha Graham Dance Company, Pilobolus, and Dance Theatre of Harlem performed free for the public,<br />

alongside the <strong>you</strong>ng winners of DRA’s Studio of the Year Competition. The Festival also offered celebrity performance workshops<br />

with Ann Reinking, John Selya (Movin’ Out), Kraig Patterson (Mark Morris Dance Group), and Jeff Amsden (A Few Good Men…<br />

Dancin’); and Speak Out, a symposium addressing health issues specific to dancers.<br />

Rebecca Stenn’s Perks-Dance-Music Theatre performing at Dancing for Life! at Bryant Park in New York City, one of the dancers from Spotlight Dance Center in London,<br />

Alvin Ailey American Dance Theater performing at the 9th annual Fire Island Dance Festival.<br />

dancers responding to aids<br />

44


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE STUDIO OF THE YEAR CAMPAIGN AND NEW YORK CITY DANCE ALLIANCE GOES TO LONDON<br />

The nationwide Studio of the Year fundraising competition, raises more than money: it raises awareness about HIV/<strong>AIDS</strong><br />

among kids, giving them an opportunity to become involved and a way to help people living with <strong>AIDS</strong>. Dance studios across the<br />

country compete to raise the most funds for Dancers Responding to <strong>AIDS</strong>, and the winning studio gets a spot in the New York City<br />

Festival of Dance to perform with <strong>Broadway</strong> dancers in the mainstage show. The 2003 winners, making their New York dance debut,<br />

were the students of Rhythm Dance Center from Marietta, GA, who raised over $19,000 for DRA.<br />

Also in 2003, New York City Dance Alliance (NYCDA), with the support of Executive Director Joe Lanteri and the participating<br />

studios, raised almost $80,000 for DRA. The studio that raised the most money – this year, Spotlight Dance Center from<br />

Willoughby Hills, OH, which raised over $21,000 and was named Grand Marshal at the Cleveland <strong>AIDS</strong> Walk because of their<br />

fundraising efforts on behalf of DRA – won a free trip to London and the opportunity to perform at the world-famous Sadler’s Wells<br />

Theatre.<br />

THE REMEMBER PROJECT<br />

The Remember Project, a remembrance to those lost to and living with HIV/<strong>AIDS</strong>, returned to Danspace at St. Mark’s Church on<br />

December 7, 2002. The 12-hour vigil in motion offered dance performances from noon to midnight, from emerging artists to<br />

major companies like Martha Graham Dance Company, Bill T. Jones/Arnie Zane Dance, Mark Morris Dance Group, Merce<br />

Cunningham Dance Company and Susan Marshall & Co. Tony-nominated choreographer Jerry Mitchell and former ABT principal<br />

dancer Susan Jaffe were among the celebrity emcees. Nowhere else could so many different performances be seen together in one<br />

space, making this Remember Project truly a night to remember.<br />

The Peridance Ensemble performing at The Remember Project at historic St. Mark's Church in the East Village, Matt Kent and Emily Kent from Pilobolus at Dancing for Life!,<br />

the DRA Studio of the Year winners from Rhythm Dance Center in Marietta, GA; Joe Lanteri's "New York City Dance Alliance Goes to London" winners –<br />

Spotlight Dance Center from Willoughby Hills, OH, before seeing Chitty, Chitty Bang Bang in the West End.<br />

dancers responding to aids<br />

45


CORPORATE<br />

SUPPORT<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> was fortunate to have the continued support of a broad range of<br />

corporate donors in 2003. As one of the premiere charities representing <strong>Broadway</strong> and the American Theatre, <strong>Broadway</strong> <strong>Cares</strong> is<br />

able to connect major corporate brands with one to the nation’s foremost creative industries. Further, <strong>Broadway</strong> <strong>Cares</strong> is able to<br />

ensure that a corporation’s support reaches into every community in the country through its philanthropic programs. In turn, our<br />

corporate partners are able to build brand loyalty among the millions of people who are in some way associated with <strong>Broadway</strong>, be<br />

it onstage, backstage, or in the audience.<br />

Companies can form partnerships with BC/EFA on a wide range of projects, including one-time event sponsorship, annual<br />

sponsorship packages covering a series of events, cash and in-kind donations that directly support our programs, and specialized<br />

cause-related marketing initiatives.<br />

With the creation of <strong>Broadway</strong> Delivers! in 2001 (see opposite page), a new way for <strong>Broadway</strong> <strong>Cares</strong> and corporations to work<br />

together was born. Many of the events that BC/EFA produced through <strong>Broadway</strong> Delivers! were originally produced for existing<br />

corporate clients such as Anheuser-Busch and Target, but this program has also provided a great way to bring new corporations into<br />

the <strong>Broadway</strong> <strong>Cares</strong> family.<br />

We salute the generous companies that provided major support of our programs in 2003.<br />

A banner from BC/EFA’s two grand sponsors, The New York TImes and Continental Airlines, hangs proudly at the <strong>Broadway</strong> Flea Market and all 2003 BC/EFA events;<br />

Denis O’Hare, Felicia Finley, Tom Wopat, and other <strong>Broadway</strong> stars prepare to throw the first ball at the opening day of The <strong>Broadway</strong> Show League,<br />

sponsored by Anheuser Busch with $50,000 to BC/EFA; Jerry Mitchell <strong>thank</strong>s John Dempsey, President of MAC Cosmetics and Chairman of MAC <strong>AIDS</strong> Fund,<br />

for the $75,000 sponsorship of <strong>Broadway</strong> Bares.<br />

corporate support<br />

46


BROADWAY<br />

DELIVERS!<br />

Custom Corporate Entertainment<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

<strong>Broadway</strong> Delivers! is a fundraising initiative of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, created in 2001<br />

to provide customized <strong>Broadway</strong>-style entertainment for a wide variety of corporate functions, including ground-breakings, store<br />

openings, annual meetings, product launches, conventions, conferences, and more. BC/EFA’s production expertise and access to<br />

the deep well of talent both on and off-<strong>Broadway</strong> has resulted in our being able to successfully provide entertainment whenever and<br />

wherever a corporation needs it. Over the last few years, BC/EFA has received numerous requests, to provide a touch of the cachet<br />

and excitement of <strong>Broadway</strong> to corporate events in and outside of the theatre district. With the help of our friends at The League of<br />

American Theatres and Producers and at Playbill, we have been able to “deliver” on these requests.<br />

<strong>Broadway</strong> Delivers! draws on the phenomenal commitment of the theatre community to <strong>Broadway</strong> <strong>Cares</strong>, offering the<br />

guaranteed magic of “Live <strong>Broadway</strong>,” the <strong>Broadway</strong> brand, as well as the marketing and production expertise associated with the best<br />

of the “Great White Way.” A corporation makes a contribution to BC/EFA, and BC/EFA recruits and rehearses celebrities and<br />

<strong>Broadway</strong> performers, accompanists, and stage managers, customizing an official <strong>Broadway</strong> revue to match the company’s needs.<br />

In 2003, BC/EFA brought a touch of <strong>Broadway</strong> to many events and corporations: The <strong>Broadway</strong> Inspirational Voices helped to<br />

open the new Westin Times Square and The Phantom of the Opera’s Davis Gaines and Miss Saigon’s Margaret Ann Gates performed at<br />

Union Station in Chicago for Glaxo Smith Kline’s physician meeting. Events with our corporate sponsor Target included the Target<br />

Holiday Boat, The Los Angeles Times Festival of Books, and New York is Book Country. When the Hershey’s Store opened in Times<br />

