BC/EFA Annual Report 2004 - Broadway Cares/Equity Fights AIDS
BC/EFA Annual Report 2004 - Broadway Cares/Equity Fights AIDS
BC/EFA Annual Report 2004 - Broadway Cares/Equity Fights AIDS
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BROADWAY<br />
CARES/<br />
EQUITY<br />
FIGHTS<br />
<strong>AIDS</strong><br />
ANNUAL<br />
REPORT<br />
<strong>2004</strong>
THANK<br />
YOU!<br />
42nd STREET A FEW GOOD MEN DANCIN’ A RAISIN<br />
IN THE SUN AIDA AVENUE Q BEAUTY AND THE<br />
BEAST BECKETT/ALBEE BEYOND RECOGNITION<br />
BLUE MAN GROUP BOOBS, THE MUSICAL THE BOY<br />
FROM OZ CABARET CHICAGO DE LA GUARDA<br />
FAME FIDDLER ON THE ROOF FLOWER DRUM SONG<br />
FORBIDDEN BROADWAY THE FULL MONTY GOLDA’S<br />
BALCONY GYPSY HAIRSPRAY I AM MY OWN WIFE<br />
I LOVE YOU, YOU’RE PERFECT, NOW CHANGE<br />
JESUS CHRIST, SUPERSTAR LES MISÉRABLES THE<br />
LION KING LISTEN TO MY HEART LITTLE SHOP OF<br />
HORRORS LYPSINKA MAMMA MIA MENOPAUSE,<br />
THE MUSICAL MORE MOVIN’ OUT NAKED BOYS<br />
SINGING NINE OMINUM GATHERING THE PHANTOM<br />
OF THE OPERA THE PRODUCERS RENT THE<br />
RETREAT FROM MOSCOW SARAH, SARAH STOMP<br />
STRICTLY ACADEMIC TABOO TAKE ME OUT THE<br />
THING ABOUT MEN THOROUGHLY MODERN MILLIE<br />
TWENTIETH CENTURY URINETOWN THE VIOLET<br />
HOUR WICKED WINTERTIME WONDERFUL TOWN<br />
The Easter Bonnet from the cast of 42nd Street; Five “wild boys” present the Bonnet from Movin’ Out; Nathan Lane makes the audience appeal from the stage of The St. James<br />
as Producers’ costars Matthew Broderick and Angie Schworer look on in support; Idina Menzel sings “Help Is On the Way” to close the Bonnet Competition; Hugh Jackman,<br />
Bernadette Peters, and Harvey Fierstein present the awards at The Gypsy of the Year Competition; just a few of the boys from <strong>Broadway</strong> Bares; our own Ziegfeld girl, Doris Eaton<br />
Travis, celebrates her 100th birthday on stage at the Bonnet Competition.
oadway cares/equity fights aids<br />
ANNUAL<br />
REPORT<br />
<strong>2004</strong><br />
TABLE OF CONTENTS<br />
how a dollar makes a difference 2<br />
letter from the president Paul Libin 3<br />
letter from the executive director Tom Viola 4<br />
bc/efa grant-making 5<br />
the actors’ fund of america 6<br />
national grants program 12<br />
national grant totals by state 16<br />
international grants 31<br />
events 33<br />
national support 44<br />
thespian fundraising 45<br />
bc/efa on ebay 46<br />
retail outreach 47<br />
corporate support 48<br />
broadway delivers! 49<br />
dancers responding to aids (dra) 50<br />
classical action: performing arts against aids 52<br />
the maestro program 54<br />
the angels campaign 55<br />
major donors 57<br />
dra donors 62<br />
the colleen dewhurst society 63<br />
financial statements 64<br />
board of trustees and credits 72<br />
Producer Rosie O’Donnell joins the cast of Taboo at Gypsy of the Year; Heather Headley in concert at The New Amsterdam; The <strong>Broadway</strong> Inspirational Voices;<br />
Joey McIntyre joins his cast in selling signed posters from Wicked at The <strong>Broadway</strong> Flea Market; the divine Charles Busch as Mame and the divinest Marian Seldes as<br />
his/her sidekick Vera Charles in the reading of Auntie Mame.<br />
table of contents<br />
1
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
HOW A DOLLAR<br />
MAKES A<br />
DIFFERENCE<br />
<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> is the nation’s leading i ndustry-based, nonprofit <strong>AIDS</strong><br />
fundraising and grant-making organization. <strong>BC</strong>/<strong>EFA</strong> is the ongoing, committed response from<br />
the American theatre community to an urgent worldwide health crisis. By drawing upon the<br />
talents, resources and generosity of this community, <strong>BC</strong>/<strong>EFA</strong> raises funds for <strong>AIDS</strong>-related<br />
causes across the United States. Since its founding in 1988, <strong>BC</strong>/<strong>EFA</strong> has raised over $85<br />
million for critically needed services for people with <strong>AIDS</strong>, HIV or HIV-related illnesses, and<br />
their families.<br />
The fundraising and grant-making success of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> is the result of tens<br />
of thousands of gestures of generosity that come together as one phenomenal show of support. This is never more apparent than in<br />
the audience appeals done twice a year for two six-week periods by the <strong>Broadway</strong>, off-<strong>Broadway</strong> and national touring shows prior to<br />
the annual Gypsy of the Year and Easter Bonnet Competitions. Here is how a single dollar becomes what in <strong>2004</strong> was a record-breaking $6.7*<br />
million campaign.<br />
A theatergoer is moved by the curtain speech made by a member of the cast after the curtain call. In support of <strong>BC</strong>/<strong>EFA</strong> or<br />
simply because it was such a thrill to hear the show’s star informally talk to the audience about our work, he or she puts ONE<br />
DOLLAR into the collection buckets manned by other members of the company and <strong>BC</strong>/<strong>EFA</strong> volunteers. In an average <strong>Broadway</strong><br />
house of 1,800, this means the following:<br />
one generous gesture $ 1<br />
the amount raised at one performance $ 1,800<br />
there are 8 performances a week (x 8) $ 14,400<br />
33 other shows are making the same appeal (x 34) $ 489,600<br />
appeals are made for six weeks (x 6) $ 2,937,0600<br />
twice a year (x 2) $ 5,875,200<br />
Audience appeals are the backbone of <strong>BC</strong>/<strong>EFA</strong>’s yearly fundraising efforts. Of course, money is raised in other ways: through<br />
direct mail and major donor campaigns, corporate sponsorships, merchandise sales, CareTix and CareCards, as well as from ticket<br />
sales for one-time special events. Together all of these efforts allowed <strong>BC</strong>/<strong>EFA</strong> to raise over $13 million in FY <strong>2004</strong>. But without a<br />
doubt, the foundation of this success is built on audience appeals – or to be more specific, the thousands of times one person reaches<br />
into pocket or purse and drops $1 in a volunteer’s bucket.<br />
* Note: FY <strong>2004</strong> will forever be known as the “Year of Hugh Jackman in THE BOY FROM OZ.” During both this fiscal year’s GYPSY OF THE<br />
YEAR and EASTER BONNET Competitions, Hugh led his exuberant cast in raising $632,998 and $539,058 during these two six-week periods for a truly grand<br />
total of $1,172,056. This is certainly the most any one show has ever raised in a single year and in no small way accounts for the record-breaking success of this year’s<br />
two appeal periods.<br />
Cast members from The Producers in the lobby of the St. James Theatre; Hugh Jackman led the way as the company of The Boy from Oz raised $1,172,056<br />
for <strong>BC</strong>/<strong>EFA</strong> in just one season; scores of cast members and <strong>BC</strong>/<strong>EFA</strong> volunteers held buckets like this during two six-week appeal periods;<br />
cast members from Hairspray in the lobby of The Neil Simon.<br />
how a dollar makes a difference<br />
2
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
A LETTER<br />
FROM<br />
THE PRESIDENT<br />
MAY 2005<br />
Dear Friends,<br />
The fiscal year ending September 30, <strong>2004</strong>, was another banner year for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>. The amount of<br />
money raised in support of our cause grew by an unprecedented 27 percent over the previous year – from $10.6 million in 2003 to<br />
$13.6 million this year!<br />
This phenomenal increase in the success of our fundraising efforts solidifies <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> Aids’ position as the<br />
leading industry-based <strong>AIDS</strong> fundraising and grant-making organization in the United States. More importantly, it provides greater<br />
resources from which we are able to support major social service programs for industry professionals at The Actor’s Fund of America<br />
and distribute to direct service providers at more than 500 <strong>AIDS</strong> service organizations throughout the country through our National<br />
Grants Program.<br />
Funding cuts in federal programs across the board make the ongoing financial support of <strong>Broadway</strong> <strong>Cares</strong> more important than<br />
ever to those organizations on the front lines of providing care for those in need. We take great pride in representing the<br />
commitment of the American theatre community in addressing these needs.<br />
I remain awestruck by the incredible amount of cooperation we receive from countless individuals, corporations and industry<br />
professionals who make our success a reality. In addition to the actors making audience appeals on our behalf, we rely on the<br />
dedication and tireless efforts of stage managers, stagehands, ushers, wardrobe personnel and company managers, to name but a few.<br />
We also count on the philanthropic support of corporations and individuals as well as the continued goodwill of the ticket-buying<br />
public at large who have supported our programs this year.<br />
I want to extend my heartfelt gratitude and congratulations to the <strong>BC</strong>/<strong>EFA</strong> trustees and to the entire <strong>BC</strong>/<strong>EFA</strong> staff for all of the<br />
dedicated teamwork that went into making <strong>2004</strong> a benchmark year.<br />
We, the board, staff and volunteers of <strong>BC</strong>/<strong>EFA</strong> appreciate your taking the time to read about our accomplishments in this report.<br />
I hope you take as much pride as I do in realizing what a tremendous difference we were able to make together!<br />
Sincerely,<br />
Paul Libin<br />
President<br />
Avenue Q’s Stephanie D’Abruzzo and Kate Monster at Nothin’ Like a Dame; Mario Cantone, Billy Porter, and Julie Halston lead the opening of Gypsy of the Year;<br />
Mitchel David Federan as “a rather adult” Peter Allen during The Boy from Oz presentation at Gypsy of the Year; our banner proudly hanging in the house<br />
of the beautiful New Amsterdam Theatre, home of The Easter Bonnet Competition; cast members from The Producers outside the St. James at The <strong>Broadway</strong> Flea Market.<br />
a letter from the president<br />
3
A LETTER<br />
FROM<br />
THE EXECUTIVE DIRECTOR<br />
MAY 2005<br />
July, 2005<br />
Dear Friends:<br />
I am very happy and proud to report that FY <strong>2004</strong> (October 1, 2003 – September 30, <strong>2004</strong>) was the most successful year of<br />
fundraising and grant-making in <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>’ history. If I were an artist – I would work in collage. The staff<br />
around here laughs because soon after an event I like to find the time to put up as they say “another one of his collages” made up of<br />
dozens of event photos of all sizes and all overlapping on the cupboards in the kitchen.<br />
There is something about taking in so much at once - seeing how every piece becomes a part of the whole. How a shot of the biggest,<br />
most colorful scene, when taped next to one of an almost incidental moment (not nearly as bright), creates something new and unique<br />
when seen side-by-side. The blur of images, this smattering of colors becomes in total more than any one shot could by itself. It moves.<br />
I go on like this because, in my heart I know that <strong>BC</strong>/<strong>EFA</strong> is at its best, its strongest and its most useful – a collage.<br />
Members of every union and non-union members. Folks who have been in the business for decades, someone who just landed<br />
their first job. Major donors and corporate sponsors as well as the 13-year-old girl from Long Island who sent us a bundle of checks<br />
totaling a couple hundred bucks from her bat mitzvah and the senior citizen in Florida who forwarded a $15 check from the direct<br />
mail appeal and jots shakily on the response card, “I wish it could be more.”<br />
<strong>BC</strong>/<strong>EFA</strong> is audience appeals that raise millions from the efforts of over 50 <strong>Broadway</strong>, off-<strong>Broadway</strong>, and national touring shows<br />
and the high school drama club teacher who sends us a check for $322 donated in cash by his cast of Our Town.<br />
Stars, writers, directors, choreographers, gypsies, actors and those most dear to my heart, stage managers. All the folks working<br />
behind the scenes, front of house and in the pit who in being willing for six weeks, twice a year to leave the theatre 15 minutes later<br />
than usual make our invaluable audience appeals possible. Producers and theatre owners who “give permission”; press agents who<br />
“ask”; company managers who make it work “within a labyrinth of rules”; concessionaires who “turn a generous blind eye” and<br />
another favorite group, the doormen and women who welcome us, delivering messages, requests and all those signed posters.<br />
<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> exists, to quote a masterful writer, because of “each and every one.” It is this blur of<br />
enthusiasm, generosity, good behavior, and idiosyncrasies that is both <strong>BC</strong>/<strong>EFA</strong>’s great blessing and subtle strength. What follows are<br />
many facts and figures. Lists, charts and graphs, as well as lots of event pictures and photos of the people and organizations you’ve<br />
helped <strong>BC</strong>/<strong>EFA</strong> assist. These are our shared history. Someday, someone will call it our shared legacy.<br />
But don’t be lulled into feeling too good. These are difficult days. The fabric of our social safety net, built of over decades of<br />
bi-partisan political action, is today being deliberately frayed at the same time we find more and more individuals and families across<br />
our nation in crisis and need.<br />
I could write a second letter about those in power who choose to exclude rather than embrace, those eager to demonize others<br />
in order to ensure power from the unquestioning. Those who hoard rather than share, spin rather than tell the truth. Smirk rather<br />
than smile. But that is not for now.<br />
Now, I close simply with this: Thank you. I particularly want to express my deep appreciation to <strong>BC</strong>/<strong>EFA</strong>’s Trustees – who watch<br />
our back – and to the <strong>BC</strong>/<strong>EFA</strong> staff who make up its muscle and spine. From our major sponsors to each individual donor - for<br />
being a part of <strong>BC</strong>/<strong>EFA</strong>’s unique collage you have my heartfelt gratitude. And to more accurately quote the brilliant Charles<br />
Dickens... “God bless us; every one!”<br />
Sincerely,<br />
Tom Viola<br />
Executive Director<br />
Sandra Joseph and Hugh Panara, stars of The Phantom of the Opera, with a most adoptable star of <strong>Broadway</strong> Barks; Michael McElroy leads the <strong>Broadway</strong> Inspirational<br />
Voices; cast members from Fiddler on the Roof at The <strong>Broadway</strong> Flea Market; Christopher Sieber gets “hit on” in front of a full house at The New Amsterdam by Avenue Q’s<br />
“Rod” – with a hand from Q star John Tartaglia; Isabel Keating and Stephanie J. Block, stars of The Boy From Oz, at the celebrity table at The <strong>Broadway</strong> Flea Market.<br />
a letter from the executive director<br />
4
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE <strong>BC</strong>/<strong>EFA</strong>’S<br />
GRANT-MAKING HISTORY<br />
1987-<strong>2004</strong><br />
EQUITY FIGHTS <strong>AIDS</strong> was founded in October 1987 by the Council of Actors’ <strong>Equity</strong> Association.<br />
Money raised through the efforts of <strong>Equity</strong> theatre companies across the country was specifically earmarked for The Actors’ Fund<br />
<strong>AIDS</strong> Initiative. BROADWAY CARES was founded in February 1988 by members of The Producers’ Group. Money raised was<br />
earmarked to be awarded to <strong>AIDS</strong> service organizations across the country, including <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />
In May 1992, BROADWAY CARES and EQUITY FIGHTS <strong>AIDS</strong> merged to become BROADWAY CARES/EQUITY FIGHTS<br />
<strong>AIDS</strong>. The Board of Trustees of this newly established not-for-profit fundraising organization assumed the missions of the<br />
previously separate organizations and continues to fund the social service work of The Actors’ Fund and to award grants twice a year<br />
to <strong>AIDS</strong> and family service organizations nationwide.<br />
Unlike most other nonprofit grant-making organizations, <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> must raise every single dollar of<br />
our philanthropic budget each year in order to fulfill our grant-making mission. In turn, <strong>BC</strong>/<strong>EFA</strong> works hard to ensure that the<br />
money raised is spent carefully and wisely on programs both at The Actors’ Fund and at hundreds of social service agencies across the<br />
country where these hard-earned dollars can have maximum impact. An impressive 76 cents of every dollar raised by <strong>BC</strong>/<strong>EFA</strong> goes<br />
directly towards these causes.<br />
<strong>BC</strong>/<strong>EFA</strong>’s grant-making has two emphases. The first is The Actors’ Fund of America. <strong>BC</strong>/<strong>EFA</strong> currently supports six major<br />
programs at The Fund, each of which provides social services, case management and emergency financial assistance to entertainment<br />
industry professionals and performing artists who are in crisis or dealing with a variety of problems including HIV/<strong>AIDS</strong>. The<br />
National Grants Program is our second major grant making effort. Through this program <strong>BC</strong>/<strong>EFA</strong> makes grants to hundreds of<br />
community-based <strong>AIDS</strong> and family service organizations across the country. A detailed description of how we distribute funds and<br />
the programs we support is contained in the following pages.<br />
A HISTORY OF GIVING<br />
ACTORS’ FUND NATIONAL GRANTS TOTAL<br />
GRANTS PROGRAMS GRANTS<br />
EQUITY FIGHTS <strong>AIDS</strong> 1987-may 1992 $ 2,775,250.00 $ 2,775,250.00<br />
BROADWAY CARES 1988-may 1992 $ 1,067,000.00 $ 1,067,000.00<br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
may-december 1992 $ 634,000.00 $ 771,780.00 $ 1,405,780.00<br />
1993 $ 1,654,000.00 $ 1,184,119.00 $ 2,838,119.00<br />
1994 $ 1,758,000.00 $ 676,404.00 $ 2,434,404.00<br />
1995 $ 1,791,000.00 $ 707,916.00 $ 2,498,916.00<br />
1996 $ 2,010,000.00 $ 1,400,549.00 $ 3,410,549.00<br />
1997 $ 2,247,500.00 $ 1,342,200.00 $ 3,589,700.00<br />
1998 $ 2,471,000.00 $ 1,711,819.00 $ 4,182,819.00<br />
1999 $ 2,700,000.00 $ 3,039,841.00 $ 5,739,841.00<br />
2000 $ 2,955,336.00 $ 3,033,566.00 $ 5,988,902.00<br />
2001 $ 2,829,500.00 $ 3,238,765.00 $ 6,068,265.00<br />
2002 $ 2,732,000.00 $ 2,689,676.00 $ 5,421,676.00<br />
2003 $ 3,022,500.00 $ 3,115,969.00 $ 6,138,469.00<br />
<strong>2004</strong> $ 3,360,500.00 $ 4,437,338.00 $ 7,797,838.00<br />
<strong>BC</strong>/<strong>EFA</strong> GRANT-MAKING TOTAL<br />
1987-<strong>2004</strong> $ 32,940,586.00 $ 28,416,942.00 $ 61,357,528.00<br />
the bc/efa grantmaking progam<br />
5
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE ACTORS’ FUND<br />
OF AMERICA<br />
The Actors’ Fund of America provides for the welfare of all who earn their living through employment<br />
in the entertainment industry. The stage manager, dancer or theatrical press agent with <strong>AIDS</strong> and no health insurance, the actor<br />
looking to make a transition into a second career, the retired costume designer having difficulty living on social security and unclear<br />
about his Medicaid benefits, the stage carpenter, company manager or actress facing a crisis around an issue of addiction, the<br />
musician in need of supportive housing – all are part of the entertainment industry and all can find assistance through The Actors’<br />
Fund.<br />
The Actors’ Fund continues the industry tradition of “taking care of its own,” forged more than a century ago when attitudes of<br />
prejudice against people in show business prevailed. The Actors’ Fund served as a catalyst for reducing that discrimination and<br />
integrating theatre professionals into the social, political, and economic aspects of their communities.<br />
Through its partnership with The Actors’ Fund, <strong>BC</strong>/<strong>EFA</strong> touches the lives of thousands of entertainment professionals living<br />
with HIV/<strong>AIDS</strong>, as well as those coping with a variety of other health issues and life challenges.<br />
THE <strong>AIDS</strong> INITIATIVE<br />
The collaboration between <strong>BC</strong>/<strong>EFA</strong> and The Actors’ Fund’s <strong>AIDS</strong> Initiative is a model for how an industry can respond with<br />
effectiveness and compassion to the <strong>AIDS</strong> crisis. The <strong>AIDS</strong> Initiative provides a full spectrum of essential supportive services,<br />
including emergency financial assistance (for basic necessities such as rent, food, health insurance, and non-reimbursable medical<br />
expenses); case management referrals to other sources of community and public assistance, benefits advocacy, vocational retraining,<br />
counseling, and support groups for people with HIV/<strong>AIDS</strong> and their partners, families, and caregivers.<br />
Of the $3,392,000 awarded to The Actors’ Fund by <strong>BC</strong>/<strong>EFA</strong> in <strong>2004</strong>, $1,151,335 was distributed as direct financial assistance<br />
to 552 clients living with HIV/<strong>AIDS</strong> in 22 states through Actors’ Fund offices in New York, Chicago, and Los Angeles. Of this,<br />
$484,373 (42%) was provided for rent payments and $366,293 (32%) for health insurance payments. In addition to underwriting<br />
direct financial assistance, <strong>BC</strong>/<strong>EFA</strong>’s total <strong>AIDS</strong> Initiative grant of $2,100,000 supports personnel, administrative costs, volunteer<br />
needs and other expenses associated with client case management.<br />
the actors’ fund of america<br />
6
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“MY PARTNER AND I WERE BOTH IN THE BUSINESS. WE KEPT HIS ILL-<br />
NESS A SECRET BECAUSE WE WERE SCARED. <strong>AIDS</strong> TAKES EVERYTHING<br />
FROM A PERSON – THEIR JOB, THEIR SECURITY, EVEN THEIR HOME.<br />
BUT <strong>BC</strong>/<strong>EFA</strong> HELPED TAKE THAT FEAR AWAY AND, THROUGH THE<br />
ACTORS’ FUND <strong>AIDS</strong> INITIATIVE, GAVE US IMPORTANT INFORMATION<br />
ABOUT OUR RIGHTS, BENEFITS AND OPTIONS THAT MADE DEALING<br />
WITH THE ILLNESS AND ULTIMATELY THE EMOTIONAL PAIN OF LOSING<br />
HIM POSSIBLE TO BEAR.”<br />
ACTORS’ FUND <strong>AIDS</strong> INITIATIVE CLIENT<br />
“IN MY WILDEST DREAMS, I COULD NEVER HAVE IMAGINED SUCH AN<br />
OUTSTANDING AND SUPPORTIVE PARTNERSHIP AS <strong>BC</strong>/<strong>EFA</strong> AND THE<br />
ACTORS’ FUND <strong>AIDS</strong> INITIATIVE.”<br />
ACTORS’ FUND <strong>AIDS</strong> INITIATIVE CLIENT<br />
<strong>AIDS</strong> INITIATIVE FINANCIAL ASSISTANCE BY CATEGORY<br />
RENT $ 453,302 40%<br />
HEALTH INSURANCE $ 423,603 34%<br />
UTILITIES AND $ 139,225 12%<br />
LIVING EXPENSES<br />
PSYCHOTHERAPY $ 26,630 3%<br />
ALTERNATIVE TREATMENT $ 24,464 2%<br />
DENTAL $ 16,641 1%<br />
OTHER $ 93,144 8%<br />
Changes in the <strong>AIDS</strong> environment have had a significant impact on clients. The effectiveness of protease inhibitors, available<br />
since 1996, has had major service implications as The <strong>AIDS</strong> Initiative shifts from helping people with a fatal disease to assisting those<br />
with a chronic, manageable one. In the past, The <strong>AIDS</strong> Initiative often prepared clients, even asymptomatic ones, for a more<br />
dependent level of functioning – a change that would most likely be imminent for HIV+ individuals. Advances in treatment allow<br />
many to now focus on preparing for independence by helping them build their skills and learn more about the supportive network<br />
that can help them remain highly functional.<br />
the actors’ fund of america<br />
7
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“I AM DEEPLY GRATEFUL FOR THE EMERGENCY ASSISTANCE. I HAVE<br />
SPENT MOST OF MY ADULT LIFE IN THE THEATRE AND HAVE FOUND SO<br />
MANY IN THE PROFESSION TO BE COMPASSIONATE AND CARING, EAGER<br />
TO ASSIST IN TIMES OF TROUBLE. YOUR SUPPORT HAS HELPED ME TO<br />
RESTORE MY DIGNITY.”<br />
ACTORS’ FUND <strong>AIDS</strong> INITIATIVE CLIENT<br />
This change, however, has had a profound effect on the number of clients served by The <strong>AIDS</strong> Initiative. Over the past ten years,<br />
from 1994–<strong>2004</strong>, The Actors’ Fund <strong>AIDS</strong> Initiative has experienced a dramatic decrease in the number of <strong>AIDS</strong>-related deaths,<br />
from almost 50% of its clients in 1994 to 5% in <strong>2004</strong>. While that is encouraging news, the battle is far from over. During this same<br />
time, the number of <strong>AIDS</strong> Initiative clients has more than doubled from 216 in 1994 to 552 in <strong>2004</strong>, including many new clients.<br />
<strong>BC</strong>/<strong>EFA</strong> funding represents 70% of The <strong>AIDS</strong> Initiative’s budget. <strong>BC</strong>/<strong>EFA</strong> continues to work closely with The Actors’ Fund to<br />
provide leadership, coalition building, and the fundraising necessary to keep the promise that we will “take care of our own” for as<br />
long as <strong>AIDS</strong> is with us.<br />
<strong>2004</strong> <strong>AIDS</strong> INITIATIVE CLIENT ENROLLMENT<br />
NUMBER OF CLIENTS PERCENTAGE<br />
actors’ equity* 260 47%<br />
sag* 190 34%<br />
aftra* 153 28%<br />
non-union 145 26%<br />
agma-agva 53 10%<br />
iatse 32 6%<br />
local 802 musicians 19 3%<br />
united scenic artists, wardrobe, directors’ guild,<br />
writers’ guild, dramatists’ guild, and ssd&c 27 5%<br />
total clients in <strong>2004</strong> 552<br />
*based on multiple membership<br />
COMPARISON OF 2003/<strong>2004</strong> CLIENT ENROLLMENT<br />
EASTERN WESTERN MIDWEST TOTAL<br />
2003 <strong>2004</strong> 2003 <strong>2004</strong> 2003 <strong>2004</strong> 2003 <strong>2004</strong><br />
TOTAL CLIENTS 387 382 180 151 14 19 581 552<br />
new cases 37 38 26 16 4 6 66 60<br />
GENDER<br />
male 363 363 173 143 14 17 550 523<br />
female 24 19 7 8 - 2 31 29<br />
<strong>2004</strong> FINANCIAL ASSISTANCE<br />
EASTERN WESTERN MIDWEST TOTAL<br />
$857,661 $273,918 $19,756 $1,151,335<br />
WWW.ACTORSFUND.ORG<br />
the actors’ fund of america<br />
8
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
PHYLLIS NEWMAN WOMEN’S HEALTH INITIATIVE<br />
The Actors’ Fund established the Phyllis Newman Women’s Health Initiative (PNWHI) in 1996 to provide a safety net for women<br />
in the entertainment industry coping with critical health concerns. The Women’s Health Initiative dedicates a range of resources<br />
solely to addressing the health needs and concerns specific to women, providing direct services and financial assistance to many<br />
women who are often without health insurance. In <strong>2004</strong>, the Initiative helped 356 clients confront breast, cervical and ovarian<br />
cancers, domestic violence, chemical dependency, mental health concerns, and other conditions.<br />
The comprehensive nature of the Women’s Health Initiative’s case management approach encompasses employment, economic,<br />
and other factors that impact each client’s ability to fight for her health with maximum success. Caseworkers are effective at helping<br />
women deal with difficulties triggered by medical conditions and the subsequent challenges around financial, psychological and<br />
family issues. They also stay involved with clients on an ongoing basis and provide the support and referrals they need to best cope<br />
with these pressing issues. Counselors offer vital assistance in treatment and recovery, applying for benefits, filing insurance claims,<br />
coordinating childcare, and devising financial plans.<br />
Support groups offered by PNWHI provide a place where women can come together to offer and receive support around issues<br />
ranging from managing chronic physical and mental health conditions to aging in the industry, as well as anti-violence and family<br />
issues. The Women’s HIV Outreach and Education Program offers comprehensive services for women in the entertainment industry<br />
concerned about safer sex, HIV, or other sexually transmitted diseases. In addition, the Women’s Health Initiative provides an<br />
extensive resource library, and access to a vast network of women’s healthcare providers, research studies, and other resources.<br />
In <strong>2004</strong>, PNWHI clients received social services ranging from case management to individual counseling, to assistance in<br />
applying for benefits and coordinating childcare, and were provided with $219,000 in essential financial assistance. An impressive<br />
227 mammograms and 104 gynecological exams were provided at no charge to women in “in the business” without adequate health<br />
insurance at The Actors’ Fund’s Hirschfeld Free Clinic at The Aurora on West 57th Street and Tenth Avenue. <strong>BC</strong>/<strong>EFA</strong> provided<br />
$450,000 to support the Phyllis Newman Women’s Health Initiative in fiscal year <strong>2004</strong> – up from $210,500 in 2003.<br />
“HAPPILY THE MAMMOGRAM WAS NEGATIVE. NOW THAT I AM<br />
EMPLOYED, PLEASE ACCEPT THE ENCLOSED AS A DONATION TO HELP<br />
ANOTHER WOMAN HAVE A MAMMOGRAM. THANK YOU FOR FUNDING<br />
SUCH A WONDERFUL SERVICE. NO ONE SHOULD USE LACK OF<br />
INSURANCE AS A REASON NOT TO BE EXAMINED.”<br />
ACTORS’ FUND WOMEN’S HEALTH INITIATIVE CLIENT<br />
the actors’ fund of america<br />
