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Dana Driver - Mendocino Art Center

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y Peggy Templer<br />

Sha Sha Higby could easily be the poster child for<br />

the single-child family. An only child until the age of<br />

eleven, this amazingly imaginative artist can trace her<br />

creative development back to the hours she spent alone<br />

in her upstairs bedroom as a child. She was constantly<br />

drawing, making up stories, creating dolls and puppets,<br />

imagining and producing entire travelogues with<br />

forests and trails and other destinations, all within the<br />

confines of her room. Her mother always encouraged<br />

her to indulge her imagination, and had endless<br />

patience for a creatively messy room. Her stepfather<br />

taught her to sew and was handy with tools, so that she<br />

began making things for their home and friends, dolls<br />

with long skinny legs, 100 mice finger puppets, eggs<br />

with scenes inside, stories embellished with costume<br />

and fabric. She also wrote stories and bound the books.<br />

Her mother opened a retail clothing store, but Sha Sha<br />

still made all of her own clothes.<br />

Sha Sha majored in art at Skidmore College, from<br />

which, during her junior year, she participated in an<br />

exchange program to Japan and wound up staying<br />

for one year instead of three weeks. In Japan she was<br />

introduced to many of the elements that would become<br />

features of her own life’s work – Kabuki theater, Noh<br />

mask carving, dance and movement, tea ceremony, calligraphy,<br />

elaborate Shinto and Buddhist rituals and rich<br />

costuming. According to Sha Sha, “Japanese crafts and<br />

Noh Theater, with its elaborate costuming and poetic<br />

structure, were the major influence on my work.”<br />

After returning from Japan, “on her own” as an artist,<br />

Sha Sha began making installation pieces for galleries,<br />

primarily small objects that were a cross between sculpture<br />

and puppetry strung on threads which “involved a<br />

lot of sewing,” as well as the use of carved wood which<br />

she learned from Noh Mask Carving. It was during this<br />

time that she became particularly intrigued with Butoh<br />

Dance performances. “The dancers’ bodies were like<br />

Above: Photo by Albert Hollander from Folds of Gold by Sha Sha Higby. Japanese urushi lacquer, gold leaf, embroidery, silver filigree leaves<br />

9

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