Square, Joey Fatone from Rent and Christopher Sieber from Into The Woods were on hand with the <strong>Broadway</strong> Kids to help unveil the<br />

new sign. The cast of Baz Lurhmann’s La Bohéme appeared at the Bruno Magli store on Fifth Avenue, and Mamma Mia!’s Joe Machota<br />

and Tina Maddigan helped promote The Ford Motor Company’s West Side showroom. When Modell’s opened their newest store<br />

in Times Square, Aida’s Felicia Finley was there to sing for them, as well as at the <strong>Broadway</strong> Show League Opening Day sponsored by<br />

Anheuser Busch. When Bristol Myers Squibb’s launched their newest HIV drug, Reyataz, Annie’s Andrea McArdle, The Phantom of the<br />

Opera’s Davis Gaines and Teri Bibb, and The Lion King’s Chris Jackson entertained at their meeting in Palm Springs. When Red Lobster<br />

opened in Times Square, <strong>Broadway</strong> Delivers was there with the cast of Rent and Frenchie Davis, of “American Idol” fame.<br />

Mamma Mia!’s Joe Machota and Jenny Fellner join Avenue Q’s John Tartaglia (and Rod) at the opening of Applebee’s new restaurant in the theatre district;,<br />

some of the ladies of <strong>Broadway</strong> pose with George Schaeffer, CEO of OPI Products; Andrea McArdle performs for Bristol Myers Squibb,<br />

cast members of Movin’ Out were featured in the 2003 Dooney & Bourke catalog.<br />

broadway delivers!<br />

47


THE ANGELS<br />

CAMPAIGN<br />

PRODUCER<br />

(gifts of $25,000 and up)<br />

Laura M. Boedeker<br />

Anita Jaffe<br />

The Shubert Foundation<br />

THE RICHMOND/ERMET <strong>AIDS</strong> FOUNDATION - SAN FRANCISCO<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

Angels are supporters who make an annual unrestricted contribution of $1,000 or more to support<br />

the vital work of BC/EFA. These gifts are particularly important, as they provide us with a dependable core of donors whose gifts are not related<br />

to the purchase of merchandise and/or event tickets. These funds go directly into our pool of grantmaking dollars, which are in turn distributed<br />

to HIV/<strong>AIDS</strong> services nationwide, and to the myriad of social service and housing programs of The Actors’ Fund of America.<br />

In <strong>Broadway</strong> lingo, an “angel” is an investor in a theatre production; in exchange for that financial investment, angels are traditionally guaranteed<br />

the best seats in the house for the show their dollars have made possible. The Angels Campaign creates a similar tradition for its supporters,<br />

granting BC/EFA Angels VIP status, along with a host of associated benefits.<br />

2003 ANGELS CAMPAIGN<br />

The following individuals, family foundations, and corporations made a contribution to The Angels Campaign in our fiscal year 2003, between<br />

October 1, 2002 and September 30, 2003. Names in bold indicate BC/EFA Archangels, donors who have increased their gift by 25% or more<br />