9
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE AL HIRSCHFELD FREE HEALTH CLINIC<br />
In a situation similar to one that took place in 1987, when The Actors’ Fund created The <strong>AIDS</strong> Initiative in concert with the<br />
establishment of funding support from <strong>Equity</strong> Fight <strong>AIDS</strong>, in 2003 The Actors’ Fund established The Al Hirschfeld Free Health<br />
Clinic with an initial grant of $300,000 from <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />
Dedicated to the memory of the famed <strong>Broadway</strong> caricaturist who died in January 2002 just short of his 100th birthday, The<br />
Hirschfeld Free Health Clinic was initially located in three small offices on the 2nd floor of The Aurora, adjacent to The Colleen<br />
Dewhurst Community Rooms.<br />
In <strong>2004</strong>, <strong>BC</strong>/<strong>EFA</strong> provided an outright grant of $325,000 to The Actors’ Fund for the operation of The Hirschfeld Clinic.<br />
In June <strong>2004</strong>, an additional one-time grant of $300,000 was made to The Fund to pay for The Clinic’s renovation and move to<br />
the 4th floor of The Aurora Residence where it now occupies a suite of offices and examination rooms taking up half the entire floor.<br />
This expansion enables Dr. Jim Spears and his staff to serve double the number of clients who otherwise would lack access to adequate<br />
medical care.<br />
The Hirschfeld Clinic was launched to address the very clear, immediate needs of members of the entertainment community<br />
who are uninsured or underinsured. People who work in the entertainment industry have a high-uninsured rate. They work in<br />
uncertain careers and may not make medical care a priority, ignoring symptoms, concealing diagnoses, and putting off treatment.<br />
With the contributed services of a corps of physician volunteers under the fulltime direction of Dr. Spears and working in<br />
collaboration with the Columbia University College of Physician and Surgeons, The Hirschfeld Clinic provides necessary medical<br />
services and works to prevent illness and emergency room visits that result from neglecting health care.<br />
The clinic provides primary and specialty care, health screenings, and patient education. Lab testing provided through the clinic<br />
is free to uninsured patients. The clinic is open five days a week and has a physician on-call even when closed. Primary care includes<br />
routine preventive medical care, ongoing management of medical problems, and urgent sick visits. A primary care doctor provides<br />
specialty care following an evaluation. Then a referral is made to a specialist – whenever possible, to a volunteer specialist at the clinic.<br />
Preventative care includes flu vaccinations, mammograms, prostate exams, breast examinations, tuberculosis and diabetes screening,<br />
blood pressure and cholesterol testing, and vision screening.<br />
At a series of annual health fairs offered in partnership with New York Presbyterian Hospital and Better Wellness and You<br />
(BWAY), the clinic provides diagnostic screenings on a broader scope, including blood glucose levels, blood pressure measurements,<br />
blood cholesterol levels, and mammograms to hundreds of health fair participants.<br />
The Hirschfeld Clinic physicians are sensitive to these health issues and aware of the warning signs of neglect, malnutrition,<br />
substance abuse, and mental health concerns. If needed, eligible patients are also referred to The Actors’ Fund social service<br />
programs, through which they may receive individual counseling, referrals, and financial assistance toward living expenses. Many<br />
individuals who receive social services and case management at The Actors’ Fund first made contact at an initial visit to The<br />
Hirschfeld Clinic.<br />
<strong>BC</strong>/<strong>EFA</strong> considers its support for The Hirschfeld Free Health Clinic to be an important new priority in the catalogue of services<br />
offered by The Actors’ Fund.<br />
In <strong>2004</strong>, doctors at The Hirschfeld Clinic saw 951 patients, providing a total of 1,716 client visits in such areas as dermatology,<br />
family and general medicine, infectious diseases, and internal medicine.<br />
the actors’ fund of america<br />
10
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE ACTORS’ WORK PROGRAM<br />
As <strong>AIDS</strong> Initiative clients with longer life expectancies were shifting their focus from dealing with an immediate critical illness<br />
to managing a chronic condition, their needs evolved to include back-to-work issues. With this in mind, the <strong>AIDS</strong> Training and<br />
Education Project (ATEP) of The Actors’ Work Program (AWP) was created by The Actors’ Fund in 1998 to prepare <strong>AIDS</strong> Initiative<br />
clients to either return to work or participate in meaningful activity outside the home. Counselors work with clients responding well<br />
to protease/anti-viral regimens to help them deal with the important implications of suddenly increased life expectancies, including<br />
the challenge of returning to the workplace, both inside and outside the entertainment industry.<br />
Many people with <strong>AIDS</strong> considering a return to the workplace in a non-performing capacity lack the resources necessary to<br />
make such a career change. They must also consider the impact such a decision will have on issues such as health insurance and<br />
entitlements, as well as the limitations imposed by side effects of their medications. ATEP counselors work with clients to assess<br />
their health status, interests, and skills; to design individualized action plans; and to identify appropriate educational, volunteer,<br />
and employment opportunities. Counseling, tuition assistance, and referrals to community resources help ATEP clients achieve<br />
these goals. <strong>BC</strong>/<strong>EFA</strong> supported the Actors’ Work Program’s <strong>AIDS</strong> Training and Employment Project with $185,000 in <strong>2004</strong> – up<br />
from $170,000 in 2003.<br />
AFFORDABLE HOUSING INITIATIVES<br />
Recognizing that an affordable, safe, and supportive place to live is the foundation of every person’s ability to fight for and<br />
maintain his or her health, <strong>BC</strong>/<strong>EFA</strong> has been a long-time supporter of The Actors’ Fund’s affordable housing initiatives. From 1997<br />
to 2001, <strong>BC</strong>/<strong>EFA</strong> provided $750,000 of support to The Aurora Residence in New York City, a 30-story apartment building<br />
providing 178 units of supportive housing for people with HIV/<strong>AIDS</strong>, seniors, and low-income working professionals.<br />
From 1998-2002, <strong>BC</strong>/<strong>EFA</strong> provided $250,000 of support to The Palm View Residence in Los Angeles, a 40-unit garden<br />
apartment complex that provides low-cost supportive housing to people with <strong>AIDS</strong>. The Palm View, which also has an on-site<br />
resident services coordinator, is a collaborative project between The Actors’ Fund, the West Hollywood Housing Corporation,<br />
Housing for Entertainment Professionals, and funders like <strong>BC</strong>/<strong>EFA</strong>.<br />
PHYSICIAN VOLUNTEERS FOR THE ARTS<br />
Although Physician Volunteers for the Arts has not been a part of the services provided by The Actors’ Fund since 2002, <strong>BC</strong>/<strong>EFA</strong><br />
continues to provide financial assistance for its programs helping the <strong>Broadway</strong> theatre community. In <strong>2004</strong>, a $17,000 grant from<br />
<strong>BC</strong>/<strong>EFA</strong> helped Dr. Barry Kohn and PVA provide 1,500 flu shots backstage at <strong>Broadway</strong> shows, in the offices of theatre-related<br />
organizations, as well as to seniors and those with compromised health issues at Actors’ <strong>Equity</strong> for the general membership. We thank<br />
Dr. Kohn for also extending his services to The Actors’ Fund Home in Englewood, New Jersey, and to clients at New York’s Callen-<br />
Lorde Community Health Clinic.<br />
the actors’ fund of america<br />
11
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NATIONAL GRANTS<br />
PROGRAM<br />
Active since 1987, <strong>BC</strong>/<strong>EFA</strong>’s National Grants Program has become one of the largest of its kind in the<br />
United States. A report published by Funders Concerned About <strong>AIDS</strong> showed that <strong>BC</strong>/<strong>EFA</strong> ranked sixth in the nation in terms of<br />
grant dollars disbursed for HIV/<strong>AIDS</strong>, just behind The Bill and Melinda Gates Foundation and The Ford Foundation, and ahead<br />
of such longstanding philanthropic powerhouses as the Rockefeller Foundation, The New York Community Trust, and the<br />
California Endowment, among others. This achievement is a result of the rapid growth in our fundraising, and as a result, in our<br />
grant-making, over the past several years.<br />
From the outset, <strong>BC</strong>/<strong>EFA</strong>’s grants program has been fast, simple, and efficient. A concise two-page application allows us to make<br />
disbursements twice a year to hundreds of community-based organizations, an unusual feature among top <strong>AIDS</strong> grant-makers, and<br />
one that we have learned over the years is meaningful to relatively small organizations. The majority of these grassroots organizations<br />
operate on bare-bones budgets, but still manage to have significant impact on their own communities.<br />
The National Grants Program for Community-Based Organizations (CBOs) at <strong>BC</strong>/<strong>EFA</strong> attempts to address the ongoing and<br />
unmet needs of these <strong>AIDS</strong> and family service organizations. Because <strong>AIDS</strong> is not just a single disease, but a combination of epidemics<br />
exacerbated by discrimination and poverty, our grants in this category are geared to those organizations that are providing case<br />
management, food, housing, transportation, emergency financial assistance, emotional support, and non-reimbursable and<br />
emergency medical expenses.<br />
In <strong>2004</strong>, <strong>BC</strong>/<strong>EFA</strong>’s National Grants Committee awarded grants totaling $3,235,000 to over 564 <strong>AIDS</strong> and family service<br />
organizations in 49 states, Washington, DC, and Puerto Rico. (See the list of agencies by city and state, beginning on page 16).<br />
In 2002, a subset of the National Grants Program, called simply National Grants II, was created to allow <strong>BC</strong>/<strong>EFA</strong> to support,<br />
at a higher level, organizations serving large metropolitan areas or doing advocacy work that impacts the entire network of <strong>AIDS</strong><br />
service providers, many of which have received financial support through <strong>BC</strong>/<strong>EFA</strong>’s longtime grants program for more than a decade.<br />
In <strong>2004</strong>, <strong>BC</strong>/<strong>EFA</strong> awarded an additional $340,000 to 20 nationally recognized <strong>AIDS</strong> service and advocacy organizations<br />
through National Grants II.<br />
national grants program<br />
12
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“THREE YEARS AGO A GRANT FROM <strong>BC</strong>/<strong>EFA</strong> HELPED US PURCHASE A<br />
FORD WINSTAR VAN, THE BACKBONE OF OUR TRANSPORTATION PRO-<br />
GRAM. THE RECENT GRANT FROM <strong>BC</strong>/<strong>EFA</strong> WILL COVER THE COSTS OF<br />
TRANSPORTING OUR RESIDENTS TO MEDICAL, DENTAL AND COUNSEL-<br />
ING APPOINTMENTS AND RECREATIONAL EXCURSIONS THIS YEAR.<br />
THANKS FOR RECOGNIZING THE IMPORTANCE OF ACCESS TO TRANS-<br />
PORTATION FOR CLIENTS NOT LIVING NEAR PUBLIC TRANSPORTATION.<br />
YOUR SUPPORT IS GREATLY APPRECIATED.”<br />
<strong>AIDS</strong> COMMUNITY RESIDENCE ASSOCIATION<br />
DURHAM, NC<br />
“HUGS TO ALL WHO WORK SO HARD TO MAKE OUR FUNDING<br />
POSSIBLE.”<br />
HOUSTON CHALLENGE FOUNDATION<br />
HOUSTON, TX<br />
NATIONAL GRANTS II<br />
March <strong>2004</strong>, $340,000 awarded to 121 organizations<br />
CITY NUMBER OF ORGANIZATIONS AMOUNT<br />
WASHINGTON, DC 6 $75,000<br />
<strong>AIDS</strong> Action Foundation, <strong>AIDS</strong> Alliance for Children, Youth and Family, Global Network of People with <strong>AIDS</strong> – North America,<br />
National Association of People with <strong>AIDS</strong>, National Minority <strong>AIDS</strong> Council, Whitman-Walker Clinic<br />
NEW YORK, NY 8 $135,000<br />
<strong>AIDS</strong> Vaccine Advocacy Coalition, Callen-Lorde Community Health Center, Funders Concerned About <strong>AIDS</strong>, GMHC, God’s Love We Deliver,<br />
Harlem United, Hetrick-Martin Institute, New York <strong>AIDS</strong> Coalition<br />
SAN FRANCISCO, CA 2 $50,000<br />
Project Inform, San Francisco <strong>AIDS</strong> Foundation<br />
BOSTON, MA; CHICAGO, IL; LOS ANGELES, CA; SEATTLE, WA 4 $80,000<br />
<strong>AIDS</strong> Action Committee of Massachusetts, <strong>AIDS</strong> Foundation of Chicago, <strong>AIDS</strong> Project Los Angeles, Black <strong>AIDS</strong> Institute, Lifelong <strong>AIDS</strong> Alliance<br />
TOTAL $340,000<br />
(This is an increase of $125,000 over 2003’s total of $215,000 given to 16 organizations.)<br />
Since a large portion of the money raised for <strong>BC</strong>/<strong>EFA</strong> comes directly from theatre audiences across America, not just New York,<br />
we are committed to assisting the full spectrum of communities affected by <strong>AIDS</strong>. By making grants to diverse organizations<br />
nationwide, <strong>BC</strong>/<strong>EFA</strong> is able to give back to those very communities that allow us to create a safety net for those in the entertainment<br />
industry through the services of The Actors’ Fund.<br />
Since its founding in 1988 through <strong>2004</strong>, over $25 million has been distributed by <strong>BC</strong>/<strong>EFA</strong> through its National Grants<br />
Programs.<br />
The <strong>BC</strong>/<strong>EFA</strong> Grants Committee is comprised of individuals representing a diverse range of <strong>AIDS</strong> service providers and<br />
populations affected by <strong>AIDS</strong>, as well as members of the theatrical fundraising family.<br />
national grants program<br />
13
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“WE ARE VERY GRATEFUL FOR YOUR SUPPORT AND YOUR CONFIDENCE<br />
IN OUR ABILITY TO SERVE POOR AND HOMELESS WOMEN AND<br />
CHILDREN. WHAT BEGAN AS A SIMPLE SOUP KITCHEN HAS GROWN<br />
INTO A COMMUNITY CENTER. WE OFFER A SANCTUARY WHERE<br />
VULNERABLE WOMEN FIND REFUGE, WHERE DESPAIR COLLIDES WITH<br />
HOPE AND WHERE JUSTICE CONFRONTS OPPRESSION. WITH THE<br />
HELP OF BROADWAY CARES, MIRACLES HAPPEN EVERYDAY HERE AT<br />
ROSIE’S PLACE. THANK YOU.”<br />
ROSIE’S PLACE<br />
BOSTON, MA<br />
“THANK YOU SO MUCH FOR THE $5,000 GRANT FOR OUR POSITIVE<br />
DIRECTIONS PROGRAM. YOUR CONTINUED SUPPORT ALLOWS US TO<br />
PROVIDE OUR CLIENTS WITH ACCESS TO SERVICES THAT HELP THEM<br />
IMPROVE THEIR HEALTH AND AVOID A RETURN TO THE STREETS”<br />
PETER & PAUL COMMUNITY SERVICES<br />
ST. LOUIS, MI<br />
GRANT DOLLAR AMOUNTS IN THOUSANDS (Number of organizations receiving grants)<br />
$39.5<br />
(7)<br />
$435.0<br />
(69)<br />
$64.0<br />
(11)<br />
$25<br />
(5)<br />
AK<br />
10.0<br />
(1)<br />
$13.5<br />
(3)<br />
$10.0<br />
(1) $55.0<br />
(10)<br />
$45.0<br />
(8)<br />
$10.0<br />
(2)<br />
$15.5<br />
(5)<br />
HI<br />
$10.0<br />
(1)<br />
$10.0<br />
(1)<br />
$15.0<br />
(2)<br />
$35.0<br />
(5)<br />
$186.0<br />
(28)<br />
$47.5<br />
(8)<br />
$22.5<br />
(3)<br />
$21.0<br />
(4)<br />
$88.5<br />
(14)<br />
$57.5<br />
(8)<br />
$18.5<br />
(4)<br />
$27.5<br />
(4)<br />
$82.5<br />
(15)<br />
$10.0<br />
(1)<br />
PR<br />
$45.0<br />
(6)<br />
$38.0<br />
(6)<br />
$37.5<br />
(8)<br />
$45.5 (9)<br />
$60.0<br />
(7)<br />
$62.5<br />
(8)<br />
$7.5<br />
(1)<br />
$47.5<br />
(6)<br />
$107.5<br />
(17)<br />
$22.5<br />
(5)<br />
$97.0<br />
(19)<br />
$42.0<br />
(10)<br />
$87.0<br />
(14)<br />
$263.5<br />
(43)<br />
$712.5<br />
(120)<br />
$31.5<br />
(7)<br />
VT $ 27.0 (3)<br />
NH $ 22.5 (4)<br />
MA $ 76.0 (15)<br />
RI $ 10.0 (1)<br />
CT $ 31.0 (7)<br />
NJ $105.0 (17)<br />
DE $ 10.0 (2)<br />
MD $ 50.0 (9)<br />
DC $182.5 (21)<br />
key<br />
$100,000 and above<br />
$50,000 and above<br />
$25,000 and above<br />
$10,000 and above<br />
Note: This map represents only National Grants and National Grants II (not supplemental/emergency grants, red ribbon purchases, and benefit and community relation support).<br />
national grants program<br />
14
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
<strong>BC</strong>/<strong>EFA</strong> GRANT COMMITTEE DISBURSEMENTS FISCAL YEAR <strong>2004</strong><br />
food services $ 909,000 154 28%<br />
Food banks and pantries, congregate and delivered meals<br />
direct services $ 647,000 107 20%<br />
Including case management, housing programs, personal care services and transportation<br />
programs<br />
emergency financial $ 655,000 123 20%<br />
assistance<br />
one-time expenses $ 529,000 77 16%<br />
Covers such expenses as purchase or repair of transportation van, purchase of food service<br />
equipment, renovation of kitchen space, and communication equipment upgrade<br />
substance abuse and $ 250,500 45 8%<br />
harm reduction services<br />
quality of life services $ 245,000<br />
Youth activity programs, retreats, veterinary services<br />
58 8%<br />
total $3,235,000 564 100%<br />
Note: These are only grants awarded by <strong>BC</strong>/<strong>EFA</strong>’s Grants Committee. These do not include<br />
supplemental and emergency grants approved by the senior staff.<br />
national grants program<br />
15
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NATIONAL GRANTS<br />
BY STATE<br />
JULY 14, <strong>2004</strong><br />
STATE CITY ORGANIZATION AMOUNT<br />
ALASKA Anchorage Alaskan <strong>AIDS</strong> Assistance Association $10,000<br />
STATE TOTAL: $10,000<br />
ALABAMA Auburn East Alabama <strong>AIDS</strong> Outreach $10,000<br />
Birmingham <strong>AIDS</strong> Alabama $10,000<br />
Birmingham Birmingham <strong>AIDS</strong> Outreach $10,000<br />
Huntsville <strong>AIDS</strong> Action Coalition/Davis Clinic $5,000<br />
Mobile Mobile <strong>AIDS</strong> Support Services $5,000<br />
Montgomery Montgomery <strong>AIDS</strong> Outreach $10,000<br />
Tuscaloosa West Alabama <strong>AIDS</strong> Outreach, Inc. $10,000<br />
STATE TOTAL: $60,000<br />
ARKANSAS El Dorado South Arkansas <strong>Fights</strong> <strong>AIDS</strong> $10,000<br />
Little Rock Arkansas <strong>AIDS</strong> Foundation $10,000<br />
Little Rock Positive Voices $5,000<br />
Little Rock Ward’s of Serenity $2,500<br />
STATE TOTAL: 27,500<br />
ARIZONA Chinle Navajo <strong>AIDS</strong> Network, Inc. $5,000<br />
Phoenix Agape Network $5,000<br />
Phoenix <strong>AIDS</strong> Project Arizona $5,000<br />
Phoenix Body Positive, Inc. (Phoenix) $5,000<br />
Phoenix Joshua Tree Feeding Program $2,500<br />
Phoenix Mercy Services Corporation/Mercy Housing $2,500<br />
Phoenix Phoenix Shanti Group $10,000<br />
Tucson Southern Arizona <strong>AIDS</strong> Foundation $10,000<br />
STATE TOTAL: $45,000<br />
CALIFORNIA Camarillo Ventura County <strong>AIDS</strong> Partnership $5,000<br />
Cathedral City Working Wonders $2,500<br />
national grants program<br />
16
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“THANK YOU FOR THE RECENT AWARD. FOR AN ORGANIZATION SUCH<br />
AS OURS, YOUR $5,000 GRANT MAKES A TREMENDOUS DIFFERENCE IN<br />
OUR MEETING THE IMMEDIATE EMERGENCY NEEDS OF OUR CLIENTS<br />
THAT CANNOT BE MET BY MORE BUREAUCRATIC FUNDING SOURCES.”<br />
THE WOMEN’S COLLECTIVE<br />
WASHINGTON, D.C.<br />
STATE CITY ORGANIZATION AMOUNT<br />
CALIFORNIA Escondido Fraternity House, Inc. $4,000<br />
CONTINUED Garden Grove Gay & Lesbian Community Services Center of Orange County $10,000<br />
Guerneville Pets Are Loving Support $5,000<br />
Irvine <strong>AIDS</strong> Services Foundation Orange County (ASF) $5,000<br />
Los Angeles Asian Pacific <strong>AIDS</strong> Intervention Team $2,500<br />
Los Angeles BIENSTAR Human Services $2,500<br />
Los Angeles Camp Laurel Foundation $5,000<br />
Los Angeles Caring for Children and Families with <strong>AIDS</strong> $5,000<br />
Los Angeles Project Angel Food $5,000<br />
Monterey John XXIII <strong>AIDS</strong> Ministry $5,000<br />
North Hollywood Valley Community Clinic $5,000<br />
Palm Springs Desert <strong>AIDS</strong> Project $10,000<br />
Palmdale Sunrise HIV/<strong>AIDS</strong> Coalition $2,500<br />
Pasadena <strong>AIDS</strong> Service Center $5,000<br />
Pasadena Serra Project $10,000<br />
Redding Shasta - Trinity - Tehama HIV Food Bank $10,000<br />
Redwood City <strong>AIDS</strong> Community Research Consortium $2,500<br />
Riverside Inland <strong>AIDS</strong> Project $2,500<br />
Rohnert Park Sunburst Projects $5,000<br />
Sacramento Breaking Barriers Community Services Center $5,000<br />
San Bernardino Central City Lutheran Mission $10,000<br />
San Diego Auntie Helen’s Fluff ‘n’ Fold $10,000<br />
San Diego Being Alive San Diego $5,000<br />
San Diego Christie’s Place $5,000<br />
San Diego Hemophilia Association of San Diego County $2,000<br />
San Diego Karibu Center for Social Support and Education $10,000<br />
San Diego Mama’s Kitchen, Inc. $10,000<br />
San Diego SouthEast Abundant Resources (S.E.A.R.) $10,000<br />
San Diego Special Delivery San Diego $10,000<br />
San Diego Townspeople, Inc. $10,000<br />
San Francisco Acupuncture and Recovery Treatment Services $2,500<br />
San Francisco <strong>AIDS</strong> Emergency Fund $5,000<br />
San Francisco <strong>AIDS</strong> Legal Referral Panel $5,000<br />
San Francisco <strong>AIDS</strong>, Medicine and Miracles $1,000<br />
San Francisco Bay Area Young Positives $2,500<br />
San Francisco Black Coalition on <strong>AIDS</strong> $2,500<br />
San Francisco Continuum $10,000<br />
San Francisco Dolores Street Community Services $5,000<br />
San Francisco Healing Waters / The Tides Center $5,000<br />
San Francisco Immune Enhancement Project $10,000<br />
San Francisco Maitri $10,000<br />
San Francisco New Leaf: Services for Our Community $5,000<br />
San Francisco Project Open Hand $10,000<br />
San Francisco Quan Yin Healing Arts Center $2,500<br />
San Francisco Rita da Cascia/Positive Match $2,500<br />
San Francisco San Francisco Suicide Prevention – <strong>AIDS</strong>/HIV Nightline $5,000<br />
San Francisco Shanti $5,000<br />
San Francisco Tenderloin <strong>AIDS</strong> Resource Center $10,000<br />
San Jose Combined Addicts and Professional Services (CAPS) $5,000<br />
national grants program<br />
17
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“THANK YOU FOR THE RECENT $5,000 GRANT. IT WILL LITERALLY<br />
ENABLE US TO CONTINUE HELPING TO FEED FAMILIES LIVING WITH<br />
<strong>AIDS</strong> WITHOUT HAVING TO SAY ‘NO.’ <strong>BC</strong>/<strong>EFA</strong> GRANTS HELP US GET<br />
THROUGH THE YEAR. THEY KEEP THE PANTRY FILLED.”<br />
PROJECT RESPONSE <strong>AIDS</strong> CENTER<br />
FORT PIERCE, FL<br />
STATE CITY ORGANIZATION AMOUNT<br />
CALIFORNIA San Jose Health Connections $2,500<br />
CONTINUED San Jose Positive Resources of Santa Clara County $2,500<br />
San Luis Obispo San Luis Obispo County <strong>AIDS</strong> Support Network $10,000<br />
San Marcos North County Health Services HIV/<strong>AIDS</strong> Case Management $3,000<br />
San Rafael Marin <strong>AIDS</strong> Project $2,500<br />
San Rafael Meals of Marin (MOM) $5,000<br />
Santa Monica Westside HIV Community Center – Common Ground $5,000<br />
Santa Ana Mercy House Transitional Living Centers $5,000<br />
Santa Barbara Pacific Pride Foundation $2,500<br />
Santa Cruz Santa Cruz <strong>AIDS</strong> Project $2,500<br />
Sheep Ranch Catherine’s House $2,500<br />
West Hollywood Aid for <strong>AIDS</strong> (CA) $5,000<br />
West Hollywood Being Alive People with <strong>AIDS</strong> Action Coalition $5,000<br />
West Hollywood Pets Are Wonderful Support (PAWS/LA) $7,500<br />
STATE TOTAL: $360,000<br />
COLORADO Boulder Boulder County <strong>AIDS</strong> Project $5,000<br />
Colorado Springs Southern Colorado <strong>AIDS</strong> Project (S-CAP) $2,500<br />
Denver Colorado <strong>AIDS</strong> Project/Colorado Health Network $10,000<br />
Denver Empowerment Program $2,500<br />
Denver Howard Dental Center for HIV/<strong>AIDS</strong> Oral Health $10,000<br />
Denver Jewish Family Service of Colorado $5,000<br />
Denver Project Angel Heart $10,000<br />
Denver Women’s Lighthouse Project $5,000<br />
Fort Collins Northern Colorado <strong>AIDS</strong> Project $2,500<br />
Grand Junction Western Colorado <strong>AIDS</strong> Project (WESTCAP) $2,500<br />
STATE TOTAL: $55,000<br />
CONNECTICUT Bridgeport FSW $2,500<br />
New Haven <strong>AIDS</strong> Project New Haven, Inc. $5,000<br />
New Haven Leeway, Inc. $5,000<br />
New Haven Liberty Community Services, Inc. $5,000<br />
New London Alliance for Living $2,500<br />
Stamford Camp AmeriKids $1,000<br />
Stamford St. Luke’s LifeWorks $10,000<br />
STATE TOTAL: $31,000<br />
DISTRICT OF Washington Building Futures $2,500<br />
COLUMBIA Washington Carl Vogel Center $15,000<br />
Washington Consortium for Child Welfare/Family Ties Project $5,000<br />
Washington Food & Friends $5,000<br />
Washington Hill’s Community Residential Support Services, Inc. $10,000<br />
Washington Joseph’s House $10,000<br />
Washington Lutheran Social Services of the National Capital Area $5,000<br />
Washington Marigold Place, Inc. $10,000<br />
Washington Miriam’s House, Inc. $2,500<br />
Washington Northwest Church Family Network $2,500<br />
Washington Pediatric <strong>AIDS</strong>/HIV Care $5,000<br />
national grants program<br />
18
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
STATE CITY ORGANIZATION AMOUNT<br />
DISTRICT OF Washington PreventionWorks!, Inc. $10,000<br />
COLUMBIA Washington Safe Haven Outreach Ministry, Inc. $5,000<br />
CONTINUED Washington Sasha Bruce Youthwork $5,000<br />
Washington Women’s Collective $10,000<br />
STATE TOTAL: $102,500<br />
DELAWARE Wilmington <strong>AIDS</strong> Delaware $5,000<br />
Wilmington Delaware HIV Consortium, Inc. $5,000<br />
STATE TOTAL: $10,000<br />
FLORIDA Daytona Beach Diggs Miracle Care $7,500<br />
Daytona Beach Outreach Community Care Network $2,500<br />
Fort Lauderdale Community Healthcare Center One $2,500<br />
Fort Lauderdale Kids in Distress, Inc. $5,000<br />
Fort Lauderdale Wellness Center of South Florida $5,000<br />
Fort Myers McGregor Clinic $2,500<br />
Fort Pierce <strong>AIDS</strong> Research & Treatment Center of the Treasure Coast, Inc. $5,000<br />
Fort Pierce Project Response <strong>AIDS</strong> Center - South $10,000<br />
Gainesville F.A.I.T.H., Inc. $10,000<br />
Goulds Adult & Juvenile Educational Services, Inc. $2,500<br />
Jacksonville Northeast Florida <strong>AIDS</strong> Network $10,000<br />
Jacksonville Women’s Center of Jacksonville, Inc. $1,000<br />
Key West <strong>AIDS</strong> Help, Inc. $5,000<br />
Kissimmee Transition House, Inc. $5,000<br />
Lakeland Friends-Together, Inc. $1,000<br />
Longwood PLACE of Comfort $5,000<br />
Melbourne Project Response <strong>AIDS</strong> Center - North $6,000<br />
Miami Centro de Prevencion y Educacion Hemisferico Corazones Unidos $2,500<br />
Miami Community <strong>AIDS</strong> Resource, Inc. $2,500<br />
Miami Community Casemanagement, Inc. $5,000<br />
Miami Dade Family Counseling, Inc. $5,000<br />
Miami Empower U, Inc. $5,000<br />
Miami Food For Life Network $10,000<br />
Miami Minority Group Development, Inc. $5,000<br />
Miami United Foundation for <strong>AIDS</strong> $4,000<br />
Miami Beach South Beach <strong>AIDS</strong> Project $5,000<br />
Naples Joe Logsdon <strong>AIDS</strong> Foundation, Inc. $10,000<br />
North Miami Center for Positive Connections $7,500<br />
Orlando Haven of Hope Ministries, Inc. $10,000<br />
Pahokee Church of the Harvest’s Food Pantry $10,000<br />
Parrish Manatee County Rural Health Services, Inc. $8,000<br />
Pensacola Appetite for Life, Inc. $10,000<br />
Pensacola Escambia <strong>AIDS</strong> Services and Education, Inc. $5,000<br />
Plantation Jewish <strong>AIDS</strong> Network $5,000<br />
Port Charlotte Charlotte HIV/<strong>AIDS</strong> People Support, Inc. $10,000<br />
Sebastian River Fund, The $10,000<br />
St. Petersburg <strong>AIDS</strong> Service Association of Pinellas, Inc. $10,000<br />
Tampa Francis House, Inc. $1,000<br />
national grants program<br />
19
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
STATE CITY ORGANIZATION AMOUNT<br />
FLORIDA Tampa Greater Mt. Carmel Development $5,000<br />
CONTINUED Tampa PWA Coalition of Tampa Bay, Inc. $10,000<br />
West Palm Hope House of the Palm Beaches, Inc. $10,000<br />
Wilton Manors Poverello Center, Inc. $2,500<br />
Winter Park Hope and Help Center of Central Florida, Inc. $10,000<br />
STATE TOTAL: $263,500<br />
GEORGIA Atlanta Absolutely Positive + Inc. $5,000<br />
Atlanta Action Ministries, Inc. $2,500<br />
Atlanta AID Atlanta, Inc. $10,000<br />
Atlanta <strong>AIDS</strong> Survival Project $10,000<br />
Atlanta Atlanta Harm Reduction Center $5,000<br />
Atlanta Atlanta Interfaith <strong>AIDS</strong> Network $2,500<br />
Atlanta Emory/Grady Pediatric HIV/<strong>AIDS</strong> Program $10,000<br />
Atlanta Jerusalem House, Inc. $5,000<br />
Atlanta National <strong>AIDS</strong> Education and Services for Minorities $5,000<br />
Atlanta Positive Impact, Inc. $5,000<br />
Atlanta SisterLove, Inc. $5,000<br />
Augusta St. Stephen’s Ministry of Augusta, Inc. $2,500<br />
Carrollton Positive Response, Inc. $2,500<br />
Cartersville <strong>AIDS</strong> Alliance of Northwest Georgia, Inc. $1,000<br />
Douglasville Miracles <strong>AIDS</strong> Network. Inc. $5,000<br />
Savannah My Brothaz H.O.M.E. $2,500<br />
Savannah Project AZUKA, Inc. $10,000<br />
