- Page 1 and 2: ORAL HISTORY OF JOHN LUND KRIKEN In
- Page 3 and 4: TABLE OF CONTENTS Preface iv Outlin
- Page 5 and 6: When I met Kriken he was finishing
- Page 7 and 8: Diversification of projects and sta
- Page 9: Kriken: But, my father told us that
- Page 13 and 14: gathering. I guess by the time I go
- Page 15 and 16: knowledge was pretty much the Berke
- Page 17 and 18: and urban design career. But rememb
- Page 19 and 20: [Tape 1: Side B] notable that a lot
- Page 21 and 22: Kriken: Yeah. It is. Riess: Who rep
- Page 23 and 24: Riess: So you’re thrown right int
- Page 25 and 26: Kriken: Yeah, we were seeing it in
- Page 27 and 28: Riess: Telesis. interested in the p
- Page 29 and 30: Riess: Interesting. Kriken: I can
- Page 31 and 32: Riess: Do you have a feeling about
- Page 33 and 34: Kriken: And it never did get simple
- Page 35 and 36: and how there was just enough Europ
- Page 37 and 38: Kriken: Yeah. They would make the d
- Page 39 and 40: with Peery and his wife [Mimi], the
- Page 41 and 42: interesting people were visiting Sa
- Page 43 and 44: of temperature variation. But you r
- Page 45 and 46: lock units of office buildings. So
- Page 47 and 48: Riess: And did that happen among th
- Page 49 and 50: Kriken: I actually got together wit
- Page 51 and 52: of information you had to put toget
- Page 53 and 54: one positive place versus another d
- Page 55 and 56: Kriken: We had three publications.
- Page 57 and 58: Kriken: Well, I guess it depends. Y
- Page 59 and 60: Riess: I guess it was more a time w
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Kriken: There were certainly things
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Kriken: Oh, yeah. Because everythin
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projects with repetitive building t
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Kriken: Yes, they were. Just a coup
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show. It’s so wonderful. They mad
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neighborhood, whatever scale you’
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necessarily worse. Is that true? Or
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Riess: Roger Montgomery was an urba
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Kriken: I don’t know. He doesn’
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Kriken: …consulting but very spec
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Kriken: About part of this project,
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the science and engineering labs, a
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conceptually. They all came one aft
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to pin up policy or ideas in this m
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Riess: Okay, changing the subject b
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Kriken: Probably. That’s true. Al
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Kriken: Seriously? I think, for me,
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our presentations always had to hav
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Kriken: Clear Lake, yeah. And one o
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Kriken: I guess. Or his partners ma
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Kriken: You mean just in doing the
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Kriken: That’s a very Skidmore th
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Riess: Once you could see your spec
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architectural firms--had tried to n
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Kriken: Well, every ten years, the
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kind of reminiscing and talking abo
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Riess: So the first firm award was
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Riess: How about Hispanic? Kriken:
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Riess: But did you feel at some poi
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Riess: What does Class A office bui
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Kriken: And I remember we talked ab
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Riess: You are an urban design part
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there--but it was so interesting as
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Kriken: Right. The peculiarity ther
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And I’m just there to provide a w
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Riess: Yeah. minimized. This makes
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seen so much building in this city
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Kriken: No. It’s proprietary, and
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so it is a connecting on a social b
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good team players. I can think of a
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maybe the social aspects are not--t
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Kriken: Yeah. And then we had assoc
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Riess: They are called to go there?
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Kriken: I don’t know that. Riess:
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Kriken: Yeah. It’s terrible when
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Riess: Ouroussoff doesn’t deal wi
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Riess: Really. There may be landmar
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seems like such a great investment
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Riess: Oh yes. Where are they based
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[Tape 9: Side A] Kriken: Frequently
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center of downtown, stepping down t
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Bay Area region. Hong Kong is so de
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Riess: It sounds like you really be
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void. It was just a complete flip-f
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Kriken: The North of Market Plannin
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Riess: Yes. In that case your exper
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Kriken: You could have all of your
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instead of being just some kind of
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Riess: When you meet people, do you
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architecture begins. But it seems t
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Riess: So where is the credit seen?
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when I get some notice in one of th
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walking. It was after the first Ira
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problems is that it begins to narro
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linear single street. It didn’t r
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hadn’t made a lake in Shanghai in
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Riess: That’s what I wondered. Kr
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Kriken: Yeah, well, just say there
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away to some place where it is prop
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why we hear stories that in India e
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in Shanghai is an example of trying
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Riess: Yeah. Okay. Kriken: I’m no
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part of the identity of the place t
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Kriken: Well, yes. In that instance
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Riess: I don’t understand how LEE
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Kriken: Well, a little bit what I
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Kriken: …protective. It’s almos
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could imagine putting this campus i
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there was a time when I said, “We
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think of an example, somebody could
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separating uses, and so they lost a
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document your thinking in such a wa
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wiggle this path just to get the ex
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elsewhere in the world is the state
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production should compete with hous
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[End of Tape 12; Tape 12: Side B is
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Riess: Of the city. as a joke, beca
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the beautiful French silhouetted bu
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have this impression, and in actual
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Riess: Yes, yes. him when we were p
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Kriken: Let me see. Oh, TEDA, okay,
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They didn’t think about the real
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Riess: That’s interesting. What y
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Kriken: It is; it looks like one of
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the Sunday Afternoon Watercolor Soc
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Riess: That part of the job many pe
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Kriken: And then I would spend a we
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Kriken: I think it is gaining the r
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Kriken: These could be design partn
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Kriken: Well, it’s probably a lit
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Riess: That’s good. Kriken: Or ad
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256
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Urban Design: Process, Products and
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JOHN LUND KRIKEN Born: July 5, 1938
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Adams, Chris 80, 82 Alexander, Chri
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