over the last year.<br />

HOUSE SEATS<br />

(gifts from $10,000 to $24,999)<br />

Paul G. De Vido<br />

Ford Motor Company<br />

Gary Gunas and Bill Rosenfield<br />

The Hargrove Pierce Foundation<br />

Anne Hathaway<br />

The League of American Theatres and Producers<br />

Joe Masteroff<br />

Paul L. Newman/ Newman’s Own<br />

Thomas Schumacher and Matthew White<br />

Bradshaw Smith/<strong>Broadway</strong> Beat<br />

The Ted Snowdon Foundation<br />

in memory of Lori Schmidt<br />

William Morris Agency<br />

ORCHESTRA SEATS<br />

(gifts from $5,000 to $9,999)<br />

Darren Bagert<br />

in memory of Ronnie Brooks<br />

The Barbara and William Rosenthal Family Foundation<br />

the angels campaign<br />

48<br />

The Barrington Foundation, Inc.<br />

Bertsch Family Charitable Foundation<br />

in honor of “Wagon Wheelies”<br />

Aron Bromberg/Abe Raskin Partners Fund<br />

William W. Donnell<br />

The Edith Meiser Foundation<br />

Aaron Frankel<br />

in loving memory of Abetha Aayer Frankel<br />

Jerome S. Glazer, Inc.<br />

Amy Irving<br />

Barbara Ann Klein<br />

in tribute to my city, New York<br />

Paul Libin and Florence Rowe Libin<br />

Suzanne Mados<br />

in honor of my dear friend, Marty Richards<br />

Stephanie and Carter McClelland<br />

Thomas Schumacher and Matthew White<br />

Mr. Telly Zachariades<br />

Anonymous (2)<br />

BOX SEATS<br />

(gifts from $2,500 to $4,999)<br />

Frank Argiro<br />

in loving memory of Robert Argiro<br />

Melvin Bernhardt and Jeff Woodman<br />

Briggs Red Carpet Associates<br />

Chip Deffaa Productions<br />

Mark and Susan Dalton


James W. Dennis<br />

Jamie deRoy<br />

in memory of Rod Hausen<br />

Edward and Lori Forstein<br />

Marianne Ganzer<br />

in memory of John Ganzer<br />

Martin and Perry Granoff<br />

Louise Guthman<br />

William S. Hoover, MD<br />

James C. Hormel<br />

Carl Jacobs<br />

George M. Jacobstein - Rose Brand<br />

Joelson Foundation<br />

The Kaufmann Family Foundation<br />

Barry and Brina Kohn<br />

Jay Laudato and Tom Watson<br />

Paul A. Martino<br />

James L. Nederlander<br />

Phyllis Newman<br />

in honor of Adolph Green<br />

Gilbert Parker<br />

in memory of Richard Bauman<br />

Ruso D. Perkins<br />

Charles L. Ross<br />

in memory of David Carroll<br />

Paul L. and Marion J. Ross<br />

Amy Sherman-Palladino<br />

Margaret (Peg) Small<br />

in memory of Erik<br />

Robin Strasser<br />

in honor of Ed Richmond and Robert Kilgore<br />

The Ziegfeld Club<br />

FRONT MEZZANINE<br />

(gifts from $1,000 to $2,499)<br />

David G. Armstrong and Jeffrey Miller<br />

in memory of Stuart Bailey<br />

The AYCO Charitable Foundation<br />

William R. Bartle<br />

Beech Street Foundation<br />

The Bessie Ratner Foundation<br />

Phil and Mary Beuth<br />

Robert Billig<br />

Mr. Walter Bobbie<br />

Buck Henry Charitable Fund<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

the angels campaign<br />

49<br />

Sidney J. Burgoyne<br />

in memory of the Brubach Boys of Castle Shannon<br />

The Capital Group Companies Charitable Foundation<br />

in honor of Steve Rubin<br />

Frank Carucci<br />

in honor of Maria Di Dia<br />

Stockard Channing<br />

Paula and David Chase<br />

Mr. Thom Christopher and Ms. Judith Leverone<br />

in memory of Thomas Skelton<br />

Michael Clowers and Clay Chaffin<br />

Jo Ann Albano Cohen and James A. Cohen<br />

Thomas Cott<br />

in memory of Philip Carlson<br />

William Craver<br />

Cunningham - Escott - Dipene & Associates, Inc.<br />

Scott Dainton<br />

in honor of Laura Mantell<br />

Tyne Daly<br />

Christopher Durang<br />

Ellen Violett and Mary Thomas Foundation<br />

in memory of Murray Schapiro<br />

Don Ellwood and Sandra Johnigan<br />

Peter Entin and Barbara Janowitz<br />

Angelina Fiordellisi<br />

Jules Fisher<br />

Maggie Flanigan and Richard Dow<br />

Mary Fogarty<br />

The Francesca Ronnie Primus Fund<br />

David Friedman<br />

in memory of Shirley Friedman<br />

Randall Friese<br />

in honor of Robert C. Crandell’s 60th birthday<br />

Jay Garner<br />

Bruce Geismar<br />

Roger Alan Gindi<br />

Dale and Ellyn Glasser<br />

in memory of Steven Glasser<br />

Angela Goldberg<br />

Robert D. Gonzales<br />

in memory of Cameron L. Mason and Charles H. Falls<br />

Michael Greif<br />

in honor of the Rent Company<br />

Harriet and Terry Guin-Kittner<br />

Benjamin M. Hammer


THE ANGELS CAMPAIGN (continued)<br />

Rachel Hammer<br />

Mr. and Mrs. Harry Henshel<br />

Jerry Herman<br />

Ralf D. Hillesland<br />

Craig Horowitz<br />

The Janis and Alan Menken Foundation<br />

Jill Goodson Family Foundation<br />

Joe Allen Restaurant<br />

John Garcia’s “The Column” Theatre Awards<br />

Jason Kantrowitz<br />

Elaine Kend<br />

Kathy Keneally and Tom Marshall<br />

Kite Family Foundation<br />

Norma Langworthy<br />

Mr. and Mrs. Jeffrey Lasdon<br />

Alexander Laslo in memory of Mary Laslo<br />

Lawrence J. Pollock and<br />

Carol A. Pollock Family Foundation<br />

Lindy Linder<br />

in memory of Robert Farber and Christine Swann<br />

Tom Lombardi<br />

William Ludel and Tracy Cohen<br />

Lorna Luft<br />

Larry Luing<br />

Kevin R. Lyle<br />

Manhattan Passport, Ltd.<br />

Arif and Latife Mardin<br />

Marin Mazzie and Jason Danieley<br />

in memory of Gary Bonasorte<br />

John McDaniel<br />

The McGaw Foundation<br />

Keith Miller<br />

Michael Mills and Douglas Loftus<br />

Ira Mont and Jill Cordle Mont<br />

in memory of Bob Borod<br />

Mrs. Claire Mooers<br />

in memory of Ruth Hoefgen<br />

Eric Nederlander<br />

Judith A. Nelson<br />

in memory of Wayne McCarthy<br />

Albert Nocciolino<br />

Alice E. Norris<br />

Michael F. O’Donnell<br />

Orso Restaurant<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

the angels campaign<br />

50<br />

Sally Ann Parsons - Parsons-Meares, Ltd.<br />

in memory of Lee Danser<br />

Wendy Patten<br />

J. Brent Pawlecki, MD<br />

Ralph L. Pellecchio<br />

Pookie Products, Inc.<br />

L. Glenn, Jeffrey, Alex & Marc Poppleton Finn<br />

Richard E. Rauh<br />

Richard F. Walsh/Alfred W. Di Tolla/<br />

Harold P. Spivak Foundation<br />

The Ritter Foundation, Inc.<br />

Dr. Carlos J. Rivera and Dr. Jayne F. Rivera<br />

The Robert K. Scripps Family Foundation<br />

Mickey Rolfe<br />

Amy Rosenthal<br />

Seth Rubenstein<br />

Lori Rubinstein and John McGraw<br />

Samuel L. Phillips Family Foundation<br />

Nick Scandalios<br />

Anthony P. Scheinman<br />

Peter Schneider<br />

Steven Schnepp and Mark Basile<br />

in memory of Paul Penfield and John Heppenstall<br />

Jeffrey Seller<br />

Serino/Coyne<br />

Sh-K-Boom Records<br />

Meryl Streep<br />

Holland V. Taylor<br />

Theatrical Stage Employees Local One/IATSE<br />

David and Deborah Trainer<br />

Troika Entertainment<br />

William and Helen Van Syckle<br />

Joan Melber Warburg<br />

Arthur E. Webster, Esq.<br />

Whittier & Associates, Inc.<br />

Margo Wintersteen<br />

Terrence J. Witter<br />

Carol A. Woods<br />

George R. Zuber<br />

Anonymous (6)<br />

in memory of Martin Worman


MAJOR<br />

DONORS<br />

In addition to The Angels Campaign, significant funds are generated through various BC/EFA annual<br />

and one-time special events, such as The Easter Bonnet Competition, Gypsy of the Year, The <strong>Broadway</strong> Flea Market, and <strong>Broadway</strong> Bares.<br />

Considerable financial support also comes to us through our CareTix and CareCard programs. Contributions from all these sources are among<br />

the most vital to BC/EFA.<br />

The following pages list the names of those who have supported these events and programs with contributions of $1,000 or more<br />

during our fiscal year 2003, from October 1, 2002 to September 30, 2003. Amounts listed are the tax-deductible portion of the<br />

donation, the total gift amount minus any fair market value for goods received.<br />