Thomasville Safe Haven, Inc. $6,000<br />
Valdosta South Georgia Coalition to End Homelessness $2,500<br />
STATE TOTAL: $97,000<br />
HAWAII Honolulu Save the FoodBasket, Inc. $10,000<br />
STATE TOTAL: $10,000<br />
IOWA Cedar Rapids Iowa Community <strong>AIDS</strong> Partnership $2,500<br />
Davenport <strong>AIDS</strong> Project Quad Cities, Inc. $10,000<br />
Des Moines <strong>AIDS</strong> Project of Central Iowa $3,500<br />
Iowa City Iowa Center for <strong>AIDS</strong> Resources & Education (ICARE) $5,000<br />
STATE TOTAL: $21,000<br />
ILLINOIS Carbondale Southern Illinois Regional Effort for <strong>AIDS</strong>, Inc. $5,000<br />
Champaign Greater Community <strong>AIDS</strong> Project $5,000<br />
Chicago <strong>AIDS</strong>CARE, Inc. $10,000<br />
Chicago Chicago House and Social Service Agency $10,000<br />
Chicago Heartland Rafael Center $5,000<br />
Chicago Project VIDA, Inc. $10,000<br />
Chicago South Side Help Center $2,500<br />
Chicago Test Positive Aware (TPA) Network, Inc. $5,000<br />
Chicago TransGenesis Social Services $5,000<br />
Chicago University of Chicago $1,000<br />
Chicago Vital Bridges $5,000<br />
national grants program<br />
20
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong> grants program<br />
“THANK YOU FOR YOUR GENEROUS GRANT OF $5,000. AS THE HIV/<strong>AIDS</strong><br />
EPIDEMIC IN THE BAY AREA CONTINUES TO CHANGE, WE ARE COMMIT-<br />
TED TO ADAPTING OUR PROGRAMS TO ENSURE WE PROVIDE THE HIGH-<br />
EST QUALITY SERVICES TO OUR CLIENTS. YOUR GRANT WILL ALSO<br />
ENABLE US TO EXPAND OUR MISSION TO PROVIDE MEALS FOR SENIORS<br />
AND PERSONS LIVING WITH ANY HOMEBOUND CRITICAL ILLNESS. “<br />
PROJECT OPEN HAND<br />
SAN FRANCISCO, CA<br />
STATE CITY ORGANIZATION AMOUNT<br />
ILLINOIS Peoria Central Illinois Friends of PWA, Inc. $2,500<br />
CONTINUED Rock Island DeLaCerda House $2,500<br />
STATE TOTAL: $68,500<br />
INDIANA Elkhart Elkhart County <strong>AIDS</strong> Community Action Group $2,500<br />
Evansville Tri-State Alliance, Inc. $5,000<br />
Fishers Promised Land Foundation, Inc. $5,000<br />
Indianapolis Damien Center $10,000<br />
Indianapolis Harm Reduction Institute $2,500<br />
Jasper Patoka Valley <strong>AIDS</strong> Community Action Group $5,000<br />
Muncie Open Door Community Services, Inc. $5,000<br />
South Bend <strong>AIDS</strong> Ministries/<strong>AIDS</strong> Assist of North Indiana, Inc. $2,500<br />
STATE TOTAL: $37,500<br />
KANSAS Lawrence Douglas County <strong>AIDS</strong> Project $10,000<br />
Topeka Topeka <strong>AIDS</strong> Project, Inc. $10,000<br />
Wichita H.O.P.E., Inc./Wichita <strong>AIDS</strong> $3,500<br />
Wichita Positive Directions $9,000<br />
Wichita UKSM-W MPA HIV Program $2,500<br />
STATE TOTAL: $35,000<br />
KENTUCKY Paducah Heartland CARES, Inc. $7,500<br />
STATE TOTAL: $7,500<br />
LOUISIANA Alexandria Central Louisiana <strong>AIDS</strong> Support Services $10,000<br />
Gretna Kid’s Quarters, Inc. $5,000<br />
Houma Meadowlark, Inc. $2,500<br />
Monroe Go Care (Greater Ouachita Providing <strong>AIDS</strong> Resources and Education) $5,000<br />
New Orleans Belle Reve New Orleans $5,000<br />
New Orleans Elysian Fields Church of Christ Inner City Outreach Ministry $2,500<br />
New Orleans NO/<strong>AIDS</strong> Task Force $10,000<br />
New Orleans Project Lazarus $5,000<br />
New Orleans St. John #5 Baptist Church $5,000<br />
New Orleans Taylor’s Alliance Center, Inc. $5,000<br />
New Orleans Women With A Vision, Inc. $5,000<br />
Shreveport Philadelphia Center $10,000<br />
Thibobaux Angels of Mercy Rehabilitation Center, Inc. $5,000<br />
Thibodaux Home of the Eagle Shelter, Inc. $5,000<br />
Thibodaux New Beginning of Recovery, Inc. $2,500<br />
STATE TOTAL: $82,500<br />
MASSACHUSETTS Acushnet Association of Individuals Dedicated & Sincere (A.I.D.S., Inc.) $5,000<br />
Boston Boston Living Center $5,000<br />
Boston Pathways to Wellness, Inc. $2,500<br />
Boston Rosie’s Place $5,000<br />
Burlington Junior Chamber Family <strong>AIDS</strong> Network $10,000<br />
Cambridge Massachusetts Alliance of Portuguese Speakers (MAPS) $2,500<br />
Danvers Strongest Link <strong>AIDS</strong> Services, Inc. $1,000<br />
national grants program<br />
21
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“THANK YOU FOR THE $5,000 CONTRIBUTION. THERE IS STILL NO CURE<br />
FOR <strong>AIDS</strong> AND OVER 60,000 PEOPLE IN NEW JERSEY ALONE HAVE BEEN<br />
DIAGNOSED. INFECTION RATES HAVE NOT DECLINED SINCE 1998 AND<br />
THERE WERE OVER 2,000 NEW INFECTIONS REPORTED IN <strong>2004</strong> ALONE.<br />
YET, THE BUSH ADMINISTRATION HAS PROPOSED THE LOWEST LEVEL<br />
OF FUNDING IN FIVE YEARS. <strong>BC</strong>/<strong>EFA</strong>’S SUPPORT MEANS MORE TO US<br />
NOW THAN EVER.”<br />
HYACINTH <strong>AIDS</strong> FOUNDATION<br />
NEW BRUNSWICK, NJ<br />
STATE CITY ORGANIZATION AMOUNT<br />
MASSACHUSETTS Fall River Office of <strong>AIDS</strong> Ministry $5,000<br />
CONTINUED Framingham Metrowest <strong>AIDS</strong> Consortium $2,500<br />
Framingham MetroWest Latin American Center $5,000<br />
Provincetown Provincetown <strong>AIDS</strong> Support Group $5,000<br />
Roxbury Community Servings $10,000<br />
Springfield <strong>AIDS</strong> Foundation of Western Massachusetts, Inc. $2,500<br />
Worcester <strong>AIDS</strong> Project Worcester, Inc. $5,000<br />
STATE TOTAL: $66,000<br />
MARYLAND Baltimore <strong>AIDS</strong> Action Baltimore, Inc. $5,000<br />
Baltimore <strong>AIDS</strong> Interfaith Residential Services, Inc. $5,000<br />
Baltimore Health Education Resource Organizations, Inc. (HERO) $10,000<br />
Baltimore Moveable Feast, Inc. $10,000<br />
Baltimore New Life Fulfillment Childcare & Family Support Center $2,500<br />
Baltimore Women Accepting Responsibility $5,000<br />
Hagerstown Project <strong>AIDS</strong> $2,500<br />
Randallstown Millennium Teens Stand Against Issues, Inc. $7,500<br />
Seat Pleasant Heart to Hand, Inc. $2,500<br />
STATE TOTAL: $50,000<br />
MAINE Augusta Positively Social of New England $5,000<br />
Bangor Eastern Maine <strong>AIDS</strong> Network $2,500<br />
Belfast Coastal <strong>AIDS</strong> Network $5,000<br />
Brunswick Merrymeeting <strong>AIDS</strong> Support Services $4,000<br />
Ellsworth Down East <strong>AIDS</strong> Network $5,000<br />
Portland <strong>AIDS</strong> Lodging House $2,500<br />
Portland Frannie Peabody Center $7,500<br />
STATE TOTAL: $31,500<br />
MICHIGAN Detroit <strong>AIDS</strong> Partnership Michigan $5,000<br />
Detroit Community Health Awareness Group $10,000<br />
Grand Rapids Grand Rapids REACH, Inc. $9,500<br />
Northville Rainbow Alliance, Inc. $1,000<br />
Sylvan Lake Deaf Community Advocacy Network $2,500<br />
Ypsilanti HIV/<strong>AIDS</strong> Resource Center $10,000<br />
STATE TOTAL: $38,000<br />
MINNESOTA Minneapolis <strong>AIDS</strong> Care Partners $5,000<br />
Minneapolis Archdiocesan <strong>AIDS</strong> Ministry Program $5,000<br />
Minneapolis Minneapolis Urban League $2,500<br />
Minneapolis Minnesota <strong>AIDS</strong> Project $10,000<br />
Minneapolis Open Arms of Minnesota $10,000<br />
Moorhead Minnkota Health Project $5,000<br />
St. Paul Clare Housing $5,000<br />
Stillwater Hope House of St. Croix Valley $5,000<br />
STATE TOTAL: $47,500<br />
national grants program<br />
22
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
STATE CITY ORGANIZATION AMOUNT<br />
MISSOURI Columbia Regional <strong>AIDS</strong> Interfaith Network (RAIN-Central Missouri) $7,500<br />
Kansas City Guadalupe Center, Inc. $2,500<br />
Kansas City Hope Care Center $5,000<br />
Kansas City Kansas City Free Health Clinic $5,000<br />
St. Louis Doorways $10,000<br />
St. Louis Food Outreach, Inc. $10,000<br />
St. Louis Peter & Paul Community Services, Inc. $10,000<br />
St. Louis Saint Louis Effort for <strong>AIDS</strong> $7,500<br />
STATE TOTAL: $57,500<br />
MISSISSIPPI Hattiesburg <strong>AIDS</strong> Services Coalition $10,000<br />
STATE TOTAL: $10,000<br />
MONTANA Billings Yellowstone <strong>AIDS</strong> Project $10,000<br />
Helena Lewis and Clark <strong>AIDS</strong> Project $2,500<br />
Kalispell Flathead <strong>AIDS</strong> Council, Inc. $1,000<br />
STATE TOTAL: $13,500<br />
NORTH CAROLINA Asheville Loving Food Resources $10,000<br />
Asheville Western North Carolina HIV/<strong>AIDS</strong> Consortium $10,000<br />
Belmont House of Mercy, Inc. $8,500<br />
Charlotte House of Grace, Inc. $5,000<br />
Charlotte Regional HIV/<strong>AIDS</strong> Consortium $1,000<br />
Clayton Just Blessed Baptist Church, Inc. $2,500<br />
Dunn Community Service Network, Inc. $2,500<br />
Durham CAARE, Inc. $5,000<br />
Franklin Nantahala <strong>AIDS</strong> Consortium $10,000<br />
Henderson Agape Life Changing Ministries $2,500<br />
Lumberton Borderbelt <strong>AIDS</strong> Resources Team, Inc. $7,500<br />
Raleigh Alliance of <strong>AIDS</strong> Services – Carolina $10,000<br />
Raleigh Glory to Glory House of Refuge $7,500<br />
Wilmington Cure <strong>AIDS</strong> of Wilmington, Inc. $5,000<br />
STATE TOTAL: $87,000<br />
NEBRASKA Lincoln Camp Kindle $5,000<br />
Omaha Nebraska <strong>AIDS</strong> Project, Inc. $10,000<br />
STATE TOTAL: $15,000<br />
NEW HAMPSHIRE Concord Merrimack Valley Assistance Program $7,500<br />
Keene <strong>AIDS</strong> Services for the Monadnock Region $2,500<br />
Lebanon <strong>AIDS</strong> Community Resource Network (ACORN) $7,500<br />
Nashua Southern New Hampshire HIV/<strong>AIDS</strong> Task Force $5,000<br />
STATE TOTAL: $22,500<br />
NEW JERSEY Atlantic City South Jersey <strong>AIDS</strong> Alliance $5,000<br />
Bellmawr <strong>AIDS</strong> Coalition of Southern New Jersey $10,000<br />
Dover Catholic Social Services of Morris County/Hope House $5,000<br />
Fort Lee FRIENDS FOR LIFE/Good Shepherd Community Services, Inc. $12,500<br />
national grants program<br />
23
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
STATE CITY ORGANIZATION AMOUNT<br />
NEW JERSEY Hackensack Buddies of New Jersey, Inc. $5,000<br />
CONTINUED Jersey City Jersey City Connections, Inc. $10,000<br />
New Brunswick Hyacinth <strong>AIDS</strong> Foundation $10,000<br />
New Brunswick New Jersey Women and <strong>AIDS</strong> Network $5,000<br />
Newark <strong>AIDS</strong> Resource Center CDC of the Episcopal Diocese of Newark $5,000<br />
Newark <strong>Broadway</strong> House for Continuing Care $2,500<br />
Newark Francois-Xavier Bagnoud Center $5,000<br />
Paterson Coalition on <strong>AIDS</strong> in Passaic County, Inc. $5,000<br />
Paterson Sancta Maria House of Mercy $5,000<br />
Paterson St. Paul’s Community Development Corporation $2,500<br />
Rutherford Angelwish $5,000<br />
Trenton Mount Carmel Guild $10,000<br />
Trenton United Progress, Inc. $2,500<br />
STATE TOTAL: $105,000<br />
NEW MEXICO Albuquerque Albuquerque Health Care for the Homeless, Inc. $5,000<br />
Roswell Alianza of New Mexico $1,000<br />
Santa Fe Southwest C.A.R.E. Center $5,000<br />
Sante Fe Camp Corazones $3,500<br />
Sante Fe New Mexico POZ Coalition $1,000<br />
STATE TOTAL: $15,500<br />
NEVADA Henderson Saint Therese Center $2,500<br />
Las Vegas Golden Rainbow $10,000<br />
Reno Frontline of Northern Nevada $2,500<br />
Reno Nevada <strong>AIDS</strong> Foundation $5,000<br />
Reno Northern Nevada HOPES $5,000<br />
STATE TOTAL: $25,000<br />
NEW YORK Albany <strong>AIDS</strong> Council of Northeastern New York $5,000<br />
Bayside St. Mary’s Foundation/St. Mary’s Hosptial for Children $5,000<br />
Brentwood Brentwood Family Health Center $2,500<br />
Bronx Bronx <strong>AIDS</strong> Services, Inc. $5,000<br />
Bronx CitiWide Harm Reduction $5,000<br />
Bronx Health People: Community Preventive Health Institute $5,000<br />
Bronx Jacobi Medical Center $5,000<br />
Bronx La Familia Unida <strong>AIDS</strong> Outreach Project-Research $5,000<br />
Bronx Montefiore Medical Center/Women’s Center $10,000<br />
Bronx Montefiore Medical Center/Project BRAVO $5,000<br />
Bronx Tolentine Zeiser Community Life Center $10,000<br />
Brooklyn After Hours Project, Inc. $5,000<br />
Brooklyn Alliance for Family Education, Care and Treatment $2,500<br />
Brooklyn Association for Drug Abuse Prevention and Treatment, Inc. $5,000<br />
Brooklyn Brooklyn <strong>AIDS</strong> Task Force, Inc. $5,000<br />
Brooklyn Casa Betsaida $5,000<br />
Brooklyn Dwa Fanm $10,000<br />
Brooklyn Helping Hands Unlimited, Inc. $5,000<br />
Brooklyn Housing Matters of New York $10,000<br />
national grants program<br />
24
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“WE DEEPLY APPRECIATE YOUR VOTE OF CONFIDENCE IN THE AWARDING<br />
OF $5,000 TO PURCHASE CLOTHING FOR OUR CLIENTS. <strong>BC</strong>/<strong>EFA</strong> IS<br />
HELPING US MEET THE NEEDS OF OUR CLIENTS HEAD-ON AND IN WAYS<br />
THAT MAY BE SLIGHTLY UNCONVENTIONAL BUT NECESSARY FOR THEIR<br />
WELL-BEING. WE SHOP WISELY AND TAKE GREAT PRIDE IN WHAT WE<br />
CAN PROVIDE OUR CLIENTS WITH YOUR HELP.”<br />
<strong>AIDS</strong> NETWORK<br />
MARTINSBURG, WV<br />
STATE CITY ORGANIZATION AMOUNT<br />
NEW YORK Brooklyn Life Force: Women Fighting <strong>AIDS</strong>, Inc. $2,500<br />
CONTINUED Brooklyn Musica Against Drugs $5,000<br />
Brooklyn New York City <strong>AIDS</strong> Housing Network $10,000<br />
Brooklyn Turning Point $5,000<br />
Buffalo <strong>AIDS</strong> Community Services of Western New York, Inc. $5,000<br />
Buffalo <strong>AIDS</strong> Family Services $5,000<br />
Buffalo Faith Based Fellowship $3,500<br />
Buffalo Hispanics United of Buffalo $2,500<br />
Congers TOUCH of Rockland County, Inc. (T.O.U.C.H.) $2,500<br />
Garrison Do Not Fear To Hope $5,000<br />
Hawthorne <strong>AIDS</strong>-Related Community Services $10,000<br />
Huntington Long Island Association for <strong>AIDS</strong> Care, Inc. $10,000<br />
Ithaca <strong>AIDS</strong> WORK $5,000<br />
Ithaca Southern Tier <strong>AIDS</strong> Program/Tompkins County Prevention Point $1,000<br />
Jamaica YMCA of Greater New York - Jamaica Branch $5,000<br />
New York African Services Committee, Inc. $7,500<br />
New York AGMA Emergency Relief Fund $5,000<br />
New York Aid for <strong>AIDS</strong> (NY) $5,000<br />
New York <strong>AIDS</strong> Community Research Initiative of America (ACRIA) $5,000<br />
New York <strong>AIDS</strong> Service Center NYC $10,000<br />
New York Ali Forney Center $5,000<br />
New York Asian & Pacific Islander Coalition on HIV/<strong>AIDS</strong>, Inc. $5,000<br />
New York Bailey House, Inc. $10,000<br />
New York Betances Health Center $2,500<br />
New York Blessed Sacrament Transitional Residence for HIV+ Men $5,000<br />
New York Care for the Homeless $5,000<br />
New York Career Transition for Dancers $10,000<br />
New York Children of Parents with <strong>AIDS</strong>, Inc. (COPWA) $2,500<br />
New York Children’s Friends for Life Foundation, Inc. $2,500<br />
New York Children’s Hope Foundation $2,500<br />
New York Church of St. Luke in the Fields - The <strong>AIDS</strong> Project $5,000<br />
New York Episcopal Actors’ Guild of America, Inc. $5,000<br />
New York Exponents, Inc. $5,000<br />
New York Family Care Center - Harlem Hospital $2,500<br />
New York Family Center, Inc. $5,000<br />
New York Foundation for Research on Sexually Transmitted Disesases – FROST’D $4,000<br />
New York Fraternite Notre Dame, Inc. $5,000<br />
New York Free Arts for Abused Children of New York City $5,000<br />
New York Friends In Deed $5,000<br />
New York Gay Men of African Descent $10,000<br />
New York Hispanic <strong>AIDS</strong> Forum $5,000<br />
New York HIV Law Project, Inc. $2,500<br />
New York Housing Works, Inc. $10,000<br />
New York Identity House $7,500<br />
New York Incarnation Children’s Center/Friends of ICC $2,500<br />
New York Iris House $5,000<br />
New York Kenmore HDFC $5,000<br />
New York Lamb’s Manhattan Initiative/Gifted Hands Program $2,500<br />
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25
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“<strong>BC</strong>/<strong>EFA</strong>’S $5,000 GRANT FOR OUR CLIENT EMERGENCY FUND COMES AT<br />
A MOST CRITICAL TIME, BECAUSE WE ARE RECEIVING MORE REQUESTS<br />
FOR ASSISTANCE FROM AN EVEN LARGER CLIENT POPULATION THAN<br />
EVER BEFORE. ADVANCES IN TREATMENT HAVE HELPED PEOPLE<br />
LIVING WITH <strong>AIDS</strong> TREMENDOUSLY BUT HAVE ALSO PRESENTED NEW<br />
CHALLENGES FOR THEM AND THE ORGANIZATIONS THAT SERVE THEM.”<br />
STATEN ISLAND <strong>AIDS</strong> TASK FORCE<br />
STATEN ISLAND, NY<br />
STATE CITY ORGANIZATION AMOUNT<br />
NEW YORK New York Latino Commission on <strong>AIDS</strong> $5,000<br />
CONTINUED New York Legal Action Center $5,000<br />
New York Lesbian, Gay, Bisexual & Transgender Community Center $5,000<br />
New York Lower East Side Harm Reduction Center $2,500<br />
New York Metropolitan Community Church of New York $5,000<br />
New York Miracle House $5,000<br />
New York Momentum <strong>AIDS</strong> Project $5,000<br />
New York Narragansett Housing Development Fund Corporation $2,500<br />
New York Partnership for the Homeless $5,000<br />
New York Pediatric HIV/<strong>AIDS</strong> Program $5,000<br />
New York Positive Health Project, Inc. $5,000<br />
New York Prince George – Common Ground Community $5,000<br />
New York Project STAY $2,500<br />
New York Safe Horizon/Streetwork $5,000<br />
New York Services and Advocacy for GLBT Elders (SAGE) $5,000<br />
New York Sisterhood Mobilized for <strong>AIDS</strong>/HIV Research & Treatment $10,000<br />
New York St. Mary’s Center, Inc. $2,000<br />
New York Times Square – Common Ground Community $5,000<br />
New York Visual <strong>AIDS</strong> for the Arts, Inc. $2,500<br />
New York Volunteer Lawyers for the Arts $7,500<br />
New York Women and Children Care Center $5,000<br />
New York Women’s Prison Association $5,000<br />
Nyack Family Centered Immunotherapy Clinic $2,500<br />
Oneonta Catskill Rural <strong>AIDS</strong> Services, Inc. $5,000<br />
Patchogue South Brookhaven Family Health Center West $5,000<br />
Patchogue Thursday’s Child $2,500<br />
Pleasant Valley NETWORTH/Positive Action $5,000<br />
Port Chester Family Service of Westchester: Camp Viva $7,500<br />
Poughkeepsie Dutchess Outreach, Inc. $2,500<br />
Rego Park <strong>AIDS</strong> Center of Queens County, Inc. $5,000<br />
Richmond Hill River Fund New York, Inc. $5,000<br />
Riverhead Nassau/Suffolk Law Services David Project $5,000<br />
Rochester <strong>AIDS</strong> Rochester, Inc. $10,000<br />
Sayville Splashes of Hope $2,500<br />
Schenectady Schenectady Inner City Ministry $10,000<br />
Smithtown Options for Community Living, Inc. $3,500<br />
Staten Island Joey DiPaolo <strong>AIDS</strong> Foundation $2,500<br />
Staten Island Justin LiGreci HIV and <strong>AIDS</strong> Foundation $1,000<br />
Staten Island Project BUILD of Richmond County $5,000<br />
Staten Island Project Hospitality, Inc. $5,000<br />
Staten Island Staten Island <strong>AIDS</strong> Task Force $5,000<br />
Troy Troy Area United Ministries, Inc. $5,000<br />
Yonkers Fessenden House $10,000<br />
Yonkers Greyston Health Foundation $5,000<br />
Yonkers Sharing Community, Inc $2,500<br />
STATE TOTAL: $577,500<br />
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26
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
STATE CITY ORGANIZATION AMOUNT<br />
OHIO Akron Violet’s Cupboard $10,000<br />
Canfield Ursuline Sisters HIV/<strong>AIDS</strong> Ministry $5,000<br />
Cincinnati Caracole, Inc. $10,000<br />
Cleveland <strong>AIDS</strong> Taskforce of Greater Cleveland $10,000<br />
Columbus Columbus <strong>AIDS</strong> Task Force, Inc. $10,000<br />
Columbus Project Open Hand/Columbus $5,000<br />
Dayton <strong>AIDS</strong> Resource Center Ohio $10,000<br />
Westerville Project Compassion $2,500<br />
STATE TOTAL: $62,500<br />
OKLAHOMA Oklahoma City CarePoint, Inc. $2,500<br />
Oklahoma City Northern Lights Alternatives, Oklahoma City $1,000<br />
Oklahoma City Other Options, Inc. $5,000<br />
Oklahoma City RAIN-Oklahoma $10,000<br />
STATE TOTAL: $18,500<br />
OREGON Eugene HIV Alliance $5,000<br />
Portland Cascade <strong>AIDS</strong> Project, Inc. $10,000<br />
Portland Ecumenical Ministries of Oregon $10,000<br />
Portland For Us Northwest (FUN) $1,000<br />
Portland Friends of People with <strong>AIDS</strong> Foundation $1,000<br />
Portland Our House of Portland $10,000<br />
Portland Women’s Intercommunity <strong>AIDS</strong> Resource $2,500<br />
STATE TOTAL: $39,500<br />
PENNSYLVANIA Bethlehem <strong>AIDS</strong> Services Center - Lehigh Valley PA $2,500<br />
Clarion Northwest PA Rural <strong>AIDS</strong> Alliance $5,000<br />
Eagleville Family Services of Montgomery County/Project Hope $2,500<br />
Harrisburg Positive Opportunities $5,000<br />
Lancaster Gathering Place $10,000<br />
Lancaster Urban League of Lancaster County, Inc. $5,000<br />
Philadelphia Action<strong>AIDS</strong> $5,000<br />
Philadelphia Blacks Educating Blacks About Sexual Health Issues (BEBASHI) $5,000<br />
Philadelphia Calcutta House $5,000<br />
Philadelphia Mazzoni Center $10,000<br />
Philadelphia Metropolitan <strong>AIDS</strong> Neighborhood Nutrition Alliance (MANNA) $10,000<br />
Philadelphia Prevention Point Philadelphia $10,000<br />
Philadelphia Siloam $5,000<br />
Pittsburgh Pittsburgh <strong>AIDS</strong> Task Force $10,000<br />
Pittsburgh Prevention Point Pittsburgh $5,000<br />
Pittsburgh Shepherd Wellness Community $10,000<br />
Williamsport <strong>AIDS</strong> Resource Alliance $2,500<br />
STATE TOTAL: $107,500<br />
PUERTO RICO Aguada Programa de Apoyo y Enlace Comunitario, Inc. $12,500<br />
Arecibo Comunidad Para Envejecientes Vazquez, Inc. $5,000<br />
Arecibo Hogar Vida y Esperanza Multiservice, Inc. $10,000<br />
Arecibo Ministerio “En Jehova Seran Provitos” SIDA Pediatrico $10,000<br />
events<br />
27
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
STATE CITY ORGANIZATION AMOUNT<br />
PUERTO RICO Hatillo Centro de Intervencion e Integracion Paso a Paso $2,500<br />
CONTINUED Vega Baja Fundacion U.P.E.N.S., Inc. $5,000<br />
STATE TOTAL: $45,000<br />
RHODE ISLAND Providence <strong>AIDS</strong> Project Rhode Island $10,000<br />
STATE TOTAL: $10,000<br />
SOUTH CAROLINA Columbia Women’s Resource Center $2,500<br />
Greenville AID Upstate $5,000<br />
Greenville Project Host $5,000<br />
Myrtle Beach Careteam, Inc. $5,000<br />
Ridgeland ACCESS Network, Inc. $5,000<br />
STATE TOTAL: $22,500<br />
SOUTH DAKOTA Sioux Falls Berakhah House $10,000<br />
STATE TOTAL: $10,000<br />
TENNESSEE Brentwood Tennessee Hemophilia & Bleeding Disorders Foundation $2,000<br />
Chattanooga Chattanooga CARES <strong>AIDS</strong> Resource Center $2,500<br />
Columbia Columbia CARES, Inc. $10,000<br />
Columbia Kids Fighting <strong>AIDS</strong>, Inc. $7,500<br />
Memphis <strong>AIDS</strong> Virus Awareness Association $5,000<br />
Memphis Friends for Life Corporation $5,000<br />
Nashville Metropolitan Interdenominational Church First Response Center $1,000<br />
Nashville Nashville CARES $10,000<br />
Nashville New Hope Foundation, Inc. $2,500<br />
Nashville New Hope Foundation, Inc. $2,500<br />
STATE TOTAL: $45,500<br />
TEXAS Alvin <strong>AIDS</strong> Alliance of the Bay Area, Inc. $15,000<br />
Amarillo Panhandle <strong>AIDS</strong> Support Organization, Inc. $5,000<br />
Austin <strong>AIDS</strong> Services of Austin $10,000<br />
Austin Interfaith Care Alliance $5,000<br />
Austin Wright House Wellness Center $2,500<br />
Beaumont Triangle <strong>AIDS</strong> Network $5,000<br />
Corpus Christi Coastal Bend <strong>AIDS</strong> Foundation $5,000<br />
Corpus Christi Loving Spoonful, Inc. $5,000<br />
Dallas Bryan’s House $2,500<br />
Dallas Resource Center of Dallas, Inc. $10,000<br />
Denton <strong>AIDS</strong> Services of North Texas Inc. $5,000<br />
El Paso International <strong>AIDS</strong> Empowerment $10,000<br />
Fort Worth <strong>AIDS</strong> Outreach Center $5,000<br />
Fort Worth Tarrant Council on Alcoholism and Drug Abuse $1,000<br />
Fort Worth Tarrant County Samaritan Housing, Inc. $2,500<br />
Houston <strong>AIDS</strong> Foundation Houston, Inc. $2,500<br />
Houston <strong>AIDS</strong> Research Consortium of Houston dba The Center for <strong>AIDS</strong> $5,000<br />
Houston Assistance Fund $10,000<br />
Houston Bering Omega Community Services $2,500<br />
events<br />
28
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“WITH OVER 300 CLIENTS AND AN EVER-INCREASING DEMAND FOR<br />
SERVICES, <strong>BC</strong>/<strong>EFA</strong>’S $5,000 GRANT WILL HELP MAKE UP SOME OF THE<br />
SHORTFALL IN OUR <strong>2004</strong> BUDGET. WE WISH BROADWAY CARES AND<br />
ALL ITS THEATRICAL PROFESSIONALS ACROSS THE COUNTRY HEALTH<br />
AND SUCCESS IN THEIR DAILY ENDEAVORS. I CAN’T BEGIN TO TELL<br />
YOU HOW HELPFUL THIS GRANT WILL BE.”<br />
ARKANSAS <strong>AIDS</strong> FOUNDATION<br />
LITTLE ROCK, AR<br />
STATE CITY ORGANIZATION AMOUNT<br />
TEXAS Houston Brentwood Community Foundation $5,000<br />
CONTINUED Houston Casa de Esperanza de los Ninos, Inc. $10,000<br />
Houston Fundacion Latino Americana Contra El Sida, Inc. $5,000<br />
Houston Houston Challenge Foundation $10,000<br />
Longview Special Health Resources for Texas $10,000<br />
Nacogdoches Health Horizons of East Texas, Inc. $5,000<br />
San Angelo Educare 2001, Inc. $12,500<br />
San Angelo San Angelo <strong>AIDS</strong> Foundation $10,000<br />
Tyler Tyler <strong>AIDS</strong> Services, Inc. $10,000<br />
STATE TOTAL: $186,000<br />
UTAH Salt Lake City Utah <strong>AIDS</strong> Foundation $10,000<br />
STATE TOTAL: $10,000<br />
VIRGINIA Charlottesville <strong>AIDS</strong>/HIV Services Group, Inc. $5,000<br />
Falls Church Northern Virginia <strong>AIDS</strong> Ministry (NOVAM) $5,500<br />
Harrisonburg Valley <strong>AIDS</strong> Network $2,500<br />
Manassas Prince William Interfaith Volunteer Caregivers $5,000<br />
Norfolk CANDII, Inc. (Children’s <strong>AIDS</strong> Network Designed for Interfaith Involvement) $5,000<br />
Norfolk Full Circle <strong>AIDS</strong> Hospice Support $9,000<br />
Richmond Cross-Cultural Agencies PLUS $2,500<br />
Richmond Fan Free Clinic, Inc. $2,500<br />
Richmond Transformation Retreats, Inc. $2,500<br />
Williamsburg Williamsburg <strong>AIDS</strong> Network $2,500<br />
STATE TOTAL: $42,000<br />
VERMONT Brattleboro <strong>AIDS</strong> Project of Southern Vermont $9,500<br />
Burlington Imani Health Institute $2,500<br />
Burlington Vermont <strong>Cares</strong> $15,000<br />
STATE TOTAL: $27,000<br />
WASHINGTON Everett Catholic Community Services of Snohomish County $2,500<br />
Kennewick Tri-Cities Chaplaincy $4,000<br />
Seattle Bailey-Boushay House $5,000<br />
Seattle Downtown Emergency Service Center $5,000<br />
Seattle Rise n’ Shine $2,500<br />
Seattle Rosehedge: <strong>AIDS</strong> Housing and Health Care $7,500<br />
Spokane Spokane <strong>AIDS</strong> Network $5,000<br />
Tacoma Pierce County <strong>AIDS</strong> Foundation $5,000<br />
Walla Walla Blue Mountain Heart to Heart $5,000<br />
Yakima Care Bearers $2,500<br />
STATE TOTAL: $44,000<br />
WISCONSIN Madison <strong>AIDS</strong> Network $10,000<br />
Milwaukee <strong>AIDS</strong> Resource Center of Wisconsin, Inc. $10,000<br />
Stevens Point Central Wisconsin HIV/<strong>AIDS</strong> Ministry Project $2,500<br />
STATE TOTAL: $22,500<br />
WEST VIRGINIA Bluefield South Central Educational Development $15,000<br />
Charleston Covenant House, Inc. $5,000<br />
events<br />
29
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
“THE WORK THAT <strong>BC</strong>/<strong>EFA</strong> DOES IS A TRIBUTE TO THE THOUSANDS OF<br />
PEOPLE IN THE THEATRE COMMUNITY WHOSE WORK MAKES WHAT YOU<br />
DO POSSIBLE. THE TENACITY WITH WHICH YOU ALL CONTINUE TO<br />
MEET THE CHALLENGES TO YOUR FUNDRAISING IS REFLECTIVE OF<br />
THAT COMMITMENT. PLEASE ACCEPT HEARTFELT THANKS FOR THIS<br />
SUPPORT - NOT JUST FROM US BUT FROM THE HUNDREDS OF SIMILAR<br />
ORGANIZATIONS YOU ASSIST THROUGHOUT THE COUNTRY.”<br />
PITTSBURGH <strong>AIDS</strong> TASK FORCE<br />
PITTSBURGH, PA<br />
STATE CITY ORGANIZATION AMOUNT<br />
WEST VIRGINIA Charleston West Virginia Coalition for People with HIV/<strong>AIDS</strong>, Inc. $7,500<br />
CONTINUED Martinsburg <strong>AIDS</strong> Network of the Tri-State Area $10,000<br />
Martinsburg Community Networks, Inc. $5,000<br />
Morgantown Caritas House, Inc. $5,000<br />
STATE TOTAL: $47,500<br />
WYOMING Casper Wyoming <strong>AIDS</strong> Project $5,000<br />
Cheyenne Wyoming Positives for Positives $5,000<br />
STATE TOTAL: $10,000<br />
SUBTOTAL NATIONAL GRANTS: $3,235,000<br />
OTHER GRANTS National Grants II $340,000<br />
Supplemental/Emergency Grants $528,332<br />
Red Ribbons $19,030<br />
Benefit Support and Community Relations $142,476<br />
TOTAL ALL GRANTS: $4,264,838<br />
Note: This does not include <strong>BC</strong>/<strong>EFA</strong> International Grants.<br />
“EVERY DAY WE SEE PEOPLE EXPERIENCING INCREDIBLE DIFFICULTY, ESPECIALLY WHEN IT COMES TO MANAGING<br />
HIV IN THEIR LIVES. WITHOUT INSURANCE FOR LIFE-SAVING MEDICATIONS, HIV IS STILL A FATAL ILLNESS. AND THE<br />
VAST MAJORITY OF PEOPLE WE SEE HAVE NO PRIVATE COVERAGE.<br />
JUST YESTERDAY OREGON’S STATE LEGISLATURE TOLD THE DEPARTMENT OF HEALTH THAT THEY WOULD HAVE TO<br />
INITIATE CUTTING BENEFITS FOR 50% OF THE PEOPLE CURRENTLY ENROLLED ON THE STANDARD OREGON HEALTH<br />
PLAN. THERE IS SIMPLY NO MONEY. FEDERAL MONEY HAS DRIED UP AS TAXES ARE CUT AND THE DEFICIT<br />
EXPLODES. STATES HAVE TO BEAR THE BURDEN. IT’S A SAD, SAD STATE OF AFFAIRS FOR ANYONE FACING ANY KIND<br />
OF HEALTH CRISIS.<br />
LIKE <strong>AIDS</strong> SERVICE ORGANIZATIONS ACROSS THE COUNTRY, WE WORK VERY HARD TO PREVENT NEW INFECTIONS<br />
AS WE HELP INDIVIDUALS LIVING WITH <strong>AIDS</strong> AND THEIR FAMILIES. THIS HASN’T BEEN JUST A “GAY MAN’S DISEASE”<br />
FOR A LONG TIME. <strong>BC</strong>/<strong>EFA</strong>’S GRANT MEANS MORE TO US THAN YOU’LL EVER KNOW. WE LITERALLY CAN FIGHT<br />
ANOTHER DAY, ANOTHER WEEK...AND INTO A VERY INDEFINITE FUTURE.<br />
THESE DAYS WHEN SO MUCH IS BEING CUT BACK OR TRANSFERRED TO PAY FOR GOD KNOWS WHAT OVERSEAS, AT<br />
