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y Peggy Templer<br />
Sha Sha Higby could easily be the poster child for<br />
the single-child family. An only child until the age of<br />
eleven, this amazingly imaginative artist can trace her<br />
creative development back to the hours she spent alone<br />
in her upstairs bedroom as a child. She was constantly<br />
drawing, making up stories, creating dolls and puppets,<br />
imagining and producing entire travelogues with<br />
forests and trails and other destinations, all within the<br />
confines of her room. Her mother always encouraged<br />
her to indulge her imagination, and had endless<br />
patience for a creatively messy room. Her stepfather<br />
taught her to sew and was handy with tools, so that she<br />
began making things for their home and friends, dolls<br />
with long skinny legs, 100 mice finger puppets, eggs<br />
with scenes inside, stories embellished with costume<br />
and fabric. She also wrote stories and bound the books.<br />
Her mother opened a retail clothing store, but Sha Sha<br />
still made all of her own clothes.<br />
Sha Sha majored in art at Skidmore College, from<br />
which, during her junior year, she participated in an<br />
exchange program to Japan and wound up staying<br />
for one year instead of three weeks. In Japan she was<br />
introduced to many of the elements that would become<br />
features of her own life’s work – Kabuki theater, Noh<br />
mask carving, dance and movement, tea ceremony, calligraphy,<br />
elaborate Shinto and Buddhist rituals and rich<br />
costuming. According to Sha Sha, “Japanese crafts and<br />
Noh Theater, with its elaborate costuming and poetic<br />
structure, were the major influence on my work.”<br />
After returning from Japan, “on her own” as an artist,<br />
Sha Sha began making installation pieces for galleries,<br />
primarily small objects that were a cross between sculpture<br />
and puppetry strung on threads which “involved a<br />
lot of sewing,” as well as the use of carved wood which<br />
she learned from Noh Mask Carving. It was during this<br />
time that she became particularly intrigued with Butoh<br />
Dance performances. “The dancers’ bodies were like<br />
Above: Photo by Albert Hollander from Folds of Gold by Sha Sha Higby. Japanese urushi lacquer, gold leaf, embroidery, silver filigree leaves<br />
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