GIFTS OF $50,000 AND ABOVE<br />

Laurie J. Levinberg<br />

The League of American Theatres and Producers<br />

M.A.C. <strong>AIDS</strong> Fund<br />

Target Stores<br />

GIFTS FROM $25,000 TO $49,999<br />

Bristol-Myers Squibb<br />

Challenge for the Children<br />

James W. Dennis<br />

Dooney & Bourke, Inc.<br />

Dream Team Hotel Association<br />

Federated Department Stores Foundation<br />

GlaxoSmithKline<br />

Hershey’s<br />

Macy’s East Inc.<br />

Adam R. Rose<br />

Anthony P. Scheinman<br />

GIFTS FROM $5,000 TO $9,999<br />

Abbas Abdulaziz<br />

The Absolut Spirits Company<br />

Accesories Council<br />

Kent Allin<br />

Rhonda Baker<br />

Jimmy Buffett<br />

Chaplin Entertainment/Zion Rose Ltd.<br />

Paul Driscoll<br />

Enterprise Events Group Inc.<br />

Estee Lauder Inc.<br />

Brandon Fradd<br />

Michael Gallagher<br />

Mr. Thomas M. Garguilo<br />

Todd Graff<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

Michael G. Gregory<br />

Mickey Zale Heller<br />

Jewish Communal Fund<br />

Mr. Robert Karp<br />

David DonHowe Kean<br />

in loving memory of Norman and<br />

Gwyda DonHowe Kean<br />

David Lai<br />

Harvey Mackay<br />

Dennis and Amy Dolan Malaney<br />

Stephanie and Carter McClelland<br />

Ari H. Moses<br />

Phyllis Newman<br />

in honor of Adolph Green<br />

major donors<br />

51<br />

GIFTS FROM $10,000 TO $24,999<br />

Capezio<br />

Danskin, Inc.<br />

Tim and Judy Dove<br />

Debra Elovitz<br />

GMRI, Inc.<br />

William Goldman - The Fezzik Foundation, Shapiro & Lobel<br />

The Imperial Court of N. Y., Inc.<br />

The Independent Film Channel, LLC<br />

Anita Jaffe<br />

Learning on Location<br />

Connie Nicoud<br />

Quadra Productions, Inc.<br />

Schaeffer Family Foundation<br />

Ted Snowdon<br />

in memory of Carol Levine<br />

Anonymous<br />

P. Gerard Nowicki<br />

Rosie O’Donnell<br />

Anne P. Pinhas<br />

The Pointer Foundation<br />

Craig Re<br />

Ms. Maryetta Saccomano<br />

Shamrock Games<br />

Michael M. Smith<br />

Starbucks Coffee Company<br />

Times Square B.I.D.<br />

Anonymous


MAJOR DONORS (continued)<br />

GIFTS FROM $2,500 TO $4,999<br />

Alan Wasser Associates<br />

The Barbara Walters Charitable Trust<br />

Gail Becker<br />

Benefitnation, Inc.<br />

Jason E. Bernard<br />

The Bessie Rattner Foundation<br />

Lili Bosse<br />

Brian Hilton Bradley<br />

Elizabeth Breslow<br />

Beth Brody<br />

Richard T. Byrnes<br />

Grace M. Cahan<br />

Mr. and Mrs. David Canary<br />

Charles M. Carr<br />

Lewis F. Center<br />

Charley Dog Inc.<br />

Patricia Conway<br />

Gary J. Cooper<br />

Brett Cormier<br />

Gail Covette<br />

Bridget Crudo<br />

Julie F. Cummings<br />

Peter David<br />

DIFFA/National<br />

Stephanie Eisenberg<br />

Don Ellwood and Sandra Johnigan<br />

Cheryl L. Endelson<br />

The Evelyn Sharp Foundation<br />

Feeda My Soul<br />

William B. Fetterman<br />

Don M. Gandy<br />

Michael Gluck<br />

Kathy Speer and Terry Grossman<br />

Mr. and Mrs. Fred Halpern<br />

David A. Harris<br />

Laura and J. M. Hartstein<br />

James C. Hormel<br />

Sally Huxley<br />

Patricia Hyduke<br />

Junior Bus Tours, Inc.<br />

David G. Kabiller<br />

Sandra Kallenberg<br />

Michael S. Kaufman<br />

Michael H. Kerr<br />

Mr. Douglas Warren Kesten<br />

Barbara Ann Klein<br />

in tribute to my city, New York<br />

Dale E. Leff<br />

Mrs. Frances Lewis<br />

Irv H. Lichtenwald<br />

Jeffrey Loria<br />

David C. Ludwigson<br />

Marsh, Inc.<br />

David and Mariana Meyerson<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

Microsmart Corporation<br />

N.M. Leff Foundation, Inc.<br />

Richard Nacht<br />

Oz Sings LLC<br />

The Peter K. Loeb Foundation<br />

Prato Verde Inc.<br />

The Producing Office<br />

Qualified Plan Consultants<br />

Caroline Rhea<br />

The Richmond/Ermet <strong>AIDS</strong> Foundation -<br />

San Francisco<br />

Frances W. Risser<br />

Stanley Roth<br />

Mitchell E. Savage<br />

Dr. Howard Scheiner<br />

Peter Schneider<br />

Janice Schwarz<br />

Jean E. Scott<br />

Mr. Marc Shaiman<br />

Stephen B. Siegel<br />

Mr. Barry Skovgaard and Mr. Marc Wolinsky<br />

SPI Marketing, LLC<br />

Marianne T. Stegeland<br />

Ms. Kathryn L. Stettner<br />

Phil and Merle Wahl<br />

Bernice J. Washington<br />

Robert Welsch<br />

Patricia S. Whitman<br />

Anonymous (2)<br />

GIFTS FROM $1,000 TO $2,499<br />

Sylvia Ablon<br />

Dianne M. Abruzzo<br />

John R. Alchin<br />

All Stars Project, Inc.<br />

K.F. Allen<br />

Henry A. Alpert<br />

Sam Altman<br />

in memory of Murray Schapiro<br />

American Dairy Association &<br />

Dairy Council, Inc.<br />

Michele W. Andelson and Arlen Andelson Esq.<br />

Stanley Anderson<br />

The Andrew Tobias Fund<br />

Toby Ansin<br />

Arielle Tepper Charitable Foundation<br />

Laura S. Armitage<br />

The Arthur Loeb Foundation<br />

Ronald J. Avis<br />

Darren Bagert<br />

in memory of Ronnie Brooks<br />

D. J. Baker<br />

Jamie Baldinger<br />

Bar Imports Corp.<br />

Scott Barasch<br />

major donors<br />

52<br />

Barnes Group Foundation, Inc.<br />

William R. Bartle<br />

Anne Bauknight<br />

Jeffrey Bauman<br />

Edith Beatty<br />

Bonnie L. Becker<br />

William A. Begal<br />

Mr. Brig Berney<br />

Jed W. Bernstein<br />

Marc J. Beshany<br />

Alex Binstock<br />

Blue Angel Inc.<br />

Body Beautiful Spa, Inc.<br />

Sabrina J. Bolus<br />

Bradley L. Booke<br />

Christine Booth<br />

Melissa Boxer<br />

Ann W. Boyer<br />

Jeanne Brodeur<br />

Aron Bromberg - Aron Bromberg/<br />

Abe Raskin Partners Fund<br />

Buena Vista Theatrical Merchandise<br />

James E. Burrows<br />

Joel Busel<br />

Ralph Caccipuoti<br />

Camp <strong>Broadway</strong>, LLC<br />

Heidi Canarelli<br />

David Cantor<br />

Care For Aging Parents, Inc.<br />

Margaret G. Carr<br />

Mary K. Carrington<br />

Alexander W. Casdin<br />

Ronni J. Casty<br />

Ms. Deborah Cavalier<br />

Centaur Entertainment Inc.<br />

Central Park Dance Studio<br />

Charles M. Holmes Foundation<br />

The Chase Manhattan Bank<br />

Jerome S. Clark<br />

J. Kerry Clayton<br />

Stephen M. Clement<br />

Mildred Clinton<br />

Mr. William Alan Coats<br />

Elliott Cohen<br />

Gala Cohen<br />

June Cohen<br />

Lois Cohn<br />

Commerce Bank<br />

Michele I. Conte<br />

Robin Cook-Ferraris<br />

Scott H. Cooper<br />

in honor of Ann Torre Grant<br />

Ms. Tracy Corn<br />

Gail Corvette<br />

Course 43, Ltd.