THE SAME TIME THAT THE EXTREMELY WEALTHY OR CORPORATE PLAYERS ARE ENABLED TO PAY LESS AND LESS IN<br />
TAXES, PLEASE KNOW HOW MUCH WE APPRECIATE BEING ABLE TO COUNT ON THE SUPPORT OF PEOPLE WE MAY<br />
NEVER SEE ON THE BROADWAY STAGE OR MEET AT THE OFFICES OF BROADWAY CARES. BUT WE ARE GRATEFUL TO<br />
KNOW YOU ARE PARTNERS IN THIS WORK. WE WISH THAT MORE WOULD WANT TO JOIN US WITH YOU.”<br />
GRANTS COORDINATOR / HIV ALLIANCE<br />
EUGENE, OREGON<br />
events<br />
30
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
INTERNATIONAL<br />
GRANTS<br />
Over the last few years, a number of <strong>Broadway</strong> shows originating overseas or with foreign-born actors<br />
in their casts have participated generously in <strong>BC</strong>/<strong>EFA</strong>’s six weeks of audience appeals prior to the Gypsy of the Year and Easter Bonnet<br />
Competitions.<br />
In appreciation of their enthusiastic efforts, <strong>BC</strong>/<strong>EFA</strong> grants a portion of the funds raised by these companies to <strong>AIDS</strong> service<br />
organizations in their native countries. These foreign charities are chosen and introduced to <strong>BC</strong>/<strong>EFA</strong> by the company members<br />
involved. Once their charitable status has been officially established by <strong>BC</strong>/<strong>EFA</strong>, a grant in the name of the company is wired overseas.<br />
The first of these international grants was a $5,000 donation made by <strong>BC</strong>/<strong>EFA</strong> to West End <strong>Cares</strong> (renamed Theatrecares in<br />
2002), our sister theatre-based <strong>AIDS</strong> fundraising organization in London. This grant honored the Royal Shakespeare Company’s<br />
production of A Midsummer Night’s Dream that participated in the 1996 Easter Bonnet Competition while playing an acclaimed limited<br />
engagement at <strong>Broadway</strong>’s Lunt-Fontanne Theatre.<br />
Since then, many performers from <strong>Broadway</strong> companies originating in London have very generously participated in <strong>BC</strong>/<strong>EFA</strong>’s<br />
fundraising efforts. These include: Sir Ian McKellen and Helen Mirren (The Dance of Death), Dame Judi Dench and Samantha Bond<br />
(Amy’s View), Petula Clark (the national tour of Sunset Boulevard), Sian Phillips (An Inspector Calls and Marlene), Alan Cumming and Natasha<br />
Richardson (Cabaret), Patrick Stewart (The Tempest), Elaine Page (Sunset Boulevard), Antony Sher (Stanley), as well as the companies of<br />
Closer, Swan Lake, Art, An Ideal Husband, The Chairs, and Blood Brothers. <strong>BC</strong>/<strong>EFA</strong> has also granted funds in the name of producers Bill<br />
Kenwright and Sir Cameron Mackintosh for their committed and ongoing support. Grants have also been made to The Actors’ Fund<br />
of Canada in honor of the Canadian actors in the first national touring company of Mamma Mia!, Oz Showbiz <strong>Cares</strong> in honor Hugh<br />
Jackman in The Boy from Oz and Baz Luhrmann’s <strong>Broadway</strong> production of La Bohème, and Theatrecares Crusaid in honor of Clare<br />
Higgins, Jochum Ten Haaf, and the cast of Vincent in Brixton.<br />
In <strong>2004</strong>, <strong>BC</strong>/<strong>EFA</strong> sent grants totaling $262,894.<br />
The International grant-making program has expanded over the past eight years, most notably in grants made to <strong>AIDS</strong> service<br />
organizations in South Africa in appreciation for the efforts of the South African members of the <strong>Broadway</strong> and touring productions<br />
of The Lion King.<br />
international grants<br />
31
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
INTERNATIONAL GRANTS – DISTRIBUTION OF AWARDS<br />
1996-2002<br />
In its first four years, international grants totaling $465,000 were made to such organizations as West End <strong>Cares</strong> (London),<br />
14 organizations in South Africa, 2 organizations in Canada, The Kosovo Relief Fund, 2 organizations in Dublin, Ireland; and<br />
Oz Showbiz <strong>Cares</strong> (Sydney, Australia).<br />
2003<br />
theatre cares /crusaid (london, england) $ 10,000<br />
(in honor of Clare Higgins and Vincent in Brixton)<br />
the actors’ fund of canada (toronto, canada) $ 43,585<br />
(in honor of the Canadian actors in national tour of Mamma Mia!)<br />
oz showbiz cares (sydney, australia) $ 5,000<br />
(In honor of Baz Luhrmann and <strong>Broadway</strong>’s La Bohème)<br />
artists for a new south africa (los angeles) $ 5,000<br />
bumbanani creche (greytown, south africa) $ 15,000<br />
geluksdal’s women & children’s initiative (geluksdal, south africa) $ 10,000<br />
karabo foundation (johannesburg, south africa) $ 5,000<br />
kwa-thema (springs, south africa) $ 7,500<br />
living fountain ministry (middlebirg, south africa) $ 5,000<br />
buca project (mmabatho, south africa) $ 10,000<br />
n’kosi’s haven (johannesburg, south africa) $ 10,000<br />
prayer tower centre (mpumalanga, south africa) $ 5,000<br />
thabong dominican project (brakpan, south africa) $ 5,000<br />
thembelethu beaders (johannesburg, south africa) $ 67,900<br />
treatment action campaign (johannesburg, south africa) $ 5,000<br />
umlazi child care center (durban, south africa) $ 12,500<br />
(in h.onor of the South African actors in The Lion King)<br />
<strong>2004</strong><br />
theatre cares/crusaid (london, england) $ 6,000<br />
(in honor of Eileen Atkins and Ben Chaplin in The Retreat from Moscow)<br />
the actors’ fund of canada (toronto, canada) $ 2,500<br />
(in honor of Mamma Mia!)<br />
oz showbiz cares (sydney, australia) $ 35,000<br />
(in honor of Hugh Jackman in The Boy From Oz)<br />
artists for a new south africa (los angeles) $ 10,000<br />
buca project (mmabatho, south africa) $ 12,500<br />
bumbanani creche (greytown, south africa) $ 15,000<br />
dominican counseling project (springs, south africa) $ 5,000<br />
fountain of salvation bible church (tembisa, south africa) $ 10,000<br />
geluksdal’s women & children’s initiative (geluksdal, south africa) $ 10,000<br />
karabo foundation (johannesburg, south africa) $ 5,000<br />
kwa-thema (springs, south africa) $ 10,000<br />
living fountain ministry (middlebirg, south africa) $ 5,000<br />
malawi children’s village (malawi) $ 5,000<br />
masizise hlabisa development (pinetown, south africa) $ 5,000<br />
molemong club (durban, south africa) $ 5,000<br />
n’kosi’s haven (johannesburg, south africa) $ 10,000<br />
phumelela higher primary school (johannesburg, south africa) $ 1,000<br />
prayer tower centre (mpumalanga, south africa) $ 5,000<br />
south africa development fund (boston) $ 11,500<br />
thabong dominican project (brakpan, south africa) $ 5,000<br />
thembelethu beaders (johannesburg, south africa) $ 94,394<br />
thusanang services (brakpan, south africa) $ 5,000<br />
treatment action campaign (johannesburg, south africa) $ 5,000<br />
umlazi child care center (durban, south africa) $ 10,000<br />
(In honor of the South African actors in The Lion King)<br />
total international grants (1996-<strong>2004</strong>) $ 881,479<br />
international grants<br />
32
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
EVENTS<br />
Thanks to the commitment of the celebrities and other vital members of the theatrical community<br />
who devote countless hours to our cause, <strong>BC</strong>/<strong>EFA</strong> not only raises desperately needed funds for the organizations, foundations and<br />
individuals nationwide who depend on our support, but does it in a way that’s fun for our supporters.<br />
The following pages present the highlights of a year of <strong>BC</strong>/<strong>EFA</strong> fundraising events, from October 1, 2003, through September<br />
30, <strong>2004</strong>.<br />
The Gypsy of the Year and Easter Bonnet Competitions are the mainstays of the <strong>BC</strong>/<strong>EFA</strong> event roster and together raised a record-breaking<br />
$6.7 million this year! Both events mark the culmination of an intensive six-week fundraising campaign on <strong>Broadway</strong>, off-<strong>Broadway</strong>,<br />
and by the many national touring shows traveling across the country.<br />
Three other events loom almost as large on our yearly calendar: The <strong>Broadway</strong> Flea Market and Grand Auction, The <strong>Broadway</strong> Bears Auction,<br />
and <strong>Broadway</strong> Bares. The oldest of these is the <strong>Broadway</strong> Flea Market, which began as a table sale outside the stage door of A Chorus Line in<br />
Shubert Alley in the fall of 1986. In June <strong>2004</strong>, we hosted our 14th <strong>Broadway</strong> Bares, which began as seven dancers cavorting for cash<br />
on a bar in New York’s Chelsea neighborhood and has become one of the most anticipated <strong>AIDS</strong> fundraisers – one many donors<br />
plan their summer travel schedule around. The <strong>Broadway</strong> Bears Auction may be the baby of our major events, but it has grown like a<br />
weed…or should we say…a bear. The creative enthusiasm brought to The <strong>Broadway</strong> Bears by the wardrobe and costume design<br />
community has earned it a yearly home at <strong>BC</strong>/<strong>EFA</strong> since 1998. In addition to our annual events, each year brings a collection of<br />
special fundraisers of every size and variety.<br />
The following pages also feature <strong>2004</strong>’s high-profile one-time only events: Heather Headley’s acclaimed concert at The New<br />
Amsterdam Theatre, a staged reading of Auntie Mame by Charles Busch and an all-star cast at the John Jay College Theater, and The<br />
<strong>Broadway</strong> Inspirational Voices’ Gospel Celebration. All of these events are supported by many smaller events produced every year to<br />
benefit <strong>BC</strong>/<strong>EFA</strong> by individuals in the community that are not represented on the following pages – special cabaret performances,<br />
dance presentations, club shows, concerts, and much more.<br />
Each one is an important part of our annual fundraising calendar. Whether appearing with a hundred others in a bonnet<br />
presentation at the New Amsterdam Theatre or in a solo for an audience of twenty in a quiet club on the Upper West Side, by<br />
volunteering their time and talent, these dedicated entertainment professionals make <strong>BC</strong>/<strong>EFA</strong>’s grant-making efforts possible.<br />
The casts of Fiddler on the Roof and Avenue Q came together to present “Avenue Jew” – the award-winning skit at The Easter Bonnet Competition;<br />
cast members from Mamma Mia! at The <strong>Broadway</strong> Flea Market; Avenue Q’s John Tartaglia and “Rod” in rare bare form at <strong>Broadway</strong> Bares.<br />
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BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
14TH ANNUAL<br />
GYPSY OF THE YEAR<br />
COMPETITION<br />
DECEMBER 8 AND 9, 2003<br />
THE PALACE THEATRE BROADWAY<br />
An extremely strong <strong>Broadway</strong> season helped push the 2003 edition of our annual Gypsy of the Year Competition to a whopping grand<br />
total of $3,359,533, with 58 <strong>Broadway</strong>, off-<strong>Broadway</strong>, and touring shows participating in vigorous fundraising efforts.<br />
The Boy From Oz and its star Hugh Jackman led the charge, bringing in an all-time record-breaking $632,998, substantially more<br />
money than any other show in <strong>BC</strong>/<strong>EFA</strong> history has raised in one six-week appeal period (nearly doubling Hairspray’s record-breaking<br />
numbers from 2002).<br />
Runners-up in fundraising included Hairspray with $303,024, The Phantom of the Opera with $155,964, Gypsy with $147,366 and<br />
Mamma Mia! with $133,286. The <strong>Broadway</strong> play that raised the most money was The Retreat from Moscow with $56,291, and the off-<br />
<strong>Broadway</strong> winner was Fame on 42nd Street, which raised $18,004. The top fundraiser among touring companies was the Mamma Mia! #2<br />
tour, which brought in $154,325. Tony Award®-winner Jackman, Gypsy’s Mama Rose Bernadette Peters, and Hairspray’s original Edna,<br />
Harvey Fierstein, announced the winners.<br />
Gypsy of the Year is about more than fundraising. It’s an opportunity for <strong>Broadway</strong>’s chorus men and women – many of whom are<br />
destined for headlining roles – to step into the spotlight and strut their stuff on a single stage. The 2003 awards were hosted by the<br />
droll duo of The Violet Hour’s Mario Cantone and Gypsy’s “You Gotta Have a Gimmick” girl Julie Halston.<br />
Show highlights included the cast of Mamma Mia! in “The Winter Garden Showchoir Strikes Back”; The Producers’ Matt Loehr, who<br />
choreographed and performed an athletic solo number “Break-Through You”; the cast of Little Shop of Horrors offered James Lipton –<br />
or a hilarious impersonation by Rob Bartlett – interviewing Audrey II in a special edition of “Inside the Actors’ Studio”; the<br />
unstoppable Lypsinka gave the audience a special holiday treat with “The 12 Daze of Christmas;” and cast members from <strong>Broadway</strong>’s<br />
delightful Avenue Q presented an original number, “In Our Neighborhood.” Past and current members of the long-running off-<br />
<strong>Broadway</strong> hit Naked Boys Singing came together to sing “Dreams,” written by Stephen Bates Baltes, who had recently passed away from<br />
<strong>AIDS</strong>-related complications. Producer Rosie O’Donnell made a special appearance with her cast from Taboo.<br />
The distinguished panel of judges included Delta Burke (who had recently made her <strong>Broadway</strong> debut in Thoroughly Modern Millie),<br />
Ted Chapin of the Rodgers and Hammerstein Organization, as well as <strong>BC</strong>/<strong>EFA</strong> major donors Judy Dove, Barbara Ann Klein and<br />
Marion Duckworth-Smith. These judges, along with Jujamcyn VP and <strong>BC</strong>/<strong>EFA</strong> President Paul Libin, Priscilla Lopez (Anna in the<br />
Tropics) and Ned Walker of loyal <strong>BC</strong>/<strong>EFA</strong> corporate sponsor Continental Airlines chose a dance number by the cast of Aida as<br />
winner of the Judges’ Award for Best Presentation, with Urinetown, in its competitive swansong, a close runner-up.<br />
(clockwise) Rob Bartlett interviews Audrey II in a special edition of Inside the Actors' Studio, as brought to you by the cast of Little Shop of Horrors; the opening number –<br />
created by Christopher Gattelli, Seth Rudetsky, Matt Sklar, and Bill Ryall; The Producers’ Matt Loehr choreographed and performed an athletic solo number, “Break-Through<br />
You”; a surprise appearance by Urinetown’s Officer Lockstock and Little Sally – gentle, as ever; the cast of Mamma Mia! in “The Winter Garden Showchoir Strikes Back.”<br />
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34
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
GYPSY OF THE YEAR<br />
TOTALS THROUGH HISTORY:<br />
1989 $ 64,000<br />
1990 $ 92,000<br />
1991 $ 205,000<br />
1992 $ 445,000<br />
1993 $ 707,000<br />
1994 $ 802,000<br />
1995 $ 1,213,000<br />
1996 $ 1,262,000<br />
1997 $ 1,325,000<br />
1998 $ 1,751,000<br />
1999 $ 2,074,000<br />
2000 $ 2,056,000<br />
2001 $ 2,037,000<br />
2002 $ 2,623,000<br />
2003 $ 3,359,533<br />
TOTAL: $20,015,533<br />
MAKING HISTORY: GYPSY OF THE YEAR<br />
In the fall of 1989, the <strong>Broadway</strong> <strong>Cares</strong> “steering committee” met to discuss what new event might be jointly produced by the<br />
then two separate organizations, <strong>Broadway</strong> <strong>Cares</strong> and <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, that would capitalize on the shared success of the two<br />
groups’ most recent collaboration, that year’s <strong>Broadway</strong> Flea Market. While these two groups were three years away from a formal merger<br />
(which ultimately took place in May 1992), already it was clear that sharing revenue and resources was the future of <strong>AIDS</strong> fundraising<br />
in the theatre community.<br />
The group kept coming back to the success of the then three-year-old Easter Bonnet Competition. What would engage the <strong>Broadway</strong><br />
community in another round of competitive fundraising that could also culminate in a variety show? Ideas were tossed back and forth<br />
across the committee table, but the group kept coming back to one: an afternoon to give “gypsies” a moment in the spotlight.<br />
The very first Gypsy of the Year Competition debuted on the stage of the St. James Theatre – then home to the smash hit revival of Gypsy<br />
– on November 28, 1989. Hosted by Gypsy stars Jonathan Hadary and Tyne Daly, directed by Michael Lichtefeld and produced by<br />
Maria Di Dia for <strong>Broadway</strong> <strong>Cares</strong> and Tom Viola for <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, the show featured gypsies from A Chorus Line, Black and<br />
Blue, Cats, Grand Hotel, Gypsy, Jerome Robbins’ <strong>Broadway</strong>, Les Misérables, The Phantom of the Opera, Sweeney Todd, Threepenny Opera, as well as<br />
representatives from The Heidi Chronicles, Vampire Lesbians of Sodom, and The Lady in Question. This fledgling event raised over $64,000.<br />
Everyone was thrilled.<br />
Over the next 16 years, new choreographers emerged from the ranks, and the quality of the events continued to improve.<br />
Audiences grew and a second performance was added, as Gypsy became one of the most sought-after tickets of the season. The casts<br />
from many more shows participated, fundraising efforts doubled, tripled and increased ten-fold. By the 7th annual edition, the $1<br />
million dollar mark was broken for total fundraising – a goal unthinkable even five years before. Four years later in 1999 a sold out<br />
audience of over 1,600 people at the Palace Theatre cheered when it was announced that the $2 million fundraising total had been<br />
reached for the first time. This year’s GYPSY OF THE YEAR raised a phenomenal $3,359,533 — over 50 times more than that first<br />
edition in 1989, when we swung the doors open at the St. James, hoping and working for the best.<br />
(left to right) A “faux” Kristin Chenoweth (aka Tia Marie Zorne) made a 'surprise' appearance in the Beauty and the Beast presentation;<br />
the opening number featured four veteran gypsies – Jennifer Smith, Harvey Evans, Patty Mariano, and Dana Moore; the number’s grand final pose;<br />
Hugh Jackman and the phenomenal company of The Boy From Oz.<br />
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35
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE 18TH ANNUAL<br />
EASTER BONNET<br />
COMPETITION<br />
APRIL 19 AND 20 <strong>2004</strong><br />
The 18th <strong>Annual</strong> Easter Bonnet Competition – presented once again at Disney’s beautiful New<br />
Amsterdam Theatre – raised a record-breaking $3,439,075 for <strong>BC</strong>/<strong>EFA</strong> in six busy weeks of fundraising. A total of 44 theatrical<br />
companies participated in this fundraising success, with 23 <strong>Broadway</strong> shows bringing in a collective $2,694,372. Fourteen national<br />
tours came in with $667,821 and seven off-<strong>Broadway</strong> shows raised a total $84,986 to make the truly grand total of $3,439,075. Last<br />
year’s Bonnet competition raised $2,149,744.<br />
The top fundraising award went to The Boy From Oz, which brought in an amazing $539,058, part of an unprecedented total of<br />
$1,172,056 raised by this company for <strong>BC</strong>/<strong>EFA</strong> in just the first six months of its run. First runner-up was The Producers ($368,050),<br />
followed by Hairspray ($217,813), Wicked ($158,496), and Gypsy ($149,595). Finally, although there wasn’t a fifth runner-up award, our<br />
bonnets go off to the <strong>Broadway</strong> company of The Phantom of the Opera, which raised $123,633 through a combination of audience appeals<br />
and a labor-intensive effort of signing and selling 2,200 posters for $40 each. Additional fundraising prizes were given to the<br />
<strong>Broadway</strong> play that raised the most money, Golda’s Balcony ($78,654), the top-earning Off-<strong>Broadway</strong> production, Fame on 42nd Street<br />
($21,882), and the most successful national tour, Mamma Mia! ($151,829).<br />
This year’s opening number featured a take-off of “Come On, Get Happy,” rewritten as “Come On, Get Hatty “ by Drew Geraci<br />
and Seth Rudetsky. Choreographed by Denis Jones, directed by Geraci and with musical direction by Steve Marzullo, “Get Hatty”<br />
featured 16 of <strong>Broadway</strong>’s best dancers and (offstage) another 11 outstanding vocalists.<br />
Our very own Ziegfeld ‘girl’ – Doris Eaton Travis – made her 7th appearance for <strong>BC</strong>/<strong>EFA</strong> on stage at The New Amsterdam, where<br />
she first appeared over 80 years ago in the Ziegfeld Follies of 1918, 1919 and 1920. After joining the dancers in a conga, Doris was<br />
surprised with a special cake marking her 100th birthday in March and received a standing ovation from the cheering house in honor<br />
of her gracious heart and grand spirit.<br />
Two highlights of the show included “Funny, Fast and Flawless” – the bonnet from 42nd Street and Aida’s Deborah Cox along with<br />
several male dancers from Aida presenting their bonnet accompanied by Deborah’s remixed dance version of “Easy As Life.” A “Fab”<br />
bonnet presented by the boys from the company of Movin’ Out and the “Star Child” bonnet presented by The Phantom of the Opera were<br />
other crowd pleasers.<br />
Best bonnet presentation was awarded to Avenue Q and Fiddler on the Roof, who joined forces to present a skit entitled “Avenue Jew.”<br />
The Producers claimed second prize in this category for a skit about gay marriage, which included a parody of Stephen Sondheim’s<br />
A truly grand, record-breaking total; stars of A Raisin in the Sun Sean Combs and Audra McDonald joined Harvey Fierstein in announcing the fundraising winners;<br />
“Temptation” the bonnet from The Lion King; Still in character as the former Israeli Prime Minister, Tovah Feldshuh came by from Golda’s Balcony (her one-woman show<br />
about Golda Meir at the Helen Hayes Theatre) to offer Golda’s interpretation of “Let Me Entertain You.”<br />
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36
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
EASTER BONNET<br />
TOTALS THROUGH HISTORY<br />
1987 $ 18,740<br />
1988 $ 51,757<br />
1989 $ 137,523<br />
1990 $ 226,819<br />
1991 $ 279,000<br />
1992 $ 500,049<br />
1993 $ 848,000<br />
1994 $ 1,001,649<br />
1995 $ 1,127,000<br />
1996 $ 1,304,525<br />
1997 $ 1,474,222<br />
1998 $ 1,793,137<br />
1999 $ 2,096,862<br />
2000 $ 2,129,168<br />
2001 $ 2,275,000<br />
2002 $ 1,826,392<br />
2003 $ 2,149,744<br />
<strong>2004</strong> $ 3,439,075<br />
TOTAL $22,678,662<br />
“Getting Married Today.” Thoroughly Modern Millie won third prize in the bonnet presentation category for a moving performance<br />
entitled “Letters from Home," which incorporated “thank you” letters from Actors’ Fund clients and beneficiaries from <strong>BC</strong>/<strong>EFA</strong>’s<br />
National Grants Program.<br />
The afternoon featured guest hosts Bernadette Peters, Joel Grey, Ann Harada, Tovah Feldshuh, Randy Graff, Joe Machota,<br />
Michael Mulheren, John Tartaglia (and “Rod”), Christopher Sieber, Ron Kunene, and Tsidii Manye. Harvey Fierstein, Audra<br />
McDonald and Sean Combs announced the winners after Wicked’s Idina Menzel belted out the David Friedman anthem “Help Is On<br />
the Way.”<br />
<strong>BC</strong>/<strong>EFA</strong> is blessed to be a part of such an extraordinary theatrical family. And on behalf of the thousands of clients at The Actors’<br />
Fund and hundreds of social service agencies across the country whose essential work will be supported by the funds raised, a very<br />
special thanks to all who made and continue to make these efforts possible.<br />
ONCE UPON A BONNET: EASTER BONNET HISTORY<br />
The precursor to the first Easter Bonnet Competition was an informal show instigated by wardrobe supervisor Gayle Patton in 1986<br />
backstage at the Palace Theatre during the original <strong>Broadway</strong> run of La Cage aux Folles. La Cage cast members dressed for a contest in<br />
which they were judged in the categories “Poise,” “Personality,” and “Talent.” The company voted by stuffing dollar bills into jars<br />
marked for each contestant. $1,200 was raised and donated to the then fledging <strong>AIDS</strong> service organization Gay Men’s Health Crisis.<br />
By 1990 the Easter Bonnet Competition had become the <strong>Broadway</strong> community’s premier <strong>AIDS</strong> fundraising event with funds now<br />
going to <strong>Broadway</strong> <strong>Cares</strong>. Produced by Susanne Ishee and a host of dedicated volunteers for its first eight years, the Easter Bonnet<br />
returned to the Palace Theatre in 1995 where it was produced for the first time by <strong>BC</strong>/<strong>EFA</strong>. In 1998, the show moved to the gloriously<br />
renovated New Amsterdam Theatre, its home ever since. Eighteen years and over 380 bonnets later, <strong>BC</strong>/<strong>EFA</strong>’s Easter Bonnet Competition<br />
is one of New York City’s most popular annual events and has raised over $22,678,662 – all still based on a whole lot of “Poise,”<br />
“Personality,” and “Talent.”<br />
(clockwise) Our very own Ziegfeld ‘girl’ - Doris Eaton Travis - made her 7th appearance with us on stage at The New Amsterdam, where she first appeared<br />
in the Ziegfeld Follies of 1918, 1919 and 1920; Deborah Cox, starring as Aida, along with the boys from Aida, presented their bonnet to Deborah's remixed dance version<br />
of “Easy As Life”; the cast of Naked Boys Singing! — nearly naked and, of course, singing; the bonnet from off-<strong>Broadway</strong>’s Menopause, the Musical.<br />
events<br />
37
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY BEARS VI<br />
FEBRUARY 15, <strong>2004</strong><br />
Theater fans and teddy bear collectors came together on February 15, <strong>2004</strong>, for <strong>Broadway</strong> Bears VII:<br />
A Grand Auction – an event featuring a cuddly chorus line of 40 one-of-a-kind teddy bears, each meticulously outfitted in original,<br />
handmade costumes by <strong>Broadway</strong>’s leading costume designers and representing memorable characters from plays and musicals, past<br />
and present. Auctioned off to the highest bidders, the bears raised $127,210 for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>.<br />
Bryan Batt hosted and <strong>BC</strong>/<strong>EFA</strong> stalwart Lorna Kelly served as auctioneer for the seventh edition of this growing <strong>Broadway</strong><br />
tradition. Celebrity presenters and audience members included Lucy Arnaz, Bebe Neuwirth, Mary Bond Davis, Michael McGowan<br />
and Christine Pedi. One of the auction’s highlights was Susan Hilferty’s replica of Idina Menzel’s Elphaba from Wicked, which sold<br />
for an impressive $10,000. Featured bears inspired by the animal kingdom included a rhino from The Lion King ($2,600) and one<br />
based on Toad from Frog and Toad ($2,400). Avenue Q’s Stephanie D’Abruzzo signed her bear, which featured her holding a mini Kate<br />
Monster. Other popular bears included Carnival’s Paul Berthalet, signed by the late Jerry Orbach, which sold for $3,200, and Kiss<br />
Me, Kate’s Petruchio, signed by Brian Stokes Mitchell, which went for $3,000. An unusual creation inspired by Little Shop of Horrors –<br />
featuring Hunter Foster as Seymour Bear and a baby Audrey II – brought in $2,400.<br />
This year’s auction raised an impressive $127,000, bringing the cumulative grand total of money raised since 1998’s original<br />
auction to just under $1 million.<br />
The skill and imagination devoted to the creation of these coveted collectibles has been recognized worldwide, from The<br />
Museum of The City of New York – where 10 bear alumni reside as part of the permanent costume collection – to media acclaim<br />
as far away as England and Japan. In addition, noted designers such as Bob Mackie have created original bears for these auctions.<br />
For this year’s auction, Mackie designed Lorelei bear, based on Carol Channing’s lovable gold digger in the musical Lorelei and<br />
signed by Miss Channing.<br />
<strong>BC</strong>/<strong>EFA</strong> is very grateful to the creative and talented artists who designed, outfitted, costumed, draped, frocked, dressed, shod,<br />
hatted, painted, armored, tattooed, stuffed, “lipoed,” wigged, bejeweled and feathered the <strong>Broadway</strong> Bears – and in doing so created<br />
truly one-of-a-kind, museum-quality pieces for auction. <strong>BC</strong>/<strong>EFA</strong> is also indebted to The North American Bear Company for<br />
generously donating now hundreds of bears – each of which went out a bare bear and came back a star!<br />
Tovah Feldshuh and the Golda Meir bear created by Trevor McGinness, complete with ever-present cigarette; Carole Shelley and “Elphabear,” created by Eric Winterling;<br />
Whoopi “Goldbear” created by Arnold S. Levine; Into The Woods’ Milky White, created by Zoe Morsette; Mack’s Mabel, created Gene Barth; Miriam Carlin with her creation of<br />
the Lion from The Wiz; Hairspray’s Tracy Turnblad, created by Vita Buscemi; and Boy George as Leigh Bowery as created by Carelli Costumes, Inc.<br />
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38
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY BARES XIV<br />
JUNE 20, <strong>2004</strong><br />
<strong>Broadway</strong> Bares 14: Now Showing, the <strong>2004</strong> version of the spectacular that grins and bares it, brought<br />
in $525,000 for <strong>BC</strong>/<strong>EFA</strong>, $18,000 of which was collected in sweaty dollar bills tucked into the sparkling g-strings worn by 200 of<br />
<strong>Broadway</strong>’s hottest dancers. This success tops our total from 2003 by a whopping $75,000, and culminates in a grand total of<br />
