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no ordinary cat - ANTHEA

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UK<br />

Weidenfeld and<br />

nicholson<br />

(Kirsty Dunseath)<br />

Brazil<br />

editora <strong>no</strong>vo<br />

conceito<br />

Catalan<br />

columna edicions<br />

China<br />

Beijing Heping<br />

Yahua cultural<br />

communi<strong>cat</strong>ions<br />

co.<br />

Finland<br />

WsoY<br />

Germany<br />

droemer<br />

Holland<br />

the House of<br />

Books<br />

Italy<br />

Mondadori<br />

Norway<br />

cappelen damm<br />

Poland<br />

Proszynski<br />

Spain<br />

espasa<br />

uK Publi<strong>cat</strong>ion 16 May 2013 Fiction uK Publi<strong>cat</strong>ion 7 June 2013 Fiction<br />

Eva Weaver<br />

THE PUPPET BOY OF<br />

WARSAW<br />

THE PuPPET BoY oF WARSAW is the story of Mika,<br />

a Jewish boy living with his mother and grandfather in<br />

the Warsaw ghetto. When his grandfather is shot dead in<br />

the street whilst defending a young girl from a German<br />

soldier, Mika inherits his coat and discovers many secret<br />

pockets in the lining. In one of the many pockets he finds<br />

a puppet. He then discovers that his grandfather had<br />

been secretly making many different puppets and hiding<br />

them away in a cupboard. Mika finishes making them<br />

and becomes a puppeteer in the ghetto entertaining the<br />

children in the orphanage and the hospital. Then, one<br />

day, he is discovered and forced to put on shows for the<br />

occupying German troops.<br />

It is also the story of Max, a German soldier stationed<br />

in Warsaw, whose experiences in Poland and later in<br />

Siberia’s Gulag present a different face of that devastating<br />

war.<br />

A war-torn legacy is passed from one generation to the<br />

next through Mika’s puppets. While Mika himself keeps<br />

the princess, the crocodile and the fool, Max carries<br />

off his puppet prince and they are <strong>no</strong>t to be reunited<br />

for many years… ultimately, THE PuPPET BoY oF<br />

WARSAW is a <strong>no</strong>vel of courage and redemption.<br />

UK<br />

random House<br />

US<br />

simon & schuster<br />

France<br />

editions Belfond<br />

Douglas Kennedy<br />

FIVE DAYS<br />

Laura is in the throes of a midlife crisis. Her twenty<br />

year marriage has flat lined and her husband, dan, has<br />

become a stranger to her since losing his job eighteen<br />

months ago. So when she is invited to a weekend<br />

conference in Boston, she jumps at the opportunity.<br />

While checking in she gets talking with a man she<br />

immediately characterises as grey and uninspired.<br />

His name is Richard Coleman. He’s a fifty something<br />

insurance salesman, also from Maine, also in Boston<br />

for the weekend. But when a chance meeting later that<br />

evening brings them together again, Laura begins to<br />

discover a<strong>no</strong>ther man beneath the salesman façade:<br />

smart, animated and surprisingly literate.<br />

Two lonely people meet by chance in a city <strong>no</strong>t their own.<br />

Two people desperate for a connection, yet terrified of<br />

the impli<strong>cat</strong>ions. In his remarkable new <strong>no</strong>vel, douglas<br />

Kennedy takes the premise of a brief encounter and turns<br />

it into a hugely compelling exploration of how and why<br />

we fall in love, and the way in which the entire trajectory<br />

of a life can change thanks to the music of chance.<br />

A profoundly moving love story that inspires tears and<br />

serious rumination, FIvE dAYS speaks directly to the<br />

manifold contradictions of the human heart.<br />

32 33

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