MAJOR DONORS (continued)<br />

Ralph G. Cranmer<br />

Pam Crutchfield<br />

Mark and Susan Dalton<br />

Tyne Daly<br />

The Dynamic Dance Company<br />

Norberto De La Rosa<br />

Lilian M. De Mauser<br />

Jacqueline E. Dibella<br />

Ms. Patty Dinner<br />

Barbara Dobkin<br />

Helen G. Doppelt<br />

Douglas, Gorman, Rothacker &<br />

Wilhelm Talent Agency<br />

Hermine Douglas<br />

Judith Drasner<br />

Marion Duckworth Smith & Michael M. Smith<br />

Carl Eckman<br />

Edward Sulzberger Foundation, Inc.<br />

Elliott F. Einhorn<br />

Richard Elion<br />

Robert N. Elliott<br />

Shawn Elliott<br />

The Emerging Artists Dance Project<br />

Norman Engelke<br />

Ronald Evans<br />

Barry Fefferman<br />

Ben Feigenbaum<br />

Ms. Joan Feinsod<br />

Maura A. Feldman<br />

Ms. Beth Waters Finston<br />

Angelina Fiordellisi<br />

Maggie Flanigan<br />

Richard Frankel<br />

Lauri Freedman<br />

Randall S. Friese<br />

George Fryhofer<br />

Jay and Gail Furman<br />

Susan and Russell Garrett<br />

Holly Gersh<br />

Edward C. Getty<br />

Julie Gillespie<br />

Gindi Theatrical Management Inc.<br />

Laurie Girsky<br />

Cecile Glass<br />

The Glickman Family Foundation<br />

Elva M. Gonzalez<br />

David and Amy Gorenstein<br />

Mindy Gray<br />

Ken Gray<br />

Michael Graziano<br />

Raymond E. Graziotto<br />

Green Curtain Productions<br />

Michael S. Greenly<br />

The Greenspun Family Foundation<br />

Mr. Dean R. Greer<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

Michael Greif<br />

in honor of the Rent Company<br />

Richard Grey<br />

Michael Gross<br />

Nancy T. Grumbacher<br />

Denis Guidone<br />

Aliza Guren<br />

Richard V. Hamilton<br />

Erma Handel<br />

Mark Hankin<br />

Jeffrey E. Hanson<br />

Elisabeth S. Harding<br />

Harriet Harris<br />

Harrison Dance Studio Inc.<br />

Harter Woo Associates, Inc.<br />

Wendy Hashmall<br />

Lucy Haskell<br />

Alan E. Hassell<br />

Elizabeth Held<br />

Jerry Herman<br />

Patricia G. Hibschman<br />

Ms. Gloria Hicks<br />

Ralf D. Hillesland<br />

Fred P. Hochberg<br />

Sandy Hooper<br />

Craig Horowitz<br />

Byron P. Howard<br />

Mary E. Howard<br />

Richard H. Hoyt<br />

Intimode Canada, Inc.<br />

J.C. Crystal Inc.<br />

Keith Jackson<br />

Craig G. Jacobs<br />

David L. Jacobs<br />

Jim Beam Brands Co.<br />

Stephen Jones<br />

Joseph Kaiser<br />

Karl Kemp & Associates, Ltd.<br />

Karma Foundation<br />

Mel Katz<br />

Aron Katzman<br />

Bill Kelly<br />

Patricia Keneally<br />

Robert Kilgore and Edward Richmond<br />

in loving memory of Dee Kilgore<br />

John J. Klein<br />

Edgar A. Knudson<br />

Bruce and Billy Kolber-Stuart<br />

Kristine Krol<br />

Robert LaBarre<br />

Chad Labenz<br />

Labrador Entertainment<br />

Charles D. Lang<br />

Mary Laslo<br />

Lois K. Lawrence<br />

major donors<br />

53<br />

Alan Leavitt<br />

Michelle Lee<br />

Ronald and Patricia Lee<br />

Mark Leemon<br />

Ms. Wendy LeGum<br />

Albert R. Lepage<br />

Lois Lerner<br />

Bruce Levenson<br />

William S. Levine<br />

Sheri Levine<br />

Carl Levine<br />

Edward S. Lewis<br />

Paul Libin and Florence Rowe Libin<br />

Steven Lichtman<br />

Lighting Components<br />

Lincoln Center for the Performing Arts<br />

Stephen Lindenmuth<br />

Cindy Livengood<br />

Carl D. Lobell<br />

Bruce Loch<br />

Leonard L. Long<br />

Ms. Carolyn A. Lowen<br />

Janine and Peter Lowy<br />

William Ludel and Tracy Cohen<br />

Gregory J. Mack<br />

Richard H. Maidman and Gail Lowe Maidman<br />

Marc Shaiman, Inc.<br />

Stephen Marcus<br />

Evan Marks<br />

Mr. Robert D. Marotta<br />

Glenn Marsh<br />

Karen L. Martinelli<br />

Cathy Maslan<br />

Munehiko Matsuyama<br />

Kimberly Matthews<br />

Kelly McConnaughey<br />

Laurie McFarlin<br />

Paula G. McInerney<br />

Anthony G. McLean<br />

Daniel Meloy<br />

Judd Meltzer<br />

Jordan S. Mersky<br />

Monroe R. Meyerson<br />

Michael Howard Studios<br />

Michigan Jewish <strong>AIDS</strong> Coalition<br />

Microsoft Matching Gifts Program<br />

Steven L. Miller<br />

C. E. Miller<br />

James T. Mitchell<br />

Mark A. Modano<br />

Teresa Reyes and Martin Monas<br />

Michelle Montalbaro<br />

Scott W. Morgan<br />

Mr. Steven E. Motto<br />

MSI Management Services, Inc.


MAJOR DONORS (continued)<br />

Todd Murray<br />

Steven W. Neckman<br />

Scott E. Nederlander<br />

The Nederlander Organization<br />

Sheila Nevins<br />

Ms. Kristin Nieuwenhuis<br />

Robert Nolan<br />

in memory of Kevin Patterson<br />

Tina-Marie Ochoa<br />

Susan Olesky<br />

Frank E. Olszewski<br />

Mr. Jack Orben<br />

Marsha Orloff<br />

Owen Cheatham Foundation<br />

P.O.P.S., Inc.<br />

Karen Pack<br />

Alan G. Parke<br />

Ellen Paternoster<br />

Richard Pazereckas<br />

Thomas J. Pehle<br />

Fred M. Penn<br />

Ms. Mona Penner<br />

A. J. J. Pocock<br />

Cori M. Poff<br />

Patricia A. Polacco<br />

Jerald S. Politzer<br />

Robert A. Prenner<br />

John R. Price<br />

Judy Lynn Prince<br />

Carol A. Prugh<br />

Christopher Radko<br />

Robert Raiff<br />

Susan B. Ramey<br />

Kristin M. Ramey<br />

Mr. G. Remak Ramsay<br />

H. Ken Ranftle<br />

Julie Reyburn<br />

Tina-Corinna Ritz<br />

RMP Restaurant Marketing Plus, Inc.<br />

RMP Travel<br />

Joshua Roberts<br />

Mae Robertson<br />

Peter H. Robinsohn<br />

Diane Romano<br />

Yolanda Ronda<br />

Abby Rosenfeld<br />

Maxine B. Rosenthal<br />

Gloria Rouse<br />

Roy and Shirley Durst Charitable Fund<br />

Richard W. Roycroft<br />

Seth Rubenstein<br />

Audrey H. Rubin<br />

Katherine L. Rudin<br />

Deborah H. Ruppert<br />

Beverly Russell<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

Kimberly P. Russell<br />

Adam Samuels<br />

Harry Sassaman<br />

Dick Scanlan and Alan Effron<br />

Renee S. Schaeffer<br />

Richard Schapiro<br />

Bambi H. Schatz<br />

Steven Schmidt<br />

Robert P. Schneider<br />

Steven Schnepp and Mark Basile<br />

in memory of Paul Penfield and John Heppenstall<br />

Robert Schnipper<br />

Maury D. Schott<br />

Deborah Schultz<br />

Roslyn Schwartz<br />

Lise Scott<br />

Phyllis Scott<br />

The Segal Company (Eastern States), Inc.<br />

Serino Coyne Advertising Inc.<br />

Kimberly S. Sherron<br />

Nobuhiro Shimogori<br />

Arthur Shorin<br />

Bobby Short<br />

Mr. Howard J. Siegel<br />

Harry Silber<br />

Douglas H. Sills<br />

Karen A. Smith<br />

Liz Smith<br />

Robert J. Smolin<br />

Society Of Stage Directors and<br />

Choreographers<br />

Mr. Jerry Sokolow<br />

Jeffrey B. Soref<br />

Edward Stan<br />

Stanton Drama Boosters Club<br />

Ira Statfeld<br />

Mr. and Mrs. David Steiner<br />

Judith S. Steir<br />

Mitchell Stern<br />

Stewart F. Lane & Bonnie Comley Foundation<br />

Seymour Stewart<br />

Stewart-Johnson Dancing Academy<br />

Marvin H. Stockel<br />

Robin Strasser<br />

in honor of Ed Richmond and Robert Kilgore<br />

Joseph Stribula<br />

Patricia R. Strobel<br />

Geraldine Stutz<br />

Shephard Summers & Byron Howard<br />

Steven Sweet<br />

Allen Swerdlick<br />

Tams-Witmark<br />

Theatermania Corp<br />

Theatre of the Stars<br />

Theatrical Stage Employees Local One/IATSE<br />

major donors<br />

54<br />

Thomas Travel<br />

Roger Thomas<br />

Stuart Thompson<br />

Tiger Baron Foundation<br />

Paul R. Trapani<br />

Travel Insites, Inc.<br />

Mr. Joseph F. Tringali<br />

Janice M. Tufo<br />

Mr. and Mrs. Edward Turen<br />

Andrew W. Turner<br />

Glynn D. Turner<br />

Beth M. Uffner<br />

United States Trust Company of New York<br />

United Way of New York City<br />

United Way of Tri-State, Inc.<br />

Sarah Uriarte<br />

V.I.P. Tours of New York<br />

Henry Van Ameringen<br />

Margaret G. Van Sciver<br />

William and Helen Van Syckle<br />

Felicia Velasco<br />

Voxcorp, Inc.<br />

Mr. Eli Wachtel<br />

Honey Waldman<br />

Ric Wanetik<br />

Ms. Bethe Ward<br />

Pam Watanabe-Gerdes<br />

Susan Waterfall<br />

Phyllis Wayne<br />

Cynthia Weinman<br />

Carol Weinstein<br />

Weintraub Family Trust<br />

Louis E. Weiss<br />

Steadman H. Westergaard<br />

Nancy A. Wheeler<br />

Cindy White<br />

Gregg Whitney<br />

Joanne Wiesner<br />

Sterling Wilson<br />

Terrence J. Witter<br />

Scott Wittman<br />

Robert Wu<br />

Lori A. Yaspan<br />

Anne S. Zagorin<br />

Robin Zagorski<br />

Anthony Zelig<br />

Judy Zickler<br />

Joseph R. Zimmel<br />

Mr. Alan J. Zimmermann<br />

Anonymous


PLANNING FOR YOUR FUTURE AND OURS<br />

Gifts made by bequest are a growing source of income for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>. Founded in 1988 and named for<br />