$2,825,000 raised since the event’s first edition in 1991.<br />
Every year for 14 years, <strong>Broadway</strong> Bares’ creator and original director/choreographer, Jerry Mitchell, has convinced a group of<br />
<strong>Broadway</strong> professionals to take it off for a good cause.<br />
Titillating titles from past years included The Barest Show on Earth, Peep Show, Calendar Girl, A Comic Strip, 2001: A Strip Odyssey, and Knock,<br />
Knock: Who’s Bare. <strong>Broadway</strong> Bares 14, which took over Roseland Ballroom on June 20, was directed by Mitchell’s protégé, Jodi Moccia,<br />
and choreographed by Moccia and a stellar dance team.<br />
<strong>Broadway</strong> Bares 14 took on the movies, featuring dance sequences inspired by Flashdance, Rocky, James Bond, Chariots of Fire, and<br />
even a moment from Whatever Happened to Baby Jane?<br />
Antigravity performed a skit based on Crouching Tiger, Hidden Dragon – appropriately renamed ‘”Crotching’ Tiger, Hidden Dragon”<br />
– featuring an acrobatic appearance by gymnast and dancer Matthew Cusick. Hollywood’s golden days were honored in “Going<br />
Bananas,” which blended the comedy of the Marx Brothers with outrageous costumes and dance moves inspired by Carmen Miranda.<br />
Special guests included Into the Woods’ Christopher Sieber and Queer Eye for the Straight Guy’s Jai Rodriguez, Swoosie Kurtz, Patrick<br />
Cassidy, Shirley Jones, and Paige Davis of Trading Spaces and Chicago plus, Avenue Q’s John Tartaglia and “Rod” in a cameo from Scream.<br />
Las Vegas-based aerial troupe The Living Art of Armando – an audience favorite – pulled off a sexy acrobatic feat, spinning from<br />
a sphere in midair as their costumes appeared to melt away, while Aaron Vexler and Mike Moran of the Las Vegas troupe Axiom<br />
presented a specialty number “For the Boys.”<br />
Following the finale came a reminder of what all the glitz and gaiety was for: a generous check for $75,000 from The MAC <strong>AIDS</strong><br />
Fund and MAC Viva Glam presented by MAC CEO John Demsey to <strong>Broadway</strong> <strong>Cares</strong>. With the support of MAC, our sold-out crowd,<br />
and our volunteers and volunteer dancers, we’ve created a unique way to raise money to help people living with <strong>AIDS</strong> and their<br />
families that now has become an annual “rite of spring” for over 5,000 aficionados of <strong>Broadway</strong>, dance, the flash of well-toned<br />
muscle and a bit of booty. All, of course, for a good cause.<br />
(left to right) A highlight of the evening was the appearance of special guests Aaron Vexler and Mike Moran of 'Axiom’;<br />
“Going Bananas” featured Brad Aspel, James Leo Ryan and Denis Jones as Chico, Harpo and Groucho; “Yo Adrian” featured Keith Kuhl; this year’s Bares poster boy,<br />
Eric Otte showed a side we've never seen of “Bond, James Bond.”<br />
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39
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
18TH ANNUAL<br />
BROADWAY FLEA MARKET<br />
AND GRAND AUCTION<br />
SEPTEMBER 19, <strong>2004</strong><br />
We escaped the remnants of Hurricane Ivan and Sunday morning skies cleared for the 18th edition of<br />
what some have come to call “<strong>Broadway</strong>’s <strong>Annual</strong> Company Picnic." Over 30,000 enthusiastic theatre fans shopped, schmoozed and<br />
gawked their way through Shubert Alley as the best of NYC’s theatrical community united to make our last major fundraising event<br />
of fiscal year <strong>2004</strong> a rousing success.<br />
Fifty-three tables representing <strong>Broadway</strong> and off-<strong>Broadway</strong> shows, unions, management offices and theatre-related businesses<br />
all pitched in, selling everything from signed memorabilia, Playbills, posters, baked goods and one-of-a-kind handmade items,<br />
raising a total of $192,064. Top performers included: United Scenic Artists ($16,923), Wicked ($12,788), Avenue Q ($11,944),<br />
<strong>Broadway</strong> Beat ($14,022), <strong>Broadway</strong>.com ($9,022), The Phantom of the Opera ($6,076), and The Producers ($5,443).<br />
Over $12,000 was raised at the Celebrity Table and Photo Booth where stars from <strong>Broadway</strong> and daytime television signed<br />
everything imaginable for their fans. <strong>Broadway</strong>’s Bernadette Peters, Brian Stokes Mitchell, Bebe Neuwirth, Richard Thomas, Tonya<br />
Pinkins, Mario Cantone, Isabel Keating, Stephanie J. Block, Beth Fowler, Gary Beach, Joey McIntyre, Roger Rees, Tom Hewitt,<br />
Marian Seldes, Carole Shelley, Tovah Feldshuh, Joe Machota, Peter Scolari, Michael McKeon, John Tartaglia, Andrea McArdle and<br />
Tony Roberts were among the more than 90 stars who dropped by for an hour to meet and greet.<br />
The Silent Auction – which featured 73 items sold over a five-hour period – raised $35,000. Bidding was led by a Hirschfeld<br />
drawing of Gwen Verdon ($2,700). Two musical phrases from Avenue Q - written by Robert Lopez and Jeff Marx - also received high<br />
bids, earning $2,200 and $1,800. Mel Brooks’ handwritten musical phrase “When You Got It, Flaunt It," from The Producers, sold<br />
for $1,600.<br />
As has become tradition, The Grand Auction closed the day’s festivities. Auctioneer Lorna Kelly led the charge as another $172,400<br />
was raised from such items as: a walk-on in The Phantom of the Opera ($8,500); two VIP tickets and a backstage visit to Bette Midler’s<br />
show at Radio City ($7,500); additional walk-ons in Rent ($6,800), Fiddler on the Roof ($6,000) and 42nd Street ($4,500), as well as two<br />
VIP tickets to the opening night performance and party for La Cage aux Folles.<br />
Continental Airlines, The New York Times, and Ford Motor Company were this year’s major corporate sponsors. As always, we are<br />
grateful to the hundreds of theatrical professionals who joined forces to make this day possible and the tens of thousands of theatre<br />
fans who in turn made it fun and profitable for <strong>BC</strong>/<strong>EFA</strong>.<br />
(clockwise) The crowd in front of the annual Celebrity Table on W. 45th Street and Shubert Alley; cast members from The Lion King selling special memorabilia; another table<br />
loaded with wares for sale from 42nd Street; <strong>BC</strong>/<strong>EFA</strong> Trustee Maria Di Dia and Bebe Neuwirth, the star of Maria’s off-<strong>Broadway</strong> musical hit Here Lies Jenny; Neil Shastri from<br />
Bombay Dreams auctioned off his own drawing of the stars of Bombay Dreams with the help of auctioneer Lorna Kelly.<br />
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40
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY<br />
BARKS 6<br />
JULY 10, <strong>2004</strong><br />
HOW IT ALL BEGAN<br />
The <strong>Broadway</strong> Flea Market had an inauspicious start. In 1987,<br />
the event debuted as two tables presented by the company of A<br />
Chorus Line outside their stage door in Shubert Alley as a part of the<br />
first <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> week, raising what was thought to be an<br />
astonishing $7,000. Over the next four years, under the<br />
leadership of Ethel Bayer, Stephen Falat, Arne Gundresen and<br />
Larry Hansen, the Flea Market grew, adding tables from more<br />
shows, theatre-related offices, unions, and guilds – everyone<br />
recognizing a good cause and a great chance to clean house. In<br />
1988, the organizers added an auction of eight lots, but without<br />
an experienced auctioneer on hand, the event sputtered to a<br />
finish. In 1989, Sotheby’s Lorna Kelly came on board as our<br />
official auctioneer and, by adding her expertise, a truly “grand”<br />
auction was born. Today the <strong>Broadway</strong> Flea Market and Grand Auction<br />
draws thousands of devoted theatre fans and members of the<br />
theatre community to Shubert Alley and the adjoining area along<br />
44th Street. As they say, from little acorns…Specifically, over 16<br />
years (1987-<strong>2004</strong>), this event has raised nearly $6 million! And<br />
we’re still signing posters, gathering swag, and cleaning closets<br />
and auctioning one-of-a-kind theatrical experiences for a good<br />
cause.<br />
<strong>BC</strong>/<strong>EFA</strong>’s great friend, <strong>Broadway</strong>’s David Masenheimer, stands proudly in front<br />
of his extraordinary display representing the day's Grand Auction;<br />
two from the celebrity table, Brian Stokes Mitchell and Bernadette Peters.<br />
The <strong>Broadway</strong> community came together between<br />
performances on a midsummer Saturday afternoon, finding<br />
homes for more than three dozen animals and raising an<br />
impressive $70,000 for 25 participating shelters around New<br />
York City.<br />
Hosted by founders Bernadette Peters and Mary Tyler<br />
Moore and special guest host Julie Halston, <strong>2004</strong>’s lineup of<br />
celebrity pet presenters – who all came by Shubert Alley eager to<br />
help find homes for a wonderful collection of critters – and their<br />
shows, included: Jennifer Barnhart, Jordan Gelber, John<br />
Tartaglia and Natalie Venetia Belcon (Avenue Q); Gary Beach,<br />
Brad Oscar and Angie Schworer (The Producers); Michael Cerveris,<br />
Mario Cantone, Denis O’Hare and Neil Patrick Harris (Assassins);<br />
Tonya Pinkins and Veanne Cox (Caroline, or Change); Sandra<br />
Joseph and Hugh Panaro (The Phantom of the Opera); Shirley Jones<br />
and Patrick Cassidy (42nd Street); Christy Carlson Romano (Beauty<br />
and the Beast); Isabel Keating, Michael Mulheren, Beth Fowler and<br />
Stephanie J. Block (The Boy from Oz); Paige Davis and Chris Sieber<br />
(Chicago); Micky Dolenz (Aida); Rachel York, Elizabeth Berkeley<br />
and Eric Stoltz (Sly Fox); Kristin Chenoweth (Wicked); Laura<br />
Linney (Sight Unseen); Swoosie Kurtz (Frozen); Donna Murphy and<br />
Jennifer Westfeldt (Wonderful Town); Audra McDonald (A Raisin in<br />
the Sun); Patrick Page (The Lion King) and the legendary Eartha Kitt.<br />
And a doggone good time was had by all.<br />
www.broadwaybarks.org<br />
One of the many dogs who found loving homes at <strong>Broadway</strong> Barks;<br />
Kristin Chenoweth had instant rapport with this cute little one; Eartha Kitt, <strong>Broadway</strong><br />
star and the infamous “cat woman” of Batman fame…with what else, a kitty!<br />
events<br />
41
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE ANNUAL<br />
GOSPEL<br />
CELEBRATION<br />
OCTOBER 19, 2003<br />
AUNTIE MAME:<br />
THE READING<br />
NOVEMBER 24, 2003<br />
The <strong>BC</strong>/<strong>EFA</strong> fiscal year begins on October 1. On<br />
that day, every year, the “fundraising odometer” rolls back to zero<br />
and we start again. It seems somehow fitting that our first major<br />
event of the fiscal year was The <strong>Broadway</strong> Inspirational Voices<br />
special 10th Anniversary Concert of gospel music at New York’s<br />
historic Town Hall.<br />
Star Jones hosted and our special guest, the legendary Patti<br />
LaBelle, joined the Voices in a grand finale. The <strong>Broadway</strong><br />
Inspirational Voices is a gospel ensemble founded and musically<br />
directed by Michael McElroy, a well-known <strong>Broadway</strong> performer<br />
and <strong>BC</strong>/<strong>EFA</strong> Trustee. The Inspirational Voices is comprised of<br />
an impressive roster of singers from current and recent <strong>Broadway</strong><br />
shows such as Aida, Beauty & the Beast, Cabaret, Hairspray, The Lion King,<br />
Mamma Mia!, The Producers, Thoroughly Modern Millie, Rent, Man of<br />
La Mancha, Jesus Christ Superstar, Kiss Me, Kate, Jekyll & Hyde, Smokey<br />
Joe’s Cafe and The Music Man. For the last ten years, The Gospel<br />
Celebration has helped its audience to feel strength in our<br />
common humanity, as people of all faiths and backgrounds come<br />
together to celebrate as a community a higher power that<br />
underlines every faith. Over 50 voices strong, The <strong>Broadway</strong><br />
Inspirational Voices sold out Town Hall and filled the hearts of<br />
those in attendance with a light-hearted and joyous enthusiasm,<br />
as it marked the beginning of the <strong>BC</strong>/<strong>EFA</strong> fundraising season<br />
The <strong>Broadway</strong> Inspirational Voices at Town Hall; Without a doubt,<br />
the highlight of the evening was the legendary Patti LaBelle's appearance as guest<br />
artist, joining the Voices on their performance of “Shake Yourself Loose”;<br />
Aisha de Haas brings it home with “Go Tell It.”<br />
Actor/playwright Charles Busch met a larger-thanlife<br />
challenge when he took on the part of Auntie Mame, the title<br />
role in Jerome Lawrence and Robert E. Lee’s 1956 play, and one<br />
long-identified with the legendary Rosalind Russell.<br />
Based on the bestseller by Patrick Dennis, our Auntie Mame<br />
dream cast, led by Mr. Busch and directed by Richard Sabellico,<br />
featured Marian Seldes as Vera Charles, Swoosie Kurtz as Agnes<br />
Gooch, Anthony Edwards as Beauregard Burnside, Rue<br />
McClanahan as Mother Burnside, Christopher Sieber as Older<br />
Patrick, T.J. Larke as Young Patrick, and Valerie Harper as the<br />
Master of Ceremonies. Also participating in this incredible<br />
evening were Alan Aisenberg, Lucie Arnaz, Dylan Baker, Michael<br />
Berresse, Glory Crampton, Ray DeMattis, Alison Fraser, Hans<br />
Frederichs, Diane Findlay, Beth Howland, Charles Kimbrough,<br />
Douglas Sills, Sarah Uriarte Berry, and B.D. Wong. In a special<br />
guest appearance, veteran actor Cris Alexander recreated his<br />
performances from the original 1956 <strong>Broadway</strong> production, as<br />
Cousin Jeff and Mr. Loomis (Mame’s manager at Macy’s). It was<br />
a delight to meet Mr. Alexander – who also created the roles of<br />
Chip and Frank Lippincott in the original <strong>Broadway</strong> productions<br />
of On the Town and Wonderful Town.<br />
Special thanks for making the evening possible go out to<br />
Deborah Robison and Janet Waldo Lee for the generous permission<br />
on behalf of the Jerome Lawrence and Robert E. Lee estates.<br />
Mame's pals – played by Douglas Sills, Marian Seldes, Michael Beresse and<br />
Christopher Sieber – meet Gloria Upson, played by Sarah Uriate Berry; Special guest<br />
and legendary <strong>Broadway</strong> star Cris Alexander recreating his 1956 performance as<br />
Mr. Loomis with a <strong>2004</strong> version of Sally Cato, played by Lucie Arnaz; TJ Larke<br />
and Charles Busch as Young Patrick and his Auntie Mame.<br />
events<br />
42
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NOTHIN’ LIKE<br />
A DAME<br />
MARCH 1, <strong>2004</strong><br />
HEATHER<br />
HEADLEY IN<br />
CONCERT<br />
MAY 27, <strong>2004</strong><br />
There’s nothing like Nothing Like a Dame. Presented<br />
by <strong>BC</strong>/<strong>EFA</strong> on March 1, at the St. James Theatre, the popular<br />
event raised $250,000 for The Phyllis Newman Women’s Health<br />
Initiative of The Actors’ Fund. Cynthia Nixon, Alfre Woodard,<br />
and Tovah Feldshuh were among the celebrity hosts for this 9th<br />
annual production. Laura Benanti, Kathy Brier, Carolee<br />
Carmello, Kathleen Chalfant, Victoria Clark, Kate Clinton,<br />
Stephanie D’Abruzzo, Christine Ebersole, Lauren Flanigan,<br />
Bebe Neuwirth, Julie Halston, Ann Harada, Amanda Green, Dee<br />
Hoty, Kate Monster, Christine Pedi, Tonya Pinkins, Chita<br />
Rivera, Camille Saviola, Liz Smith, and Gay Willis were also on<br />
the roster of luminaries appearing at the event.<br />
Chase Brock and Rob Berman conceived this year’s opening<br />
number, with Brock providing choreography and Berman the<br />
arrangement and orchestration. Mary-Mitchell Campbell<br />
conducted and provided musical direction ffor the number,<br />
which featured a dancing chorus of red-gloved Dames and four<br />
singing and dancing soloists: Sutton Foster, Nancy Lemenager,<br />
Mamie Duncan Gibbs and Karen Ziemba. Among the many<br />
highlights was a recurring comic bit by legendary leading lady and<br />
Tony Award ® winner Zoe Caldwell (playing a stagehand!) and<br />
audience favorite Idina Menzel, closing the first act with her<br />
show-stopping song “The Wizard and I” from Wicked.<br />
The opening number of Nothin’ Like A Dame featured a dazzling collection of<br />
<strong>Broadway</strong>’s loveliest; Camille Saviola and Chita Rivera regret the lack of<br />
“Class”; opera star Lauren Flanagan and Kathleen Chalfant perform a duet<br />
from Tosca, in song and word, accompanied by Miriam Charney;<br />
Phyllis Newman is gently encouraged to move through her remarks by our<br />
special stagehand, legendary actress Zoe Caldwell.<br />
<strong>Broadway</strong> and pop star Heather Headley – a longtime<br />
friend of <strong>BC</strong>/<strong>EFA</strong>, best known to New York audiences for<br />
her performance as Nala in The Lion King and her Tony Award® -<br />
winning work in Aida – returned to the city of her earlier<br />
triumphs for a one-night-only concert event entitled “Home."<br />
Before a full house, the curtain came up on Heather in<br />
silhouette in front of musical director Rob Mathes and an 18-<br />
piece orchestra. The star’s assured handling of the evening’s<br />
signature song, “Home” from The Wiz, let the audience know that<br />
in the three years since she played her last performance in Aida,<br />
she had lost none of the shimmering sound that had made her a<br />
<strong>Broadway</strong> favorite. The first act continued with Headley’s superb<br />
versions of such <strong>Broadway</strong> favorites as “Nothing," “My Heart<br />
Belongs to Daddy” and “His Is the Only Music That Makes Me<br />
Dance.” Clay Aiken, fellow RCA recording artist and American<br />
Idol contestant, brought the act to a close with the duet “Can You<br />
Feel the Love Tonight” from The Lion King.<br />
The second act broke out of the <strong>Broadway</strong> mold and opened<br />
with a smoking version of Aretha Franklin’s “Chain of Fools” and<br />
featured four numbers from Heather’s Grammy-nominated gold<br />
CD “This is Who I Am.” Michael McElroy and The <strong>Broadway</strong><br />
Inspirational Voices joined Heather on the rousing gospel<br />
numbers “Someway, Somehow” and “Never Leave Me Alone.”<br />
Heather closed the show with a very emotional encore of “If It<br />
Wasn’t for Your Love” from her CD.<br />
Tony Award ® winning star Heather Headley; fellow RCA recording artist<br />
and American Idol runner-up Clay Aiken joined Heather and brought down the house<br />
with The Lion King's “Can You Feel the Love Tonight.” Aida co-star Adam Pascal<br />
joined Heather on one of their duets from the show, “Written in the Stars.”<br />
events<br />
43
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NATIONAL SUPPORT<br />
A strong commitment to <strong>BC</strong>/<strong>EFA</strong> extends far beyond New York City. In regional, stock, and dinner<br />
theatres across the country, as well as in cities that play host to <strong>Broadway</strong>’s national touring shows, casts come together as they do in<br />
New York to raise funds continually for <strong>BC</strong>/<strong>EFA</strong>.<br />
<strong>Broadway</strong>’s national tours are <strong>BC</strong>/<strong>EFA</strong>’s ambassadors on the road. Without the added administrative expense of official chapters<br />
in cities across the country, <strong>BC</strong>/<strong>EFA</strong> is able to raise funds through autographed poster sales and curtain speeches as companies travel.<br />
These efforts raise hundreds of thousands of dollars each year and are an important piece of the financial support <strong>BC</strong>/<strong>EFA</strong> provides<br />
through the National Grants Program to many <strong>AIDS</strong> service organizations in the very cities visited by the national tours as they wind<br />
their way across the country. These special appeals have been made by such touring shows as 42nd Street, A Few Good Men Dancin’, Aida,<br />
Beauty and the Beast, Blue Man Group, Chicago, Flower Drum Song, Hairspray, Jesus Christ, Superstar, Les Misérables, Mamma Mia!, Movin’ Out, The Phantom<br />
of the Opera, The Lion King, Thoroughly Modern Millie and Urinetown.<br />
Cast members from many tours go to the added effort of presenting special cabaret evenings in local clubs of theatres, the<br />
proceeds of which are then shared with local <strong>AIDS</strong> organizations and <strong>BC</strong>/<strong>EFA</strong>. However you measure it, the generous efforts of our<br />
friends on the road amount to hundreds of thousands of dollars that go back through <strong>BC</strong>/<strong>EFA</strong> to local <strong>AIDS</strong> service organizations<br />
nationwide.<br />
Fourteen years ago, the first “<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Week” was declared. What was then the <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> Committee sent<br />
letters to every equity theatre asking that an appeal be made during Thanksgiving Week. That first year brought in over $70,000 from<br />
a few dozen theatres. Over the years, more local theatres joined in what turned into annual efforts, and in 1992, <strong>EFA</strong> Week became<br />
<strong>BC</strong>/<strong>EFA</strong> Week, a fundraising tradition which continues to this day. More importantly, over time, many regional theatres became<br />
allied with their local <strong>AIDS</strong> service organizations, raising funds for them as the national tours do for <strong>BC</strong>/<strong>EFA</strong>. Some theatres<br />
continue to do both. The Actors’ Playhouse at The Miracle Theatre in Coral Gables, FL; the Sacramento Theatre Company, CA;<br />
the Lyric Stage Company of Boston, MA; Portland Center Stage, OR; Syracuse Stage, NY; Actor’s Theater of Louisville, KY;<br />
Cincinnati’s Playhouse in the Park, OH; Fulton Opera House in Lancaster, PA; Walnut Street Theatre in Philadelphia, PA; North<br />
Shore Music Theatre in Beverly, MA; Connecticut’s Goodspeed Opera House, Charlotte Repertory Theatre, NC; Arena Stage in<br />
Washington, DC; Alliance Theatre Company in Atlanta, GA; New Jersey’s Papermill Playhouse, and Hartford Stage, CT are just a<br />
few of <strong>BC</strong>/<strong>EFA</strong>’s stalwart supporters across the country. Our thanks go out to each and all.<br />
One of <strong>BC</strong>/<strong>EFA</strong>’s greatest ongoing national supporters is the Carousel Dinner Theatre in Akron, Ohio. In <strong>2004</strong>, seven of its musical productions raised over $41,000!<br />
(Miss Saigon is pictured); The Merry Go-Round Theatre’s production of Show Boat in Auburn, New York raised $1,535; the smash hit production of<br />
Smokey Joe’s Café at the Oqunquit Playhouse in Maine raised over $14,000 during the course of its summer run. Jacques Brel at the Stuart Street Playhouse<br />
in Boston raised more than $1,000.<br />
national support<br />
44
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
SCHOOLS OUTREACH<br />
PROGRAM:<br />
THESPIAN FUNDRAISING<br />
In <strong>2004</strong>, the money raised through our <strong>BC</strong>/<strong>EFA</strong> Schools Outreach Program almost doubled – from<br />
$46,000 to $83,000 – as did our opportunities to inspire theatre departments in middle schools, high schools and colleges across<br />
the country to take on active roles in HIV prevention education.<br />
Nearly all theatre students love <strong>Broadway</strong>, so it’s no surprise to us that they would want to get involved in what the professional<br />
community does to support us. Many school groups attend shows during our Easter Bonnet and Gypsy of the Year campaigns, where they<br />
contribute to the donation buckets, stay for question and answer sessions with the casts, and buy autographed posters. So when we<br />
suggest that they undertake similar projects on our behalf during their own production seasons, most readily agree. In fact, they often<br />
go the extra step to come up with their own production concepts and fundraising campaigns. Some schools have written and designed<br />
their own shows about <strong>AIDS</strong>, while others have taken the opportunity to turn their “<strong>AIDS</strong> benefits” into week-long awareness<br />
campaigns involving the <strong>AIDS</strong> Quilt, guest speakers from our office and from their local organizations (many of which are <strong>BC</strong>/<strong>EFA</strong><br />
grantees), and even live auctions and donation drives for <strong>BC</strong>/<strong>EFA</strong>.<br />
Teacher and parent response continues to be positive. These projects help students develop self-respect and social advocacy skills<br />
while learning compassion and increasing their own awareness of HIV. Our outreach efforts help spread the word about <strong>BC</strong>/<strong>EFA</strong> in<br />
both rural and urban areas across the country. To date, we have registered schools from Maine to California that contribute anywhere<br />
from hundreds to thousands of dollars apiece. We’ve been invited to theatre festivals and school conferences to present workshops<br />
on the work that we do here, and to speak about the local <strong>AIDS</strong> organizations that we support in their respective cities and towns.<br />
On top of the work they do for us on their own stages, many students from nearby schools visit New York to volunteer for<br />
<strong>BC</strong>/<strong>EFA</strong>’s regular calendar events. High school troupes (and their families) from all over the tri-state area have traveled to Shubert<br />
Alley to help at the <strong>Annual</strong> <strong>Broadway</strong> Flea Market each September, while New York City college students lend production and fundraising<br />
support throughout the year. This new generation of volunteers is essential to <strong>BC</strong>/<strong>EFA</strong> and to the <strong>Broadway</strong> community as well. Many<br />
hope to make a life for themselves here in the theatre after they graduate. They’re learning early in their careers that theatre is about<br />
so much more than just performing – it’s about coming together as a community.<br />
We are proud to recognize the International Thespian Society and the Educational Theatre Association, as our strongest and<br />
largest supporters in high schools across the nation. We are also grateful to have both the New York State Theatre Education<br />
Association (NYSTEA), and Alpha/Delta Psi Omega – the national theatre college fraternity/sorority – as our new partners in the<br />
fight against <strong>AIDS</strong>.<br />
Students hold a benefit concert at their school for <strong>BC</strong>/<strong>EFA</strong>; International Thespian Society student officers work the <strong>Broadway</strong> <strong>Cares</strong> Flea Market in Shubert Alley;<br />
Indian River students promote <strong>AIDS</strong> Awareness and raise funds for <strong>BC</strong>/<strong>EFA</strong> at the annual NYSTEA conference in upstate New York.<br />
schools outreach program<br />
45
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY<br />
ON EBAY<br />
Our eBay auctions began as a way of making lemonade out of a fundraising lemon. It rained during<br />
the 2001 <strong>Broadway</strong> Flea Market, drying out most of the buying and bidding action at that day’s auction. Rather than store our<br />
merchandise for another year, we put various objects up for auction on eBay to see how they’d sell. They sold and they’ve continued<br />
selling ever since. From that lucky bit of bad luck, a successful new <strong>BC</strong>/<strong>EFA</strong> fundraising initiative was born: <strong>Broadway</strong> <strong>Cares</strong> Auctions<br />
on eBay. Since then, these auctions have become a uniquely lucrative fundraising initiative – a profitable endeavor we stumbled on<br />
in an unexpected way. In <strong>2004</strong>, 818 items sold for a collective $104,565, an increase over 2003’s total of $92,000.<br />
Autographed playbills and posters as well as props, costume pieces, exclusive opening night gifts, and one-of-a-kind theatrical<br />
memorabilia have all contributed to this very successful campaign. Stand-out items from fiscal year <strong>2004</strong> included a signed poster<br />
from Stephen Sondheim’s Assassins, which sold for $657; a conductor’s score from Fiddler on the Roof, which went for $585, and one of our<br />
most successful auction items ever – tickets and party passes to the closing night of Hugh Jackman in The Boy From Oz, which sold for an<br />
amazing $15,567. Other items included signed posters from Wicked ($320) and The Producers ($392); a “goody bag” from the Tony<br />
Awards® ($300); and a festive piñata decorated in the image of Harvey Fierstein as Edna Turnblad in Hairspray ($182). Obviously, other<br />
items went for less, but all added up to a very profitable year for <strong>BC</strong>/<strong>EFA</strong> on eBay.<br />
SIGNING FOR A CAUSE: BROADWAY SHOW POSTERS<br />
In addition to the direct financial support <strong>BC</strong>/<strong>EFA</strong> provides to hundreds of <strong>AIDS</strong> and family service organizations, we regularly<br />
receive requests for signed <strong>Broadway</strong> show posters that can be included in fundraising auctions and raffles across the country. Last<br />
year, over 620 signed show posters were sent in packages of 6-10 to 64 <strong>AIDS</strong> service providers to enhance their ability to raise funds<br />
in their local communities.<br />
It is no small favor to ask the casts of <strong>Broadway</strong> shows to sign dozens of posters, month after month, year after year. In addition<br />
to thousands sold for <strong>BC</strong>/<strong>EFA</strong> in theatres and by <strong>BC</strong>/<strong>EFA</strong> on eBay, hundreds more are sent by <strong>BC</strong>/<strong>EFA</strong> to agencies that would<br />
otherwise never have this kind of unique fundraising resource.<br />
