no ordinary cat - ANTHEA
no ordinary cat - ANTHEA
no ordinary cat - ANTHEA
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UK<br />
Weidenfeld and<br />
nicholson<br />
(Kirsty Dunseath)<br />
Brazil<br />
editora <strong>no</strong>vo<br />
conceito<br />
Catalan<br />
columna edicions<br />
China<br />
Beijing Heping<br />
Yahua cultural<br />
communi<strong>cat</strong>ions<br />
co.<br />
Finland<br />
WsoY<br />
Germany<br />
droemer<br />
Holland<br />
the House of<br />
Books<br />
Italy<br />
Mondadori<br />
Norway<br />
cappelen damm<br />
Poland<br />
Proszynski<br />
Spain<br />
espasa<br />
uK Publi<strong>cat</strong>ion 16 May 2013 Fiction uK Publi<strong>cat</strong>ion 7 June 2013 Fiction<br />
Eva Weaver<br />
THE PUPPET BOY OF<br />
WARSAW<br />
THE PuPPET BoY oF WARSAW is the story of Mika,<br />
a Jewish boy living with his mother and grandfather in<br />
the Warsaw ghetto. When his grandfather is shot dead in<br />
the street whilst defending a young girl from a German<br />
soldier, Mika inherits his coat and discovers many secret<br />
pockets in the lining. In one of the many pockets he finds<br />
a puppet. He then discovers that his grandfather had<br />
been secretly making many different puppets and hiding<br />
them away in a cupboard. Mika finishes making them<br />
and becomes a puppeteer in the ghetto entertaining the<br />
children in the orphanage and the hospital. Then, one<br />
day, he is discovered and forced to put on shows for the<br />
occupying German troops.<br />
It is also the story of Max, a German soldier stationed<br />
in Warsaw, whose experiences in Poland and later in<br />
Siberia’s Gulag present a different face of that devastating<br />
war.<br />
A war-torn legacy is passed from one generation to the<br />
next through Mika’s puppets. While Mika himself keeps<br />
the princess, the crocodile and the fool, Max carries<br />
off his puppet prince and they are <strong>no</strong>t to be reunited<br />
for many years… ultimately, THE PuPPET BoY oF<br />
WARSAW is a <strong>no</strong>vel of courage and redemption.<br />
UK<br />
random House<br />
US<br />
simon & schuster<br />
France<br />
editions Belfond<br />
Douglas Kennedy<br />
FIVE DAYS<br />
Laura is in the throes of a midlife crisis. Her twenty<br />
year marriage has flat lined and her husband, dan, has<br />
become a stranger to her since losing his job eighteen<br />
months ago. So when she is invited to a weekend<br />
conference in Boston, she jumps at the opportunity.<br />
While checking in she gets talking with a man she<br />
immediately characterises as grey and uninspired.<br />
His name is Richard Coleman. He’s a fifty something<br />
insurance salesman, also from Maine, also in Boston<br />
for the weekend. But when a chance meeting later that<br />
evening brings them together again, Laura begins to<br />
discover a<strong>no</strong>ther man beneath the salesman façade:<br />
smart, animated and surprisingly literate.<br />
Two lonely people meet by chance in a city <strong>no</strong>t their own.<br />
Two people desperate for a connection, yet terrified of<br />
the impli<strong>cat</strong>ions. In his remarkable new <strong>no</strong>vel, douglas<br />
Kennedy takes the premise of a brief encounter and turns<br />
it into a hugely compelling exploration of how and why<br />
we fall in love, and the way in which the entire trajectory<br />
of a life can change thanks to the music of chance.<br />
A profoundly moving love story that inspires tears and<br />
serious rumination, FIvE dAYS speaks directly to the<br />
manifold contradictions of the human heart.<br />
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