Colleen Dewhurst, the late Actors’ <strong>Equity</strong> Association President who spearheaded the formation of the <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />

Committee (which merged with <strong>Broadway</strong> <strong>Cares</strong> in 1992), The Colleen Dewhurst Society is the planned giving program of<br />

BC/EFA which honors those individuals who have generously included BC/EFA in their will and estate plans.<br />

the following people have provided for an estate<br />

or other planned gift to BC/EFA:<br />

Sam Altman<br />

Melvin Bernhardt and<br />

Jeff Woodman<br />

Katherine Brader<br />

Aron Bromberg<br />

Elizabeth B. Cole<br />

Frank Conway<br />

Erick Devine<br />

Kirsten Felix<br />

Cecelia H. Fink<br />

Ken Glass<br />

Robert D. Gonzales<br />

Christopher C. Harrison<br />

Michael F. Hartig<br />

Melody Henshaw<br />

George K. Jones<br />

Henry Kaplan<br />

Constance Keene<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

THE<br />

COLLEEN DEWHURST<br />

SOCIETY<br />

“I’M SO PROUD OF WHAT WE DO FOR EACH OTHER. THERE ARE<br />

SO MANY PEOPLE WHO THOUGHT THIS THING WOULD NEVER GO,<br />

THAT IT COULDN’T BE DONE. BUT IT HAPPENED ANYWAY BECAUSE<br />

SO MANY PEOPLE CAME FORWARD AND, IN MANY DIFFERENT WAYS,<br />

MADE IT HAPPEN. AND TO THIS VERY DAY, I LOVE YOU ALL FOR THAT.”<br />

Robert Kilgore and<br />

Edward Richmond<br />

Ron Kollen<br />

Belinda J. Kotin<br />

Dorothy Loudon<br />

Michael T. Marino<br />

Gilbert Parker<br />

Julie Ann Richardson<br />

Amy Rosenthal<br />

Paul L. and Marion J. Ross<br />

Stuart Ross<br />

Cheryl Lee Toth<br />

Jay Laudato and Tom Watson<br />

Carolyn Zaput<br />

gifts to bc/efa have been received from<br />

the following estates:<br />

Estate of Louise Alexander<br />

Estate of Walter Alford<br />

Estate of Eva Sully Block<br />

Estate of Robert L. Borod<br />

Estate of Thomas Boyd<br />

Estate of Alice C. Brown<br />

Estate of Dennis Cooney<br />

Estate of<br />

Dolores Gray Crevolin<br />

Estate of Alvin C. Davis<br />

Estate of Joan Houseman<br />

The Estate of Mary L. Laslo<br />

Estate of Richard Lerner<br />

Estate of Paul R. Lipson<br />

Estate of Murray H. Schapiro<br />

Estate of Eileen R. Shields<br />

Estate of<br />

Milton Joseph Tatelman<br />

the colleen dewhurst society<br />

55<br />

COLLEEN DEWHURST<br />

JUNE 1991<br />

Estate of David P. Taylor<br />

Estate of Gwen Verdon


FINANCIAL<br />

STATEMENTS<br />

September 30, 2003 and 2002<br />

INDEPENDENT AUDITORS’ REPORT<br />

Board of Directors<br />

<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc.<br />

New York, New York<br />

Eisner LLP<br />

Accountants and Advisors<br />

750 Third Avenue<br />

New York, NY 10017-2703<br />

Tel 212.949.8700 Fax 212.891.4100<br />

www.eisnerllp.com<br />

We have audited the accompanying statements of financial position of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. as of September<br />

30, 2003 and 2002, and the related statements of activities, functional expenses, and cash flows for the years then ended. These<br />

financial statements are the responsibility of the Organization’s management. Our responsibility is to express an opinion on these<br />

financial statements based on our audits.<br />

We conducted our audits in accordance with auditing standards generally accepted in the United States of America. Those<br />

standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free<br />

of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the<br />

financial statements. An audit also includes assessing the accounting principles used and significant estimates made by<br />

management, as well as evaluating the overall financial statement presentation. We believe that our audits provide a reasonable<br />

basis for our opinion.<br />

In our opinion, the financial statements enumerated above present fairly, in all material respects, the financial position of<br />

<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. as of September 30, 2003 and 2002, and the changes in its net assets and its cash flows<br />

for the years then ended, in conformity with accounting principles generally accepted in the United States of America.<br />

New York, New York<br />

January 9, 2004<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

financial statements<br />

56


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

STATEMENTS OF FINANCIAL POSITION<br />

year ended september 30,<br />

2003 2002<br />

ASSETS<br />

cash and cash equivalents $ 1,696,817 $ 868,574<br />

accounts receivable 47,149 31,851<br />

prepaid expenses and other current assets 77,613 102,089<br />

inventory 169,143 141,927<br />

property and equipment, net 86,893 81,961<br />

security deposit 12,918 11,718<br />

$ 2,090,533 $ 1,238,120<br />

LIABILITIES AND NET ASSETS<br />

accounts payable and accrued expenses $ 196,601 $ 98,899<br />

deferred revenue 40,465 55,190<br />

grants payable 1,294,200 575,000<br />

total liabilities 1,531,266 729,089<br />

commitments (note d)<br />

net assets - unrestricted 559,267 509,031<br />

See notes to financial statements.<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

financial statements<br />

57<br />

$ 2,090,533 $ 1,238,120


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

STATEMENTS OF ACTIVITIES<br />

YEAR ENDED SEPTEMBER 30,<br />

2003 2002<br />

public support and revenue:<br />

contributions $ 9,066,859 $ 7,935,264<br />

special events, net of direct benefit to donors of $390,492 in 2003<br />

and $318,605 in 2002 954,063 930,656<br />

merchandise sales 494,336 423,247<br />

donated goods and services 265,000 80,000<br />

interest and other income 11,571 18,270<br />

total public support and revenue 10,791,829 9,387,437<br />

expenses:<br />

program services:<br />

grants 6,138,469 5,421,676<br />

other program services 1,753,575 1,454,671<br />

total program services 7,892,044 6,876,347<br />

ssupporting services:<br />

management and general 1,257,695 1,124,225<br />

fund-raising 1,591,854 1,337,645<br />

total supporting services 2,849,549 2,461,870<br />

total expenses 10,741,593 9,338,217<br />

INCREASE IN NET ASSETS 50,236 49,220<br />

unrestricted net assets - october 1 509,031 459,811<br />

UNRESTRICTED NET ASSETS - SEPTEMBER 30 $ 559,267 $ 509,031<br />

See notes to financial statements.<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