Consider this: 620 signed posters at $100 each (and many are auctioned for much more) add up to $62,000 in additional<br />
revenue to dozens of grassroots organizations across the country. Our sincere thanks to everyone in any show who has ever taken pen<br />
to poster and signed their name once, twice, a dozen times, or until their hands hurt.<br />
(clockwise) Just a few of the one-of-a-kind (ok, maybe two) theatrical memorabilia sold on eBay by <strong>BC</strong>/<strong>EFA</strong>: an original crystal from the chandelier in<br />
The Phantom of the Opera; a <strong>Broadway</strong> Flea Market poster signed by over 50 celebrities in attendance; the wooden stake and mallet used to dispatch the “undead” in<br />
Frank Wildhorn’s Dracula; signed posters from Avenue Q and The Boy from Oz; and a hand-written phrase of “I Am My Own Best Friend”<br />
signed by Chicago’s composer John Kander and lyricist Fred Ebb.<br />
broadway on ebay<br />
46
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
RETAIL<br />
OUTREACH<br />
THE CATALOG OF GIVING AND THE BROADWAY CARES COLLECTION<br />
The primary goal of the Retail Outreach Program is to promote <strong>AIDS</strong> awareness and visibility for <strong>BC</strong>/<strong>EFA</strong>. In pursuit of this<br />
goal, <strong>BC</strong>/<strong>EFA</strong> makes the classic Red Ribbon available for free or at cost to <strong>AIDS</strong> service organizations and individuals nationwide.<br />
The retail Catalog of Giving (in print and online at www.broadwaycares.org) appeals to <strong>Broadway</strong> enthusiasts and collectors across<br />
the country, presenting an impressive array of <strong>Broadway</strong>-related goods and paraphernalia, such as autographed theatre-related books,<br />
compact discs, videos on VHS and DVD, opening night gifts, and exclusive red ribbon gift ideas for the holidays and year-round<br />
occasions.<br />
Posters and T-shirts from <strong>BC</strong>/<strong>EFA</strong> events continue to be popular with those supporters around the country who can’t actually<br />
be here in person. One of our biggest successes is The <strong>Broadway</strong> <strong>Cares</strong> Collection – featuring one-of-a-kind collector items created<br />
especially for <strong>BC</strong>/<strong>EFA</strong> with over twenty <strong>Broadway</strong> musical logos adorning an ornament, tote bag, coffee mug, beach towel, throw<br />
blanket, charm bracelet, collector’s plate, mouse pad and T-shirt. The most popular item continues to be the <strong>Broadway</strong> <strong>Cares</strong> snow<br />
globe, again featuring <strong>Broadway</strong> musical logos, which has collectors anticipating each year’s new original design. In fiscal year <strong>2004</strong>,<br />
The Catalog of Giving generated $545,801 in sales, topping 2003’s total of $494,000 by over $50,000.<br />
The Retail Outreach Program also forges relationships with other <strong>AIDS</strong> service and fundraising organizations by agreeing to<br />
include their products in the <strong>BC</strong>/<strong>EFA</strong> catalog. All silkscreen printing of <strong>BC</strong>/<strong>EFA</strong> merchandise, such as our popular T-shirts, is by<br />
Night Sweats & T-Cells, an Ohio based shop owned and operated by people living with HIV/<strong>AIDS</strong>. Many of the handcrafted items<br />
offered in the catalog come from The Alpha Workshops in Manhattan, where all artisans and trainees are people living with HIV/<strong>AIDS</strong>.<br />
South Africa-based Thembalethu Beaders provides all hand-beaded items that are made by women living with HIV/<strong>AIDS</strong>.<br />
CARETIX<br />
The CareTix program offers <strong>BC</strong>/<strong>EFA</strong> supporters access to the best seats in the house for <strong>Broadway</strong>, off-<strong>Broadway</strong>, Radio City<br />
Music Hall, The Metropolitan Opera, Lincoln Center, Carnegie Hall, and national touring company shows in exchange for a<br />
charitable donation equal to the face value of the ticket price. CareTix tickets are house seats, normally reserved for entertainment<br />
industry insiders, which means that CareTix buyers get the very best seats in the house to shows that are often already sold out to the<br />
general public. Since 1988, CareTix has raised more than $10.9 million, generating $1,718,729 in fiscal year <strong>2004</strong> alone.<br />
The <strong>Broadway</strong> <strong>Cares</strong> mug, the <strong>2004</strong> <strong>Broadway</strong> Bares calendar, the annual Carols for a Cure holiday CD; Christmas balls from “The <strong>Broadway</strong> <strong>Cares</strong> Collection”;<br />
African holiday ornaments handmade by women from The Thebelethu Beaders in Johannesburg, South Africa.<br />
retail outreach<br />
47
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
CORPORATE<br />
SUPPORT<br />
<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> was fortunate to have the continued support of a broad range of<br />
corporate donors in <strong>2004</strong>. As one of the largest charities representing <strong>Broadway</strong> and the American Theatre, <strong>Broadway</strong> <strong>Cares</strong> is able<br />
to connect major corporate brands with some of the nation’s foremost creative industries. We are also able to ensure that a<br />
corporation’s support reaches into nearly every community in the country through our National Grants Program, and our corporate<br />
partners are able to build brand loyalty among the millions of people who are in some way associated with <strong>Broadway</strong>, be it on tour,<br />
onstage, backstage, or in the audience.<br />
Companies can partner with <strong>BC</strong>/<strong>EFA</strong> on a broad range of projects, including one-time event sponsorship, annual sponsorship<br />
packages covering a series of events, cash and in-kind donations that directly support our programs, and specialized cause-related<br />
marketing initiatives.<br />
With the creation of <strong>Broadway</strong> Delivers! in 2001 (see opposite page), a new way for <strong>Broadway</strong> <strong>Cares</strong> and corporations to work<br />
together was born. Many of the events that <strong>BC</strong>/<strong>EFA</strong> produced through <strong>Broadway</strong> Delivers! were originally produced for existing<br />
corporate clients such as Anheuser-Busch and Target, but this program has also provided a great way to bring new corporations into<br />
the <strong>Broadway</strong> <strong>Cares</strong> family.<br />
We salute the generous companies that provided major support of our programs in <strong>2004</strong>.<br />
The official airline of <strong>Broadway</strong> and <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />
The official print media sponsor of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />
Viva Glam<br />
The official web partner of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />
John Demsey, Chairman of MAC Cosmetics and President of the MAC <strong>AIDS</strong> Fund presents Jerry Mitchell and 42nd Street stars Patrick Cassidy and Shirley Jones<br />
with a check for $75,000 for <strong>Broadway</strong> Bares (MAC also provided all the makeup and 50 MAC pro-team makeup artists); Ford Motor Company joined <strong>BC</strong>/<strong>EFA</strong>’s largest annual<br />
sponsors, Continental and The New York Times, in sponsoring the <strong>Broadway</strong> Flea Market; Anheuser-Busch’s Michelob Light presented $50,000 to <strong>BC</strong>/<strong>EFA</strong><br />
as part of its sponsorship for the <strong>Broadway</strong> Show League.<br />
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BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY<br />
DELIVERS!<br />
CUSTOM CORPORATE ENTERTAINMENT<br />
<strong>Broadway</strong> Delivers! is a fundraising initiative of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong> created in 2001<br />
to provide customized <strong>Broadway</strong>-style entertainment for a wide variety of corporate functions. This year’s events included a movie<br />
premiere, a restaurant opening, a fashion show, a product launch, and book festivals across the country.<br />
<strong>BC</strong>/<strong>EFA</strong>’s production expertise and access to the deep well of talent both on and off-<strong>Broadway</strong> has resulted in our being able to<br />
successfully provide entertainment whenever and wherever a corporation needs it. <strong>Broadway</strong> Delivers! draws on the phenomenal<br />
commitment of the theatre community to <strong>Broadway</strong> <strong>Cares</strong>, offering the guaranteed magic of “Live <strong>Broadway</strong>,” along with the<br />
marketing and production expertise associated with the best of the “Great White Way.”<br />
A corporation makes a contribution to <strong>BC</strong>/<strong>EFA</strong>, and <strong>BC</strong>/<strong>EFA</strong> recruits and rehearses celebrities and <strong>Broadway</strong> performers,<br />
accompanists, and stage managers, customizing an official <strong>Broadway</strong> revue to match the company’s needs. <strong>BC</strong>/<strong>EFA</strong> supplies<br />
everything from one singer to an entire evening’s entertainment, and tailors the performance to the company’s event and theme.<br />
In fiscal year <strong>2004</strong>, <strong>BC</strong>/<strong>EFA</strong> was able to bring a touch of <strong>Broadway</strong> to the following events around New York and across the<br />
country. In November 2003, we partnered with HBO to present a <strong>Broadway</strong> insiders’ premiere screening of Angels In America. Two days<br />
later we were downtown at the Accessories Council ACE Awards where we “delivered” Tom Wopat as MC and several leading ladies –<br />
including performers from Mamma Mia!, Nine, Hairspray, and Aida – to accept an award. That same evening we celebrated the opening of<br />
Applebee’s Restaurant in the theatre district with stars from neighboring musicals like Little Shop of Horrors, Mamma Mia! and Avenue Q.<br />
February brought the Tonner Doll Fashion Show and an appearance by Cabaret’s Kate Shindle to accept a check on our behalf.<br />
In March, to promote Swoops, its latest snack food, the Hershey’s Store unveiled the newest addition to its Times Square sign, and<br />
we produced an encore <strong>Broadway</strong> Delivers!, bringing out the “Swoops Dancers” to celebrate the event. Bebe Neuwirth, along with<br />
Kathy Brier and “The Dynamites” from Hairspray, joined in the festivities.<br />
Also in <strong>2004</strong>, Anheuser-Busch renewed its annual commitment to <strong>Broadway</strong> <strong>Cares</strong> and The <strong>Broadway</strong> Show League. <strong>Broadway</strong><br />
Delivers! helped celebrate by bringing out celebrities to the Opening Day of the show league, with stars singing the National Anthem<br />
and throwing out the first pitch. Successful events with long-term corporate partner Target included The LA Times Festival of Books,<br />
Chicago Tribune Printers’ Row Book Fair, The Boston Globe Book Festival, and New York is Book Country. These festivals start in the spring<br />
and continue through the fall, giving <strong>Broadway</strong> <strong>Cares</strong> a chance to reach into communities nationwide.<br />
"Schoolhouse Rock" presented on the Target Stage at the LA Times Festival of Books; Hairspray's "The Dynamites" sing "Welcome to the 60's" as they welcome Hershey's<br />
Swoops to Times Square; Eartha Kitt and Jamie Lynn DiScala at The Accessories Council ACE Awards; Kate Shindle at The Tonner Doll Fashion Show.<br />
broadway delivers!<br />
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BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
DANCERS<br />
RESPONDING TO <strong>AIDS</strong><br />
(DRA)<br />
Dancers Responding to <strong>AIDS</strong> is the American dance community’s ongoing response to the health crisis,<br />
rallying the dance world to raise money to provide direct assistance to dance professionals living with HIV/<strong>AIDS</strong>, as well as to <strong>AIDS</strong><br />
service organizations nationwide. These funds are distributed through The Actors’ Fund of America (see page 6), and through<br />
<strong>BC</strong>/<strong>EFA</strong>’s National Grants Program (see page 12). The following are DRA’s signature events during fiscal year <strong>2004</strong>:<br />
THE REMEMBER PROJECT 2003<br />
The Remember Project, a remembrance to those lost and living with HIV/<strong>AIDS</strong>, returned to Danspace at St. Mark’s Church on<br />
December 6, 2003. More than 200 performers participated in this 12-hour vigil-in-motion, which lasted from noon to midnight.<br />
Dance groups represented included Susan Marshall & Company, The Erick Hawkins Dance Company, Dance Theatre of Harlem,<br />
Elisa Monte Dance, Joyce Trisler Danscompany, Pilobolus, American Ballet Theatre, Les Ballets Jazz de Montreal, Chinese Folk<br />
Dance Company, Battleworks, Hubbard Street Dance Chicago, and Lawrence Goldhuber.<br />
An unforgettable highlight was one of the final performances by Homer Avila, a dancer/choreographer who lost his right leg and<br />
hip to a rare form of cancer. Avila passed away just a few months later on April 25, <strong>2004</strong>. An inspiration to so many in the dance<br />
community, he continues to be missed.<br />
JOINING FORCES WITH THE FUTURE OF DANCE<br />
DRA is thrilled that young dancers across the country are joining professionals in their fundraising efforts. In <strong>2004</strong>, more than<br />
$160,000 was raised through bake sales, special dance classes and audience appeals through our Studio of the Year program. With<br />
assistance from dance organizations like the New York City Dance Alliance and Tremaine Dance Convention, dance studios raise<br />
money for the opportunity to win trips to London or Los Angeles. During the summer of <strong>2004</strong>, Marietta, GA’s Rhythm Dance<br />
Center (which raised almost $25,000) earned a trip to London to perform at Sadler’s Wells, while Topeka, KS’s Dance Factory<br />
(which raised $7,000) learned it would be traveling to Los Angeles to perform at a premier dance gala.<br />
The DRA Dance Invitational with special guest, <strong>Broadway</strong>’s Christopher Sieber, and over 100 dancers from seven studios across Los Angeles;<br />
Cedar Lake Dance Ensemble perform in DECADE at The Fire Island Dance Festival; enthusiastic audience members outdoors at Danskin’s Ballroom in Bryant Park<br />
spontaneously joined in the finale.<br />
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BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
DECADE: 10 YEARS OF THE FIRE ISLAND DANCE FESTIVAL<br />
In July of <strong>2004</strong>, Dancers Responding to <strong>AIDS</strong> presented DECADE, the tenth year of the Fire Island Dance Festival, a tremendously<br />
successful event that raised more than $160,000. During the past decade, we’ve seen this critically praised celebration of dance<br />
become one of the most anticipated social events of the Pines’ summer season. Alan Cumming emceed the three performances at this<br />
year’s Festival, held at the bay-front home of Beau Clarke. Performers included classical and modern dancers from the Martha<br />
Graham Dance Company, Limón Dance Company, Paul Taylor Dance Company, Bill T. Jones/Arnie Zane Dance Company, and<br />
American Ballet Theatre. The weekend of festivities began on Friday night with a Hawaiian VIP leadership cocktail party at the<br />
beautiful home of William Hayden and Ron Perkov. A highlight of Friday’s event was the appearance of a troupe of hula dancers and<br />
slack-keyed guitar players who entered from the bay via canoe!<br />
NEW YORK CITY FESTIVAL OF DANCE<br />
July 19 through August 6 marked Dancers Responding to <strong>AIDS</strong>’ New York City Festival of Dance. Activities ranged from benefit<br />
performances to master classes.<br />
Artists of all ages and from all spheres of the dance world – from <strong>Broadway</strong> to the concert stage – came together to perform in<br />
the main stage performances of Dancing for Life! in Bryant Park. The free outdoor performances showcased such troupes as<br />
Buglisi/Foreman Dance and ballet star Julio Bocca and his Ballet Argentino. Two New Jersey dance studios, The Art of Dance and<br />
Denise Daniele Dance Studio, who tirelessly raised money for DRA throughout the year, performed along with Dance Masters’ Mr.<br />
and Miss Dance of America. On August 5, in conjunction with 106.7 LITE FM, DRA presented <strong>Broadway</strong> Dances, which featured<br />
dancers from 42nd Street, Bombay Dreams, The Lion King and Movin’ Out. A highlight was Wicked’s Idina Menzel singing her own<br />
composition. Also that evening, Danskin sponsored Ballroom in Bryant Park, featuring performances by Dance Times Square, Stepping<br />
Out Studios, American Ballroom Theatre, and Blackpool competitors Christian Barens and Kristina Staykova.<br />
Homer Avila appeared in over half a dozen editions of The Remember Project. Avila died in April <strong>2004</strong>. We remember him fondly;<br />
American Ballet Theatre’s Danny Tidwell dances across the waters at The Fire Island Dance Festival; dance students from Topeka Kansas won a trip to Los Angeles from<br />
The Tremaine Dance Experience. <strong>Broadway</strong>’s Felicia Finley leads the dancers in Joe Lanteri’s “Hit Me With a Hot Note” at <strong>Broadway</strong> Dances in Bryant Park<br />
dancers responding to aids<br />
51
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
CLASSICAL ACTION:<br />
PERFORMING ARTS<br />
AGAINST <strong>AIDS</strong><br />
Classical Action: Performing Arts Against <strong>AIDS</strong> merged with <strong>BC</strong>/<strong>EFA</strong> in October of 1997. Founded<br />
in 1993 using <strong>BC</strong>/<strong>EFA</strong> as a model, Classical Action draws on the talents, resources, and generosity of the performing arts community<br />
nationwide, with an emphasis on the classical, jazz, and opera communities, to raise funds for <strong>AIDS</strong> services. These funds are<br />
distributed primarily through The Actors’ Fund of America (see page 6) and <strong>BC</strong><strong>EFA</strong>’s National Grants Program (see page 12).<br />
Classical Action maintains its own identity and conducts its own fundraising endeavors, while <strong>BC</strong>/<strong>EFA</strong> assumes most administrative<br />
responsibilities, allowing Classical Action to devote maximum energies to its events and other fundraising activities.<br />
THE MICHAEL PALM SERIES<br />
The inaugural Michael Palm Series matched in financial success what it achieved in artistic excellence, raising more than<br />
$250,000. Underwritten by The Michael Palm Foundation, the series was established in memory of Michael Palm and in honor of<br />
his support of the arts and HIV/<strong>AIDS</strong> causes nationwide during his life. Classical Action is fortunate to be the beneficiary of a fiveyear<br />
grant to support the series, which consists of four annual concerts: three in New York City, all at the home of Judy and Steven<br />
Gluckstern, and one in a city outside New York.<br />
The opening concert of the 2003-04 season featured charismatic superstar pianist André Watts on November 16, 2003<br />
performing a program of Schubert, Chopin and Debussy. On March 8, <strong>2004</strong>, violinist Joshua Bell and pianist Simon Mulligan<br />
once again donated their services for a Classical Action benefit, giving the audience a preview of their imminent nationwide recital<br />
tour. The lovely Deborah Voigt, one of opera’s most beloved sopranos, performed with pianist Brian Zeger on April 1, <strong>2004</strong> with<br />
a program ranging from Schubert and Tchaikovsky to Ives and Sondheim.<br />
The “out-of-town” Michael Palm Series concert took place this season with a Texas-native performing in front of a Texas crowd.<br />
April 15, <strong>2004</strong> marked the third and most successful collaboration between Classical Action and Houston’s Center for <strong>AIDS</strong> with a<br />
concert featuring Tony Award®-winner Betty Buckley. Ms. Buckley’s cabaret-style program, with accompaniment by pianist Kenny<br />
Werner, brought the attraction of a glamorous nightspot to the living room of hosts Mike and Becky Cemo’s River Oaks home.<br />
UP OUR ALLEY VI: CLASSICAL ACTION’S SIXTH ANNUAL BENEFIT BOWLING BONANZA<br />
The heart and soul of wacky fundraising party Up Our Alley is the performing arts community – from artist managers to orchestra<br />
members to record companies – who formed 36 bowling/fundraising teams this year to raise a record $77,000 for people living with<br />
Isn’t she lovely?.. Deborah Voigt had us in the palm of her hand; Violinist Leila Josefowicz and pianist John Novacek share an intense musical moment; Larry Lovins and<br />
Center for <strong>AIDS</strong> Board Member Steve Loden were instrumental in the production of Betty Buckley’s benefit house concert in Houston.<br />
classical action<br />
52
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
HIV/<strong>AIDS</strong>. After three hours of bowling at New York City’s Bowlmor Lanes, the party continued at their upstairs party space,<br />
“Pressure.” Prizes were awarded in fundraising categories to Downtown NYC River to River Festival’s “Bowling Greens” and G.<br />
Schirmer’s “Bowllet mécanique,” among others. In more inventive categories, Best Team Name honors were given to “Shabbat<br />
Shabowl” (Tisch Center for the Arts) and “The Anna Bowlenas” (Opera News), and the Best Team Costume was proudly donned by<br />
Orchestra of St. Luke’s team members “Britney Spares.” Sponsors of Up Our Alley 6 included WQXR 96.3 FM and ViceVersa<br />
Restaurant, with the participation of Izze Beverage Company.<br />
CHARITY BEGINS AT HOME: CLASSICAL ACTION HOUSE CONCERTS<br />
One of Classical Action’s most successful fundraising endeavors is the production of private house concerts. Supporters host<br />
concerts in their homes featuring some of the most prominent artists in music today, who generously agree to donate their time and<br />
talent. These events are not always initiated by Classical Action. This past fiscal year, jazz singer Audrey Silver spearheaded a house<br />
concert in New York City in May; Aaron Mendelsohn offered his Santa Monica, CA home for a house concert in November 2003<br />
by pianist Emanuel Ax; and a trio comprised of violinist Anne-Sophie Mutter, pianist/conductor André Previn, and cellist Lynn<br />
Harrell performed in the elegant Upper East Side (NYC) home of Steve Hellman and Katharine Hsu. Our <strong>Annual</strong> Appreciation<br />
Concert, exclusively for Classical Action Maestros (major donors), took place in May at the home of Judy and Steven Gluckstern and<br />
featured a dynamic performance by violinist Leila Josefowicz and pianist John Novacek.<br />
SUMMER IN THE CITY: ADDITIONAL CLASSICAL ACTION COLLABORATIONS<br />
Six events provided additional support for Classical Action during the summer months in <strong>2004</strong> through the generosity of our<br />
friends in the presenting community. The River to River Festival & Pace University, in association with Classical Action, presented<br />
Summer Stars, a 5-week concert series featuring some of today’s most exciting young artists in classical music. These free performances,<br />
which took place at the Michael Schimmel Center for the Arts at Pace University, showcased the talents of pianists Kit Armstrong and<br />
Natasha Paremski and the Imani Winds Quintet, among others. On August 20, <strong>2004</strong>, further uptown, the Mostly Mozart Festival<br />
and Lincoln Center for the Performing Arts donated a portion of each ticket sold to that concert to Classical Action. The evening’s<br />
performers themselves, from orchestra members to soloist Joshua Bell and conductor Louis Langrée, made contributions in support<br />
of our work.<br />
Bellisimo – violinist Joshua Bell appears on The Michael Palm Series; “The Britney Spares” from Orchestra of St. Luke’s show off their winning team costume<br />
at Up Our Alley 6; Pianist André Watts shakes hands with 12-year-old “colleague” Kit Armstrong, who performed the opening concert for Summer Stars;<br />
Audience members were seated just feet from the Mutter-Previn-Harrell Trio during the performance.<br />
classical action<br />
53
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE MAESTRO<br />
PROGRAM<br />
The Maestro Program, Classical Action: Performing Arts Against <strong>AIDS</strong>’s annual giving program for major<br />
donors, pays tribute to individuals who invest $1,000 or more in the work we do on behalf of HIV/<strong>AIDS</strong> service organizations and<br />
programs nationwide. Every great Maestro knows that each section of the orchestra, whether strings, woodwinds, brass or percussion,<br />
plays an important role in creating an overall sound. Similarly, those who contribute to The Maestro Program know that whatever giving<br />
category they choose, their contribution helps orchestrate the success of Classical Action, thus ensuring the future of <strong>AIDS</strong> services<br />
across the country.<br />
CONCERTMASTERS<br />
($25,000 and above)<br />
American Express Company<br />
Judy and Steven Gluckstern<br />
Michael Palm Foundation<br />
STRINGS<br />
($10,000 - $24,999)<br />
Annalee Newman Fund<br />
John and Sophie Bilezikian<br />
in loving memory of Sara Bilezikian<br />
Downtown NYC River to River<br />
Festival<br />
Elizabeth and Stephen Eisenmann<br />
in memory of Michael Palm<br />
Jay M. Furman<br />
Gail Furman<br />
Jim and Ellen Marcus<br />
Paul L. Newman<br />
Sandra Wagenfeld and<br />
Francine Goldstein<br />
in memory of Robert Wagenfeld<br />
Simon Yates and Kevin Roon<br />
WOODWINDS<br />
($5,000 - $9,999)<br />
Helen Bodian and Roger Alcaly<br />
Michael and Rebecca Cemo<br />
Foundation<br />
Scott Dunn and Robbie Moray<br />
Brandon Fradd<br />
Steve Hellman and Katharine Hsu<br />
The Irene Diamond Fund<br />
Lincoln Center for the<br />
Performing Arts<br />
Friedrike Merck<br />
Mr. and Mrs. Samuel P. Peabody<br />
Kenneth Rosenberg Foundation<br />
in memory of Frank A. Imperato<br />
Dr. Howard Scheiner<br />
Frank Spring<br />
in memory of Malcolm Hoare<br />
Wheelock Whitney III<br />
WQXR – 96.3 FM<br />
William H. Wright II<br />
George R. Zuber and Guy Avni<br />
Anonymous<br />
BRASS<br />
($2,500 - $4,999)<br />
Josh Aronson<br />
Raymond A. and Barbara F. Carye<br />
Columbia Artists Management,<br />
Inc.<br />
Mrs. Catherine G. Curran<br />
Eva and Brendan Dillon<br />
Charles Dimston<br />
Fan Fox and Leslie R. Samuels<br />
Foundation<br />
Jeffrey and Helen Friedman<br />
Mary Rodgers and Henry Guettel<br />
Mark M. Levin<br />
Jean E. Merrill<br />
Adam Mizel and<br />
Taunya Van Der Steen-Mizel<br />
in memory of Michael Palm<br />
Linda and Stuart Nelson<br />
Veronica G. Ogden<br />
Josephine Bay Paul and C.<br />
Michael Paul Foundation<br />
in memory of Daniel A. Demarest<br />
Carol A. Rennie<br />
in memory of Michael Palm<br />
Jane Scovell<br />
in memory of Peter Ansin<br />
Ted Snowdon<br />
Ted and Vada Stanley<br />
in memory of Michael Palm<br />
Universal Classics<br />
ViceVersa Restaurant<br />
Sara Wolfensohn<br />
PERCUSSION<br />
($1,000 - $2,499)<br />
Jerome and Fanchon Apfel<br />
Richard P. Baks<br />
Mrs. Nancy Pierce Brumback<br />
Mr. and Mrs. Edward F. Carye<br />
Dr. Oscar Chamudes<br />
Michael Cohen<br />
Sylvie and Gary Crum<br />
William J. III and Carol Drawe<br />
Mary Lou Falcone and<br />
Nicholas Zann<br />
José Feghali<br />
David Finckel and Wu Han<br />
Jan and Milton Finegold<br />
Rita and Herbert Z. Gold<br />
Maria and Noah Gottdiener<br />
Kathy Griffin<br />
Kevin Guyer<br />
The Hargrove Pierce Foundation<br />
in honor of Charles Hamlen<br />
Harry Hjardemaal and<br />
Philip Claps<br />
Florette Hoffheimer<br />
Suzanne C. Hoyt<br />
George and Eileen Hricik<br />
Rockwood Jenkins<br />
Christopher Kennedy<br />
in memory of Jim Ricketts<br />
Alice Kornhauser<br />
Louis Langrée<br />
Stephanie and Edgar Larsen<br />
LHW – Leading Hotels of the<br />
World / Frosch International<br />
Travel<br />
Harvey Lichtenstein<br />
Steve Loden and Larry Lovins<br />
Kay H. Logan<br />
Bert Melnick and Carl Moore<br />
Geoffrey and Sophie Menin<br />
Ginni and Richard Mithoff<br />
Barney and Ann Mizel<br />
Shelly and Jerome Mulanax<br />
John Vlahoplus and<br />
Uma Muthu<br />
Cherrie L. Nanninga<br />
Bob Naparsteck<br />
Sheila Porter<br />
Dana and Doug Ramos<br />
Carol Relihan and John Arthur<br />
Conrad Riggs<br />
Susan and Elihu Rose<br />
Dale and Peter Ryan<br />
San Francisco Performances<br />
András Schiff<br />
The Seaberg Foundation<br />
Harold Shaw<br />
Howard Solomon<br />
Fran Sorin<br />
Jeffrey Sosnick and<br />
Albert A. Carucci<br />
Stevens/Bandes Graphics<br />
Lee Tannen and Tom Wells<br />
Ellen Thrower<br />
Cindy Booth Van Schaack<br />
Shelby White<br />
The Wise Family Charitable<br />
Foundation<br />
IN-KIND<br />
MAJOR DONORS<br />
Attitude New York Chauffeured<br />
Transportation<br />
Bösendorfer New York<br />
Cohn Davis Communications<br />
Jackson Hicks<br />
Merrill Corporation<br />
Fred Patella<br />
Playbill Magazine / Playbill.com<br />
Steve J. Sherman Photography<br />
Steinway & Sons<br />
Represents donations made in our <strong>2004</strong><br />
fiscal year, October 1, 2003 – September<br />
30, <strong>2004</strong>.<br />
the maestro program<br />
54
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE ANGELS<br />
CAMPAIGN<br />
Angels are supporters who make total annual donations of $1,000 or more to support the vital work<br />
of <strong>BC</strong>/<strong>EFA</strong>. These gifts are especially important, as they provide us with a dependable core of donors whose gifts are not related to<br />
the purchase of merchandise and/or event tickets. These funds go directly into our pool of grant-making dollars, which are in turn<br />
distributed to HIV/<strong>AIDS</strong> service organizations nationwide, as well as to the numerous social service and housing programs of The<br />
Actors’ Fund of America.<br />
In <strong>Broadway</strong> lingo, an “angel” is an investor in a theatre production. In exchange for that financial investment, angels are<br />
traditionally guaranteed the best seats in the house for the shows their dollars make possible. The Angels Campaign creates a similar<br />
tradition for its supporters, granting <strong>BC</strong>/<strong>EFA</strong> Angels VIP status, along with a host of associated benefits.<br />
<strong>2004</strong> ANGELS CAMPAIGN<br />
The following individuals, family foundations, and corporations made contributions to The Angels Campaign in our fiscal year<br />
<strong>2004</strong> between October 1, 2003 and September 30, <strong>2004</strong>. Names in bold indicate <strong>BC</strong>/<strong>EFA</strong> Archangels, angel donors who increased<br />
their unrestricted giving by 25% or more over the past year.<br />
PRODUCER<br />
(gifts of $25,000 and up)<br />
Laura M. Boedeker<br />
Cable Positive, Inc.<br />
H. Van Ameringen Foundation<br />
Anita Jaffe<br />
The Richmond/Ermet <strong>AIDS</strong><br />
Foundation - San Francisco<br />
The Shubert Foundation<br />
HOUSE SEATS<br />
(gifts from $10,000 to $24,999)<br />
The Edgar Foster Daniels<br />
Foundation<br />
Gary Gunas and Bill Rosenfield<br />
Anne Hathaway<br />
Paul Libin and<br />
Florence Rowe Libin<br />
Joe Masteroff<br />
Paul L. Newman/Newman’s Own<br />
Rosie O’Donnell<br />
in honor of George O’Dowd, Chris<br />
Renshaw, Jeff Calhoun, John<br />
McDaniel, and Mark Dendy<br />
Thomas Schumacher and<br />
Matthew White<br />
Bradshaw Smith/<strong>Broadway</strong> Beat<br />
State Farm Insurance<br />
Companies<br />
The Hargrove Pierce Foundation<br />
The League of American Theatres<br />
and Producers<br />
The Ted Snowdon Foundation<br />
in memory of Lori Schmidt<br />
William Morris Agency<br />
Anonymous<br />
in honor of Kristin Chenoweth<br />
ORCHESTRA SEATS<br />
(gifts from $5,000 to $9,999)<br />
Roger Berlind<br />
Bertsch Family Charitable<br />
Foundation<br />
in honor and in memory of<br />
“Wagon Wheelies”<br />
Aron Bromberg – Aron<br />
Bromberg/Abe Raskin<br />
Partners Fund<br />
The Edith Meiser Foundation<br />
William W. Donnell<br />
Dr. Gerald J. & Dorothy R.<br />
Friedman Foundation<br />
Aaron Frankel<br />
in loving memory of<br />
Abetha Aayer Frankel<br />
Freddie and Myrna Gershon<br />
Harriet and<br />
Terry Guin-Kittner<br />
Jerome S. Glazer, Inc.<br />
Ronald and Patricia Lee<br />
Stephanie and<br />
Carter McClelland<br />
Paul L. and Marion J. Ross<br />
Sean L. Sunkel<br />
The Barrington Foundation, Inc.<br />
Doris Eaton Travis<br />
W New York - The Court<br />
Wexner Family Fund<br />
BOX SEATS<br />
(gifts from $2,500 to $4,999)<br />
Sam Altman<br />
in memory of Murray Schapiro<br />
Frank Argiro<br />
in loving memory of Robert Argiro<br />
Steven Schnepp and Mark Basile<br />
in memory of Paul Penfield and<br />
John Heppenstall<br />
Melvin Bernhardt and Jeff<br />
Woodman<br />
Briggs, Inc.<br />
William Ludel and Tracy Cohen<br />
Ellora deCarlo and<br />
Gary J. Cooper<br />
William Craver<br />
Mark and Susan Dalton<br />
Merle Debuskey & Pearl Somner<br />
James W. Dennis<br />
Jamie deRoy<br />
in memory of Rod Hausen<br />
Maggie Flanigan and Richard Dow<br />
Edward and Lori Forstein<br />
JP Morgan Chase<br />
Marianne Ganzer<br />
in memory of John Ganzer<br />
Tim Gill<br />
Louise Guthman<br />
William S. Hoover, MD<br />
James C. Hormel<br />
Carl Jacobs<br />
George M. Jacobstein -<br />
Rose Brand<br />
Billy and Kate Joel<br />
in honor of Manny & Lani Azenberg,<br />
the “Movin’ Out” NYC and Tour<br />
Company, Cast & Crew, Hal Luftig,<br />
Terry Allen Kramer, Andy Snyder,<br />
Donald Trump & Melania Knauss,<br />
Jann Wenner & Matt Nye, Bob<br />
White, and Walter Yetnikoff<br />
Joelson Foundation<br />
Michael A. Leppen<br />
Kevin R. Lyle<br />
Jerry Mitchell<br />
Phyllis Newman<br />
in memory of Adolph Green<br />
Gilbert Parker<br />
in memory of Richard Bauman<br />
Ruso D. Perkins<br />
Charles L. Ross<br />
in memory of David Carroll<br />
Amy Sherman-Palladino<br />
Margaret (Peg) Small<br />
in memory of Erik<br />
Society of Stage Directors and<br />
Choreographers<br />
The Cooper Family Foundation<br />
The Students of the Stella Adler<br />
Studio of Acting<br />
in memory of Casey Kizziah<br />
The Kaufmann Family<br />
Foundation<br />
The Ziegfeld Club<br />
Tina and Jeffrey Bolton<br />
Family Fund<br />
Jay Laudato and Tom Watson<br />
Whittier & Associates, Inc.<br />
FRONT MEZZANINE<br />
(gifts from $1,000 to $2,499)<br />
Joe Allen Restaurant<br />
David G. Armstrong and<br />
Jeffrey Miller<br />
in honor of Todd Coroliuc<br />
Jerry Arrow<br />
Scott Barnes<br />
honoring the second half century for<br />
CCM grads of 1976<br />
William J. Behan<br />
the angels campaign<br />
55
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE ANGELS CAMPAIGN (continued)<br />
Joe and Nancy Benincasa<br />
Phil and Mary Beuth<br />
Robert Billig<br />
Mr. Walter Bobbie<br />
Robert Bouchard<br />
J. Arthur Brost<br />
Caffe Cielo<br />
Buck Henry Charitable Fund<br />
Robert Callely<br />
Frank Carucci<br />
in honor of Maria Di Dia<br />
Stockard Channing<br />
Paula and David Chase<br />
Edward A. Chernoff<br />
Karen Christofferson<br />
Michael Clowers and<br />
Clay Chaffin<br />
Jo Ann Albano Cohen and<br />
James A. Cohen<br />
Thomas Cott<br />
in memory of Philip Carlson<br />
Peggy Cowles<br />
Cunningham - Escott - Dipene<br />
& Associates, Inc.<br />
Scott Dainton<br />
in honor of Laura Mantell<br />
Hermine Douglas<br />
Roy and Shirley Durst<br />
Charitable Fund<br />
Ellen M. Violett and Mary P.R.<br />
Thomas Foundation, Inc.<br />
in memory of Murray Schapiro<br />
Don Ellwood and Sandra<br />
Johnigan<br />
Peter Entin and<br />
Barbara Janowitz<br />
William Eppel<br />
Angelina Fiordellisi<br />
Jules Fisher<br />
Mary Fogarty<br />
David A. Friedman<br />
in memory of my mother<br />
Shirley Friedman<br />
John Garcia’s “The Column”<br />
Theatre Awards<br />
Neal C. Garelik<br />
Jay Garner<br />
Contemporary Theatre<br />
Steven Gartner<br />
Bruce Geismar<br />
Roger Alan Gindi<br />
Dale and Ellyn Glasser<br />
in memory of Steven Glasser<br />
Angela Goldberg<br />
Robert D. Gonzales<br />
in memory of Cameron L. Mason<br />
and Charles H. Falls<br />
Michael Greif<br />
in honor of the “Rent” Company<br />
Benjamin M. Hammer and<br />
Rachel Hammer<br />
Harry Winston, Inc.<br />
in honor of Jefferson Mays<br />
Jeffrey Hayenga and<br />
Michael Belanger<br />
Mr. and Mrs. Harry Henshel<br />
Jerry Herman<br />
Robert C. Hickman<br />
Craig Horowitz<br />
Theatrical Stage Employees<br />
Local One/IATSE<br />
Jill Goodson Family<br />
Foundation<br />
Jason Kantrowitz<br />
Elaine Kend<br />
Robert Kilgore and<br />
Edward Richmond<br />
in loving memory of Dee Kilgore<br />
Caryn B. Klein-Cohen<br />
Nathan Lane<br />
Norma Langworthy<br />
Mr. and Mrs. Jeffrey Lasdon<br />
Leftfield Productions<br />
Lindy Linder<br />
in memory of Robert Farber and<br />
Christine Swann<br />
Janine and Peter Lowy<br />
William Ludel and<br />
Tracy Cohen<br />
John J. Mackerey<br />
Macy’s East Inc.<br />
J. Patrick Mahoney and<br />
Martin Hicks<br />
Arif and Latife Mardin<br />
Marsh Inc.<br />
Kathy Keneally and Tom Marshall<br />
Max M. and Marjorie S. Fisher<br />
Foundation, Inc.<br />
Marin Mazzie and Jason<br />
Danieley<br />
in memory of Gary Bonasorte<br />
John McDaniel<br />
Bill Melamed, Jr.<br />
The Janis and Alan Menken<br />
Foundation<br />
Keith Miller<br />
Michael S. Mills<br />
Ira Mont and Jill Cordle Mont<br />
Mrs. Claire Mooers<br />
in memory of Ruth Hoefgen<br />
NAC Enterprises Ltd.<br />
Judith A. Nelson<br />
in memory of Wayne McCarthy<br />
Michael F. O’Donnell<br />
One World Incentives, Inc.<br />
Sally Ann Parsons -<br />
Parsons-Meares, Ltd.<br />
in memory of Lee Danser<br />
Ralph L. Pellecchio and<br />
Dr. James C. Wernz<br />
Heinz Poll<br />
in memory of Thomas R. Skelton<br />
L. Glenn, Jeffrey, Alex & Marc<br />
Poppleton Finn<br />
Judy Rasmuson and<br />
Ronald Wallace<br />
Richard E. Rauh<br />
Long Beach Longriders<br />
in honor of Bill “Uncle Bill” Sapsis<br />
and in memory of Victoria “Tory”<br />
Odum-Reed<br />
Richard F. Walsh/Alfred W. Di<br />
Tolla/Harold P. Spivak<br />
Foundation<br />
Drs. Carlos and Jayne Rivera<br />
Mickey Rolfe<br />
Rosalind and Eugene J. Glaser<br />
Foundation<br />
Amy Rosenthal<br />
Lori Rubinstein and John<br />
McGraw<br />
Bikram Yoga<br />
Samuel L. Phillips Family<br />
Foundation<br />
Nick Scandalios<br />
Serino/Coyne<br />
Angela Shaw<br />
Jeffrey B. Soref<br />
Meryl Streep<br />
Charles H. Svensson<br />
Beech Street Foundation<br />
The McGaw Foundation<br />
The Eisner Foundation<br />
The Lodestar Foundation<br />
The Ritter Foundation, Inc.<br />
David and Deborah Trainer<br />
Video Industry <strong>AIDS</strong> Action<br />
Committee<br />
Orso Restaurant<br />
Phil and Merle Wahl<br />
Joan Melber Warburg<br />
Arthur E. Webster, Esq.<br />
Mr. and Mrs. Herbert L. Wilson<br />
Margo Wintersteen<br />
Terrence J. Witter<br />
Anonymous<br />
in honor of Bill “Uncle Bill” Sapsis<br />
Anonymous<br />
in memory of Martin Worman<br />
Anonymous (6)<br />
the angels campaign<br />
56
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
MAJOR<br />
DONORS<br />
In addition to The Angels Campaign, significant funds are generated through various <strong>BC</strong>/<strong>EFA</strong> annual<br />
and one-time special events, such as The Easter Bonnet Competition, Gypsy of the Year, The <strong>Broadway</strong> Flea Market, and <strong>Broadway</strong> Bares. Considerable<br />
financial support also comes to us through our CareTix and CareCard programs. Contributions from all these sources are among<br />
the most vital to <strong>BC</strong>/<strong>EFA</strong>.<br />
The following pages list the names of those who have supported these events and programs with contributions of $1,000 or more<br />
during our fiscal year <strong>2004</strong> from October 1, 2003 to September 30, <strong>2004</strong>. Amounts listed are the tax-deductible portion of the<br />
donation, the total gift amount minus any fair market value for goods received.<br />
GIFTS OF<br />
$50,000 AND ABOVE<br />
Estée Lauder Inc.<br />
Target Stores<br />
The League of American Theatres<br />
and Producers<br />
GIFTS FROM<br />
$10,000 TO $49,999<br />
Terry Abernathy<br />
Meridee Alter<br />
James Bashor<br />
Ronald Black<br />
BMG Bertelsmann<br />
Celebrity Blackjack<br />
The Cooper Family Foundation<br />
Danskin, Inc.<br />
James W. Dennis<br />
done and dusted@radical, llc<br />
Tim and Judy Dove<br />
Edelman Public Relations<br />
Worldwide<br />
Federated Department Stores<br />
Foundation<br />
Ford Motor Company<br />
Brandon Fradd<br />
Mr. Neal C. Garelik<br />
Gill Foundation<br />
Charles and Heather Golden<br />
Diane L. Gott<br />
Mr. and Mrs. Fred Halpern<br />
HBO<br />
HS<strong>BC</strong> Bank USA, Inc.<br />
Hugh Jackman<br />
Anita Jaffe<br />
Joe Lanteri<br />
Learning on Location<br />
Connie Nicoud<br />
Schaeffer Family Foundation<br />
Noriko Takigawa<br />
The Adam R. Rose<br />
Foundation<br />
William Goldman - The Fezzik<br />
Foundation, Shapiro & Lobel<br />
The Grosevnor Foundation, Inc.<br />
Theatre Vendors, Inc.<br />
Tonner Doll Company<br />
Trackdown Productions, Inc.<br />
Twentieth Century Fox Home<br />
Entertainment<br />
Heloise Waislitz<br />
Robert M. Wallach<br />
Washington Drama Society, Inc.<br />
Weil Foundation<br />
Anonymous<br />
GIFTS FROM<br />
$5,000 TO $9,999<br />
Accesories Council<br />
Allco Finance Corp.<br />
Apple-Metro, Inc.<br />
Michael and Maureen Benton<br />
Lawrence A. Bock<br />
Elizabeth Breslow<br />
Beth Brody<br />
Ellora deCarlo and Gary J.<br />
Cooper<br />
Gail Corvette<br />
Creative Artists Agency<br />
Thomas Dimercurio<br />
Jean Doede<br />
Marianne Dorfman<br />
Paul Driscoll<br />
Steven G. Einhorn<br />
Debra Faiello<br />
Patricia Geoghegan<br />
Linda Hammer<br />
David A. Harris<br />
Laura and J. M. Hartstein<br />
Mickey Z. Heller<br />
Regina Y. Hicks<br />
Sally Huxley<br />
Jim Beam Brands Co.<br />
John Johnson<br />
Sandra Kallenberg<br />
Robert Karp<br />
David DonHowe Kean<br />
in loving memory of Norman and<br />
Gwyda DonHowe Kean<br />
Maureen E. Kershaw<br />
Susan L. Kruger<br />
David Lai<br />
Las Vegas Academy of<br />
International Studies<br />
Lawrence H. Levy<br />
Lord & Taylor<br />
Carolyn Lowen<br />
Dennis Malaney<br />
Merck Partnership for Giving<br />
Richard Nacht<br />
National Association of Insurance<br />
Commissioners<br />
Paul L. Newman/Newman’s Own<br />
Carole W. Nussbaum<br />
On & Off <strong>Broadway</strong><br />
Joseph Palumbo<br />
Mary A. Papagjika<br />
Dean Piearson<br />
Anthony T. Ponturo<br />
David S. Pottruck<br />
Donald Puryear<br />
Ronald B. Reck<br />
Rockwell Architecture,<br />
Planning & Design, PC<br />
William J. Ruehle<br />
Maryetta Saccomano<br />
Susan J. Sampliner<br />
Dr. Howard Scheiner<br />
Anthony P. Scheinman<br />
Howard Schwartz<br />
Mr. Barry Skovgaard and<br />
Mr. Marc Wolinsky<br />
The Ted Snowdon Foundation<br />
Colleen D. Sorensen<br />
R.W. Soria<br />
SPI Marketing, LLC<br />
Mr. and Mrs. Thomas Stretton Jr.<br />
The Dance Factory<br />
The Imperial Court of N.Y., Inc.<br />
The J.P. Morgan Chase Foundation<br />
Matching Gift Program<br />
The New York Hairspray Co., LP<br />
Times Square Alliance<br />
John Travolta<br />
Union Station Foundation<br />
Phil and Merle Wahl<br />
Scott Wittman<br />
Anonymous<br />
GIFTS FROM<br />
$2,500 TO $4,999<br />
Albert & Pearl Ginsberg<br />
Foundation, Inc.<br />
Christie L. Alexander<br />
Association Of Nurses In <strong>AIDS</strong><br />
Care<br />
Michael C. Baldwin<br />
Carol Bayer Sager<br />
Douglas W. Bloss<br />
Carolyn P. Blum<br />
Sara L. Boles<br />
Kyle Bowker<br />
Katherine B. Bradley<br />
David Braver<br />
Alan Braverman<br />
Briggs, Inc.<br />
May L. Briggs<br />
Beverly Burch<br />
Patrick J. Callahan<br />
Mr. and Mrs. David Canary<br />
Chelsea Fund, Inc.<br />
Todd Ciccarone<br />
Sandra K. Cohen<br />
Mary Collins<br />
Computer Associates<br />
James J. Conway<br />
Suzanne E. Corso<br />
Bridget Crudo<br />
major donors<br />
57
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
MAJOR DONORS (continued)<br />
Diana Cuca<br />
Peter David<br />
Debra M. Davis<br />
Roseanne Delaglio<br />
Leonard L. Destefano<br />
Shari Douglas<br />
Judith Drasner<br />
Patrick S. Durkin<br />
Empire Force Events, Inc.<br />
Ronald Falcon<br />
Charles A. Ferrell<br />
Elisabeth A. Finley<br />
Beth Waters Finston<br />
Frances J. Frawley<br />
Izumi Furukawa<br />
Melinda A. Gartzman<br />
Suzanne Gawron<br />
Paula Gerber<br />
Freddie and Myrna Gershon<br />
Michael Gluck<br />
Julie Goldsmith<br />
Michael C. Goodell<br />
Nancy K. Goodman<br />
Joan Gotti<br />
Todd Graff<br />
Monica Graham<br />
Joan M. Grande<br />
Andrew J. Greenhut<br />
Michael S. Greenly<br />
Joseph M. Gregory<br />
Richard Grey<br />
Michael Gross<br />
Nancy T. Grumbacher<br />
Richard V. Hamilton<br />
Wendy Hashmall<br />
William Haskell<br />
Melissa Heider<br />
Tanya Henneman<br />
Janet M. Illiano<br />
Karen L. Issokson-Silver<br />
Joseph M. Jacobs<br />
Jammy Productions, Inc.<br />
Jewish Communal Fund<br />
Curtis Johnson<br />
Junior Bus Tours, Inc.<br />
Michael S. Kaufman<br />
Douglas Warren Kesten<br />
Cynthia C. Kimmel<br />
Barbara Ann Klein<br />
in tribute to my city, New York<br />
Miryam L. Knutson<br />
Beth R. Kryger<br />
Rhonda P. Kyong<br />
Ilona D. Lardis<br />
Albert R. Lepage<br />
Diane Lippert<br />
Jessica G. Liu<br />
Katherine W. Lum<br />
Craig Martone<br />
Peter W. May<br />
Casey L. McClellan<br />
Anthony G. McLean<br />
Sandra T. McManus<br />
C. E. Miller<br />
Chase Mishkin<br />
Robert A. Nectow<br />
Claire Parr<br />
Kathryn H. Penske<br />
Katherina A. Perry<br />
Judy Lynn Prince<br />
Pro Musica Tours, Inc.<br />
Samuel A. Ramirez<br />
Mr. G. Remak Ramsay<br />
Lori J. Raymond<br />
Madeline Reed<br />
Amy M. Reid<br />
Grace M. Renna<br />
Susan Romano<br />
Philip D. Ryan<br />
Helen L. Ryu<br />
Junko Sasaki<br />
Barbara C. Schneider<br />
Julie R. Schneider<br />
Lynda Schuler<br />
Thomas Schumacher and<br />
Matthew White<br />
Jean E. Scott<br />
Elizabeth A. Sechrest<br />
Serino Coyne Advertising, Inc.<br />
Sigma Alpha Iota<br />
William S. Skowronnek<br />
Marion D. Smith<br />
Jerry Sokolow<br />
Alan Spen<br />
Annette C. Steiner<br />
Ray Sterling<br />
Kathryn L. Stettner<br />
Stonewall Community Foundation<br />
Arielle Tepper<br />
The Bessie Ratner Foundation<br />
The Shubert Organization, Inc.<br />
The Ziegfeld Club<br />
George H. Turner<br />
Sherri L. Tuso<br />
United Way of New York City<br />
Margret E. Valenti<br />
Vinton A. Vickers<br />
Doug Weinstein<br />
Ann Weiss<br />
Deborah Williams<br />
Wisdom Digital Media, LLC<br />
Gretchen G. Wood<br />
Young Presidents Houston<br />
Chapter<br />
Anonymous<br />
in honor of Kristin Chenoweth<br />
Anonymous<br />
GIFTS FROM<br />
$1,000 TO $2,499<br />
Dianne M. Abruzzo<br />
Mark C. Adams<br />
Adolph & Ruth Schnurmacher<br />
Foundation, Inc.<br />
John L. Albanese<br />
Kate Aldinger<br />
Kenneth Alpert<br />
Nancy Alpert and Gwen Marcus<br />
Alpha Psi Omega<br />
Sam Altman<br />
in memory of Murray Schapiro<br />
Michele W. Andelson &<br />
Arlen Andelson Esq.<br />
Jennifer Ander<br />
Esperanza R. Andrade<br />
Madeleine Andress<br />
Anheuser-Busch, Inc.<br />
Laura S. Armitage<br />
Robert W. Armstrong<br />
Richard M. Aronstein<br />
Jerry Arrow<br />
Salah Bachir<br />
Melissa Bakalis-Milbank<br />
D. J. Baker<br />
Alta S. Baker<br />
Benjamin L. Balkind<br />
Dolores V. Ballintyn<br />
Jean Banks<br />
Matthew Barbara<br />
Peter Bardach<br />
Julia Barr<br />
Brett Barrett<br />
Lisbeth R. Barron<br />
Harlan Batrus<br />
Kimberly A. Baumgartner<br />
Bay Street Theatre Festival, Inc.<br />
J. M. Bayless<br />
Edith Beatty<br />
Beautiful Tulip Inc.<br />
Carol Becker<br />
Bonnie L. Becker<br />
William J. Behan<br />
Valerie Belcher<br />
Andrew Benedict<br />
Renee Berger<br />
Carol Berman<br />
Jed W. Bernstein<br />
Michael J. Berry<br />
Alex Binstock<br />
Laurie Black<br />
Michele B. Bloch<br />
Joyce F. Bluestone<br />
Karen C. Bockenkamp<br />
Donna M. Boekley<br />
Anne N. Bonner<br />
Rex Bonomelli<br />
Ann Boon<br />
Melissa Boxer<br />
Janice E. Boyd<br />
Patrick A. Bradford<br />
Brian Hilton Bradley<br />
Brandon Associates<br />
Jodi F. Brandt<br />
<strong>Broadway</strong> Inspirational Voices, LLC<br />
Alan Brockman<br />
Aron Bromberg/Abe Raskin<br />
Partners Fund<br />
J. Arthur Brost<br />
Mary T. Browne<br />
Andrew C. Brummer<br />
M. T. Brust<br />
Christine K. Buchanan<br />
J. P. Buckeridge<br />
Errol Buntuyan<br />
Cheryl A. Burdumy<br />
David Burris<br />
James E. Burrows<br />
Bonna S. Burtt-Greenberg<br />
Derrick Bushman<br />
Michelle L. Butler<br />
Glen M. Butrick<br />
Ralph Caccipuoti<br />
Cahill, Gordon, & Reindell, LLP<br />
Luigi Caiola<br />
major donors<br />
58
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
MAJOR DONORS (continued)<br />
Patricia H. Callahan<br />
Camp <strong>Broadway</strong>, LLC<br />
David Cantor<br />
Albert Cantu<br />
Todd Caplan<br />
Jeferey E. Cappo<br />
Christopher V. Cara<br />
Linda R. Carlozzi<br />
Bertram F. Carr<br />
Joseph Carretta<br />
Wes Carroll<br />
Amy Casale<br />
Greg Casciato<br />
Holli Cash<br />
Doug & Rhonda Cassity<br />
Nellie Castan<br />
Joanna Cayot<br />
Matthew Celebuski<br />
Lewis F. Center<br />
Central Park Dance Studio<br />
Debora P. Champa<br />
Charles & Mildred Schnurmacher<br />
Foundation, Inc.<br />
Glen Charlow<br />
Rosanna L. Chenette<br />
Robert W. Chernick<br />
Edward A. Chernoff<br />
Chicago Title Insurance Company<br />
Nini Chow<br />
Karen Christofferson<br />
Cirque du Soleil (US), Inc.<br />
Jerome S. Clark<br />
Kevin Clash<br />
Clear Channel Management<br />
Services, LP-Radio<br />
William Alan Coats<br />
Toni Cobb<br />
Gladys G. Cofrin<br />
Larry Cohen<br />
College of Santa Fe<br />
Topher Collier<br />
Mary Beth B. Collins<br />
Erin Collins<br />
Lynn J. Colyer<br />
Connecticut College Student<br />
Organizations Fund Office<br />
Glenn Connolly<br />
Tony L. Conway<br />
Linda G. Cooper<br />
Tracy Corn<br />
Howard B. Cowan<br />
Michael Cowing<br />
Kevin Coyle<br />
Michael Crahan<br />
Jeremy Cramer<br />
Palma Crooks<br />
Cross Company/<br />
Hanover Show Biz Kids<br />
Mel Crystal<br />
Yolanda Culler<br />
Cumberland College<br />
Frederick P. Cummings<br />
Brandon M. Currie<br />
CW Plaza, LLC<br />
Stephen T. Dacek<br />
Stephen Dahlem<br />
Deborah Dakin<br />
John T. Daley<br />
Dalton School Parent Teacher<br />
Association<br />
Dance Attitudes<br />
Dance Dynamix – MCPA<br />
Maria D’Angelo<br />
Daniel Rosenblum Family<br />
Foundation<br />
The Edgar Foster Daniels<br />
Foundation<br />
Peter DaPuzzo<br />
Peggy W. Dassatti<br />
Robert Davenport<br />
David S. Steiner and Sylvia Steiner<br />
Charitable Trust<br />
Keith C. David<br />
Kathleen David<br />
Michael Davidson<br />
Linda De Cerbo<br />
Kathleen L. Deadrick<br />
Carmel Dean<br />
Kevin Dehler<br />
Joseph Deitch<br />
Sandra E. Delbridge<br />
Jeff DeSalvo<br />
Allison DeTemple<br />
Jacqueline E. Dibella<br />
Victor DiMonda<br />
Charles P. Dinino<br />
Benjamin Doller<br />
Karen W. Dopher<br />
Roy and Shirley Durst<br />
Charitable Fund<br />
Thomas J. Dwyer<br />
Holly Dyer<br />
Edward Sulzberger Foundation, Inc.<br />
Elliott F. Einhorn<br />
Eisner, LLP<br />
Shawn Elliott<br />
Sam Ellis<br />
in memory of Valerie Silver Ellis<br />
Abraham Encarnacion<br />
Cheryl L. Endelson<br />
Norman Engelke<br />
Christina Enriquez-Bolobo<br />
A. J. Epstein<br />
Lawrence H. Estrin<br />
David B. Farer<br />
Kathleen S. Faries<br />
Jerald Farley<br />
Jennifer M. Farrell<br />
Philip Feiner<br />
Mr. Bennett F. Feintuch<br />
Kirsten Felix<br />
Jan Felshin<br />
Robert Fenstersheib<br />
Anthony J. Ferrante<br />
Ken Field<br />
David Fields<br />
Arthur L. Finn<br />
Fire Island Pines Art Project<br />
Elizabeth S. Fishback<br />
Tammy Fisher<br />
Stuart R. Fishman<br />
Maggie Flanigan and Richard Dow<br />
Randy Florence<br />
Food Outreach, Inc.<br />
Christine E. Ford<br />
Linda Forrey<br />
Joann Forte<br />
Elizabeth A. Fox<br />
Mark A. Fox<br />
Richard Frankel<br />
Warren M. Fraser<br />
Jane L. Frenkel<br />
Paula Friedman<br />
Tony Frieze<br />
Laura Froelich<br />
Howard Froman and Scott Briggs<br />
Delwin D. Fullen<br />
Arthur P. Gaffin<br />
Simone L. Galletta<br />
Don M. Gandy<br />
Martin A. Geiger<br />
Bruce Geismar<br />
Paul Gemignani<br />
Chris Genry<br />
April D. Gentile<br />
Edward J. Gernon<br />
Leslie Getto<br />
Edward C. Getty<br />
B. L. Giddings<br />
D. C. Gila<br />
Fred Gilbert<br />
Gindi Theatrical Management,<br />
Inc.<br />
Laurie Girsky<br />
Cecile Glass<br />
Dale A. Glasser<br />
Thom Goff<br />
Joseph F. Goldberg<br />
Angela Goldberg<br />
Seymour L. Goldblatt<br />
Sylvia & Wayne Golden<br />
Katja Goldman<br />
Rona Goldstein<br />
Tony Golmon<br />
Nichole Gonsalves<br />
Kathryn Goodman<br />
David Gorenstein<br />
John R. Gossard<br />
Robert Gottesman<br />
Fran Grabow<br />
Marcy Granata<br />
Sheryl S. Grant<br />
Heather L. Gray<br />
Michael Graziano<br />
Robert L. Green<br />
Greenberg Traurig, LLP<br />
Patricia Greenstein<br />
Mr. Dean R. Greer<br />
Michael G. Gregory<br />
Norman Greif<br />
Mark Grigalunas<br />
Lissa C. Grubbs<br />
Elizabeth A. Guez<br />
Frances I. Haacke<br />
Susan Haber<br />
Robin M. Haight<br />
Helen Hakimian<br />
Nils Hanson<br />
Jeffrey E. Hanson<br />
Elisabeth S. Harding<br />
Pamela K. Haron<br />
Diann E. Harrell<br />
Elizabeth E. Harris<br />
Susan M. Hart<br />
major donors<br />
59
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
MAJOR DONORS (continued)<br />
Harter Woo Associates, Inc.<br />
Alan E. Hassell<br />
Sarah Hassell<br />
Hal H. Hayes<br />
Barbara Heil<br />
Elizabeth Held<br />
Jill K. Heller<br />
Cheryl Hendershot<br />
Henderson-Hogan Agency, Inc.<br />
Julianne Hendren<br />
Jean E. Henry<br />
Joan Henshall<br />
Ronald Hermann<br />
John Heyman<br />
Alan J. Hilburg<br />
Cathleen W. Hoadley<br />
Iva Hochstim<br />
Jeffrey S. Hoffman<br />
Mari Hoffman<br />
Robin Hoffman<br />
Janice L. Hofstetter<br />
Mildred Holland<br />
Patricia Holtzman<br />
Eugene M. Holtzman<br />
Robert A. Horne<br />
Mayo Hosoda<br />
Mary E. Howard<br />
Shephard Summers &<br />
Byron Howard<br />
Tonya Hughes<br />
William M. Humfreville<br />
Steve Hyduke<br />
James Indorato<br />
Interep National Radio Sales<br />
Intimode Canada, Inc.<br />
Irma & Arthur Miller Family<br />
Foundation<br />
Island Properties of the Pines, Inc.<br />
Jamie A. Jackette<br />
Keith Jackson<br />
Benjamin U. Jackson<br />
Ron Jacobs<br />
Craig G. Jacobs<br />
JAM Dance & Fitness Center<br />
Gary Javitch<br />
Russell A. Jay<br />
Nancy F. Johnson<br />
Brenda L. Johnson<br />
Joan M. Johnston<br />
Christine Jones<br />
Tracey L. Jones<br />
Aradean F. Jordan<br />
Jujamcyn Theatres<br />
Lewis Kaden<br />
Victoria Kalligeros<br />
Joseph E. Kaminkow<br />
Gregg Kaminsky<br />
Gregory Kammerer<br />
Mannon Kaplan<br />
Denise Katzman<br />
Moises Kaufman<br />
Ashley Keiter<br />
William E. Kelly<br />
Karl H. Kemp<br />
Robert Kempler<br />
Susie L. Kennedy<br />
Judy L. Kent<br />
James D. Kern<br />
Steven Kerper<br />
D’Shawn Kerrins<br />
Karen K. Kessler<br />
Susan D. Kiely<br />
Robert Kilgore and<br />
Edward Richmond<br />
in loving memory of Dee Kilgore<br />
Manny Kladitis<br />
Marilyn F. Klaus<br />
Lesley M. Klein<br />
Caryn B. Klein-Cohen<br />
Toba S. Knobel<br />
Peter Knobel<br />
Susan R. Knox<br />
Edgar A. Knudson<br />
Jeffrey A. Kolsrud<br />
Ronald S. Konecky<br />
Karl W. Koon<br />
Koppelman Family Foundation<br />
Kevin M. Korney<br />
Kenneth Kowalski<br />
Stephanie Kozak-Allen<br />
Carrie Krumtum<br />
Diane B. Kulbacki<br />
Karen L. Kuster<br />
Alexander A. Lach<br />
Lindsay & John Landes<br />
Norma Langworthy<br />
Michael T. Lappen<br />
Michael J. Lassell<br />
Arthur Laurents<br />
Lois K. Lawrence<br />
Leawood Appraisal<br />
Joel and Mindy Lefkowitz<br />
Leftfield Productions<br />
Alan Leibman<br />
David LeMieux<br />
Harriet Leve<br />
Alan Levey<br />
William S. Levine<br />
Hildy Levitt<br />
Standard Folding Cartons<br />
Franklin H. Levy<br />
Mrs. Frances Lewis<br />
Edward S. Lewis<br />
Warren Liang<br />
Martha A. Lichter<br />
Steven Lichtman<br />
Marc Lieberson<br />
Jessica W. Lim<br />
Lisa Lobiondo<br />
The Arthur Loeb Foundation<br />
Chris P. Longobucco<br />
Douglas Love<br />
Kim A. Lucchesi<br />
Larry Luing<br />
Lukaslandinc<br />
Anna M. Lupo<br />
Kevin R. Lyle<br />
Maureen A. Macfadden<br />
John J. Mackerey<br />
Macy’s East, Inc.<br />
Gary A. Maffei<br />
Saul H. Magram<br />
Richard H. Maidman and<br />
Gail Lowe Maidman<br />
Scott R. Mallalieu<br />
Sheldon Mallan<br />
John-John C. Manlutac<br />
Judith Mann<br />
Virginia M. Marantz<br />
Marc Routh Productions, Inc.<br />
Paul Marchesiani<br />
Frederick K. Marek<br />
Tony A. Martin<br />
Gwendolyn K. Marx<br />
Melanie L. Marzano<br />
Paul E. Mast<br />
Rani N. Mathura<br />
Helen Mattin<br />
Harold B. Matzner<br />
Michael Mayer<br />
Susan McCart<br />
Kathryn McCoy<br />
Robert McDowall<br />
Laurie McFarlin<br />
Bob McGarity<br />
Wallace N. Mcleod<br />
Carolyn C. Meehan<br />
Bill Melamed, Jr.<br />
Daniel Meloy<br />
Neil Messinger<br />
Michael Meyers<br />
David & Mariana Meyerson<br />
Steven L. Miller<br />
Hy Miller<br />
C. P. Mirarchi<br />
Ivy Mitchell<br />
Adrianne Mittentag<br />
Teresa Reyes and Martin Monas<br />
Monterey Fund, Inc.<br />
Ann K. Monton<br />
Kenneth Moore<br />
Sharon Y. Moore<br />
Jenny Morales<br />
Sally C. Morse<br />
Steven E. Motto<br />
Vanette L. Mrachek<br />
Michael W. Mulheren<br />
Daniel A. Murray<br />
Patrick Murray<br />
Cindy H. Muth<br />
Nobuko C. Narita<br />
National Association of<br />
Home Builders<br />
Agnes G. Neider<br />
Mary E. Neill<br />
Bebe Neuwirth<br />
New Horizons Tour and Travel, Inc.<br />
New York State Theatre Education<br />
Association<br />
NewDance, Inc.<br />
Kristin Nieuwenhuis<br />
Daniel J. Nilsen<br />
Robert Nolan<br />
in memory of Kevin Patterson<br />
Jack O’Brien<br />
Nancy O’Connor<br />
Michael F. O’Donnell<br />
Stanley Olan<br />
Darcy L. O’Loughlin<br />
Sheila M. O’Neil<br />
Kenneth Ortega<br />
Larry D. Ottaway<br />
Kile Ozier<br />
Martin Pakledinaz<br />
major donors<br />
60
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
MAJOR DONORS (continued)<br />
Joseph Palazzolo<br />
Donna Palumbo<br />
Patricia E. Palumbo<br />
Robert Pangia<br />
Alex A. Pappas<br />
Kathryn M. Parsons<br />
Joanne Pascoe<br />
Ellen Paternoster<br />
Nancy H. Paulson<br />
Brian Pawlowski<br />
Rachel N. Payne<br />
Brook S. Payner<br />
William Pencer<br />
Fred M. Penn<br />
Allison M. Percy<br />
Perlman Family Foundation, Inc.<br />
Larry Phillips<br />
Barbara M. Phillips<br />
Anthony M. Picciano<br />
Thomas J. Podiak<br />
Cori M. Poff<br />
Jerald S. Politzer<br />
Pamela S. Pollack<br />
Harvey Polly<br />
Frannie Pope<br />
Wayde Porrevecchio<br />
Linda Potash<br />
Patricia Preis<br />
Elyse Pressner<br />
Virginia L. Price<br />
Margaret Primiano<br />
Robert Protheroe<br />
Risa Y. Pulver<br />
R. Family Vacations<br />
Kristin M. Ramey<br />
Stephen E. Raphael<br />
Phylicia Rashad<br />
Taffin W. Ray<br />
Thomas B. Ray<br />
Craig Re<br />
Nicholas C. Reale<br />
David Reale<br />
Long Beach Longriders<br />
in honor of Bill “Uncle Bill” Sapsis<br />
Roger J. Rees<br />
Michael A. Reid<br />
Eric M. Reinitz<br />
Earl Reiss<br />
Paula Resnick<br />
Laura Reynolds<br />
Alison J. Rhodes<br />
John F. Richardson<br />
Elan Rieser<br />