financial statements<br />

58


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

STATEMENTS OF CASH FLOWS<br />

YEAR ENDED SEPTEMBER 30,<br />

2003 2002<br />

CASH FLOWS FROM OPERATING ACTIVITIES:<br />

increase in net assets $ 50,236 $ 49,220<br />

adjustments to reconcile increase in net assets to net cash provided by<br />

operating activities:<br />

depreciation and amortization 40,294 35,863<br />

donated investments (5,378) (16,503)<br />

changes in:<br />

receivables (15,298) 291,988<br />

prepaid expenses and other current assets 24,476 (40,193)<br />

inventory (27,216) 19,811<br />

security deposits (1,200)<br />

accounts payable and accrued expenses 97,702 43,752<br />

deferred revenue (14,725) 16,278<br />

grants payable 719,200 (125,000)<br />

net cash provided by operating activities 868,091 275,216<br />

CASH FLOWS FROM INVESTING ACTIVITIES:<br />

proceeds from sale of investment 5,378 16,503<br />

purchases of property and equipment (45,226) (16,845)<br />

net cash used in investing activities (39,848) (342)<br />

net change in cash and cash equivalents 828,243 274,874<br />

cash and cash equivalents - october 1 868,574 593,700<br />

CASH AND CASH EQUIVALENTS - SEPTEMBER 1 $ 1,696,817 $ 868,574<br />

SUPPLEMENTAL DISCLOSURE OF CASH FLOW INFORMATION<br />

noncash donation of goods and services $ 265,000 $ 80,000<br />

See notes to financial statements.<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

financial statements<br />

59


NOTES TO<br />

FINANCIAL<br />

STATEMENTS<br />

September 30, 2003 and 2002<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

NOTE A - ORGANIZATION AND SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES<br />

[1] ORGANIZATION:<br />

<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. (the “Organization”) is a not-for-profit entity that raises money to provide grants to<br />

organizations providing assistance for health care to individuals in the entertainment industry (particularly HIV/<strong>AIDS</strong> and<br />

related womens’ health issues) and to organizations and programs nationwide and internationally that provide care and<br />

services to people living with HIV/<strong>AIDS</strong>. Occasionally, the Organization also facilitates the fund-raising capabilities of the<br />

entertainment industry to address an urgent crisis or need, as directed by the Board of Directors.<br />

The Organization is exempt from federal income taxes under Section 501(c)(3) of the U.S. Internal Revenue Code, and from<br />

state and local taxes under comparable laws.<br />

[2] FINANCIAL REPORTING:<br />

(a) Accrual basis of accounting:<br />

The accompanying financial statements of the Organization have been prepared on the accrual basis of accounting and<br />

conform to accounting principles generally accepted in the United States of America as applicable to not-for-profit<br />

entities.<br />

(b) Cash equivalents:<br />

For financial-presentation purposes, cash and cash equivalents include cash invested in highly liquid money-market<br />

accounts.<br />

(c) Functional allocation of expenses:<br />

The cost of providing the various programs and supporting services has been summarized on a functional basis in the<br />

accompanying statements of activities. Accordingly, certain costs have been allocated among the programs and supporting<br />

services in reasonable ratios determined by management.<br />

(d) Use of estimates:<br />

The preparation of financial statements in conformity with generally accepted accounting principles requires<br />

management to make estimates and assumptions that affect the reported amount of assets, liabilities, revenues and<br />

expenses. Actual results could differ from those estimates.<br />

(e) Net assets:<br />

The net assets of the Organization are reported as unrestricted, as there are no donor restrictions on the use of these<br />

assets.<br />

financial statements<br />

60


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

NOTES TO FINANCIAL STATEMENTS<br />

September 30, 2003 and 2002<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

NOTE A - ORGANIZATION AND SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES<br />

(CONTINUED)<br />

[3] REVENUE RECOGNITION:<br />

Contributions:<br />

Contributions are recorded as revenue upon receipt of cash or unconditional pledges. Contributions are considered<br />

available for unrestricted use unless specifically restricted by the donor.<br />

Volunteers:<br />

A substantial number of unpaid volunteers have made significant contributions of their time to the Organization. The<br />

value of this contributed time does not meet the criteria for recognition of contributed services required under generally<br />

accepted accounting principles and accordingly, is not included in the accompanying financial statements.<br />

Special events:<br />

The Organization conducts special events for which the use of the theater may be donated and the performers and<br />

support staff donate their time. A portion of the gross proceeds paid by the attendees represents payment for the direct<br />

cost of the benefits received by the attendees at the event. Unless a verifiable, objective means exists to demonstrate<br />

otherwise, the fair value of entertainment provided at these special events is measured at the cost to the Organization.<br />

The special event income is reported net of the direct costs of the event that are attributable to the benefit that the donor<br />

receives.<br />

Merchandise sales:<br />

The Organization operates a website that sells <strong>Broadway</strong> show related memorabilia.<br />

[4] PROPERTY AND EQUIPMENT:<br />

Property and equipment are reported at their costs at the dates of acquisition or at their fair values at the dates of donation.<br />

Depreciation of furniture and equipment is provided using the straight-line method over estimated useful lives of five years,<br />

and leasehold improvements are amortized using the straight-line method over the term of the underlying lease.<br />

[5] INVENTORY:<br />

Inventory consists of merchandise available for sale and is valued at the lower of cost or market value. Certain items have been<br />

contributed to inventory and have been recorded at their approximate fair values at the dates of contribution. Included in<br />

inventory are original, one-of-a-kind toy bears, each of which is a designer-costumed, collectible “<strong>Broadway</strong> Bear” that is to<br />

be offered at auction during the next fiscal year.<br />

[6] DEFERRED REVENUE:<br />

The revenue from advance ticket sales related to a future year’s event is deferred and recognized as income in the year in which<br />

the performance is held.<br />

financial statements<br />

61


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

NOTES TO FINANCIAL STATEMENTS<br />

September 30, 2003 and 2002<br />

NOTE B - PROPERTY AND EQUIPMENT<br />

At each fiscal year-end, property and equipment consisted of the following:<br />

YEAR ENDED SEPTEMBER 30,<br />

2003 2002<br />

office furniture and fixtures $ 115,280 $ 101,662<br />

equipment 145,825 132,982<br />

leasehold improvements 61,755 42,990<br />

322,860 277,634<br />

less accumulated depreciation (235,967) (195,673)<br />

$ 86,893 $ 81,961<br />

NOTE C - GRANTS PAYABLE<br />

At the end of fiscal-years 2003 and 2002, grants were payable to general grantees in the amounts of $769,200 and $0, respectively,<br />

and to the Actors Fund of America in the amounts of $525,000 and $575,000, respectively. Grants outstanding at the end of each<br />

fiscal-year are expected to be paid in the following fiscal year.<br />

NOTE D - COMMITMENTS<br />

[1] LEASE AGREEMENT:<br />

The Organization rents office space under an operating lease agreement that expires on June 30, 2008. The lease requires<br />

minimum lease payments plus escalation charges. Rent expense for each of the fiscal years ended September 30, 2003 and<br />

2002 was approximately $236,000 and $225,000, respectively. The minimum annual future obligations under this lease are<br />

as follows:<br />

YEAR ENDED SEPTEMBER 30,<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

2004 $ 184,771<br />

2005 190,315<br />

2006 196,024<br />

2007 201,905<br />

2008 154,810<br />

$ 927,825<br />

[2] CONSULTING AGREEMENT:<br />

On October 1, 2002, the Organization entered into a consulting agreement for direct mailing services. The agreement<br />

expires on September 30, 2004. The minimum fee for fiscal-year 2004 is expected to be $27,000.<br />

notes to financial statements<br />

62


BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />

NOTES TO FINANCIAL STATEMENTS<br />

September 30, 2003 and 2002<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