Jo A. Rinallo<br />
Stacy J. Ritter<br />
Drs. Carlos and Jayne Rivera<br />
Peter Robinsohn<br />
Katherine L. Robinson<br />
Janice Rogak<br />
Juanito A. Rohan<br />
Yolanda Ronda<br />
Michele Rosen<br />
Maury L. Rosenberg<br />
David Rosenberg<br />
Maxine B. Rosenthal<br />
James Rosenthal<br />
Mr. & Mrs. Martin Rosenthal<br />
Richard Rosenthal<br />
Michael Rosenzweig<br />
Thomas A. Rosin<br />
Lynn Rotando<br />
Fred M. Rotondaro<br />
Neal Ruchman<br />
Robert W. Rudderow<br />
John Rudey<br />
Katherine L. Rudin<br />
Samuel D. Rudy<br />
Beverly J. Russell<br />
Kimberly P. Russell<br />
Linda Safir<br />
Erven R. Samsel<br />
Mary Savage<br />
Rudy Saviano<br />
Melanie Schaffran<br />
Jolie Schaffzin<br />
Micki Schildkraut<br />
Rocky Schmidt<br />
Steven Schmidt<br />
Robert Schmier<br />
Robert P. Schneider<br />
Ivan Schneider<br />
Kevin D. Schon<br />
Maury D. Schott<br />
Nancy Schradoff<br />
Ira Schreck<br />
Betty J. Schultz<br />
Sophfronia Scott<br />
Ivy Scricco<br />
Susan J. Sehring<br />
Lori Seid<br />
Peggy J. Sella<br />
Paul E. Shapiro<br />
Angela Shaw<br />
John C. Shaw<br />
Kathleen E. Sheehan<br />
Jonathan A. Shevelew<br />
Arthur Shorin<br />
Gretchen Shugart<br />
Richard S. Shulman<br />
Sidney R. Rosenau Foundation<br />
Christopher L. Sieber<br />
Laurie Simowitz<br />
Bryan J. Singer<br />
Joseph F. Sinisi<br />
Sirius Satellite Radio<br />
Robin Skye<br />
Henry F. Smeal<br />
Scott R. Smith<br />
Wayne Smith<br />
Yeardley Smith<br />
Sarah T. Smith<br />
Robert J. Smolin<br />
Rebecca L. Snead<br />
Brian S. Snyder<br />
Suzanne Snyder<br />
Society of Stage Directors and<br />
Choreographers<br />
Sandra Soeda<br />
Sony Music Entertainment, Inc.<br />
Louise Soowal<br />
Robert H. Sorbanelli<br />
Rosemarie Stack<br />
Eugene A. Stallings<br />
Kenneth I. Starr<br />
Marianne T. Stegeland<br />
Charles Steinberg<br />
Michael F. Steward<br />
Seymour Stewart<br />
Victor E. Stewart<br />
Geraldine Stutz<br />
Charles H. Svensson<br />
Steven Sweet<br />
Caryn M. Szpigiel<br />
Michael Taragan<br />
James Tarleton<br />
Sherry Taylor<br />
Margaret Taylor<br />
Jane Taylor<br />
in honor of Betty Buckley<br />
Temple Emanuel of Great Neck<br />
Susan Tenney<br />
David Terveen<br />
Rosemary Testa-Mack<br />
The Capital Group Companies<br />
Charitable Foundation<br />
in honor of Steve Rubin<br />
The Dance Zone<br />
The Dorothy Strelsin Foundation, Inc.<br />
The Inquirer and Mirror, Inc.<br />
The Jill Handelsman Foundation<br />
The Joelson Foundation<br />
The Joyce and Seward Johnson<br />
Foundation, Inc.<br />
The L and R Donner Foundation<br />
The Lapin Foundation, Inc.<br />
The New York London Project<br />
The Perry & Martin Granoff<br />
Family Foundation, Inc.<br />
The Segal Company (Eastern<br />
States), Inc.<br />
Theatre Direct, Inc.<br />
Judith M. Thiel<br />
Thomas Travel<br />
Jo-Anne S. Thomas<br />
Joseph M. Thomas<br />
James E. Thomas<br />
Charles Thorne<br />
Teresa M. Throenle<br />
The Andrew Tobias Fund<br />
of Stonewall Community<br />
Foundation<br />
Joseph P. Torre<br />
Doriann Traina<br />
Trec Corporation<br />
Daniel E. Trimbach<br />
Joseph F. Tringali<br />
A. S. Truesdale<br />
Dana D. Tyler<br />
United Way Metro Chicago<br />
Unity Church of New York<br />
Uptown Dance Academy<br />
Neal F. Vallins<br />
Reginald Van Lee<br />
Dennis P. Vaux<br />
Visiting Nurse Service of<br />
New York<br />
Margarita Volftsun<br />
Peter H. Von Mayrhauser<br />
Joshua Walden<br />
Suzyn Waldman<br />
in memory of Michael Hartig<br />
Honey Waldman<br />
Jamie Walker<br />
Michel Wallerstein<br />
events<br />
61
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
MAJOR DONORS (continued)<br />
Wallin, Simon and Black<br />
Anita Walts<br />
Kendall D. Ward<br />
Terry K. Watanabe<br />
Melinda M. Waters<br />
Samuel A. Waterston<br />
Phyllis Wayne<br />
Larry Weinberg<br />
Sheila A. Weinberg<br />
Scott A. Weiner<br />
H. S. Weingarten<br />
Cynthia Weinman<br />
Louis E. Weiss<br />
Barbara M. Weltsek<br />
John Wendell<br />
Mr. William Wenger<br />
Bryce West<br />
White & Case, LLP<br />
Brenda D. Whitney<br />
Kathie L. Willett<br />
William D. Rollnick Nancy Ellison<br />
Rollnick Foundation<br />
Ellen D. Williams<br />
P. E. Williams-Hawkes<br />
Peter S. Wilson<br />
Sally F. Windsor<br />
Anita K. Wolkowitz<br />
Honey Wolosoff<br />
Nabeel Youakim<br />
Lois Yuen<br />
Richard E. Zacharoff<br />
Frank Zeccola<br />
Anthony Zelig<br />
Alan J. Zimmermann<br />
Anonymous<br />
in honor of Bill “Uncle Bill” Sapsis<br />
Anonymous<br />
DRA<br />
DONORS<br />
DRA would like to thank the following major corporate and individual donors who gave $1,000 or more to support our programs:<br />
H. Thomas Axt & Alan E. Hassell<br />
Alan Brockman<br />
David Cantor & Peter Schamel<br />
Capezio<br />
Cirque du Soleil (US), Inc.<br />
Beau Clarke<br />
Dance Master of America<br />
Danskin<br />
Neil & Vera Esposito<br />
Jan Felshin & Edrie Ferdun<br />
Fire Island Pines Art Project<br />
Brandon Fradd<br />
Don M. Gandy<br />
Mark Grigalunas<br />
Laura & J.M. Hartstein<br />
William Hayden & Ron Perkov<br />
The J.P. Morgan Chase<br />
Foundation Matching<br />
Gift Program<br />
Karl H. Kemp<br />
Bruce & Billy Kolber-Stuart<br />
Alexander A. Lach<br />
Albert R. Lepage<br />
Edward S. Lewis & Glen J. Wielgus<br />
Chris P. Longobucco<br />
Saul H. Magram<br />
P.J. McAteer<br />
Bob McGarity<br />
Michael Meyers & Chad LaBenz<br />
New York City Dance Alliance<br />
Kile Ozier<br />
Eric M. Reinitz & Marc Blackwell<br />
Sidney R. Rosenau Foundation<br />
Kate Rudin & Nancy DeLieto<br />
The Sayville Inn<br />
Maury D. Schott<br />
Adolph and Ruth Schnurmacher<br />
Foundations, Inc.<br />
Charles & Mildred Schnurmacher<br />
Foundations, Inc.<br />
Sirius Satellite Radio<br />
SPI Marketing, LLC<br />
Frank Stark<br />
Stonewall Community Foundation<br />
Tremaine Dance Conventions<br />
Andrew Tobias & Charles Nolan<br />
Bruce Tracy & Mickey Rolfe<br />
Jon Wilner/Island Properties<br />
The following dance companies and venues have contributed $500 or more to the efforts of DRA through audience appeals following<br />
performances. We thank each of them for their generous support!<br />
Alvin Ailey American Dance<br />
Theater<br />
Aaron Davis Hall<br />
American Ballet Theatre<br />
American Dance Festival<br />
Bill T. Jones/Arnie Zane Dance<br />
Company<br />
Brooklyn Academy of Music<br />
BodyVox<br />
Buglisi/Foreman Dance<br />
City Center<br />
Clarke Studio Theatre<br />
The Cunningham Studio<br />
Dance Theater Workshop<br />
Dancelab Theater - Purchase<br />
Danspace Project<br />
David Parker and the Bang Group<br />
Doug Varone and Dancers<br />
The Duke on 42nd Street<br />
Elisa Monte Dance<br />
Fugate/Bahiri Ballet NY<br />
Horses Mouth<br />
International Dance Festival<br />
Jacob’s Pillow Dance Festival<br />
Johannes Wieland<br />
John Jay Theatre<br />
Joyce SoHo<br />
The Joyce Theater<br />
The Kitchen<br />
Limón Dance Company<br />
Mark Morris Dance Group<br />
Martha Graham Dance Company<br />
Merce Cunningham Dance<br />
Company<br />
MOMIX<br />
Nikolais Dance Theatre<br />
Pascal Rioult<br />
Peter Boal<br />
Philadanco<br />
Pilobolus<br />
P.S. 122<br />
Puffin Room Gallery<br />
Ron Brown/Evidence<br />
Skirball Center<br />
Smuin Ballets/SF<br />
Stephen Petronio Company<br />
Symphony Space<br />
Tere O’Connor<br />
Tribeca Arts Canter<br />
Zvi Gotheiner<br />
events<br />
62
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
THE<br />
COLLEEN DEWHURST<br />
SOCIETY<br />
“I’M SO PROUD OF WHAT WE DO FOR EACH OTHER. THERE ARE<br />
SO MANY PEOPLE WHO THOUGHT THIS THING WOULD NEVER GO,<br />
THAT IT COULDN’T BE DONE. BUT IT HAPPENED ANYWAY BECAUSE<br />
SO MANY PEOPLE CAME FORWARD AND, IN MANY DIFFERENT WAYS,<br />
MADE IT HAPPEN. AND TO THIS VERY DAY, I LOVE YOU ALL FOR THAT.”<br />
COLLEEN DEWHURST<br />
JUNE 1991<br />
PLANNING FOR YOUR FUTURE AND OURS<br />
Gifts made by bequest are a growing source of income for <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>. Founded in 1988 and named for<br />
Colleen Dewhurst, the late Actors’ <strong>Equity</strong> Association President who spearheaded the formation of the <strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong><br />
Committee (which merged with <strong>Broadway</strong> <strong>Cares</strong> in 1992), The Colleen Dewhurst Society is the planned giving program of <strong>BC</strong>/<strong>EFA</strong><br />
that honors those individuals who have generously included <strong>BC</strong>/<strong>EFA</strong> in their will and estate plans.<br />
the following people have provided for an estate or other planned gifts to <strong>BC</strong>/<strong>EFA</strong>:<br />
Samuel G. Altman<br />
Melvin Bernhardt and<br />
Jeff Woodman<br />
Katherine Brader<br />
Oscar Chamudes<br />
Elizabeth B. Cole<br />
Frank P. Conway<br />
Dennis J. Cooney<br />
Erick Devine<br />
Kirsten Felix<br />
Cecelia H. Fink<br />
Aaron Frankel<br />
F. Kenneth Freedman<br />
Ken Glass<br />
Robert Dean Gonzales<br />
Christopher C. Harrison<br />
Michael F. Hartig<br />
Melody R. Henshaw<br />
George K. Jones<br />
Henry Kaplan<br />
Constance Keene<br />
Robert W. Kilgore and<br />
Edward Richmond<br />
Ronald Kollen<br />
Belinda J. Kotin<br />
Dorothy Loudon<br />
Michael T. Marino<br />
Gilbert Parker<br />
Sheila Porter<br />
Julie Ann Richardson<br />
Amy Rosenthal<br />
Paul L. Ross<br />
Stuart H. Ross<br />
Margaret L. Small<br />
Frank E. Spring<br />
Cheryl Lee Toth<br />
Jay Laudato and<br />
Thomas G. Watson<br />
Terrence James Witter<br />
Carolyn Zaput<br />
gifts to bc/efa have been received from the following estates:<br />
Estate of Louise Alexander<br />
Estate of Walter Alford<br />
Estate of Eva Sully Block<br />
Estate of Robert L. Borod<br />
Estate of Thomas Boyd<br />
Estate of Aron Bromberg<br />
Estate of Alice C. Brown<br />
Estate of Dennis J. Cooney<br />
Estate of Dolores Gray<br />
Crevolin<br />
Estate of Alvin C. Davis<br />
Estate of Fred Ebb<br />
Estate of Joan Houseman<br />
Estate of Mary L. Laslo<br />
Estate of Richard Lerner<br />
Estate of Paul R. Lipson<br />
Estate of Murray H. Schapiro<br />
Estate of Eileen R. Shields<br />
Estate of<br />
Milton Joseph Tatelman<br />
Estate of David P. Taylor<br />
Estate of John Wylie Thomas<br />
Estate of Gwen Verdon<br />
Estate of Julius Wittman<br />
the colleen dewhurst society<br />
63
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
FINANCIAL<br />
STATEMENTS<br />
SEPTEMBER 30, <strong>2004</strong> AND 2003<br />
INDEPENDENT AUDITORS’ REPORT<br />
Board of Directors<br />
<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc.<br />
New York, New York<br />
Eisner LLP<br />
Accountants and Advisors<br />
750 Third Avenue<br />
New York, NY 10017-2703<br />
Tel 212.949.8700 Fax 212.891.4100<br />
www.eisnerllp.com<br />
We have audited the accompanying statements of financial position of <strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. as of September<br />
30, <strong>2004</strong> and 2003, and the related statements of activities, functional expenses, and cash flows for the years then ended. These<br />
financial statements are the responsibility of the Organization's management. Our responsibility is to express an opinion on these<br />
financial statements based on our audits.<br />
We conducted our audits in accordance with auditing standards generally accepted in the United States of America. Those<br />
standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free<br />
of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the<br />
financial statements. An audit also includes assessing the accounting principles used and significant estimates made by<br />
management, as well as evaluating the overall financial statement presentation. We believe that our audits provide a reasonable<br />
basis for our opinion.<br />
In our opinion, the financial statements enumerated above present fairly, in all material respects, the financial position of<br />
<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. as of September 30, <strong>2004</strong> and 2003, and the changes in its net assets and its cash flows<br />
for the years then ended, in conformity with accounting principles generally accepted in the United States of America.<br />
New York, New York<br />
January 14, 2005<br />
financial statements<br />
64
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
STATEMENTS OF FINANCIAL POSITION<br />
year ended september 30,<br />
<strong>2004</strong> 2003<br />
ASSETS<br />
cash and cash equivalents $ 1,465,940 $ 1,696,817<br />
accounts receivable 22,150 47,149<br />
prepaid expenses and other current assets 141,673 77,613<br />
inventory 253,827 169,143<br />
property and equipment, net 91,464 86,893<br />
security deposit 17,656 12,918<br />
$ 1,992,710 $ 2,090,533<br />
LIABILITIES AND NET ASSETS<br />
accounts payable and accrued expenses $ 141,129 $ 196,601<br />
deferred revenue 25,000 40,465<br />
grants payable 705,000 1,294,200<br />
total liabilities $ 1,531,266<br />
commitments (note d)<br />
net assets - unrestricted $ 1,121,581 $ 559,267<br />
$ 1,992,710 $ 2,090,533<br />
See notes to financial statements.<br />
financial statements<br />
65
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
STATEMENTS OF ACTIVITIES<br />
YEAR ENDED SEPTEMBER 30,<br />
<strong>2004</strong> 2003<br />
public support and revenue:<br />
contributions $ 11,256,252 $ 9,066,859<br />
special events, net of direct benefit to donors of $390,492 in 2003<br />
and $318,605 in 2002 1,436,856 954,063<br />
merchandise sales 565,341 494,336<br />
donated goods and services 368,450 265,000<br />
interest and other income 13,975 11,571<br />
total public support and revenue $ 13,640,874 $ 10,791,829<br />
expenses:<br />
program services:<br />
grants 7,797,838 6,138,469<br />
other program services 1,881,095 1,753,575<br />
total program services $ 9,678,933 $ 7,892,044<br />
ssupporting services:<br />
management and general 1,298,713 1,257,695<br />
fund-raising 2,100,914 1,591,854<br />
total supporting services $ 3,399,627 $ 2,849,549<br />
total expenses $ 13,078,560 $ 10,741,593<br />
INCREASE IN NET ASSETS 562,314 50,236<br />
unrestricted net assets - october 1 559,267 509,031<br />
UNRESTRICTED NET ASSETS - SEPTEMBER 30 $ 1,121,581 $ 559,267<br />
See notes to financial statements.<br />
financial statements<br />
66
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
STATEMENTS OF CASH FLOWS<br />
YEAR ENDED SEPTEMBER 30,<br />
<strong>2004</strong> 2003<br />
CASH FLOWS FROM OPERATING ACTIVITIES:<br />
increase in net assets $ 562,314 $ 50,236<br />
adjustments to reconcile increase in net assets to net cash provided by<br />
operating activities:<br />
depreciation and amortization 41,147 40,294<br />
donated investments (33,281) (5,378)<br />
changes in:<br />
receivables 24,999 (15,298)<br />
prepaid expenses and other current assets (64,060) 24,476<br />
inventory (84,684) (27,216)<br />
security deposits (4,738) (1,200)<br />
accounts payable and accrued expenses (55,472) 97,702<br />
deferred revenue (15,465) (14,725)<br />
grants payable (589,200) 719,200<br />
net cash provided by operating activities (218,440) 868,091<br />
CASH FLOWS FROM INVESTING ACTIVITIES:<br />
proceeds from sale of investment 33,281 5,378<br />
purchases of property and equipment (45,718) (45,226)<br />
net cash used in investing activities (12,437) (39,848)<br />
net change in cash and cash equivalents (230,877) 828,243<br />
cash and cash equivalents - october 1 1,696,817 868,574<br />
CASH AND CASH EQUIVALENTS - SEPTEMBER 1 $ 1,465,940 $ 1,696,817<br />
SUPPLEMENTAL DISCLOSURE OF CASH FLOW INFORMATION<br />
noncash donation of goods and services $ 270,000 $ 265,000<br />
See notes to financial statements.<br />
financial statements<br />
67
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
NOTES TO<br />
FINANCIAL<br />
STATEMENTS<br />
SEPTEMBER 30, <strong>2004</strong> AND 2003<br />
NOTE A - ORGANIZATION AND SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES<br />
[1] ORGANIZATION:<br />
<strong>Broadway</strong> <strong>Cares</strong>/<strong>Equity</strong> <strong>Fights</strong> <strong>AIDS</strong>, Inc. (the "Organization") is a not-for-profit entity that raises money to provide grants to<br />
organizations providing assistance for health care to individuals in the entertainment industry (particularly HIV/<strong>AIDS</strong> and<br />
related womens' health issues) and to organizations and programs nationwide and internationally that provide care and<br />
services to people living with HIV/<strong>AIDS</strong>. Occasionally, the Organization also facilitates the fund-raising capabilities of the<br />
entertainment industry to address an urgent crisis or need, as directed by the Board of Directors.<br />
The Organization is exempt from federal income taxes under Section 501(c)(3) of the U.S. Internal Revenue Code, and from<br />
state and local taxes under comparable laws.<br />
[2] FINANCIAL REPORTING:<br />
(a) Basis of accounting:<br />
The accompanying financial statements of the Organization have been prepared on the accrual basis of accounting and<br />
conform to accounting principles generally accepted in the United States of America as applicable to not-for-profit<br />
entities.<br />
(b) Cash equivalents:<br />
For financial-presentation purposes, cash and cash equivalents include cash invested in highly liquid money-market<br />
accounts.<br />
(c)<br />
Functional allocation of expenses:<br />
The cost of providing the various programs and supporting services has been summarized on a functional basis in the<br />
accompanying statements of activities. Accordingly, certain costs have been allocated among the programs and supporting<br />
services in reasonable ratios determined by management.<br />
(d) Use of estimates:<br />
The preparation of financial statements in conformity with generally accepted accounting principles requires<br />
management to make estimates and assumptions that affect the reported amount of assets, liabilities, revenues and<br />
expenses. Actual results could differ from those estimates.<br />
(e) Net assets:<br />
Unrestricted net assets represent those resources for which there are no donor restrictions as to their use. Temporarily<br />
restricted contributions, the requirements of which are met in the year of donation, are reported as unrestricted.<br />
[3] REVENUE RECOGNITION:<br />
Contributions:<br />
Contributions are recorded as revenue upon receipt of cash or unconditional pledges. Contributions are considered<br />
available for unrestricted use unless specifically restricted by the donor. It is the Organization’s policy to sell donated<br />
investments upon receipt.<br />
financial statements<br />
68
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
NOTES TO FINANCIAL STATEMENTS<br />
SEPTEMBER 30, <strong>2004</strong> AND 2003<br />
NOTE A - ORGANIZATION AND SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES<br />
(CONTINUED)<br />
Volunteers:<br />
A substantial number of unpaid volunteers have made significant contributions of their time to the Organization. The<br />
value of this contributed time does not meet the criteria for recognition of contributed services required under generally<br />
accepted accounting principles and accordingly, is not included in the accompanying financial statements.<br />
Special events:<br />
The Organization conducts special events for which the use of the theater may be donated and the performers and support<br />
staff donate their time. A portion of the gross proceeds paid by the attendees represents payment for the direct cost of the<br />
benefits received by the attendees at the event. Unless a verifiable, objective means exists to demonstrate otherwise, the fair<br />
value of entertainment provided at these special events is measured at the cost to the Organization. The special event<br />
income is reported net of the direct costs of the event that are attributable to the benefit that the donor receives.<br />
Merchandise sales:<br />
The Organization operates a retail outreach program that sells <strong>AIDS</strong>-awareness red-ribbon items; items crafted by<br />
workshops sheltered for people living with <strong>AIDS</strong>; and general <strong>Broadway</strong>-show-related memorabilia. Sales are conducted<br />
via a printed catalog and on-line through the Organization’s website.<br />
[4] PROPERTY AND EQUIPMENT:<br />
Property and equipment are reported at their costs at the dates of acquisition or at their fair values at the dates of donation.<br />
Depreciation of furniture and equipment is provided using the straight-line method over estimated useful lives of five years,<br />
and leasehold improvements are amortized using the straight-line method over the term of the underlying lease.<br />
[5] INVENTORY:<br />
Inventory consists of merchandise available for sale and is valued at the lower of cost or market value. Certain items have been<br />
contributed to inventory and have been recorded at their approximate fair values at the dates of contribution. Included in<br />
inventory are original, one-of-a-kind toy bears, each of which is a designer-costumed, collectible "<strong>Broadway</strong> Bear" that is to<br />
be offered at auction during the next fiscal year.<br />
[6] DEFERRED REVENUE:<br />
The revenue from advance ticket sales related to a future year's event is deferred and recognized as income in the year in which<br />
the performance is held.<br />
[7] GRANTS PAYABLE:<br />
Grant expenses are considered to be incurred at the time of approval for payment by the Board of Directors. Grants<br />
outstanding at the end of each fiscal year are expected to be paid in the following fiscal year.<br />
financial statements<br />
69
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
NOTES TO FINANCIAL STATEMENTS<br />
SEPTEMBER 30, <strong>2004</strong> AND 2003<br />
NOTE B - PROPERTY AND EQUIPMENT<br />
At each fiscal year-end, property and equipment consisted of the following:<br />
YEAR ENDED SEPTEMBER 30,<br />
<strong>2004</strong> 2002<br />
office furniture and fixtures $ 99,049 $ 115,280<br />
equipment 105,392 145,825<br />
leasehold improvements 59,730 61,755<br />
264,171 322,860<br />
less accumulated depreciation (172,707) (235,967)<br />
During fiscal-year <strong>2004</strong>, fully depreciated furniture and equipment of $104,407 were written-off.<br />
$ 91,464 $ 86,893<br />
NOTE C - COMMITMENTS<br />
[1] LEASE AGREEMENT:<br />
The Organization rents office space under an operating lease agreement that expires on June 30, 2008. The lease requires<br />
minimum lease payments plus escalation charges. Rent expense for each of the fiscal-years <strong>2004</strong> and 2003 was approximately<br />
$248,000 and $236,000, respectively. The minimum annual future obligations under this lease are as follows:<br />
YEAR ENDED SEPTEMBER 30,<br />
2005 212,396<br />
2006 218,767<br />
2007 225,328<br />
2008 172,770<br />
$ 829,261<br />
[2] CONSULTING AGREEMENT:<br />
On October 1, <strong>2004</strong>, the Organization entered into a consulting agreement for direct mailing services. The agreement expires on<br />
September 30, 2006. The minimum fee is expected to be $27,000 for fiscal-year 2005 and $27,000 for fiscal-year 2006.<br />
notes to financial statements<br />
70
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong>, INC.<br />
NOTES TO FINANCIAL STATEMENTS<br />
SEPTEMBER 30, <strong>2004</strong> AND 2003<br />
NOTE D - DONATED GOODS AND SERVICES<br />
Contributed goods are recognized at their fair market values at the dates of donation. Contributions of services are recognized<br />
when they are received, if the services (a) create or enhance nonfinancial assets or (b) require specialized skills, are provided by<br />
individuals possessing those skills, and would typically need to be purchased if not donated.<br />
During fiscal-year <strong>2004</strong>, the Organization received $62,850 of donated airfare and $35,600 of donated security. In addition,<br />
the Organization received (i) donated toy bears of $100,000 and $90,000 in fiscal-years <strong>2004</strong> and 2003, respectively, and (ii)<br />
an in-kind contribution in the form of donated advertising which was valued at $170,000 and $175,000 in fiscal-years <strong>2004</strong> and<br />
2003, respectively.<br />
NOTE E - RELATED PARTY TRANSACTION<br />
A director of the Organization is a principal owner of the press agency used by the Organization. Fees paid for services and<br />
expense reimbursements to the press agency were $32,741 and $27,538 for fiscal-years <strong>2004</strong> and 2003, respectively.<br />
For the fiscal-years <strong>2004</strong> and 2003, grants of $3,360,500 and $2,972,500, respectively, were paid to the Actors Fund of<br />
America, a not-for-profit organization that has several board members in common with the Organization.<br />
NOTE F - CONTRIBUTIONS TO RELIEF EFFORTS<br />
As a result of the terrorist attacks in 2001, various <strong>Broadway</strong> shows collected donations for the relief efforts and submitted these<br />
contributions to the Organization. The Organization in turn distributed these funds, which amounted to approximately<br />
$215,000 in the fiscal year ending September 30, 2002, to appropriate recipients.<br />
NOTE H - RETIREMENT BENEFITS<br />
The Organization has a defined-contribution pension plan formed under U.S. Internal Revenue Code Section 401(k) that covers<br />
all employees who meet certain length-of-service requirements. Participants' contributions are fully vested at all times, and vesting<br />
of the Organization's contributions is phased-in over a six-year period. There were no employer contributions made in fiscalyears<br />
<strong>2004</strong> and 2003. It is the Organization's policy to fund pension costs currently.<br />
NOTE I - CONCENTRATION OF CREDIT RISK<br />
The Organization deposits its cash in accounts with major banking institutions. At times, such amounts may be in excess of federal<br />
insurance limits. Management believes that the Organization has no significant risk of loss on these accounts due to the failure of<br />
the institutions.<br />
notes to financial statements<br />
71
BROADWAY CARES/EQUITY FIGHTS <strong>AIDS</strong><br />
CREDITS<br />
Prepared by the <strong>BC</strong>/<strong>EFA</strong><br />
senior staff<br />
Tom Viola<br />
Executive Director<br />
Larry Cook<br />
Director of Finance and<br />
Administration<br />
Michael Graziano<br />
Producing Director<br />
Frank Sonntag<br />
Director of Development<br />
and<br />
Andy Smith<br />
Associate Director of Development<br />
and Communications<br />
editor<br />
Tom Viola<br />
photo editor<br />
Carol Ingram<br />
design<br />
Design 158, NYC<br />
photography<br />
Jay Brady Photography,<br />
Kenneth Blauvelt/<br />
Studio 66<br />
Rivka Katvan<br />
Moody Pics<br />
Christopher Economakos<br />
The Actors’ Fund of<br />
America and candid photos<br />
donated by <strong>BC</strong>/<strong>EFA</strong><br />
volunteers<br />
printing<br />
Arista Printing and<br />
Computer Graphics<br />
BOARD OF DIRECTORS<br />
Paul Libin, President<br />
Alan Eisenberg, Vice-President<br />
Patrick Quinn, Second Vice-President<br />
Maria Di Dia, Third Vice-President<br />
Philip Birsh, Tresurer<br />
Judith Rice, Secretary<br />
BOARD OF TRUSTEES<br />
Cornelius Baker Gary Gunas<br />
Scott Barnes Charles Hamlen<br />
Joseph Benincasa ex officio<br />
Jed Bernstein Craig Jacobs<br />
Chris Boneau Richard Jay-<br />
Barry Brown Alexander<br />
Kate Burton Cherry Jones<br />
Robert Callely Nathan Lane<br />
Kathleen Chalfant Jay Laudato<br />
Thom Christopher Scott Mauro<br />
Sherry Cohen Michael McElroy<br />
Alan Cumming Terrence McNally<br />
Gavin Darraugh Jerry Mitchell<br />
Michael David Ira Mont<br />
Merle Debuskey Bernadette Peters<br />
Paul DiDonato Martin Richards<br />
Sam Ellis<br />
Chita Rivera<br />
Neal Garelik Jordan Roth<br />
Nick Scandalios<br />
Peter Schneider<br />
Thomas<br />
Schumacher<br />
Marian Seldes<br />
Matthew Serino<br />
Philip J. Smith<br />
Stuart Thompson<br />
Tim Tompkins<br />
Fred Vogel<br />
Beth Williams<br />
George C. Wolfe<br />
as of October 1, <strong>2004</strong><br />
credits<br />
72
42nd STREET<br />
A FEW GOOD MEN DANCIN’<br />
A RAISIN IN THE SUN AIDA AVENUE Q BEAUTY AND<br />
THE BEAST BECKETT/ALBEE BEYOND RECOGNITION<br />
BLUE MAN GROUP BOOBS, THE MUSICAL THE BOY<br />
FROM OZ CABARET CHICAGO DE LA GUARDA<br />
FAME FIDDLER ON THE ROOF FLOWER DRUM SONG<br />
FORBIDDEN BROADWAY THE FULL MONTY GOLDA’S<br />
BALCONY GYPSY HAIRSPRAY I AM MY OWN WIFE<br />
I LOVE YOU, YOU’RE PERFECT, NOW CHANGE<br />
JESUS CHRIST, SUPERSTAR LES MISÉRABLES THE<br />
LION KING LISTEN TO MY HEART LITTLE SHOP OF<br />
HORRORS LYPSINKA MAMMA MIA MENOPAUSE,<br />
THE MUSICAL MORE MOVIN’ OUT NAKED BOYS<br />
SINGING NINE OMINUM GATHERING THE PHANTOM<br />
OF THE OPERA THE PRODUCERS RENT THE<br />
RETREAT FROM MOSCOW SARAH, SARAH STOMP<br />
STRICTLY ACADEMIC TABOO TAKE ME OUT THE<br />
THANK<br />
YOU!<br />
THING ABOUT MEN THOROUGHLY MODERN MILLIE<br />
TWENTIETH CENTURY URINETOWN THE VIOLET<br />
HOUR WICKED WINTERTIME WONDERFUL TOWN<br />
Company members from Avenue Q at the <strong>Broadway</strong> Flea Market; this says it all – the “rotation” at <strong>Broadway</strong> Bares; Leslie Gore and Richard Thomas at the Celebrity Photo Booth<br />
during The <strong>Broadway</strong> Flea Market; the kids from the musical Gypsy accept their fundraising award at The Gypsy of the Year Competition; two <strong>BC</strong>/<strong>EFA</strong> champions, Christopher<br />
Sieber and Harvey Fierstein; the star of Take Me Out, Daniel Sunjata, with his very own Take Me Out bear – fully clothed. The irrepressible Charles Busch as Auntie Mame.
BROADWAY CARES/<br />
EQUITY FIGHTS <strong>AIDS</strong><br />
165 West 46th Street, Suite 1300<br />
New York, NY 10036<br />
T.212.840.0770<br />
F.212.840.0551<br />
www.broadwaycares.org