NOTE E - DONATED GOODS AND SERVICES<br />

Contributed goods are recognized at their fair market values at the dates of donation. Contributions of services are recognized<br />

when they are received, if the services (a) create or enhance nonfinancial assets or (b) require specialized skills, are provided by<br />

individuals possessing those skills, and would typically need to be purchased if not donated.<br />

The Organization received donated toy bears of $90,000 and $80,000 in fiscal-years 2003 and 2002, respectively. The<br />

Organization also received an in-kind contribution in the form of donated advertising which was valued at $175,000 in the fiscal<br />

year ending September 30, 2003.<br />

NOTE F - RELATED PARTY TRANSACTION<br />

A director of the Organization is a principal owner of the press agency used by the Organization. Fees paid for services and<br />

expense reimbursements to the press agency were $27,538 and $24,312 for the years ended September 30, 2003 and 2002,<br />

respectively.<br />

For the fiscal-years ended September 30, 2003 and 2002, grants of $525,000 and $575,000, respectively, were paid to the<br />

Actors Fund of America, a not-for-profit organization that has several common board members with the Organization.<br />

NOTE G - CONTRIBUTIONS TO RELIEF EFFORTS<br />

As a result of the terrorist attacks in 2001, various <strong>Broadway</strong> shows collected donations for the relief efforts and submitted these<br />

contributions to the Organization. The Organization in turn distributed these funds, which amounted to approximately<br />

$215,000 in the fiscal year ending September 30, 2002, to appropriate recipients.<br />

NOTE H - RETIREMENT BENEFITS<br />

The Organization has a defined-contribution pension plan formed under U.S. Internal Revenue Code Section 401(k) that covers<br />

all employees who meet certain length-of-service requirements. Participants’ contributions are fully vested at all times, and vesting<br />

of the Organization’s contributions is phased-in over a six-year period. There were no employer contributions made in fiscalyears<br />

2003 and 2002. It is the Organization’s policy to fund pension costs currently.<br />

NOTE I - CONCENTRATION OF CREDIT RISK<br />

The Organization deposits its cash in accounts with major banking institutions. At times, such amounts may be in excess of federal<br />

insurance limits. Management believes that the Organization has no significant risk of loss on these accounts due to the failure of<br />

the institutions.<br />

notes to financial statements<br />

63


CREDITS<br />

Prepared by the BC/EFA<br />

senior staff<br />

Tom Viola<br />

Executive Director<br />

Larry Cook<br />

Director of Finance and<br />

Administration<br />

Michael Graziano<br />

Producing Director<br />

Skip Mooney<br />

Director of Development<br />

through June 2004<br />

Frank Sonntag<br />

Director of Development<br />

as of July 2004<br />

and<br />

Bree Coven<br />

Associate Director of<br />

Development and<br />

Communications<br />

design<br />

Design 158, NYC<br />

BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />

photography<br />

Jay Brady Photography,<br />

Inc.; Kenneth A.<br />

Blauvelt/Studio 66, Rivka<br />

Katvan, J. Henry Fair,<br />

Steve J. Sherman, Joe<br />

Lanteri, Moody Pics.,<br />

Anthony Crickmay,<br />

Chadwick Studios, Howard<br />

T. Cash, Eric Bandiero,<br />

Christopher Economakos,<br />

The Actors’ Fund of<br />

America, and a wealth of<br />

candid photos donated by<br />

BC/EFA volunteers.<br />

printing<br />

Arista Printing &<br />

Computer Graphics<br />

credits<br />

64<br />

BOARD OF DIRECTORS<br />

Paul Libin, President<br />

Alan Eisenberg, Vice President<br />

Patrick Quinn, Second Vice President<br />

Maria Di Dia, Third Vice President<br />

Philip Birsh, Treasurer<br />

Judith Rice, Secretary<br />

BOARD OF TRUSTEES<br />

Cornelius Baker<br />

Scott Barnes<br />

Joseph Benincasa<br />

Jed Bernstein<br />

Chris Boneau<br />

Barry Brown<br />

Kate Burton<br />

Robert Callely<br />

Kathleen Chalfant<br />

Thom Christopher<br />

Sherry Cohen<br />

Alan Cumming<br />

Michael David<br />

B. Merle Debuskey<br />

Paul DiDonato<br />

Sam Ellis<br />

Neal Garelik<br />

Gary Gunas<br />

Charles Hamlen,<br />

ex-officio<br />

Craig Jacobs<br />

Richard Jay-<br />

Alexander<br />

Cherry Jones<br />

Barry Kohn, MD<br />

Nathan Lane<br />

Jay Laudato<br />

Scott Mauro<br />

Michael McElroy<br />

Terrence McNally<br />

Jerry Mitchell<br />

Ira Mont<br />

Bernadette Peters<br />

Martin Richards<br />

Chita Rivera<br />

Jordan Roth<br />

Nick Scandalios<br />

Peter Schneider<br />

Thomas<br />

Schumacher<br />

Marian Seldes<br />

Matthew Serino<br />

Philip Smith<br />

Paul Stevens<br />

Stuart Thompson<br />

Tim Tompkins<br />

Tom Viola,<br />

ex-officio<br />

Fred Vogel<br />

Beth Williams<br />

George C. Wolfe<br />

as of October 1, 2003


42nd STREET AIDA AVENUE Q BEAUTY & THE BEAST<br />

BETTY RULES BOOK OF DAYS BLUE MAN GROUP<br />

CABARET CHICAGO CINDERELLA DANCE OF THE<br />

VAMPIRES DEBBIE DOES DALLAS DEF POETRY JAM<br />

FLOWER DRUM SONG FRANKIE & JOHNNY IN THE CLAIR<br />

DE LUNE THE FOURTH WALL THE FULL MONTY THE<br />

GOAT THE GRADUATE HAIRSPRAY HOLLYWOOD ARMS<br />

I LOVE YOU, YOU’RE PERFECT, NOW CHANGE<br />

IMAGINARY FRIENDS IN REAL LIFE INTO THE WOODS<br />

JESUS CHRIST, SUPERSTAR JOLSON AND COMPANY<br />

JUDY AND ME LA BOHÉME LES MISÉRABLES LIFE<br />

X 3 LOVE JANIS THE LION KING MA RAINEY’S BLACK<br />

BOTTOM MAMMA MIA! MAN OF LA MANCHA MENOPAUSE,<br />

THE MUSICAL METAMORPHOSES MINDFREAK MOVIN’<br />

OUT MY OLD LADY NAKED BOYS SINGING OKLAHOMA<br />

PROOF SOME LIKE IT HOT THE TALE OF THE<br />

ALLERGIST’S WIFE THE PHANTOM OF THE OPERA<br />

THE PRODUCERS RENT SATURDAY NIGHT FEVER<br />

SAY GOODNIGHT,GRACIE STOMP TAKE ME OUT THOROUGHLY<br />

MODERN MILLIE TICK, TICK…BOOM! TONY & TINA’S<br />

WEDDING URINETOWN THE VAGINA MONOLOGUES<br />

VINCENT IN BRIXTON WEST SIDE STORY ZANNA, DON’T<br />

THANK<br />

YOU!<br />

Naked Boys Singing’s George Livengood nearly undressed for the Easter Bonnet Competition, Tina Maddigan and her bear from Mamma Mia!; cast members from 42nd Street<br />

perform at the Gypsy of the Year Competition, Donna Murphy sings “I Happen to Like New York” to close the 2003 Easter Bonnet Competition, cast members from La Bohéme<br />

accept the Best Bonnet Presentation Award, BC/EFA auctioneer extraordinaire, Lorna Kelly.


BROADWAY CARES/<br />

EQUITY FIGHTS <strong>AIDS</strong><br />

165 West 46th Street, Suite 1300<br />

New York, NY 10036<br />

T.212.840.0770<br />

F.212.840.0551<br />

www.broadwaycares.org

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